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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,002 --> 00:00:04,003 [ CHIMES TWINKLING ] 2 00:00:13,513 --> 00:00:19,752 >> I WISH THE WHOLE DAY WAS LIKE BREAKFAST, WHEN PEOPLE ARE STILL CONNECTED TO THEIR DREAMS, 3 00:00:19,754 --> 00:00:21,687 BREAKFAST, WHEN PEOPLE ARE STILL CONNECTED TO THEIR DREAMS, FOCUSED INWARD AND -- AND NOT 4 00:00:21,689 --> 00:00:23,555 CONNECTED TO THEIR DREAMS, FOCUSED INWARD AND -- AND NOT YET READY TO ENGAGE WITH THE 5 00:00:23,557 --> 00:00:25,891 FOCUSED INWARD AND -- AND NOT YET READY TO ENGAGE WITH THE WORLD. 6 00:00:25,893 --> 00:00:27,426 YET READY TO ENGAGE WITH THE WORLD. IF IT WAS ALWAYS BREAKFAST, I 7 00:00:27,428 --> 00:00:31,897 WORLD. IF IT WAS ALWAYS BREAKFAST, I WOULD BE FINE. 8 00:00:31,899 --> 00:00:33,465 IF IT WAS ALWAYS BREAKFAST, I WOULD BE FINE. >> ♪ BEEN A HARD DAY, BUT I'M 9 00:00:33,467 --> 00:00:34,366 WOULD BE FINE. >> ♪ BEEN A HARD DAY, BUT I'M FEELING SANE ♪ 10 00:00:34,368 --> 00:00:35,934 >> ♪ BEEN A HARD DAY, BUT I'M FEELING SANE ♪ ♪ THOUGH THEY POINT AT ME WITH 11 00:00:35,936 --> 00:00:37,469 FEELING SANE ♪ ♪ THOUGH THEY POINT AT ME WITH THEIR FINGERS OF BLAME ♪ 12 00:00:37,471 --> 00:00:38,937 ♪ THOUGH THEY POINT AT ME WITH THEIR FINGERS OF BLAME ♪ ♪ MY LIFE'S DERAILED, AND I KNOW 13 00:00:38,939 --> 00:00:39,905 THEIR FINGERS OF BLAME ♪ ♪ MY LIFE'S DERAILED, AND I KNOW IT'S A SHAME ♪ 14 00:00:39,907 --> 00:00:41,473 ♪ MY LIFE'S DERAILED, AND I KNOW IT'S A SHAME ♪ ♪ COULD GET ON TRACK, BUT IS 15 00:00:41,475 --> 00:00:42,708 IT'S A SHAME ♪ ♪ COULD GET ON TRACK, BUT IS THAT MY AIM? ♪ 16 00:00:42,710 --> 00:00:44,743 ♪ COULD GET ON TRACK, BUT IS THAT MY AIM? ♪ ♪ APOLOGIZE ♪ 17 00:00:44,745 --> 00:00:48,047 THAT MY AIM? ♪ ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ 18 00:00:48,049 --> 00:00:50,215 ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ ♪ APOLOGIZE ♪ 19 00:00:50,217 --> 00:00:53,585 ♪ DESTINED TO APOLOGIZE ♪ ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ 20 00:00:53,587 --> 00:00:54,953 ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ ♪ DOO, DOO, DOO ♪ 21 00:00:54,955 --> 00:00:58,791 ♪ DESTINED TO APOLOGIZE ♪ ♪ DOO, DOO, DOO ♪ ♪ DOO, DOO, DOO ♪ 22 00:00:58,793 --> 00:01:00,159 ♪ DOO, DOO, DOO ♪ ♪ DOO, DOO, DOO ♪ ♪ IT'S A FRESH DAY, BUT 23 00:01:00,161 --> 00:01:01,460 ♪ DOO, DOO, DOO ♪ ♪ IT'S A FRESH DAY, BUT ADRENALINE'S LOW ♪ 24 00:01:01,462 --> 00:01:02,828 ♪ IT'S A FRESH DAY, BUT ADRENALINE'S LOW ♪ ♪ AND I ASK MYSELF, SHOULD I 25 00:01:02,830 --> 00:01:04,329 ADRENALINE'S LOW ♪ ♪ AND I ASK MYSELF, SHOULD I JUST LET GO ♪ 26 00:01:04,331 --> 00:01:05,731 ♪ AND I ASK MYSELF, SHOULD I JUST LET GO ♪ ♪ WANTING TO SLEEP, BUT IT'S 27 00:01:05,733 --> 00:01:06,799 JUST LET GO ♪ ♪ WANTING TO SLEEP, BUT IT'S TO-AND-FRO ♪ 28 00:01:06,801 --> 00:01:08,434 ♪ WANTING TO SLEEP, BUT IT'S TO-AND-FRO ♪ ♪ IF I TAKE THAT LEAP, WILL THEY 29 00:01:08,436 --> 00:01:09,635 TO-AND-FRO ♪ ♪ IF I TAKE THAT LEAP, WILL THEY EVEN KNOW? ♪ 30 00:01:09,637 --> 00:01:11,670 ♪ IF I TAKE THAT LEAP, WILL THEY EVEN KNOW? ♪ ♪ APOLOGIZE ♪ 31 00:01:11,672 --> 00:01:15,507 EVEN KNOW? ♪ ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ 32 00:01:15,509 --> 00:01:18,410 ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ >> I'M JAMES SVECK. 33 00:01:18,412 --> 00:01:22,347 ♪ DESTINED TO APOLOGIZE ♪ >> I'M JAMES SVECK. I'M 17, AND I DON'T LIKE TO TALK 34 00:01:22,349 --> 00:01:24,149 >> I'M JAMES SVECK. I'M 17, AND I DON'T LIKE TO TALK THAT MUCH. 35 00:01:24,151 --> 00:01:27,152 I'M 17, AND I DON'T LIKE TO TALK THAT MUCH. I HATE POLITICS, ORGANIZED 36 00:01:27,154 --> 00:01:31,156 THAT MUCH. I HATE POLITICS, ORGANIZED RELIGION, AND ALL OF THAT. 37 00:01:31,158 --> 00:01:32,491 I HATE POLITICS, ORGANIZED RELIGION, AND ALL OF THAT. PEOPLE ALWAYS TALK ABOUT THEIR 38 00:01:32,493 --> 00:01:35,294 RELIGION, AND ALL OF THAT. PEOPLE ALWAYS TALK ABOUT THEIR LIVES, BUT THEIR LIVES JUST 39 00:01:35,296 --> 00:01:40,699 PEOPLE ALWAYS TALK ABOUT THEIR LIVES, BUT THEIR LIVES JUST AREN'T THAT INTERESTING. 40 00:01:40,701 --> 00:01:42,501 LIVES, BUT THEIR LIVES JUST AREN'T THAT INTERESTING. YOU SHOULD ONLY SAY SOMETHING IF 41 00:01:42,503 --> 00:01:45,137 AREN'T THAT INTERESTING. YOU SHOULD ONLY SAY SOMETHING IF IT'S INTERESTING OR ABSOLUTELY 42 00:01:45,139 --> 00:01:47,272 YOU SHOULD ONLY SAY SOMETHING IF IT'S INTERESTING OR ABSOLUTELY HAS TO BE SAID. 43 00:01:47,274 --> 00:01:48,674 IT'S INTERESTING OR ABSOLUTELY HAS TO BE SAID. I HAVE NOTHING INTERESTING TO 44 00:01:48,676 --> 00:01:49,308 HAS TO BE SAID. I HAVE NOTHING INTERESTING TO SAY. 45 00:01:49,310 --> 00:01:52,711 I HAVE NOTHING INTERESTING TO SAY. [ DOG BARKING ] 46 00:01:56,516 --> 00:02:04,289 [ HORN HONKS, TIRES SCREECH ] [ SIREN WAILING ] 47 00:02:10,897 --> 00:02:16,301 >> JILLIAN? JAMES? 48 00:02:21,141 --> 00:02:27,679 JILLIAN? >> MOM? >> OH, MY GOD. 49 00:02:27,681 --> 00:02:28,914 >> MOM? >> OH, MY GOD. >> MOM, WHAT ARE YOU DOING BACK? 50 00:02:28,916 --> 00:02:29,982 >> OH, MY GOD. >> MOM, WHAT ARE YOU DOING BACK? WE DIDN'T EXPECT YOU UNTIL 51 00:02:29,984 --> 00:02:31,350 >> MOM, WHAT ARE YOU DOING BACK? WE DIDN'T EXPECT YOU UNTIL TUESDAY. 52 00:02:31,352 --> 00:02:34,853 WE DIDN'T EXPECT YOU UNTIL TUESDAY. WHAT HAPPENED IN VEGAS? 53 00:02:34,855 --> 00:02:36,155 TUESDAY. WHAT HAPPENED IN VEGAS? >> WHAT HAVE YOU DONE TO THE 54 00:02:36,157 --> 00:02:37,990 WHAT HAPPENED IN VEGAS? >> WHAT HAVE YOU DONE TO THE HOUSE? 55 00:02:37,992 --> 00:02:41,727 >> WHAT HAVE YOU DONE TO THE HOUSE? THIS IS FOUL AND DISGUSTING. 56 00:02:41,729 --> 00:02:42,561 HOUSE? THIS IS FOUL AND DISGUSTING. >> SORRY. 57 00:02:42,563 --> 00:02:44,396 THIS IS FOUL AND DISGUSTING. >> SORRY. >> WHAT HAVE YOU DONE TO MY 58 00:02:44,398 --> 00:02:45,164 >> SORRY. >> WHAT HAVE YOU DONE TO MY HOUSE? 59 00:02:45,166 --> 00:02:46,999 >> WHAT HAVE YOU DONE TO MY HOUSE? >> MOM, WHERE'S MR. ROGERS? 60 00:02:47,001 --> 00:02:49,168 HOUSE? >> MOM, WHERE'S MR. ROGERS? >> I NEITHER KNOW NOR CARE WHAT 61 00:02:49,170 --> 00:02:52,171 >> MOM, WHERE'S MR. ROGERS? >> I NEITHER KNOW NOR CARE WHAT HAS HAPPENED TO THAT MAN. 62 00:02:52,173 --> 00:02:52,838 >> I NEITHER KNOW NOR CARE WHAT HAS HAPPENED TO THAT MAN. >> OKAY, OKAY. 63 00:02:52,840 --> 00:02:54,206 HAS HAPPENED TO THAT MAN. >> OKAY, OKAY. WHAT, DID YOU, LIKE, DITCH HIM 64 00:02:54,208 --> 00:02:55,574 >> OKAY, OKAY. WHAT, DID YOU, LIKE, DITCH HIM ON YOUR HONEYMOON OR SOMETHING? 65 00:02:55,576 --> 00:02:57,776 WHAT, DID YOU, LIKE, DITCH HIM ON YOUR HONEYMOON OR SOMETHING? >> JILLIAN, PLEASE. 66 00:02:57,778 --> 00:02:59,077 ON YOUR HONEYMOON OR SOMETHING? >> JILLIAN, PLEASE. >> SO, I'VE DECIDED I DON'T WANT 67 00:02:59,079 --> 00:03:00,345 >> JILLIAN, PLEASE. >> SO, I'VE DECIDED I DON'T WANT TO BE CALLED JILLIAN ANYMORE. 68 00:03:00,347 --> 00:03:02,881 >> SO, I'VE DECIDED I DON'T WANT TO BE CALLED JILLIAN ANYMORE. IT'S GILLIAN WITH A HARD "G" -- 69 00:03:02,883 --> 00:03:04,383 TO BE CALLED JILLIAN ANYMORE. IT'S GILLIAN WITH A HARD "G" -- GILLIAN. 70 00:03:04,385 --> 00:03:05,717 IT'S GILLIAN WITH A HARD "G" -- GILLIAN. >> BUT WE ALWAYS CALL YOU 71 00:03:05,719 --> 00:03:06,351 GILLIAN. >> BUT WE ALWAYS CALL YOU JILLIAN. 72 00:03:06,353 --> 00:03:07,753 >> BUT WE ALWAYS CALL YOU JILLIAN. >> WELL, HEINRICH MARIA SAYS 73 00:03:07,755 --> 00:03:09,221 JILLIAN. >> WELL, HEINRICH MARIA SAYS THAT NAMING A CHILD AND THEN 74 00:03:09,223 --> 00:03:10,722 >> WELL, HEINRICH MARIA SAYS THAT NAMING A CHILD AND THEN MISPRONOUNCING THEIR NAME IS A 75 00:03:10,724 --> 00:03:12,224 THAT NAMING A CHILD AND THEN MISPRONOUNCING THEIR NAME IS A SUBTLE AND INSIDIOUS FORM OF 76 00:03:12,226 --> 00:03:12,925 MISPRONOUNCING THEIR NAME IS A SUBTLE AND INSIDIOUS FORM OF CHILD ABUSE. 77 00:03:12,927 --> 00:03:14,459 SUBTLE AND INSIDIOUS FORM OF CHILD ABUSE. >> WELL, DARLING, THAT'S JUST 78 00:03:14,461 --> 00:03:15,260 CHILD ABUSE. >> WELL, DARLING, THAT'S JUST NOT MY STYLE. 79 00:03:15,262 --> 00:03:16,762 >> WELL, DARLING, THAT'S JUST NOT MY STYLE. IF I WERE GOING TO ABUSE YOU, 80 00:03:16,764 --> 00:03:18,397 NOT MY STYLE. IF I WERE GOING TO ABUSE YOU, THERE'D BE NOTHING SUBTLE ABOUT 81 00:03:18,399 --> 00:03:18,764 IF I WERE GOING TO ABUSE YOU, THERE'D BE NOTHING SUBTLE ABOUT IT. 82 00:03:18,766 --> 00:03:20,098 THERE'D BE NOTHING SUBTLE ABOUT IT. >> MOM, WHAT'S GOING ON? 83 00:03:20,100 --> 00:03:20,866 IT. >> MOM, WHAT'S GOING ON? >> AH, JAMES. 84 00:03:20,868 --> 00:03:22,100 >> MOM, WHAT'S GOING ON? >> AH, JAMES. I NEED A DRINK, JAMES. 85 00:03:22,102 --> 00:03:23,569 >> AH, JAMES. I NEED A DRINK, JAMES. THREE FINGERS OF VODKA AND TWO 86 00:03:23,571 --> 00:03:24,269 I NEED A DRINK, JAMES. THREE FINGERS OF VODKA AND TWO ICE CUBES. 87 00:03:24,271 --> 00:03:25,637 THREE FINGERS OF VODKA AND TWO ICE CUBES. MURO, MURO, MURO, MURO! 88 00:03:25,639 --> 00:03:28,140 ICE CUBES. MURO, MURO, MURO, MURO! WAIT, WAIT, WAIT, WAIT, JAMES. 89 00:03:28,142 --> 00:03:29,708 MURO, MURO, MURO, MURO! WAIT, WAIT, WAIT, WAIT, JAMES. MAKE THAT FOUR AND ONE. 90 00:03:29,710 --> 00:03:30,709 WAIT, WAIT, WAIT, WAIT, JAMES. MAKE THAT FOUR AND ONE. [ DOG BARKS ] 91 00:03:30,711 --> 00:03:34,580 MAKE THAT FOUR AND ONE. [ DOG BARKS ] >> OKAY. 92 00:03:34,582 --> 00:03:36,448 [ DOG BARKS ] >> OKAY. >> [ SOBBING ] 93 00:03:36,450 --> 00:03:37,950 >> OKAY. >> [ SOBBING ] >> OH, MOM! 94 00:03:37,952 --> 00:03:38,951 >> [ SOBBING ] >> OH, MOM! >> OH, NO, NO, NO. 95 00:03:38,953 --> 00:03:40,586 >> OH, MOM! >> OH, NO, NO, NO. >> WHAT HAPPENED? 96 00:03:40,588 --> 00:03:42,654 >> OH, NO, NO, NO. >> WHAT HAPPENED? PLEASE TELL ME. 97 00:03:42,656 --> 00:03:44,156 >> WHAT HAPPENED? PLEASE TELL ME. >> [ Voice breaking ] WELL, HE 98 00:03:44,158 --> 00:03:45,657 PLEASE TELL ME. >> [ Voice breaking ] WELL, HE WAITED FOR ME TO FALL ASLEEP, 99 00:03:45,659 --> 00:03:46,992 >> [ Voice breaking ] WELL, HE WAITED FOR ME TO FALL ASLEEP, AND THEN HE TOOK MY CREDIT 100 00:03:46,994 --> 00:03:48,660 WAITED FOR ME TO FALL ASLEEP, AND THEN HE TOOK MY CREDIT CARDS, AND HE WENT DOWNSTAIRS TO 101 00:03:48,662 --> 00:03:49,928 AND THEN HE TOOK MY CREDIT CARDS, AND HE WENT DOWNSTAIRS TO THE CASINO, AND HE PLAYED 102 00:03:49,930 --> 00:03:51,263 CARDS, AND HE WENT DOWNSTAIRS TO THE CASINO, AND HE PLAYED BLACKJACK ALL NIGHT LONG. 103 00:03:51,265 --> 00:03:55,100 THE CASINO, AND HE PLAYED BLACKJACK ALL NIGHT LONG. AND HE -- HE -- HE LOST IT ALL. 104 00:03:55,102 --> 00:03:57,603 BLACKJACK ALL NIGHT LONG. AND HE -- HE -- HE LOST IT ALL. I NEVER KNEW I MARRIED A 105 00:03:57,605 --> 00:03:59,638 AND HE -- HE -- HE LOST IT ALL. I NEVER KNEW I MARRIED A COMPULSIVE GAMBLER. 106 00:03:59,640 --> 00:04:00,639 I NEVER KNEW I MARRIED A COMPULSIVE GAMBLER. >> AW! 107 00:04:00,641 --> 00:04:03,475 COMPULSIVE GAMBLER. >> AW! >> AND THEN HE HIT UP MY ATM 108 00:04:03,477 --> 00:04:06,144 >> AW! >> AND THEN HE HIT UP MY ATM CARD, AND HE BOUGHT, OH, A 109 00:04:06,146 --> 00:04:10,115 >> AND THEN HE HIT UP MY ATM CARD, AND HE BOUGHT, OH, A $1,500 PORTABLE CIGAR HUMIDOR 110 00:04:10,117 --> 00:04:12,951 CARD, AND HE BOUGHT, OH, A $1,500 PORTABLE CIGAR HUMIDOR AND 800 BUCKS WORTH OF CIGARS. 111 00:04:12,953 --> 00:04:14,253 $1,500 PORTABLE CIGAR HUMIDOR AND 800 BUCKS WORTH OF CIGARS. AND AS IF THAT WEREN'T BAD 112 00:04:14,255 --> 00:04:18,991 AND 800 BUCKS WORTH OF CIGARS. AND AS IF THAT WEREN'T BAD ENOUGH... 113 00:04:18,993 --> 00:04:25,330 AND AS IF THAT WEREN'T BAD ENOUGH... HE SPENT $1,200 ON A LAP DANCE. 114 00:04:25,332 --> 00:04:27,332 ENOUGH... HE SPENT $1,200 ON A LAP DANCE. [ SOBS ] 115 00:04:27,334 --> 00:04:30,502 HE SPENT $1,200 ON A LAP DANCE. [ SOBS ] >> $1,200 ON A LAP DANCE? 116 00:04:30,504 --> 00:04:33,138 [ SOBS ] >> $1,200 ON A LAP DANCE? >> WELL, TWO. 117 00:04:33,140 --> 00:04:35,641 >> $1,200 ON A LAP DANCE? >> WELL, TWO. $600 A STRIPTEASE. 118 00:04:35,643 --> 00:04:36,808 >> WELL, TWO. $600 A STRIPTEASE. [ SOBS ] 119 00:04:36,810 --> 00:04:39,011 $600 A STRIPTEASE. [ SOBS ] >> CONSECUTIVELY OR 120 00:04:39,013 --> 00:04:40,312 [ SOBS ] >> CONSECUTIVELY OR SIMULTANEOUSLY? 121 00:04:40,314 --> 00:04:43,682 >> CONSECUTIVELY OR SIMULTANEOUSLY? >> SHUT IT, JAMES! 122 00:04:43,684 --> 00:04:45,784 SIMULTANEOUSLY? >> SHUT IT, JAMES! JAMES, BE A GOODIE AND GO RUN 123 00:04:45,786 --> 00:04:47,286 >> SHUT IT, JAMES! JAMES, BE A GOODIE AND GO RUN MOMMY A BATH. 124 00:04:47,288 --> 00:04:52,190 JAMES, BE A GOODIE AND GO RUN MOMMY A BATH. YES, I AM GOING TO THE GALLERY. 125 00:04:52,192 --> 00:04:55,694 MOMMY A BATH. YES, I AM GOING TO THE GALLERY. JAMES... 126 00:04:55,696 --> 00:05:01,233 YES, I AM GOING TO THE GALLERY. JAMES... >> I'M GOING NOW. 127 00:05:01,235 --> 00:05:02,301 JAMES... >> I'M GOING NOW. >> [ SIGHS ] 128 00:05:02,303 --> 00:05:03,235 >> I'M GOING NOW. >> [ SIGHS ] [ TELEPHONE RINGING ] 129 00:05:03,237 --> 00:05:07,072 >> [ SIGHS ] [ TELEPHONE RINGING ] >> COME ON, COME ON. 130 00:05:07,074 --> 00:05:10,542 [ TELEPHONE RINGING ] >> COME ON, COME ON. [ RINGING CONTINUES ] 131 00:05:16,082 --> 00:05:19,551 >> HELLO. >> JOHN? >> JAMES, WHAT'S UP? 132 00:05:19,553 --> 00:05:21,887 >> JOHN? >> JAMES, WHAT'S UP? >> SHE HAS RETURNED. 133 00:05:21,889 --> 00:05:23,088 >> JAMES, WHAT'S UP? >> SHE HAS RETURNED. >> WHAT DO YOU MEAN SHE HAS 134 00:05:23,090 --> 00:05:23,689 >> SHE HAS RETURNED. >> WHAT DO YOU MEAN SHE HAS RETURNED? 135 00:05:23,691 --> 00:05:25,090 >> WHAT DO YOU MEAN SHE HAS RETURNED? >> WELL, SHE'S BACK FROM VEGAS. 136 00:05:25,092 --> 00:05:26,391 RETURNED? >> WELL, SHE'S BACK FROM VEGAS. SHE'S ON HER WAY TO THE GALLERY 137 00:05:26,393 --> 00:05:27,759 >> WELL, SHE'S BACK FROM VEGAS. SHE'S ON HER WAY TO THE GALLERY NOW, UNLESS SHE MARRIES THE CAB 138 00:05:27,761 --> 00:05:28,727 SHE'S ON HER WAY TO THE GALLERY NOW, UNLESS SHE MARRIES THE CAB DRIVER ALONG THE WAY. 139 00:05:28,729 --> 00:05:30,195 NOW, UNLESS SHE MARRIES THE CAB DRIVER ALONG THE WAY. >> YOU SHOULDN'T TALK ABOUT YOUR 140 00:05:30,197 --> 00:05:30,996 DRIVER ALONG THE WAY. >> YOU SHOULDN'T TALK ABOUT YOUR MOTHER THAT WAY. 141 00:05:30,998 --> 00:05:32,197 >> YOU SHOULDN'T TALK ABOUT YOUR MOTHER THAT WAY. YOU'RE SO HEARTLESS, JAMES. 142 00:05:32,199 --> 00:05:33,532 MOTHER THAT WAY. YOU'RE SO HEARTLESS, JAMES. >> IF SHE FINDS OUT YOU CLOSED 143 00:05:33,534 --> 00:05:34,900 YOU'RE SO HEARTLESS, JAMES. >> IF SHE FINDS OUT YOU CLOSED THE GALLERY, SHE MIGHT GET KIND 144 00:05:34,902 --> 00:05:35,901 >> IF SHE FINDS OUT YOU CLOSED THE GALLERY, SHE MIGHT GET KIND OF HEARTLESS HERSELF. 