Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:02:55,732 --> 00:02:57,455
Credits.
2
00:02:57,652 --> 00:03:01,067
The credits will be
superimposed over...
3
00:03:01,267 --> 00:03:04,846
1 . The city of Buenos Aires
on a winter morning.
4
00:03:05,043 --> 00:03:10,193
The sun rises over the Rio de la
Plata, lighting up Buenos Aires.
5
00:03:10,836 --> 00:03:13,902
2. Mario's apartment.
6
00:03:14,099 --> 00:03:17,678
He lives on the top floor
of an old building...
7
00:03:17,875 --> 00:03:21,650
that is still a distinguished
central adress.
8
00:03:21,844 --> 00:03:24,211
The furnishings are quietly modern...
9
00:03:24,403 --> 00:03:27,916
parquet floors, simple furniture,
functional lighting.
10
00:03:28,724 --> 00:03:32,586
Who is Mario Suarez,
the hero of our story?
11
00:03:32,787 --> 00:03:37,065
That's not as important
as what happens to him...
12
00:03:38,068 --> 00:03:39,726
and what he does.
13
00:03:41,971 --> 00:03:46,608
We hear a woman singing
the first notes of a tango.
14
00:03:49,299 --> 00:03:51,535
Mario is pensive.
15
00:03:55,156 --> 00:03:59,280
Life is so strange, friend
16
00:03:59,475 --> 00:04:03,534
l didn't love her
when l met her
17
00:04:03,732 --> 00:04:07,888
Until one night
she firmly said to me
18
00:04:08,084 --> 00:04:12,721
''l'm tired of everything''
and left
19
00:04:12,915 --> 00:04:17,291
Life is so strange, friend
20
00:04:17,491 --> 00:04:21,320
That night
l fell in love with her
21
00:04:22,388 --> 00:04:26,610
l sacrificed so much
trying to forget her
22
00:04:26,803 --> 00:04:31,211
Partied my life away
all over town
23
00:04:31,411 --> 00:04:35,951
How could l know
that her affection
24
00:04:36,147 --> 00:04:40,238
Would cause me all the
troubles that it did
25
00:04:40,435 --> 00:04:44,145
l wasted my life in bars
26
00:04:44,660 --> 00:04:49,035
So they'd all see
l'd forgotten her
27
00:04:49,235 --> 00:04:53,512
But that was a lie
and when l was alone
28
00:04:53,716 --> 00:04:57,774
l cried like a woman, my friend
29
00:05:07,187 --> 00:05:11,344
Two whole years we were together
30
00:05:11,540 --> 00:05:15,566
l never dreamt
that l'd fall for her
31
00:05:16,148 --> 00:05:20,338
How could l know that
she'd bewitch me
32
00:05:20,532 --> 00:05:25,038
That l'd do anything
to see her again
33
00:05:25,236 --> 00:05:29,970
Life is so strange, friend
34
00:05:30,163 --> 00:05:33,873
That was the night
l fell in love with her
35
00:10:06,483 --> 00:10:08,752
l didn't know you were here.
36
00:10:10,291 --> 00:10:14,317
-l came for my necklace.
-Why did you come, Laura?
37
00:10:14,515 --> 00:10:18,060
l told you. For my necklace.
38
00:10:19,251 --> 00:10:20,778
The keys...
39
00:10:21,747 --> 00:10:24,202
l found them among my things.
40
00:10:29,939 --> 00:10:32,360
Can we talk, Laura?
41
00:10:33,107 --> 00:10:36,336
-What about?
-Us.
42
00:10:36,531 --> 00:10:38,703
You and me.
43
00:10:38,899 --> 00:10:40,623
Haven't we said it all?
44
00:10:41,843 --> 00:10:44,232
l can't live this way.
45
00:10:45,299 --> 00:10:49,358
You're everywhere, Laura.
l miss you.
46
00:10:50,579 --> 00:10:52,335
Come back.
47
00:10:53,491 --> 00:10:58,444
-Mario, let's not start again.
-You don't understand.
48
00:11:03,475 --> 00:11:05,515
Kiss me.
49
00:11:08,467 --> 00:11:11,784
Like that. Please kiss me.
50
00:11:11,987 --> 00:11:16,264
-Please, l want to. Kiss me!
-Let go of me.
51
00:11:16,947 --> 00:11:20,330
You're hurting me! Let go!
52
00:11:24,819 --> 00:11:28,496
l'm living with another man!
l'm happy!
53
00:11:28,979 --> 00:11:31,467
ls he a better lay?
54
00:11:32,147 --> 00:11:34,187
Don't be crude!
55
00:11:56,467 --> 00:11:59,369
-Antonio!
-Hi, Mr. Mario.
56
00:11:59,571 --> 00:12:02,440
-How's everything going?
-Just fine.
57
00:12:02,899 --> 00:12:05,997
l'm moving into the studio.
l'll need a mattress...
58
00:12:06,195 --> 00:12:09,708
hi-fi and video,
a few chairs, a table.
59
00:12:09,907 --> 00:12:12,362
-Can you handle it?
-Leave it to me.
60
00:12:12,563 --> 00:12:15,214
-When are you moving in?
-Tomorrow.
61
00:12:16,403 --> 00:12:18,258
-How's you leg?
-Much better.
62
00:12:18,450 --> 00:12:21,898
-ln a few days, l won't need this.
-lt was a miracle!
63
00:12:22,099 --> 00:12:23,757
l fell asleep.
64
00:12:23,955 --> 00:12:26,705
l wasn't drunk or on drugs,
as they said.
65
00:12:26,899 --> 00:12:30,412
l was exhausted. All l remember...
66
00:12:30,611 --> 00:12:33,361
is a truck coming at me.
67
00:12:33,555 --> 00:12:37,484
They say your whole life flashes by.
68
00:12:37,683 --> 00:12:40,945
You see too many movies.
Didn't happen.
69
00:12:41,138 --> 00:12:45,001
l woke up in a hospital
with a broken leg.
70
00:12:45,203 --> 00:12:47,821
lt could have been worse.
71
00:12:48,051 --> 00:12:49,906
Maybe.
72
00:13:12,947 --> 00:13:17,453
Mr. Mario, you don't know me.
l'm a pro at this.
73
00:13:18,003 --> 00:13:21,167
l'm very good.
The best of the ''Guardia Vieja''.
74
00:13:21,363 --> 00:13:24,745
Where's Fuentes?
Back to your place.
75
00:13:25,906 --> 00:13:29,616
-They're calling us.
-Don't forget us.
76
00:13:31,187 --> 00:13:33,838
''The Creole Waltz'', Maestro!
