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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:04,860 hi everybody today I want to show you 2 00:00:02,459 --> 00:00:07,440 how this AI vocalist tricked all of my 3 00:00:04,860 --> 00:00:10,220 friends professional musicians and 4 00:00:07,440 --> 00:00:10,220 normies alike 5 00:00:10,689 --> 00:00:33,479 [Music] 6 00:00:30,920 --> 00:00:35,820 so a couple of months ago this company 7 00:00:33,479 --> 00:00:37,259 emailed me by the name of dreamtronics 8 00:00:35,820 --> 00:00:39,539 and they were discussing this product 9 00:00:37,259 --> 00:00:41,339 that they are working on and they were 10 00:00:39,539 --> 00:00:43,619 talking about this vocal synthesizer 11 00:00:41,340 --> 00:00:45,540 that was based on AI this software 12 00:00:43,619 --> 00:00:47,640 completely blew my mind like I can't 13 00:00:45,539 --> 00:00:49,799 even convey to you how like mind-blowing 14 00:00:47,640 --> 00:00:51,960 it was when I first started using it and 15 00:00:49,799 --> 00:00:53,578 I was just like finally within music 16 00:00:51,960 --> 00:00:54,960 production we're starting to take some 17 00:00:53,579 --> 00:00:57,239 of the steps forward that we're seeing 18 00:00:54,960 --> 00:00:58,679 within visual art it's something I've 19 00:00:57,238 --> 00:01:00,779 been complaining about for a long time 20 00:00:58,679 --> 00:01:02,698 that not many companies are willing to 21 00:01:00,780 --> 00:01:04,680 take a risk on something and this to me 22 00:01:02,698 --> 00:01:06,539 really blew me out of the water and even 23 00:01:04,680 --> 00:01:09,240 if you're not a musician I want to show 24 00:01:06,540 --> 00:01:11,760 you sort of what you can expect to be 25 00:01:09,239 --> 00:01:13,379 coming to your ears in the future and 26 00:01:11,760 --> 00:01:15,060 then I also want to discuss from a more 27 00:01:13,379 --> 00:01:16,739 philosophical standpoint of the 28 00:01:15,060 --> 00:01:19,140 implication locations of this kind of 29 00:01:16,739 --> 00:01:20,759 stuff happening within art so if we want 30 00:01:19,140 --> 00:01:22,379 to write a vocal with the software we 31 00:01:20,759 --> 00:01:24,478 need to do many different things right 32 00:01:22,379 --> 00:01:26,039 so you can see we have various notes 33 00:01:24,478 --> 00:01:28,140 that are indicating the pitch that I 34 00:01:26,040 --> 00:01:29,759 would like the vocalist to sing and then 35 00:01:28,140 --> 00:01:31,439 within those notes I have the words 36 00:01:29,759 --> 00:01:33,420 typed out that I would like it to say 37 00:01:31,438 --> 00:01:35,519 and then down here below within the 38 00:01:33,420 --> 00:01:37,920 waveform we can see exactly where what 39 00:01:35,519 --> 00:01:39,899 syllable is being said so we can get a 40 00:01:37,920 --> 00:01:41,640 very detailed breakdown rhythmically of 41 00:01:39,900 --> 00:01:43,320 what's happening so that way we can 42 00:01:41,640 --> 00:01:45,299 better fine-tune what's going on with 43 00:01:43,319 --> 00:01:46,919 our vocal another thing too about this 44 00:01:45,299 --> 00:01:49,079 software that's really cool is that it's 45 00:01:46,920 --> 00:01:51,899 using context Awareness on what's 46 00:01:49,078 --> 00:01:53,279 Happening before and after to calculate 47 00:01:51,899 --> 00:01:55,439 what's going on within the vocal 48 00:01:53,280 --> 00:01:57,478 performance I will type in a vocal and 49 00:01:55,438 --> 00:01:59,158 it has its first pass