145 00:05:35,903 --> 00:05:37,202 THE GALLERY, SHE MIGHT GET KIND OF HEARTLESS HERSELF. >> OKAY, WELL, THANKS FOR THE 146 00:05:37,204 --> 00:05:37,703 OF HEARTLESS HERSELF. >> OKAY, WELL, THANKS FOR THE WARNING. 147 00:05:37,705 --> 00:05:38,503 >> OKAY, WELL, THANKS FOR THE WARNING. I APPRECIATE IT. 148 00:05:38,505 --> 00:05:39,204 WARNING. I APPRECIATE IT. YOU KNOW I DO. 149 00:05:39,206 --> 00:05:39,771 I APPRECIATE IT. YOU KNOW I DO. THANK YOU. 150 00:05:39,773 --> 00:05:41,006 YOU KNOW I DO. THANK YOU. >> OKAY, I'LL SEE YOU SOON. 151 00:05:41,008 --> 00:05:42,441 THANK YOU. >> OKAY, I'LL SEE YOU SOON. >> ♪ MAKIN' IT THROUGH, AND I'M 152 00:05:42,443 --> 00:05:43,342 >> OKAY, I'LL SEE YOU SOON. >> ♪ MAKIN' IT THROUGH, AND I'M SATISFIED ♪ 153 00:05:43,344 --> 00:05:45,677 >> ♪ MAKIN' IT THROUGH, AND I'M SATISFIED ♪ ♪ WHEN I HEAR THEM SAY ♪ 154 00:05:45,679 --> 00:05:46,511 SATISFIED ♪ ♪ WHEN I HEAR THEM SAY ♪ [ BOING! ] 155 00:05:46,513 --> 00:05:47,746 ♪ WHEN I HEAR THEM SAY ♪ [ BOING! ] ♪ WHEN THEY CROWD 'ROUND, I 156 00:05:47,748 --> 00:05:48,747 [ BOING! ] ♪ WHEN THEY CROWD 'ROUND, I STILL WANNA HIDE ♪ 157 00:05:48,749 --> 00:05:50,382 ♪ WHEN THEY CROWD 'ROUND, I STILL WANNA HIDE ♪ ♪ BUT MY HEAD IS STRAIGHT, AND 158 00:05:50,384 --> 00:05:51,717 STILL WANNA HIDE ♪ ♪ BUT MY HEAD IS STRAIGHT, AND I'M LAUGHING INSIDE ♪ 159 00:05:51,719 --> 00:05:53,752 ♪ BUT MY HEAD IS STRAIGHT, AND I'M LAUGHING INSIDE ♪ ♪ APOLOGIZE ♪ 160 00:05:53,754 --> 00:05:56,922 I'M LAUGHING INSIDE ♪ ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ 161 00:05:56,924 --> 00:05:59,124 ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ ♪ APOLOGIZE ♪ 162 00:05:59,126 --> 00:06:03,895 ♪ DESTINED TO APOLOGIZE ♪ ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ 163 00:06:03,897 --> 00:06:05,530 ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ >> THANK YOU SO MUCH FOR CALLING 164 00:06:05,532 --> 00:06:06,231 ♪ DESTINED TO APOLOGIZE ♪ >> THANK YOU SO MUCH FOR CALLING ME, JAMES. 165 00:06:06,233 --> 00:06:07,766 >> THANK YOU SO MUCH FOR CALLING ME, JAMES. I BARELY MADE IT BACK IN TIME. 166 00:06:07,768 --> 00:06:09,101 ME, JAMES. I BARELY MADE IT BACK IN TIME. YOU REALLY SAVED MY ASS. 167 00:06:09,103 --> 00:06:11,136 I BARELY MADE IT BACK IN TIME. YOU REALLY SAVED MY ASS. >> NO PROBLEM. 168 00:06:11,138 --> 00:06:13,405 YOU REALLY SAVED MY ASS. >> NO PROBLEM. NO. 169 00:06:19,312 --> 00:06:23,648 >> [ LAUGHS ] >> THAT'S NOT FUNNY. THAT'S DISGUSTING. 170 00:06:23,650 --> 00:06:25,117 >> THAT'S NOT FUNNY. THAT'S DISGUSTING. PEOPLE ARE SUPPOSED TO TREAT 171 00:06:25,119 --> 00:06:26,451 THAT'S DISGUSTING. PEOPLE ARE SUPPOSED TO TREAT THIS LIKE ART. 172 00:06:26,453 --> 00:06:27,886 PEOPLE ARE SUPPOSED TO TREAT THIS LIKE ART. IT'S -- IT'S BARELY ART, BUT 173 00:06:27,888 --> 00:06:29,488 THIS LIKE ART. IT'S -- IT'S BARELY ART, BUT IT'S ART. 174 00:06:29,490 --> 00:06:31,757 IT'S -- IT'S BARELY ART, BUT IT'S ART. HOW DID IT EVEN GET IN HERE? 175 00:06:36,963 --> 00:06:41,633 HI! >> OH, MY GOD, MARJORIE. JAMES TOLD ME WHAT HAPPENED. 176 00:06:41,635 --> 00:06:43,969 >> OH, MY GOD, MARJORIE. JAMES TOLD ME WHAT HAPPENED. I AM SO SORRY. 177 00:06:47,840 --> 00:06:54,513 >> WELL, I HAD... HOPED THAT THE THIRD TIME WOULD BE A CHARM, BUT... 178 00:06:54,515 --> 00:06:56,148 HOPED THAT THE THIRD TIME WOULD BE A CHARM, BUT... ALAS. [ CHUCKLES ] 179 00:06:56,150 --> 00:06:57,416 BE A CHARM, BUT... ALAS. [ CHUCKLES ] >> TELL ME ABOUT IT. 180 00:06:57,418 --> 00:06:58,650 ALAS. [ CHUCKLES ] >> TELL ME ABOUT IT. >> AND HOW ABOUT YOU? 181 00:06:58,652 --> 00:07:00,318 >> TELL ME ABOUT IT. >> AND HOW ABOUT YOU? ARE YOU HOLDING DOWN THE FORT? 182 00:07:00,320 --> 00:07:01,920 >> AND HOW ABOUT YOU? ARE YOU HOLDING DOWN THE FORT? >> YEAH, JUST WORKING AWAY. 183 00:07:01,922 --> 00:07:03,855 ARE YOU HOLDING DOWN THE FORT? >> YEAH, JUST WORKING AWAY. >> GOOD. 184 00:07:03,857 --> 00:07:07,125 >> YEAH, JUST WORKING AWAY. >> GOOD. >> HAVE WE SOLD ANY CANS YET? 185 00:07:07,127 --> 00:07:10,095 >> GOOD. >> HAVE WE SOLD ANY CANS YET? >> UH, NO, WE HAVE NOT. 186 00:07:10,097 --> 00:07:12,264 >> HAVE WE SOLD ANY CANS YET? >> UH, NO, WE HAVE NOT. >> AH. 187 00:07:12,266 --> 00:07:15,167 >> UH, NO, WE HAVE NOT. >> AH. OKAY. YOU WITH ME NOW. 188 00:07:15,169 --> 00:07:19,204 >> AH. OKAY. YOU WITH ME NOW. OH! DAMN! 189 00:07:19,206 --> 00:07:20,672 OKAY. YOU WITH ME NOW. OH! DAMN! >> YOU SHOULDN'T HAVE SAID 190 00:07:20,674 --> 00:07:21,306 OH! DAMN! >> YOU SHOULDN'T HAVE SAID ANYTHING. 191 00:07:21,308 --> 00:07:22,140 >> YOU SHOULDN'T HAVE SAID ANYTHING. >> I'M SORRY. 192 00:07:22,142 --> 00:07:24,342 ANYTHING. >> I'M SORRY. >> [ SIGHS ] 193 00:07:28,347 --> 00:07:34,553 >> COME IN, COME IN, COME IN. SHUT THE DOOR. 194 00:07:44,330 --> 00:07:50,001 HAVE YOU HAD A CHANCE TO THINK MUCH ABOUT WHAT WE DISCUSSED BEFORE I WENT TO LAS VEGAS? 195 00:07:50,003 --> 00:07:51,503 MUCH ABOUT WHAT WE DISCUSSED BEFORE I WENT TO LAS VEGAS? >> NOT REALLY. 196 00:07:51,505 --> 00:07:53,538 BEFORE I WENT TO LAS VEGAS? >> NOT REALLY. >> WELL, WHAT, WITH THE WEDDING 197 00:07:53,540 --> 00:07:55,207 >> NOT REALLY. >> WELL, WHAT, WITH THE WEDDING AND EVERYTHING, WE REALLY 198 00:07:55,209 --> 00:07:57,242 >> WELL, WHAT, WITH THE WEDDING AND EVERYTHING, WE REALLY HAVEN'T HAD MUCH OF A CHANCE TO 199 00:07:57,244 --> 00:08:00,645 AND EVERYTHING, WE REALLY HAVEN'T HAD MUCH OF A CHANCE TO ADDRESS WASHINGTON, D.C. 200 00:08:00,647 --> 00:08:02,914 HAVEN'T HAD MUCH OF A CHANCE TO ADDRESS WASHINGTON, D.C. >> ADDRESS IT HOW? 201 00:08:23,736 --> 00:08:29,074 I TOLD YOU, I'M NOT GOING. >> DON'T BE SO DISMISSIVE. A LIFE COACH MIGHT BE JUST WHAT 202 00:08:29,076 --> 00:08:30,275 >> DON'T BE SO DISMISSIVE. A LIFE COACH MIGHT BE JUST WHAT YOU'RE LOOKING FOR. 203 00:08:30,277 --> 00:08:32,244 A LIFE COACH MIGHT BE JUST WHAT YOU'RE LOOKING FOR. YOU TELL HER YOUR GOALS, AND SHE 204 00:08:32,246 --> 00:08:33,745 YOU'RE LOOKING FOR. YOU TELL HER YOUR GOALS, AND SHE HELPS YOU ACHIEVE THEM. 205 00:08:33,747 --> 00:08:35,447 YOU TELL HER YOUR GOALS, AND SHE HELPS YOU ACHIEVE THEM. >> I DON'T HAVE ANY GOALS. 206 00:08:35,449 --> 00:08:36,348 HELPS YOU ACHIEVE THEM. >> I DON'T HAVE ANY GOALS. I'M ONLY 17. 207 00:08:36,350 --> 00:08:38,116 >> I DON'T HAVE ANY GOALS. I'M ONLY 17. I MEAN, HOW AM I SUPPOSED TO 208 00:08:38,118 --> 00:08:40,085 I'M ONLY 17. I MEAN, HOW AM I SUPPOSED TO KNOW WHAT I'M GONNA DO WITH MY 209 00:08:40,087 --> 00:08:40,585 I MEAN, HOW AM I SUPPOSED TO KNOW WHAT I'M GONNA DO WITH MY LIFE? 210 00:08:40,587 --> 00:08:42,787 KNOW WHAT I'M GONNA DO WITH MY LIFE? >> OH, JAMES, JAMES... 211 00:08:49,529 --> 00:08:55,934 I MADE YOU AN APPOINTMENT. >> TOUGH. I'M NOT GOING. 212 00:08:59,539 --> 00:09:09,114 >> [ SIGHS ] >> JAMES, THE MENU FROM FABU SHOW UP YET? 213 00:09:09,116 --> 00:09:11,416 >> JAMES, THE MENU FROM FABU SHOW UP YET? >> YEAH. HERE IT IS. 214 00:09:11,418 --> 00:09:12,117 SHOW UP YET? >> YEAH. HERE IT IS. >> [ SIGHS ] 215 00:09:12,119 --> 00:09:14,119 >> YEAH. HERE IT IS. >> [ SIGHS ] WHAT IS WRONG WITH THAT PLACE? 216 00:09:14,121 --> 00:09:15,320 >> [ SIGHS ] WHAT IS WRONG WITH THAT PLACE? WHY CAN'T THEY HAVE THE SAME 217 00:09:15,322 --> 00:09:16,321 WHAT IS WRONG WITH THAT PLACE? WHY CAN'T THEY HAVE THE SAME DAMN SALADS EVERY DAY? 218 00:09:16,323 --> 00:09:17,556 WHY CAN'T THEY HAVE THE SAME DAMN SALADS EVERY DAY? >> 'CAUSE THEN YOU COULDN'T 219 00:09:17,558 --> 00:09:18,957 DAMN SALADS EVERY DAY? >> 'CAUSE THEN YOU COULDN'T SPEND HALF YOUR MORNING DECIDING 220 00:09:18,959 --> 00:09:20,091 >> 'CAUSE THEN YOU COULDN'T SPEND HALF YOUR MORNING DECIDING WHAT TO GET FOR LUNCH? 221 00:09:20,093 --> 00:09:21,393 SPEND HALF YOUR MORNING DECIDING WHAT TO GET FOR LUNCH? >> WELL, WHAT ELSE AM I SUPPOSED 222 00:09:21,395 --> 00:09:22,394 WHAT TO GET FOR LUNCH? >> WELL, WHAT ELSE AM I SUPPOSED TO DO IN HERE, JAMES? 223 00:09:22,396 --> 00:09:23,662 >> WELL, WHAT ELSE AM I SUPPOSED TO DO IN HERE, JAMES? HARDLY ANYONE'S WALKED IN FOR 224 00:09:23,664 --> 00:09:24,129 TO DO IN HERE, JAMES? HARDLY ANYONE'S WALKED IN FOR WEEKS. 225 00:09:24,131 --> 00:09:25,263 HARDLY ANYONE'S WALKED IN FOR WEEKS. >> FEELS LIKE MONTHS. 226 00:09:25,265 --> 00:09:26,231 WEEKS. >> FEELS LIKE MONTHS. >> I'LL HAVE THE 227 00:09:26,233 --> 00:09:27,799 >> FEELS LIKE MONTHS. >> I'LL HAVE THE GREEN MARKET FIELD GREENS WITH 228 00:09:27,801 --> 00:09:29,301 >> I'LL HAVE THE GREEN MARKET FIELD GREENS WITH GRILLED SHRIMP, UH, BUT TELL 229 00:09:29,303 --> 00:09:31,303 GREEN MARKET FIELD GREENS WITH GRILLED SHRIMP, UH, BUT TELL THEM TO HOLD THE GREEN PEPPERS. 230 00:09:31,305 --> 00:09:32,938 GRILLED SHRIMP, UH, BUT TELL THEM TO HOLD THE GREEN PEPPERS. OH, AND MAKE SURE YOU GET 231 00:09:32,940 --> 00:09:34,472 THEM TO HOLD THE GREEN PEPPERS. OH, AND MAKE SURE YOU GET SOMETHING FOR YOURSELF. 232 00:09:34,474 --> 00:09:35,473 OH, AND MAKE SURE YOU GET SOMETHING FOR YOURSELF. >> NO, THANKS. 233 00:09:35,475 --> 00:09:37,475 SOMETHING FOR YOURSELF. >> NO, THANKS. I'M HAVING LUNCH WITH MY FATHER. 234 00:09:37,477 --> 00:09:38,777 >> NO, THANKS. I'M HAVING LUNCH WITH MY FATHER. [ SIGHS ] 235 00:09:38,779 --> 00:09:40,478 I'M HAVING LUNCH WITH MY FATHER. [ SIGHS ] >> ♪ THINK YOU'RE FREE, BUT 236 00:09:40,480 --> 00:09:44,316 [ SIGHS ] >> ♪ THINK YOU'RE FREE, BUT YOU'RE JUST WALKIN' ♪ 237 00:09:44,318 --> 00:09:46,451 >> ♪ THINK YOU'RE FREE, BUT YOU'RE JUST WALKIN' ♪ ♪ YOU THINK YOU'RE FREE ♪ 238 00:09:46,453 --> 00:09:49,487 YOU'RE JUST WALKIN' ♪ ♪ YOU THINK YOU'RE FREE ♪ ♪ AH, LISTEN TO ME NOW ♪ 239 00:09:57,330 --> 00:10:01,533 >> SO, HOW'S YOUR SUMMER JOB AT THE GALLERY? HOW'S YOUR MOTHER? 240 00:10:01,535 --> 00:10:03,435 THE GALLERY? HOW'S YOUR MOTHER? SHE ENJOYING HER -- WHAT, IS IT 241 00:10:03,437 --> 00:10:06,504 HOW'S YOUR MOTHER? SHE ENJOYING HER -- WHAT, IS IT HER -- HER FOURTH HONEYMOON? 242 00:10:06,506 --> 00:10:08,139 SHE ENJOYING HER -- WHAT, IS IT HER -- HER FOURTH HONEYMOON? >> THIRD. AND NO. 243 00:10:08,141 --> 00:10:10,008 HER -- HER FOURTH HONEYMOON? >> THIRD. AND NO. SHE CAME BACK EARLY. 244 00:10:10,010 --> 00:10:12,877 >> THIRD. AND NO. SHE CAME BACK EARLY. >> [ LAUGHS ] 245 00:10:12,879 --> 00:10:13,678 SHE CAME BACK EARLY. >> [ LAUGHS ] >> IT'S NOT FUNNY! 246 00:10:13,680 --> 00:10:14,179 >> [ LAUGHS ] >> IT'S NOT FUNNY! >> I KNOW. 247 00:10:14,181 --> 00:10:15,347 >> IT'S NOT FUNNY! >> I KNOW. >> MOM IS VERY UPSET, AND SHE 248 00:10:15,349 --> 00:10:16,514 >> I KNOW. >> MOM IS VERY UPSET, AND SHE ASKED ME NOT TO TELL YOU, SO 249 00:10:16,516 --> 00:10:18,783 >> MOM IS VERY UPSET, AND SHE ASKED ME NOT TO TELL YOU, SO DON'T SAY ANYTHING ABOUT IT. 250 00:10:18,785 --> 00:10:20,518 ASKED ME NOT TO TELL YOU, SO DON'T SAY ANYTHING ABOUT IT. >> THIS IS WHY YOU SHOULD NEVER 251 00:10:20,520 --> 00:10:21,686 DON'T SAY ANYTHING ABOUT IT. >> THIS IS WHY YOU SHOULD NEVER GET MARRIED, JAMES. 252 00:10:21,688 --> 00:10:23,355 >> THIS IS WHY YOU SHOULD NEVER GET MARRIED, JAMES. WOMEN WILL MAKE YOU THINK YOU 253 00:10:23,357 --> 00:10:25,156 GET MARRIED, JAMES. WOMEN WILL MAKE YOU THINK YOU SHOULD, BUT BELIEVE ME, THERE'S 254 00:10:25,158 --> 00:10:28,159 WOMEN WILL MAKE YOU THINK YOU SHOULD, BUT BELIEVE ME, THERE'S NO GODDAMN REASON WHATSOEVER. 255 00:10:28,161 --> 00:10:29,527 SHOULD, BUT BELIEVE ME, THERE'S NO GODDAMN REASON WHATSOEVER. >> WELL, I DON'T PLAN ON GETTING 256 00:10:29,529 --> 00:10:30,028 NO GODDAMN REASON WHATSOEVER. >> WELL, I DON'T PLAN ON GETTING MARRIED. 257 00:10:30,030 --> 00:10:30,528 >> WELL, I DON'T PLAN ON GETTING MARRIED. >> GOOD. 258 00:10:30,530 --> 00:10:31,830 MARRIED. >> GOOD. >> GOOD AFTERNOON, MR. SVECK. 259 00:10:31,832 --> 00:10:32,364 >> GOOD. >> GOOD AFTERNOON, MR. SVECK. >> ROBERT. 260 00:10:32,366 --> 00:10:33,398 >> GOOD AFTERNOON, MR. SVECK. >> ROBERT. >> YOU READY TO ORDER? 261 00:10:33,400 --> 00:10:36,368 >> ROBERT. >> YOU READY TO ORDER? >> I'LL HAVE THE STEAK, RARE. 262 00:10:36,370 --> 00:10:37,902 >> YOU READY TO ORDER? >> I'LL HAVE THE STEAK, RARE. >> I'LL HAVE THE FIELD GREENS 263 00:10:37,904 --> 00:10:39,371 >> I'LL HAVE THE STEAK, RARE. >> I'LL HAVE THE FIELD GREENS WITH MARKET VEGETABLES AND 264 00:10:39,373 --> 00:10:40,305 >> I'LL HAVE THE FIELD GREENS WITH MARKET VEGETABLES AND GRILLED SHRIMP. 265 00:10:40,307 --> 00:10:42,974 WITH MARKET VEGETABLES AND GRILLED SHRIMP. HOLD THE GREEN PEPPERS. 266 00:10:42,976 --> 00:10:44,576 GRILLED SHRIMP. HOLD THE GREEN PEPPERS. >> YOU CAN'T ORDER A SALAD AS A 267 00:10:44,578 --> 00:10:45,410 HOLD THE GREEN PEPPERS. >> YOU CAN'T ORDER A SALAD AS A MAIN COURSE. 268 00:10:45,412 --> 00:10:47,746 >> YOU CAN'T ORDER A SALAD AS A MAIN COURSE. >> WHY NOT? 269 00:10:47,748 --> 00:10:49,014 MAIN COURSE. >> WHY NOT? >> IT'S NOT MANLY. 270 00:10:49,016 --> 00:10:50,315 >> WHY NOT? >> IT'S NOT MANLY. >> [ SCOFFS ] 271 00:10:50,317 --> 00:10:52,817 >> IT'S NOT MANLY. >> [ SCOFFS ] I'LL KEEP THAT IN MIND. 272 00:10:52,819 --> 00:10:55,387 >> [ SCOFFS ] I'LL KEEP THAT IN MIND. >> JAMES... 273 00:10:55,389 --> 00:10:57,188 I'LL KEEP THAT IN MIND. >> JAMES... I'D LIKE TO ASK YOU A QUESTION. 274 00:10:57,190 --> 00:10:58,390 >> JAMES... I'D LIKE TO ASK YOU A QUESTION. >> I DON'T HAVE SUFFICIENT 275 00:10:58,392 --> 00:10:59,391 I'D LIKE TO ASK YOU A QUESTION. >> I DON'T HAVE SUFFICIENT ENERGY TO STOP YOU. 276 00:10:59,393 --> 00:11:00,225 >> I DON'T HAVE SUFFICIENT ENERGY TO STOP YOU. >> [ CHUCKLES ] 277 00:11:00,227 --> 00:11:04,729 ENERGY TO STOP YOU. >> [ CHUCKLES ] I'M SERIOUS. 278 00:11:04,731 --> 00:11:09,934 >> [ CHUCKLES ] I'M SERIOUS. Are... 279 00:11:09,936 --> 00:11:15,507 I'M SERIOUS. Are... Are you gay? 280 00:11:15,509 --> 00:11:17,108 Are... Are you gay? >> BECAUSE I ORDERED SALAD? 281 00:11:17,110 --> 00:11:18,677 Are you gay? >> BECAUSE I ORDERED SALAD? >> NO. I JUST WANT TO KNOW. 282 00:11:18,679 --> 00:11:19,210 >> BECAUSE I ORDERED SALAD? >> NO. I JUST WANT TO KNOW. >> WHY? 283 00:11:19,212 --> 00:11:20,879 >> NO. I JUST WANT TO KNOW. >> WHY? TO GET AN EXTRA DEDUCTION ON 284 00:11:20,881 --> 00:11:22,447 >> WHY? TO GET AN EXTRA DEDUCTION ON YOUR TAXES IF YOU HAVE A GAY 285 00:11:22,449 --> 00:11:22,947 TO GET AN EXTRA DEDUCTION ON YOUR TAXES IF YOU HAVE A GAY SON? 286 00:11:22,949 --> 00:11:23,948 YOUR TAXES IF YOU HAVE A GAY SON? >> [ CHUCKLES ] 287 00:11:23,950 --> 00:11:26,017 SON? >> [ CHUCKLES ] THAT'S VERY FUNNY. 288 00:11:26,019 --> 00:11:28,186 >> [ CHUCKLES ] THAT'S VERY FUNNY. >> NO. IT'S JUST YOU JUST NEVER 289 00:11:28,188 --> 00:11:29,287 THAT'S VERY FUNNY. >> NO. IT'S JUST YOU JUST NEVER SAID ANYTHING ABOUT IT. 290 00:11:29,289 --> 00:11:30,188 >> NO. IT'S JUST YOU JUST NEVER SAID ANYTHING ABOUT IT. >> WHY SHOULD I? 291 00:11:30,190 --> 00:11:31,756 SAID ANYTHING ABOUT IT. >> WHY SHOULD I? DID YOU TALK ABOUT IT WITH YOUR 292 00:11:31,758 --> 00:11:32,290 >> WHY SHOULD I? DID YOU TALK ABOUT IT WITH YOUR PARENTS? 