77
00:15:07,955 --> 00:15:12,876
Mario.
Everything's ready for rehearsal.
78
00:15:20,211 --> 00:15:23,113
Hi, Mario.
How's the leg?
79
00:15:23,315 --> 00:15:25,322
l'm ready to dance.
80
00:15:26,099 --> 00:15:27,561
How do you like the place?
81
00:15:28,434 --> 00:15:30,093
l like it.
82
00:15:31,155 --> 00:15:33,359
l'll leave you with Andres.
lf you need me...
83
00:15:33,555 --> 00:15:35,497
l'll be in the workshop.
84
00:15:37,330 --> 00:15:39,502
Let's have the slides.
85
00:15:42,323 --> 00:15:44,265
Left side.
86
00:15:48,146 --> 00:15:49,870
Right side.
87
00:15:52,723 --> 00:15:55,592
-Andres.
-Be right with you.
88
00:15:55,795 --> 00:15:58,478
-l'll come back.
-No, tell me.
89
00:15:58,675 --> 00:16:02,733
l've thought about our talk
on the lighting.
90
00:16:02,931 --> 00:16:05,746
l think l get it.
91
00:16:05,939 --> 00:16:09,768
You want to use color
to travel in time.
92
00:16:11,378 --> 00:16:13,767
And use light to show
our hero's passage...
93
00:16:13,971 --> 00:16:17,680
from outer light
to inner darkness.
94
00:16:17,875 --> 00:16:19,947
That's it.
95
00:16:33,266 --> 00:16:36,812
-How are the rehearsals?
-lmproving.
96
00:16:37,011 --> 00:16:40,306
l hear you're complicating
the show, adding slides...
97
00:16:40,499 --> 00:16:44,361
a wind machine, new dances
and lots of other gimmicks.
98
00:16:44,691 --> 00:16:47,276
-Who told you?
-Never mind.
99
00:16:47,475 --> 00:16:49,864
You've got good spies.
100
00:16:50,067 --> 00:16:53,744
l'm looking for links
to give it unity.
101
00:16:53,939 --> 00:16:56,459
Sure. We're using new materials...
102
00:16:56,658 --> 00:17:00,139
textures from abroad...
lt's interesting.
103
00:17:01,427 --> 00:17:03,467
l have no idea how it'll come out.
104
00:17:03,667 --> 00:17:07,180
Listen to me for once!
105
00:17:07,379 --> 00:17:10,412
Don't complicate things.
Today, audiences want...
106
00:17:10,610 --> 00:17:13,774
simple things.
They've used to TV.
107
00:17:13,971 --> 00:17:17,964
Everything predigested.
They want pure entertainment...
108
00:17:18,163 --> 00:17:21,229
no moralizing, no politics,
no heavy thoughts.
109
00:17:21,427 --> 00:17:24,743
The simpler it is,
the happier they are!
110
00:17:26,322 --> 00:17:28,494
-l talked to them.
-Really.
111
00:17:28,690 --> 00:17:32,814
We had a meeting and...
they want a good show...
112
00:17:33,011 --> 00:17:36,623
and they'll do anything
you want, but...
113
00:17:36,818 --> 00:17:39,371
-But?
-Think of other people.
114
00:17:39,571 --> 00:17:42,473
Especially the investors.
115
00:17:42,834 --> 00:17:46,282
lf they don't like me,
they can fire me.
116
00:17:46,482 --> 00:17:49,482
-Don't be so arrogant!
-That's not it.
117
00:17:49,683 --> 00:17:54,058
lf they don't trust me...
l'll quit.
118
00:17:54,258 --> 00:17:57,607
Don't dramatize! They trust you!
119
00:17:57,811 --> 00:17:59,567
That's why they hired you.
120
00:17:59,762 --> 00:18:03,177
But they want a simple show
with no headaches.
121
00:18:03,379 --> 00:18:07,273
They've got their problems,
l've got mine.
122
00:18:07,475 --> 00:18:11,119
But l won't put up with interference!
123
00:18:11,315 --> 00:18:13,486
-As usual.
-As usual.
124
00:18:13,683 --> 00:18:15,887
Fuck it!
125
00:18:23,187 --> 00:18:26,351
Tonight is a special night...
126
00:18:26,483 --> 00:18:28,719
because here among us are...
127
00:18:28,914 --> 00:18:33,005
dear friends who came
to keep us company.
128
00:18:33,203 --> 00:18:39,794
Like Maestro Carlos Nebbia!
Give him a big hand!
129
00:18:48,434 --> 00:18:53,169
We'll impose on
our distinguished guest...
130
00:18:53,363 --> 00:18:56,396
and ask him to delight us
with a tango!
131
00:18:56,595 --> 00:18:58,482
Go, Maestro!
132
00:22:20,594 --> 00:22:23,376
Next, in this emotion-filled night...
133
00:22:23,570 --> 00:22:27,945
we hear this unique
orchestra playing...
134
00:22:28,147 --> 00:22:30,219
a ''milonga''!
135
00:22:31,154 --> 00:22:33,358
-How are you doing?
-Not as well as you.
136
00:22:33,555 --> 00:22:35,410
Don't exaggerate.
137
00:22:35,602 --> 00:22:38,090
l'm Angel Larroca,
the owner of this place.
138
00:22:38,290 --> 00:22:40,396
Angelo to my friends.
139
00:22:40,594 --> 00:22:42,449
-Maestro Stein.
-Delighted.
140
00:22:42,643 --> 00:22:44,814
-Mario Suarez!
-Delighted.
141
00:22:45,010 --> 00:22:48,655
lt's a real honor for us
to have you here.
142
00:22:48,850 --> 00:22:53,128
May l take a moment of your time?
l'd like to talk to you.
143
00:22:53,330 --> 00:22:56,364
-Now?
-l'd be grateful.
144
00:22:56,562 --> 00:23:00,424
Let's go to my table.
We'll have more privacy.
145
00:23:00,627 --> 00:23:02,634
Be careful.
146
00:23:03,411 --> 00:23:05,931
-Allow me.
-l'm okay, thanks.
147
00:23:07,634 --> 00:23:09,838
See you later.
148
00:23:11,826 --> 00:23:14,412
The guy's dangerous.
149
00:23:17,203 --> 00:23:18,861
What can l do for you?
150
00:23:20,370 --> 00:23:24,527
l'm not quite sure how to put it.
151
00:23:25,043 --> 00:23:26,897
Anyway...
152
00:23:27,218 --> 00:23:30,600
my life is all set up.
153
00:23:30,803 --> 00:23:33,520
Business is fine,
and l've got money.