of what it thinks 50 00:01:57,478 --> 00:02:01,920 is going to happen and then it's going 51 00:01:59,159 --> 00:02:03,659 to do another pass to further refine and 52 00:02:01,920 --> 00:02:06,180 use context as to what's happening 53 00:02:03,659 --> 00:02:08,819 elsewhere whether it be pitch no length 54 00:02:06,180 --> 00:02:11,039 syllable before or after and any other 55 00:02:08,818 --> 00:02:12,719 parameters that I Define within the no 56 00:02:11,038 --> 00:02:14,339 Properties or globally within the 57 00:02:12,719 --> 00:02:15,780 arrangement another thing too you'll 58 00:02:14,340 --> 00:02:18,000 notice is that I actually have the this 59 00:02:15,780 --> 00:02:20,098 little line moving along here between 60 00:02:18,000 --> 00:02:21,780 different nodes and what this is 61 00:02:20,098 --> 00:02:23,818 actually doing is it's telling me sort 62 00:02:21,780 --> 00:02:25,620 of what's happening with the pitch in a 63 00:02:23,818 --> 00:02:28,079 visual manner right if we think about 64 00:02:25,620 --> 00:02:30,420 how a singer vocalizes a song or even 65 00:02:28,080 --> 00:02:32,160 any instrument that's not fretted or 66 00:02:30,419 --> 00:02:34,079 that has a fixed pitch like a piano 67 00:02:32,159 --> 00:02:36,239 right there's always going to be some 68 00:02:34,080 --> 00:02:38,219 unpredictability within the the actual 69 00:02:36,239 --> 00:02:39,719 pitch of the note and in music we call 70 00:02:38,219 --> 00:02:41,519 this intonation and we would say 71 00:02:39,719 --> 00:02:43,859 somebody that has really good or really 72 00:02:41,519 --> 00:02:46,739 great intonation tends to on average 73 00:02:43,860 --> 00:02:48,620 hover within a few cents of what the 74 00:02:46,739 --> 00:02:51,780 target note is that they're trying to 75 00:02:48,620 --> 00:02:54,060 vocalize or reproduce so what I want to 76 00:02:51,780 --> 00:02:55,500 do is actually just play the vocal on 77 00:02:54,060 --> 00:02:59,180 its own and then sort of break down and 78 00:02:55,500 --> 00:02:59,180 show you some cool stuff that's going on 79 00:03:02,479 --> 00:03:08,359 just remember 80 00:03:04,459 --> 00:03:10,739 life moves on 81 00:03:08,360 --> 00:03:12,959 so you can hear that natural pitch 82 00:03:10,739 --> 00:03:15,719 variation and variability that's 83 00:03:12,959 --> 00:03:16,979 creating a more natural performance and 84 00:03:15,719 --> 00:03:19,439 this is something you would not be able 85 00:03:16,979 --> 00:03:21,119 to do by hand by any means so it's 86 00:03:19,439 --> 00:03:23,519 really doing a great job of handling 87 00:03:21,120 --> 00:03:25,140 sort of what I'm throwing at it and we 88 00:03:23,519 --> 00:03:27,000 can even see some interesting creative 89 00:03:25,139 --> 00:03:29,279 choices that the software is making that 90 00:03:27,000 --> 00:03:30,539 I didn't even Define so the first thing 91 00:03:29,280 --> 00:03:32,340 you could see with these two notes here 92 00:03:30,539 --> 00:03:34,318 when I'm saying the word when and you're 93 00:03:32,340 --> 00:03:36,300 that we're actually moving from one 94 00:03:34,318 --> 00:03:39,000 pitch to the other in a very slow manner 95 00:03:36,300 --> 00:03:41,480 rather than instantly from Pitch one to 96 00:03:39,000 --> 00:03:41,479 pitch two 97 00:03:41,750 --> 00:03:45,840 [Music] 98 00:03:43,580 --> 00:03:47,940 when you're 99 00:03:45,840 --> 00:03:49,439 and then another creative decision it's 100 00:03:47,939 --> 00:03:51,840 doing is