293 00:11:32,292 --> 00:11:33,224 DID YOU TALK ABOUT IT WITH YOUR PARENTS? >> I'M STRAIGHT. 294 00:11:33,226 --> 00:11:34,592 PARENTS? >> I'M STRAIGHT. >> SO WHAT, IF YOU'RE -- IF 295 00:11:34,594 --> 00:11:36,027 >> I'M STRAIGHT. >> SO WHAT, IF YOU'RE -- IF YOU'RE GAY, YOU HAVE A MORAL 296 00:11:36,029 --> 00:11:37,295 >> SO WHAT, IF YOU'RE -- IF YOU'RE GAY, YOU HAVE A MORAL OBLIGATION TO INFORM YOUR 297 00:11:37,297 --> 00:11:37,929 YOU'RE GAY, YOU HAVE A MORAL OBLIGATION TO INFORM YOUR PARENTS? 298 00:11:37,931 --> 00:11:39,397 OBLIGATION TO INFORM YOUR PARENTS? IF YOU'RE STRAIGHT, YOU DON'T? 299 00:11:39,399 --> 00:11:40,932 PARENTS? IF YOU'RE STRAIGHT, YOU DON'T? >> SO YOU'RE NOT GONNA TELL ME, 300 00:11:40,934 --> 00:11:41,533 IF YOU'RE STRAIGHT, YOU DON'T? >> SO YOU'RE NOT GONNA TELL ME, ARE YOU? 301 00:11:41,535 --> 00:11:42,934 >> SO YOU'RE NOT GONNA TELL ME, ARE YOU? >> NOT GONNA TELL YOU WHAT? 302 00:11:42,936 --> 00:11:45,737 ARE YOU? >> NOT GONNA TELL YOU WHAT? >> WHETHER OR NOT... 303 00:11:45,739 --> 00:11:47,372 >> NOT GONNA TELL YOU WHAT? >> WHETHER OR NOT... CONGRATULATIONS, ROBERT. 304 00:11:47,374 --> 00:11:49,607 >> WHETHER OR NOT... CONGRATULATIONS, ROBERT. IT'S PRACTICALLY MOVING. 305 00:11:53,446 --> 00:11:58,450 Whether or not you're gay. >> NO. >> NO? 306 00:11:58,452 --> 00:11:59,117 >> NO. >> NO? >> NO. 307 00:11:59,119 --> 00:12:01,119 >> NO? >> NO. >> I'M GLAD ABOUT THAT. 308 00:12:01,121 --> 00:12:03,321 >> NO. >> I'M GLAD ABOUT THAT. >> NO, NO MEANS I'M NOT GONNA 309 00:12:03,323 --> 00:12:04,322 >> I'M GLAD ABOUT THAT. >> NO, NO MEANS I'M NOT GONNA TELL YOU. 310 00:12:04,324 --> 00:12:05,323 >> NO, NO MEANS I'M NOT GONNA TELL YOU. >> OH, OH. 311 00:12:05,325 --> 00:12:07,158 TELL YOU. >> OH, OH. I'M -- I'M SORRY. 312 00:12:07,160 --> 00:12:08,326 >> OH, OH. I'M -- I'M SORRY. I'M JUST TRYING TO HELP. 313 00:12:08,328 --> 00:12:09,894 I'M -- I'M SORRY. I'M JUST TRYING TO HELP. LOOK, IT'S -- I MEAN, LET'S FACE 314 00:12:09,896 --> 00:12:12,931 I'M JUST TRYING TO HELP. LOOK, IT'S -- I MEAN, LET'S FACE IT, YOU -- YOU'RE NOT THE MOST 315 00:12:12,933 --> 00:12:14,666 LOOK, IT'S -- I MEAN, LET'S FACE IT, YOU -- YOU'RE NOT THE MOST NORMAL OF ALL KIDS. 316 00:12:14,668 --> 00:12:15,967 IT, YOU -- YOU'RE NOT THE MOST NORMAL OF ALL KIDS. >> I'M NOT NORMAL? 317 00:12:15,969 --> 00:12:18,136 NORMAL OF ALL KIDS. >> I'M NOT NORMAL? >> WELL, YOU CAN'T SAY WHAT YOU 318 00:12:18,138 --> 00:12:20,772 >> I'M NOT NORMAL? >> WELL, YOU CAN'T SAY WHAT YOU DID IN D.C. WAS NORMAL. 319 00:12:20,774 --> 00:12:23,308 >> WELL, YOU CAN'T SAY WHAT YOU DID IN D.C. WAS NORMAL. OKAY, OKAY. FORGET IT. 320 00:12:23,310 --> 00:12:24,943 DID IN D.C. WAS NORMAL. OKAY, OKAY. FORGET IT. FORGET IT, FORGET IT, FORGET IT. 321 00:12:24,945 --> 00:12:26,311 OKAY, OKAY. FORGET IT. FORGET IT, FORGET IT, FORGET IT. FORGET I EVEN BROUGHT IT UP. 322 00:12:26,313 --> 00:12:28,146 FORGET IT, FORGET IT, FORGET IT. FORGET I EVEN BROUGHT IT UP. JUST FORGET IT. 323 00:12:28,148 --> 00:12:29,147 FORGET I EVEN BROUGHT IT UP. JUST FORGET IT. >> WHAT ARE YOU DOING THIS 324 00:12:29,149 --> 00:12:29,614 JUST FORGET IT. >> WHAT ARE YOU DOING THIS WEEKEND? 325 00:12:29,616 --> 00:12:30,615 >> WHAT ARE YOU DOING THIS WEEKEND? ARE YOU GOING TO THE BEACH 326 00:12:30,617 --> 00:12:30,982 WEEKEND? ARE YOU GOING TO THE BEACH HOUSE? 327 00:12:30,984 --> 00:12:32,150 ARE YOU GOING TO THE BEACH HOUSE? >> NO. I'M STAYING IN TOWN, 328 00:12:32,152 --> 00:12:35,153 HOUSE? >> NO. I'M STAYING IN TOWN, HAVING SOME MINOR SURGERY. 329 00:12:35,155 --> 00:12:36,321 >> NO. I'M STAYING IN TOWN, HAVING SOME MINOR SURGERY. >> SURGERY? WHAT'S WRONG? 330 00:12:36,323 --> 00:12:36,955 HAVING SOME MINOR SURGERY. >> SURGERY? WHAT'S WRONG? >> NOTHING. 331 00:12:36,957 --> 00:12:38,156 >> SURGERY? WHAT'S WRONG? >> NOTHING. >> THEN WHY ARE YOU HAVING 332 00:12:38,158 --> 00:12:38,690 >> NOTHING. >> THEN WHY ARE YOU HAVING SURGERY? 333 00:12:38,692 --> 00:12:40,158 >> THEN WHY ARE YOU HAVING SURGERY? >> OH, IT'S OUTPATIENT SURGERY. 334 00:12:40,160 --> 00:12:41,493 SURGERY? >> OH, IT'S OUTPATIENT SURGERY. IT'S NOTHING TO WORRY ABOUT. 335 00:12:41,495 --> 00:12:42,827 >> OH, IT'S OUTPATIENT SURGERY. IT'S NOTHING TO WORRY ABOUT. >> THEN WHAT ARE YOU HAVING? 336 00:12:42,829 --> 00:12:45,530 IT'S NOTHING TO WORRY ABOUT. >> THEN WHAT ARE YOU HAVING? >> WELL, I WON'T BE IN 337 00:12:45,532 --> 00:12:47,832 >> THEN WHAT ARE YOU HAVING? >> WELL, I WON'T BE IN EAST HAMPTON, SO YOU CAN TELL 338 00:12:47,834 --> 00:12:49,200 >> WELL, I WON'T BE IN EAST HAMPTON, SO YOU CAN TELL YOUR SISTER THAT IF SHE WANTS TO 339 00:12:49,202 --> 00:12:50,201 EAST HAMPTON, SO YOU CAN TELL YOUR SISTER THAT IF SHE WANTS TO USE THE HOUSE, SHE CAN. 340 00:12:50,203 --> 00:12:51,536 YOUR SISTER THAT IF SHE WANTS TO USE THE HOUSE, SHE CAN. NOW, IS SHE STILL GOING OUT WITH 341 00:12:51,538 --> 00:12:52,871 USE THE HOUSE, SHE CAN. NOW, IS SHE STILL GOING OUT WITH THAT POLISH PROFESSOR WHO'S OLD 342 00:12:52,873 --> 00:12:54,839 NOW, IS SHE STILL GOING OUT WITH THAT POLISH PROFESSOR WHO'S OLD ENOUGH TO BE HER FATHER? 343 00:12:54,841 --> 00:12:57,375 THAT POLISH PROFESSOR WHO'S OLD ENOUGH TO BE HER FATHER? >> POT CALLING THE KETTLE BLACK. 344 00:12:57,377 --> 00:12:59,110 ENOUGH TO BE HER FATHER? >> POT CALLING THE KETTLE BLACK. >> WHAT? 345 00:12:59,112 --> 00:13:02,447 >> POT CALLING THE KETTLE BLACK. >> WHAT? >> NOTHING, NOTHING. 346 00:13:02,449 --> 00:13:04,482 >> WHAT? >> NOTHING, NOTHING. ARE YOU HAVING PLASTIC SURGERY? 347 00:13:04,484 --> 00:13:05,116 >> NOTHING, NOTHING. ARE YOU HAVING PLASTIC SURGERY? >> NO! 348 00:13:05,118 --> 00:13:05,717 ARE YOU HAVING PLASTIC SURGERY? >> NO! >> GOOD. 349 00:13:05,719 --> 00:13:06,684 >> NO! >> GOOD. >> WHY GOOD? 350 00:13:06,686 --> 00:13:08,486 >> GOOD. >> WHY GOOD? >> I'D JUST FEEL WEIRD IF MY 351 00:13:08,488 --> 00:13:10,321 >> WHY GOOD? >> I'D JUST FEEL WEIRD IF MY FATHER ALTERED HIS APPEARANCE 352 00:13:10,323 --> 00:13:11,856 >> I'D JUST FEEL WEIRD IF MY FATHER ALTERED HIS APPEARANCE FOR THE SAKE OF VANITY. 353 00:13:11,858 --> 00:13:13,858 FATHER ALTERED HIS APPEARANCE FOR THE SAKE OF VANITY. >> Please, keep your voice down. 354 00:13:13,860 --> 00:13:15,960 FOR THE SAKE OF VANITY. >> Please, keep your voice down. >> [ CHUCKLES ] 355 00:13:25,404 --> 00:13:28,740 YOU LOOK FINE, DAD. >> [ CHUCKLES ] >> MAYBE IF YOU DIDN'T DATE 356 00:13:28,742 --> 00:13:30,341 >> [ CHUCKLES ] >> MAYBE IF YOU DIDN'T DATE WOMEN WHO ARE YOUNG ENOUGH TO BE 357 00:13:30,343 --> 00:13:31,910 >> MAYBE IF YOU DIDN'T DATE WOMEN WHO ARE YOUNG ENOUGH TO BE YOUR DAUGHTER, THEN YOU WOULDN'T 358 00:13:31,912 --> 00:13:33,178 WOMEN WHO ARE YOUNG ENOUGH TO BE YOUR DAUGHTER, THEN YOU WOULDN'T BE SO SELF-CONSCIOUS. 359 00:13:33,180 --> 00:13:34,579 YOUR DAUGHTER, THEN YOU WOULDN'T BE SO SELF-CONSCIOUS. >> OH, I'M NOT SELF-CONSCIOUS. 360 00:13:34,581 --> 00:13:35,914 BE SO SELF-CONSCIOUS. >> OH, I'M NOT SELF-CONSCIOUS. >> THEN WHY ARE YOU HAVING 361 00:13:35,916 --> 00:13:36,815 >> OH, I'M NOT SELF-CONSCIOUS. >> THEN WHY ARE YOU HAVING PLASTIC SURGERY? 362 00:13:36,817 --> 00:13:38,183 >> THEN WHY ARE YOU HAVING PLASTIC SURGERY? >> It's not called plastic 363 00:13:38,185 --> 00:13:38,716 PLASTIC SURGERY? >> It's not called plastic surgery. 364 00:13:38,718 --> 00:13:40,018 >> It's not called plastic surgery. It's now called elective 365 00:13:40,020 --> 00:13:42,520 surgery. It's now called elective cosmetic surgery. 366 00:13:42,522 --> 00:13:43,988 It's now called elective cosmetic surgery. >> Fine. Why are you having 367 00:13:43,990 --> 00:13:45,390 cosmetic surgery. >> Fine. Why are you having elective cosmetic surgery? 368 00:13:45,392 --> 00:13:46,925 >> Fine. Why are you having elective cosmetic surgery? >> Oh, can we please not talk 369 00:13:46,927 --> 00:13:50,895 elective cosmetic surgery? >> Oh, can we please not talk about this now. 370 00:13:50,897 --> 00:13:54,833 >> Oh, can we please not talk about this now. >> Dad, um, can I, uh... 371 00:13:54,835 --> 00:13:55,567 about this now. >> Dad, um, can I, uh... Can I ask you something? 372 00:13:55,569 --> 00:14:00,371 >> Dad, um, can I, uh... Can I ask you something? >> What? 373 00:14:00,373 --> 00:14:02,574 Can I ask you something? >> What? >> Are you gay? 374 00:14:17,356 --> 00:14:20,191 >> YOU KNOW, I THINK JOHNNY DEPP'S THE SEXIEST MAN ALIVE. 375 00:14:20,193 --> 00:14:22,193 JOHNNY DEPP'S THE SEXIEST MAN ALIVE. >> AND YOU, JAMES? 376 00:14:22,195 --> 00:14:25,363 ALIVE. >> AND YOU, JAMES? WHAT DID YOU THINK? 377 00:14:25,365 --> 00:14:27,298 >> AND YOU, JAMES? WHAT DID YOU THINK? YOU KNOW, I'D LIKE TO WRITE A 378 00:14:27,300 --> 00:14:29,434 WHAT DID YOU THINK? YOU KNOW, I'D LIKE TO WRITE A PAPER ABOUT JOHNNY DEPP'S CAREER 379 00:14:29,436 --> 00:14:31,402 YOU KNOW, I'D LIKE TO WRITE A PAPER ABOUT JOHNNY DEPP'S CAREER OF SUBVERSION OF THE ROMANTIC 380 00:14:31,404 --> 00:14:32,403 PAPER ABOUT JOHNNY DEPP'S CAREER OF SUBVERSION OF THE ROMANTIC LEADING MAN. 381 00:14:32,405 --> 00:14:34,405 OF SUBVERSION OF THE ROMANTIC LEADING MAN. >> IT SEEMS THAT EVERYONE ELSE 382 00:14:34,407 --> 00:14:36,307 LEADING MAN. >> IT SEEMS THAT EVERYONE ELSE CAN MATE AND FIT THEIR PARTS 383 00:14:36,309 --> 00:14:38,710 >> IT SEEMS THAT EVERYONE ELSE CAN MATE AND FIT THEIR PARTS TOGETHER IN A PRODUCTIVE WAY. 384 00:14:38,712 --> 00:14:39,277 CAN MATE AND FIT THEIR PARTS TOGETHER IN A PRODUCTIVE WAY. NOT FOR ME. 385 00:14:39,279 --> 00:14:40,545 TOGETHER IN A PRODUCTIVE WAY. NOT FOR ME. >> THE REBELS, THE LONERS -- 386 00:14:40,547 --> 00:14:41,279 NOT FOR ME. >> THE REBELS, THE LONERS -- >> YEAH, YEAH. 387 00:14:41,281 --> 00:14:42,480 >> THE REBELS, THE LONERS -- >> YEAH, YEAH. JAMES, ARE YOU GETTING THIS? 388 00:14:42,482 --> 00:14:42,947 >> YEAH, YEAH. JAMES, ARE YOU GETTING THIS? >> WHY? 389 00:14:42,949 --> 00:14:44,315 JAMES, ARE YOU GETTING THIS? >> WHY? SHOULD I BE PAYING EXTRA-SPECIAL 390 00:14:44,317 --> 00:14:44,883 >> WHY? SHOULD I BE PAYING EXTRA-SPECIAL ATTENTION? 391 00:14:44,885 --> 00:14:45,583 SHOULD I BE PAYING EXTRA-SPECIAL ATTENTION? >> WELL, YEAH. 392 00:14:45,585 --> 00:14:46,818 ATTENTION? >> WELL, YEAH. IT SHOULD MAKE PERFECT SENSE TO 393 00:14:46,820 --> 00:14:47,151 >> WELL, YEAH. IT SHOULD MAKE PERFECT SENSE TO YOU. 394 00:14:47,153 --> 00:14:47,819 IT SHOULD MAKE PERFECT SENSE TO YOU. YOU'RE A LONER. 395 00:14:47,821 --> 00:14:48,987 YOU. YOU'RE A LONER. YOU KNOW JAMES DOESN'T EVEN 396 00:14:48,989 --> 00:14:50,255 YOU'RE A LONER. YOU KNOW JAMES DOESN'T EVEN WANT TO GO TO COLLEGE NEXT YEAR? 397 00:14:50,257 --> 00:14:51,322 YOU KNOW JAMES DOESN'T EVEN WANT TO GO TO COLLEGE NEXT YEAR? BET YOUR MOM AND DAD'LL BE 398 00:14:51,324 --> 00:14:53,925 WANT TO GO TO COLLEGE NEXT YEAR? BET YOUR MOM AND DAD'LL BE PLEASED TO HEAR THAT. 399 00:14:53,927 --> 00:14:55,226 BET YOUR MOM AND DAD'LL BE PLEASED TO HEAR THAT. >> I AGREE WITH YOU. 400 00:14:55,228 --> 00:14:56,995 PLEASED TO HEAR THAT. >> I AGREE WITH YOU. THE COLLEGE EXPERIENCE IN THE 401 00:14:56,997 --> 00:14:58,630 >> I AGREE WITH YOU. THE COLLEGE EXPERIENCE IN THE UNITED STATES IS A COMPLETE 402 00:14:58,632 --> 00:14:59,130 THE COLLEGE EXPERIENCE IN THE UNITED STATES IS A COMPLETE FARCE. 403 00:14:59,132 --> 00:15:00,265 UNITED STATES IS A COMPLETE FARCE. >> YOU AGREE WITH IT? 404 00:15:00,267 --> 00:15:01,499 FARCE. >> YOU AGREE WITH IT? YOU TEACH IN AN AMERICAN 405 00:15:01,501 --> 00:15:02,133 >> YOU AGREE WITH IT? YOU TEACH IN AN AMERICAN COLLEGE. 406 00:15:02,135 --> 00:15:03,101 YOU TEACH IN AN AMERICAN COLLEGE. >> [ LAUGHS ] 407 00:15:03,103 --> 00:15:04,802 COLLEGE. >> [ LAUGHS ] IF ANYONE HAD TO BELIEVE IN WHAT 408 00:15:04,804 --> 00:15:06,504 >> [ LAUGHS ] IF ANYONE HAD TO BELIEVE IN WHAT THEY DID, VERY LITTLE WOULD GET 409 00:15:06,506 --> 00:15:07,639 IF ANYONE HAD TO BELIEVE IN WHAT THEY DID, VERY LITTLE WOULD GET DONE IN THE WORLD. 410 00:15:07,641 --> 00:15:09,140 THEY DID, VERY LITTLE WOULD GET DONE IN THE WORLD. >> WELL, SINCE MY DAD ISN'T 411 00:15:09,142 --> 00:15:10,842 DONE IN THE WORLD. >> WELL, SINCE MY DAD ISN'T TAKING HIS BIMBO GIRLFRIEND UP 412 00:15:10,844 --> 00:15:12,477 >> WELL, SINCE MY DAD ISN'T TAKING HIS BIMBO GIRLFRIEND UP TO THE BEACH HOUSE, IT'LL BE 413 00:15:12,479 --> 00:15:12,977 TAKING HIS BIMBO GIRLFRIEND UP TO THE BEACH HOUSE, IT'LL BE EMPTY. 414 00:15:12,979 --> 00:15:14,579 TO THE BEACH HOUSE, IT'LL BE EMPTY. WHAT DO YOU SAY WE GO TO THE 415 00:15:14,581 --> 00:15:15,847 EMPTY. WHAT DO YOU SAY WE GO TO THE HAMPTONS THIS WEEKEND? 416 00:15:15,849 --> 00:15:16,781 WHAT DO YOU SAY WE GO TO THE HAMPTONS THIS WEEKEND? HUH, HONEY BUNNY? 417 00:15:16,783 --> 00:15:18,149 HAMPTONS THIS WEEKEND? HUH, HONEY BUNNY? >> UH, I DON'T THINK MY WIFE 418 00:15:18,151 --> 00:15:19,117 HUH, HONEY BUNNY? >> UH, I DON'T THINK MY WIFE WOULD LIKE THAT. 419 00:15:19,119 --> 00:15:20,285 >> UH, I DON'T THINK MY WIFE WOULD LIKE THAT. >> WELL, ISN'T YOUR WIFE 420 00:15:20,287 --> 00:15:21,686 WOULD LIKE THAT. >> WELL, ISN'T YOUR WIFE SUPPOSED TO BE WORKING ON HER 421 00:15:21,688 --> 00:15:22,921 >> WELL, ISN'T YOUR WIFE SUPPOSED TO BE WORKING ON HER BOOK OR SOMETHING? 422 00:15:22,923 --> 00:15:23,688 SUPPOSED TO BE WORKING ON HER BOOK OR SOMETHING? >> CORRECT. 423 00:15:23,690 --> 00:15:25,156 BOOK OR SOMETHING? >> CORRECT. THE MAIN CHARACTER IS A 424 00:15:25,158 --> 00:15:26,591 >> CORRECT. THE MAIN CHARACTER IS A TRANSSEXUAL DETECTIVE. 425 00:15:26,593 --> 00:15:28,359 THE MAIN CHARACTER IS A TRANSSEXUAL DETECTIVE. AND IN ORDER TO GATHER FURTHER 426 00:15:28,361 --> 00:15:30,161 TRANSSEXUAL DETECTIVE. AND IN ORDER TO GATHER FURTHER UNDERSTANDING, MY WIFE'S NOW 427 00:15:30,163 --> 00:15:31,930 AND IN ORDER TO GATHER FURTHER UNDERSTANDING, MY WIFE'S NOW DATING A FORMER PSYCHOANALYST. 428 00:15:31,932 --> 00:15:33,798 UNDERSTANDING, MY WIFE'S NOW DATING A FORMER PSYCHOANALYST. >> WELL, AT LEAST THAT'S ONE WAY 429 00:15:33,800 --> 00:15:35,366 DATING A FORMER PSYCHOANALYST. >> WELL, AT LEAST THAT'S ONE WAY TO GET YOUR RESEARCH DONE. 430 00:15:35,368 --> 00:15:37,201 >> WELL, AT LEAST THAT'S ONE WAY TO GET YOUR RESEARCH DONE. >> YOU KNOW, WE HAVE -- WE HAVE 431 00:15:37,203 --> 00:15:38,369 TO GET YOUR RESEARCH DONE. >> YOU KNOW, WE HAVE -- WE HAVE AN OPEN MARRIAGE. 