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THE ONE AND ONLY JOHN LEGEND.
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00:00:34,934 --> 00:00:40,040
[ CHEERS AND APPLAUSE ]
OUR FAVORITE SHELTON, GWEN
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00:00:40,040 --> 00:00:41,908
STEFANI.
[ CHEERS AND APPLAUSE ]
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00:00:41,908 --> 00:00:46,312
NIALL HORAN.
[ CHEERS AND APPLAUSE ]
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AND THE QUEEN OF COUNTRY, REBA
McENTIRE.
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00:00:50,650 --> 00:01:03,530
[ CHEERS AND APPLAUSE ]
WELCOME, EVERYBODY.
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00:01:03,530 --> 00:01:04,531
IT'S GREAT TO HAVE YOU WATCHING
NBC.
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00:01:04,531 --> 00:01:05,865
I'M CARSON DALY, AND WE ARE LIVE
FROM UNIVERSAL STUDIOS
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00:01:05,865 --> 00:01:06,700
HOLLYWOOD.
BIG SHOW AHEAD.
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00:01:06,700 --> 00:01:07,701
THE TOP 12 WILL EACH TAKE THE
STAGE.
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00:01:07,701 --> 00:01:09,069
A LOT OF MUSIC TONIGHT.
TOMORROW NIGHT, THREE ARTISTS
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00:01:09,069 --> 00:01:10,136
WILL GO HOME NO MATTER WHAT TEAM
THEY ARE ON.
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00:01:10,136 --> 00:01:11,805
FOR THE FIRST TIME THIS SEASON,
IT'S YOUR TURN TO VOTE!
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00:01:11,805 --> 00:01:13,273
VOTING FOR ALL ARTISTS OPENS AT
THE END OF THE SHOW TONIGHT, ON
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00:01:13,273 --> 00:01:15,141
THE VOICE OFFICIAL APP AND
NBC.COM.
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00:01:15,141 --> 00:01:18,578
THAT'S ALSO WHERE YOU'LL FIND
ANY VOTING INFORMATION YOU NEED.
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00:01:18,578 --> 00:01:20,980
SOMETHING NEW.
YOU'LL BE VOTING FOR ONLY ONE
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00:01:20,980 --> 00:01:23,950
ARTIST, YOUR FAVORITE ARTIST OF
THE NIGHT.
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00:01:23,950 --> 00:01:28,455
AND WE KNOW THAT'S GOING TO BE A
TOUGH DECISION.
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YOU CAN VOTE FOR YOUR FAVORITE.
REBA, THIS IS YOUR FIRST TIME
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00:01:31,858 --> 00:01:34,294
LIVE ON "THE VOICE."
HOW ARE YOU FEELING ABOUT
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00:01:34,294 --> 00:01:38,865
TONIGHT?
>> I FEEL SO GOOD.
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00:01:38,865 --> 00:01:42,102
I'VE GOT SO MANY KLEENEXS READY
TO GO.
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IT'S BEEN SUCH AN EMOTIONAL TIME
GETTING TO MEET ALL THESE
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00:01:45,338 --> 00:01:49,609
CONTESTANTS.
I'M IN LOVE WITH ALL OF THEM.
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I'M LIKE A PROUD MAMA.
>> Carson: IT'S BEEN GREAT
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HAVING YOU, REBA.
GOOD LUCK TO YOU TONIGHT.
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00:01:54,681 --> 00:01:56,683
OKAY, LET'S GET TO THE MUSIC.
THIS WEEK, OUR FRIEND, GLOBAL
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00:01:56,683 --> 00:01:58,284
MUSIC SUPERSTAR,
CHANCE THE RAPPER, WHO WILL BE
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00:01:58,284 --> 00:01:59,853
RETURNING AS A COACH NEXT
SEASON, HELPED PREPARE THE
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00:01:59,853 --> 00:02:03,890
ARTISTS FOR THEIR VERY FIRST
LIVE PERFORMANCES.
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00:02:03,890 --> 00:02:08,661
WE'LL START TONIGHT WITH A
MEMBER OF TEAM REBA, A COUNTRY
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00:02:08,661 --> 00:02:12,065
ROCKER FROM OREGON WHO'S PUTTING
HER STAMP ON A CURRENT HIT.
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00:02:12,065 --> 00:02:16,536
SHE'LL TELL YOU MORE.
HERE'S MORE FROM JACQUIE ROAR.
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00:02:16,536 --> 00:02:19,372
>> THIS NEXT LADY IS JACQUIE
ROAR.
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00:02:19,372 --> 00:02:20,473
SHE'S A LITTLE BIT ROCK 'N ROLL
COUNTRY.
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00:02:20,473 --> 00:02:24,310
>> THAT'S FIRE.
>> YOU READY TO MEET HER.
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00:02:24,310 --> 00:02:26,546
>> I WANT TO SEE HER, JACQUIE
ROAR.
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00:02:26,546 --> 00:02:30,817
>> COME ON, JACQUIE.
>> WHOA, CHANCE THE RAPPER.
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00:02:30,817 --> 00:02:33,353
OH, NO.
THEY'RE GOING TO HAVE TO FIX
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00:02:33,353 --> 00:02:36,990
THAT.
>> LET ME PLUG YOU BACK IN.
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00:02:36,990 --> 00:02:38,224
DID YOU HAVE IT CLIPPED ON THE
INSIDE?
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00:02:38,224 --> 00:02:41,795
OKAY.
>> THE MOST EXPENSIVE TECH IN
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00:02:41,795 --> 00:02:46,833
THE HISTORY OF THE WORLD.
>> I'LL SEND YOU MY BILL.
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00:02:46,833 --> 00:02:50,770
>> THIS IS REBA'S NEW BOOK "NOT
THAT FANCY."
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SHE SIGNED IT FOR ME.
I'M SO EXCITED.
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00:03:02,615 --> 00:03:04,050
IT SAYS, TO JACQUIE, LOVE REBA.
>> I'M GLAD YOU'RE DOING
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00:03:04,050 --> 00:03:05,051
LAINEY'S SONG.
LAINEY WILSON IS HAVING A
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00:03:05,051 --> 00:03:07,120
SPECTACULAR YEAR.
THIS SONG IS FOR A STRONG WOMAN
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00:03:07,120 --> 00:03:10,256
TO SEE.
JACQUIE ROARS.
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SHE'S MY COUNTRY ROCK DIVA.
THAT'S WHAT'S MISSING IN COUNTRY
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00:03:14,094 --> 00:03:18,665
MUSIC TODAY.
* FIVE GENERATIONS BLAZING A
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00:03:18,665 --> 00:03:21,401
TRAIL *
>> WHAT JACQUIE DOES IS SHE
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00:03:21,401 --> 00:03:25,705
CONNECTS REALLY WELL.
THE WAY SHE BROUGHT THE LYRICS
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00:03:25,705 --> 00:03:28,274
TO LIFE, IT FELT SO PERSONALLY
INVESTED IN WHAT THE MESSAGE
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00:03:28,274 --> 00:03:30,610
WAS.
I THINK ANYBODY THAT SEES THAT
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00:03:30,610 --> 00:03:33,446
PERFORMANCE IS GOING TO WANT TO
SEE HER CONTINUE.
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00:03:33,446 --> 00:03:38,084
>> I WAS A LITTLE BIT NERVOUS TO
CHANGE IT BECAUSE IT'S CLIMBING
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00:03:38,084 --> 00:03:43,656
THE CHARTS.
GOD BLESS LAINEY WILSON, BUT I
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00:03:43,656 --> 00:03:48,695
GOT TO BE JACQUIE ROAR.
>> I DIDN'T KNOW WHO EITHER OF
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00:03:48,695 --> 00:03:51,164
THOSE PEOPLE WERE BEFORE I GOT
HERE.
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00:03:51,164 --> 00:03:54,100
YOU HAVE TO KNOW IT'S YOUR
MOMENT.
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00:03:54,100 --> 00:03:57,370
>> HOPEFULLY THEY LIKE THE
HEFTINESS I PUT IN IT.
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00:03:57,370 --> 00:04:01,941
>> I DO TOO.
I COULDN'T UNDERSTAND THE WORDS
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00:04:01,941 --> 00:04:06,346
IN THE BEGINNING.
'NEWS YAT SO WE UNDERSTAND THE
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00:04:06,346 --> 00:04:09,949
STORY.
>> THIS SONG REPRESENTS "THE
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00:04:09,949 --> 00:04:14,154
VOICE" TO ME SO MUCH.
I AM THAT DAISY PUSHING THROUGH.
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00:04:14,154 --> 00:04:23,463
"THE VOICE" IS MY MOMENT.
I'VE HAD SO MANY NOs.
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00:04:23,463 --> 00:04:26,132
I DID NOT LISTEN TO THEM.
>> ABSOLUTELY.
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00:04:26,132 --> 00:04:29,602
>> YOU'RE LIKE A ROCK STAR.
>> I LOVED ENDING BIG.
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00:04:29,602 --> 00:04:32,605
THAT'S WHAT THEY'LL REMEMBER.
THIS SONG SELECTION WAS SO
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00:04:32,605 --> 00:04:34,974
IMPORTANT.
AMERICA'S VOTING.
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00:04:34,974 --> 00:04:37,844
IT'S OUT OF MY HANDS NOW.
>> THEY'LL STILL LISTEN TO YOU,
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00:04:37,844 --> 00:04:46,853
REBA.
>> I HOPE SO.
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00:04:46,853 --> 00:04:49,489
[ CHEERS AND APPLAUSE ]
* IN THE MIDDLE OF THE NIGHT
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00:04:49,489 --> 00:04:54,527
I HEAR A CORN
FIELD COYOTE CRY *
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00:04:54,527 --> 00:05:01,668
* UP AT THE MOON
NO MATTER WHAT
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00:05:01,668 --> 00:05:06,573
SKY I'M LAYING UNDER *
* IN THE EYE OF A HURRICANE
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00:05:06,573 --> 00:05:11,711
WHEN I GOT ONE FOOT
IN THE GRAVE *
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00:05:11,711 --> 00:05:18,551
* I'LL DIG MY BOOTS
INTO THE DIRT
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00:05:18,551 --> 00:05:24,357
FACE THE ROLLING THUNDER *
* I'M FIVE GENERATIONS
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00:05:24,357 --> 00:05:27,660
OF BLAZING A TRAIL
THROUGH BARBED WIRE VALLEYS
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00:05:27,660 --> 00:05:32,866
AND OVERGROWN DELLS *
* I'M BAREFOOT AND BAREBACK
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00:05:32,866 --> 00:05:37,070
AND BORN TOUGH AS NAILS
WHOA-OOH-OH, OOH-OH *
85
00:05:37,070 --> 00:05:41,307
* I'M FOUR FIFTHS
OF RECKLESS
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00:05:41,307 --> 00:05:48,081
AND ONE FIFTH OF JACK *
* I PUSH LIKE A DAISY
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00:05:48,081 --> 00:05:52,152
THROUGH OLD SIDEWALK CRACKS *
* YEAH, MY KINDA CRAZY'S
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STILL RUNNING ITS COURSES *
* WITH WILDFLOWERS
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00:05:57,290 --> 00:06:01,027
AND WILD HORSES *
* IT'S IN THE WATER
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00:06:01,027 --> 00:06:05,732
IN MY VEINS
THAT BREAD OF HEAVEN
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00:06:05,732 --> 00:06:07,867
FALLS LIKE RAIN *
* SO I'M TAKEN CARE OF
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00:06:07,867 --> 00:06:09,436
EITHER WAY
MAKE SOMETHING OUT OF
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HOW I'M MADE UNTIL *
* I HITCH A RIDE
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00:06:13,139 --> 00:06:19,479
ON GLORY'S TRAIN *
* I'M FIVE GENERATIONS
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00:06:19,479 --> 00:06:22,649
OF BLAZING A TRAIL
THROUGH BARBED WIRE VALLEYS
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00:06:22,649 --> 00:06:25,318
AND OVERGROWN DELLS *
* I'M BAREFOOT AND BAREBACK
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00:06:25,318 --> 00:06:30,590
AND BORN TOUGH AS NAILS
WHOA-OOH-OH, OOH-OH *
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00:06:30,590 --> 00:06:34,294
* I'M FOUR FIFTHS
OF RECKLESS
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00:06:34,294 --> 00:06:44,771
AND ONE FIFTH OF JACK *
* I PUSH LIKE A DAISY
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00:06:44,771 --> 00:06:51,811
STLU THROUGH OLD SIDEWALK
CRACKS *
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00:06:51,811 --> 00:07:03,556
* YEAH, MY KIND DA KRASY'S
STILL RUNNING ITS COURSES *
102
00:07:03,556 --> 00:07:04,657
* WITH WILDFLOWERS
AND WILD HORSES *
103
00:07:04,657 --> 00:07:06,026
* YEAH, MY KINDA CRAZY'S
STILL RUNNING ITS COURSES
104
00:07:06,026 --> 00:07:13,199
WITH WILDFLOWERS
AND WILD HORSES *
105
00:07:13,199 --> 00:07:17,037
[ CHEERS AND APPLAUSE ]
>> Carson: THAT IS HOW YOU START
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00:07:17,037 --> 00:07:21,041
OUT WITH THE LIVE TOP 12.
THAT'S JACQUIE ROAR, LADIES AND
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00:07:21,041 --> 00:07:29,182
GENTLEMEN.
TEAM REBA HOT OUT OF THE GATE.
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00:07:29,182 --> 00:07:33,186
JACQUIE, THE POWER, MY GOODNESS.
WHERE'S YOUR HAT?
109
00:07:33,186 --> 00:07:38,692
GO GRAB IT.
PEOPLE ARE PUTTING MONEY IN
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00:07:38,692 --> 00:07:41,561
THAT.
YOU WOULD BE RICH LADY AFTER
111
00:07:41,561 --> 00:07:45,065
THAT PERFORMANCE.
NIALL, WHAT DID YOU THINK?
112
00:07:45,065 --> 00:07:46,800
>> THAT'S WHAT COMFORTABLE LOOKS
LIKE.
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00:07:46,800 --> 00:07:51,638
IT'S THE MOST COMFORTABLE I'VE
SEEN YOU ON STAGE.
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00:07:51,638 --> 00:07:54,507
B
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00:07:54,507 --> 00:07:57,844
WE'RE GETTING TO KNOW YOU MORE
AND MORE.
116
00:07:57,844 --> 00:07:59,813
THAT WAS BY FAR AND AWAY THE
BEST.
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00:07:59,813 --> 00:08:02,716
>> Carson: JACQUIE, YOUR FORMER
COACH GWEN.
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00:08:02,716 --> 00:08:05,885
>> YOU KEEP SAYING FORMER COACH.
IT FEELS SO WEIRD YOU'RE NOT ON
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00:08:05,885 --> 00:08:10,023
MY TEAM.
IT FREAKS ME OUT.
120
00:08:10,023 --> 00:08:14,194
SO JEALOUS.
YOU ARE INCREDIBLE.
121
00:08:14,194 --> 00:08:18,365
YOU LOOK BEAUTIFUL TONIGHT.
I LOVE THE WAY YOU ARE SO
122
00:08:18,365 --> 00:08:20,633
TASTEFUL.
YOU CAN DO ANYTHING.
123
00:08:20,633 --> 00:08:24,337
YOU WERE SO COOL ABOUT IT.
IT WAS BEAUTIFUL.
124
00:08:24,337 --> 00:08:26,740
>> Carson: REBA?
>> OH, MY GOSH.
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00:08:26,740 --> 00:08:29,042
I'M CRYING ALREADY.
JACQUIE, WAY TO GO.
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00:08:29,042 --> 00:08:31,711
I'M SO PROUD OF YOU.
WE TALKED BEFORE.
127
00:08:31,711 --> 00:08:35,482
I WAS JUST ONLY WANTING YOU TO
HAVE A GREAT EXPERIENCE AND YOU
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00:08:35,482 --> 00:08:41,087
HAD FUN UP THERE.
THANK YOU FOR DOING THAT FOR ME.
129
00:08:41,087 --> 00:08:42,288
>> THANK YOU FOR LETTING ME HAVE
FUN UP HERE.
130
00:08:42,288 --> 00:08:43,723
>> Carson: IF YOU WANT JACQUIE
IN THE TOP NINE, YOU CAN VOTE
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00:08:43,723 --> 00:08:49,396
WHEN THE WINDOW OPENS ON NBC.COM
AND THE VOICE OFFICIAL APP.
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00:08:49,396 --> 00:08:51,197
WHAT A WAY TO START.
TEAM REBA.
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00:08:51,197 --> 00:09:00,807
GIVE IT UP FOR JACQUIE ROAR.
WHEN WE COME BACK, NINI SINGS A
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00:09:16,890 --> 00:09:18,058
[ CHEERS AND APPLAUSE ]
>> Carson: WE'RE BACK.
135
00:09:18,058 --> 00:09:20,493
WE'RE LIVE WITH THE TOP 12.
ONLY 9 MOVE ON TOMORROW.
136
00:09:20,493 --> 00:09:24,831
VOTING OPENS AT THE END OF THE
SHOW TONIGHT.
137
00:09:24,831 --> 00:09:28,902
AND IF YOU'VE GOT SONG IDEAS FOR
YOUR FAVORITE ARTISTS THIS
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00:09:28,902 --> 00:09:32,439
SEASON, TELL US USING THE
SUGGEST-A-SONG FEATURE IN "THE
139
00:09:32,439 --> 00:09:35,942
VOICE" OFFICIAL APP.
WE'LL USE THAT AND NEXT WEEK
140
00:09:35,942 --> 00:09:40,613
WE'LL SEE IF SOME OF THE SONGS
YOU SELECTED MAKE THE SHOW.
141
00:09:40,613 --> 00:09:42,949
WE'RE DOING OUR TOP NINE FAN
WEEK SHOW WHICH IS ALWAYS A LOT
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00:09:42,949 --> 00:09:44,351
OF FUN.
NOW, LET'S CONTINUE OUR
143
00:09:44,351 --> 00:09:47,053
PERFORMANCES WITH TEAM NIALL'S
NEW YORK POP ROCKER WHO'S
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00:09:47,053 --> 00:09:49,289
PUTTING HER OWN SPIN ON A SONG
SHE'S SENDING OUT TO THE ONES
145
00:09:49,289 --> 00:09:55,161
WHO HAVE STOOD BY HER SIDE.
HERE'S MORE FROM NINI IRIS.
146
00:09:55,161 --> 00:10:02,168
>> LADIES AND GENTLEMEN, WE'RE
IN TOP 12.