actually using what we would 101 00:03:49,439 --> 00:03:54,419 call a Grace note into the next note so 102 00:03:51,840 --> 00:03:56,400 my destination pitch here is a c but the 103 00:03:54,419 --> 00:03:58,619 software is actually doing a sort of 104 00:03:56,400 --> 00:04:00,360 Grace note into the next note so we're 105 00:03:58,620 --> 00:04:02,459 using a note that would technically that 106 00:04:00,360 --> 00:04:04,200 I didn't really Define or that I didn't 107 00:04:02,459 --> 00:04:06,420 want the software to do but it's sort of 108 00:04:04,199 --> 00:04:07,679 calculated on its own that you know this 109 00:04:06,419 --> 00:04:09,899 could be something that sounds good 110 00:04:07,680 --> 00:04:11,819 based on if it's on its training data to 111 00:04:09,900 --> 00:04:13,319 me this really just encapsulates the 112 00:04:11,818 --> 00:04:15,179 creative process that I would have with 113 00:04:13,318 --> 00:04:16,680 another human being you know what when 114 00:04:15,180 --> 00:04:17,759 I'm working with a vocalist I may be 115 00:04:16,680 --> 00:04:19,560 like I don't really like how this 116 00:04:17,759 --> 00:04:21,839 syllable sounds and then they try it 117 00:04:19,560 --> 00:04:23,759 again and give me a new take and we end 118 00:04:21,839 --> 00:04:25,799 up having this collaborative process of 119 00:04:23,759 --> 00:04:27,660 sort of the kind of sound that I want 120 00:04:25,800 --> 00:04:29,520 mixed with the influences of the actual 121 00:04:27,660 --> 00:04:31,500 vocalist that I'm working with and then 122 00:04:29,519 --> 00:04:33,120 we find like a happy medium and we're 123 00:04:31,500 --> 00:04:35,160 doing the exact same thing here but with 124 00:04:33,120 --> 00:04:36,418 an artificial intelligence since I 125 00:04:35,160 --> 00:04:38,400 mentioned the idea of doing different 126 00:04:36,418 --> 00:04:40,319 takes something really cool that we can 127 00:04:38,399 --> 00:04:42,359 even do within the software synthesizer 128 00:04:40,319 --> 00:04:43,978 five is we can actually have it generate 129 00:04:42,360 --> 00:04:45,780 new takes for us if we don't like what 130 00:04:43,978 --> 00:04:48,279 it spit out to us initially for example 131 00:04:45,779 --> 00:04:51,000 sample this right here 132 00:04:48,279 --> 00:04:52,918 [Music] 133 00:04:51,000 --> 00:04:54,418 like I'm not a fan of it and I just want 134 00:04:52,918 --> 00:04:56,099 to give a new take rather than tweaking 135 00:04:54,418 --> 00:04:57,240 within the no properties I don't like 136 00:04:56,100 --> 00:04:58,680 that give me something a little bit 137 00:04:57,240 --> 00:04:59,939 different 138 00:04:58,680 --> 00:05:01,740 and then it's going to go ahead and use 139 00:04:59,939 --> 00:05:03,918 context awareness and recalculate 140 00:05:01,740 --> 00:05:03,918 everything 141 00:05:06,120 --> 00:05:10,079 and another great thing about having the 142 00:05:07,978 --> 00:05:11,758 ability to create different takes is 143 00:05:10,079 --> 00:05:13,620 that I if I move a little bit further 144 00:05:11,759 --> 00:05:16,259 within the vocal you know I have the 145 00:05:13,620 --> 00:05:18,000 ability now to have doubling and have 146 00:05:16,259 --> 00:05:19,740 the vocal spread throughout the stereo 147 00:05:18,000 --> 00:05:21,360 Spectrum which if you're a producer 148 00:05:19,740 --> 00:05:24,439 you'll know this is a standard way to 149 00:05:21,360 --> 00:05:27,620 really create a nice vocal production 150 