432 00:15:38,371 --> 00:15:40,204 >> YOU KNOW, WE HAVE -- WE HAVE AN OPEN MARRIAGE. >> YEAH, WELL, IF YOUR MARRIAGE 433 00:15:40,206 --> 00:15:43,308 AN OPEN MARRIAGE. >> YEAH, WELL, IF YOUR MARRIAGE IS SO OPEN, THEN SHE SHOULDN'T 434 00:15:43,310 --> 00:15:44,475 >> YEAH, WELL, IF YOUR MARRIAGE IS SO OPEN, THEN SHE SHOULDN'T HAVE A PROBLEM WITH YOU GOING TO 435 00:15:44,477 --> 00:15:45,009 IS SO OPEN, THEN SHE SHOULDN'T HAVE A PROBLEM WITH YOU GOING TO THE HAMPTONS? 436 00:15:45,011 --> 00:15:45,977 HAVE A PROBLEM WITH YOU GOING TO THE HAMPTONS? >> WELL, IT'S, UH -- IT'S 437 00:15:45,979 --> 00:15:46,511 THE HAMPTONS? >> WELL, IT'S, UH -- IT'S GETTING LATE. 438 00:15:46,513 --> 00:15:46,978 >> WELL, IT'S, UH -- IT'S GETTING LATE. [ SIGHS ] 439 00:15:46,980 --> 00:15:47,612 GETTING LATE. [ SIGHS ] SO, UH -- 440 00:15:47,614 --> 00:15:49,180 [ SIGHS ] SO, UH -- >> IT'S THE MIDDLE OF THE DAY, 441 00:15:49,182 --> 00:15:49,681 SO, UH -- >> IT'S THE MIDDLE OF THE DAY, JAMES. 442 00:15:49,683 --> 00:15:51,282 >> IT'S THE MIDDLE OF THE DAY, JAMES. >> I'M GOING TO THE COUNTRY IN 443 00:15:51,284 --> 00:15:52,016 JAMES. >> I'M GOING TO THE COUNTRY IN THE MORNING. 444 00:15:52,018 --> 00:15:52,684 >> I'M GOING TO THE COUNTRY IN THE MORNING. >> AGAIN? 445 00:15:52,686 --> 00:15:54,285 THE MORNING. >> AGAIN? >> YOU SHOULD TRY GOING ONCE IN 446 00:15:54,287 --> 00:15:54,852 >> AGAIN? >> YOU SHOULD TRY GOING ONCE IN A WHILE. 447 00:15:54,854 --> 00:15:58,823 >> YOU SHOULD TRY GOING ONCE IN A WHILE. SHE'S YOUR GRANDMOTHER, TOO. 448 00:15:58,825 --> 00:16:00,325 A WHILE. SHE'S YOUR GRANDMOTHER, TOO. I'LL SEE YOU GUYS. 449 00:16:00,327 --> 00:16:02,660 SHE'S YOUR GRANDMOTHER, TOO. I'LL SEE YOU GUYS. >> BYE, JAMES. 450 00:16:02,662 --> 00:16:03,895 I'LL SEE YOU GUYS. >> BYE, JAMES. I DON'T KNOW WHAT'S WRONG WITH 451 00:16:03,897 --> 00:16:04,862 >> BYE, JAMES. I DON'T KNOW WHAT'S WRONG WITH HIM. 452 00:16:04,864 --> 00:16:09,701 I DON'T KNOW WHAT'S WRONG WITH HIM. [ BOING! ] 453 00:16:09,703 --> 00:16:10,501 HIM. [ BOING! ] [ EERIE NOISES PLAY ] 454 00:16:10,503 --> 00:16:14,005 [ BOING! ] [ EERIE NOISES PLAY ] >> [ LAUGHS ] 455 00:16:14,007 --> 00:16:17,909 [ EERIE NOISES PLAY ] >> [ LAUGHS ] [ ZAP! ZAP! ZAP! ] 456 00:16:17,911 --> 00:16:19,744 >> [ LAUGHS ] [ ZAP! ZAP! ZAP! ] >> [ CHANTING IN FOREIGN 457 00:16:19,746 --> 00:16:24,248 [ ZAP! ZAP! ZAP! ] >> [ CHANTING IN FOREIGN LANGUAGE ] 458 00:16:24,250 --> 00:16:29,253 >> [ CHANTING IN FOREIGN LANGUAGE ] [ FLUTE PLAYS ] 459 00:16:29,255 --> 00:16:30,922 LANGUAGE ] [ FLUTE PLAYS ] >> FUNNY. VERY FUNNY. 460 00:16:30,924 --> 00:16:33,358 [ FLUTE PLAYS ] >> FUNNY. VERY FUNNY. WHAT IS THE NAME OF THE ARTIST? 461 00:16:33,360 --> 00:16:34,525 >> FUNNY. VERY FUNNY. WHAT IS THE NAME OF THE ARTIST? >> HE/SHE/IT HAS NO NAME. 462 00:16:34,527 --> 00:16:35,526 WHAT IS THE NAME OF THE ARTIST? >> HE/SHE/IT HAS NO NAME. [ BEEP! BEEP! BEEP! ] 463 00:16:35,528 --> 00:16:36,094 >> HE/SHE/IT HAS NO NAME. [ BEEP! BEEP! BEEP! ] [ BOING! ] 464 00:16:36,096 --> 00:16:39,564 [ BEEP! BEEP! BEEP! ] [ BOING! ] HE/SHE/IT DOES, BUT HE/SHE/IT, 465 00:16:39,566 --> 00:16:41,733 [ BOING! ] HE/SHE/IT DOES, BUT HE/SHE/IT, UH, DOES NOT SELF-IDENTIFY. 466 00:16:41,735 --> 00:16:42,900 HE/SHE/IT DOES, BUT HE/SHE/IT, UH, DOES NOT SELF-IDENTIFY. >> AND WHY IS THIS? 467 00:16:42,902 --> 00:16:44,168 UH, DOES NOT SELF-IDENTIFY. >> AND WHY IS THIS? >> IT'S FASCINATING. 468 00:16:44,170 --> 00:16:45,903 >> AND WHY IS THIS? >> IT'S FASCINATING. HE/SHE/IT CLAIMS THAT IDENTITY 469 00:16:45,905 --> 00:16:47,438 >> IT'S FASCINATING. HE/SHE/IT CLAIMS THAT IDENTITY IS FLUID AND SHOULD NOT BE 470 00:16:47,440 --> 00:16:49,040 HE/SHE/IT CLAIMS THAT IDENTITY IS FLUID AND SHOULD NOT BE CONSTRAINED BY SOMETHING AS 471 00:16:49,042 --> 00:16:51,009 IS FLUID AND SHOULD NOT BE CONSTRAINED BY SOMETHING AS FIXED AS A NAME. 472 00:16:51,011 --> 00:16:52,577 CONSTRAINED BY SOMETHING AS FIXED AS A NAME. YOU SEE, HE/SHE/IT BELIEVES THAT 473 00:16:52,579 --> 00:16:53,945 FIXED AS A NAME. YOU SEE, HE/SHE/IT BELIEVES THAT IF AN ARTIST HAS A NAME, THEN 474 00:16:53,947 --> 00:16:55,513 YOU SEE, HE/SHE/IT BELIEVES THAT IF AN ARTIST HAS A NAME, THEN PEOPLE PAY FOR THAT NAME RATHER 475 00:16:55,515 --> 00:16:56,414 IF AN ARTIST HAS A NAME, THEN PEOPLE PAY FOR THAT NAME RATHER THAN FOR THE ART. 476 00:16:56,416 --> 00:16:57,782 PEOPLE PAY FOR THAT NAME RATHER THAN FOR THE ART. IT'S A WAY OF SEPARATING THE 477 00:16:57,784 --> 00:16:59,117 THAN FOR THE ART. IT'S A WAY OF SEPARATING THE ARTIST FROM THE ART. 478 00:16:59,119 --> 00:17:00,518 IT'S A WAY OF SEPARATING THE ARTIST FROM THE ART. >> WHAT IS THE PRICE? 479 00:17:00,520 --> 00:17:02,120 ARTIST FROM THE ART. >> WHAT IS THE PRICE? >> EACH PIECE IS $16,000. 480 00:17:02,122 --> 00:17:03,855 >> WHAT IS THE PRICE? >> EACH PIECE IS $16,000. OF COURSE, HE/SHE/IT WOULD 481 00:17:03,857 --> 00:17:05,857 >> EACH PIECE IS $16,000. OF COURSE, HE/SHE/IT WOULD PREFER IF ALL 10 PIECES REMAINED 482 00:17:05,859 --> 00:17:06,591 OF COURSE, HE/SHE/IT WOULD PREFER IF ALL 10 PIECES REMAINED TOGETHER. 483 00:17:06,593 --> 00:17:08,626 PREFER IF ALL 10 PIECES REMAINED TOGETHER. PEOPLE LOVE TREATING THESE WORKS 484 00:17:08,628 --> 00:17:11,262 TOGETHER. PEOPLE LOVE TREATING THESE WORKS OF ART AS ORDINARY GARBAGE CANS, 485 00:17:11,264 --> 00:17:12,430 PEOPLE LOVE TREATING THESE WORKS OF ART AS ORDINARY GARBAGE CANS, BUT THEY'RE NOT. 486 00:17:12,432 --> 00:17:16,100 OF ART AS ORDINARY GARBAGE CANS, BUT THEY'RE NOT. [ ZAP! WARBLE! ] 487 00:17:16,102 --> 00:17:17,301 BUT THEY'RE NOT. [ ZAP! WARBLE! ] >> IF YOU HAVE ANY QUESTIONS, 488 00:17:17,303 --> 00:17:18,569 [ ZAP! WARBLE! ] >> IF YOU HAVE ANY QUESTIONS, PLEASE FEEL FREE TO GIVE US A 489 00:17:18,571 --> 00:17:18,936 >> IF YOU HAVE ANY QUESTIONS, PLEASE FEEL FREE TO GIVE US A CALL. 490 00:17:18,938 --> 00:17:20,238 PLEASE FEEL FREE TO GIVE US A CALL. >> VERY WELL. WE WILL CONSIDER. 491 00:17:20,240 --> 00:17:28,413 CALL. >> VERY WELL. WE WILL CONSIDER. THANK YOU. GOODBYE. 492 00:17:28,415 --> 00:17:35,420 >> VERY WELL. WE WILL CONSIDER. THANK YOU. GOODBYE. >> [ SNIFFLES ] 493 00:17:35,422 --> 00:17:41,159 THANK YOU. GOODBYE. >> [ SNIFFLES ] [ EERIE NOISES PLAY ] 494 00:17:41,161 --> 00:17:42,160 >> [ SNIFFLES ] [ EERIE NOISES PLAY ] >> GOOD JOB. 495 00:17:42,162 --> 00:17:43,995 [ EERIE NOISES PLAY ] >> GOOD JOB. YOU'RE A NATURAL AT THIS. 496 00:17:43,997 --> 00:17:45,229 >> GOOD JOB. YOU'RE A NATURAL AT THIS. >> [ CHUCKLES ] 497 00:17:45,231 --> 00:17:47,131 YOU'RE A NATURAL AT THIS. >> [ CHUCKLES ] I DOUBT THEY'RE GONNA BUY. 498 00:17:47,133 --> 00:17:49,300 >> [ CHUCKLES ] I DOUBT THEY'RE GONNA BUY. >> JAMES, YOU HAVE GOT TO STOP 499 00:17:49,302 --> 00:17:53,271 I DOUBT THEY'RE GONNA BUY. >> JAMES, YOU HAVE GOT TO STOP BEING SO NEGATIVE ALL THE TIME. 500 00:17:53,273 --> 00:17:56,674 >> JAMES, YOU HAVE GOT TO STOP BEING SO NEGATIVE ALL THE TIME. [ KNOCKING AT DOOR ] 501 00:17:59,678 --> 00:18:07,852 >> COME IN. IT'S OPEN. [ DOG BARKING ] >> IT'S ME, BARRY. 502 00:18:07,854 --> 00:18:11,322 [ DOG BARKING ] >> IT'S ME, BARRY. [ BARKING CONTINUES ] 503 00:18:18,964 --> 00:18:24,669 WHY DOES HE GROWL EVERY TIME HE SEES ME? >> MURO, CUT IT OUT. 504 00:18:24,671 --> 00:18:26,537 SEES ME? >> MURO, CUT IT OUT. [ DOG WHINES ] 505 00:18:26,539 --> 00:18:28,172 >> MURO, CUT IT OUT. [ DOG WHINES ] MR. ROGERS, HOW ARE YOU? 506 00:18:28,174 --> 00:18:29,774 [ DOG WHINES ] MR. ROGERS, HOW ARE YOU? >> PLEASE DON'T CALL ME 507 00:18:29,776 --> 00:18:30,675 MR. ROGERS, HOW ARE YOU? >> PLEASE DON'T CALL ME MR. ROGERS. 508 00:18:30,677 --> 00:18:31,509 >> PLEASE DON'T CALL ME MR. ROGERS. I HATE IT. 509 00:18:31,511 --> 00:18:32,643 MR. ROGERS. I HATE IT. CALL ME BARRY. 510 00:18:32,645 --> 00:18:35,680 I HATE IT. CALL ME BARRY. [ DOG GROWLS ] 511 00:18:35,682 --> 00:18:38,116 CALL ME BARRY. [ DOG GROWLS ] >> MOM'S AT HER SHRINK. 512 00:18:38,118 --> 00:18:39,117 [ DOG GROWLS ] >> MOM'S AT HER SHRINK. ONE OF THEIR LATE-NIGHT 513 00:18:39,119 --> 00:18:42,220 >> MOM'S AT HER SHRINK. ONE OF THEIR LATE-NIGHT EMERGENCY SESSIONS. 514 00:18:42,222 --> 00:18:42,987 ONE OF THEIR LATE-NIGHT EMERGENCY SESSIONS. >> [ SIGHS ] 515 00:18:42,989 --> 00:18:45,990 EMERGENCY SESSIONS. >> [ SIGHS ] >> WELL, UH... 516 00:18:45,992 --> 00:18:48,126 >> [ SIGHS ] >> WELL, UH... YOUR MOTHER ASKED ME TO REMOVE 517 00:18:48,128 --> 00:18:50,228 >> WELL, UH... YOUR MOTHER ASKED ME TO REMOVE MY THINGS, SO I'LL -- DID, UM -- 518 00:18:50,230 --> 00:18:51,529 YOUR MOTHER ASKED ME TO REMOVE MY THINGS, SO I'LL -- DID, UM -- [ CLEARS THROAT ] 519 00:18:51,531 --> 00:18:53,631 MY THINGS, SO I'LL -- DID, UM -- [ CLEARS THROAT ] DID MARJORIE SAY ANYTHING ABOUT 520 00:18:53,633 --> 00:18:55,733 [ CLEARS THROAT ] DID MARJORIE SAY ANYTHING ABOUT US? 521 00:18:55,735 --> 00:18:57,301 DID MARJORIE SAY ANYTHING ABOUT US? >> NO. 522 00:18:57,303 --> 00:19:00,571 US? >> NO. OH, SHE DID MENTION, UM... 523 00:19:00,573 --> 00:19:02,573 >> NO. OH, SHE DID MENTION, UM... CIGARS OR, UH, LAP DANCES AND, 524 00:19:02,575 --> 00:19:04,475 OH, SHE DID MENTION, UM... CIGARS OR, UH, LAP DANCES AND, UH, YOU STOLE HER ATM CARDS. 525 00:19:04,477 --> 00:19:05,176 CIGARS OR, UH, LAP DANCES AND, UH, YOU STOLE HER ATM CARDS. >> WHOA! 526 00:19:05,178 --> 00:19:06,878 UH, YOU STOLE HER ATM CARDS. >> WHOA! I DIDN'T STEAL ANYTHING. 527 00:19:06,880 --> 00:19:07,578 >> WHOA! I DIDN'T STEAL ANYTHING. UNH-UNH. 528 00:19:07,580 --> 00:19:09,380 I DIDN'T STEAL ANYTHING. UNH-UNH. WE'RE MARRIED. 529 00:19:09,382 --> 00:19:11,082 UNH-UNH. WE'RE MARRIED. HAVE YOU NEVER HEARD OF JOINT 530 00:19:11,084 --> 00:19:14,218 WE'RE MARRIED. HAVE YOU NEVER HEARD OF JOINT PROPERTY? 531 00:19:14,220 --> 00:19:16,587 HAVE YOU NEVER HEARD OF JOINT PROPERTY? EH, I WAS HOPING TO WIN BIG. 532 00:19:16,589 --> 00:19:18,422 PROPERTY? EH, I WAS HOPING TO WIN BIG. I WAS GONNA TAKE HER OUT FOR A-A 533 00:19:18,424 --> 00:19:19,357 EH, I WAS HOPING TO WIN BIG. I WAS GONNA TAKE HER OUT FOR A-A GREAT DINNER. 534 00:19:19,359 --> 00:19:20,892 I WAS GONNA TAKE HER OUT FOR A-A GREAT DINNER. WE WERE GONNA BE DRINKING 535 00:19:20,894 --> 00:19:22,693 GREAT DINNER. WE WERE GONNA BE DRINKING CHAMPAGNE AND EATING FISH EGGS. 536 00:19:22,695 --> 00:19:23,060 WE WERE GONNA BE DRINKING CHAMPAGNE AND EATING FISH EGGS. OH! 537 00:19:23,062 --> 00:19:25,663 CHAMPAGNE AND EATING FISH EGGS. OH! >> YOU MEAN CAVIAR. 538 00:19:25,665 --> 00:19:27,098 OH! >> YOU MEAN CAVIAR. >> THAT'S NOT FISH EGGS? 539 00:19:27,100 --> 00:19:28,733 >> YOU MEAN CAVIAR. >> THAT'S NOT FISH EGGS? >> MOST PEOPLE SAY CAVIAR. 540 00:19:28,735 --> 00:19:30,434 >> THAT'S NOT FISH EGGS? >> MOST PEOPLE SAY CAVIAR. >> I SAY FISH EGGS. 541 00:19:30,436 --> 00:19:31,769 >> MOST PEOPLE SAY CAVIAR. >> I SAY FISH EGGS. WHAT'S THE BIG DEAL? 542 00:19:31,771 --> 00:19:32,403 >> I SAY FISH EGGS. WHAT'S THE BIG DEAL? I SEE. 543 00:19:32,405 --> 00:19:34,372 WHAT'S THE BIG DEAL? I SEE. YOU THINK YOU'RE BETTER THAN ME 544 00:19:34,374 --> 00:19:35,940 I SEE. YOU THINK YOU'RE BETTER THAN ME BECAUSE YOU SAY "CAVIAR." 545 00:19:35,942 --> 00:19:37,441 YOU THINK YOU'RE BETTER THAN ME BECAUSE YOU SAY "CAVIAR." YOU NEVER DID LIKE ME. 546 00:19:37,443 --> 00:19:39,277 BECAUSE YOU SAY "CAVIAR." YOU NEVER DID LIKE ME. YOU'RE A SMUG LITTLE BASTARD, 547 00:19:39,279 --> 00:19:40,945 YOU NEVER DID LIKE ME. YOU'RE A SMUG LITTLE BASTARD, AIN'T YA? 548 00:19:40,947 --> 00:19:42,446 YOU'RE A SMUG LITTLE BASTARD, AIN'T YA? >> YOUR WEIRD EXERCISE MACHINE 549 00:19:42,448 --> 00:19:43,614 AIN'T YA? >> YOUR WEIRD EXERCISE MACHINE IS HERE IF YOU WANT IT. 550 00:19:43,616 --> 00:19:44,882 >> YOUR WEIRD EXERCISE MACHINE IS HERE IF YOU WANT IT. >> [ GROANS ] 551 00:19:44,884 --> 00:19:47,351 IS HERE IF YOU WANT IT. >> [ GROANS ] I'M -- I'M LEAVING THAT -- THAT 552 00:19:47,353 --> 00:19:49,921 >> [ GROANS ] I'M -- I'M LEAVING THAT -- THAT STUPID ANTIGRAVITY TEETER-TOTTER 553 00:19:49,923 --> 00:19:50,454 I'M -- I'M LEAVING THAT -- THAT STUPID ANTIGRAVITY TEETER-TOTTER THING. 554 00:19:50,456 --> 00:19:51,889 STUPID ANTIGRAVITY TEETER-TOTTER THING. THROW IT OUT THE WINDOW. 555 00:19:51,891 --> 00:19:52,757 THING. THROW IT OUT THE WINDOW. I DON'T CARE. 556 00:19:52,759 --> 00:19:53,925 THROW IT OUT THE WINDOW. I DON'T CARE. HEY, HEY, HEY, HEY! 557 00:19:53,927 --> 00:19:54,859 I DON'T CARE. HEY, HEY, HEY, HEY! SCRAM, POOCH! 558 00:19:54,861 --> 00:19:55,393 HEY, HEY, HEY, HEY! SCRAM, POOCH! GO ON! 559 00:19:55,395 --> 00:19:56,427 SCRAM, POOCH! GO ON! GET OUT OF HERE! 560 00:19:56,429 --> 00:19:57,929 GO ON! GET OUT OF HERE! >> MURO. 561 00:19:57,931 --> 00:19:59,197 GET OUT OF HERE! >> MURO. >> OH, NO! 562 00:19:59,199 --> 00:20:01,866 >> MURO. >> OH, NO! OH! OH, GOD! 563 00:20:01,868 --> 00:20:04,936 >> OH, NO! OH! OH, GOD! [ SIGHS ] 564 00:20:04,938 --> 00:20:07,138 OH! OH, GOD! [ SIGHS ] [ GROANS ] 565 00:20:12,044 --> 00:20:18,449 [ Voice breaking ] OH, GOD. I AM SUCH AN IDIOT -- A COMPLETE IDIOT. 566 00:20:18,451 --> 00:20:19,750 I AM SUCH AN IDIOT -- A COMPLETE IDIOT. >> IS THIS WHAT LOVE DOES? 567 00:20:19,752 --> 00:20:21,219 IDIOT. >> IS THIS WHAT LOVE DOES? IT TURNS YOU INTO A MARIONETTE? 568 00:20:21,221 --> 00:20:22,553 >> IS THIS WHAT LOVE DOES? IT TURNS YOU INTO A MARIONETTE? IT'S LIKE TRYING TO HAVE A 569 00:20:22,555 --> 00:20:23,988 IT TURNS YOU INTO A MARIONETTE? IT'S LIKE TRYING TO HAVE A CONVERSATION WITH A PARROT OR 570 00:20:23,990 --> 00:20:25,456 IT'S LIKE TRYING TO HAVE A CONVERSATION WITH A PARROT OR SOMEONE WHO'S BEEN LOBOTOMIZED. 571 00:20:25,458 --> 00:20:26,824 CONVERSATION WITH A PARROT OR SOMEONE WHO'S BEEN LOBOTOMIZED. >> TELL ME THAT YOU KNOW THAT 572 00:20:26,826 --> 00:20:32,463 SOMEONE WHO'S BEEN LOBOTOMIZED. >> TELL ME THAT YOU KNOW THAT I'M NOT A BAD PERSON, JAMES. 573 00:20:32,465 --> 00:20:33,965 >> TELL ME THAT YOU KNOW THAT I'M NOT A BAD PERSON, JAMES. >> YOU'RE NOT A BAD PERSON. 574 00:20:33,967 --> 00:20:36,167 I'M NOT A BAD PERSON, JAMES. >> YOU'RE NOT A BAD PERSON. >> THANK YOU. 575 00:20:36,169 --> 00:20:38,502 >> YOU'RE NOT A BAD PERSON. >> THANK YOU. ALL I WANT IS JUST ONE MORE 576 00:20:38,504 --> 00:20:41,806 >> THANK YOU. ALL I WANT IS JUST ONE MORE CHANCE WITH YOUR MOTHER. 577 00:20:41,808 --> 00:20:44,141 ALL I WANT IS JUST ONE MORE CHANCE WITH YOUR MOTHER. I MEAN, SHE IS AN AMAZING WOMAN. 578 00:20:44,143 --> 00:20:47,245 CHANCE WITH YOUR MOTHER. I MEAN, SHE IS AN AMAZING WOMAN. I MEAN, YOU KNOW THAT. 579 00:20:47,247 --> 00:20:49,947 I MEAN, SHE IS AN AMAZING WOMAN. I MEAN, YOU KNOW THAT. OH, HERE. 580 00:20:49,949 --> 00:20:52,016 I MEAN, YOU KNOW THAT. OH, HERE. WILL YOU GIVE THIS TO HER WHEN 581 00:20:52,018 --> 00:20:54,185 OH, HERE. WILL YOU GIVE THIS TO HER WHEN YOU SEE HER, HUH? 582 00:20:54,187 --> 00:20:55,353 WILL YOU GIVE THIS TO HER WHEN YOU SEE HER, HUH? ALL RIGHT? 