154
00:23:34,066 --> 00:23:36,521
This place is just a whim for me.
155
00:23:38,450 --> 00:23:43,404
Are you aware that l own
50% of your show?
156
00:23:43,602 --> 00:23:46,897
-l put up the money.
-What about Alex and Fontan?
157
00:23:47,090 --> 00:23:50,985
They're in on it too.
But as l told you...
158
00:23:51,186 --> 00:23:53,706
l'm in control.
159
00:23:53,906 --> 00:23:56,426
Don't look so glum.
160
00:23:56,626 --> 00:23:59,244
-l didn't realize that.
-l'm not your enemy.
161
00:23:59,666 --> 00:24:02,982
l'm a big fan of your work.
162
00:24:03,187 --> 00:24:07,213
What l'm going to ask you
is perfectly normal.
163
00:24:08,562 --> 00:24:13,002
l'm in love with a girl.
She's wild about dancing.
164
00:24:13,202 --> 00:24:15,471
l think she's talented.
165
00:24:16,306 --> 00:24:18,379
l'd give my life for her.
166
00:24:18,674 --> 00:24:20,562
You understand me?
167
00:24:21,779 --> 00:24:23,721
Of course.
168
00:24:25,490 --> 00:24:29,036
That's her, over there
dancing with the old man.
169
00:24:31,027 --> 00:24:33,230
He's my father.
170
00:24:34,354 --> 00:24:37,388
Your father's a pro.
171
00:24:37,874 --> 00:24:40,208
Let's say, as good as one.
172
00:24:40,402 --> 00:24:43,883
But l didn't inherit his talent.
173
00:24:45,586 --> 00:24:50,321
All l'm asking for is...
174
00:24:50,514 --> 00:24:54,409
an audition for her.
No favoritism.
175
00:24:55,858 --> 00:24:59,241
l won't put any pressure on you.
176
00:25:01,106 --> 00:25:05,448
lt's a deal. She can come by the
studio at 11 :00 a.m. tomorrow.
177
00:25:21,394 --> 00:25:23,882
Let's do the same as yesterday.
178
00:25:24,083 --> 00:25:26,832
Separate the men and the women.
179
00:25:27,026 --> 00:25:29,808
The women, this side, okay?
180
00:25:30,354 --> 00:25:32,176
-Later they'll mingle.
-Okay. Can l start?
181
00:25:32,370 --> 00:25:34,606
Yes, and don't stop.
182
00:25:35,666 --> 00:25:39,015
-Hello. How are you?
-To your places.
183
00:25:39,218 --> 00:25:42,447
Girls on this side.
Boys on that side.
184
00:25:42,962 --> 00:25:45,351
We'll do a basic eight-beat step.
185
00:25:45,555 --> 00:25:49,483
Ready, Maestro?
Five, six, seven, eight...
186
00:26:05,042 --> 00:26:07,115
Very good.
The eight in 16 beats.
187
00:26:07,314 --> 00:26:09,835
Five, six, seven, eight...
188
00:26:32,850 --> 00:26:36,843
A double ''sentada'' in 16 beats.
Five, six, seven, eight...
189
00:26:54,930 --> 00:26:56,424
''Sentada''!
190
00:27:08,082 --> 00:27:12,140
lmagine you're holding a boy
in your arms. You too!
191
00:27:12,338 --> 00:27:16,113
Girls, put some joy into it!
Some love, some spice!
192
00:27:16,306 --> 00:27:20,528
A double hook in 16 beats.
193
00:27:36,050 --> 00:27:38,636
Very good.
194
00:27:40,018 --> 00:27:41,741
Now we'll do...
195
00:27:42,994 --> 00:27:46,190
the double hook...
then the ''parada''.
196
00:27:46,386 --> 00:27:50,477
First the ''voleo'' in eight beats.
197
00:27:58,386 --> 00:28:02,827
Now the ''parada'' in 16.
198
00:28:18,002 --> 00:28:20,271
Form a circle.
199
00:28:20,754 --> 00:28:22,576
Now we'll do...
200
00:28:22,770 --> 00:28:25,672
Move counterclockwise.
201
00:28:25,874 --> 00:28:30,250
Now we'll practice
the basic step...
202
00:28:30,450 --> 00:28:33,930
the double hook...
the ''voleo''...
203
00:28:34,769 --> 00:28:39,047
the ''parada''
and the finale in 16 beats.
204
00:28:47,730 --> 00:28:51,112
Make the girls sit more.
205
00:28:52,690 --> 00:28:57,033
l want to see one body with
four legs! Let's see some joy!
206
00:29:38,066 --> 00:29:40,488
-What do you think?
-Brilliant!
207
00:29:40,690 --> 00:29:42,665
He's marvelous!
208
00:29:43,282 --> 00:29:46,064
We've found a clip of Tita Merello.
209
00:29:46,258 --> 00:29:47,982
-And Mercedes Simone?
-We're trying.
210
00:29:48,178 --> 00:29:51,113
The little there
is in bad shape.
211
00:29:51,314 --> 00:29:54,991
The best we found on her
is a movie from 1932 or 1933.
212
00:29:55,186 --> 00:29:57,258
Called ''Tango''.
213
00:29:58,738 --> 00:30:01,226
-You've seen it?
-Sure.
214
00:30:01,425 --> 00:30:03,946
lt had Tita Merello,
Libertad Lamarque...
215
00:30:04,146 --> 00:30:06,088
Azucena Maizane and Simone.
216
00:30:06,290 --> 00:30:09,639
-What a foursome!
-What a cast!
217
00:30:10,962 --> 00:30:13,101
See you in five minutes.
218
00:30:14,578 --> 00:30:16,487
l'll be in the shop.
219
00:32:00,690 --> 00:32:02,217
-Fine.
-Do you like it?
220
00:32:02,418 --> 00:32:05,866
-Some things need fixing...
-What?
221
00:32:07,441 --> 00:32:09,897
-How are you?
-Fine.
222
00:32:11,666 --> 00:32:13,455
-Congratulations.
-Thanks.
223
00:32:15,666 --> 00:32:17,739
Laura, can l talk to you?
224
00:32:34,738 --> 00:32:36,974
Forgive me?
225
00:32:38,834 --> 00:32:40,874
l don't know what came over me.
226
00:32:43,538 --> 00:32:47,629
You know l couldn't harm anyone.
l don't know.
227
00:32:50,930 --> 00:32:53,166
lt'll never happen again. l swear it!
228
00:32:54,002 --> 00:32:57,002
All right, it's forgotten.