147
00:10:02,168 --> 00:10:03,203
LIFE HAS NEVER BEEN MORE
WONDERFUL.
148
00:10:03,203 --> 00:10:05,372
>> HOW WAS YOUR BREAK?
>> I GOT MY AMERICAN
149
00:10:05,372 --> 00:10:07,107
CITIZENSHIP.
>> REALLY?
150
00:10:07,107 --> 00:10:10,710
>> I HAD TO TAKE THE TEST.
I GOT ALL THE QUESTIONS RIGHT.
151
00:10:10,710 --> 00:10:15,148
THIS COUNTRY IS MY HOME NOW.
I LOVE MY GEORGIA ALWAYS, BUT
152
00:10:15,148 --> 00:10:20,220
AMERICA HAS BECOME MY HOME.
THE AMERICAN DREAM IS REAL.
153
00:10:20,220 --> 00:10:24,290
I'M LIVING IT RIGHT NOW.
I'VE BEEN WORKING ON MY SONG.
154
00:10:24,290 --> 00:10:28,294
>> IT SEEMS LIKE ME AND YOU ARE
ON THE SAME PAGE EVERY TIME.
155
00:10:28,294 --> 00:10:34,734
WHEN I THINK OF THE BAND, YOU'RE
ALREADY THINKING OF IT.
156
00:10:34,734 --> 00:10:37,570
MOST PEOPLE WOULD THINK
"LOVESONG" BY THE CURE AND NEVER
157
00:10:37,570 --> 00:10:41,441
PUT YOUR NAME ON IT.
>> I CANNOT WAIT FOR THIS
158
00:10:41,441 --> 00:10:46,646
PERFORMANCE.
* WHENEVER I'M ALONE WITH YOU *
159
00:10:46,646 --> 00:10:50,784
>> THIS SONG IS PERFECT FOR HER
FIRST LIVE TV PERFORMANCE.
160
00:10:50,784 --> 00:10:54,721
WE HAVE NOT SEEN THIS SIDE OF
NINI YESTET.
161
00:10:54,721 --> 00:10:58,958
NINI IS THE DARK POP POWER
HOUSE.
162
00:10:58,958 --> 00:11:03,463
SHE'S ABOUT TO BLOW OUR MINDS.
>> IT'S A LOVE SONG.
163
00:11:03,463 --> 00:11:06,800
I'M SERENADING MY FAMILY BACK
HOME BECAUSE I REALLY LOVE THEM
164
00:11:06,800 --> 00:11:12,339
AND MISS THEM SO MUCH.
DOESN'T MATTER HOW FAR I LIVE.
165
00:11:12,339 --> 00:11:14,674
DOESN'T MATTER HOW LONG I'M
GONE.
166
00:11:14,674 --> 00:11:24,684
I'LL ALWAYS BE LIKE -- I'LL
ALWAYS LOVE THEM AND -- YEAH.
167
00:11:24,684 --> 00:11:27,787
* I WILL ALWAYS LOVE YOU *
>> OBVIOUSLY YOU'RE VERY, VERY
168
00:11:27,787 --> 00:11:31,191
GOOD AT SINGING.
>> THANK YOU.
169
00:11:31,191 --> 00:11:35,261
>> YOU HAVE SUCH GREAT CONTROL
OVER YOUR CHOICES AND THOSE RUNS
170
00:11:35,261 --> 00:11:46,806
ARE SO DOPE COMING INTO THE HOOK
AND SECOND VERSE.
171
00:11:46,806 --> 00:11:48,008
I WOULD ALMOST PLAY THAT FIRST
VERSE STRAIGHT.
172
00:11:48,008 --> 00:11:49,109
>> I AGREE.
>> THINK ABOUT ALL THE PEOPLE
173
00:11:49,109 --> 00:11:50,543
THAT HAVE NEVER HEARD THE SONG
BEFORE AND GIVING IT TO THEM
174
00:11:50,543 --> 00:11:51,911
STRAIGHT ENOUGH SO THEY CAN FEEL
THE EMOTION OF THE SONG.
175
00:11:51,911 --> 00:11:53,380
>> PICK YOUR MOMENTS TO DO YOUR
ACROBATIC STUFF.
176
00:11:53,380 --> 00:11:56,883
IT'S NICE TO HEAR THAT FIRST
VERSE, JUST THE STORY BEING TOLD
177
00:11:56,883 --> 00:12:02,589
BEFORE YOU TAKE OFF.
NOW I'M SO HAPPY THAT AMERICA'S
178
00:12:02,589 --> 00:12:04,057
TAKING OVER AND CHOOSING WHO
GOES THROUGH BECAUSE I'M DONE
179
00:12:04,057 --> 00:12:06,426
WITH THAT.
>> I'M SO SCARED.
180
00:12:06,426 --> 00:12:09,929
>> THEY'RE GOING TO LOVE YOU,
MAN.
181
00:12:09,929 --> 00:12:12,665
>> AMERICA, PLEASE DON'T LET ME
DOWN.
182
00:12:12,665 --> 00:12:16,169
YOU'VE NEVER LET ME DOWN.
PLEASE VOTE FOR NINI.
183
00:12:16,169 --> 00:12:18,905
>> CAN'T WAIT TO SEE WHAT YOU DO
IN THE LIVES.
184
00:12:18,905 --> 00:12:19,873
>> YOU'RE GOING TO ACTUALLY
WATCH?
185
00:12:19,873 --> 00:12:34,621
>> OF COURSE.
I GOT TO SEE MYSELF ON TV.
186
00:12:34,621 --> 00:12:43,096
*
* WHENEVER I'M ALONE
187
00:12:43,096 --> 00:12:52,605
WITH YOU
YOU MAKE ME FEEL
188
00:12:52,605 --> 00:13:02,615
LIKE I AM HOME AGAIN *
* WHENEVER I'M ALONE
189
00:13:02,615 --> 00:13:08,955
WITH YOU
YOU MAKE ME FEEL LIKE
190
00:13:08,955 --> 00:13:16,363
I AM FUN AGAIN *
* HOWEVER FAR AWAY
191
00:13:16,363 --> 00:13:27,474
I WILL ALWAYS LOVE YOU
HOWEVER LONG I STAY
192
00:13:27,474 --> 00:13:36,416
I WILL ALWAYS LOVE YOU *
* WHATEVER WORDS I SAY
193
00:13:36,416 --> 00:13:50,130
I WILL ALWAYS LOVE YOU
I WILL ALWAYS LOVE YOU *
194
00:13:50,130 --> 00:13:55,168
* HEY, WHENEVER I'M ALONE
WITH YOU
195
00:13:55,168 --> 00:14:03,877
YOU MAKE ME FEEL LIKE
I AM FREE AGAIN *
196
00:14:03,877 --> 00:14:12,352
* WHENEVER I'M ALONE
WITH YOU
197
00:14:12,352 --> 00:14:21,828
YOU MAKE ME FEEL LIKE
I AM CLEAN AGAIN *
198
00:14:21,828 --> 00:14:28,168
* HOWEVER FAR AWAY
I WILL ALWAYS LOVE YOU
199
00:14:28,168 --> 00:14:36,609
HOWEVER LONG I STAY
I WILL ALWAYS LOVE YOU *
200
00:14:36,609 --> 00:14:51,925
* WHATEVER WORDS I SAY
I WILL ALWAYS LOVE YOU *
201
00:14:51,925 --> 00:15:00,400
* I WILL ALWAYS LOVE YOU *
* I'LL ALWAYS
202
00:15:00,400 --> 00:15:04,437
LOVE YOU *
[ CHEERS AND APPLAUSE ]
203
00:15:04,437 --> 00:15:08,041
>> Carson: TOP 12 ALREADY
FLEXING THEIR MUSCLES TONIGHT
204
00:15:08,041 --> 00:15:10,443
AFTER TWO PERFORMANCES.
THAT IS NINI IRIS, LADIES AND
205
00:15:10,443 --> 00:15:14,414
GENTLEMEN.
THANK YOU FOR THE ACCOMPANIMENT.
206
00:15:14,414 --> 00:15:19,386
WE APPRECIATE IT.
NINI MAKES HER WAY DOWN.
207
00:15:19,386 --> 00:15:20,620
DON'T LEAVE ANYBODY OUT, NINI.
NICE JOB.
208
00:15:20,620 --> 00:15:24,324
>> THANK YOU.
>> Carson: THAT WAS INCREDIBLE.
209
00:15:24,324 --> 00:15:26,493
JOHN, SOME THOUGHTS FROM YOU,
SIR?
210
00:15:26,493 --> 00:15:30,497
>> NINI, YOU'VE BEEN ONE OF THE
BEST TALENTS IN THIS COMPETITION
211
00:15:30,497 --> 00:15:33,667
THROUGHOUT.
YOU NEVER DISAPPOINT.
212
00:15:33,667 --> 00:15:38,071
YOUR VOICE IS AMAZING.
YOU'RE SO POWERFUL.
213
00:15:38,071 --> 00:15:44,844
YOU HAVE SO MUCH MAGNETISM ON
STAGE AND YOU DID IT AGAIN.
214
00:15:44,844 --> 00:15:46,713
>> Carson: LET'S HEAR WHAT YOUR
COACH THINKS.
215
00:15:46,713 --> 00:15:53,153
NIALL?
>> AND THE GRAMMY GOES TO.
216
00:15:53,153 --> 00:16:04,531
NINI, THAT WAS ABSOLUTELY
SPECTACULAR.
217
00:16:04,531 --> 00:16:06,032
YOUR ABILITY TO FLIP A SONG ON
ITS HEAD AND TURN IT INTO YOUR
218
00:16:06,032 --> 00:16:07,033
OWN IS NOTHING LIKE ANYTHING I
KNOW.
219
00:16:07,033 --> 00:16:08,435
THE WAY YOU KNOW WHO YOU ARE AS
AN ARTIST IS SO IMPRESSIVE.
220
00:16:08,435 --> 00:16:09,269
SO PROUD OF YOU.
WELL DONE.
221
00:16:09,269 --> 00:16:10,737
>> Carson: IF YOU WANT NINI IN
THE TOP 9, YOU CAN VOTE WHEN THE
222
00:16:10,737 --> 00:16:13,306
WINDOW OPENS ON NBC.COM AND "THE
VOICE" OFFICIAL APP.
223
00:16:13,306 --> 00:16:15,041
GIVE IT UP ONE MORE TIME FOR
NINI IRIS.
224
00:16:15,041 --> 00:16:17,243
[ CHEERS AND APPLAUSE ]
>> Carson: WHEN WE COME BACK,
225
00:16:17,243 --> 00:16:21,514
KARA TENAE SINGS ONE OF CHANCE'S
FAVORITE SONGS.
226
00:16:21,514 --> 00:16:24,551
AND LATER, TANNER AND LILA FIGHT
FOR A CHANCE TO MOVE ON NEXT
227
00:16:24,551 --> 00:16:37,530
WEEK.
*
228
00:16:37,530 --> 00:16:39,966
[ CHEERS AND APPLAUSE ]
>> Carson: WELCOME BACK TO OUR
229
00:16:39,966 --> 00:16:41,968
TOP 12 LIVE SHOW.
REMEMBER, VOTING OPENS AT THE
230
00:16:41,968 --> 00:16:47,240
END OF THE SHOW TONIGHT.
CONTINUING NOW WITH TEAM GWEN'S
231
00:16:47,240 --> 00:16:49,209
R&B SINGER FROM CALIFORNIA AND A
SONG THAT HOLDS A SPECIAL
232
00:16:49,209 --> 00:16:54,280
MEANING FOR HER.
HERE'S MORE FROM KARA TENAE.
233
00:16:54,280 --> 00:16:56,082
>> HI.
>> WE'RE HERE.
234
00:16:56,082 --> 00:16:58,852
>> IT'S HAPPENING.
>> WE'RE GOING TO THE LIVES NOW.
235
00:16:58,852 --> 00:17:02,322
>> I KNOW.
IT'S GOING TO BE NUTS.
236
00:17:02,322 --> 00:17:05,325
HONESTLY THIS SEASON HAS SOME OF
THE BEST SINGERS.
237
00:17:05,325 --> 00:17:08,161
>> BRING HER IN.
>> OH, MY GOODNESS.
238
00:17:08,161 --> 00:17:12,499
OH, MY GOD, IT'S CHANCE.
>> WHAT'S UP, MAN?
239
00:17:12,499 --> 00:17:20,774
>> I'M AN R&B SINGER, BUT I LOVE
HIP-HOP AND HE'S A HIP-HOP ICON.
240
00:17:20,774 --> 00:17:23,877
HE'S WORKED WITH ARTISTS SO I
WAS SUPER GEEKED.
241
00:17:23,877 --> 00:17:26,780
>> YOU'RE THE TYPE OF HONEST
ONCE YOU GET ON STAGE, IT COMES
242
00:17:26,780 --> 00:17:31,484
TO LIFE.
KARA LIVES IN THE R&B LANE.
243
00:17:31,484 --> 00:17:36,222
SHE LOVES IT.
SHE'S MY AUTHENTIC R&B STORY
244
00:17:36,222 --> 00:17:40,460
TELLER.
>> YOU PICKED MY FAVORITE SONG
245
00:17:40,460 --> 00:17:45,765
IN THE WORLD.
>> KARA IS DOING "LOVE" BY
246
00:17:45,765 --> 00:17:49,369
KEISHA COLE.
SHE COULD PUT THIS OUT TOMORROW
247
00:17:49,369 --> 00:17:51,705
AND EVERYBODY WOULD BELIEVE HER.
IT'S A REALLY IMPORTANT THING
248
00:17:51,705 --> 00:17:55,208
WHEN YOU'RE AN ARTIST.
IT'S LIKE, THIS IS WHO I AM.
249
00:17:55,208 --> 00:17:59,412
* I FOUND YOU *
>> THE FIRST VERSES FELT
250
00:17:59,412 --> 00:18:13,293
CONVERSATIONAL AND I LIKED THAT.
I LIKE THAT DYNAMICALLY ON THE
251
00:18:13,293 --> 00:18:14,627
SECOND ONE YOU WERE SOFTER.
MAYBE SPLIT THE DIFFERENCE.
252
00:18:14,627 --> 00:18:16,029
>> MAYBE FROM ONE OF THE I
FOUNDS TRY DOING IT LIKE A CLIMB
253
00:18:16,029 --> 00:18:18,298
OR SWINGING IT.
I NEVER HEARD THAT DONE BEFORE.
254
00:18:18,298 --> 00:18:21,334
* I FELL *
>> I LIKE WHEN SHE DOES IT LIKE
255
00:18:21,334 --> 00:18:24,671
THAT.
IF THAT WAS THE PERFORMANCE, I
256
00:18:24,671 --> 00:18:27,640
WOULD HAVE VOTED FOR YOU.
>> SO REAL.
257
00:18:27,640 --> 00:18:29,442
>> IT MAKES ME FEEL ABOUT MY
PARENTS.
258
00:18:29,442 --> 00:18:32,512
I KNOW THAT THEY'RE THE TWO
PEOPLE IN THIS WORLD THAT JUST
259
00:18:32,512 --> 00:18:36,349
LOVE ME MORE THAN ANYBODY.
MY PARENTS ARE WATCHING EVERY
260
00:18:36,349 --> 00:18:39,819
PERFORMANCE AND THEY'RE SO PROUD
OF ME.
261
00:18:39,819 --> 00:18:46,593
MY MOM, OH, MY GOSH, I HEAR ON
THE PHONE LIKE, YEAH, GIRL, SHE
262
00:18:46,593 --> 00:18:50,330
GOT ANOTHER EPISODE.
IT'S SO COOL.
263
00:18:50,330 --> 00:18:53,967
THIS IS AMAZING, NOT JUST FOR
ME, BUT MY FAMILY.
264
00:18:53,967 --> 00:18:59,739
WHEN MY FATHER GOT DIAGNOSED
WITH CANCER, I WAS 18 YEARS OLD.
265
00:18:59,739 --> 00:19:02,042
MY MOM GOT DIAGNOSED WHEN I WAS
21.
266
00:19:02,042 --> 00:19:05,145
TO SEE BOTH OF THEM SURVIVE IT
TAUGHT ME WE HAVE TO MAKE THE
267
00:19:05,145 --> 00:19:08,081
MOST OUT OF EVERY MOMENT WITH
OUR LOVED ONES BECAUSE TOMORROW
268
00:19:08,081 --> 00:19:10,483
ISN'T PROMISED.
I'M SO GRATEFUL FOR THIS
269
00:19:10,483 --> 00:19:14,354
OPPORTUNITY.
THIS IS A DREAM COME TRUE.
270
00:19:14,354 --> 00:19:19,159
>> THANK YOU FOR PERFORMING.
YOU REMINDED ME HOW GREAT THIS
271
00:19:19,159 --> 00:19:23,430
JOB IS.
YOU'RE A KIND-HEARTED PERSON.
272
00:19:23,430 --> 00:19:26,332
YOU DESERVE TO BE HERE.
>> THANK YOU.
273
00:19:26,332 --> 00:19:31,471
[ CHEERS AND APPLAUSE ]
* I USED TO THINK THAT
274
00:19:31,471 --> 00:19:35,375
I WASN'T FINE ENOUGH
AND I USED TO THINK THAT
275
00:19:35,375 --> 00:19:41,047
I WASN'T WILD ENOUGH *
* BUT I WON'T WASTE MY TIME
276
00:19:41,047 --> 00:19:44,117
TRYIN' TO FIGURE OUT
WHY YOU PLAYING GAMES
277
00:19:44,117 --> 00:19:48,955
WHAT'S THIS ALL ABOUT *
* AND I CAN'T BELIEVE
278
00:19:48,955 --> 00:19:52,525
YOU'RE HURTING ME *
* I MET YOUR GIRL
279
00:19:52,525 --> 00:19:56,763
WHAT A DIFFERENCE *
* WHAT YOU SEE IN HER
280
00:19:56,763 --> 00:20:13,146
YOU AIN'T SEEN IN ME
BUT I GUESS IT WAS ALL
281
00:20:13,146 --> 00:20:14,147
JUST MAKE-BELIEVE *
* WHOA LOVE
282
00:20:14,147 --> 00:20:15,115
NEVER KNEW WHAT I
WAS MISSIN' *
283
00:20:15,115 --> 00:20:20,220
* BUT I KNEW ONCE
WE START KISSIN'
284
00:20:20,220 --> 00:20:24,858
I FOUND LOVE *
* NEVER KNEW WHAT I
285
00:20:24,858 --> 00:20:27,660
WAS MISSIN' *
* BUT I KNEW ONCE
286
00:20:27,660 --> 00:20:40,907
WE START KISSIN'
I FOUND *
287
00:20:40,907 --> 00:20:53,053
* I FOUND YOU *
* I FOUND YOU *
288
00:20:53,053 --> 00:20:57,824
* NOW YOU'RE GONE
WHAT AM I GONNA DO
289
00:20:57,824 --> 00:21:08,335
SO EMPTY, MY HEART
AND MY SOUL CAN'T GO ON *
290
00:21:08,335 --> 00:21:12,172
* DON'T LEAVE ME, YEAH
I NEED YOU *
291
00:21:12,172 --> 00:21:17,944
* NEVER KNEW WHAT I
WAS MISSIN' *
292
00:21:17,944 --> 00:21:25,285
* BUT I KNEW ONCE
WE START KISSIN'
293
00:21:25,285 --> 00:21:31,091
I FOUND LOVE *
* NEVER KNEW WHAT I
294
00:21:31,091 --> 00:21:36,396
WAS MISSIN'
BUT I KNEW ONCE
295
00:21:36,396 --> 00:21:41,101
WE START KISSIN' *
* I FOUND
296
00:21:41,101 --> 00:21:49,409
I FOUND
YOU *
297
00:21:49,409 --> 00:21:51,678
[ CHEERS AND APPLAUSE ]
>> Carson: THAT KARA TENAE,
298
00:21:51,678 --> 00:21:56,583
LADIES AND GENTLEMEN.