583 00:20:55,355 --> 00:20:56,020 YOU SEE HER, HUH? ALL RIGHT? >> SURE. 584 00:20:56,022 --> 00:20:58,823 ALL RIGHT? >> SURE. >> THANKS. 585 00:20:58,825 --> 00:21:01,292 >> SURE. >> THANKS. >> HEY, YOU, UH, FORGOT YOUR 586 00:21:01,294 --> 00:21:01,826 >> THANKS. >> HEY, YOU, UH, FORGOT YOUR RACKET. 587 00:21:01,828 --> 00:21:02,927 >> HEY, YOU, UH, FORGOT YOUR RACKET. >> OH, NO, NO, NO. 588 00:21:02,929 --> 00:21:06,364 RACKET. >> OH, NO, NO, NO. THAT'S MY GIFT TO YOU. 589 00:21:06,366 --> 00:21:10,868 >> OH, NO, NO, NO. THAT'S MY GIFT TO YOU. I STINK AT TENNIS ANYWAY. 590 00:21:10,870 --> 00:21:13,037 THAT'S MY GIFT TO YOU. I STINK AT TENNIS ANYWAY. [ DOOR CLOSES ] 591 00:21:13,039 --> 00:21:15,439 I STINK AT TENNIS ANYWAY. [ DOOR CLOSES ] [ DOG WHINES ] 592 00:21:22,681 --> 00:21:25,816 >> HI, HONEY. >> HI. >> I BROUGHT YOU SOME TEA. 593 00:21:25,818 --> 00:21:28,019 >> HI. >> I BROUGHT YOU SOME TEA. >> I DON'T WANT IT. 594 00:21:34,192 --> 00:21:38,562 >> I SAW BARRY'S NOTE. I'M SORRY IF THAT WAS AWKWARD FOR YOU. 595 00:21:38,564 --> 00:21:42,800 I'M SORRY IF THAT WAS AWKWARD FOR YOU. >> IT WAS FINE. 596 00:21:42,802 --> 00:21:44,402 FOR YOU. >> IT WAS FINE. >> YOU NEVER REALLY LIKED HIM, 597 00:21:44,404 --> 00:21:46,037 >> IT WAS FINE. >> YOU NEVER REALLY LIKED HIM, DID YOU? 598 00:21:46,039 --> 00:21:48,406 >> YOU NEVER REALLY LIKED HIM, DID YOU? >> I WASN'T CRAZY ABOUT HIM. 599 00:21:48,408 --> 00:21:51,008 DID YOU? >> I WASN'T CRAZY ABOUT HIM. >> WELL, MAYBE THAT IS THE LAST 600 00:21:51,010 --> 00:21:55,413 >> I WASN'T CRAZY ABOUT HIM. >> WELL, MAYBE THAT IS THE LAST THAT YOU'LL EVER SEE OF HIM. 601 00:21:55,415 --> 00:21:57,648 >> WELL, MAYBE THAT IS THE LAST THAT YOU'LL EVER SEE OF HIM. >> WHY DID YOU MARRY HIM? 602 00:22:04,189 --> 00:22:14,398 >> BECAUSE [CHUCKLES] I WAS LONELY, EVEN WITH YOU AND GILLIAN AND -- AND THE GALLERY 603 00:22:14,400 --> 00:22:17,168 LONELY, EVEN WITH YOU AND GILLIAN AND -- AND THE GALLERY AND BRUNCHES AND THE DINNERS AND 604 00:22:17,170 --> 00:22:17,835 GILLIAN AND -- AND THE GALLERY AND BRUNCHES AND THE DINNERS AND THE LUNCHES. 605 00:22:17,837 --> 00:22:23,040 AND BRUNCHES AND THE DINNERS AND THE LUNCHES. IT WAS JUST SO, SO LOVELY TO 606 00:22:23,042 --> 00:22:25,443 THE LUNCHES. IT WAS JUST SO, SO LOVELY TO HAVE SOMEONE TO HOLD ME AT 607 00:22:25,445 --> 00:22:27,178 IT WAS JUST SO, SO LOVELY TO HAVE SOMEONE TO HOLD ME AT NIGHT. 608 00:22:27,180 --> 00:22:28,946 HAVE SOMEONE TO HOLD ME AT NIGHT. [ SIGHS ] GOD, I SHOULDN'T BE 609 00:22:28,948 --> 00:22:30,414 NIGHT. [ SIGHS ] GOD, I SHOULDN'T BE TELLING YOU ANY OF THIS. 610 00:22:30,416 --> 00:22:32,049 [ SIGHS ] GOD, I SHOULDN'T BE TELLING YOU ANY OF THIS. I'M JUST GONNA PASS ALL MY 611 00:22:32,051 --> 00:22:33,951 TELLING YOU ANY OF THIS. I'M JUST GONNA PASS ALL MY BITTERNESS RIGHT INTO YOU AND -- 612 00:22:33,953 --> 00:22:35,786 I'M JUST GONNA PASS ALL MY BITTERNESS RIGHT INTO YOU AND -- AND MAKE IT IMPOSSIBLE FOR YOU 613 00:22:35,788 --> 00:22:37,254 BITTERNESS RIGHT INTO YOU AND -- AND MAKE IT IMPOSSIBLE FOR YOU TO EVER BELIEVE IN LOVE. 614 00:22:37,256 --> 00:22:38,956 AND MAKE IT IMPOSSIBLE FOR YOU TO EVER BELIEVE IN LOVE. >> I ALREADY DON'T BELIEVE IN 615 00:22:38,958 --> 00:22:39,523 TO EVER BELIEVE IN LOVE. >> I ALREADY DON'T BELIEVE IN LOVE. 616 00:22:39,525 --> 00:22:41,258 >> I ALREADY DON'T BELIEVE IN LOVE. >> THAT'S JUST BECAUSE YOU'VE 617 00:22:41,260 --> 00:22:42,526 LOVE. >> THAT'S JUST BECAUSE YOU'VE NEVER BEEN IN LOVE. 618 00:22:42,528 --> 00:22:43,394 >> THAT'S JUST BECAUSE YOU'VE NEVER BEEN IN LOVE. OR HAVE YOU? 619 00:22:43,396 --> 00:22:43,928 NEVER BEEN IN LOVE. OR HAVE YOU? >> NO. 620 00:22:43,930 --> 00:22:45,529 OR HAVE YOU? >> NO. >> HAVE YOU BEEN IN LOVE? 621 00:22:45,531 --> 00:22:46,130 >> NO. >> HAVE YOU BEEN IN LOVE? >> NO! 622 00:22:46,132 --> 00:22:47,131 >> HAVE YOU BEEN IN LOVE? >> NO! >> [ CHUCKLES ] 623 00:22:47,133 --> 00:22:48,299 >> NO! >> [ CHUCKLES ] WELL, DON'T WORRY. 624 00:22:48,301 --> 00:22:49,567 >> [ CHUCKLES ] WELL, DON'T WORRY. YOU WILL, YOU WILL. 625 00:22:49,569 --> 00:22:51,435 WELL, DON'T WORRY. YOU WILL, YOU WILL. YOU'RE TOO SWEET NOT TO FALL IN 626 00:22:51,437 --> 00:22:51,936 YOU WILL, YOU WILL. YOU'RE TOO SWEET NOT TO FALL IN LOVE. 627 00:22:51,938 --> 00:22:53,204 YOU'RE TOO SWEET NOT TO FALL IN LOVE. >> I'M NOT SWEET. 628 00:22:53,206 --> 00:22:54,405 LOVE. >> I'M NOT SWEET. >> OH, YES, YOU ARE. 629 00:22:54,407 --> 00:22:56,073 >> I'M NOT SWEET. >> OH, YES, YOU ARE. YOU'RE SWEET, SWEET, SWEET. 630 00:22:56,075 --> 00:22:57,375 >> OH, YES, YOU ARE. YOU'RE SWEET, SWEET, SWEET. YOU'RE A SWEETHEART. 631 00:22:57,377 --> 00:23:01,645 YOU'RE SWEET, SWEET, SWEET. YOU'RE A SWEETHEART. >> GOOD NIGHT, MOM. 632 00:23:01,647 --> 00:23:04,882 YOU'RE A SWEETHEART. >> GOOD NIGHT, MOM. >> GOOD NIGHT, JAMES. 633 00:23:04,884 --> 00:23:06,150 >> GOOD NIGHT, MOM. >> GOOD NIGHT, JAMES. YOU KNOW WHAT YOU HAVE TO DO 634 00:23:06,152 --> 00:23:06,951 >> GOOD NIGHT, JAMES. YOU KNOW WHAT YOU HAVE TO DO TOMORROW, DON'T YOU? 635 00:23:06,953 --> 00:23:07,385 YOU KNOW WHAT YOU HAVE TO DO TOMORROW, DON'T YOU? >> YES. 636 00:23:07,387 --> 00:23:09,787 TOMORROW, DON'T YOU? >> YES. >> OKAY. GOOD. 637 00:23:09,789 --> 00:23:12,289 >> YES. >> OKAY. GOOD. LOVELY TALKING TO YOU. 638 00:23:12,291 --> 00:23:14,959 >> OKAY. GOOD. LOVELY TALKING TO YOU. [ DOG WHINES ] 639 00:23:14,961 --> 00:23:17,161 LOVELY TALKING TO YOU. [ DOG WHINES ] SORRY YOU HAD TO HEAR THAT. 640 00:23:20,599 --> 00:23:24,668 PEOPLE ALWAYS THINK THAT IF THEY CAN PROVE THEY'RE RIGHT, YOU'LL CHANGE YOUR MIND. 641 00:23:24,670 --> 00:23:26,670 CAN PROVE THEY'RE RIGHT, YOU'LL CHANGE YOUR MIND. AM I DISTURBED? 642 00:23:26,672 --> 00:23:29,140 CHANGE YOUR MIND. AM I DISTURBED? I THOUGHT WHAT THE WORD MEANS -- 643 00:23:29,142 --> 00:23:30,474 AM I DISTURBED? I THOUGHT WHAT THE WORD MEANS -- WHAT IT REALLY MEANS TO BE 644 00:23:30,476 --> 00:23:32,676 I THOUGHT WHAT THE WORD MEANS -- WHAT IT REALLY MEANS TO BE DISTURBED. 645 00:23:39,951 --> 00:23:41,619 [ DOORBELL RINGS ] 646 00:24:03,208 --> 00:24:06,677 DON'T YOU THINK HOSTING SESSIONS IN YOUR KITCHEN IS KIND OF STRANGE? 647 00:24:06,679 --> 00:24:08,312 IN YOUR KITCHEN IS KIND OF STRANGE? >> IF YOU THINK THIS IS STRANGE, 648 00:24:08,314 --> 00:24:09,780 STRANGE? >> IF YOU THINK THIS IS STRANGE, WAIT TILL YOU START SEEING ME 649 00:24:09,782 --> 00:24:12,016 >> IF YOU THINK THIS IS STRANGE, WAIT TILL YOU START SEEING ME MORE REGULARLY. 650 00:24:19,524 --> 00:24:23,627 SO, JAMES, IS THERE ANYTHING ELSE YOU WANT TO TALK ABOUT? >> LOOK, I'M JUST HUMORING MY 651 00:24:23,629 --> 00:24:25,162 ELSE YOU WANT TO TALK ABOUT? >> LOOK, I'M JUST HUMORING MY PARENTS. 652 00:24:25,164 --> 00:24:26,197 >> LOOK, I'M JUST HUMORING MY PARENTS. MY MOTHER TOLD ME THAT YOU'RE 653 00:24:26,199 --> 00:24:28,833 PARENTS. MY MOTHER TOLD ME THAT YOU'RE A-A LIFE COACH. 654 00:24:28,835 --> 00:24:30,167 MY MOTHER TOLD ME THAT YOU'RE A-A LIFE COACH. IS THAT WHAT YOU CALL YOURSELF? 655 00:24:30,169 --> 00:24:31,235 A-A LIFE COACH. IS THAT WHAT YOU CALL YOURSELF? >> DO YOU THINK WHAT WE CALL 656 00:24:31,237 --> 00:24:32,403 IS THAT WHAT YOU CALL YOURSELF? >> DO YOU THINK WHAT WE CALL OURSELVES HAS ANYTHING TO DO 657 00:24:32,405 --> 00:24:33,370 >> DO YOU THINK WHAT WE CALL OURSELVES HAS ANYTHING TO DO WITH WHO WE REALLY ARE? 658 00:24:33,372 --> 00:24:34,638 OURSELVES HAS ANYTHING TO DO WITH WHO WE REALLY ARE? >> WHEN IT COMES TO PROFESSIONAL 659 00:24:34,640 --> 00:24:36,640 WITH WHO WE REALLY ARE? >> WHEN IT COMES TO PROFESSIONAL TITLES, YEAH. 660 00:24:36,642 --> 00:24:38,042 >> WHEN IT COMES TO PROFESSIONAL TITLES, YEAH. AND PLEASE DON'T DO THAT. 661 00:24:38,044 --> 00:24:39,376 TITLES, YEAH. AND PLEASE DON'T DO THAT. >> PLEASE DON'T DO WHAT? 662 00:24:39,378 --> 00:24:41,178 AND PLEASE DON'T DO THAT. >> PLEASE DON'T DO WHAT? >> ANSWER MY QUESTIONS WITH MORE 663 00:24:41,180 --> 00:24:42,513 >> PLEASE DON'T DO WHAT? >> ANSWER MY QUESTIONS WITH MORE QUESTIONS. 664 00:24:42,515 --> 00:24:44,982 >> ANSWER MY QUESTIONS WITH MORE QUESTIONS. >> DOES THAT BOTHER YOU? 665 00:24:44,984 --> 00:24:49,220 QUESTIONS. >> DOES THAT BOTHER YOU? >> IT DOES. 666 00:24:49,222 --> 00:24:50,588 >> DOES THAT BOTHER YOU? >> IT DOES. >> YOU DON'T WANT A DRINK? 667 00:24:50,590 --> 00:24:52,189 >> IT DOES. >> YOU DON'T WANT A DRINK? IS THIS WHAT LIFE COACHES DO? 668 00:24:52,191 --> 00:24:53,757 >> YOU DON'T WANT A DRINK? IS THIS WHAT LIFE COACHES DO? UH, HOW DID THIS GO INTO JAMBA 669 00:24:53,759 --> 00:24:54,358 IS THIS WHAT LIFE COACHES DO? UH, HOW DID THIS GO INTO JAMBA JUICE? 670 00:24:54,360 --> 00:24:55,860 UH, HOW DID THIS GO INTO JAMBA JUICE? >> ACTUALLY, JAMES, UM, I'M A 671 00:24:55,862 --> 00:24:56,827 JUICE? >> ACTUALLY, JAMES, UM, I'M A PSYCHOTHERAPIST. 672 00:24:56,829 --> 00:24:58,262 >> ACTUALLY, JAMES, UM, I'M A PSYCHOTHERAPIST. I DO SOME LIFE COACHING, BUT 673 00:24:58,264 --> 00:25:00,531 PSYCHOTHERAPIST. I DO SOME LIFE COACHING, BUT MAYBE THAT'S NOT WHAT YOU NEED. 674 00:25:05,604 --> 00:25:11,542 >> SO, WHAT ELSE DID MY MOTHER TELL YOU. >> WELL, YOUR MOTHER TOLD ME 675 00:25:11,544 --> 00:25:13,677 TELL YOU. >> WELL, YOUR MOTHER TOLD ME THAT SHE'S WORRIED ABOUT YOU AND 676 00:25:13,679 --> 00:25:15,679 >> WELL, YOUR MOTHER TOLD ME THAT SHE'S WORRIED ABOUT YOU AND THAT CHIEFLY YOU'RE ANTISOCIAL 677 00:25:15,681 --> 00:25:17,515 THAT SHE'S WORRIED ABOUT YOU AND THAT CHIEFLY YOU'RE ANTISOCIAL AND LONELY. 678 00:25:17,517 --> 00:25:18,716 THAT CHIEFLY YOU'RE ANTISOCIAL AND LONELY. >> JUST BECAUSE YOU'RE ALONE 679 00:25:18,718 --> 00:25:20,017 AND LONELY. >> JUST BECAUSE YOU'RE ALONE DOESN'T NECESSARILY MEAN YOU'RE 680 00:25:20,019 --> 00:25:20,618 >> JUST BECAUSE YOU'RE ALONE DOESN'T NECESSARILY MEAN YOU'RE LONELY. 681 00:25:20,620 --> 00:25:22,119 DOESN'T NECESSARILY MEAN YOU'RE LONELY. >> SHE ALSO MENTIONED THE 682 00:25:22,121 --> 00:25:27,725 LONELY. >> SHE ALSO MENTIONED THE INCIDENT IN D.C. 683 00:25:27,727 --> 00:25:29,093 >> SHE ALSO MENTIONED THE INCIDENT IN D.C. >> WHAT DID SHE SAY ABOUT THAT? 684 00:25:29,095 --> 00:25:30,394 INCIDENT IN D.C. >> WHAT DID SHE SAY ABOUT THAT? >> SHE SAID THAT YOU HAD SOME 685 00:25:30,396 --> 00:25:31,562 >> WHAT DID SHE SAY ABOUT THAT? >> SHE SAID THAT YOU HAD SOME PROBLEMS DEALING WITH SOME 686 00:25:31,564 --> 00:25:33,964 >> SHE SAID THAT YOU HAD SOME PROBLEMS DEALING WITH SOME CLASSMATES AND THAT YOU HAD AN 687 00:25:33,966 --> 00:25:36,400 PROBLEMS DEALING WITH SOME CLASSMATES AND THAT YOU HAD AN EPISODE OF PANIC. 688 00:25:36,402 --> 00:25:38,469 CLASSMATES AND THAT YOU HAD AN EPISODE OF PANIC. >> "AN EPISODE OF PANIC"? 689 00:25:38,471 --> 00:25:39,770 EPISODE OF PANIC. >> "AN EPISODE OF PANIC"? IS THAT WHAT SHE CALLED IT? 690 00:25:39,772 --> 00:25:43,707 >> "AN EPISODE OF PANIC"? IS THAT WHAT SHE CALLED IT? >> THOSE WERE PROBABLY MY WORDS. 691 00:25:43,709 --> 00:25:44,775 IS THAT WHAT SHE CALLED IT? >> THOSE WERE PROBABLY MY WORDS. ARE THEY WRONG? 692 00:25:44,777 --> 00:25:45,976 >> THOSE WERE PROBABLY MY WORDS. ARE THEY WRONG? >> NO, NO. 693 00:25:45,978 --> 00:25:50,781 ARE THEY WRONG? >> NO, NO. THAT JUST ABOUT SUMS IT UP. 694 00:25:50,783 --> 00:25:52,249 >> NO, NO. THAT JUST ABOUT SUMS IT UP. I READ SOMEWHERE THAT AMERICANS 695 00:25:52,251 --> 00:25:53,784 THAT JUST ABOUT SUMS IT UP. I READ SOMEWHERE THAT AMERICANS COMPLETELY MISINTERPRETED FREUD 696 00:25:53,786 --> 00:25:55,319 I READ SOMEWHERE THAT AMERICANS COMPLETELY MISINTERPRETED FREUD 'CAUSE IT WAS MISTRANSLATED FROM 697 00:25:55,321 --> 00:25:56,387 COMPLETELY MISINTERPRETED FREUD 'CAUSE IT WAS MISTRANSLATED FROM THE ORIGINAL GERMAN. 698 00:25:56,389 --> 00:25:57,788 'CAUSE IT WAS MISTRANSLATED FROM THE ORIGINAL GERMAN. >> YOU CAN SAY THE SAME THING 699 00:25:57,790 --> 00:26:00,291 THE ORIGINAL GERMAN. >> YOU CAN SAY THE SAME THING ABOUT THE BIBLE. 700 00:26:00,293 --> 00:26:01,458 >> YOU CAN SAY THE SAME THING ABOUT THE BIBLE. ARE YOU INTERESTED IN 701 00:26:01,460 --> 00:26:02,159 ABOUT THE BIBLE. ARE YOU INTERESTED IN PSYCHOLOGY? 702 00:26:02,161 --> 00:26:03,894 ARE YOU INTERESTED IN PSYCHOLOGY? >> I THINK IT'S A SELF-INDULGENT 703 00:26:03,896 --> 00:26:05,462 PSYCHOLOGY? >> I THINK IT'S A SELF-INDULGENT EXAMINATION OF ONE'S LIFE THAT 704 00:26:05,464 --> 00:26:07,131 >> I THINK IT'S A SELF-INDULGENT EXAMINATION OF ONE'S LIFE THAT SUPERCEDES THE ACTUAL LIVING OF 705 00:26:07,133 --> 00:26:08,566 EXAMINATION OF ONE'S LIFE THAT SUPERCEDES THE ACTUAL LIVING OF SAID LIFE. 706 00:26:08,568 --> 00:26:10,901 SUPERCEDES THE ACTUAL LIVING OF SAID LIFE. >> DID YOU SAY "SAD LIFE"? 707 00:26:10,903 --> 00:26:12,937 SAID LIFE. >> DID YOU SAY "SAD LIFE"? >> NO, NO, NO. SAID LIFE. 708 00:26:12,939 --> 00:26:15,973 >> DID YOU SAY "SAD LIFE"? >> NO, NO, NO. SAID LIFE. I-I THOUGHT YOU SAID "SAD LIFE." 709 00:26:15,975 --> 00:26:19,743 >> NO, NO, NO. SAID LIFE. I-I THOUGHT YOU SAID "SAD LIFE." >> NO, I-I SAID "SAID." 710 00:26:19,745 --> 00:26:20,844 I-I THOUGHT YOU SAID "SAD LIFE." >> NO, I-I SAID "SAID." >> I WAS ONLY SAYING THAT I 711 00:26:20,846 --> 00:26:21,979 >> NO, I-I SAID "SAID." >> I WAS ONLY SAYING THAT I MISUNDERSTOOD WHAT YOU SAID? 712 00:26:21,981 --> 00:26:23,147 >> I WAS ONLY SAYING THAT I MISUNDERSTOOD WHAT YOU SAID? I WASN'T TRYING TO IMPLY YOU 713 00:26:23,149 --> 00:26:25,950 MISUNDERSTOOD WHAT YOU SAID? I WASN'T TRYING TO IMPLY YOU HADN'T ACTUALLY SAID IT. 714 00:26:25,952 --> 00:26:28,519 I WASN'T TRYING TO IMPLY YOU HADN'T ACTUALLY SAID IT. >> WELL, I'M GLAD THAT'S BEEN 715 00:26:28,521 --> 00:26:32,489 HADN'T ACTUALLY SAID IT. >> WELL, I'M GLAD THAT'S BEEN CLEARED UP. 716 00:26:32,491 --> 00:26:34,925 >> WELL, I'M GLAD THAT'S BEEN CLEARED UP. ISN'T OUR TIME UP FOR THE DAY? 717 00:26:34,927 --> 00:26:37,494 CLEARED UP. ISN'T OUR TIME UP FOR THE DAY? >> SO, JAMES -- AND DO YOU WANT 718 00:26:37,496 --> 00:26:39,630 ISN'T OUR TIME UP FOR THE DAY? >> SO, JAMES -- AND DO YOU WANT TO SCHEDULE ANOTHER SESSION? 719 00:26:39,632 --> 00:26:41,966 >> SO, JAMES -- AND DO YOU WANT TO SCHEDULE ANOTHER SESSION? >> I DON'T THINK SO. 720 00:26:41,968 --> 00:26:43,634 TO SCHEDULE ANOTHER SESSION? >> I DON'T THINK SO. >> OKAY. 721 00:26:43,636 --> 00:26:44,702 >> I DON'T THINK SO. >> OKAY. >> WELL, IT WAS NICE MEETING 722 00:26:44,704 --> 00:26:46,971 >> OKAY. >> WELL, IT WAS NICE MEETING YOU. 723 00:26:46,973 --> 00:26:50,307 >> WELL, IT WAS NICE MEETING YOU. >> JAMES... 