All language subtitles for Mission Impossible 1988 - 1x04 - The Condemned.DVDRip.en

(People talking
in foreign language)

♪♪

(shouting in foreign language)

♪♪

(musicians stop playing)

What is this?
What's going on?

Police. Get up.

Do what?

Hey, get your hands off me.
What in the hell...

Close your mouth, American!

Now, that's better, Mr. Collier.

Much better.

You will come with us.

(Grunting)

(Barney shouting)

BARNEY:
I haven't done anything!

(Theme music playing)

(indistinct chatter)

They say sailing is just
a matter of aerodynamics.

Well, it helps
if you know something

about the parallelogram
of forces.

To every action, there's
an equal and opposite reaction.

Right.

There's some material on it
in the van.

(Beeping)

MALE VOICE (recorded):
Good morning, Jim.

Three months ago, an
Englishman named George Stanton

was murdered in his home
in Istanbul,

where he was living in exile,

apparently on the proceeds
of his investments.

A corrupt
Turkish police officer,

Lieutenant Yusef Hamidou,

was rewarded
with promotion to captain

and control
of Istanbul's major prison

for his prompt arrest
of the alleged murderer.

It was a particularly
brutal crime.

Stanton was shot in the face
with a sawed-off shotgun.

The Turkish courts
have sentenced

the alleged killer to death,
but we believe he's innocent

and that Hamidou himself was
somehow involved with the crime.

The condemned man is scheduled
to be hanged at dawn

three days from today
in this prison.

Your mission, Jim,
should you choose to accept it,

is to obtain the release
of the condemned man

and to bring the corrupt
Captain Hamidou to justice.

There is one more thing
you must be told, Jim.

The alleged killer
is a past member of your team

and an old friend.

As always,

should you or any of your
IM force be caught or killed,

the Secretary will disavow
any knowledge

of your actions.

This disk will self-destruct

in five seconds.

Good luck, Jim.

(Rapid beeping)

(hissing)

PHELPS: The center of
this mission-- Barney Collier.

He's an old friend of mine,
and he's Grant's father.

He's been convicted of murder.

He's in a Turkish prison
awaiting execution.

MAX:
Turkey?

Well, that's a long way
from anywhere.

GRANT: Well, after Mom died
a couple of years ago,

I guess that's where Dad
wanted to be--

just a long way from anywhere.

PHELPS:
The man who arrested him

is this man...

Captain Yusef Hamidou.

He's built his career

with corruption
and bribery and murder.

We think that he was in some
sort of business arrangement

with the murdered man.

We don't know what it was;
we do know that

he expected to make
a lot of money from it.

Then it's not likely
he's the actual murderer.

But if he isn't, then why would
he bother to frame someone else?

Yeah, that's one of the answers
we have to find.

Now, this lady may be the key.

Lydia Adem.

She claimed to be
your father's lover.

She told a judge and jury that

he went to
the murdered man's house

the night of the murder,
that he was

in a highly agitated state
when he came back,

that there were bloodstains
on his clothing.

That's a lie.

She was lying.

She wasn't my father's lover.

And my father
never murdered anyone.

Grant, I don't know that

you should be a part of this.

Emotion can cloud
your judgment.

The slightest mistake, and your
father's life is in the balance.

He's my father.

I need to be a part of this.

Yes, and he's my friend...

(tapping keyboard)

...and we're going
to get him out of there.

(Indistinct chatter)

Two people?

Very difficult.

The man I'll be bringing with me
is Collier's son.

You make it hard to refuse.

It will have to be
this afternoon.

Hamidou will be away.

We'll be there.

That's an honest
but unhappy man.

I hope we can use that
to our advantage later on.

That's Lieutenant Sirlak.

He was in charge of the prison

before he was demoted
and Hamidou took over.

Uh... take a look over
your right shoulder at the lady.

Lydia Adem.

That's right.
She owns this place.

This is where your father
was arrested.

♪♪

(whistling a melody)

(door creaks)

Barney?

Jim?

(Chuckles)
Jim, is that you?

Did you really think

we were gonna let you rot
in a place like this?

(Both chuckle)

I'd given up hope.

I've been trying to send
messages for months.

Well, one of them
finally got through.

- Let me look at you.
- Hell, you quit before I did.