ALL FOUR COACHES, YET AGAIN, ON
299
00:21:56,583 --> 00:22:01,621
THEIR FEET FOR ANOTHER OVATION
EARLY HERE AS THE TOP 12 ARE ALL
300
00:22:01,621 --> 00:22:04,157
GOING LIVE.
KARA, GREAT JOB, MAN.
301
00:22:04,157 --> 00:22:08,528
WOW.
THAT WAS LIKE OUR PROM IN THE
302
00:22:08,528 --> 00:22:14,834
'90s, JOHN.
WHAT DID YOU THINK, BUDDY?
303
00:22:14,834 --> 00:22:17,904
>> IF YOU DON'T KNOW R&B, YOU
MIGHT NOT KNOW THIS IS A TRUE
304
00:22:17,904 --> 00:22:20,974
R&B CLASSIC.
THOSE RUNS ARE ICONIC.
305
00:22:20,974 --> 00:22:25,612
YOU HAVE TO NAIL IT AND YOU
NAILED IT, KARA.
306
00:22:25,612 --> 00:22:29,182
YES.
ABSOLUTELY.
307
00:22:29,182 --> 00:22:30,417
STAGE PRESENCE.
VOICE.
308
00:22:30,417 --> 00:22:33,319
EXEC
EXECUTION.
309
00:22:33,319 --> 00:22:37,157
IT WAS WONDERFUL.
>> Carson: LET'S GO TO YOUR
310
00:22:37,157 --> 00:22:40,360
COACH.
GWEN?
311
00:22:40,360 --> 00:22:44,664
>> HEARING JOHN SAY, IT BLOWS MY
MIND.
312
00:22:44,664 --> 00:22:48,535
EVERY SINGLE TIME -- NOW LIVE TV
AND YOU DO WHAT YOU DO.
313
00:22:48,535 --> 00:22:51,438
YOU'RE SO UNBELIEVABLE POISED
AND SO CONFIDENT AND YOU.
314
00:22:51,438 --> 00:22:53,707
YOU'RE SO PURE.
I'M SO PROUD OF YOU.
315
00:22:53,707 --> 00:22:58,578
YOU'RE BEAUTIFUL.
>> Carson: IF YOU WANT KARA IN
316
00:22:58,578 --> 00:23:02,849
THE TOP 9, YOU CAN VOTE WHEN THE
WINDOW OPENS ON NBC.COM AND "THE
317
00:23:02,849 --> 00:23:06,953
VOICE" OFFICIAL APP.
GIVE IT UP AGAIN FOR KARA TENAE.
318
00:23:06,953 --> 00:23:10,957
STRAIGHT AHEAD, BACK-TO-BACK
PERFORMANCES.
319
00:23:10,957 --> 00:23:12,225
DO NOT GO ANYWHERE.
FIRST, THE ROCKER SIDE OF TANNER
320
00:23:12,225 --> 00:23:17,230
MASSEY YOU HAVEN'T SEEN BEFORE.
THEN, A FRESH TAKE ON AN INDIGO
321
00:23:17,230 --> 00:23:18,798
GIRLS, A FAVORITE BY LILA.
PLUS, RUBY DOES EVERYTHING SHE
322
00:23:18,798 --> 00:23:31,311
CAN TO SECURE A SPOT IN THE TOP
*
323
00:23:31,311 --> 00:23:33,780
[ CHEERS AND APPLAUSE ]
>>> Carson: WE'RE BACK LIVE WITH
324
00:23:33,780 --> 00:23:35,081
THE TOP 12.
BACK-TO-BACK PERFORMANCES RIGHT
325
00:23:35,081 --> 00:23:37,984
NOW.
LET'S START WITH TEAM GWEN'S
326
00:23:37,984 --> 00:23:40,920
OKLAHOMA POP SINGER WHO'S
SHOWING THE KIND OF ARTIST HE
327
00:23:40,920 --> 00:23:46,126
WANTS TO BE WITH A MASSIVE ROCK
SONG.
328
00:23:46,126 --> 00:23:51,231
HERE'S MORE FROM TANNER MASSEY.
>> TEAM GWEN!
329
00:23:51,231 --> 00:23:53,433
>> ONE, TWO, THREE --
>> All: TEAM GWEN!
330
00:23:53,433 --> 00:23:57,137
>> LET'S GO.
IT'S SO AMAZING TO BE TOP THREE
331
00:23:57,137 --> 00:23:59,272
ON TEAM GWEN.
>> HELLO.
332
00:23:59,272 --> 00:24:02,776
>> HELLO.
CHANCE!
333
00:24:02,776 --> 00:24:04,044
>> I WAS SO SURPRISED TO SEE
CHANCE.
334
00:24:04,044 --> 00:24:09,683
HE'S SUPER INTELLIGENT WITH THE
WAY HE STRUCTURES SONGS AND I'M
335
00:24:09,683 --> 00:24:12,952
SO EXCITING FOR FEEDBACK.
I'M GOING TO BE PERFORMING
336
00:24:12,952 --> 00:24:37,777
"THANKS FOR THE MEMORIES."
>> THIS IS A REALLY GOOD SONG
337
00:24:37,777 --> 00:24:39,546
FOR YOU. EDGIER
SOUND.
338
00:24:39,546 --> 00:24:44,084
THIS SONG IS A COMBINATION OF
EVERYTHING I AM AS AN ARTIST.
339
00:24:44,084 --> 00:24:48,355
>> TANNER HAS ALL THESE GIFTS.
IT'S SO FUN HELPING HIM TRY TO
340
00:24:48,355 --> 00:24:52,492
HONE IN ON WHO HE IS AND WHAT
LANE HE WANTS TO BE IN.
341
00:24:52,492 --> 00:24:57,097
I FEEL LIKE TANNER IS MY POP
ROCK HEART BREAKER.
342
00:24:57,097 --> 00:25:03,336
>> WOW.
>> YOU KNOW WHAT'S SO WEIRD?
343
00:25:03,336 --> 00:25:06,439
GROWING UP I WOULD NEVER HEAR AN
ALTERNATIVE SONG AND SOMEBODY DO
344
00:25:06,439 --> 00:25:08,208
RUNS.
YOU MADE IT REALLY WORK.
345
00:25:08,208 --> 00:25:11,678
I LIKED IT FOR YOU.
>> OKAY.
346
00:25:11,678 --> 00:25:16,349
>> I WANT TO KNOW IF SOMEONE IS
LIKE YOU'RE GOING TO MAKE YOUR
347
00:25:16,349 --> 00:25:19,419
RECORD -- I KNOW THE SHAUN
MENDES THING.
348
00:25:19,419 --> 00:25:22,622
WHAT WOULD YOU SOUND BE LIKE?
WHAT'S YOUR FAVORITE BAND?
349
00:25:22,622 --> 00:25:26,393
>> IT WOULD BE THAT.
>> I THINK YOU'RE GETTING A
350
00:25:26,393 --> 00:25:29,496
LITTLE TOO TRICKY WITH SOME OF
THE RUN.
351
00:25:29,496 --> 00:25:31,898
>> THAT REALLY COMES DOWN TO
NAILING THE ORIGINAL
352
00:25:31,898 --> 00:25:34,367
COMPOSITION.
THE PITCH IS THE MOST IMPORTANT
353
00:25:34,367 --> 00:25:37,070
PART.
>> THAT IS GOOD ADVICE.
354
00:25:37,070 --> 00:25:41,274
LEARN THE ORIGINAL AND SLOWLY
ADD IN YOUR STYLE.
355
00:25:41,274 --> 00:25:46,212
>> TANNER'S GOT A COOL DUALITY
OF HIS VOICE.
356
00:25:46,212 --> 00:25:50,483
DOING A FALLOUT BOY SONG IS
BOLD, BUT HE NAILED IT.
357
00:25:50,483 --> 00:25:54,888
THAT'S WHAT THE SHOW IS ABOUT,
SHOWING ORIGINALITY.
358
00:25:54,888 --> 00:25:57,490
>> FOCUSING ON HITTING THOSE
INTERVALS IS GOING TO MAKE
359
00:25:57,490 --> 00:26:04,164
EVERYBODY ROCK OUT.
>> WHAT TANNER NEEDS TO DO TO
360
00:26:04,164 --> 00:26:07,367
MAKE THE SEMI-FINALS IS MAKE THE
PURITY OF HIS VOICE COME THROUGH
361
00:26:07,367 --> 00:26:12,205
AND AMERICA'S GOING TO FALL IN
LOVE WITH HIM.
362
00:26:12,205 --> 00:26:18,878
*
*
363
00:26:18,878 --> 00:26:25,051
* I'M GOING TO MAKE IT
BEND AND BREAK *
364
00:26:25,051 --> 00:26:31,124
* SAY A PRAYER
BUT LET THE *
365
00:26:31,124 --> 00:26:34,060
* GOOD TIMES ROLL
IN CASE GOD
366
00:26:34,060 --> 00:26:35,628
DOESN'T SHOW
AND I WANT THESE WORDS *
367
00:26:35,628 --> 00:26:38,164
* TO MAKE THINGS RIGHT
BUT IT'S THE WRONGS
368
00:26:38,164 --> 00:26:41,301
THAT MAKE THE
WORDS COME TO LIFE *
369
00:26:41,301 --> 00:26:43,536
* BUT WHO DOES
HE THINK HE IS
370
00:26:43,536 --> 00:26:48,875
IF THAT'S THE WORST
YOU'VE GOT BETTER PUT *
371
00:26:48,875 --> 00:26:50,977
* YOUR FINGERS BACK
TO THE KEYS *
372
00:26:50,977 --> 00:26:52,379
* ONE NIGHT AND
ONE MORE TIME *
373
00:26:52,379 --> 00:26:55,081
* THANKS FOR
THE MEMORIES
374
00:26:55,081 --> 00:27:01,221
EVEN THOUGH THEY
WEREN'T SO GREAT *
375
00:27:01,221 --> 00:27:04,357
* HE TASTES LIKE YOU
ONLY SWEETER *
376
00:27:04,357 --> 00:27:06,493
* ONE NIGHT, YEAH,
AND ONE MORE TIME *
377
00:27:06,493 --> 00:27:09,629
* THANKS FOR THE MEMORIES
THANKS FOR THE MEMORIES
378
00:27:09,629 --> 00:27:16,503
SEE, HE TASTES
LIKE YOU ONLY SWEETER *
379
00:27:16,503 --> 00:27:20,206
* THEY SAY I ONLY THINK
IN THE FORM OF
380
00:27:20,206 --> 00:27:27,280
CRUNCHING NUMBERS
IN HOTEL ROOMS *
381
00:27:27,280 --> 00:27:30,717
* COLLECTING PAGE
SIX LOVERS *
382
00:27:30,717 --> 00:27:33,053
* GET ME OUT OF MY MIND
AND GET YOU OUT OF *
383
00:27:33,053 --> 00:27:36,723
* THOSE CLOTHES
I'M A LINER AWAY
384
00:27:36,723 --> 00:27:44,230
FROM GETTING YOU
INTO THE MOOD *
385
00:27:44,230 --> 00:27:45,832
* YEAH *
* ONE NIGHT AND
386
00:27:45,832 --> 00:27:47,934
ONE MORE TIME
THANKS FOR THE MEMORIES
387
00:27:47,934 --> 00:27:53,707
EVEN THOUGH THEY *
* WEREN'T SO GREAT
388
00:27:53,707 --> 00:27:58,478
HE TASTES LIKE YOU
ONLY SWEETER *
389
00:27:58,478 --> 00:28:00,080
* ONE NIGHT AND
ONE MORE TIME *
390
00:28:00,080 --> 00:28:02,716
* THANKS FOR THE MEMORIES
THANKS FOR THE MEMORIES
391
00:28:02,716 --> 00:28:10,056
SEE, HE TASTES
LIKE YOU *
392
00:28:10,056 --> 00:28:13,126
* ONLY SWEETER *
* ONE MORE NIGHT AND
393
00:28:13,126 --> 00:28:15,161
ONE NIGHT AND
ONE MORE TIME
394
00:28:15,161 --> 00:28:24,704
THANKS FOR THE MEMORIES *
* EVEN THOUGH THEY WEREN'T
395
00:28:24,704 --> 00:28:25,739
SO GREAT *
* HE TASTES LIKE YOU
396
00:28:25,739 --> 00:28:26,673
ONLY SWEETER *
* ONE NIGHT
397
00:28:26,673 --> 00:28:27,540
ONE NIGHT AND
ONE MORE TIME
398
00:28:27,540 --> 00:28:30,043
YEAH *
* THANKS FOR THE MEMORIES
399
00:28:30,043 --> 00:28:32,812
THANKS FOR THE MEMORIES *
* SEE, HE TASTES LIKE YOU
400
00:28:32,812 --> 00:28:39,519
ONLY SWEETER *
* OH
401
00:28:39,519 --> 00:28:43,890
YEAH *
>> Carson: GETTING A LITTLE BIT
402
00:28:43,890 --> 00:28:47,694
OF EVERYTHING ALL NIGHT AS THE
TOP 12 ARE GOING LIVE.
403
00:28:47,694 --> 00:28:52,465
THAT'S TANNER MASSEY WITH THE
FIRST BIG ROCK SONG OF THE
404
00:28:52,465 --> 00:28:54,634
NIGHT.
NICE WORK, TANNER.
405
00:28:54,634 --> 00:28:57,404
NICE JOB.
REBA?
406
00:28:57,404 --> 00:29:01,508
>> TANNER, YOU KNOW I ALWAYS
WANTED YOU ON MY TEAM.
407
00:29:01,508 --> 00:29:04,144
YOU HAVE IMPROVED BABY STEPS.
YOU'VE GOTTEN SO GOOD.
408
00:29:04,144 --> 00:29:09,015
I'M PROUD OF YOU.
YOU'RE CUTE AS A BUTTON.
409
00:29:09,015 --> 00:29:11,117
WAY TO GO.
>> Carson: COACH GWEN, WHAT DID
410
00:29:11,117 --> 00:29:13,253
YOU THINK?
>> I WAS LIKE THIS FOR YOU
411
00:29:13,253 --> 00:29:16,690
TONIGHT.
YOU DID SO GOOD.
412
00:29:16,690 --> 00:29:19,192
I'M SO PROUD OF YOU.
YOU CAN SEE I HAVE TEARS IN MY
413
00:29:19,192 --> 00:29:21,695
EYES.
I SAID TO JOHN -- I'M ROOTING
414
00:29:21,695 --> 00:29:24,164
FOR YOU TONIGHT.
I THINK IT WAS HARD TO FIND A
415
00:29:24,164 --> 00:29:29,536
SONG.
IT'S YOUR FAVORITE BAND.
416
00:29:29,536 --> 00:29:31,104
YOU DID SUCH A GOOD JOB.
I'M SO PROUD OF YOU.
417
00:29:31,104 --> 00:29:32,706
>> Carson: IF YOU WANT TANNER IN
THE TOP 9, YOU CAN VOTE WHEN THE
418
00:29:32,706 --> 00:29:40,046
WINDOW OPENS ON NBC.COM AND "THE
VOICE" OFFICIAL APP.
419
00:29:40,046 --> 00:29:43,350
GIVE IT UP AGAIN FOR TANNER
MASSEY.
420
00:29:43,350 --> 00:29:47,053
[ CHEERS AND APPLAUSE ]
>> Carson: LET'S CONTINUE RIGHT
421
00:29:47,053 --> 00:29:48,922
AWAY WITH TEAM LEGEND'S
SINGER-SONGWRITER WHO PUTS HER
422
00:29:48,922 --> 00:29:53,960
EMOTIONAL TWIST ON EVERY SONG
SHE TACKLES.
423
00:29:53,960 --> 00:29:57,530
HERE'S MORE FROM LILA FORDE.
>> THIS YOUNG LADY, THERE'S NO
424
00:29:57,530 --> 00:29:59,799
ONE ELSE LIKE HER IN THE
COMPETITION.
425
00:29:59,799 --> 00:30:01,801
SHE ALWAYS SURPRISES ME WITH
SOMETHING.
426
00:30:01,801 --> 00:30:06,373
>> OH, MY GOD.
HERE I GO.
427
00:30:06,373 --> 00:30:09,776
>> LILA IS A CLASSIC SINGER-SONG
WRITER.
428
00:30:09,776 --> 00:30:13,113
SHE SINGS THESE CLASSIC SONGS,
BUT ALWAYS DOES SOMETHING FRESH
429
00:30:13,113 --> 00:30:15,148
TO MAKE IT COOL AND MAKE IT HER
OWN.
430
00:30:15,148 --> 00:30:21,388
THIS SONG, HOW YOU FEEL ABOUT
IT?
431
00:30:21,388 --> 00:30:22,622
>> I'M EXCITED ABOUT IT.
I'LL BE PLAYING THE PIANO.
432
00:30:22,622 --> 00:30:25,492
HAVEN'T PLAYED SINCE THE BLINDS.
IT'S TIME FOR ME TO PLAY BECAUSE
433
00:30:25,492 --> 00:30:31,331
IT'S SUCH A HUGE PART OF WHO I
AM AS A MUSICIAN.