229
00:33:00,786 --> 00:33:03,753
What you're doing is fabulous!
230
00:33:04,274 --> 00:33:07,241
-Really?
-Fabulous!
231
00:33:07,442 --> 00:33:09,449
Thanks.
232
00:33:09,650 --> 00:33:14,286
Mario, excuse me. l want to take
a shower. l'm tired.
233
00:33:29,618 --> 00:33:32,073
-He wants to dance with you.
-No, with you.
234
00:33:32,273 --> 00:33:34,313
-No, you!
-l don't dare.
235
00:33:34,514 --> 00:33:36,750
No, go on!
236
00:34:19,890 --> 00:34:23,086
Very good. You've gotten better.
237
00:34:25,937 --> 00:34:27,825
Don't overdo it.
238
00:34:57,777 --> 00:35:00,166
That's enough. Thanks.
239
00:35:16,017 --> 00:35:19,181
Where do you get all that energy?
240
00:35:19,378 --> 00:35:22,444
-You joking?
-lt's impressive.
241
00:35:22,641 --> 00:35:26,471
lt's my whole life.
My passion!
242
00:35:26,673 --> 00:35:29,575
Good rehearsal.
What about the girl?
243
00:35:29,938 --> 00:35:31,978
She's very good.
244
00:35:32,177 --> 00:35:35,047
How long to train her for a lead?
245
00:35:35,249 --> 00:35:38,664
You want her to dance a lead?
246
00:35:39,474 --> 00:35:41,612
You like her?
247
00:35:43,153 --> 00:35:45,968
We'll go all out.
248
00:35:56,081 --> 00:36:00,205
l'm Elena Flores.
Thank you for taking me.
249
00:36:00,402 --> 00:36:03,217
lt's a real pleasure
working with you all.
250
00:36:03,409 --> 00:36:05,613
l saw you dance with the Maestro.
251
00:36:06,385 --> 00:36:09,680
He's not easy to follow.
lt was very good.
252
00:36:10,450 --> 00:36:13,930
Thanks.
l hope l don't let you down.
253
00:36:14,129 --> 00:36:17,904
-Welcome.
-See you. Bye.
254
00:36:23,313 --> 00:36:26,477
Lend me your cane.
Hold onto me.
255
00:36:26,993 --> 00:36:29,000
And bend down. Look...
256
00:36:29,202 --> 00:36:32,715
the floor rises here.
257
00:36:33,329 --> 00:36:36,046
So when the immigrants advance...
258
00:36:36,241 --> 00:36:39,023
we don't see them at first.
259
00:36:39,602 --> 00:36:41,871
-The ramp.
-Sure, on the ramp.
260
00:36:42,065 --> 00:36:44,454
All you'll see is the sky...
261
00:36:44,658 --> 00:36:46,316
and the horizon.
262
00:36:46,513 --> 00:36:49,481
The sun starts to rise. lt's a dawn.
263
00:36:49,681 --> 00:36:53,838
Then, gradually, heads appear.
264
00:36:54,033 --> 00:36:58,921
Whole families. Men, women,
children, young and old.
265
00:36:59,122 --> 00:37:04,523
All dressed in
turn-of-the-century clothes.
266
00:37:04,722 --> 00:37:07,656
They carry suitcases, bundles.
267
00:37:07,858 --> 00:37:11,502
Maybe a man carrying
his kid piggyback.
268
00:37:12,754 --> 00:37:16,747
-What do you think?
-Nice image, yes.
269
00:37:18,289 --> 00:37:21,486
We start with a static shot...
270
00:37:21,681 --> 00:37:24,845
using the whole set.
271
00:37:25,042 --> 00:37:27,977
You want props or
just a backdrop?
272
00:37:28,177 --> 00:37:30,064
Or plastic frames?
273
00:37:30,257 --> 00:37:33,072
A backdrop with a Rosco mural.
274
00:37:33,266 --> 00:37:36,233
The images will vary
with the lighting.
275
00:37:36,433 --> 00:37:38,572
Front or back lit.
276
00:37:38,770 --> 00:37:41,225
The light can keep changing...
277
00:37:41,425 --> 00:37:43,945
from dawn to dusk.
278
00:37:44,145 --> 00:37:48,967
The light will symbolize
exile through the ages.
279
00:37:49,169 --> 00:37:52,617
-What do you say?
-Great!
280
00:37:53,170 --> 00:37:57,839
-Now we have to make it all move.
-l have some ideas.
281
00:37:58,034 --> 00:38:00,335
Still a bit fuzzy.
282
00:38:02,705 --> 00:38:05,869
-l have until?
-Tomorrow, Carlos.
283
00:38:08,209 --> 00:38:10,795
-And the music?
-A tango.
284
00:38:58,289 --> 00:39:02,512
Agri has such a sensitivity.
A virtuoso.
285
00:39:03,985 --> 00:39:05,960
De Lio always looks so absent.
286
00:39:14,226 --> 00:39:18,448
-Look at Salgan... 81 years old.
-Eighty-one?
287
00:39:19,345 --> 00:39:20,774
lncredible!
288
00:41:16,561 --> 00:41:20,139
My most vivid memory
of this school...
289
00:41:20,338 --> 00:41:24,331
is of Don Leandro Garcia Echenique,
my teacher.
290
00:41:24,529 --> 00:41:27,977
A Spanish Civil War refugee.
291
00:41:28,177 --> 00:41:32,138
He taught me to love poetry.
292
00:41:32,337 --> 00:41:34,825
A stern man, very brusque...
293
00:41:35,025 --> 00:41:37,643
but so affectionate.
294
00:41:37,841 --> 00:41:41,223
He started classes with
''Long Live the Republic!
295
00:41:41,425 --> 00:41:43,465
Be seated.''
296
00:41:44,433 --> 00:41:46,702
l went to the French school.
297
00:41:46,897 --> 00:41:51,599
My father was a concert violinist.
He taught me theory and notation.
298
00:41:52,369 --> 00:41:53,864
Did you like that?
299
00:41:54,065 --> 00:41:57,775
Yes. Family tradition
mattered to us.
300
00:41:57,969 --> 00:41:59,857
Granddad was musician.
301
00:42:00,049 --> 00:42:04,556
And Dad thought he had a boy genius
under his roof.
302
00:42:04,754 --> 00:42:07,983
Turns out he was right.
303
00:42:08,817 --> 00:42:12,079
Only a few small mammals
coexisted with them.
304
00:42:12,273 --> 00:42:15,918
Mankind appeared much later...
305
00:42:16,113 --> 00:42:20,303
when the dinosaurs disappeared
mysteriously from the planet.