Well, does any of us
really quit for good?

I got someone else to see you.

Dad?

Grant?

Are you sick?

I'm better now, son.

Where you been, Dad?

I missed you.

Well, after your mother died,
I needed some time alone.

Son, believe me,

I never murdered anybody.

GRANT:
We know that.

We're gonna get you out of here.

Oh, sure, tomorrow morning
in a pine box.

Barney, you really
have been here too long.

You're going out of here
on your own two feet.

We've got the team
and we've got the technology

and we've got your son.

GRANT: These are the pictures
we took in Dad's cell.

All right, now, you see,
the colors give us

the exact contour
of every section of the wall,

which allows the computer

to duplicate
the texture onto latex.

That's great work, Grant.

(Machine hissing)

Instant wall.

Now it's up to Nicholas and Max.

HAMIDOU: I received
no warning of your visit.

What happened
to the usual priest?

Oh, he's already
talked to Mr. Collier

without much success.

He feels... since
we were Americans,

perhaps we could help this man
in his great hour of...

You see, Father Harte and myself

teach at the American college
in Rome,

and we're here
on a sort of busman's holiday

studying the history
of the Byzantine Rite.

- Which is a fascinating subject.
- Mmm.

Unless, of course,
you happen to be Muslim.

No, I think if you're Muslim,
it wouldn't matter.

I think the Byzantine Rite
is fascinating no matter...

Fathers, please!

Now, just what is it
you wish of me?

Why, to see the prisoner,
of course.

Well, I'm afraid
that is impossible.

All things are possible...

with the help of God.

Ah, well, believe me, Father,
it would be a waste of time.

The man is to be executed
in less than an hour.

- You can see him then.
- Captain,

he may only have one hour
in this lifetime,

but he has an eternity
in the next.

We only ask for a few minutes

so that he may have a chance
to ask for forgiveness.

But, of course, Captain,

if it would be better
for your records,

we could always make
our request formally

through the American Embassy.

Lieutenant.

Take them to
the prisoner, Collier.

Give them ten minutes,
no more, hmm?

Ah, thank you, Lieutenant.

Captain.

(Scoffs)

SIRLAK:
Collier.

Priests to see you.

(Sighs)

(distant shouting)

We are from the mission, my son.

Grant us a little of your time.

It would be a great comfort
to me, Father.

(Distant shouting)

(door creaks)

We'd like some privacy.

Please.

(Door creaks)

Give them ten minutes, no more.

- Go.
- We should introduce ourselves.

Nicholas Black.

I'm Max.

NICHOLAS: We can't get you
out of here right now,

so we're going to do
the next best thing.

The British Consul had
the place sealed

until the estate's settled.

The scene of the crime.

Yeah.

Why don't you start in there,
I'll take here.

Okay.

(Door slamming in the distance)

MAX: If they can't find you,
they can't hang you.

Nothing.

Nothing here.

Hmm.

Treasures of the Cathedral
of Saint Sophia.

Hmm.

"A gold and diamond necklace

"reported to have belonged
to Catherine, tsarina of all

the Russias."

And stolen from the cathedral
four months ago.

I think we may just have found
the motive for Stanton's murder.

(Door creaks)

His mind is at peace.

And we will leave him now

to meditate on his sins.

You will not be forgotten,
my son.

BARNEY: I pray that
your mission will be successful.

(Keys jangling)

(door creaks)

(gate creaking)

(panting)

(panting heavily)

(car door closes)

You're under arrest.

Arrest?

Oh, we just called
to see Mr. Stanton,

but nobody's answering.

Turn around and put your hands
on your head.

(Indistinct chatter)

(gate creaks)

Key.

(footfalls approaching)

HAMIDOU:
The cell is empty.

This is your fault,
you incompetent fool.

You're in charge
of security.

Now if he is not found,

you'll be going to the gallows
in his place.

Sound the alarm!

Search the prison.
Double the guard at the gate.

NICHOLAS:
One moment.

-(Alarm bell ringing)
- What is it?

There's something wrong
with this wall.

This one.

We should call the captain.

(Coughing)

(Barney groans)

Can you make it?

I'll try.

(Door creaks)

(gate creaks)

(distant shouting)

(engine revving)

This fool says he allowed you

to visit the prisoner Collier
yesterday.