434
00:30:31,331 --> 00:30:35,902
* AND I WENT TO THE DOCTOR *
* I WENT TO THE MOUNTAINS *
435
00:30:35,902 --> 00:30:41,508
>> I HAVE CLOCKED SO MANY HOURS
FROM WAKING UP AT THE CRACK OF
436
00:30:41,508 --> 00:30:45,645
DAWN IN SEATTLE IN THE COLD
MORNINGS PRACTICING PIANO FOR AN
437
00:30:45,645 --> 00:30:49,482
HOUR LIKE MY MOM MADE ME.
IT'S BROUGHT ME TO THIS MOMENT
438
00:30:49,482 --> 00:30:53,653
IN THE LIVE SHOWS.
>> THE KEY WITH YOU BECAUSE YOU
439
00:30:53,653 --> 00:30:57,924
SOUND SO DIFFERENT IS YOU CAN'T
TRY TO OUT BELT EVERYONE.
440
00:30:57,924 --> 00:31:00,160
YOU HAVE TO BE THE BEST YOU CAN
BE IN YOUR OWN LANE.
441
00:31:00,160 --> 00:31:02,262
>> KEEP IT COOL.
BE MYSELF.
442
00:31:02,262 --> 00:31:10,136
>> YES.
THAT'S WHAT GOT YOU HERE.
443
00:31:10,136 --> 00:31:11,538
>> IF YOU COULD MAKE ME FEEL THE
LYRICS, SEEING YOU LOVE THE
444
00:31:11,538 --> 00:31:17,077
LY
LYRICS, THAT WILL MAKE YOU --
445
00:31:17,077 --> 00:31:19,245
>> LET ME ASK YOU, JOHN, AND
MR. RAPPER --
446
00:31:19,245 --> 00:31:22,482
>> THAT'S WHAT I PREFER.
>> I WAS THINKING ABOUT PLAYING
447
00:31:22,482 --> 00:31:24,884
IN THE BEGINNING AND THEN
STANDING UP AND NOT PLAYING.
448
00:31:24,884 --> 00:31:28,788
>> I'M OPEN TO THAT.
>> MAKE SURE THE WIRES ARE ALL
449
00:31:28,788 --> 00:31:30,990
SET FOR YOU TO STAND.
>> I LOVE HAVING JOHN AS A
450
00:31:30,990 --> 00:31:34,194
COACH.
I FEEL LIKE HE SEES ME.
451
00:31:34,194 --> 00:31:37,597
THAT'S WHY HE'S TAKEN ME THIS
FAR.
452
00:31:37,597 --> 00:31:40,800
* I STOP BY THE BAR AT 3:00
A.M. *
453
00:31:40,800 --> 00:31:43,236
>> TALK ABOUT IT.
>> THAT'S SLICK.
454
00:31:43,236 --> 00:31:48,475
>> IT'S CRAZY.
>> LILA PICKS THESE LINES THAT
455
00:31:48,475 --> 00:31:51,578
TAKE TWISTS AND TURNS AND COME
TO THE MOST BEAUTIFUL PLACES.
456
00:31:51,578 --> 00:31:54,347
THAT'S WHAT I LOVE TO HEAR.
>> THAT WAS SO GOOD.
457
00:31:54,347 --> 00:31:57,584
>> IT'S INSANE.
YOU'RE DELIVERING THESE LINES
458
00:31:57,584 --> 00:32:02,655
LIKE IT HAPPENED TO YOU.
ALL THESE CRAZY RUNS --
459
00:32:02,655 --> 00:32:07,193
>> IT'S LIKE AH!
>> EACH ONE IS LIKE GOOSE BUMPS.
460
00:32:07,193 --> 00:32:10,230
>> ALL THE COACHES LOVE HER.
I LOVE LILA.
461
00:32:10,230 --> 00:32:27,080
NOW IT'S UP TO THE AMERICAN
PEOPLE, AND I THINK SHE'S GOING
462
00:32:27,080 --> 00:32:28,148
TO DO GREAT.
* I'M TRYING TO TELL YOU
463
00:32:28,148 --> 00:32:29,449
SOMETHING ABOUT MY LIFE *
* MAYBE GIVE ME INSIGHT
464
00:32:29,449 --> 00:32:33,787
BETWEEN BLACK AND WHITE *
* BUT THE BEST THING YOU'VE
465
00:32:33,787 --> 00:32:38,658
EVER DONE FOR ME
IS TO HELP ME TAKE MY LIFE
466
00:32:38,658 --> 00:32:45,865
LESS SERIOUSLY *
* CAUSE IT'S ONLY LIFE AFTER *
467
00:32:45,865 --> 00:32:52,739
* WELL DARKNESS HAS A
HUNGER THAT'S INSATIABLE
468
00:32:52,739 --> 00:32:55,942
AND LIGHTNESS HAS A CALL *
* THAT'S HARD TO HEAR
469
00:32:55,942 --> 00:32:59,612
I WRAP MY FEAR AROUND ME
LIKE A BLANKET *
470
00:32:59,612 --> 00:33:04,484
* I'M CRAWLING ON
YOUR SHORES *
471
00:33:04,484 --> 00:33:09,089
* I WENT TO THE DOCTOR *
* AND I WENT TO THE MOUNTAIN *
472
00:33:09,089 --> 00:33:13,860
* I LOOKED TO THE CHILDREN *
* AND I DRANK FROM
473
00:33:13,860 --> 00:33:15,462
THE FOUNTAINS *
* THERE'S MORE THAN
474
00:33:15,462 --> 00:33:19,232
ONE ANSWER
TO THESE QUESTIONS *
475
00:33:19,232 --> 00:33:28,742
* POINTING ME IN
A CROOKED LINE *
476
00:33:28,742 --> 00:33:33,079
* THE LESS I SEEK MY SOURCE *
* FOR SOME DEFINITIVE
477
00:33:33,079 --> 00:33:37,617
THE CLOSER I AM TO FINE *
* THE CLOSER I AM TO FINE *
478
00:33:37,617 --> 00:33:43,923
* I STOPPED BY
THE BAR AT 3:00 A.M.
479
00:33:43,923 --> 00:33:49,729
TO SEEK SOLACE IN A BOTTLE
OR POSSIBLY A FRIEND *
480
00:33:49,729 --> 00:33:54,501
* I WOKE UP WITH A HEADACHE
LIKE MY HEAD AGAINST A BOARD
481
00:33:54,501 --> 00:34:01,908
I WENT IN SEEKING CLARITY *
* I WENT TO THE DOCTOR
482
00:34:01,908 --> 00:34:05,211
AND I WENT TO THE MOUNTAINS *
* WE LOOK TO THE CHILDREN *
483
00:34:05,211 --> 00:34:08,148
* AND WE DRINK FROM
THE FOUNTAIN *
484
00:34:08,148 --> 00:34:11,317
* YEAH WE GO TO THE BIBLE
WE GO THROUGH THE WORKOUT
485
00:34:11,317 --> 00:34:15,522
WE READ UP ON REVIVAL *
* AND WE STAND UP
486
00:34:15,522 --> 00:34:45,518
FOR THE LOOKOUT *
* THERE'S MORE THAN TO FINE *
487
00:34:45,518 --> 00:34:52,759
[ CHEERS AND APPLAUSE ]
>> Carson: LILA FORDE, LADIES
488
00:34:52,759 --> 00:34:55,261
AND GENTLEMEN, LIVE ON "THE
VOICE."
489
00:34:55,261 --> 00:34:57,597
GREAT JOB, LILA.
>> PERFECT.
490
00:34:57,597 --> 00:34:59,332
>> Carson: COACHES ON THEIR FEET
AGAIN.
491
00:34:59,332 --> 00:35:03,803
LET'S CHAT WITH THEM.
NIALL, LET'S START WITH YOU.
492
00:35:03,803 --> 00:35:08,274
>> LILA FORDE, OH, MY GOD I'M
YOUR BIGGEST FAN.
493
00:35:08,274 --> 00:35:12,278
>> NO, I AM.
>> CHANCE SAID YOU ALWAYS SING
494
00:35:12,278 --> 00:35:17,050
THE WORDS LIKE THEY'RE YOUR OWN.
YOU HAVE THIS INSANE ABILITY.
495
00:35:17,050 --> 00:35:21,388
WHAT I'LL SAY IS IF THIS GIRL
CAN WRITE A SONG AND HAS
496
00:35:21,388 --> 00:35:23,857
SOMETHING TO SAY, WATCH OUT.
IT'S TELLING YOU SOMETHING.
497
00:35:23,857 --> 00:35:27,794
>> THANK YOU, NIALL.
>> Carson: JOHN?
498
00:35:27,794 --> 00:35:31,064
>> EVERY PERFORMANCE BEFORE YOU
WAS AMAZING, BUT I FEEL LIKE
499
00:35:31,064 --> 00:35:34,467
THIS WAS THE FIRST PERFORMANCE
THE ARTIST BROUGHT US INTO THEIR
500
00:35:34,467 --> 00:35:37,070
WORLD.
IT FELT LIKE WE WERE AT YOUR
501
00:35:37,070 --> 00:35:39,606
CONCERT.
YOU ARE SO SPECIAL, LILA.
502
00:35:39,606 --> 00:35:43,209
I REALLY BELIEVE IN YOU.
YOU'RE INCREDIBLE.
503
00:35:43,209 --> 00:35:47,080
SO BEAUTIFUL.
>> MEANS THE WORLD TO ME.
504
00:35:47,080 --> 00:35:48,381
THANK YOU, JOHN LEGEND.
>> Carson: IF YOU WANT LILA IN
505
00:35:48,381 --> 00:35:50,550
THE TOP 9, YOU CAN VOTE WHEN THE
WINDOW OPENS ON NBC.COM AND "THE
506
00:35:50,550 --> 00:35:55,989
VOICE" OFFICIAL APP.
GIVE IT UP AGAIN FOR LILA FORDE.
507
00:35:55,989 --> 00:35:57,323
[ CHEERS AND APPLAUSE ]
>> Carson: COMING UP, RUBY SINGS
508
00:35:57,323 --> 00:36:08,668
REBA.
THEN, HUNTLEY AND AZAN TAKE THE
509
00:36:08,668 --> 00:36:19,913
*
TOP 12 LIVE SHOW.
510
00:36:19,913 --> 00:36:21,247
SO MUCH FUN TO BE LIVE FINALLY.
THREE GO HOME TOMORROW.
511
00:36:21,247 --> 00:36:24,384
MAKE SURE YOUR FAVORITE ARTIST
STAYS IN THIS COMPETITION.
512
00:36:24,384 --> 00:36:48,608
WE'RE GOING TO KEEP THE
PERFORMANCES GOING WITH TEAM ME
513
00:36:48,608 --> 00:36:51,745
NOW YOU'RE THE MEGA MENTOR.
>> PAYING YOU BACK.
514
00:36:51,745 --> 00:36:54,814
>> SUPER EXCITED TO BE BACK FOR
THE TOP 12.
515
00:36:54,814 --> 00:36:59,085
IT'S FINALLY AMERICA'S VOTE.
AFTER THE PLAYOFFS I WENT BACK
516
00:36:59,085 --> 00:37:02,355
HOME AND DID STUFF THE AVERAGE
16-YEAR-OLD DOES.
517
00:37:02,355 --> 00:37:06,359
I PLAY WITH MY CAT AND I LOVE TO
DRESS HIM UP IN WEIRD OUTFITS.
518
00:37:06,359 --> 00:37:10,296
HE LIKES IT TOO.
COMING FROM A SMALL TOWN I DON'T
519
00:37:10,296 --> 00:37:14,601
HAVE A LOT OF OPPORTUNITIES TO
DO THIS.
520
00:37:14,601 --> 00:37:16,736
I'M SINGING "YOU LIE."
YOU INTRODUCED ME TO REBA.
521
00:37:16,736 --> 00:37:19,406
>> I DID.
>> I REMEMBER THE CASSETTE YOU
522
00:37:19,406 --> 00:37:22,308
PLAYED.
I SAW THE CASSETTE AND THOUGHT
523
00:37:22,308 --> 00:37:29,716
IT WAS A DECK OF CARDS.
I WAS LIKE, WHAT IS THIS?
524
00:37:29,716 --> 00:37:32,352
OH, IT SINGS.
* YOU LIE *
525
00:37:32,352 --> 00:37:36,256
>> OH, THAT WAS PRETTY.
THIS IS A RANGY SUCKER.
526
00:37:36,256 --> 00:37:41,061
RUBY IS ONE THAT CAN TAKE IT ON
AND DO IT EFFORTLESSLY.
527
00:37:41,061 --> 00:37:42,729
RUBY IS MY CLASSIC COUNTRY
SWEETHEART.
528
00:37:42,729 --> 00:37:45,398
SHE'S AN OLD SOUL.
IT'S A VERY POWERFUL EMOTIONAL
529
00:37:45,398 --> 00:37:47,834
SONG.
IT'S A PERFECT MARRIAGE FOR HER.
530
00:37:47,834 --> 00:37:50,870
>> YOU'RE 16 YEARS OLD?
>> I'M THE BABY ON THE SHOW.
531
00:37:50,870 --> 00:37:55,809
>> HOW DOES IT FEEL?
>> IT'S CRAZY.
532
00:37:55,809 --> 00:37:56,776
I'M SINGING A REBA SONG FOR
REBA.
533
00:37:56,776 --> 00:37:59,312
>> THAT'S CRAZY.
>> I'M GOING TO TRY NOT TO
534
00:37:59,312 --> 00:38:03,483
EMBARRASS MYSELF.
>> THAT WILL NEVER HAPPEN.
535
00:38:03,483 --> 00:38:07,787
>> RUBY IS SO DOPE.
SHE'S READY AND POISED.
536
00:38:07,787 --> 00:38:10,023
SHE SEEMS TO HAVE MASTERED THE
CRAFT AT 16 YEARS OLD.
537
00:38:10,023 --> 00:38:14,027
>> VERY GOOD.
>> I KNOW YOU'RE 16.
538
00:38:14,027 --> 00:38:16,629
IF YOU WERE 1,000 YEARS OLD, I
WOULD BE LIKE THAT'S CRAZY.
539
00:38:16,629 --> 00:38:18,898
THERE WERE A COUPLE PARTS THAT
YOU LOST THE PITCH IS LITTLE
540
00:38:18,898 --> 00:38:22,535
BIT.
>> GOING UP IN THE FALSETTO.
541
00:38:22,535 --> 00:38:45,058
>> YEAH.
>> TAKE A BREATH.
542
00:38:45,058 --> 00:38:48,728
REMEMBER, IT'S A VERY SAD SONG.D
WHAT IF SHE DOES IT BETTER THAN
543
00:38:48,728 --> 00:38:53,066
ME?
WHY DID I SAY YES?
544
00:38:53,066 --> 00:38:56,302
AFTER HEARING HER, YES, SHE DOES
IT BETTER THAN ME.
545
00:38:56,302 --> 00:39:00,407
I'M SO PROUD OF HER.
>> GET OUT OF HERE, REBA.
546
00:39:00,407 --> 00:39:03,076
>> SHE'S SO COOL.
IT'S LIKE SHE'S DONE A STADIUM
547
00:39:03,076 --> 00:39:12,052
TOUR OR SOMETHING.
>> YEAH.
548
00:39:12,052 --> 00:39:18,158
* WE LIE IN THE DARK
I KNOW YOU'RE AWAKE *
549
00:39:18,158 --> 00:39:23,496
* THE ONLY SOUNDS
ARE THE SOUNDS
550
00:39:23,496 --> 00:39:31,237
THIS OLD HOUSE MAKES *
* OH HOW I LONG
551
00:39:31,237 --> 00:39:40,180
I LONG TO HEAR YOUR VOICE *
* DESPERATE TO TALK
552
00:39:40,180 --> 00:39:50,790
YEARNING TO TOUCH *
* BURNING INSIDE
553
00:39:50,790 --> 00:40:00,066
‘CAUSE I WANT YOU SO MUCH *
* SO I SAY I NEED YOU
554
00:40:00,066 --> 00:40:04,971
AND LEAVE YOU NO CHOICE *
* YOU LIE
555
00:40:04,971 --> 00:40:11,678
YOU DON'T WANT TO HURT ME *
* BUT YOU LIE
556
00:40:11,678 --> 00:40:17,183
BUY A LITTLE TIME *
* AND I GO ALONG
557
00:40:17,183 --> 00:40:19,486
WHAT ELSE CAN I DO *
* MAYBE IT'S WRONG
558
00:40:19,486 --> 00:40:38,705
BUT YOU KNOW HOW *
* MUCH I LOVE YOU
559
00:40:38,705 --> 00:40:39,839
SO YOU LIE *
* TILL YOU CAN FIND A WAY
560
00:40:39,839 --> 00:40:41,007
TO SAY GOOD-BYE *
* OH BUT YOU DON'T KNOW
561
00:40:41,007 --> 00:40:50,583
YOU DON'T KNOW *
* IF IT'S THE RIGHT
562
00:40:50,583 --> 00:40:53,319
THING TO DO *
* SO YOU LIE
563
00:40:53,319 --> 00:40:59,125
YOU DON'T WANT
TO HURT ME *
564
00:40:59,125 --> 00:41:04,698
* BUT YOU LIE
BUY A LITTLE TIME *
565
00:41:04,698 --> 00:41:08,335
* AND I GO ALONG
WHAT ELSE CAN I DO
566
00:41:08,335 --> 00:41:13,373
MAYBE IT'S WRONG *
* BUT YOU KNOW
567
00:41:13,373 --> 00:41:29,122
HOW MUCH I LOVE YOU
SO YOU LIE *
568
00:41:29,122 --> 00:41:37,630
* TILL YOU CAN FIND A WAY
TO SAY GOOD-BYE *
569
00:41:37,630 --> 00:41:40,700
* OH, YOU LIE *
[ CHEERS AND APPLAUSE ]
570
00:41:40,700 --> 00:41:43,670
>> Carson: WELL, YOU MAKE IT
LOOK EASY.
571
00:41:43,670 --> 00:41:48,975
THAT IS RUBY LOOEG, LADIES AND
GENTLEMEN, FROM TEAM REBA ON THE
572
00:41:48,975 --> 00:41:51,578
REBA TRACK.
REBA, WE'LL GET TO YOU IN A
573
00:41:51,578 --> 00:41:54,014
SECOND.
WHAT WAS THAT LIKE FOR YOU TO
574
00:41:54,014 --> 00:41:55,782
WATCH?
LET ME START WITH NIALL.
575
00:41:55,782 --> 00:41:59,452
NIALL?