00:05:24,439 --> 00:05:32,639 time waits for nobody 151 00:05:27,620 --> 00:05:35,220 who so don't stay stuck in the past all 152 00:05:32,639 --> 00:05:38,220 life will pass you by 153 00:05:35,220 --> 00:05:40,139 all you have to is right so it just 154 00:05:38,220 --> 00:05:42,240 really enables us to be more creative in 155 00:05:40,139 --> 00:05:43,740 our different vocal layers and really 156 00:05:42,240 --> 00:05:46,019 mess around with things in a way that I 157 00:05:43,740 --> 00:05:48,180 think is pretty interesting even with 158 00:05:46,019 --> 00:05:50,099 faster vocals and syllables it tends to 159 00:05:48,180 --> 00:05:51,538 really come along really well like 160 00:05:50,100 --> 00:05:53,460 obviously in some areas you can tell 161 00:05:51,538 --> 00:05:55,439 maybe it's a bit too perfect but overall 162 00:05:53,459 --> 00:05:57,779 like our performance I think is really 163 00:05:55,439 --> 00:05:59,279 really good minus some glitches and some 164 00:05:57,779 --> 00:06:01,500 things that I didn't finish writing or 165 00:05:59,279 --> 00:06:03,959 adjusting like just the first sort of 166 00:06:01,500 --> 00:06:06,860 initial pass of what I'm writing I think 167 00:06:03,959 --> 00:06:06,859 sounds pretty neat 168 00:06:08,418 --> 00:06:21,649 I'm teaching you baby 169 00:06:11,920 --> 00:06:21,649 [Music] 170 00:06:25,569 --> 00:06:29,159 [Music] 171 00:06:26,959 --> 00:06:30,779 and what's really cool is that the 172 00:06:29,160 --> 00:06:33,000 software even emulates the sound of 173 00:06:30,779 --> 00:06:35,059 breathing in before actually belting out 174 00:06:33,000 --> 00:06:37,079 the next phrase 175 00:06:35,060 --> 00:06:39,300 what's up 176 00:06:37,079 --> 00:06:40,859 here's a quick final example before I 177 00:06:39,300 --> 00:06:42,960 really get into the more philosophical 178 00:06:40,860 --> 00:06:45,120 discussion I just want to show you how 179 00:06:42,959 --> 00:06:47,279 well this software is able to handle a 180 00:06:45,120 --> 00:06:50,478 much more complicated Arrangement than 181 00:06:47,279 --> 00:06:50,478 what I showed previously 182 00:06:52,290 --> 00:07:02,588 [Music] 183 00:07:04,680 --> 00:07:10,639 [Music] 184 00:07:07,800 --> 00:07:13,020 deep down all right 185 00:07:10,639 --> 00:07:15,478 I just want to show you one final thing 186 00:07:13,019 --> 00:07:18,180 with regarding expression and I thought 187 00:07:15,478 --> 00:07:20,459 it was really cool how when I started to 188 00:07:18,180 --> 00:07:23,098 have the software perform lower notes 189 00:07:20,459 --> 00:07:25,379 that in a way almost its imperfections 190 00:07:23,098 --> 00:07:27,478 fit the harmonic context of what I was 191 00:07:25,379 --> 00:07:28,918 writing so there's this part of the song 192 00:07:27,478 --> 00:07:31,139 that's the bridge which is calling into 193 00:07:28,918 --> 00:07:32,879 question all the you know feelings 194 00:07:31,139 --> 00:07:34,918 talked about previously in the verse in 195 00:07:32,879 --> 00:07:36,659 the chorus and I wanted to see if the 196 00:07:34,918 --> 00:07:38,399 vocal performance could also match that 197 00:07:36,660 --> 00:07:42,550 and I think it did really really well 198 00:07:38,399 --> 00:07:42,549 [Music] 199 00:07:45,740 --> 00:07:49,879 who you really are 200 00:07:50,160 --> 00:07:54,300 so I was really able to in some sense 201 00:07:52,500 --> 00:07:56,459 capture a performance I was much more 202 00:07:54,300 --> 00:07:58,199 human