Uh, well, we thought maybe

Collier would give us a lead
on the necklace,

but he didn't want to talk
to us about it.

Get out.

(Door opens, closes)

I don't believe you,
Mr. Travis.

I think you are an accessory
to Stanton's murder, and

perhaps Collier's escape.

Captain, I've told you,
we are private investigators.

Employed by who?

That information
is confidential.

Prisons can make life very ugly

for beautiful women
like yourself.

PHELPS: Our client is a wealthy
private collector

of fine arts and jewelry.

Who doesn't care
that that jewelry is stolen?

Uh, well, the niceties
of the law

are not one of my client's
stronger points.

(Chuckles)

Tell me, Mr. Travis.

Why would your client think,
after so much time since the

necklace was stolen, you could
come to Istanbul and find it?

Because an offer was made

three weeks ago
to sell it to him.

Three weeks ago?

Who made such an offer?

Well, we don't know.
The offer was in writing.

No name attached.

It simply said,

if I showed up in Istanbul,
I'd be contacted.

Perhaps, Mr. Travis,

it's time you and I discussed
a deal,

in the interest of keeping you
and your beautiful assistant

out of prison.

Barney, how are you feeling?

I'm doing just fine, Jim.

You get as much rest as you can.
We're gonna need you.

We're gonna have to be careful.

Casey and I just had
an unexpected run-in

with Captain Hamidou.

Seems this whole thing turns

on a stolen ten million dollar
necklace.

MAX: Well, that could explain
how Hamidou

had expected
to become so wealthy.

Exactly. But now that he's got
the scent again, he's dangerous.

What we have to do is put
the pressure on Lydia.

We have to force her hand.

We're on our way to the cafe
to put a tap on Lydia's phone.

- Ah, Nicholas?
- Hmm?

You better stay behind.

Yeah.

(Door opens, closes)

Barney, you know what we need.

We need you to confront Lydia.

You give me a couple days
to get my strength back,

I'll confront her.

The problem is,

we don't have a couple of days.

(Sighs)

Grant?

Can you fill
your father's shoes?

(Crowd chatter)

(electrical lines buzzing)

(beep)

(beeping)

(crowd chatter)

(crickets chirping)

I think I was nine, ten.

Grandma was still alive then.

And I remember, she used
to have to take a bus

and transfer, take another bus,

just to get to our house.

She used to bring Jamie and me
candy and presents.

She couldn't afford 'em.

Mom used to get mad

'cause the candy
would give us cavities.

Hey, hey, you remember
when Mom...?

Sorry, Dad.

BARNEY:
Past couple of years,

I thought about
all those broken promises.

They buried the woman
that I have loved ever since...

(panting)

Oh, hell.

I didn't even know she was dead
until a week later.

GRANT:
You were doing your job.

You gotta be quiet
for a moment, okay?

BARNEY: I remember that birthday
you were talking about.

It was your ninth.

(laughs)

I was on a mission,

and I had promised to be there.

By the time
I finally got home, your...

your mother told me that you had
stayed awake a long time,

because you had something
important to tell me,

but you fell asleep.

And I had to leave
an hour later.

All done.

Well, it's just like
I've been trying to tell you

my whole life, Dad...

I love you, man.

I love you, too, son.

And when I grew up
I wanted to be just like you.

How'd I do?

♪♪

(music and chatter continue)

(opens zipper)

(screams)

Scream just once, Lydia,
and I'll kill you.

(Lydia gasping over radio)

- I thought you were...
- You thought I'd been hanged.

Are you disappointed, Lydia?

Why'd you set me up?

Why did you send me
to Stanton's apartment?

You knew he'd be dead
when I got there!

- No!
- You put that shotgun

in my car.

No, it wasn't me, Barney.

It wasn't me, I promise.

Then whose gun was it?

The man who has the necklace?

(laughing): I don't know
what you're talking about.

What do you want

-from me? -I'll tell you
what I want from you.

- No, Barney, please don't!
-(siren wailing)

-(siren continues wailing)
- I'll be back,

and you'll tell me
who has the necklace,

or you'll pay for it
with your life!

(Siren stops)

(Lydia panting)

(continues panting)

(dialing)

It worked--
she's making a call.