>> THERE HASN'T BEEN A TIME THAT
576
00:41:59,452 --> 00:42:01,521
YOU PERFORMED WHERE I HAVEN'T
GOT GOOSE BUMPS.
577
00:42:01,521 --> 00:42:05,825
THAT WAS SPECIAL.
THE WAY YOU SOLD THAT STORY AND
578
00:42:05,825 --> 00:42:09,963
DID IT IN RUBY'S WAY.
I LOVE THAT YOU'RE LOOKING OVER
579
00:42:09,963 --> 00:42:13,967
AT REBA FOR APPROVAL.
IT WAS A CUTE MOMENT BETWEEN
580
00:42:13,967 --> 00:42:17,537
COACH AND SINGER.
RUBY, YOU ARE INSANE.
581
00:42:17,537 --> 00:42:19,439
IT'S INSANE.
>> THANK YOU.
582
00:42:19,439 --> 00:42:23,309
>> Carson: WELL, REBA, WHAT WAS
THAT LIKE FOR YOU TO WATCH?
583
00:42:23,309 --> 00:42:46,099
>> OH, MY GOSH, YOU BLEW IT OUT
OF THE WATER.
584
00:42:46,099 --> 00:42:47,100
IT WAS IT.
>> THANK YOU SO MUCH.
585
00:42:47,100 --> 00:42:48,501
>> Carson: IF YOU WANT RUBY IN
THE TOP NINE, YOU CAN VOTE WHEN
586
00:42:48,501 --> 00:42:54,708
THE WINDOW OPENS ON NBC.COM AND
"THE VOICE" OFFICIAL APP.
587
00:42:54,708 --> 00:42:56,710
GIVE IT UP AGAIN FOR RUBY LEIGH.
[ CHEERS AND APPLAUSE ]
588
00:42:56,710 --> 00:42:59,279
>> Carson: STRAIGHT AHEAD,
HUNTLEY SINGS ONE OF THE BIGGEST
589
00:42:59,279 --> 00:43:11,725
SONGS OF ALL TIME.
PLUS, IT'S AZÁN AND JORDAN'S
590
00:43:11,725 --> 00:43:14,694
>> Carson: WE'RE BACK.
THE TOP 12 GOING LIVE TONIGHT
591
00:43:14,694 --> 00:43:17,697
FOR THE FIRST TIME.
WE'RE ABOUT HALFWAY THROUGH AND
592
00:43:17,697 --> 00:43:19,232
THEY'VE BEEN INCREDIBLE.
THREE ARTISTS GO HOME TOMORROW.
593
00:43:19,232 --> 00:43:21,167
LET'S CONTINUE WITH TEAM NIALL'S
VIRGINIA BLUES ROCKER WHO'S
594
00:43:21,167 --> 00:43:25,772
SENDING OUT AN ICONIC SONG TO
HIS BIGGEST FAN.
595
00:43:25,772 --> 00:43:33,246
HERE'S MORE FROM HUNTLEY.
>> LET'S MAKE OUR COACH PROUD.
596
00:43:33,246 --> 00:43:36,116
>> TEAM NIALL!
>> All: WHOO!
597
00:43:36,116 --> 00:43:37,384
>> I LOVE HUNTLEY.
HERE HE IS.
598
00:43:37,384 --> 00:43:40,220
>> LET'S GO.
NO WAY.
599
00:43:40,220 --> 00:43:42,722
>> HE'S SUCH A BIG FRIENDLY
GIANT.
600
00:43:42,722 --> 00:43:47,227
>> I'VE BEEN LISTENING TO YOU
SINCE "TEN DAY."
601
00:43:47,227 --> 00:43:50,463
>> HE BRINGS ENERGY TO THE ROOM.
HUNTLEY IS MY CHARISMATIC
602
00:43:50,463 --> 00:43:52,465
POWERHOUSE.
>> MY FIRST LIVE SHOW.
603
00:43:52,465 --> 00:43:57,604
LET'S GO.
>> HOW'S IT BEEN?
604
00:43:57,604 --> 00:44:01,241
>> SUPER COOL, THE SUPPORT FROM
MY COMMUNITY AND MY MOTHER.
605
00:44:01,241 --> 00:44:05,879
>> SHOUT OUT TO YOUR MOM.
>> THAT'S RIGHT.
606
00:44:05,879 --> 00:44:08,048
IT'S WHY I'M SINGING THIS SONG.
I WOULDN'T BE HERE IF IT WASN'T
607
00:44:08,048 --> 00:44:12,085
FOR HER.
>> SHOUT OUT TO MAMA.
608
00:44:12,085 --> 00:44:17,791
>> ALL OUR MOMS.
* WHAT WOULD YOU DO *
609
00:44:17,791 --> 00:44:21,094
>> TODAY IN REHEARSAL I FOUND A
NOTE FROM MY MOM IN MY GUITAR
610
00:44:21,094 --> 00:44:24,197
CASE.
BEING A KID, YOU WANT TO MAKE
611
00:44:24,197 --> 00:44:29,803
YOUR PARENTS PROUD.
I ALWAYS FELT LIKE A MESS UP, SO
612
00:44:29,803 --> 00:44:34,074
IT'S REALLY COOL.
* I GET BY *
613
00:44:34,074 --> 00:44:40,747
>> IT WAS ME AND MY MOM SINCE I
WAS 8 YEARS OLD, AND SHE'S
614
00:44:40,747 --> 00:44:42,215
LITERALLY HAD MY BACK THROUGH
THICK AND THIN.
615
00:44:42,215 --> 00:44:45,785
>> JUST WATCHING YOU AND HOW
EVERYONE LOVES YOU MAKES MY
616
00:44:45,785 --> 00:44:47,520
HEART HAPPY.
>> THANK YOU.
617
00:44:47,520 --> 00:44:56,663
I LOVE YOU.
>> I LOVE YOU TOO, BUDDY.
618
00:44:56,663 --> 00:45:01,701
GO KNOCK 'EM DEAD ON THE LIVES.
* WHOA *
619
00:45:01,701 --> 00:45:07,841
>> HUNTLEY JUST BLEW ME AWAY.
HE HAS A GREAT CONTROL, BUT WHAT
620
00:45:07,841 --> 00:45:11,378
HUNTLEY HAS IN ADDITION, HE'S
REALLY LIKABLE.
621
00:45:11,378 --> 00:45:16,216
MAN, YOUR TONE IS CRAZY.
IT GIVES ME A LITTLE BIT OF
622
00:45:16,216 --> 00:45:18,485
BRANDY NEWMAN, BUT IT'S SO
ORIGINAL.
623
00:45:18,485 --> 00:45:24,791
BECAUSE YOU ARE SO PASSIONATE,
YOU'RE CLOSING YOUR EYES A LOT.
624
00:45:24,791 --> 00:45:27,360
WHEN YOUR AUDIENCE IS OUT THERE,
THEY WANT TO CONNECT WITH YOU.
625
00:45:27,360 --> 00:45:31,164
>> IT'S A CONVERSATION.
IF THE EYES ARE CLOSED -- TELL
626
00:45:31,164 --> 00:45:32,832
THAT STORY.
>> DID YOU LIKE THE SCREAM?
627
00:45:32,832 --> 00:45:37,137
>> YES.
>> HOW DO YOU KEEP DOING IT?
628
00:45:37,137 --> 00:45:40,707
>> MY MOM'S FROM JERSEY.
SHE'S REAL LOUD.
629
00:45:40,707 --> 00:45:45,078
>> HUNTLEY WAS MADE FOR LIVE TV.
HE'S BIG, BOLD.
630
00:45:45,078 --> 00:45:47,247
HE'S EMOTIONALLY ATTACHED TO
THIS SONG.
631
00:45:47,247 --> 00:45:48,882
IT'S ONE OF THE BIGGEST SONGS OF
ALL TIME.
632
00:45:48,882 --> 00:45:52,419
GET READY.
*
633
00:45:52,419 --> 00:46:02,328
*
* WHOA *
634
00:46:02,328 --> 00:46:08,068
* WHAT WOULD YOU DO
IF I SANG OUT OF TUNE *
635
00:46:08,068 --> 00:46:12,672
* WOULD YOU STAND UP
AND WALK OUT ON ME *
636
00:46:12,672 --> 00:46:20,847
* LEND ME YOUR EARS
AND I'LL SING YOU A SONG *
637
00:46:20,847 --> 00:46:24,084
* I'LL TRY NOT TO SING OUT OF
KEY *
638
00:46:24,084 --> 00:46:26,720
* I GET BY WITH A LITTLE
HELP FROM MY FRIENDS *
639
00:46:26,720 --> 00:46:32,592
* I GET HIGH WITH A LITTLE
HELP FROM MY FRIENDS *
640
00:46:32,592 --> 00:46:45,605
* OH I TRY WITH A LITTLE
HELP FROM MY FRIENDS *
641
00:46:45,605 --> 00:46:46,906
* I GET BY WITH A LITTLE
HELP FROM MY FRIENDS *
642
00:46:46,906 --> 00:46:51,544
* WHAT DO I DO
WHEN MY LOVE IS AWAY
643
00:46:51,544 --> 00:46:57,517
OH NO *
* HOW DO I FEEL
644
00:46:57,517 --> 00:47:01,488
AT THE END OF THE DAY *
* ARE YOU SAD 'CAUSE YOU'RE ON
645
00:47:01,488 --> 00:47:10,797
YOUR OWN *
* I DON'T FEEL SAD NO MORE *
646
00:47:10,797 --> 00:47:14,567
* I GET HIGH WITH A LITTLE
HELP FROM MY FRIENDS *
647
00:47:14,567 --> 00:47:17,904
* OH, I TRY WITH A LITTLE HELP
FROM MY FRIENDS *
648
00:47:17,904 --> 00:47:31,117
* I GET BY WITH A LITTLE
HELP FROM MY FRIENDS *
649
00:47:31,117 --> 00:47:40,393
* DO YOU NEED ANYBODY *
* I NEED SOMEONE TO LOVE *
650
00:47:40,393 --> 00:47:54,841
* DO YOU NEED ANYBODY *
* WHOA, WHOA, WHOA *
651
00:47:54,841 --> 00:48:01,348
* GET BY WITH A LITTLE HELP FROM
MY FRIENDS *
652
00:48:01,348 --> 00:48:06,686
* WON'T YOU HELP ME BABY *
* FIND ME, FIND ME *
653
00:48:06,686 --> 00:48:20,266
* I GET BY WITH A LITTLE HELP
FROM MY FRIENDS *
654
00:48:20,266 --> 00:48:26,473
[ CHEERS AND APPLAUSE ]
>> Carson: THAT IS HUNTLEY FROM
655
00:48:26,473 --> 00:48:33,380
TEAM NIALL.
GOT BY WITH SOME HELP FROM "THE
656
00:48:33,380 --> 00:48:35,482
VOICE" BAND.
THANK YOU.
657
00:48:35,482 --> 00:48:39,052
CRUSHED THAT.
THE BIG NOTE, THE BIG HEAVY
658
00:48:39,052 --> 00:48:42,622
METAL NOTE.
>> LITTLE STEVEN TYLER IN THERE.
659
00:48:42,622 --> 00:48:46,459
>> Carson: JOHN, SOME THOUGHTS?
>> WHENEVER I SEE YOU I FEEL
660
00:48:46,459 --> 00:48:51,064
LIKE YOU'RE ALREADY A PRO.
YOU'RE ALREADY PLAYING ARENAS.
661
00:48:51,064 --> 00:48:54,701
IT FEELS LIKE YOU'RE JUST SO
GREAT AT WHAT YOU DO.
662
00:48:54,701 --> 00:48:57,337
YOUR VOICE IS SO POWERFUL.
EVERY TIME YOU COME OUT HERE AND
663
00:48:57,337 --> 00:49:03,009
YOU JUST NAIL IT.
YOU'RE A PRO, MAN.
664
00:49:03,009 --> 00:49:07,747
>> Carson: BUDDY, I MEAN, THIS
IS YOUR TEAM RIGHT HERE.
665
00:49:07,747 --> 00:49:12,185
YOU HAVE TO FEEL PRETTY GOOD.
>> HUNTLEY, MY MAN, REHEARSAL
666
00:49:12,185 --> 00:49:18,458
WAS GOOD.
THAT WAS DIFFERENT LEAGUE.
667
00:49:18,458 --> 00:49:20,694
JOE COCKER WAS KNOWN FOR HIS
LIVE PERFORMANCES.
668
00:49:20,694 --> 00:49:24,330
HE WOULD HAVE BEEN PROUD OF THAT
ONE.
669
00:49:24,330 --> 00:49:28,301
I'M SO PROUD OF YOU, DUDE.
THIS GUY IS SO HAPPY TO BE HERE.
670
00:49:28,301 --> 00:49:29,469
HE DESERVES TO BE HERE RIGHT TO
THE VERY END.
671
00:49:29,469 --> 00:49:31,738
>> Carson: IF YOU WANT HUNTLEY
IN THE TOP 9, YOU CAN VOTE WHEN
672
00:49:31,738 --> 00:49:35,241
THE WINDOW OPENS ON NBC.COM AND
"THE VOICE" OFFICIAL APP.
673
00:49:35,241 --> 00:49:39,212
GIVE IT UP AGAIN FOR HUNTLEY.
[ CHEERS AND APPLAUSE ]
674
00:49:39,212 --> 00:49:45,552
YOU'RE A BEAST.
>> THANK YOU.
675
00:49:45,552 --> 00:49:50,056
>> Carson: WHEN WE COME BACK
AZÁN SINGS A LAURYN HILL SONG
676
00:49:50,056 --> 00:49:51,091
WE'VE NEVER DONE ON "THE VOICE"
BEFORE.
677
00:49:51,091 --> 00:49:53,893
AND LATER, JORDAN AND MARA FIGHT
FOR YOUR VOTES AND A CHANCE TO
678
00:49:53,893 --> 00:50:05,739
MAKE IT TO T
*
679
00:50:05,739 --> 00:50:11,111
[ CHEERS AND APPLAUSE ]
VOTING OPENS AT THE END OF THE
680
00:50:11,111 --> 00:50:13,580
SHOW TONIGHT.
WE CONTINUE NOW WITH TEAM
681
00:50:13,580 --> 00:50:15,882
LEGEND'S SUPER SAVE ARTIST FROM
DALLAS WHO'S SHOWING HER
682
00:50:15,882 --> 00:50:21,221
RESILIENT SPIRIT TONIGHT WITH AN
R&B HIT.
683
00:50:21,221 --> 00:50:25,458
HERE'S MORE FROM AZÁN.
>> SO, AZAN IS SPECIAL.
684
00:50:25,458 --> 00:50:30,463
NIALL STOLE HER.
THEN, I WAS LIKE MISSING HER.
685
00:50:30,463 --> 00:50:32,265
I WAS LIKE HOW DID I LET HER GO
HOME?
686
00:50:32,265 --> 00:50:36,069
SHE WAS ON HER WAY HOME.
THEN WE HAD THE SUPER SAVE.
687
00:50:36,069 --> 00:50:38,138
>> YOU GOT HER BACK?
>> YEAH.
688
00:50:38,138 --> 00:50:41,107
>> THAT'S CRAZY.
>> SO HAPPY SHE'S BACK ON MY
689
00:50:41,107 --> 00:50:43,777
TIME.
>> IT MEANS EVERYTHING HE
690
00:50:43,777 --> 00:50:51,484
BELIEVES IN ME.
SO EXCITING TO BE HERE.
691
00:50:51,484 --> 00:50:55,355
>> AZAN, LET'S GET OUT HERE.
>> HEY, AZAN.
692
00:50:55,355 --> 00:50:59,726
>> HI.
>> I WALK IN AND MENTOR IS
693
00:50:59,726 --> 00:51:03,963
CHANCE THE RAPPER.
>> MY DAD WAS VERY UPSET.
694
00:51:03,963 --> 00:51:07,634
HE WAS LIKE, HOW DID YOU LET
AZAN GO HOME?
695
00:51:07,634 --> 00:51:12,405
HE'S LIKE, SHE CAN SING.
SHE HAS STAGE PRESENCE.
696
00:51:12,405 --> 00:51:15,375
HE'S LIKE SHE HAS TO STAY ON THE
SHOW.
697
00:51:15,375 --> 00:51:18,745
I'M LIKE DAD, STAY TUNED.
THIS SONG IS SOMETHING BECAUSE
698
00:51:18,745 --> 00:51:23,516
IT HAS SOMETHING IN IT.
AZAN HAS THE GOLDEN VOICE.
699
00:51:23,516 --> 00:51:30,557
THE SONG WE CHOSE IS SO GOOD.
WE WERE ABLE TO GET MS. LAURYN
700
00:51:30,557 --> 00:51:33,226
HILL TO CLEAR "EX FACTOR."
IT'S NEVER BEEN PERFORMED ON
701
00:51:33,226 --> 00:51:38,698
"THE VOICE."
THE KEY TO THIS SONG IS GOING TO
702
00:51:38,698 --> 00:51:40,767
BE MAKING PEOPLE FEEL THE
GUT-WRENCHING QUALITY OF THE
703
00:51:40,767 --> 00:51:43,336
LYRIC.
>> YOU'RE AN AMAZING VOCALIST.
704
00:51:43,336 --> 00:51:47,507
I LOVE YOUR CHOICES.
>> YOU SOUND SO GOOD.
705
00:51:47,507 --> 00:52:00,353
YOUR VOICE SOUNDS AMAZING.
I WOULD LOVE A LITTLE MORE TEN
706
00:52:00,353 --> 00:52:01,621
DT
TENDERNESS.
707
00:52:01,621 --> 00:52:06,860
WE NEED A REPRIEVE.
>> IT FEELS TOO HIP-HOP TO ME.
708
00:52:06,860 --> 00:52:08,361
I FEEL LIKE IT SHOULD BE A
BALLAD.
709
00:52:08,361 --> 00:52:12,599
MAYBE WITHOUT THE DRUMS.
>> THAT'S SO ME.
710
00:52:12,599 --> 00:52:15,869
* I KEEP LETTING YOU BACK IN *
>> BEAUTIFUL.
711
00:52:15,869 --> 00:52:18,638
>> AZAN WAS AWESOME.
SHE'S GOT A LITTLE COFFEE HOUSE
712
00:52:18,638 --> 00:52:22,475
VIBE.
I REALLY WANTED TO BRING OUT
713
00:52:22,475 --> 00:52:25,512
SOME OF THE BALLADY FEEL TO IT.
ONCE WE TRIED THAT, SHE KNOCKED
714
00:52:25,512 --> 00:52:29,983
IT OUT OF THE PARK.