and sort of convey some emotions 203 00:07:56,459 --> 00:07:59,879 that I wanted to within my Arrangement 204 00:07:58,199 --> 00:08:01,919 so one thing that's really cool about 205 00:07:59,879 --> 00:08:04,139 this is each vocalist sort of has its 206 00:08:01,918 --> 00:08:06,359 own personality in way that it conveys 207 00:08:04,139 --> 00:08:08,639 its sort of emotions if you want to use 208 00:08:06,360 --> 00:08:10,919 that word so you kind of have a certain 209 00:08:08,639 --> 00:08:13,319 style and stylistic decisions that are 210 00:08:10,918 --> 00:08:15,538 being made sort of by the AI based on 211 00:08:13,319 --> 00:08:17,098 its training data you know much in the 212 00:08:15,538 --> 00:08:19,620 same way that a human would based on the 213 00:08:17,098 --> 00:08:21,300 input of all their influences hey 214 00:08:19,620 --> 00:08:23,160 everybody I need to make a brief 215 00:08:21,300 --> 00:08:25,319 interjection if you're enjoying this 216 00:08:23,160 --> 00:08:27,479 video feel free to like comment and 217 00:08:25,319 --> 00:08:29,098 subscribe below and if you really want 218 00:08:27,478 --> 00:08:31,199 to go for that extra step of support 219 00:08:29,098 --> 00:08:32,939 feel free to donate to me on patreon 220 00:08:31,199 --> 00:08:35,278 because it'll make you an ultra red pill 221 00:08:32,940 --> 00:08:37,140 gigatrad when it comes to supporting me 222 00:08:35,278 --> 00:08:38,879 you know that extra money allows me to 223 00:08:37,139 --> 00:08:40,679 do a lot like investing back into my 224 00:08:38,879 --> 00:08:43,080 channel I just provide you better 225 00:08:40,679 --> 00:08:44,939 content and more interesting things as 226 00:08:43,080 --> 00:08:46,440 well as to pursue a lot of the bigger 227 00:08:44,940 --> 00:08:48,779 goals that I would like to achieve for 228 00:08:46,440 --> 00:08:51,240 my channel anyways thank you all so much 229 00:08:48,778 --> 00:08:53,458 for watching and back to the video 230 00:08:51,240 --> 00:08:55,919 recently online I've been seeing a lot 231 00:08:53,458 --> 00:08:58,199 of hate over artificial intelligence and 232 00:08:55,919 --> 00:08:59,338 its relation to Art you know in the 233 00:08:58,200 --> 00:09:00,720 visual space there's a lot of 234 00:08:59,339 --> 00:09:03,899 interesting stuff happening with like 235 00:09:00,720 --> 00:09:05,580 stable diffusion and so on and you know 236 00:09:03,899 --> 00:09:07,139 the results of this software are really 237 00:09:05,580 --> 00:09:09,360 phenomenal especially when it comes to 238 00:09:07,139 --> 00:09:10,319 more stylized art you know some of it if 239 00:09:09,360 --> 00:09:12,120 you don't know what you're looking for 240 00:09:10,320 --> 00:09:14,120 you'll never have any idea that it was 241 00:09:12,120 --> 00:09:16,440 done by artificial intelligence 242 00:09:14,120 --> 00:09:19,139 and I could see how many artists would 243 00:09:16,440 --> 00:09:20,640 be maybe upset or you know frustrated 244 00:09:19,139 --> 00:09:22,500 over the fact that there's artificial 245 00:09:20,639 --> 00:09:24,778 intelligence now filling the space of 246 00:09:22,500 --> 00:09:26,759 ours and some people are even making the 247 00:09:24,778 --> 00:09:29,580 argument that these data sets are sort 248 00:09:26,759 --> 00:09:31,740 of stealing from other artists which to 249 00:09:29,580 --> 00:09:34,139 me in my perspective I feel is hilarious 250 00:09:31,740 --> 00:09:36,000 and we'll get into that in a second