(Phone ringing)

LYDIA:
Hello? Hello?

I told you not to call.

LYDIA:
Collier was here.

He can't be; he's in prison.

I'm telling you, he was here,
he was going to kill me.

Collier wouldn't kill anyone.

He knows I framed him;
he knows about the necklace.

All right, Lydia,

you'd better come over here
to be safe.

All right.

MAN: And make sure
you're not followed.

(Horn beeps)

(Lydia speaks indistinctly)

Here we go.

(Engine starts)

(donkey brays)

Everything's falling apart.

Calm down.
It's going to be all right.

No, it's not.

Collier's desperate;
he could do anything.

Let's go inside.

You take the back.

Right.

(Gate squeaks)

We've got to get away from here.

We've got to leave
the country now.

Look at my face.

I have to stay hidden
till it heals.

We can't take the risk.

Well, let me go, then, please.

I've done everything
you've wanted.

I gave you Collier
as a scapegoat,

I found you this place...

And now I'm in danger.

He's going to kill me.

He really frightened you,
didn't he?

Did you tell him
about the necklace?

No, he already knew.

Just give me my share.

I'll wait for you in Paris.

How can I give you your share
until I sell it?

I'm frightened.

I'm scared he'll make me
tell him everything--

about the necklace,
the murder, and you.

I'm frightened, too, Lydia.

That's why...

(gunshot)

...you had to die.

(Footfalls approaching)

(Lydia groans)

Who are you?

What has she told you?

Enough.

We know about the necklace,
Collier... everything.

"We"?

You don't think
I'm in this alone, do you?

It really doesn't matter.

(Gunshot)

(screaming)

(thud)

Better check him out.

Oh, Nicholas?

Thank you.

(Lydia groans weakly)

Who are you?

I'm a friend
of Barney Collier's.

He was framed, wasn't he?

Lydia, you're hurt very badly,

and he's an innocent man.

I didn't want to.

Who made you?

George.

- George Stanton?
- Yes.

He and Hamidou
stole the necklace.

But Stanton's the man
who was murdered.

No.

He made it look that way.

To double-cross Hamidou?

Yes.

George did this to me.

- He's dead.
- Both of them.

Jim, he had extensive
plastic surgery,

and he was wearing these--
contact lenses,

tinted brown to disguise

the color of his eyes,
which were blue,

the same color
as George Stanton's.

He was George Stanton.

He faked his own death,
he framed Barney,

he changed his face, and all
to cheat his partner, Hamidou,

out of his share
of the necklace.

Which is what I presume
we're looking for.

Yeah.

Nicholas, over here.

20/400 right, 20/450 left--

exactly the same
as the contact lenses.

- How you doing?
- I'm fine, son.

Well, we have Stanton's photo.

How do the frames match?

PHELPS:
Perfect.

Mm-hmm.

It is beautiful.

They say the diamonds are alone
worth ten million dollars.

PHELPS:
Ten million and the lives

of four security guards
Stanton and Hamidou killed

when they stole it.

But, Jim,
now that Stanton is really dead,

there's nobody to clear me.

I'm not so sure, Barney.

Stanton came back
from the dead once.

I think it's time
for an encore performance.

So, we got a call,

and the woman said
to meet the man here

if I wanted
to buy the necklace back,

and I realized immediately
it had to be Collier.

He's asking a million dollars.

(Indistinct chatter)

(man speaking foreign language)

Perhaps, uh, there is
another way, Mr. Travis.

You and I could
work together.

The rewards would be
substantial.

The rewards, Captain?

The tsarina's necklace.

It could be yours and mine.

Five million dollars profit
each.

And best of all,

you could go on living.

But how do we get it
from Collier?

Collier doesn't have
the necklace.

Stanton does.

But Stanton's dead.

Oh, no, Mr. Travis.

Stanton is very much alive.

Well, if that's true, then
Collier is guilty of nothing.

Collier is guilty
of being a fool!

And he'll hang yet!

Don't you be a fool, Mr. Travis.

Stanton will be contacting you
again,

and when he does,

we'll both be rich men.

Hmm?

Nicholas and Max have set up
the recording equipment.

As long
as you're within 200 yards,

they'll pick up everything
you say.

Hmm, and I think it's time
for a reunion.