>> THIS CLEARLY IS BETTER.
715
00:52:29,983 --> 00:52:36,723
GREAT NOTE BY CHANCE.
THREE ARTISTS ARE GOING HOME.
716
00:52:36,723 --> 00:52:37,724
AZAN HAS SHOWN HOW RESILIENT SHE
IS.
717
00:52:37,724 --> 00:52:41,861
>> SHE'S FIRE.
>> SHE CAN BLOW, RIGHT?
718
00:52:41,861 --> 00:52:43,129
>> YEAH.
>> YO, HEY, WE GOIN' DO IT LIKE
719
00:52:43,129 --> 00:53:06,386
THIS.
LISTEN.
720
00:53:06,386 --> 00:53:07,954
MAKE IT HARD *
* LOVING YOU IS
721
00:53:07,954 --> 00:53:13,760
LIKE A BATTLE *
* AND WE BOTH END
722
00:53:13,760 --> 00:53:22,268
UP WITH SCARS *
* TELL ME WHO
723
00:53:22,268 --> 00:53:24,371
I HAVE TO BE
TO GAIN SOME RECIPROCITY *
724
00:53:24,371 --> 00:53:37,283
* SEE NO ONE LOVES YOU
MORE THAN ME *
725
00:53:37,283 --> 00:53:46,659
* AND NO ONE EVER WILL *
* I KEEP LETTING YOU BACK IN *
726
00:53:46,659 --> 00:53:53,533
* HOW CAN I EXPLAIN MYSELF *
* AS PAINFUL AS THIS
727
00:53:53,533 --> 00:54:01,441
THING HAS BEEN *
* I JUST CAN'T BE
728
00:54:01,441 --> 00:54:05,645
WITH NO ONE ELSE *
* SEE I KNOW WHAT
729
00:54:05,645 --> 00:54:11,484
WE'VE GOT TO DO *
* YOU LET GO
730
00:54:11,484 --> 00:54:20,427
AND I'LL LET GO TOO *
* 'CAUSE NO ONE'S HURT
731
00:54:20,427 --> 00:54:22,062
ME MORE THAN YOU *
* AND NO ONE EVER WILL
732
00:54:22,062 --> 00:54:23,596
NO MATTER HOW *
* I THINK WE GROW
733
00:54:23,596 --> 00:54:29,402
YOU ALWAYS SEEM
TO LET ME KNOW *
734
00:54:29,402 --> 00:54:35,175
* IT AIN'T WORKIN'
NOW IT AIN'T WORKIN' *
735
00:54:35,175 --> 00:54:36,743
* AND WHEN I TRY
TO WALK AWAY *
736
00:54:36,743 --> 00:54:39,946
* YOU'D HURT YOURSELF
TO MAKE ME STAY *
737
00:54:39,946 --> 00:54:43,683
* THIS IS CRAZY
NOW THIS IS CRAZY *
738
00:54:43,683 --> 00:54:45,752
* SING YA'LL
CARE FOR ME
739
00:54:45,752 --> 00:54:48,421
CARE FOR ME *
* I KNOW YOU CARE FOR ME
740
00:54:48,421 --> 00:54:49,989
THERE FOR ME
THERE FOR ME *
741
00:54:49,989 --> 00:54:51,591
* SAID YOU'D BE THERE FOR ME
CRY FOR ME
742
00:54:51,591 --> 00:54:53,860
CRY FOR ME *
* I KNOW YOU'D DIE FOR ME
743
00:54:53,860 --> 00:54:55,295
GIVE TO ME
GIVE TO ME *
744
00:54:55,295 --> 00:55:02,335
* WHY WON'T YOU
LIVE FOR ME *
745
00:55:02,335 --> 00:55:15,482
* YOU SAY YOU LIVE FOR ME
WHY WON'T YOU LIVE FOR ME
746
00:55:15,482 --> 00:55:17,250
GIVE *
[ CHEERS AND APPLAUSE ]
747
00:55:17,250 --> 00:55:21,488
>> Carson: THAT IS AZAN WHO HAS
OUR COACHES UP ON THEIR FEET
748
00:55:21,488 --> 00:55:25,058
AGAIN TONIGHT.
THE TOP 12 FLEXING, SHOWING THEY
749
00:55:25,058 --> 00:55:28,228
WANT TO STICK AROUND TO MAKE IT
TO THE TOP 9.
750
00:55:28,228 --> 00:55:32,132
AZAN, GREAT JOB.
SO COOL WE COULD SING THAT SONG
751
00:55:32,132 --> 00:55:36,369
ON THE SHOW.
NEVER DONE THAT LAURYN HILL
752
00:55:36,369 --> 00:55:39,072
SONG.
>> NEVER.
753
00:55:39,072 --> 00:55:40,240
>> Carson: GWEN, GIVE US SOME
THOUGHTS.
754
00:55:40,240 --> 00:55:45,712
>> I'M BLOWN AWAY.
TO GIVE ME THAT SONG AND BE ABLE
755
00:55:45,712 --> 00:55:50,684
TO BLOW ME AWAY AND TAKE IT
OUTSIDE OF THE HIP-HOP WORLD AND
756
00:55:50,684 --> 00:55:54,721
SING THE LYRIC AND MAKE IT FEEL
LIKE YOUR SONG, IT'S A BIG DEAL.
757
00:55:54,721 --> 00:55:57,090
YOU SOUNDED SO GOOD.
>> THANK YOU SO MUCH.
758
00:55:57,090 --> 00:56:03,363
>> Carson: COACH, PREACH.
>> I FELT EVERYTHING.
759
00:56:03,363 --> 00:56:08,168
YOUR OUTFIT LOOKS AMAZING.
YOUR PASSION, YOUR EMOTION, YOUR
760
00:56:08,168 --> 00:56:10,870
VOICE, LIKE I SAID, IS A GOLDEN
VOICE.
761
00:56:10,870 --> 00:56:15,041
IT HAS SO MUCH NUANCE TO IT AND
BEAUTY AND RADIANCE AND ALL OF
762
00:56:15,041 --> 00:56:16,076
THAT CAME THROUGH IN THIS
PERFORMANCE.
763
00:56:16,076 --> 00:56:17,444
IT WAS GORGEOUS.
>> THANK YOU SO MUCH, JOHN.
764
00:56:17,444 --> 00:56:19,045
>> Carson: IF YOU WANT AZÁN IN
THE TOP NINE, YOU CAN VOTE WHEN
765
00:56:19,045 --> 00:56:23,950
THE WINDOW OPENS ON NBC.COM AND
"THE VOICE" OFFICIAL APP.
766
00:56:23,950 --> 00:56:27,053
GIVE IT UP FOR AZAN.
[ CHEERS AND APPLAUSE ]
767
00:56:27,053 --> 00:56:30,223
THAT WAS SO GOOD.
COMING UP, A FEISTY
768
00:56:30,223 --> 00:56:44,137
RONNIE MILSAP CLASSIC SUNG BY
JORDAN.
769
00:56:44,137 --> 00:56:47,874
*
[ CHEERS AND APPLAUSE ]
770
00:56:47,874 --> 00:56:49,609
>> Carson: WELCOME BACK TO THE
TOP 12.
771
00:56:49,609 --> 00:57:12,399
WE ARE LIVE FOR THE FIRST TIME
THIS SEASON.
772
00:57:12,399 --> 00:57:16,202
CONTINUING NOW WITH TEAM REBA'S
FROM A DIFFERENT GENRE.
773
00:57:16,202 --> 00:57:20,273
>> COME ON IN.
YOU LOOK SPARKLY.
774
00:57:20,273 --> 00:57:22,909
>> I GOT THIS FROM A VAMPIRE
WEBSITE.
775
00:57:22,909 --> 00:57:25,945
>> JORDAN IS MY FEISTY HOME DOWN
GIRL.
776
00:57:25,945 --> 00:57:29,416
IF JORDAN'S SINGING, YOU KNOW
IT'S JORDAN.
777
00:57:29,416 --> 00:57:32,352
SHE'S REPRESENTING OKLAHOMA VERY
WELL.
778
00:57:32,352 --> 00:57:38,425
>> MISS REBA, I GOT ME A PUPPY
DOG.
779
00:57:38,425 --> 00:57:42,062
I NAMED MY WEENIE DOG TATER.
>> THAT'S HILARIOUS.
780
00:57:42,062 --> 00:57:45,699
>> LET'S HEAR THIS.
* THERE'S A SILENCE HERE BETWEEN
781
00:57:45,699 --> 00:57:51,304
US *
* I'VE NEVER HEARD BEFORE *
782
00:57:51,304 --> 00:57:55,475
>> JORDAN IS DOING A RONNIE
MILLSAP SONG, ONE OF MY ALL-TIME
783
00:57:55,475 --> 00:58:00,513
FAVORITES.
JORDAN IS A STYLIST.
784
00:58:00,513 --> 00:58:08,855
FOR HER TO SHINE, SHE NEEDED A
TOUGH SONG TO SING THAT TELLS
785
00:58:08,855 --> 00:58:12,092
HEART BREAK LIKE SHE DID WITH
"FANCY."
786
00:58:12,092 --> 00:58:15,628
>> THIS IS ABSOLUTELY A SONG I
WISH I HAD WRITTEN.
787
00:58:15,628 --> 00:58:19,265
I WAS WRITING IN DIAPERS.
IT'S BEEN A LONG ROAD.
788
00:58:19,265 --> 00:58:22,869
I'VE FLIPPED BURGERS, CLEANED
TOILETS, WORKED CONSTRUCTION.
789
00:58:22,869 --> 00:58:24,571
IT WOULD BE THE ULTIMATE
VALIDATION FOR AMERICA TO MOVE
790
00:58:24,571 --> 00:58:27,941
ME FORWARD.
>> I LIKE YOU CAN PLAY BOAST
791
00:58:27,941 --> 00:58:30,043
INSTRUMENTS, BUT IT WAS
DISTRACTING.
792
00:58:30,043 --> 00:58:32,045
I LIKE THE GUITAR BETTER THAN
YOU SITTING AT THE PIANO.
793
00:58:32,045 --> 00:58:34,614
>> I AGREE.
>> THIS IS AT A CRUCIAL SPOT IN
794
00:58:34,614 --> 00:58:39,219
THE SHOW.
YOU WORKED WAY TOO HARD FOR
795
00:58:39,219 --> 00:58:41,588
ANYTHING TO TAKE THE ATTENTION
AWAY FROM YOU.
796
00:58:41,588 --> 00:58:48,294
>> YES, MA'AM.
>> I THINK ARRANGEMENT-WISE IF
797
00:58:48,294 --> 00:58:51,364
THERE WAS A MORE MELLOW PART I
COULD HEAR YOUR VOCAL COME
798
00:58:51,364 --> 00:59:14,654
THROUGH.
>> WE'RE GOING TO TAKE HER
799
00:59:14,654 --> 00:59:17,457
REALLY FAR.
>> IT WAS ABSOLUTELY THE RIGHT
800
00:59:17,457 --> 00:59:19,559
CHOICE TO STAY ON THE GUITAR.
I GOT CHILLS.
801
00:59:19,559 --> 00:59:28,301
IT WAS SO POWERFUL.
>> HOPEFULLY AMERICA LOVES IT AS
802
00:59:28,301 --> 00:59:31,771
MUCH AS I DO.
*
803
00:59:31,771 --> 00:59:37,877
*
* THERE'S A SILENCE *
804
00:59:37,877 --> 00:59:43,783
* HERE BETWEEN US
I'VE NEVER HEARD BEFORE *
805
00:59:43,783 --> 00:59:51,157
* AND I CAN'T FIND THE LOVE
IN HIS EYES ANYMORE *
806
00:59:51,157 --> 00:59:54,861
* THERE'S SOME CHANGES
GOING ON
807
00:59:54,861 --> 00:59:58,565
I'M BEGINNING
TO UNDERSTAND *
808
00:59:58,565 --> 01:00:01,201
* WHEN I'M HOLDING HIM
I SWEAR I FEEL
809
01:00:01,201 --> 01:00:09,676
THE PRESENCE
OF ANOTHER HAND *
810
01:00:09,676 --> 01:00:15,348
* THERE'S A STRANGER
IN MY HOUSE *
811
01:00:15,348 --> 01:00:20,553
* SOMEBODY HERE THAT I CAN'T
SEE *
812
01:00:20,553 --> 01:00:26,860
* A STRANGER IN MY HOUSE *
* SOMEBODY HERE TRYING TO TAKE
813
01:00:26,860 --> 01:00:33,233
HIM AWAY FROM ME *
* HE SITS
814
01:00:33,233 --> 01:00:38,004
STARING OUT THE WINDOW
A MILLION MILES AWAY *
815
01:00:38,004 --> 01:00:42,742
* AND WHEN I ASK
IF HE'S ALL RIGHT
816
01:00:42,742 --> 01:00:45,912
HE NEVER HAS
TOO MUCH TO SAY *
817
01:00:45,912 --> 01:00:57,590
* SUSPICIONS LEAD
TO QUESTIONS
818
01:00:57,590 --> 01:00:58,958
AND QUESTIONS TO ALIBIS *
* IS IT JUST MY IMAGINATION
819
01:00:58,958 --> 01:01:11,738
OR HAS HIS LOVE
TURNED INTO LIES *
820
01:01:11,738 --> 01:01:19,679
*
*
821
01:01:19,679 --> 01:01:26,152
* THERE'S A STRANGER
IN MY HOUSE *
822
01:01:26,152 --> 01:01:30,357
* SOMEBODY HERE
THAT I CAN'T SEE *
823
01:01:30,357 --> 01:01:38,932
* A STRANGER IN MY HOUSE
SOMEBODY HERE TRYING TO
824
01:01:38,932 --> 01:01:43,236
TAKE HIM AWAY FROM ME
OH *
825
01:01:43,236 --> 01:01:57,650
* TRYIN' TO
TAKE HIM AWAY *
826
01:01:57,650 --> 01:02:02,389
* TAKE HIM AWAY FROM ME *
[ CHEERS AND APPLAUSE ]
827
01:02:02,389 --> 01:02:05,058
>> Carson: ANOTHER STELLAR
PERFORMANCE TONIGHT FROM OUR TOP
828
01:02:05,058 --> 01:02:13,233
12.
THAT'S JORDAN RAINER, EVERYBODY.
829
01:02:13,233 --> 01:02:16,870
NICE WORK, JORDAN.
>> THANK YOU SO MUCH.
830
01:02:16,870 --> 01:02:20,607
>> Carson: GLAD THOSE FLAMES
DIDN'T GET YOU.
831
01:02:20,607 --> 01:02:22,509
>> THEY TOASTED MY BUNS A LITTLE
BIT.
832
01:02:22,509 --> 01:02:25,679
>> Carson: THAT'S YOUR BUSINESS.
ALL RIGHT.
833
01:02:25,679 --> 01:02:27,147
NIALL?
>> ME?
834
01:02:27,147 --> 01:02:32,986
>> Carson: YES, SIR.
>> APOLOGIES.
835
01:02:32,986 --> 01:02:35,822
JORDAN, YOU JUST HAVE THIS
GRAVITATIONAL PULL AS A
836
01:02:35,822 --> 01:02:40,660
PERFORMER.
IT WAS SO GOOD TO WATCH YOU RIP
837
01:02:40,660 --> 01:02:47,100
WITH ONE OF THE WORLD'S BEST
GUITAR PLAYERS, JUSTIN.
838
01:02:47,100 --> 01:02:48,768
YET AGAIN ANOTHER FANTASTIC
PERFORMANCE.
839
01:02:48,768 --> 01:03:22,869
>> Carson: COACH REBA?
>> JORDAN, I'M SO PROUD OF YOU J
840
01:03:22,869 --> 01:03:26,072
[ CHEERS AND APPLAUSE ]
>> Carson: EVERYBODY, LOOK WHO'S
841
01:03:26,072 --> 01:03:37,684
HERE.
GIVE IT UP FOR NICKY GARCIA, THE
842
01:03:37,684 --> 01:03:42,255
HOST OF "BAR-MAGEDDON."
I'M MAKING SOME EGG NOG.
843
01:03:42,255 --> 01:03:51,531
YOU KNOW, GETTING READY FOR THE
844
01:03:51,531 --> 01:03:54,167
HOLIDAY SPECIAL TONIGHT.
>> Carson: I CAN'T WAIT FOR
845
01:03:54,167 --> 01:04:00,273
EVERYONE TO SEE IT.
ICE T AND OUR BUDDY,
846
01:04:00,273 --> 01:04:04,344
BLAKE SHELTON, GO HEAD-TO-HEAD
FOR SOME CRAZY GAMES.
847
01:04:04,344 --> 01:04:09,282
YOU WERE NICE ENOUGH TO BRING
SOME -- IS THIS THE NETWORK
848
01:04:09,282 --> 01:04:13,586
VERSION OF THE EGG NOG?
>> WE'LL LET THE COACHES FIND
849
01:04:13,586 --> 01:04:17,057
OUT.
>> Carson: BLAKE IS TRYING TO
850
01:04:17,057 --> 01:04:20,794
FIT IN HIS SANTA SUIT.
WHY DON'T YOU DELIVER THE
851
01:04:20,794 --> 01:04:25,265
DRINKS?
LADIES AND GENTLEMEN, IF YOU
852
01:04:25,265 --> 01:04:30,537
WANT TO FEEL GOOD ABOUT THE
HOLIDAYS, BARMAGEDDON TONIGHT.
853
01:04:30,537 --> 01:04:33,073
MORE PERFORMANCES AHEAD.
BUT DURING THE COMMERCIAL BREAK,
854
01:04:33,073 --> 01:04:39,646
CHECK OUT THIS EXCLUSIVE LOOK AT
THE BARMAGEDDON HOLIDAY SPECIAL
855
01:04:39,646 --> 01:04:56,663
TONIGHT AT 10:00 P.M. RIGHT
NOW, LET'S CONTINUE WITH TEAM
856
01:04:56,663 --> 01:04:58,231
NIALL'S POP SINGER FROM
NEW JERSEY WHO COMPLETELY
857
01:04:58,231 --> 01:05:05,305
SHOCKED CHANCE WITH HER VOICE
THIS WEEK.
858
01:05:05,305 --> 01:05:11,945
HERE'S MORE FROM MARA JUSTINE.
>> HELLO.
859
01:05:11,945 --> 01:05:13,279
WE GOT TO HAVE FUN NOW.
YOU GUYS GET A GLIMPSE INTO ME
860
01:05:13,279 --> 01:05:22,722
HYPING MYSELF UP.