306
00:42:20,497 --> 00:42:25,931
Gradually, the mammals
spread over the earth.
307
00:42:26,129 --> 00:42:28,779
Mario!
308
00:42:28,977 --> 00:42:33,483
-What's the subject?
-You're talking about...
309
00:42:33,681 --> 00:42:38,154
You're so distracted.
This can't go on.
310
00:42:38,354 --> 00:42:42,860
l was saying that when
the dinosaurs reigned...
311
00:43:18,577 --> 00:43:20,519
What do you think?
312
00:43:20,721 --> 00:43:22,543
lt's very good.
313
00:43:23,313 --> 00:43:26,347
You need patience to teach them.
314
00:43:26,545 --> 00:43:30,702
Yes. Few children move in harmony.
315
00:43:30,897 --> 00:43:34,313
They're still green,
can't control their bodies.
316
00:43:34,705 --> 00:43:38,447
Look the little couple there.
317
00:43:38,641 --> 00:43:42,535
The girl has a feeling
for rhythm and dancing.
318
00:43:42,737 --> 00:43:47,243
But he's an oaf.
He can't be taught.
319
00:43:47,441 --> 00:43:50,790
Yet she'll only dance with him.
320
00:43:51,121 --> 00:43:54,503
That's how great loves are born, eh?
321
00:43:54,705 --> 00:43:56,777
You said it.
322
00:44:00,145 --> 00:44:02,087
l used to dance too.
323
00:44:02,289 --> 00:44:05,006
-You danced?
-And how!
324
00:44:05,681 --> 00:44:09,259
But l've no partner now.
325
00:44:09,457 --> 00:44:12,326
My wife died last year.
326
00:44:12,529 --> 00:44:15,431
Life has no meaning for me now.
327
00:44:18,769 --> 00:44:22,730
The girl putting on her shoes
is my granddaughter.
328
00:44:39,121 --> 00:44:41,510
Anita has dancing in her blood.
329
00:44:42,673 --> 00:44:47,910
They say musical sense is hereditary.
Who knows?
330
00:44:48,113 --> 00:44:53,350
Still the girl dances as well
as her grandfather.
331
00:45:42,961 --> 00:45:44,870
Don't stop, kids.
332
00:45:45,617 --> 00:45:48,999
The group... faces in profile.
333
00:45:49,201 --> 00:45:52,430
Hands down close at your sides.
334
00:45:52,977 --> 00:45:54,570
Julio?
335
00:45:54,769 --> 00:46:00,966
Neither group should mix with
the other before the fusion point.
336
00:46:01,168 --> 00:46:05,325
Don't forget, half the floor will
be black, half white.
337
00:46:05,521 --> 00:46:08,237
-You want them further apart.
-A bit.
338
00:46:11,345 --> 00:46:13,996
Okay, further apart.
We'll start again.
339
00:48:10,609 --> 00:48:12,682
Don't look at the floor.
340
00:48:25,936 --> 00:48:30,857
Be careful. Don't be nervous.
341
00:48:34,897 --> 00:48:37,897
You're both too far ahead.
342
00:49:15,057 --> 00:49:18,504
-How's it going?
-Fine, but she gets away from me.
343
00:49:18,705 --> 00:49:20,363
Keep at it.
344
00:49:52,977 --> 00:49:56,206
ln the Pampas,
the knife is in the belt.
345
00:49:56,401 --> 00:49:59,499
ln the slums they hide it
in their sleeves...
346
00:49:59,697 --> 00:50:03,756
ready for use,
sharp side up.
347
00:50:03,952 --> 00:50:07,018
lt's an extension of the arm.
348
00:50:07,857 --> 00:50:13,869
Okay, the blade is on the left side of
the jacket. Both are right-handed. Go!
349
00:50:15,728 --> 00:50:17,997
Not so direct.
350
00:50:18,321 --> 00:50:21,419
Be more catlike. Stalk.
351
00:50:21,617 --> 00:50:23,308
Very good.
352
00:50:33,616 --> 00:50:35,177
That's good.
353
00:50:42,641 --> 00:50:47,878
One of you should break out
and attack hard, right?
354
00:50:49,009 --> 00:50:51,726
A deep thrust, a scream. Now!
355
00:50:55,825 --> 00:50:59,370
Hold that position. Turn.
356
00:51:00,240 --> 00:51:02,029
That's the way.
357
00:51:06,352 --> 00:51:09,167
Junior, wait.
358
00:51:09,361 --> 00:51:12,208
Sorry. Carlos, hold this
for me a second.
359
00:51:13,809 --> 00:51:15,947
Give me the knife.
360
00:51:17,841 --> 00:51:20,491
lt should be loose in the hand...
361
00:51:20,689 --> 00:51:23,023
the wrist flexible.
362
00:51:25,648 --> 00:51:28,365
lt only stiffens to strike.
363
00:53:33,904 --> 00:53:36,359
Your latest acquisiton?
364
00:53:38,481 --> 00:53:40,390
What do you think?
365
00:53:40,593 --> 00:53:43,440
She has a lot to learn.
366
00:53:43,888 --> 00:53:45,677
She's young.
367
00:53:47,217 --> 00:53:49,224
She can learn.
368
00:53:51,024 --> 00:53:52,748
You should know.
369
00:53:52,944 --> 00:53:56,392
But watch out,
her ''godfather'' is dangerous.
370
00:53:57,009 --> 00:54:00,620
Let's do the trio.
371
00:54:02,161 --> 00:54:04,135
We need another look at it.
372
00:54:05,616 --> 00:54:07,405
You won't need that.
373
00:54:17,136 --> 00:54:18,794
Music!
374
00:57:53,968 --> 00:57:56,107
Did you like it?
375
00:57:58,160 --> 00:58:01,608
We'll rework it.
Thanks. See you later.
376
00:58:01,808 --> 00:58:05,802
Listen, everyone.
We'll do the introduction.
377
00:58:06,000 --> 00:58:11,183
Who did the introduction?
Take your places.
378
00:58:12,752 --> 00:58:14,508
l want to talk to you.
379
00:58:15,056 --> 00:58:17,326
-Must it be now?
-lf you can.
380
00:58:17,520 --> 00:58:20,837
l can't.
They're waiting for me.
381
00:58:21,040 --> 00:58:22,895
Then when?
382
00:58:25,808 --> 00:58:28,197
Ask me to dinner.
383
00:58:29,168 --> 00:58:30,597
All right.
384
00:58:37,616 --> 00:58:40,005
You living with somebody?
385
00:58:42,832 --> 00:58:46,061
Come off it.