724 00:26:50,309 --> 00:26:51,675 YOU. >> JAMES... IF YOU NEED ME, DON'T BE AFRAID 725 00:26:51,677 --> 00:26:56,547 >> JAMES... IF YOU NEED ME, DON'T BE AFRAID TO CALL. 726 00:26:56,549 --> 00:27:01,852 IF YOU NEED ME, DON'T BE AFRAID TO CALL. >> I WON'T BE. 727 00:27:01,854 --> 00:27:07,124 TO CALL. >> I WON'T BE. [ DOG BARKS ] 728 00:27:07,126 --> 00:27:08,959 >> I WON'T BE. [ DOG BARKS ] [ DOG GROWLS ] 729 00:27:08,961 --> 00:27:10,461 [ DOG BARKS ] [ DOG GROWLS ] DON'T COMPLAIN. 730 00:27:10,463 --> 00:27:11,495 [ DOG GROWLS ] DON'T COMPLAIN. IT'S FOR SAFETY. 731 00:27:11,497 --> 00:27:13,230 DON'T COMPLAIN. IT'S FOR SAFETY. [ DOG BARKS, GROWLS ] 732 00:27:13,232 --> 00:27:14,999 IT'S FOR SAFETY. [ DOG BARKS, GROWLS ] THERE WE GO. 733 00:27:15,001 --> 00:27:17,334 [ DOG BARKS, GROWLS ] THERE WE GO. AND YOU LOOK GREAT. 734 00:27:17,336 --> 00:27:20,738 THERE WE GO. AND YOU LOOK GREAT. [ DOG BARKING ] 735 00:27:23,308 --> 00:27:26,744 [ JAZZ MUSIC PLAYS ] NANETTE? 736 00:27:32,083 --> 00:27:34,351 NANETTE? 737 00:27:39,424 --> 00:27:42,860 [ DOG BARKING ] 738 00:27:46,498 --> 00:27:52,236 >> LISTEN TO THAT. OH, ISN'T IT MARVELOUS? THAT'S ONE OF CHESTER'S 739 00:27:52,238 --> 00:27:53,737 OH, ISN'T IT MARVELOUS? THAT'S ONE OF CHESTER'S FAVORITES. 740 00:27:53,739 --> 00:27:55,205 THAT'S ONE OF CHESTER'S FAVORITES. I FOUND THESE RECORDS OF 741 00:27:55,207 --> 00:27:56,707 FAVORITES. I FOUND THESE RECORDS OF CHESTER'S THE OTHER DAY. 742 00:27:56,709 --> 00:27:58,108 I FOUND THESE RECORDS OF CHESTER'S THE OTHER DAY. I'VE GOT SO MUCH OF YOUR 743 00:27:58,110 --> 00:27:59,677 CHESTER'S THE OTHER DAY. I'VE GOT SO MUCH OF YOUR GRANDFATHER'S STUFF IN THE 744 00:27:59,679 --> 00:28:01,345 I'VE GOT SO MUCH OF YOUR GRANDFATHER'S STUFF IN THE BASEMENT. 745 00:28:01,347 --> 00:28:03,113 GRANDFATHER'S STUFF IN THE BASEMENT. I ALWAYS WANTED TO LEARN TO PLAY 746 00:28:03,115 --> 00:28:05,282 BASEMENT. I ALWAYS WANTED TO LEARN TO PLAY THE CLARINET. 747 00:28:05,284 --> 00:28:07,117 I ALWAYS WANTED TO LEARN TO PLAY THE CLARINET. >> WHY DIDN'T YOU? 748 00:28:07,119 --> 00:28:08,719 THE CLARINET. >> WHY DIDN'T YOU? >> MY MOTHER DIDN'T APPROVE OF 749 00:28:08,721 --> 00:28:10,521 >> WHY DIDN'T YOU? >> MY MOTHER DIDN'T APPROVE OF LADIES PUTTING LONG, CYLINDRICAL 750 00:28:10,523 --> 00:28:11,922 >> MY MOTHER DIDN'T APPROVE OF LADIES PUTTING LONG, CYLINDRICAL OBJECTS IN THEIR MOUTHS. 751 00:28:11,924 --> 00:28:13,257 LADIES PUTTING LONG, CYLINDRICAL OBJECTS IN THEIR MOUTHS. [ LAUGHS ] 752 00:28:13,259 --> 00:28:14,925 OBJECTS IN THEIR MOUTHS. [ LAUGHS ] DID YOU KNOW THAT NUNS HAVE TO 753 00:28:14,927 --> 00:28:16,627 [ LAUGHS ] DID YOU KNOW THAT NUNS HAVE TO EAT THEIR BANANA WITH A KNIFE 754 00:28:16,629 --> 00:28:17,294 DID YOU KNOW THAT NUNS HAVE TO EAT THEIR BANANA WITH A KNIFE AND FORK? 755 00:28:17,296 --> 00:28:18,128 EAT THEIR BANANA WITH A KNIFE AND FORK? IT'S TRUE. 756 00:28:18,130 --> 00:28:20,864 AND FORK? IT'S TRUE. A NUN TOLD ME THAT. 757 00:28:20,866 --> 00:28:22,466 IT'S TRUE. A NUN TOLD ME THAT. I HAD A FEELING I WAS GONNA SEE 758 00:28:22,468 --> 00:28:24,134 A NUN TOLD ME THAT. I HAD A FEELING I WAS GONNA SEE YOU TODAY. 759 00:28:24,136 --> 00:28:27,971 I HAD A FEELING I WAS GONNA SEE YOU TODAY. >> SO, A TOAST? 760 00:28:27,973 --> 00:28:29,139 YOU TODAY. >> SO, A TOAST? >> TO LIFE. 761 00:28:29,141 --> 00:28:31,375 >> SO, A TOAST? >> TO LIFE. >> TO LIFE. 762 00:28:35,647 --> 00:28:41,151 NANETTE? >> HMM? >> TELL ME ABOUT WHEN YOU MET 763 00:28:41,153 --> 00:28:42,753 >> HMM? >> TELL ME ABOUT WHEN YOU MET CHESTER. 764 00:28:42,755 --> 00:28:44,321 >> TELL ME ABOUT WHEN YOU MET CHESTER. AT COLLEGE, I MEAN. 765 00:28:44,323 --> 00:28:46,990 CHESTER. AT COLLEGE, I MEAN. >> WHAT? 766 00:28:46,992 --> 00:28:49,660 AT COLLEGE, I MEAN. >> WHAT? >> BECAUSE WAS IT, UH, A GOOD 767 00:28:49,662 --> 00:28:52,296 >> WHAT? >> BECAUSE WAS IT, UH, A GOOD EXPERIENCE? 768 00:28:52,298 --> 00:28:54,498 >> BECAUSE WAS IT, UH, A GOOD EXPERIENCE? >> COLLEGE OR YOUR GRANDFATHER? 769 00:28:58,269 --> 00:29:03,574 WHY? ARE YOU THINKING OF NOT GOING? >> I JUST THINK I COULD DO OTHER 770 00:29:03,576 --> 00:29:05,476 ARE YOU THINKING OF NOT GOING? >> I JUST THINK I COULD DO OTHER THINGS WITH THE MONEY -- THINGS 771 00:29:05,478 --> 00:29:07,177 >> I JUST THINK I COULD DO OTHER THINGS WITH THE MONEY -- THINGS THAT WOULD BE BETTER FOR ME. 772 00:29:07,179 --> 00:29:09,413 THINGS WITH THE MONEY -- THINGS THAT WOULD BE BETTER FOR ME. >> SUCH AS? 773 00:29:16,688 --> 00:29:23,594 >> ANTIQUE FARMHOUSE. THREE BEDROOMS, ONE BATH, BEAUTIFUL SCENERY. 774 00:29:23,596 --> 00:29:26,930 THREE BEDROOMS, ONE BATH, BEAUTIFUL SCENERY. IT'S ONLY 98 GRAND. 775 00:29:26,932 --> 00:29:28,365 BEAUTIFUL SCENERY. IT'S ONLY 98 GRAND. THAT'S MY DREAM. 776 00:29:28,367 --> 00:29:31,368 IT'S ONLY 98 GRAND. THAT'S MY DREAM. [ CHUCKLES ] 777 00:29:31,370 --> 00:29:33,937 THAT'S MY DREAM. [ CHUCKLES ] >> WELL, THAT'S CHARMING, BUT 778 00:29:33,939 --> 00:29:36,840 [ CHUCKLES ] >> WELL, THAT'S CHARMING, BUT WHAT WOULD YOU DO IN THIS HOUSE? 779 00:29:36,842 --> 00:29:38,142 >> WELL, THAT'S CHARMING, BUT WHAT WOULD YOU DO IN THIS HOUSE? >> I'D READ ALL THE BOOKS I 780 00:29:38,144 --> 00:29:39,543 WHAT WOULD YOU DO IN THIS HOUSE? >> I'D READ ALL THE BOOKS I WANTED TO READ, BUT HAVEN'T BEEN 781 00:29:39,545 --> 00:29:42,513 >> I'D READ ALL THE BOOKS I WANTED TO READ, BUT HAVEN'T BEEN ABLE TO BECAUSE OF SCHOOL. 782 00:29:42,515 --> 00:29:44,281 WANTED TO READ, BUT HAVEN'T BEEN ABLE TO BECAUSE OF SCHOOL. AND I'D LEARN CRAFTS, LIKE 783 00:29:44,283 --> 00:29:45,949 ABLE TO BECAUSE OF SCHOOL. AND I'D LEARN CRAFTS, LIKE BOOKBINDING OR WEAVING OR 784 00:29:45,951 --> 00:29:47,951 AND I'D LEARN CRAFTS, LIKE BOOKBINDING OR WEAVING OR CARPENTRY -- THE KIND OF THING 785 00:29:47,953 --> 00:29:49,987 BOOKBINDING OR WEAVING OR CARPENTRY -- THE KIND OF THING NOBODY KNOWS HOW TO DO ANYMORE. 786 00:29:49,989 --> 00:29:51,989 CARPENTRY -- THE KIND OF THING NOBODY KNOWS HOW TO DO ANYMORE. >> OH, HONEY, I WANTED TO DO SO 787 00:29:51,991 --> 00:29:54,158 NOBODY KNOWS HOW TO DO ANYMORE. >> OH, HONEY, I WANTED TO DO SO MANY THINGS LIKE THAT WHEN I WAS 788 00:29:54,160 --> 00:29:56,160 >> OH, HONEY, I WANTED TO DO SO MANY THINGS LIKE THAT WHEN I WAS YOUR AGE, AND I NEVER DID THEM. 789 00:29:56,162 --> 00:29:58,228 MANY THINGS LIKE THAT WHEN I WAS YOUR AGE, AND I NEVER DID THEM. YOU HAVE TO PURSUE YOUR PASSION. 790 00:29:58,230 --> 00:30:00,464 YOUR AGE, AND I NEVER DID THEM. YOU HAVE TO PURSUE YOUR PASSION. HAND ME THE TELEPHONE. 791 00:30:08,206 --> 00:30:14,211 [ DIALING ] >> WHAT ARE YOU DOING? >> YES. 792 00:30:14,213 --> 00:30:15,913 >> WHAT ARE YOU DOING? >> YES. I'M CALLING FOR MY GRANDSON. 793 00:30:15,915 --> 00:30:17,748 >> YES. I'M CALLING FOR MY GRANDSON. HE WOULD LIKE TO SEE THE HOUSE 794 00:30:17,750 --> 00:30:19,516 I'M CALLING FOR MY GRANDSON. HE WOULD LIKE TO SEE THE HOUSE IN EDGE. 795 00:30:19,518 --> 00:30:21,518 HE WOULD LIKE TO SEE THE HOUSE IN EDGE. YES. "S," "V" AS IN "VICTOR," 796 00:30:21,520 --> 00:30:24,521 IN EDGE. YES. "S," "V" AS IN "VICTOR," "E-C-K." 797 00:30:24,523 --> 00:30:26,423 YES. "S," "V" AS IN "VICTOR," "E-C-K." SUNDAY? 798 00:30:26,425 --> 00:30:29,393 "E-C-K." SUNDAY? OKAY. THANK YOU VERY MUCH. 799 00:30:29,395 --> 00:30:31,328 SUNDAY? OKAY. THANK YOU VERY MUCH. HONEY, YOU GOT TO GO AFTER WHAT 800 00:30:31,330 --> 00:30:32,062 OKAY. THANK YOU VERY MUCH. HONEY, YOU GOT TO GO AFTER WHAT YOU WANT. 801 00:30:32,064 --> 00:30:34,264 HONEY, YOU GOT TO GO AFTER WHAT YOU WANT. [ HORN HONKS ] 802 00:30:44,742 --> 00:30:47,277 >> HI! >> HI. >> WELCOME TO EDGE, MR. SPECK. 803 00:30:47,279 --> 00:30:48,212 >> HI. >> WELCOME TO EDGE, MR. SPECK. >> IT'S SVECK. 804 00:30:48,214 --> 00:30:49,213 >> WELCOME TO EDGE, MR. SPECK. >> IT'S SVECK. IT'S JAMES SVECK. 805 00:30:49,215 --> 00:30:49,947 >> IT'S SVECK. IT'S JAMES SVECK. >> OH, OKAY. 806 00:30:49,949 --> 00:30:51,582 IT'S JAMES SVECK. >> OH, OKAY. WELL, I DIDN'T EXPECT YOU TO BE 807 00:30:51,584 --> 00:30:52,216 >> OH, OKAY. WELL, I DIDN'T EXPECT YOU TO BE SO YOUNG. 808 00:30:52,218 --> 00:30:53,684 WELL, I DIDN'T EXPECT YOU TO BE SO YOUNG. >> OH, DON'T WORRY ABOUT THE 809 00:30:53,686 --> 00:30:54,218 SO YOUNG. >> OH, DON'T WORRY ABOUT THE MONEY. 810 00:30:54,220 --> 00:30:55,686 >> OH, DON'T WORRY ABOUT THE MONEY. >> NO, I DIDN'T MEAN IT LIKE 811 00:30:55,688 --> 00:30:56,220 MONEY. >> NO, I DIDN'T MEAN IT LIKE THAT. 812 00:30:56,222 --> 00:30:58,622 >> NO, I DIDN'T MEAN IT LIKE THAT. OKAY, COME ON. 813 00:30:58,624 --> 00:31:00,858 THAT. OKAY, COME ON. COME ON NOW. THIS IS ME. 814 00:31:04,796 --> 00:31:08,465 UH, I KNOW. I-I GOT IN A LITTLE FENDER BENDER, BUT IT'S REALLY NOTHING 815 00:31:08,467 --> 00:31:09,399 I-I GOT IN A LITTLE FENDER BENDER, BUT IT'S REALLY NOTHING TO WORRY ABOUT. 816 00:31:09,401 --> 00:31:10,901 BENDER, BUT IT'S REALLY NOTHING TO WORRY ABOUT. MY MOTHER'S WAITING FOR US AT 817 00:31:10,903 --> 00:31:11,568 TO WORRY ABOUT. MY MOTHER'S WAITING FOR US AT THE HOUSE. 818 00:31:11,570 --> 00:31:13,804 MY MOTHER'S WAITING FOR US AT THE HOUSE. YOU CAN GET IT. IT'S OPEN. 819 00:31:21,980 --> 00:31:34,424 [ SHOUTS INDISTINCTLY ] WHOA! [ LAUGHS ] 820 00:31:34,426 --> 00:31:36,159 WHOA! [ LAUGHS ] [ HUMMING ] 821 00:31:36,161 --> 00:31:37,394 [ LAUGHS ] [ HUMMING ] >> SHOULD YOU BE DRIVING WITH 822 00:31:37,396 --> 00:31:39,830 [ HUMMING ] >> SHOULD YOU BE DRIVING WITH THAT -- THAT ARM? 823 00:31:39,832 --> 00:31:40,597 >> SHOULD YOU BE DRIVING WITH THAT -- THAT ARM? >> OH, YEAH. 824 00:31:40,599 --> 00:31:42,232 THAT -- THAT ARM? >> OH, YEAH. UH, YEAH. MY ARM'S FINE. 825 00:31:42,234 --> 00:31:43,467 >> OH, YEAH. UH, YEAH. MY ARM'S FINE. IT'S NOT MY ARM YOU SHOULD WORRY 826 00:31:43,469 --> 00:31:43,834 UH, YEAH. MY ARM'S FINE. IT'S NOT MY ARM YOU SHOULD WORRY ABOUT. 827 00:31:43,836 --> 00:31:48,939 IT'S NOT MY ARM YOU SHOULD WORRY ABOUT. IT'S REALLY MY EYES. 828 00:31:48,941 --> 00:31:50,507 ABOUT. IT'S REALLY MY EYES. >> SO, THIS IS EDGE? 829 00:31:50,509 --> 00:31:51,842 IT'S REALLY MY EYES. >> SO, THIS IS EDGE? >> THIS IS EDGE. 830 00:31:51,844 --> 00:31:54,011 >> SO, THIS IS EDGE? >> THIS IS EDGE. IT WAS VOTED THE SEVENTH-BEST 831 00:31:54,013 --> 00:31:55,979 >> THIS IS EDGE. IT WAS VOTED THE SEVENTH-BEST MEDIUM-SIZED SMALL TOWN IN 832 00:31:55,981 --> 00:31:57,080 IT WAS VOTED THE SEVENTH-BEST MEDIUM-SIZED SMALL TOWN IN TIOGA COUNTY. 833 00:31:57,082 --> 00:31:57,848 MEDIUM-SIZED SMALL TOWN IN TIOGA COUNTY. >> [ CHUCKLES ] 834 00:31:57,850 --> 00:31:59,616 TIOGA COUNTY. >> [ CHUCKLES ] >> SO... [ CHUCKLES ] 835 00:31:59,618 --> 00:32:00,817 >> [ CHUCKLES ] >> SO... [ CHUCKLES ] >> WHY'S IT CALLED EDGE? 836 00:32:00,819 --> 00:32:03,353 >> SO... [ CHUCKLES ] >> WHY'S IT CALLED EDGE? >> OH, IT'S JUST A NAME. 837 00:32:03,355 --> 00:32:04,521 >> WHY'S IT CALLED EDGE? >> OH, IT'S JUST A NAME. >> IT'S A STRANGE NAME. 838 00:32:04,523 --> 00:32:06,023 >> OH, IT'S JUST A NAME. >> IT'S A STRANGE NAME. >> I DON'T THINK IT'S STRANGE AT 839 00:32:06,025 --> 00:32:06,356 >> IT'S A STRANGE NAME. >> I DON'T THINK IT'S STRANGE AT ALL. 840 00:32:06,358 --> 00:32:07,791 >> I DON'T THINK IT'S STRANGE AT ALL. AND WHO'S THAT GUY THAT SAID, 841 00:32:07,793 --> 00:32:10,527 ALL. AND WHO'S THAT GUY THAT SAID, UM, WHAT'S IN A NAME THAT BY 842 00:32:10,529 --> 00:32:13,530 AND WHO'S THAT GUY THAT SAID, UM, WHAT'S IN A NAME THAT BY WHICH ANY OTHER NAME A ROSE 843 00:32:13,532 --> 00:32:14,932 UM, WHAT'S IN A NAME THAT BY WHICH ANY OTHER NAME A ROSE COULD SMELL AS SWEET, BUT -- 844 00:32:14,934 --> 00:32:15,999 WHICH ANY OTHER NAME A ROSE COULD SMELL AS SWEET, BUT -- >> SHAKES-- SHAKESPEARE. 845 00:32:16,001 --> 00:32:17,167 COULD SMELL AS SWEET, BUT -- >> SHAKES-- SHAKESPEARE. >> SHAKESPEARE. [ LAUGHS ] 846 00:32:17,169 --> 00:32:18,335 >> SHAKES-- SHAKESPEARE. >> SHAKESPEARE. [ LAUGHS ] THERE'S NOTHING LIKE A GOOD 847 00:32:18,337 --> 00:32:18,702 >> SHAKESPEARE. [ LAUGHS ] THERE'S NOTHING LIKE A GOOD POEM. 848 00:32:18,704 --> 00:32:19,836 THERE'S NOTHING LIKE A GOOD POEM. YOU KNOW THAT POEM CALLED 849 00:32:19,838 --> 00:32:20,470 POEM. YOU KNOW THAT POEM CALLED "HIAWATHA"? 850 00:32:20,472 --> 00:32:22,005 YOU KNOW THAT POEM CALLED "HIAWATHA"? >> NO. 851 00:32:22,007 --> 00:32:24,041 "HIAWATHA"? >> NO. >> ♪ ON THE SHORES OF 852 00:32:24,043 --> 00:32:25,375 >> NO. >> ♪ ON THE SHORES OF GITCHE GUMEE ♪ 853 00:32:25,377 --> 00:32:27,544 >> ♪ ON THE SHORES OF GITCHE GUMEE ♪ ♪ WHERE THE BUFFALO DID WANDER ♪ 854 00:32:27,546 --> 00:32:28,712 GITCHE GUMEE ♪ ♪ WHERE THE BUFFALO DID WANDER ♪ ♪ LIVED A GIRL NAMED 855 00:32:28,714 --> 00:32:30,180 ♪ WHERE THE BUFFALO DID WANDER ♪ ♪ LIVED A GIRL NAMED POCAHONTAS ♪ 856 00:32:30,182 --> 00:32:31,515 ♪ LIVED A GIRL NAMED POCAHONTAS ♪ [ CHUCKLES ] 857 00:32:31,517 --> 00:32:36,320 POCAHONTAS ♪ [ CHUCKLES ] SOMETHING LIKE THAT. 858 00:32:36,322 --> 00:32:38,989 [ CHUCKLES ] SOMETHING LIKE THAT. >> SURE ARE, UH, A LOT OF BIRDS. 859 00:32:38,991 --> 00:32:39,790 SOMETHING LIKE THAT. >> SURE ARE, UH, A LOT OF BIRDS. >> OH, YEAH. 860 00:32:39,792 --> 00:32:43,994 >> SURE ARE, UH, A LOT OF BIRDS. >> OH, YEAH. THEY, UH -- THEY LOVE IT HERE. 861 00:32:43,996 --> 00:32:46,229 >> OH, YEAH. THEY, UH -- THEY LOVE IT HERE. OKAY, NOW CLOSE YOUR EYES. 862 00:32:46,231 --> 00:32:47,230 THEY, UH -- THEY LOVE IT HERE. OKAY, NOW CLOSE YOUR EYES. >> WHY? 863 00:32:47,232 --> 00:32:48,732 OKAY, NOW CLOSE YOUR EYES. >> WHY? >> UH, I WANT THE HOUSE TO BE A 864 00:32:48,734 --> 00:32:49,633 >> WHY? >> UH, I WANT THE HOUSE TO BE A COMPLETE SURPRISE. 865 00:32:49,635 --> 00:32:50,968 >> UH, I WANT THE HOUSE TO BE A COMPLETE SURPRISE. SO CLOSE YOUR EYES NOW, AND 866 00:32:50,970 --> 00:32:52,402 COMPLETE SURPRISE. SO CLOSE YOUR EYES NOW, AND DON'T OPEN THEM UNTIL I TELL YOU 867 00:32:52,404 --> 00:32:52,736 SO CLOSE YOUR EYES NOW, AND DON'T OPEN THEM UNTIL I TELL YOU TO. 868 00:32:52,738 --> 00:32:55,472 DON'T OPEN THEM UNTIL I TELL YOU TO. >> O-OKAY. 869 00:32:55,474 --> 00:32:56,540 TO. >> O-OKAY. >> [ WHISTLES ] 870 00:32:56,542 --> 00:32:57,975 >> O-OKAY. >> [ WHISTLES ] >> OH, ARE WE CLOSE BY? 871 00:32:57,977 --> 00:32:58,475 >> [ WHISTLES ] >> OH, ARE WE CLOSE BY? >> NO. 872 00:32:58,477 --> 00:33:01,178 >> OH, ARE WE CLOSE BY? >> NO. WE'VE GOT ABOUT 10 MORE MINUTES. 873 00:33:01,180 --> 00:33:03,981 >> NO. WE'VE GOT ABOUT 10 MORE MINUTES. [ WHISTLING ] 874 00:33:03,983 --> 00:33:06,216 WE'VE GOT ABOUT 10 MORE MINUTES. [ WHISTLING ] [ THUNDER CRASHES ] 875 00:33:14,559 --> 00:33:22,199 [ BIRDS CAWING ] >> WELCOME, MR. SPECK. >> SVECK. 