but 251 00:09:34,139 --> 00:09:38,220 a lot of people are upset and it really 252 00:09:36,000 --> 00:09:40,320 frustrates me the reason it frustrates 253 00:09:38,220 --> 00:09:42,839 me is because they're really kind of 254 00:09:40,320 --> 00:09:44,220 like I don't know how to describe it you 255 00:09:42,839 --> 00:09:46,920 know they're not really seeing past 256 00:09:44,220 --> 00:09:49,379 their nose in a sense like there's so 257 00:09:46,919 --> 00:09:51,958 many possibilities that this AI can have 258 00:09:49,379 --> 00:09:53,458 towards your art that you're is sort of 259 00:09:51,958 --> 00:09:55,259 shutting out because of an emotional 260 00:09:53,458 --> 00:09:57,419 reaction to something that you fear or 261 00:09:55,259 --> 00:09:58,860 don't understand and especially when it 262 00:09:57,419 --> 00:10:00,899 comes to being online people can get 263 00:09:58,860 --> 00:10:02,639 into their little Bubbles and you know 264 00:10:00,899 --> 00:10:04,320 feed into each other's anger and 265 00:10:02,639 --> 00:10:06,299 negativity over something without really 266 00:10:04,320 --> 00:10:08,160 considering the other side even on the 267 00:10:06,299 --> 00:10:09,539 more pro-artificial intelligence side 268 00:10:08,159 --> 00:10:11,519 which is a little bit more where I 269 00:10:09,539 --> 00:10:12,958 personally align many people can get 270 00:10:11,519 --> 00:10:14,879 into their little Bubbles and not 271 00:10:12,958 --> 00:10:16,979 understand the other side either and 272 00:10:14,879 --> 00:10:18,778 sort of their concerns one thing that 273 00:10:16,980 --> 00:10:20,940 many people are saying is like AI is 274 00:10:18,778 --> 00:10:22,620 going to steal work from artists and 275 00:10:20,940 --> 00:10:24,000 people are going to turn to AI rather 276 00:10:22,620 --> 00:10:26,039 than paying you know an artist to do 277 00:10:24,000 --> 00:10:27,659 their work but let's be honest the 278 00:10:26,039 --> 00:10:30,299 reality of something like this is that 279 00:10:27,659 --> 00:10:32,399 an artificial intelligence is not going 280 00:10:30,299 --> 00:10:34,620 to really take away many jobs 281 00:10:32,399 --> 00:10:36,539 in my personal opinion and I say that 282 00:10:34,620 --> 00:10:38,039 because people who would rather go to an 283 00:10:36,539 --> 00:10:40,199 artificial intelligence to get some 284 00:10:38,039 --> 00:10:41,639 visual art rather than an artist or 285 00:10:40,200 --> 00:10:43,740 people who would probably not pay to 286 00:10:41,639 --> 00:10:45,000 begin with rather than using an AI to 287 00:10:43,740 --> 00:10:46,139 generate art they would probably just 288 00:10:45,000 --> 00:10:49,200 steal the art that you've been working 289 00:10:46,139 --> 00:10:51,360 on crop out your logo maybe do a few 290 00:10:49,200 --> 00:10:53,100 edits and then post it as their own I've 291 00:10:51,360 --> 00:10:54,720 seen arguments about how AI doesn't 292 00:10:53,100 --> 00:10:56,639 really have any value and it doesn't 293 00:10:54,720 --> 00:10:58,980 really you know say anything there's 294 00:10:56,639 --> 00:11:00,480 really no artistic Merit to it but if we 295 00:10:58,980 --> 00:11:01,680 really look at that on its head and kind 296 00:11:00,480 --> 00:11:03,180 of take it from a more free market 297 00:11:01,679 --> 00:11:04,799 perspective which I know is going to 298 00:11:03,179 --> 00:11:07,859 piss a lot of artists off but I kind of 299 00:11:04,799 --> 00:11:09,659 align