You know who l live with.
386
00:58:46,641 --> 00:58:49,062
Angelo Larroca.
387
00:58:49,904 --> 00:58:52,206
An excellent godfather.
388
00:58:52,656 --> 00:58:54,761
We're splitting up.
389
00:58:56,048 --> 00:58:58,284
Why, if l may ask?
390
00:58:59,056 --> 00:59:00,998
We don't get along.
391
00:59:01,520 --> 00:59:03,462
l'm hard to live with.
392
00:59:04,304 --> 00:59:09,094
Living with someone is awful.
Every time l've tried...
393
00:59:09,681 --> 00:59:10,924
it's been a mess.
394
00:59:11,824 --> 00:59:17,094
l'm a special case.
l'm sort of solitary animal...
395
00:59:17,296 --> 00:59:19,271
one of those old lions...
396
00:59:19,472 --> 00:59:23,051
who roam the African
savannah aimlessly.
397
00:59:23,248 --> 00:59:26,892
Lionesses are different.
398
00:59:27,088 --> 00:59:30,601
They gather, unite, hunt...
399
00:59:30,801 --> 00:59:33,102
whelp, nurse...
400
00:59:33,296 --> 00:59:36,395
protect their defenseless cubs.
401
00:59:36,592 --> 00:59:40,204
They have a concrete mission in life.
402
00:59:41,264 --> 00:59:44,525
Nurse, protect, mate...
403
00:59:45,648 --> 00:59:48,496
That's a woman's mission in life?
404
00:59:49,072 --> 00:59:53,196
-What did you think l said?
-That.
405
00:59:53,744 --> 00:59:58,283
l didn't mean that.
l respect women too much.
406
00:59:58,480 --> 01:00:01,448
Maybe that was a bad analogy.
407
01:00:03,856 --> 01:00:05,743
Men...
408
01:00:06,544 --> 01:00:12,043
have been raised to hunt and
fight for thousands of years.
409
01:00:12,912 --> 01:00:16,840
Now he hunts in his own way.
410
01:00:17,040 --> 01:00:22,790
Let's say he goes haywire
for a little power...
411
01:00:22,992 --> 01:00:25,927
or a medal or money...
412
01:00:26,128 --> 01:00:28,778
a form of power.
413
01:00:28,976 --> 01:00:33,798
lt'd be a shame if women
followed men in their folly.
414
01:00:34,000 --> 01:00:36,139
That's what l meant.
415
01:00:36,336 --> 01:00:38,507
All l ask of men...
416
01:00:38,704 --> 01:00:41,836
is to respect me, listen to me...
417
01:00:42,032 --> 01:00:46,288
and not treat me like
a nut spouting nonsense.
418
01:00:47,024 --> 01:00:51,628
Why is it so hard for men
to admit that a beautiful woman...
419
01:00:51,824 --> 01:00:54,693
can also be intelligent?
420
01:00:54,896 --> 01:00:58,245
Must a good mind always go
with an ugly face?
421
01:00:58,928 --> 01:01:01,742
That's not what l think.
422
01:01:06,416 --> 01:01:08,969
How can l put this?
423
01:01:10,384 --> 01:01:13,799
You wake up one day, look in
a mirror and say:
424
01:01:14,000 --> 01:01:16,815
''l've aged.''
You go outside...
425
01:01:17,007 --> 01:01:19,560
and the young call you mister.
426
01:01:19,760 --> 01:01:24,135
They look at you askance.
To them, you've gone over the hill.
427
01:01:24,912 --> 01:01:28,524
You're an old fart.
Time goes by...
428
01:01:29,072 --> 01:01:31,887
your hair starts to fall out...
429
01:01:32,080 --> 01:01:34,054
then the rest falls apart.
430
01:01:34,704 --> 01:01:36,940
You like good food, you get fat...
431
01:01:37,136 --> 01:01:40,202
you get lazy, stop going out.
432
01:01:41,072 --> 01:01:44,966
Still, despite the physical decay...
433
01:01:45,168 --> 01:01:48,616
you feel as energetic as a boy.
434
01:01:48,816 --> 01:01:51,402
So what do you do?
435
01:01:51,600 --> 01:01:55,943
Why is it unseemly for a man
to act like a boy?
436
01:01:56,144 --> 01:02:01,545
l can't enjoy a girl of 18
because l'm an older man.
437
01:02:01,744 --> 01:02:06,086
How old are you, anyway?
438
01:02:06,800 --> 01:02:08,622
Twenty-three.
439
01:02:09,807 --> 01:02:14,183
You seem younger.
Let's see if l can complete this.
440
01:02:15,504 --> 01:02:20,971
On that day you wonder
''What life have l had?
441
01:02:21,168 --> 01:02:22,695
What's happened to me?
442
01:02:22,895 --> 01:02:26,059
Where are my youthful illusions,
my dreams?''
443
01:02:26,256 --> 01:02:31,045
You can't say that. lt's unfair.
You've done wonderful things.
444
01:02:32,751 --> 01:02:34,377
Thank you.
445
01:02:34,576 --> 01:02:39,529
Maybe. But l can't help feeling
l've wasted my time.
446
01:02:40,783 --> 01:02:43,783
That l only touched
the surface of things.
447
01:02:44,400 --> 01:02:49,703
All l did was to swim frantically
to avoid sinking into the muck.
448
01:02:51,280 --> 01:02:53,255
How does that sound to you?
449
01:02:54,000 --> 01:02:57,961
Pretentious, eh?
But vivid, right?
450
01:03:03,024 --> 01:03:04,911
Anyway...
451
01:03:05,104 --> 01:03:08,170
all that to say l'm a good guy...
452
01:03:08,367 --> 01:03:13,637
modest, simple,
sensitive, hardworking, honest...
453
01:03:13,840 --> 01:03:16,807
unable to organize my life...
454
01:03:19,439 --> 01:03:22,254
And deeply frustrated in love.
455
01:03:34,704 --> 01:03:36,297
lt's very nice.
456
01:03:42,448 --> 01:03:44,520
l have to leave, Mario.
457
01:03:46,960 --> 01:03:49,327
Stay with me tonight.
458
01:03:50,384 --> 01:03:52,075
l can't.
459
01:03:53,520 --> 01:03:56,171
Someone's waiting? Sorry.
460
01:04:55,056 --> 01:04:57,609
lt's all wrong.
461
01:04:58,192 --> 01:05:01,672
You got carried away
by your imagination.
462
01:05:01,872 --> 01:05:04,938
That's not enough,
and you know it.
463
01:05:05,551 --> 01:05:08,137
You need more discipline.