Call Lieutenant Sirlak
in exactly 30 minutes.

Tell him if he wants to be
in charge of his prison again,

please show up when we ask.

HAMIDOU:
Captain Hamidou.

Captain Hamidou, this is Travis.

I've had a call
from our mutual friend.

He wants to meet.

(Indistinct chatter)

How you doing there?

It's good to be back, son.

Sirlak's taken care of.

-It's all set.
-(beep)

GRANT: All we have to do now
is wait for Hamidou.

(Indistinct chatter)

PHELPS:
What I can't understand

is how the police could believe
the body was Stanton's.

Ah, must have been some vagrant
Stanton found somewhere,

a man with no papers, no record.

And Stanton killed him with
a shotgun blast to the face.

Mm, making identification
extremely difficult.

(Hamidou chuckles)

Well, yeah, but not impossible.

I mean, fingerprints.
Surely, you must have known.

HAMIDOU:
He had no Turkish records,

and his fingerprints on file
with the British

somehow had disappeared.

In fact, it was only today

I realized how cleverly
convenient that was.

(Hamidou chuckles)

Mmm.

Uh, you will stay here.

But Stanton
will be expecting me.

You will stay here.

Hamidou?

Collier.

I was expecting someone else.

Stanton?

You'll be waiting a long time.

He's dead.

(Chuckles)

I'm afraid
he's been playing games with us.

He's alive.
I can assure you of that.

He spoke to Travis
less than half an hour ago.

You're wrong.

It's me
who's been playing games.

Why? What do you want from me?

I want to make a deal.

The necklace for my freedom

(over monitor):
and you establish my innocence.

How's Barney doing?

Just great.

Hamidou's responding perfectly.

Where is it?

BARNEY:
Do we have a deal? My freedom?

All right, we got a deal.

Now where is it?

Uh-uh. You have to get me there
and let me in.

Let you in?

Oh... the cell.

It's hidden in your cell

and it's been there
all the time, hmm?

(Chuckles)

I didn't say that.

Oh, you didn't have to.

And now I'm afraid I have
no further use of you.

(Gunshot, glass shatters)

What the...?

Oh, I see.

One of your little games,
is it, Collier?

You want to play
with Captain Hamidou, eh?

I do more than play games,
Hamidou.

You think you're pretty smart,
Collier.

You lied to me.
You double-crossed me.

That's right.
Like Stanton double-crossed me

when we stole the necklace.

And killed four guards.

They were expendable

and in the way, like you.

(Gunshot, glass shatters)

All right, we'll see who's
the clever one, American.

You hear me?

Hear me?!

Time for me to leave, Captain,
at least for tonight.

(Gunshot, glass shatters)

Show your face anywhere
in Turkey...

and you're a dead man.

The necklace is mine.

I killed for it more than once.

I kill for it again.

Don't try and follow me.

- Okay?
- Fine.

I think Captain Hamidou
is about to get

exactly what he deserves.

Come on, come on, come on!

Now get out!

It has to be here somewhere.

I know it!

Where is it?
Where did you put it, Collier?

BARNEY: You lied to me.
You double-crossed me.

Yeah, that's right.
Like Stanton double-crossed me

when we stole the necklace.

BARNEY:
And killed four guards.

They were expendable
and in the way...

-like you.
-(gunshot, glass shatters)

The tsarina's necklace.

Motive behind six deaths.

Let's hear that last part again.

(Tape rewinding)

That's right.
Like Stanton double-crossed me

when we stole the necklace.

What are you doing here?

Now get out! Get out!

I lock you all in your cells.

It is you, Captain Hamidou,
who'll be in a cell,

and for a very long time.

You. You have it, don't you?

Is this what you
were looking for?

It seems I will be governor
of the jail after all.

And you will be my first guest.

(Muttering)

HAMIDOU:
Sirlak?! Sirlak?!

Sirlak! Sirlak!

Collier set me up!

He should be in here, not me!

He's the one who stole
the necklace!

Are you there, Sirlak?

I'll kill you for this,
Sirlak.

I am the governor of this jail!

Do you hear me?!

The governor!

This is my prison!

You're a free man, Barney.

(Chuckles)
Thanks, Jim.

Grant, I think it's time
you took your father home.

(Barney chuckles)

(theme music playing)