>> MARA, MARA, I LOST OUT TO THE
861
01:05:22,722 --> 01:05:24,691
BLIND AUDITIONS TO JOHN.
DO YOU KNOW HOW HE WON HER?
862
01:05:24,691 --> 01:05:27,327
>> I JUST SAW A FLY.
IT LANDED RIGHT ON YOUR HEAD AND
863
01:05:27,327 --> 01:05:30,130
DIDN'T MOVE.
I'M SORRY.
864
01:05:30,130 --> 01:05:33,700
>> ANYWAY, HE MESSED IT UP.
I STOLE HER IN THE KNOCK-OUTS.
865
01:05:33,700 --> 01:05:36,670
>> NOW SHE'S HOME.
>> MARA IS MY SOULFUL
866
01:05:36,670 --> 01:05:39,072
ENTERTAINER.
SHE'S AMAZING.
867
01:05:39,072 --> 01:05:42,942
I DON'T THINK WE'VE EVEN SEEN
THE BEST OF MARA YET.
868
01:05:42,942 --> 01:05:46,479
>> WELCOME TO THE TOP 12.
>> I'M SO EXCITED.
869
01:05:46,479 --> 01:05:55,188
THIS IS NOT A DREAM.
>> I'M SO EXCITED YOU CHOSE
870
01:05:55,188 --> 01:05:58,391
"LOSE CONTROL."
* I LOSE CONTROL *
871
01:05:58,391 --> 01:06:02,595
>> MARA WAS INCREDIBLE.
SHE HAS THIS, LIKE, VERY ANGELIC
872
01:06:02,595 --> 01:06:06,032
PRESENCE.
WHEN SHE GOT INTO IT, IT WAS SO
873
01:06:06,032 --> 01:06:07,634
SOULFUL.
GREAT BREATH CONTROL.
874
01:06:07,634 --> 01:06:11,204
I WAS BLOWN AWAY.
>> THIS IS SONG IS VIRAL
875
01:06:11,204 --> 01:06:17,243
EVERYWHERE RIGHT NOW.
I FEEL LIKE AMERICA'S REALLY
876
01:06:17,243 --> 01:06:20,046
GOING TO LIKE IT.
* YEAH *
877
01:06:20,046 --> 01:06:24,184
>> THAT WAS JUST INSANE.
YOU HAVE AN INCREDIBLE CONTROL
878
01:06:24,184 --> 01:06:26,319
OVER ALL YOUR RANGES.
>> INSANE PLACEMENT.
879
01:06:26,319 --> 01:06:30,623
>> THANK YOU.
>> THE SECOND VERSE, IF YOU JUST
880
01:06:30,623 --> 01:06:32,826
CHANGE A COUPLE PITCH THINGS, IT
WILL MAKE SUCH A DIFFERENCE TO
881
01:06:32,826 --> 01:06:36,196
THE SWING OF THE SONG.
IT WAS -- THAT WAS CRAZY.
882
01:06:36,196 --> 01:06:38,631
I CAN SEE THE CONFIDENCE THAT
GETTING INTO THE TOP 12 GAVE
883
01:06:38,631 --> 01:06:41,234
YOU.
>> I'M SO THANKFUL THAT NIALL
884
01:06:41,234 --> 01:06:44,738
BELIEVES IN ME.
GROWING UP I WAS ALWAYS ON
885
01:06:44,738 --> 01:06:49,609
STAGE, ALWAYS TRYING MY BEST AND
JUST, LIKE, KEEP GOING AND KEEP
886
01:06:49,609 --> 01:06:56,082
GOING.
AND I'M JUST SO THANKFUL TO BE A
887
01:06:56,082 --> 01:06:59,252
PART OF THIS SHOW BECAUSE I'VE
JUST GROWN SO MUCH.
888
01:06:59,252 --> 01:07:04,791
SO I'M PROUD OF ME.
SORRY.
889
01:07:04,791 --> 01:07:07,794
IT'S HARD TO EXPRESS IN WORDS,
BUT THANK YOU FOR CARING ABOUT
890
01:07:07,794 --> 01:07:10,697
US.
>> YEAH.
891
01:07:10,697 --> 01:07:11,898
>> IT'S SO SPECIAL.
NOT MANY PEOPLE HAVE THAT.
892
01:07:11,898 --> 01:07:15,502
>> FOR SURE.
WHERE YOU ARE RIGHT NOW GIVES ME
893
01:07:15,502 --> 01:07:18,571
SO MUCH CONFIDENCE AS A COACH.
>> YOU'RE SUPER DOPE.
894
01:07:18,571 --> 01:07:22,342
JUST LIKELY IN THAT.
>> THANK YOU.
895
01:07:22,342 --> 01:07:28,048
I AM GOING TO USE ALL THOSE KIND
WORDS AND FEEDBACK -- LET'S
896
01:07:28,048 --> 01:07:30,283
GO -- WHEN I GO UP THERE, THAT'S
GOING TO BE THE LITTLE FIRE
897
01:07:30,283 --> 01:07:37,223
UNDER MY BUTT.
THAT'S GOING TO BE IT.
898
01:07:37,223 --> 01:07:40,160
[ CHEERS AND APPLAUSE ]
*
899
01:07:40,160 --> 01:07:47,067
* SOMETHING'S GOT A HOLD
OF ME LATELY, NO *
900
01:07:47,067 --> 01:07:51,237
* I DON'T KNOW
MYSELF ANYMORE *
901
01:07:51,237 --> 01:07:52,372
* FEELS LIKE THE WALLS
ARE ALL CLOSING IN
902
01:07:52,372 --> 01:07:55,475
AND THE DEVIL'S
KNOCKING AT MY DOOR *
903
01:07:55,475 --> 01:07:58,645
* OH
OUTTA MY MIND
904
01:07:58,645 --> 01:08:07,887
HOW MANY TIMES
DID I TELL YOU *
905
01:08:07,887 --> 01:08:15,528
* I'M NO GOOD AT BEING ALONE *
* YEAH, IT'S TAKING A
906
01:08:15,528 --> 01:08:17,564
TOLL ON ME
TRYING MY BEST TO KEEP
907
01:08:17,564 --> 01:08:20,734
FROM TEARING THE SKIN *
* OFF MY BONES
908
01:08:20,734 --> 01:08:22,302
DON'T YOU KNOW *
* WHEN YOU'RE NOT
909
01:08:22,302 --> 01:08:23,903
NEXT TO ME *
* I'M FALLING APART
910
01:08:23,903 --> 01:08:25,038
RIGHT IN FRONT OF YOU
CAN'T YOU SEE *
911
01:08:25,038 --> 01:08:28,141
* I LOSE CONTROL
WHEN YOU'RE NOT NEXT TO ME
912
01:08:28,141 --> 01:08:35,281
MMM, MMM
YEAH *
913
01:08:35,281 --> 01:08:39,652
* I'M FALLING APART RIGHT IN
FRONT OF YOU *
914
01:08:39,652 --> 01:08:42,822
* I LOSE CONTROL
WHEN YOU'RE NOT NEXT TO ME
915
01:08:42,822 --> 01:08:45,492
MMM, MMM
YEAH *
916
01:08:45,492 --> 01:08:51,297
* YOU'RE BREAKING
MY HEART BABY
917
01:08:51,297 --> 01:08:52,866
YOU MAKE A MESS OF ME
PROBLEMATIC *
918
01:08:52,866 --> 01:08:56,069
* PROBLEM IS
I WANT YOUR BODY *
919
01:08:56,069 --> 01:08:58,171
* LIKE A FIEND
LIKE A BAD HABIT
920
01:08:58,171 --> 01:09:01,408
BAD HABIT'S HARD TO BREAK *
* WHEN I'M WITH YOU
921
01:09:01,408 --> 01:09:04,511
YEAH I KNOW I COULD DO IT
ON MY OWN *
922
01:09:04,511 --> 01:09:19,359
* BUT I WANT THAT REAL
FULL MOON BLACK MAGIC
923
01:09:19,359 --> 01:09:20,393
AND IT TAKES TWO *
* PROBLEMATIC
924
01:09:20,393 --> 01:09:21,461
I NEED SOME RELIEF
MY SKIN IN YOUR TEETH
925
01:09:21,461 --> 01:09:22,662
CAN'T SEE THE FOREST *
* THROUGH THE TREES
926
01:09:22,662 --> 01:09:28,802
GOT ME DOWN ON MY KNEES
DARLING PLEASE, OH *
927
01:09:28,802 --> 01:09:36,676
* I LOSE CONTROL
WHEN YOU'RE NOT HERE WITH ME
928
01:09:36,676 --> 01:09:40,880
I'M FALLING APART
RIGHT IN FRONT OF YOU *
929
01:09:40,880 --> 01:09:48,755
* CAN'T YOU SEE
I LOSE CONTROL
930
01:09:48,755 --> 01:09:53,493
WHEN YOU'RE NOT
HERE WITH ME *
931
01:09:53,493 --> 01:09:56,696
* YEAH, YOU'RE BREAKING
MY HEART, BABY
932
01:09:56,696 --> 01:10:05,739
YOU MAKE A MESS OF ME
YEAH YEAH *
933
01:10:05,739 --> 01:10:09,409
[ CHEERS AND APPLAUSE ]
>> Carson: SOMETHING GOING ON
934
01:10:09,409 --> 01:10:13,680
AROUND HERE TONIGHT, EVERYBODY.
MARA JUSTINE, YET ANOTHER
935
01:10:13,680 --> 01:10:17,817
INCREDIBLE PERFORMANCE AS OUR
TOP 12 ARE PUTTING ON QUITE A
936
01:10:17,817 --> 01:10:21,421
SHOW ON "THE VOICE."
WHAT IS HAPPENING?
937
01:10:21,421 --> 01:10:23,990
>> COME ON.
LET'S GO.
938
01:10:23,990 --> 01:10:29,629
>> Carson: HOW ARE THREE PEOPLE
GOING TO GO HOME TOMORROW NIGHT?
939
01:10:29,629 --> 01:10:32,399
HOW IS THAT GOING TO HAPPEN?
>> IMPOSSIBLE.
940
01:10:32,399 --> 01:10:34,668
>> Carson: IT'S IMPOSSIBLE,
JOHN.
941
01:10:34,668 --> 01:10:37,537
MARA, THAT WAS INCREDIBLE.
LET'S GET SOME THOUGHTS FROM
942
01:10:37,537 --> 01:10:41,908
NIALL.
>> MARA, THAT WAS INSANE.
943
01:10:41,908 --> 01:10:45,078
BY FAR THE BEST YOU'VE DONE IT
ALL WEEK WITHOUT A SHADOW OF A
944
01:10:45,078 --> 01:10:48,515
DOUBT.
I'M SO PROUD OF THE GROWTH.
945
01:10:48,515 --> 01:10:51,451
THE CONFIDENCE YOU'VE GAINED BY
GETTING TO THE LIVES IS
946
01:10:51,451 --> 01:10:54,454
UNBELIEVABLE.
THAT WAS BY FAR YOUR BEST
947
01:10:54,454 --> 01:10:55,422
PERFORMANCE OF THE SEASON SO
FAR.
948
01:10:55,422 --> 01:10:56,723
YOU DESERVE TO GO ON.
>> Carson: IF YOU WANT MARA IN
949
01:10:56,723 --> 01:10:58,558
THE TOP 9, YOU CAN VOTE WHEN THE
WINDOW OPENS ON NBC.COM AND "THE
950
01:10:58,558 --> 01:11:01,928
VOICE" OFFICIAL APP.
GIVE IT UP FOR MARA JUSTINE.
951
01:11:01,928 --> 01:11:03,263
[ CHEERS AND APPLAUSE ]
>> Carson: WHEN WE RETURN, MAC
952
01:11:03,263 --> 01:11:13,139
SINGS A PASSIONATE WORLD-WIDE
HIT BY BONNIE RAITT.
953
01:11:13,139 --> 01:11:33,960
*
UNBELIEVABLE NIGHT TONIGHT.
954
01:11:33,960 --> 01:11:36,096
THEY ARE THE BEST IN THE
BUSINESS.
955
01:11:36,096 --> 01:11:38,732
WE'RE SO LUCKY TO HAVE THEM.
NOW, LET'S CONTINUE WITH TEAM
956
01:11:38,732 --> 01:11:40,100
LEGEND'S SOUL SINGER FROM
ARKANSAS WHO'S INSPIRED THIS
957
01:11:40,100 --> 01:11:41,368
WEEK BY SOMEONE WHO HAS
SUPPORTED HIM THROUGHOUT HIS
958
01:11:41,368 --> 01:11:46,439
LIFE.
HERE'S MORE FROM MAC ROYALS.
959
01:11:46,439 --> 01:11:48,875
>> YOU WERE PART OF THE SHOW
LAST SEASON.
960
01:11:48,875 --> 01:11:53,480
I WAS NOT PART OF THE SHOW.
WE WERE GOING TO BE WORKING
961
01:11:53,480 --> 01:11:56,850
TOGETHER NEXT SEASON, SEASON 25.
THIS IS YOUR CHANCE TO SCOPE OUT
962
01:11:56,850 --> 01:11:59,953
THE COMPETITION.
>> YOU TALKING ABOUT YOURSELF?
963
01:11:59,953 --> 01:12:04,057
>> YEAH, ME.
>> I THOUGHT WE WERE FRIENDS.
964
01:12:04,057 --> 01:12:06,226
>> WE ARE FRIENDS, BUT I WANT TO
DEFEAT YOU.
965
01:12:06,226 --> 01:12:08,795
>> DEFEAT ME?
>> YES.
966
01:12:08,795 --> 01:12:11,431
IN THE MEANTIME I WANT TO FOCUS
ON DOING THE BEST FOR TEAM
967
01:12:11,431 --> 01:12:14,434
LEGEND THIS SEASON.
I'M EXCITING FOR YOU TO MEET
968
01:12:14,434 --> 01:12:17,837
HIM.
MAC, LOOK WHO'S HERE.
969
01:12:17,837 --> 01:12:22,175
>> OH, CHANCE THE RAPPER IS ONE
OF THE MOST TALENTED ARTISTS.
970
01:12:22,175 --> 01:12:25,612
NOW I GET TO WORK WITH HIM.
THAT'S WILD.
971
01:12:25,612 --> 01:12:28,782
>> WEEK AFTER WEEK YOU'VE BEEN
SHOWING US YOU'RE AN ELITE LEVEL
972
01:12:28,782 --> 01:12:31,351
ARTIST.
I'M EXCITED FOR AMERICA TO VOTE
973
01:12:31,351 --> 01:12:35,755
FOR YOU.
MAC IS MY R&B SUPERSTAR.
974
01:12:35,755 --> 01:12:38,825
I'M IN AWE OF HIS ABILITY.
HE'S EVERYTHING YOU WANT IN AN
975
01:12:38,825 --> 01:12:44,964
R&B SINGER.
MAC IS SINGER BONNIE RAITT'S
976
01:12:44,964 --> 01:12:48,234
CLASSIC "I CAN'T MAKE YOU LOVE
ME."
977
01:12:48,234 --> 01:12:52,105
IT'S SUCH A GREAT SONG FOR MAC.
I THINK SHOWING THIS EMOTIONAL
978
01:12:52,105 --> 01:12:55,675
SIDE WILL CONNECT WITH THE
AUDIENCE AND MAKE THEM VOTE FOR
979
01:12:55,675 --> 01:13:00,080
MAC.
>> TO BE IN THE TOP 12, I'M
980
01:13:00,080 --> 01:13:03,149
TAKING IT ALL IN.
I GREW UP IN A TRAILER.
981
01:13:03,149 --> 01:13:05,585
MY MOTHER WORKED HER FINGERS TO
THE BONE TO MAKE SURE I HAD
982
01:13:05,585 --> 01:13:08,521
EVERYTHING I NEEDED.
THERE'S NO WAY I WOULD HAVE BEEN
983
01:13:08,521 --> 01:13:10,123
ABLE TO MAKE IT THIS FAR WITHOUT
YOU HERE WITH ME.
984
01:13:10,123 --> 01:13:13,660
THAT'S IT.
LOVE YOU TOO, MAMA.
985
01:13:13,660 --> 01:13:19,499
>> I ABSOLUTELY LOVE YOU.
>> MAKING IT TO THE TOP 12, IT
986
01:13:19,499 --> 01:13:25,672
PUTS ME CLOSER TO A PLACE WHERE
I CAN TELL MY MOM, IF YOU DON'T
987
01:13:25,672 --> 01:13:29,075
WANT TO GO BACK TO WORK
TOMORROW, YOU DON'T HAVE TO.
988
01:13:29,075 --> 01:13:36,916
>> THERE'S A DIFFERENT MELODY
BONNIE DOES ON THE ORIGINAL, I
989
01:13:36,916 --> 01:13:41,254
THINK IT WILL ADD VARIATION.
>> THE WAY YOU SLIDE FROM YOUR
990
01:13:41,254 --> 01:13:45,158
FALSETTO IS SEAMLESS.
I LIKE THAT A LOT.
991
01:13:45,158 --> 01:13:48,762
MY ONLY ISSUE IS TOWARDS THE END
YOU'RE TRYING TO USE YOUR CHEST
992
01:13:48,762 --> 01:13:51,264
VOICE THE WHOLE TIME.
I MISS SOME OF THE SOFT AND
993
01:13:51,264 --> 01:13:55,702
LIGHT.
I WOULD WORK ON ADDING SOME MORE
994
01:13:55,702 --> 01:13:58,471
OF THE FALSETTO TO GIVE IT AN
ELEMENT OF SURPRISE IN THERE.
995
01:13:58,471 --> 01:14:01,207
>> I'M HAPPY, MAN.
YOU'RE GOING TO BE GREAT.
996
01:14:01,207 --> 01:14:05,178
>> APPRECIATE YOU ALL.
>> MAC IS A TRUE SOUL SINGER.
997
01:14:05,178 --> 01:14:10,216
HE'S ALSO A PERFORM, THE WAY HE
CONNECT TS TO THE LYRIC.
998
01:14:10,216 --> 01:14:19,325
I THINK MAC IS ONE OF THE ONES
THAT COULD WIN THE WHOLE THING.