464
01:05:08,367 --> 01:05:12,459
What's the dramatic line
that unifies all this?
465
01:05:14,160 --> 01:05:19,724
The woman leaves him. The guy falls
apart, but another woman appears.
466
01:05:19,920 --> 01:05:23,946
A younger dancer.
The guy falls in love.
467
01:05:24,143 --> 01:05:25,354
He falls in love?
468
01:05:25,551 --> 01:05:30,123
Does he fall in love?
Or is he grasping at straws?
469
01:05:30,320 --> 01:05:35,077
And her?
Does she fall in love?
470
01:05:35,280 --> 01:05:36,873
She exploits it.
471
01:05:37,071 --> 01:05:40,006
He pursues her,
despairs if she's not there.
472
01:05:40,207 --> 01:05:44,102
She's everything to him.
She hides, slips away.
473
01:05:44,303 --> 01:05:47,980
She plays.
He has no time for games.
474
01:05:50,448 --> 01:05:54,539
What's the woman do?
She returns?
475
01:05:54,736 --> 01:05:58,533
l love you. l adore you.
l need you.
476
01:06:01,008 --> 01:06:03,758
What a lot of nonsense.
477
01:06:07,728 --> 01:06:10,216
Never changes.
478
01:06:12,143 --> 01:06:15,656
But there's no other way
to tell the story.
479
01:06:18,128 --> 01:06:21,673
lnspiration, where are you?
480
01:06:24,111 --> 01:06:29,032
What is inspiration
but work, work, work?
481
01:06:30,608 --> 01:06:33,193
Who said that?
482
01:06:33,967 --> 01:06:36,072
A labor leader.
483
01:13:18,479 --> 01:13:20,072
What are you doing?
484
01:13:21,967 --> 01:13:24,716
-How did you get in?
-The janitor let me in.
485
01:13:24,911 --> 01:13:29,701
-What's the wind machine for?
-lmagining a scene.
486
01:13:29,903 --> 01:13:32,870
-Was l in it?
-Of course.
487
01:13:33,935 --> 01:13:38,539
Beautiful as ever.
And unexpected.
488
01:13:38,735 --> 01:13:40,742
l came to keep you company.
489
01:13:40,943 --> 01:13:45,384
-At 3:00 a.m.?
-l have an idea for your show.
490
01:13:50,479 --> 01:13:52,268
Sit down.
491
01:14:03,311 --> 01:14:05,384
Ready?
492
01:14:06,767 --> 01:14:12,234
Life is so strange, friend
493
01:14:12,432 --> 01:14:17,996
l didn't love her when l met her
494
01:14:18,192 --> 01:14:22,829
Until one night
she firmly said to me
495
01:14:23,023 --> 01:14:27,725
''l'm tired of everything''
and left
496
01:14:27,919 --> 01:14:32,109
Life is so strange, friend
497
01:14:32,367 --> 01:14:38,859
Ever since that night
l fell in love with her
498
01:14:39,567 --> 01:14:43,723
l sacrificed so much
499
01:15:12,847 --> 01:15:14,538
Lights!
500
01:15:17,712 --> 01:15:19,719
Music!
501
01:18:17,903 --> 01:18:21,285
The kid was 13 or 14.
502
01:18:22,191 --> 01:18:24,678
Those brutes jumped on him...
503
01:18:25,263 --> 01:18:30,697
and bashed his head in
with their rifle butts and boots.
504
01:18:30,895 --> 01:18:32,488
-They killed him?
-Sure. He was dead!
505
01:18:32,687 --> 01:18:37,990
-Maria Elman.
-Delighted.
506
01:18:39,439 --> 01:18:44,392
l hear you've worked out
a choreography on our theme.
507
01:18:44,591 --> 01:18:48,366
We're looking for ideas
in Goya's etchings.
508
01:18:48,975 --> 01:18:50,382
That's perfect.
509
01:18:50,575 --> 01:18:52,964
History repeats itself.
510
01:18:54,926 --> 01:18:57,195
That's part of our lives.
511
01:18:58,062 --> 01:19:00,583
The horrible, cruel part...
512
01:19:00,783 --> 01:19:04,428
that we wish we could avoid.
513
01:19:04,623 --> 01:19:06,631
But it's there.
514
01:19:09,103 --> 01:19:11,918
Sorry. Waldo Norman,
our art director.
515
01:19:19,215 --> 01:19:23,274
The torturers played tangos loud
to cover up the screams.
516
01:20:20,495 --> 01:20:23,757
lmagination is a guardrail...
517
01:20:23,951 --> 01:20:27,300
that stops you from plunging
into the pit of horror.
518
01:20:28,591 --> 01:20:32,901
l'm haunted by images of friends...
519
01:20:33,903 --> 01:20:38,475
who disappeared.
Thousands lost their lives...
520
01:20:41,423 --> 01:20:46,212
in that brutal
and uncontrolled repression.
521
01:20:47,119 --> 01:20:49,453
l left here when l was young.
522
01:20:50,063 --> 01:20:52,813
Relatively young.
523
01:20:53,006 --> 01:20:56,552
l spent many years in Europe.
When l got back...
524
01:20:56,750 --> 01:20:59,816
most of my friends had disappeared.
525
01:21:02,639 --> 01:21:07,941
What remained was this city,
completely changed.
526
01:21:09,551 --> 01:21:12,551
Ugly, grey and distrustful.
527
01:21:13,039 --> 01:21:15,406
Why think about all that?
528
01:21:16,239 --> 01:21:19,021
Ugly things are best forgotten.
529
01:21:24,303 --> 01:21:26,604
Who we are...
530
01:21:28,879 --> 01:21:32,108
how we live,
how little we are...
531
01:21:34,383 --> 01:21:39,140
lf we forget all that
what identity will we have?
532
01:21:39,342 --> 01:21:43,084
But now you're here.
We have each other.
533
01:21:44,687 --> 01:21:46,596
We're lucky.
534
01:21:56,366 --> 01:21:59,978
-What's that?
-Sounds effects. They're testing.
535
01:22:05,039 --> 01:22:07,428
You know, l'm worried.
536
01:22:09,327 --> 01:22:12,076
l think l'm being followed.
537
01:22:12,271 --> 01:22:17,705
Today when l came over,
a car followed my taxi.
538
01:22:18,479 --> 01:22:21,228
-Larroca?
-Who else?
539
01:22:22,415 --> 01:22:25,065
You're not imagining things?
540
01:22:26,063 --> 01:22:27,721
Maybe.
541
01:22:29,103 --> 01:22:31,372
But Angelo scares me.