876 00:33:22,201 --> 00:33:24,434 >> WELCOME, MR. SPECK. >> SVECK. IT'S, UH, JAMES SVECK. 877 00:33:30,908 --> 00:33:36,613 WHERE'S THE HOUSE? >> SO, WHAT DO YOU THINK? DON'T YOU JUST LOVE IT? 878 00:33:45,390 --> 00:33:47,924 >> THIS IS A DUMP. >> NO. THIS IS A TRANSFER STATION. 879 00:33:47,926 --> 00:33:48,959 >> NO. THIS IS A TRANSFER STATION. >> A TRANSFER STATION? 880 00:33:48,961 --> 00:33:50,227 THIS IS A TRANSFER STATION. >> A TRANSFER STATION? >> YEAH. IT'S WHERE YOU BRING 881 00:33:50,229 --> 00:33:51,194 >> A TRANSFER STATION? >> YEAH. IT'S WHERE YOU BRING YOUR REFUSE AND YOUR 882 00:33:51,196 --> 00:33:51,862 >> YEAH. IT'S WHERE YOU BRING YOUR REFUSE AND YOUR RECYCLABLES. 883 00:33:51,864 --> 00:33:53,196 YOUR REFUSE AND YOUR RECYCLABLES. THEY GOT A KIT AND CABOODLE 884 00:33:53,198 --> 00:33:53,630 RECYCLABLES. THEY GOT A KIT AND CABOODLE HERE, TOO. 885 00:33:53,632 --> 00:33:54,798 THEY GOT A KIT AND CABOODLE HERE, TOO. >> SORRY. A-A KIT AND CABOOGLE? 886 00:33:54,800 --> 00:33:55,866 HERE, TOO. >> SORRY. A-A KIT AND CABOOGLE? >> CABOODLE. KIT AND CABOODLE. 887 00:33:55,868 --> 00:33:56,967 >> SORRY. A-A KIT AND CABOOGLE? >> CABOODLE. KIT AND CABOODLE. >> YEAH. IF YOU HAVE SOMETHING 888 00:33:56,969 --> 00:33:57,968 >> CABOODLE. KIT AND CABOODLE. >> YEAH. IF YOU HAVE SOMETHING YOU DON'T WANT ANYMORE THAT 889 00:33:57,970 --> 00:33:58,902 >> YEAH. IF YOU HAVE SOMETHING YOU DON'T WANT ANYMORE THAT SOMEONE ELSE MIGHT LIKE, YOU 890 00:33:58,904 --> 00:33:59,803 YOU DON'T WANT ANYMORE THAT SOMEONE ELSE MIGHT LIKE, YOU BRING IT OVER, LIKE A -- 891 00:33:59,805 --> 00:34:00,904 SOMEONE ELSE MIGHT LIKE, YOU BRING IT OVER, LIKE A -- >> LIKE A TOASTER THAT DOESN'T 892 00:34:00,906 --> 00:34:01,304 BRING IT OVER, LIKE A -- >> LIKE A TOASTER THAT DOESN'T WORK. 893 00:34:01,306 --> 00:34:02,305 >> LIKE A TOASTER THAT DOESN'T WORK. >> YEAH, OR A BROKEN CHAIR, 894 00:34:02,307 --> 00:34:02,773 WORK. >> YEAH, OR A BROKEN CHAIR, SOMETHING. 895 00:34:02,775 --> 00:34:03,940 >> YEAH, OR A BROKEN CHAIR, SOMETHING. >> YEAH. PEOPLE JUST COME TO THE 896 00:34:03,942 --> 00:34:04,975 SOMETHING. >> YEAH. PEOPLE JUST COME TO THE KIT AND CABOODLE, AND THEY'LL 897 00:34:04,977 --> 00:34:05,876 >> YEAH. PEOPLE JUST COME TO THE KIT AND CABOODLE, AND THEY'LL TAKE IT HOME WITH THEM. 898 00:34:05,878 --> 00:34:06,910 KIT AND CABOODLE, AND THEY'LL TAKE IT HOME WITH THEM. >> YEAH. LIVING SO CLOSE BY 899 00:34:06,912 --> 00:34:07,978 TAKE IT HOME WITH THEM. >> YEAH. LIVING SO CLOSE BY HERE, YOU CAN GET FIRST DIBS ON 900 00:34:07,980 --> 00:34:08,779 >> YEAH. LIVING SO CLOSE BY HERE, YOU CAN GET FIRST DIBS ON ALL THE GOOD STUFF. 901 00:34:08,781 --> 00:34:09,713 HERE, YOU CAN GET FIRST DIBS ON ALL THE GOOD STUFF. YOU KNOW WHAT I'M SAYING? 902 00:34:09,715 --> 00:34:10,747 ALL THE GOOD STUFF. YOU KNOW WHAT I'M SAYING? >> I-I WASN'T AWARE THAT THE 903 00:34:10,749 --> 00:34:11,815 YOU KNOW WHAT I'M SAYING? >> I-I WASN'T AWARE THAT THE HOUSE WAS SO CLOSE TO A DUMP. 904 00:34:11,817 --> 00:34:12,883 >> I-I WASN'T AWARE THAT THE HOUSE WAS SO CLOSE TO A DUMP. UH, IN THE PICTURE, IT LOOKS 905 00:34:12,885 --> 00:34:13,950 HOUSE WAS SO CLOSE TO A DUMP. UH, IN THE PICTURE, IT LOOKS LIKE IT'S SURROUNDED BY GRASSY 906 00:34:13,952 --> 00:34:14,317 UH, IN THE PICTURE, IT LOOKS LIKE IT'S SURROUNDED BY GRASSY HILLS. 907 00:34:14,319 --> 00:34:15,552 LIKE IT'S SURROUNDED BY GRASSY HILLS. >> YEAH, WELL, THAT -- THAT'S AN 908 00:34:15,554 --> 00:34:16,153 HILLS. >> YEAH, WELL, THAT -- THAT'S AN OLD PICTURE. 909 00:34:16,155 --> 00:34:16,987 >> YEAH, WELL, THAT -- THAT'S AN OLD PICTURE. >> AND THIS IS A TRANSFER 910 00:34:16,989 --> 00:34:17,487 OLD PICTURE. >> AND THIS IS A TRANSFER STATION. 911 00:34:17,489 --> 00:34:18,321 >> AND THIS IS A TRANSFER STATION. >> RIGHT. NOT A DUMP. 912 00:34:18,323 --> 00:34:19,489 STATION. >> RIGHT. NOT A DUMP. >> YEAH, AND THEY'RE GONNA BUILD 913 00:34:19,491 --> 00:34:20,590 >> RIGHT. NOT A DUMP. >> YEAH, AND THEY'RE GONNA BUILD A 10-FOOT BEAUTIFICATION WALL 914 00:34:20,592 --> 00:34:21,591 >> YEAH, AND THEY'RE GONNA BUILD A 10-FOOT BEAUTIFICATION WALL AROUND IT, SO IT'S NOT EVEN 915 00:34:21,593 --> 00:34:22,059 A 10-FOOT BEAUTIFICATION WALL AROUND IT, SO IT'S NOT EVEN GONNA -- 916 00:34:22,061 --> 00:34:23,260 AROUND IT, SO IT'S NOT EVEN GONNA -- >> YEAH. SO WHEN ALL IS SAID AND 917 00:34:23,262 --> 00:34:24,428 GONNA -- >> YEAH. SO WHEN ALL IS SAID AND DONE, YOU -- YOU WON'T EVEN KNOW 918 00:34:24,430 --> 00:34:24,928 >> YEAH. SO WHEN ALL IS SAID AND DONE, YOU -- YOU WON'T EVEN KNOW IT'S HERE. 919 00:34:24,930 --> 00:34:25,962 DONE, YOU -- YOU WON'T EVEN KNOW IT'S HERE. >> YEAH. SO WHY DON'T WE GO 920 00:34:25,964 --> 00:34:26,897 IT'S HERE. >> YEAH. SO WHY DON'T WE GO INSIDE AND TAKE A LOOK. 921 00:34:26,899 --> 00:34:27,898 >> YEAH. SO WHY DON'T WE GO INSIDE AND TAKE A LOOK. >> UH, NO, NO, NO, THANKS. 922 00:34:27,900 --> 00:34:28,999 INSIDE AND TAKE A LOOK. >> UH, NO, NO, NO, THANKS. >> YOU DON'T WANT TO LOOK INSIDE 923 00:34:29,001 --> 00:34:29,499 >> UH, NO, NO, NO, THANKS. >> YOU DON'T WANT TO LOOK INSIDE THE HOUSE? 924 00:34:29,501 --> 00:34:29,900 >> YOU DON'T WANT TO LOOK INSIDE THE HOUSE? >> NO. 925 00:34:29,902 --> 00:34:31,001 THE HOUSE? >> NO. >> YOU DIDN'T COME ALL THIS WAY 926 00:34:31,003 --> 00:34:32,135 >> NO. >> YOU DIDN'T COME ALL THIS WAY NOT TO TAKE A PEEK INSIDE THE 927 00:34:32,137 --> 00:34:32,502 >> YOU DIDN'T COME ALL THIS WAY NOT TO TAKE A PEEK INSIDE THE HOUSE. 928 00:34:32,504 --> 00:34:33,637 NOT TO TAKE A PEEK INSIDE THE HOUSE. >> CAN YOU JUST STOP AND TAKE ME 929 00:34:33,639 --> 00:34:34,771 HOUSE. >> CAN YOU JUST STOP AND TAKE ME BACK TO THE BUS STATION? 930 00:34:34,773 --> 00:34:36,006 >> CAN YOU JUST STOP AND TAKE ME BACK TO THE BUS STATION? >> MR. SPECK, I THINK THAT 931 00:34:36,008 --> 00:34:37,174 BACK TO THE BUS STATION? >> MR. SPECK, I THINK THAT YOU'LL FIND THE PRICE IS 932 00:34:37,176 --> 00:34:37,774 >> MR. SPECK, I THINK THAT YOU'LL FIND THE PRICE IS NEGOTIABLE. 933 00:34:37,776 --> 00:34:38,175 YOU'LL FIND THE PRICE IS NEGOTIABLE. RIGHT? 934 00:34:38,177 --> 00:34:39,643 NEGOTIABLE. RIGHT? >> ABSOLUTELY. WE CAN WORK YOU A 935 00:34:39,645 --> 00:34:40,777 RIGHT? >> ABSOLUTELY. WE CAN WORK YOU A GOOD DEAL ON THIS PLACE. 936 00:34:40,779 --> 00:34:41,845 >> ABSOLUTELY. WE CAN WORK YOU A GOOD DEAL ON THIS PLACE. >> I'M NOT INTERESTED. 937 00:34:41,847 --> 00:34:43,180 GOOD DEAL ON THIS PLACE. >> I'M NOT INTERESTED. >> HOW ABOUT I KNOCK OFF 20% 938 00:34:43,182 --> 00:34:44,181 >> I'M NOT INTERESTED. >> HOW ABOUT I KNOCK OFF 20% JUST BECAUSE IT'S YOU? 939 00:34:44,183 --> 00:34:45,615 >> HOW ABOUT I KNOCK OFF 20% JUST BECAUSE IT'S YOU? >> YEAH. YOU SHOULD JUST TAKE A 940 00:34:45,617 --> 00:34:46,316 JUST BECAUSE IT'S YOU? >> YEAH. YOU SHOULD JUST TAKE A PEEK INSIDE. 941 00:34:46,318 --> 00:34:47,617 >> YEAH. YOU SHOULD JUST TAKE A PEEK INSIDE. I SWEAR, IF YOU DON'T FALL IN 942 00:34:47,619 --> 00:34:48,985 PEEK INSIDE. I SWEAR, IF YOU DON'T FALL IN LOVE WITH IT, I'LL JUST EAT MY 943 00:34:48,987 --> 00:34:49,352 I SWEAR, IF YOU DON'T FALL IN LOVE WITH IT, I'LL JUST EAT MY HAT. 944 00:34:49,354 --> 00:34:50,821 LOVE WITH IT, I'LL JUST EAT MY HAT. >> LET ME GO! 945 00:34:50,823 --> 00:34:53,023 HAT. >> LET ME GO! LET ME GO. 946 00:34:58,162 --> 00:35:04,935 >> WHAT A FREAK. >> THAT'S WHY WE DON'T LIVE IN NEW YORK. 947 00:35:04,937 --> 00:35:06,937 >> THAT'S WHY WE DON'T LIVE IN NEW YORK. >> COMING UP, YOU'LL HAVE 60 948 00:35:06,939 --> 00:35:08,972 NEW YORK. >> COMING UP, YOU'LL HAVE 60 MINUTES OF NONSTOP MUSIC. 949 00:35:08,974 --> 00:35:11,875 >> COMING UP, YOU'LL HAVE 60 MINUTES OF NONSTOP MUSIC. >> JAMES? 950 00:35:11,877 --> 00:35:12,709 MINUTES OF NONSTOP MUSIC. >> JAMES? YOU'RE BACK. 951 00:35:12,711 --> 00:35:14,311 >> JAMES? YOU'RE BACK. HOW DO YOU SPELL FACSIMILE? 952 00:35:14,313 --> 00:35:15,712 YOU'RE BACK. HOW DO YOU SPELL FACSIMILE? >> USE YOUR SPELL CHECK. 953 00:35:15,714 --> 00:35:17,481 HOW DO YOU SPELL FACSIMILE? >> USE YOUR SPELL CHECK. >> I ALREADY DID, BUT IT'S NOT 954 00:35:17,483 --> 00:35:20,150 >> USE YOUR SPELL CHECK. >> I ALREADY DID, BUT IT'S NOT WORKING 'CAUSE I'M SO FAR OFF. 955 00:35:20,152 --> 00:35:25,555 >> I ALREADY DID, BUT IT'S NOT WORKING 'CAUSE I'M SO FAR OFF. >> F-A-C-S-I-M-I-L-E. 956 00:35:25,557 --> 00:35:27,324 WORKING 'CAUSE I'M SO FAR OFF. >> F-A-C-S-I-M-I-L-E. >> THERE'S NO "X"? 957 00:35:27,326 --> 00:35:28,225 >> F-A-C-S-I-M-I-L-E. >> THERE'S NO "X"? >> NO. 958 00:35:28,227 --> 00:35:29,726 >> THERE'S NO "X"? >> NO. >> WELL, THEN, WHY IS "FAX" WITH 959 00:35:29,728 --> 00:35:30,193 >> NO. >> WELL, THEN, WHY IS "FAX" WITH AN "X"? 960 00:35:30,195 --> 00:35:31,361 >> WELL, THEN, WHY IS "FAX" WITH AN "X"? >> BECAUSE IT'S A CRUEL, 961 00:35:31,363 --> 00:35:35,899 AN "X"? >> BECAUSE IT'S A CRUEL, SENSELESS WORLD. 962 00:35:35,901 --> 00:35:38,001 >> BECAUSE IT'S A CRUEL, SENSELESS WORLD. YOU WANT TO EXPLAIN YOUR FACE? 963 00:35:38,003 --> 00:35:39,369 SENSELESS WORLD. YOU WANT TO EXPLAIN YOUR FACE? >> I'M ENVISIONING THE COVER OF 964 00:35:39,371 --> 00:35:39,903 YOU WANT TO EXPLAIN YOUR FACE? >> I'M ENVISIONING THE COVER OF MY MEMOIR. 965 00:35:39,905 --> 00:35:41,171 >> I'M ENVISIONING THE COVER OF MY MEMOIR. >> THAT'S THE MOST IMPORTANT 966 00:35:41,173 --> 00:35:43,640 MY MEMOIR. >> THAT'S THE MOST IMPORTANT PART OF ANY BOOK -- THE COVER. 967 00:35:43,642 --> 00:35:44,975 >> THAT'S THE MOST IMPORTANT PART OF ANY BOOK -- THE COVER. >> STATISTICS ACTUALLY SAY THAT 968 00:35:44,977 --> 00:35:46,209 PART OF ANY BOOK -- THE COVER. >> STATISTICS ACTUALLY SAY THAT PEOPLE ARE THREE TIMES MORE 969 00:35:46,211 --> 00:35:47,410 >> STATISTICS ACTUALLY SAY THAT PEOPLE ARE THREE TIMES MORE LIKELY TO BUY A BOOK BASED ON 970 00:35:47,412 --> 00:35:48,478 PEOPLE ARE THREE TIMES MORE LIKELY TO BUY A BOOK BASED ON ITS COVER RATHER THAN ITS 971 00:35:48,480 --> 00:35:48,979 LIKELY TO BUY A BOOK BASED ON ITS COVER RATHER THAN ITS CONTENT. 972 00:35:48,981 --> 00:35:51,214 ITS COVER RATHER THAN ITS CONTENT. SO DON'T KNOCK IT. 973 00:35:51,216 --> 00:35:52,749 CONTENT. SO DON'T KNOCK IT. >> AREN'T YOU A LITTLE BIT YOUNG 974 00:35:52,751 --> 00:35:53,984 SO DON'T KNOCK IT. >> AREN'T YOU A LITTLE BIT YOUNG TO BE WRITING A MEMOIR? 975 00:35:53,986 --> 00:35:55,185 >> AREN'T YOU A LITTLE BIT YOUNG TO BE WRITING A MEMOIR? >> WELL, I'M TAKING A 976 00:35:55,187 --> 00:35:56,720 TO BE WRITING A MEMOIR? >> WELL, I'M TAKING A MEMOIR-WRITING CLASS NEXT YEAR. 977 00:35:56,722 --> 00:35:58,188 >> WELL, I'M TAKING A MEMOIR-WRITING CLASS NEXT YEAR. BESIDES, AMANDA GOSHEN ALREADY 978 00:35:58,190 --> 00:35:59,656 MEMOIR-WRITING CLASS NEXT YEAR. BESIDES, AMANDA GOSHEN ALREADY SOLD HERS. 979 00:35:59,658 --> 00:36:02,325 BESIDES, AMANDA GOSHEN ALREADY SOLD HERS. >> WHO'S AMANDA GOSHEN? 980 00:36:02,327 --> 00:36:03,693 SOLD HERS. >> WHO'S AMANDA GOSHEN? >> THE GIRL WHO TOOK IT LAST 981 00:36:03,695 --> 00:36:05,262 >> WHO'S AMANDA GOSHEN? >> THE GIRL WHO TOOK IT LAST YEAR. 982 00:36:05,264 --> 00:36:07,097 >> THE GIRL WHO TOOK IT LAST YEAR. SHE JUST SOLD HER MEMOIR FOR 983 00:36:07,099 --> 00:36:08,765 YEAR. SHE JUST SOLD HER MEMOIR FOR 600 GRAND. 984 00:36:08,767 --> 00:36:09,699 SHE JUST SOLD HER MEMOIR FOR 600 GRAND. >> $600,000? 985 00:36:09,701 --> 00:36:11,268 600 GRAND. >> $600,000? >> YEAH. SHE'S SO LUCKY. 986 00:36:11,270 --> 00:36:13,103 >> $600,000? >> YEAH. SHE'S SO LUCKY. AND SHE HAS ALL THE BEST THINGS 987 00:36:13,105 --> 00:36:15,105 >> YEAH. SHE'S SO LUCKY. AND SHE HAS ALL THE BEST THINGS WRONG WITH HER, LIKE INCEST AND 988 00:36:15,107 --> 00:36:18,208 AND SHE HAS ALL THE BEST THINGS WRONG WITH HER, LIKE INCEST AND INSANITY, DRUG ADDICTION, UM, 989 00:36:18,210 --> 00:36:20,110 WRONG WITH HER, LIKE INCEST AND INSANITY, DRUG ADDICTION, UM, BULIMIA, ALOPECIA. 990 00:36:20,112 --> 00:36:21,945 INSANITY, DRUG ADDICTION, UM, BULIMIA, ALOPECIA. [ CAMERA SHUTTER CLICKS ] 991 00:36:21,947 --> 00:36:23,413 BULIMIA, ALOPECIA. [ CAMERA SHUTTER CLICKS ] >> WHAT'S ALOPECIA? 992 00:36:23,415 --> 00:36:24,514 [ CAMERA SHUTTER CLICKS ] >> WHAT'S ALOPECIA? >> HAIR LOSS. 993 00:36:24,516 --> 00:36:26,616 >> WHAT'S ALOPECIA? >> HAIR LOSS. SHE SUFFERED TRAUMATIC BALDING 994 00:36:26,618 --> 00:36:31,054 >> HAIR LOSS. SHE SUFFERED TRAUMATIC BALDING AFTER HER UNCLE RAPED HER. 995 00:36:31,056 --> 00:36:33,924 SHE SUFFERED TRAUMATIC BALDING AFTER HER UNCLE RAPED HER. [ CAMERA SHUTTER CLICKING ] 996 00:36:33,926 --> 00:36:35,125 AFTER HER UNCLE RAPED HER. [ CAMERA SHUTTER CLICKING ] >> ♪ LISTEN TO ME, LISTEN TO ME, 997 00:36:35,127 --> 00:36:36,293 [ CAMERA SHUTTER CLICKING ] >> ♪ LISTEN TO ME, LISTEN TO ME, LISTEN TO ME NOW ♪ 998 00:36:36,295 --> 00:36:37,460 >> ♪ LISTEN TO ME, LISTEN TO ME, LISTEN TO ME NOW ♪ ♪ LISTEN TO ME, LISTEN TO ME, 999 00:36:37,462 --> 00:36:38,628 LISTEN TO ME NOW ♪ ♪ LISTEN TO ME, LISTEN TO ME, LISTEN TO ME NOW ♪ 1000 00:36:38,630 --> 00:36:39,796 ♪ LISTEN TO ME, LISTEN TO ME, LISTEN TO ME NOW ♪ >> CHECK THIS OUT. 1001 00:36:39,798 --> 00:36:43,300 LISTEN TO ME NOW ♪ >> CHECK THIS OUT. >> ♪ LISTEN TO ME NOW ♪ 1002 00:36:43,302 --> 00:36:45,202 >> CHECK THIS OUT. >> ♪ LISTEN TO ME NOW ♪ >> SHE IS NOW BALD FROM HEAD TO 1003 00:36:45,204 --> 00:36:45,702 >> ♪ LISTEN TO ME NOW ♪ >> SHE IS NOW BALD FROM HEAD TO TOE. 1004 00:36:45,704 --> 00:36:47,304 >> SHE IS NOW BALD FROM HEAD TO TOE. >> THAT'S PRETTY TOUGH TO 1005 00:36:47,306 --> 00:36:48,238 TOE. >> THAT'S PRETTY TOUGH TO COMPETE WITH. 1006 00:36:48,240 --> 00:36:49,806 >> THAT'S PRETTY TOUGH TO COMPETE WITH. >> IT'S NOT A COMPETITION, 1007 00:36:49,808 --> 00:36:50,440 COMPETE WITH. >> IT'S NOT A COMPETITION, JAMES. 1008 00:36:50,442 --> 00:36:54,945 >> IT'S NOT A COMPETITION, JAMES. MEMOIR WRITING'S AN ART. 1009 00:36:54,947 --> 00:36:57,781 JAMES. MEMOIR WRITING'S AN ART. HEY, MOM WANTS TO SEE YOU. 1010 00:36:57,783 --> 00:36:58,982 MEMOIR WRITING'S AN ART. HEY, MOM WANTS TO SEE YOU. >> WHY? 1011 00:36:58,984 --> 00:37:00,483 HEY, MOM WANTS TO SEE YOU. >> WHY? >> WHY DO YOU THINK? 