more this way is that the value of 300 00:11:07,860 --> 00:11:11,820 something is what we assign to it as 301 00:11:09,659 --> 00:11:14,219 individuals in the same way that art is 302 00:11:11,820 --> 00:11:16,860 something completely con it's a complete 303 00:11:14,220 --> 00:11:18,360 abstract concept of the Mind money is 304 00:11:16,860 --> 00:11:21,240 the same way it's just sort of a thing 305 00:11:18,360 --> 00:11:23,278 we have to trade different you know 306 00:11:21,240 --> 00:11:25,799 Commodities and goods in the same way 307 00:11:23,278 --> 00:11:29,338 with art our personal value of something 308 00:11:25,799 --> 00:11:31,319 is sort of what gives it value so some 309 00:11:29,339 --> 00:11:32,940 people may see AAR and not really value 310 00:11:31,320 --> 00:11:34,920 it because it doesn't mean some 311 00:11:32,940 --> 00:11:36,000 arbitrary standards that they have but 312 00:11:34,919 --> 00:11:38,278 there are many people who are going to 313 00:11:36,000 --> 00:11:39,659 look at AR AI art and sort of see it as 314 00:11:38,278 --> 00:11:42,240 this really interesting artistic 315 00:11:39,659 --> 00:11:45,120 expression and an artistic expression 316 00:11:42,240 --> 00:11:47,519 that had its original sort of foundation 317 00:11:45,120 --> 00:11:49,740 within you know the human mind and then 318 00:11:47,519 --> 00:11:51,659 was changed into something that was able 319 00:11:49,740 --> 00:11:53,579 to be computated by an artificial 320 00:11:51,659 --> 00:11:56,100 intelligence using a totally different 321 00:11:53,578 --> 00:11:57,778 perspective and they would give that 322 00:11:56,100 --> 00:12:00,720 perspective its own unique interesting 323 00:11:57,778 --> 00:12:03,419 value versus only sort of relying on the 324 00:12:00,720 --> 00:12:05,639 perspective of individual human being if 325 00:12:03,419 --> 00:12:07,379 if I'm making sense here right and I 326 00:12:05,639 --> 00:12:09,659 think when you sort of blind yourself to 327 00:12:07,379 --> 00:12:12,179 the amazing possibilities that 328 00:12:09,659 --> 00:12:14,399 artificial intelligence has I think long 329 00:12:12,179 --> 00:12:17,059 term once the market settles and we find 330 00:12:14,399 --> 00:12:19,980 equilibrium overall the artistic sort of 331 00:12:17,059 --> 00:12:21,479 expression that we will have access to 332 00:12:19,980 --> 00:12:24,120 within the world is going to be so much 333 00:12:21,480 --> 00:12:25,860 better I think many annoying tasks and 334 00:12:24,120 --> 00:12:28,259 jobs and art that are really frustrating 335 00:12:25,860 --> 00:12:30,120 are going to be sort of automated away a 336 00:12:28,259 --> 00:12:31,860 little bit and we can sort of have 337 00:12:30,120 --> 00:12:34,200 artists focus on other things that are 338 00:12:31,860 --> 00:12:35,700 more important so for example spending 339 00:12:34,200 --> 00:12:37,379 time on the marketing and advertising 340 00:12:35,700 --> 00:12:39,660 side because they're not having to spend 341 00:12:37,379 --> 00:12:41,759 so much time in certain areas especially 342 00:12:39,659 --> 00:12:43,500 when it comes to 3D art and I think in 343 00:12:41,759 --> 00:12:45,419 many ways with music as we're kind of 344 00:12:43,500 --> 00:12:46,860 coming into the future of that where I 345 00:12:45,419 --> 00:12:48,958 can sort of have an AI give me a bunch 346 00:12:46,860 --> 00:12:50,820 of different chord progressions or a 347 00:12:48,958 --> 00:12:52,919 bunch