He's violent.
542
01:22:31,567 --> 01:22:33,738
He's Mafia.
543
01:22:35,182 --> 01:22:38,379
The other day he said,
''lf you leave me, l'll kill you.''
544
01:22:40,399 --> 01:22:44,043
Come and live... with me.
545
01:22:45,615 --> 01:22:47,437
You mean it?
546
01:22:54,767 --> 01:22:59,524
lf you feel that l love you,
come here. Come live with me.
547
01:23:03,407 --> 01:23:05,796
You've got problems.
548
01:23:06,510 --> 01:23:08,932
l don't want to be one more.
549
01:23:11,758 --> 01:23:14,279
You'll move in tomorrow?
550
01:29:34,862 --> 01:29:38,506
-Good work, kids.
-l don't like it.
551
01:29:38,702 --> 01:29:42,215
Why bring up something
that has been forgotten?
552
01:29:42,574 --> 01:29:44,581
Why create more anxiety?
553
01:29:44,782 --> 01:29:48,677
That number
threatens the whole show!
554
01:29:49,006 --> 01:29:51,428
-lt scared me!
-l can see why!
555
01:29:52,110 --> 01:29:57,893
lt could be softened.
What do you say, Larroca?
556
01:29:58,414 --> 01:30:01,316
l want to think it over first.
557
01:30:06,702 --> 01:30:08,491
What did you think?
558
01:30:09,742 --> 01:30:12,677
We liked the show a lot.
559
01:30:12,878 --> 01:30:17,450
-Very impressive.
-l don't think you need that scene.
560
01:30:17,646 --> 01:30:20,428
The audience won't get it.
561
01:30:20,622 --> 01:30:25,161
We gave them beautiful dancing,
beautiful women...
562
01:30:25,358 --> 01:30:27,911
lovely tango music.
563
01:30:28,110 --> 01:30:32,103
Then there, it all turns
to fear, anxiety.
564
01:30:33,295 --> 01:30:38,696
-That doesn't belong in a musical.
-lt's my conception of the show.
565
01:30:38,894 --> 01:30:42,026
Maybe you could soften it a bit.
566
01:30:42,222 --> 01:30:46,019
-The generals won't like it.
-Depends which ones.
567
01:30:47,054 --> 01:30:52,324
There's a fascinating Borges quote:
''The past is indestructible.
568
01:30:52,526 --> 01:30:55,177
Sooner or later
things turn up again.
569
01:30:55,374 --> 01:31:00,426
One of the things that turns up
is a plan to destroy the past.''
570
01:31:02,446 --> 01:31:06,505
Very clever.
But one washes dirty linen at home.
571
01:31:06,702 --> 01:31:08,873
Depends on the linen and the home.
572
01:31:10,318 --> 01:31:15,436
Think it over. We disliked it.
l won't press it further.
573
01:31:15,918 --> 01:31:18,220
Good night.
574
01:32:08,622 --> 01:32:10,826
Why'd you want to see me?
575
01:32:13,646 --> 01:32:18,021
-Why? To talk to you.
-What about?
576
01:32:22,222 --> 01:32:24,808
We could talk
about lots of things.
577
01:32:25,582 --> 01:32:29,640
-l'd rather discuss us.
-Haven't we said it all?
578
01:32:29,838 --> 01:32:32,172
Not everything.
579
01:32:33,358 --> 01:32:35,813
l can't live this way, Elena.
580
01:32:36,014 --> 01:32:38,403
l can't forget you, try as l may.
581
01:32:39,630 --> 01:32:41,190
Please.
582
01:32:43,342 --> 01:32:45,611
Come back to me.
583
01:32:45,806 --> 01:32:50,825
-Angelo, let's not start that again.
-l love you, Elena.
584
01:32:51,598 --> 01:32:53,386
l love you...
585
01:32:53,870 --> 01:32:55,244
and l want you.
586
01:32:55,886 --> 01:32:59,301
l need to kiss you,
make love to you.
587
01:32:59,502 --> 01:33:02,764
Please... kiss me.
588
01:33:03,374 --> 01:33:07,530
Kiss me, Elena. l love you!
589
01:33:07,726 --> 01:33:09,482
Let go of me!
590
01:33:11,758 --> 01:33:14,125
l don't love you, l never did!
591
01:33:14,318 --> 01:33:17,799
l'm living with another man
and l'm happy!
592
01:33:17,998 --> 01:33:21,446
l don't care, Elena. l don't care.
593
01:33:21,646 --> 01:33:25,738
l can forgive everything!
Right now!
594
01:33:25,934 --> 01:33:27,144
Let me go!
595
01:33:28,238 --> 01:33:30,539
Let me live in peace.
596
01:33:31,278 --> 01:33:33,645
You're making a mistake, Elena!
597
01:33:34,670 --> 01:33:36,775
You're making a mistake!
598
01:33:37,966 --> 01:33:40,552
No one plays games with me!
599
01:43:19,726 --> 01:43:21,067
No!
600
01:43:56,685 --> 01:43:59,947
Please.
601
01:44:01,358 --> 01:44:03,365
My love.
602
01:44:09,613 --> 01:44:11,555
How was it?
603
01:44:12,333 --> 01:44:15,202
-What's wrong?
-l got scared.
604
01:44:15,406 --> 01:44:19,596
That's fine. Thanks, everyone.
That's all for today.
605
01:44:20,814 --> 01:44:25,091
l want you all in the studio
tomorrow at 8:00 a.m....
606
01:44:25,293 --> 01:44:29,832
for the immigration ballet.
ln costume and made up by 11:00.
607
01:44:30,733 --> 01:44:33,286
-You liked my work?
-Terrific!
608
01:44:33,485 --> 01:44:36,617
-Marvelous.
-Was l convincing?
609
01:44:37,197 --> 01:44:41,353
Let's go.
Let's see what the director says.
610
01:44:48,781 --> 01:44:50,723
Let's go.
611
01:45:05,678 --> 01:45:07,685
Congratulations, Maestro.
612
01:45:07,885 --> 01:45:10,667
-You were great.
-Thanks.
613
01:45:15,149 --> 01:45:17,124
Sorry, but one thing bothers me.
614
01:45:17,325 --> 01:45:22,376
My shout comes too soon.
lt's not spontaneous enough.
615
01:45:22,573 --> 01:45:25,355
-That's the trouble.
-l was terrified.
616
01:45:25,549 --> 01:45:27,491
l thought he stabbed her.
617
01:45:27,693 --> 01:45:32,679
Set up a rehearsal for me tomorrow
so l can work on my timing.
44255
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Finnish
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
