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Let's see some images that I took with different lenses and on different cameras.
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Some are wheat crop frame camera and other star with full-frame camera.
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I also want to demonstrate the difference between different focal lengths.
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Here on this image we see a tree photos.
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They're all taken with a crop frame camera.
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The first two are with a kit lenses 18 to 55 millimeters in different for Garland.
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And the third one is with 40 millimeters.
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All images are taken in the same place and with the same lighting conditions,
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nature of light from the right.
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I have changed a little bit settings just because
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it's different cameras and different lenses have different light sensitivity.
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So it was not possible to keep
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the same settings without the image look or overexposed or underexposed.
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The editing is also absolutely the same,
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except the exposure which was adjusted accordingly.
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So we see the kit lenses on the left,
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the first two images from 28 millimeter to 35 millimeter,
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and compared to the 40 millimeter lenses which are on the right,
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the images look more or less similar.
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I would say that the colors of the 40 millimeters
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are slightly sharp or slightly nicer maybe or maybe it's just my impression.
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We see a little bit yellowish on the kit lenses,
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but for the untrained eye,
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I believe there is nothing that can say how this introduced.
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So what they come, what kind of lenses or use?
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Moving to the next example,
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this is a full-frame camera with different lenses, 40 millimeters,
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50 millimeters, and a 100 millimeters for the same 40 millimeter lenses were,
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had been used here on a full frame camera.
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And next to it is the 50 millimeter lens,
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which is just slightly larger.
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And then we see the a 100 millimeter lens here also,
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the shooting angle is slightly different just because with the same shooting angle,
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we cannot take the same photo with a 100 millimeter lens.
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Therefore, changing lenses changes a little bit the style of your shooting
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because you simply cannot shoot at the same angle with our focal lengths.
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One thing we can notice here is that with a 100 millimeter lenses,
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the strawberries on the back look a little bit larger than with a 40 millimeter lens.
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And with the 50 millimeter lens.
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Also, there is a slight bucket with a 100 millimeter lens.
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You see in front the fork and the strawberries on debate,
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it is more noticeable than in the 50 millimeter
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and significantly more noticeable than the 40 millimeter.
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I want to show you also closer difference between crop frame
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with 440 millimeters and full-frame with 40 millimeters, there is a difference,
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obviously in the colors because normally with different cameras you should differently
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the colors and the sharpness is different for
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phone cameras have also higher sensitivity to light.
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If we zoom in the two images,
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obviously on the crop frame,
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we see slightly more noise than with the full-frame,
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but that is not really significant.
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More or less the two images are similar,
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so there is not such a big difference
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between shooting with a crop frame camera and with a full frame.
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And by the way, my crop frame camera is really an old model,
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but the images he takes are quite nice.
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Still, let's observe here the difference between the different focal lens.
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So these two images or daikon from
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the same distance and with the same lessons but there zoom lens 55 to 250 millimeters.
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The first image is at 55 millimeters.
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And absolutely the same settings,
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absolutely the same distance on 250 millimeters.
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We're already having quite an increase of the image.
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So basically, if you want to shoot food photography with 250 millimeters,
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you really need space.
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Here.
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I will do a little bit backwards in order to be able to photograph
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the whole slice of cake with 250 millimeter or setting.
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And after changing it to 96 millimeter,
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which is almost a 100 basically,
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you see that the size of the cake is significantly smaller.
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And the bottom line of this comparison between the different focal lens is
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that over a 100 millimeters is simply not practical to use for food photography,
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you need an enormous space and it's not
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convenient to go so much far away from the object when you shoot.
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