of different melodic ideas over a 348 00:12:50,820 --> 00:12:54,660 chord progression or maybe even when I'm 349 00:12:52,919 --> 00:12:55,979 in my workstation I'm writing some 350 00:12:54,659 --> 00:12:57,778 chords 351 00:12:55,980 --> 00:12:59,278 um it'll detect what I've been writing 352 00:12:57,778 --> 00:13:02,039 and composing and suggest different 353 00:12:59,278 --> 00:13:04,078 chords to me to come after with what 354 00:13:02,039 --> 00:13:06,240 I've already written or maybe I can have 355 00:13:04,078 --> 00:13:08,939 it analyze a section of a chord melody 356 00:13:06,240 --> 00:13:10,440 or a Harmony or something like that and 357 00:13:08,940 --> 00:13:12,720 then try to come up with a new variation 358 00:13:10,440 --> 00:13:14,160 on it in the next part of the song and I 359 00:13:12,720 --> 00:13:15,778 think if you're a working musician this 360 00:13:14,159 --> 00:13:17,639 can be amazing because now you can 361 00:13:15,778 --> 00:13:19,259 finally sort of have a bunch of ideas 362 00:13:17,639 --> 00:13:21,600 thrown at you especially when you have 363 00:13:19,259 --> 00:13:23,278 writer's block and you get to have a you 364 00:13:21,600 --> 00:13:25,200 know totally different perspective of 365 00:13:23,278 --> 00:13:26,939 something that an AI would write and 366 00:13:25,200 --> 00:13:28,980 sometimes some of those accidents that a 367 00:13:26,940 --> 00:13:30,959 human wouldn't necessarily do are things 368 00:13:28,980 --> 00:13:33,360 that I think would be very valuable as 369 00:13:30,958 --> 00:13:34,379 an artist and sort of as an asset and I 370 00:13:33,360 --> 00:13:35,820 think you're just going to be fine 371 00:13:34,379 --> 00:13:37,980 there's going to be times where you'll 372 00:13:35,820 --> 00:13:39,240 be like oh this is a job for AI perfect 373 00:13:37,980 --> 00:13:40,440 you're going to be other times where 374 00:13:39,240 --> 00:13:42,360 it's like no I need to make this from 375 00:13:40,440 --> 00:13:44,279 scratch because this is the only way to 376 00:13:42,360 --> 00:13:45,600 approach this project so that's a brief 377 00:13:44,278 --> 00:13:47,939 idea of what I kind of think about 378 00:13:45,600 --> 00:13:50,040 artificial intelligence and I would love 379 00:13:47,940 --> 00:13:52,019 to hear what you have to think below but 380 00:13:50,039 --> 00:13:54,299 anyways let's go back to my other angle 381 00:13:52,019 --> 00:13:56,399 okay everybody thank you so much for 382 00:13:54,299 --> 00:13:58,078 taking the time to watch this video I 383 00:13:56,399 --> 00:14:00,059 hope you found it interesting and maybe 384 00:13:58,078 --> 00:14:01,439 are sort of maybe a little bit more 385 00:14:00,059 --> 00:14:03,659 enlightened to all the interesting 386 00:14:01,440 --> 00:14:05,160 things that AI can do and hopefully I 387 00:14:03,659 --> 00:14:06,539 was able to change your perspective a 388 00:14:05,159 --> 00:14:09,240 little bit if you were somebody that's 389 00:14:06,539 --> 00:14:10,860 very pessimistic in terms of the AI and 390 00:14:09,240 --> 00:14:13,259 the feature that it's going to hold for 391 00:14:10,860 --> 00:14:14,039 us and I guess you could say Humanity as 392 00:14:13,259 --> 00:14:15,838 a whole 393 00:14:14,039 --> 00:14:17,639 anyways thank you so much for watching 394 00:14:15,839 --> 00:14:19,690 and I'll see you in the next video 395 00:14:17,639 --> 00:14:19,689 [Music] 29769

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