999
01:14:19,325 --> 01:14:28,068
* TURN DOWN THE LIGHTS *
* TURN DOWN THE BED *
1000
01:14:28,068 --> 01:14:34,574
* TURN DOWN THESE VOICES INSIDE
MY HEAD HEAD *
1001
01:14:34,574 --> 01:14:41,614
* LAY DOWN WITH ME *
* TELL ME NO LIES *
1002
01:14:41,614 --> 01:14:54,794
* JUST HOLD ME CLOSE
DON'T PATRONIZE
1003
01:14:54,794 --> 01:15:05,872
DON'T PATRONIZE *
* 'CAUSE I CAN'T
1004
01:15:05,872 --> 01:15:19,085
MAKE YOU LOVE ME
IF YOU DON'T *
1005
01:15:19,085 --> 01:15:30,797
* YOU CAN'T
MAKE YOUR HEART FEEL
1006
01:15:30,797 --> 01:15:31,865
SOMETHING IT WON'T
HERE IN THE DARK *
1007
01:15:31,865 --> 01:15:33,099
* IN THESE FINAL HOURS
I WILL LAY DOWN MY HEART
1008
01:15:33,099 --> 01:15:39,239
AND FEEL THE POWER *
* IF YOU DON'T
1009
01:15:39,239 --> 01:15:40,774
NO YOU WON'T *
* 'CAUSE I CAN'T
1010
01:15:40,774 --> 01:15:43,376
MAKE YOU LOVE ME *
* IF YOU DON'T
1011
01:15:43,376 --> 01:15:49,749
YOU CAN'T
MAKE YOUR HEART FEEL
1012
01:15:49,749 --> 01:15:57,157
SOMETHING IT WON'T *
* HERE IN THE DARK
1013
01:15:57,157 --> 01:16:02,929
IN THESE FINAL HOURS
I WILL LAY DOWN MY HEART
1014
01:16:02,929 --> 01:16:09,769
AND FEEL THE POWER *
* IF YOU WON'T
1015
01:16:09,769 --> 01:16:21,414
NO YOU WON'T *
* 'CAUSE I CAN'T
1016
01:16:21,414 --> 01:16:26,553
MAKE YOU LOVE ME *
* IF YOU DON'T
1017
01:16:26,553 --> 01:16:33,593
YOU AIN'T GOTTA LOVE
YOU AIN'T GOTTA LOVE *
1018
01:16:33,593 --> 01:16:41,301
* I CAN'T MAKE YOU LOVE ME *
* OH IF YOU DON'T *
1019
01:16:41,301 --> 01:16:45,939
[ CHEERS AND APPLAUSE ]
>> Carson: THAT WAS MAC ROYALS
1020
01:16:45,939 --> 01:16:49,075
WHO JUST CONTINUES TONIGHT'S
INCREDIBLE PERFORMANCES.
1021
01:16:49,075 --> 01:16:53,780
IT FELT LIKE THE FINALE.
IT'S OUR TOP 12 LIVE SHOW ON
1022
01:16:53,780 --> 01:16:55,882
"THE VOICE."
THAT WAS A MASTER CLASS.
1023
01:16:55,882 --> 01:16:59,452
JOHN, TALK TO US.
>> I SAID IT.
1024
01:16:59,452 --> 01:17:03,023
HE'S ELITE, Y'ALL.
HE'S ELITE TALENT.
1025
01:17:03,023 --> 01:17:06,659
YOU'RE WATCHING SOMEBODY WHO IS
SO SPECIAL.
1026
01:17:06,659 --> 01:17:09,763
WE'VE SEEN YOU DOING THE SEXY
R&B JAMS.
1027
01:17:09,763 --> 01:17:12,665
I THINK LETTING PEOPLE INTO YOU
EMOTIONALLY AND CONNECTING ON
1028
01:17:12,665 --> 01:17:16,269
THIS SONG JUST SHOWS PEOPLE
ANOTHER SIDE OF YOU.
1029
01:17:16,269 --> 01:17:18,638
THIS MAN NEEDS A RECORD DEAL.
THIS MAN NEEDS TO WIN "THE
1030
01:17:18,638 --> 01:17:25,745
VOICE."
HE NEEDS TO DO ALL THAT.
1031
01:17:25,745 --> 01:17:27,580
MAC, I BELIEVE IN YOU SO MUCH.
IT WAS ANOTHER BEAUTIFUL
1032
01:17:27,580 --> 01:17:29,783
PERFORMANCE AND IT SHOWED
ANOTHER SIDE OF YOU.
1033
01:17:29,783 --> 01:17:30,750
I'M SO PROUD OF YOU.
>> THANK YOU.
1034
01:17:30,750 --> 01:17:33,520
>> Carson: IF YOU WANT MAC IN
THE TOP NINE, YOU CAN VOTE WHEN
1035
01:17:33,520 --> 01:17:37,424
THE WINDOW OPENS ON NBC.COM AND
"THE VOICE" OFFICIAL APP.
1036
01:17:37,424 --> 01:17:38,491
GIVE IT UP ONE MORE TIME FOR MAC
ROYALS.
1037
01:17:38,491 --> 01:17:39,759
[ CHEERS AND APPLAUSE ]
GET OUT OF HERE.
1038
01:17:39,759 --> 01:17:55,842
WHEN WE COME BACK, BIAS CLOSES
*
1039
01:17:55,842 --> 01:17:58,678
[ CHEERS AND APPLAUSE ]
>> Carson: TONIGHT HAS BEEN SO
1040
01:17:58,678 --> 01:18:00,347
AMAZING.
ONE MORE PERFORMANCE TO GO.
1041
01:18:00,347 --> 01:18:03,516
WE'LL OPEN THE VOTING WINDOW.
LET'S CLOSE OUT THE TOP 12 LIVE
1042
01:18:03,516 --> 01:18:05,819
SHOW WITH TEAM GWEN'S COUNTRY
SOUL ARTIST WHO'S CONNECTING
1043
01:18:05,819 --> 01:18:12,892
WITH HIS SONG ON A SPIRITUAL
LEVEL.
1044
01:18:12,892 --> 01:18:18,164
HERE'S MORE FROM BIAS.
>> BEING A RED NECK CAN MEAN A
1045
01:18:18,164 --> 01:18:23,770
LOT OF THINGS.
YOU COULD BE SKINNY DIPPING OR
1046
01:18:23,770 --> 01:18:27,374
SIPPING ON A MILKSHAKE OR
SITTING ON THE BACK DECK GETTING
1047
01:18:27,374 --> 01:18:31,911
THAT ACTION.
THERE WAS A WASP.
1048
01:18:31,911 --> 01:18:34,047
>> GOOD TO SEE YOU, BRO.
Y'ALL, LET'S DO THIS.
1049
01:18:34,047 --> 01:18:37,851
>> OH, MY GOSH.
>> YOU HAVE A VIBE TO YOU, MAN.
1050
01:18:37,851 --> 01:18:41,287
YOU HAVE THAT DAZED AND CONFUSED
THING GOING ON.
1051
01:18:41,287 --> 01:18:43,289
>> I DON'T KNOW IF THAT'S A GOOD
THING.
1052
01:18:43,289 --> 01:18:45,558
>> SAY ALL RIGHT ALL RIGHT.
>> ALL RIGHT ALL RIGHT ALL
1053
01:18:45,558 --> 01:18:47,260
RIGHT.
I'VE BEEN WATCHING CHANCE FOR A
1054
01:18:47,260 --> 01:18:50,764
LONG TIME.
HE'S AN INDEPENDENT ARTIST AND
1055
01:18:50,764 --> 01:18:54,668
NEVER RELIED ON A LABEL.
FOR ME HE'S A HUGE INSPIRATION.
1056
01:18:54,668 --> 01:18:58,638
>> I'M SO EXCITE FORD YOU.
YOU ALWAYS PICK THE RIGHT SONGS.
1057
01:18:58,638 --> 01:19:03,343
>> WHAT'S CRAZY ABOUT THIS SONG,
IT'S A JOHNNY CASH SONG.
1058
01:19:03,343 --> 01:19:05,912
JOHNNY CASH WAS BORN ABOUT 45
MINUTES FROM MY HOMETOWN IN
1059
01:19:05,912 --> 01:19:10,550
ARKANSAS.
BEING ABLE TO DO THIS IS INSANE.
1060
01:19:10,550 --> 01:19:14,587
* YOU CAN RUN FOR A LONG TIME *
* RUN FOR A LONG TIME *
1061
01:19:14,587 --> 01:19:18,024
>> WHEN I HEARD THIS SONG, IT
JUST FELT SO CONSISTENT WITH WHO
1062
01:19:18,024 --> 01:19:23,530
HE'S BEEN.
I THINK BIAS IS A COUNTRY SOUL
1063
01:19:23,530 --> 01:19:27,834
CREATURE.
THE WAY YOU STARTED THE SONG,
1064
01:19:27,834 --> 01:19:31,438
YOU'RE SINGING IT SUPER QUIET,
BUT YOU CAN BE VERY ANIMATED AND
1065
01:19:31,438 --> 01:19:34,841
STORY TELLING.
YOU'RE TALKING TO YOURSELF, BUT
1066
01:19:34,841 --> 01:19:46,052
YOU'RE WARNING THEM THAT THIS IS
GOING TO HAPPEN.
1067
01:19:46,052 --> 01:19:47,454
I WANT IT TO FEEL LIKE YOU'RE
REALLY TELLING THE STORY WHEN
1068
01:19:47,454 --> 01:19:48,521
YOU'RE TALKING THROUGH THE FIRST
VERSES.
1069
01:19:48,521 --> 01:19:49,723
>> THAT SECOND VERSE, LET ME
TELL YOU THE NEWS.
1070
01:19:49,723 --> 01:19:50,824
THAT'S THE MOTIVATION OF THE
WHOLE SONG.
1071
01:19:50,824 --> 01:19:55,228
YOU HAVE INFORMATION THAT
EVERYBODY ELSE DOESN'T
1072
01:19:55,228 --> 01:19:58,331
NECESSARILY HAVE.
YOU'RE LIKE MOSES.
1073
01:19:58,331 --> 01:20:03,236
* RUN ON FOR A LONG TIME *
>> THE MORE COMFORTABLE HE GOT
1074
01:20:03,236 --> 01:20:06,206
WITH THE LYRICS AND THE MORE
INTENTIONALITY HE PUT ON THE
1075
01:20:06,206 --> 01:20:09,376
LYRICS, JUST THE BETTER AND
BETTER THE PERFORMANCE GOT.
1076
01:20:09,376 --> 01:20:13,046
I'M BECOME AGO BIAS FAN.
I GOT A LITTLE BIAS BIAS.
1077
01:20:13,046 --> 01:20:17,450
>> IT'S GOING TO BE COOL AND
DIFFERENT FROM EVERYBODY ELSE.
1078
01:20:17,450 --> 01:20:20,887
WE HAVE SO MANY COUNTRY PEOPLE
ROOTING FOR YOU.
1079
01:20:20,887 --> 01:20:23,089
>> I'M THE LAST COUNTRY MALE
STANDING.
1080
01:20:23,089 --> 01:20:27,660
>> EVERYBODY IS FIGHTING FOR A
SPOT IN THE SEMI-FINALS.
1081
01:20:27,660 --> 01:20:29,629
I THINK AMERICA HAS FALLEN IN
LOVE WITH BIAS.
1082
01:20:29,629 --> 01:20:31,698
THIS NEXT PERFORMANCE IS GOING
TO SEAL THE DEAL.
1083
01:20:31,698 --> 01:20:40,106
WE'RE GOING TO WIN "THE VOICE."
>> LET'S WIN "THE VOICE."
1084
01:20:40,106 --> 01:20:47,313
* YOU CAN RUN ON *
* FOR A LONG TIME
1085
01:20:47,313 --> 01:20:53,219
RUN ON
FOR A LONG TIME *
1086
01:20:53,219 --> 01:20:55,922
* RUN ON
FOR A LONG LONG TIME *
1087
01:20:55,922 --> 01:21:12,305
* SOONER LATER
GOD'LL CUT YOU DOWN *
1088
01:21:12,305 --> 01:21:21,614
* SOONER OR LATER
GOD'LL CUT YOU DOWN *
1089
01:21:21,614 --> 01:21:27,253
NOT
* GO AND TELL THAT
1090
01:21:27,253 --> 01:21:29,889
LONG-TONGUED LIAR *
* GO AND TELL
1091
01:21:29,889 --> 01:21:30,957
THAT MIDNIGHT RIDER
TELL THE RAMBLER
1092
01:21:30,957 --> 01:21:32,559
THE GAMBLER *
* THE BACK-BITER
1093
01:21:32,559 --> 01:21:41,735
TELL 'EM THAT
GOD'S GONNA CUT 'EM DOWN
1094
01:21:41,735 --> 01:21:47,474
TELL 'EM THAT *
* GOD'S GONNA CUT 'EM DOWN *
1095
01:21:47,474 --> 01:21:48,608
* WELL, MY GOODNESS
GRACIOUS LET ME TELL
1096
01:21:48,608 --> 01:21:50,176
YOU THE NEWS *
* MY HEAD'S BEEN WET
1097
01:21:50,176 --> 01:21:51,678
WITH THE MIDNIGHT DEW
I'VE BEEN DOWN
1098
01:21:51,678 --> 01:21:53,813
ON BENDED KNEE *
* TALKIN' TO THE MAN
1099
01:21:53,813 --> 01:21:54,848
FROM GALILEE
HE SPOKE TO ME
1100
01:21:54,848 --> 01:21:56,950
IN A VOICE SO SWEET *
* THOUGHT I HEARD
1101
01:21:56,950 --> 01:21:58,551
THE SHUFFLE
OF ANGEL'S FEET *
1102
01:21:58,551 --> 01:21:59,719
* HE CALLED MY NAME
AND MY HEART STOOD STILL
1103
01:21:59,719 --> 01:22:00,720
HE SAID
JOHN GO DO MY WILL *
1104
01:22:00,720 --> 01:22:01,955
* RUN ON FOR A LONG TIME
RUN ON FOR A LONG TIME
1105
01:22:01,955 --> 01:22:03,156
RUN ON FOR A LONG TIME *
* SOONER OR LATER
1106
01:22:03,156 --> 01:22:14,267
GOD'LL CUT YOU DOWN
SOONER OR LATER
1107
01:22:14,267 --> 01:22:19,239
GOD'LL CUT YOU DOWN *
* YEAH *
1108
01:22:19,239 --> 01:22:20,807
* YEAH YEAH YEAH *
* WELL YOU MAY
1109
01:22:20,807 --> 01:22:25,445
THROW YOUR ROCK
AND HIDE YOUR HAND *
1110
01:22:25,445 --> 01:22:31,084
* WORKIN' IN THE DARK
AGAINST YOUR FELLOW MAN *
1111
01:22:31,084 --> 01:22:32,285
* BUT AS SURE AS GOD
MADE BLACK AND WHITE *
1112
01:22:32,285 --> 01:22:35,288
* WHAT'S DONE IN THE DARK
WILL BE
1113
01:22:35,288 --> 01:22:37,424
BROUGHT TO THE LIGHT *
* SO RUN ON
1114
01:22:37,424 --> 01:22:38,992
FOR A LONG TIME
RUN ON FOR A LONG TIME
1115
01:22:38,992 --> 01:22:42,162
RUN ON FOR A LONG TIME *
* SOONER OR LATER
1116
01:22:42,162 --> 01:22:45,331
GOD'LL CUT YOU DOWN
SOONER OR LATER
1117
01:22:45,331 --> 01:22:47,967
GOD'LL CUT YOU DOWN *
* TELL THAT
1118
01:22:47,967 --> 01:22:50,103
LONG-TONGUED LIAR
GO AND TELL THAT
1119
01:22:50,103 --> 01:22:52,739
MIDNIGHT RIDER *
* TELL THE RAMBLER
1120
01:22:52,739 --> 01:23:01,047
THE GAMBLER
THE BACK-BITER
1121
01:23:01,047 --> 01:23:05,885
TELL 'EM THAT *
* GOD'S GONNA CUT 'EM DOWN *
1122
01:23:05,885 --> 01:23:13,093
* SOONER OR LATER
GOD'LL CUT YOU DOWN
1123
01:23:13,093 --> 01:23:15,528
SOONER OR LATER *
[ CHEERS AND APPLAUSE ]
1124
01:23:15,528 --> 01:23:20,467
>> Carson: THAT WILL DO IT.
THERE'S BIAS, TEAM GWEN CLOSING
1125
01:23:20,467 --> 01:23:25,338
OUT THE NIGHT OF OUR TOP 12.
WHAT A NIGHT OF LIVE MUSIC AS
1126
01:23:25,338 --> 01:23:29,876
"THE VOICE" RETURNS LIVE ON NBC.
BIAS, GREAT JOB, MAN.
1127
01:23:29,876 --> 01:23:34,214
THAT WAS SO FUN.
>> YOU LOOK GOOD, CARSON.
1128
01:23:34,214 --> 01:23:35,248
>> Carson: APPRECIATE THE
COMPLIMENTS.
1129
01:23:35,248 --> 01:23:56,970
REBA?
>> BIAS, THAT'S THE
1130
01:23:56,970 --> 01:24:00,707
BIAS?
>> IT'S LIKE A DREAM YOU'RE ON
1131
01:24:00,707 --> 01:24:02,842
MY TEAM AND WE HAVE THIS
CONNECTION IN THE SENSE THAT
1132
01:24:02,842 --> 01:24:09,749
LIKE --
>> REBA IS OVER THERE HATING.
1133
01:24:09,749 --> 01:24:13,086
>> I'M SO EXCITING RIGHT NOW.
LISTEN TO ME --
1134
01:24:13,086 --> 01:24:17,724
>> GOT TO LET IT GO.
>> YOU JUST KEEP BEING YOU.
1135
01:24:17,724 --> 01:24:19,225
YOU ARE THE PUREST PERSON I'VE
EVER MET.
1136
01:24:19,225 --> 01:24:20,427
JUST KEEP GOING.
>> Carson: IF YOU WANT BIAS IN
1137
01:24:20,427 --> 01:24:24,297
THE TOP NINE, YOU CAN VOTE WHEN
THE WINDOW OPENS ON NBC.COM AND
1138
01:24:24,297 --> 01:24:27,634
"THE VOICE" OFFICIAL APP.
GIVE IT UP AGAIN FOR BIAS,
1139
01:24:27,634 --> 01:24:28,802
LADIES AND GENTLEMEN.
[ CHEERS AND APPLAUSE ]
1140
01:24:28,802 --> 01:24:30,537
THERE YOU HAVE IT.
WHAT A NIGHT OF MUSIC.
1141
01:24:30,537 --> 01:24:33,173
VOTING IS OFFICIALLY OPEN FOR
ALL ARTISTS.
1142
01:24:33,173 --> 01:24:38,078
TOMORROW NIGHT AT
9:00/8:00 CENTRAL, YOUR RESULTS.
91803
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