1012 00:37:00,485 --> 00:37:01,952 >> WHY? >> WHY DO YOU THINK? WHEN ARE YOU JUST GONNA CUT THIS 1013 00:37:01,954 --> 00:37:03,386 >> WHY DO YOU THINK? WHEN ARE YOU JUST GONNA CUT THIS "I'M NOT GOING TO COLLEGE" CRAP? 1014 00:37:03,388 --> 00:37:04,754 WHEN ARE YOU JUST GONNA CUT THIS "I'M NOT GOING TO COLLEGE" CRAP? >> WHY DO YOU CARE IF I GO TO 1015 00:37:04,756 --> 00:37:05,555 "I'M NOT GOING TO COLLEGE" CRAP? >> WHY DO YOU CARE IF I GO TO COLLEGE OR NOT? 1016 00:37:05,557 --> 00:37:06,623 >> WHY DO YOU CARE IF I GO TO COLLEGE OR NOT? >> I DON'T REALLY CARE. 1017 00:37:06,625 --> 00:37:08,058 COLLEGE OR NOT? >> I DON'T REALLY CARE. BUT IF YOU DON'T GO, THEN MOM'S 1018 00:37:08,060 --> 00:37:09,392 >> I DON'T REALLY CARE. BUT IF YOU DON'T GO, THEN MOM'S NEVER GONNA SHUT UP ABOUT IT, 1019 00:37:09,394 --> 00:37:10,760 BUT IF YOU DON'T GO, THEN MOM'S NEVER GONNA SHUT UP ABOUT IT, AND RIGHT NOW, I'M THE ONE THAT 1020 00:37:10,762 --> 00:37:11,761 NEVER GONNA SHUT UP ABOUT IT, AND RIGHT NOW, I'M THE ONE THAT HAS TO DEAL WITH IT. 1021 00:37:11,763 --> 00:37:13,230 AND RIGHT NOW, I'M THE ONE THAT HAS TO DEAL WITH IT. SO WHY DON'T YOU JUST SUCK IT UP 1022 00:37:13,232 --> 00:37:14,497 HAS TO DEAL WITH IT. SO WHY DON'T YOU JUST SUCK IT UP AND GO, AND THEN MOM WILL BE 1023 00:37:14,499 --> 00:37:15,799 SO WHY DON'T YOU JUST SUCK IT UP AND GO, AND THEN MOM WILL BE HAPPY, DAD WILL BE HAPPY, AND 1024 00:37:15,801 --> 00:37:18,335 AND GO, AND THEN MOM WILL BE HAPPY, DAD WILL BE HAPPY, AND I'LL BE HAPPY? 1025 00:37:18,337 --> 00:37:21,171 HAPPY, DAD WILL BE HAPPY, AND I'LL BE HAPPY? >> WHAT ABOUT ME? 1026 00:37:21,173 --> 00:37:24,174 I'LL BE HAPPY? >> WHAT ABOUT ME? >> YOU'RE NEVER HAPPY ANYWAYS. 1027 00:37:24,176 --> 00:37:26,943 >> WHAT ABOUT ME? >> YOU'RE NEVER HAPPY ANYWAYS. >> Thanks. 1028 00:37:26,945 --> 00:37:31,848 >> YOU'RE NEVER HAPPY ANYWAYS. >> Thanks. >> DON'T FORGET TO TALK TO MOM. 1029 00:37:31,850 --> 00:37:33,683 >> Thanks. >> DON'T FORGET TO TALK TO MOM. >> THE PAST DOES NOT CONTROL THE 1030 00:37:33,685 --> 00:37:34,985 >> DON'T FORGET TO TALK TO MOM. >> THE PAST DOES NOT CONTROL THE FUTURE. 1031 00:37:34,987 --> 00:37:37,354 >> THE PAST DOES NOT CONTROL THE FUTURE. >> I CAN DO MORE THAN I THINK I 1032 00:37:37,356 --> 00:37:38,154 FUTURE. >> I CAN DO MORE THAN I THINK I CAN. 1033 00:37:38,156 --> 00:37:39,856 >> I CAN DO MORE THAN I THINK I CAN. >> I CAN DO MORE THAN I THINK I 1034 00:37:39,858 --> 00:37:41,925 CAN. >> I CAN DO MORE THAN I THINK I CAN. 1035 00:37:41,927 --> 00:37:45,095 >> I CAN DO MORE THAN I THINK I CAN. >> LOVE IS NEVER WASTED. 1036 00:37:45,097 --> 00:37:47,964 CAN. >> LOVE IS NEVER WASTED. >> LOVE IS NEVER WASTED. 1037 00:37:47,966 --> 00:37:49,599 >> LOVE IS NEVER WASTED. >> LOVE IS NEVER WASTED. >> THE PAST DOES NOT CONTROL THE 1038 00:37:49,601 --> 00:37:50,200 >> LOVE IS NEVER WASTED. >> THE PAST DOES NOT CONTROL THE FUTURE. 1039 00:37:50,202 --> 00:37:50,967 >> THE PAST DOES NOT CONTROL THE FUTURE. >> [ HUMMING ] 1040 00:37:50,969 --> 00:37:52,135 FUTURE. >> [ HUMMING ] [ FLOORBOARDS CREAK ] 1041 00:37:52,137 --> 00:37:52,602 >> [ HUMMING ] [ FLOORBOARDS CREAK ] >> SORRY. 1042 00:37:52,604 --> 00:37:53,436 [ FLOORBOARDS CREAK ] >> SORRY. >> NO, NO, NO, NO, NO. 1043 00:37:53,438 --> 00:37:54,104 >> SORRY. >> NO, NO, NO, NO, NO. DON'T BE SORRY. 1044 00:37:54,106 --> 00:37:59,109 >> NO, NO, NO, NO, NO. DON'T BE SORRY. COME IN. 1045 00:37:59,111 --> 00:38:00,110 DON'T BE SORRY. COME IN. I HAVEN'T SEEN YOU. 1046 00:38:00,112 --> 00:38:01,211 COME IN. I HAVEN'T SEEN YOU. I WANT TO TALK TO YOU. 1047 00:38:01,213 --> 00:38:01,878 I HAVEN'T SEEN YOU. I WANT TO TALK TO YOU. HOW ARE YOU? 1048 00:38:01,880 --> 00:38:03,647 I WANT TO TALK TO YOU. HOW ARE YOU? [ CHUCKLES ] 1049 00:38:03,649 --> 00:38:04,547 HOW ARE YOU? [ CHUCKLES ] >> FINE. 1050 00:38:04,549 --> 00:38:06,383 [ CHUCKLES ] >> FINE. >> I SPOKE TO MARENA. 1051 00:38:06,385 --> 00:38:08,351 >> FINE. >> I SPOKE TO MARENA. >> GREAT. 1052 00:38:08,353 --> 00:38:09,853 >> I SPOKE TO MARENA. >> GREAT. >> SHE SAID SHE DOESN'T THINK 1053 00:38:09,855 --> 00:38:12,122 >> GREAT. >> SHE SAID SHE DOESN'T THINK YOU'RE COMING BACK. 1054 00:38:12,124 --> 00:38:15,125 >> SHE SAID SHE DOESN'T THINK YOU'RE COMING BACK. >> GOOD. I'M NOT. 1055 00:38:15,127 --> 00:38:16,893 YOU'RE COMING BACK. >> GOOD. I'M NOT. >> WHY NOT? 1056 00:38:16,895 --> 00:38:19,529 >> GOOD. I'M NOT. >> WHY NOT? >> WHY SHOULD I? 1057 00:38:19,531 --> 00:38:21,865 >> WHY NOT? >> WHY SHOULD I? >> WE'RE WORRIED ABOUT YOU. 1058 00:38:21,867 --> 00:38:22,666 >> WHY SHOULD I? >> WE'RE WORRIED ABOUT YOU. I'M WORRIED. 1059 00:38:22,668 --> 00:38:23,900 >> WE'RE WORRIED ABOUT YOU. I'M WORRIED. YOUR FATHER IS WORRIED. 1060 00:38:23,902 --> 00:38:26,169 I'M WORRIED. YOUR FATHER IS WORRIED. >> MAYBE YOU SHOULD BOTH WORRY 1061 00:38:26,171 --> 00:38:27,470 YOUR FATHER IS WORRIED. >> MAYBE YOU SHOULD BOTH WORRY ABOUT YOURSELVES. 1062 00:38:27,472 --> 00:38:29,572 >> MAYBE YOU SHOULD BOTH WORRY ABOUT YOURSELVES. >> WE BOTH THINK THAT YOU'RE A 1063 00:38:29,574 --> 00:38:32,175 ABOUT YOURSELVES. >> WE BOTH THINK THAT YOU'RE A VERY SMART YOUNG MAN, BUT -- 1064 00:38:32,177 --> 00:38:33,843 >> WE BOTH THINK THAT YOU'RE A VERY SMART YOUNG MAN, BUT -- >> BUT? 1065 00:38:33,845 --> 00:38:36,012 VERY SMART YOUNG MAN, BUT -- >> BUT? >> BUT YOU SPEND ALL YOUR TIME 1066 00:38:36,014 --> 00:38:37,547 >> BUT? >> BUT YOU SPEND ALL YOUR TIME IN YOUR ROOM ALONE. 1067 00:38:37,549 --> 00:38:39,182 >> BUT YOU SPEND ALL YOUR TIME IN YOUR ROOM ALONE. YOU NEVER SOCIALIZE. 1068 00:38:39,184 --> 00:38:41,151 IN YOUR ROOM ALONE. YOU NEVER SOCIALIZE. YOU SUDDENLY DECIDE THAT YOU 1069 00:38:41,153 --> 00:38:43,153 YOU NEVER SOCIALIZE. YOU SUDDENLY DECIDE THAT YOU DON'T WANT TO GO TO COLLEGE. 1070 00:38:43,155 --> 00:38:45,488 YOU SUDDENLY DECIDE THAT YOU DON'T WANT TO GO TO COLLEGE. AND WHEN YOU DO SEE ANYONE, IT'S 1071 00:38:45,490 --> 00:38:46,823 DON'T WANT TO GO TO COLLEGE. AND WHEN YOU DO SEE ANYONE, IT'S YOUR GRANDMOTHER. 1072 00:38:46,825 --> 00:38:49,926 AND WHEN YOU DO SEE ANYONE, IT'S YOUR GRANDMOTHER. DO YOU THINK THAT'S NORMAL? 1073 00:38:49,928 --> 00:38:51,161 YOUR GRANDMOTHER. DO YOU THINK THAT'S NORMAL? >> WHAT'S THE BIG DEAL WITH 1074 00:38:51,163 --> 00:38:52,395 DO YOU THINK THAT'S NORMAL? >> WHAT'S THE BIG DEAL WITH "NORMAL"? 1075 00:38:52,397 --> 00:38:54,898 >> WHAT'S THE BIG DEAL WITH "NORMAL"? >> WELL, AFTER WASHINGTON, 1076 00:38:54,900 --> 00:38:56,433 "NORMAL"? >> WELL, AFTER WASHINGTON, D.C. -- 1077 00:38:56,435 --> 00:38:57,534 >> WELL, AFTER WASHINGTON, D.C. -- >> I LIKE READING. 1078 00:38:57,536 --> 00:38:58,601 D.C. -- >> I LIKE READING. I GO TO THE MOVIES. 1079 00:38:58,603 --> 00:39:00,170 >> I LIKE READING. I GO TO THE MOVIES. >> WELL, THAT'S ALL FINE AND 1080 00:39:00,172 --> 00:39:01,604 I GO TO THE MOVIES. >> WELL, THAT'S ALL FINE AND GOOD, JAMES, BUT HOW ABOUT 1081 00:39:01,606 --> 00:39:02,906 >> WELL, THAT'S ALL FINE AND GOOD, JAMES, BUT HOW ABOUT LIKING SOMETHING REAL? 1082 00:39:02,908 --> 00:39:04,507 GOOD, JAMES, BUT HOW ABOUT LIKING SOMETHING REAL? >> YOU DON'T THINK NANETTE IS 1083 00:39:04,509 --> 00:39:04,941 LIKING SOMETHING REAL? >> YOU DON'T THINK NANETTE IS REAL? 1084 00:39:04,943 --> 00:39:06,743 >> YOU DON'T THINK NANETTE IS REAL? JUST BECAUSE YOU DON'T LIKE HER 1085 00:39:06,745 --> 00:39:08,345 REAL? JUST BECAUSE YOU DON'T LIKE HER DOESN'T MEAN SHE'S NOT REAL. 1086 00:39:08,347 --> 00:39:09,679 JUST BECAUSE YOU DON'T LIKE HER DOESN'T MEAN SHE'S NOT REAL. >> I DON'T NOT LIKE HER. 1087 00:39:09,681 --> 00:39:10,680 DOESN'T MEAN SHE'S NOT REAL. >> I DON'T NOT LIKE HER. SHE'S MY MOTHER. 1088 00:39:10,682 --> 00:39:12,349 >> I DON'T NOT LIKE HER. SHE'S MY MOTHER. >> YOU'RE ALWAYS MAKING FUN OF 1089 00:39:12,351 --> 00:39:13,950 SHE'S MY MOTHER. >> YOU'RE ALWAYS MAKING FUN OF HER, SAYING MEAN THINGS ABOUT 1090 00:39:13,952 --> 00:39:14,351 >> YOU'RE ALWAYS MAKING FUN OF HER, SAYING MEAN THINGS ABOUT HER. 1091 00:39:14,353 --> 00:39:16,186 HER, SAYING MEAN THINGS ABOUT HER. >> JAMES, I'M THRILLED THAT YOU 1092 00:39:16,188 --> 00:39:17,721 HER. >> JAMES, I'M THRILLED THAT YOU HAVE SUCH A CLOSE RELATIONSHIP 1093 00:39:17,723 --> 00:39:19,389 >> JAMES, I'M THRILLED THAT YOU HAVE SUCH A CLOSE RELATIONSHIP WITH HER, BUT YOU HAVE NO IDEA 1094 00:39:19,391 --> 00:39:21,024 HAVE SUCH A CLOSE RELATIONSHIP WITH HER, BUT YOU HAVE NO IDEA WHAT IT'S LIKE TO GROW UP WITH 1095 00:39:21,026 --> 00:39:23,460 WITH HER, BUT YOU HAVE NO IDEA WHAT IT'S LIKE TO GROW UP WITH SOMEONE LIKE NANETTE. 1096 00:39:23,462 --> 00:39:25,962 WHAT IT'S LIKE TO GROW UP WITH SOMEONE LIKE NANETTE. THIS IS NOT ABOUT ME. 1097 00:39:25,964 --> 00:39:28,965 SOMEONE LIKE NANETTE. THIS IS NOT ABOUT ME. THIS IS NOT ABOUT NANETTE. 1098 00:39:28,967 --> 00:39:32,535 THIS IS NOT ABOUT ME. THIS IS NOT ABOUT NANETTE. THIS IS ABOUT YOU. 1099 00:39:32,537 --> 00:39:34,571 THIS IS NOT ABOUT NANETTE. THIS IS ABOUT YOU. I WANT TO HELP YOU. 1100 00:39:34,573 --> 00:39:38,541 THIS IS ABOUT YOU. I WANT TO HELP YOU. YOU'RE MY SON. 1101 00:39:38,543 --> 00:39:40,944 I WANT TO HELP YOU. YOU'RE MY SON. >> YOU WANT TO HELP ME? 1102 00:39:40,946 --> 00:39:43,313 YOU'RE MY SON. >> YOU WANT TO HELP ME? LOOK AT YOURSELF. 1103 00:39:43,315 --> 00:39:46,449 >> YOU WANT TO HELP ME? LOOK AT YOURSELF. HOW LONG DID THIS MARRIAGE LAST? 1104 00:39:46,451 --> 00:39:50,253 LOOK AT YOURSELF. HOW LONG DID THIS MARRIAGE LAST? 48 HOURS? 1105 00:39:50,255 --> 00:39:51,454 HOW LONG DID THIS MARRIAGE LAST? 48 HOURS? >> WILL YOU PLEASE JUST MAKE 1106 00:39:51,456 --> 00:39:54,257 48 HOURS? >> WILL YOU PLEASE JUST MAKE ANOTHER APPOINTMENT WITH MARINA? 1107 00:39:54,259 --> 00:39:56,259 >> WILL YOU PLEASE JUST MAKE ANOTHER APPOINTMENT WITH MARINA? >> I-I HAVE A FATHER WHO'S 1108 00:39:56,261 --> 00:39:58,428 ANOTHER APPOINTMENT WITH MARINA? >> I-I HAVE A FATHER WHO'S HAVING PLASTIC SURGERY AND A 1109 00:39:58,430 --> 00:40:00,563 >> I-I HAVE A FATHER WHO'S HAVING PLASTIC SURGERY AND A MOTHER WHOSE MARRIAGE LASTS 1110 00:40:00,565 --> 00:40:02,732 HAVING PLASTIC SURGERY AND A MOTHER WHOSE MARRIAGE LASTS BARELY A WEEKEND, A SISTER -- 1111 00:40:02,734 --> 00:40:04,901 MOTHER WHOSE MARRIAGE LASTS BARELY A WEEKEND, A SISTER -- SHE IS WRITING HER MEMOIRS AT 1112 00:40:04,903 --> 00:40:06,169 BARELY A WEEKEND, A SISTER -- SHE IS WRITING HER MEMOIRS AT THE AGE OF 23! 1113 00:40:06,171 --> 00:40:08,338 SHE IS WRITING HER MEMOIRS AT THE AGE OF 23! AND YOU THINK I'M THE ONE WHO 1114 00:40:08,340 --> 00:40:09,606 THE AGE OF 23! AND YOU THINK I'M THE ONE WHO NEEDS A SHRINK. 1115 00:40:09,608 --> 00:40:11,841 AND YOU THINK I'M THE ONE WHO NEEDS A SHRINK. >> SHE'S NOT A SHRINK. 1116 00:40:18,349 --> 00:40:23,620 [ HUMMING ] THE PAST DOES NOT CONTROL THE FUTURE. 1117 00:40:23,622 --> 00:40:25,355 THE PAST DOES NOT CONTROL THE FUTURE. [ BREATHES HEAVILY ] 1118 00:40:25,357 --> 00:40:27,424 FUTURE. [ BREATHES HEAVILY ] LOVE, LOVE, LOVE IS NEVER 1119 00:40:27,426 --> 00:40:28,591 [ BREATHES HEAVILY ] LOVE, LOVE, LOVE IS NEVER WASTED. 1120 00:40:28,593 --> 00:40:30,427 LOVE, LOVE, LOVE IS NEVER WASTED. >> ♪ THINK YOU'RE FREE, BUT 1121 00:40:30,429 --> 00:40:34,264 WASTED. >> ♪ THINK YOU'RE FREE, BUT YOU'RE JUST WALKIN' ♪ 1122 00:40:34,266 --> 00:40:36,366 >> ♪ THINK YOU'RE FREE, BUT YOU'RE JUST WALKIN' ♪ ♪ YOU THINK YOU'RE FREE ♪ 1123 00:40:36,368 --> 00:40:39,869 YOU'RE JUST WALKIN' ♪ ♪ YOU THINK YOU'RE FREE ♪ ♪ AH, LISTEN TO ME NOW ♪ 1124 00:40:39,871 --> 00:40:42,839 ♪ YOU THINK YOU'RE FREE ♪ ♪ AH, LISTEN TO ME NOW ♪ ♪ NA, NA, NA, NA, NA, NA ♪ 1125 00:40:42,841 --> 00:40:43,506 ♪ AH, LISTEN TO ME NOW ♪ ♪ NA, NA, NA, NA, NA, NA ♪ >> REALLY? 1126 00:40:43,508 --> 00:40:44,808 ♪ NA, NA, NA, NA, NA, NA ♪ >> REALLY? THAT'S VERY INTERESTING. 1127 00:40:44,810 --> 00:40:46,209 >> REALLY? THAT'S VERY INTERESTING. YOU KNOW I KNOW YOU'RE LYING. 1128 00:40:46,211 --> 00:40:47,377 THAT'S VERY INTERESTING. YOU KNOW I KNOW YOU'RE LYING. AND THESE ARE STUPID, 1129 00:40:47,379 --> 00:40:48,445 YOU KNOW I KNOW YOU'RE LYING. AND THESE ARE STUPID, TIME-WASTING LIES. 1130 00:40:48,447 --> 00:40:49,879 AND THESE ARE STUPID, TIME-WASTING LIES. THEY'RE NOT EVEN INTERESTING 1131 00:40:49,881 --> 00:40:50,346 TIME-WASTING LIES. THEY'RE NOT EVEN INTERESTING LIES. 1132 00:40:50,348 --> 00:40:51,948 THEY'RE NOT EVEN INTERESTING LIES. SO WHEN YOU'RE READY TO TALK TO 1133 00:40:51,950 --> 00:40:54,217 LIES. SO WHEN YOU'RE READY TO TALK TO ME SENSIBLY, CALL BACK. 1134 00:40:54,219 --> 00:40:55,552 SO WHEN YOU'RE READY TO TALK TO ME SENSIBLY, CALL BACK. HELLO, JAMES. 1135 00:40:55,554 --> 00:40:59,155 ME SENSIBLY, CALL BACK. HELLO, JAMES. SO WHAT'S ON THE MENU FOR TODAY? 1136 00:40:59,157 --> 00:41:01,825 HELLO, JAMES. SO WHAT'S ON THE MENU FOR TODAY? AH. PASTA. 1137 00:41:01,827 --> 00:41:05,228 SO WHAT'S ON THE MENU FOR TODAY? AH. PASTA. >> AT LEAST IT'S NOT SALAD. 1138 00:41:05,230 --> 00:41:06,563 AH. PASTA. >> AT LEAST IT'S NOT SALAD. >> WHY IS IT EVERY TIME I CALL 1139 00:41:06,565 --> 00:41:07,797 >> AT LEAST IT'S NOT SALAD. >> WHY IS IT EVERY TIME I CALL YOU, YOUR PHONE IS OFF? 1140 00:41:07,799 --> 00:41:08,998 >> WHY IS IT EVERY TIME I CALL YOU, YOUR PHONE IS OFF? >> MAYBE I DON'T WANT TO BE 1141 00:41:09,000 --> 00:41:13,970 YOU, YOUR PHONE IS OFF? >> MAYBE I DON'T WANT TO BE REACHED. 1142 00:41:13,972 --> 00:41:18,575 >> MAYBE I DON'T WANT TO BE REACHED. LISTEN, DAD, UH... 1143 00:41:18,577 --> 00:41:21,478 REACHED. LISTEN, DAD, UH... I'VE DECIDED I'M NOT GOING. 1144 00:41:21,480 --> 00:41:24,814 LISTEN, DAD, UH... I'VE DECIDED I'M NOT GOING. >> GOING WHERE? 1145 00:41:24,816 --> 00:41:26,649 I'VE DECIDED I'M NOT GOING. >> GOING WHERE? TO BROWN. 1146 00:41:26,651 --> 00:41:27,917 >> GOING WHERE? TO BROWN. >> OH, JAMES, I'VE ALREADY SENT 1147 00:41:27,919 --> 00:41:28,718 TO BROWN. >> OH, JAMES, I'VE ALREADY SENT IN THE TUITION. 1148 00:41:28,720 --> 00:41:29,819 >> OH, JAMES, I'VE ALREADY SENT IN THE TUITION. I-I THINK IT'S TOO LATE TO 1149 00:41:29,821 --> 00:41:30,587 IN THE TUITION. I-I THINK IT'S TOO LATE TO SWITCH SCHOOLS. 1150 00:41:30,589 --> 00:41:31,588 I-I THINK IT'S TOO LATE TO SWITCH SCHOOLS. >> I WASN'T THINKING OF 1151 00:41:31,590 --> 00:41:32,422 SWITCH SCHOOLS. >> I WASN'T THINKING OF SWITCHING SCHOOLS. 1152 00:41:32,424 --> 00:41:36,259 >> I WASN'T THINKING OF SWITCHING SCHOOLS. >> OH, OKAY. GOOD. 1153 00:41:36,261 --> 00:41:39,596 SWITCHING SCHOOLS. >> OH, OKAY. GOOD. >> I'M -- I WAS THINKING OF NOT 1154 00:41:39,598 --> 00:41:41,831 >> OH, OKAY. GOOD. >> I'M -- I WAS THINKING OF NOT GOING TO COLLEGE AT ALL. 1155 00:41:46,871 --> 00:41:52,675 OH, MY GOD! DAD! >> OH, IT'S THE, UH, BLEFAROPLASTY. 1156 00:41:52,677 --> 00:41:54,777 >> OH, IT'S THE, UH, BLEFAROPLASTY. IT'S HEALING. 1157 00:41:54,779 --> 00:41:55,912 BLEFAROPLASTY. IT'S HEALING. NOW, WHAT DO YOU MEAN YOU -- 1158 00:41:55,914 --> 00:41:57,113 IT'S HEALING. NOW, WHAT DO YOU MEAN YOU -- YOU'RE NOT GOING TO COLLEGE AT 1159 00:41:57,115 --> 00:41:58,715 NOW, WHAT DO YOU MEAN YOU -- YOU'RE NOT GOING TO COLLEGE AT ALL? 1160 00:41:58,717 --> 00:42:00,016 YOU'RE NOT GOING TO COLLEGE AT ALL? >> I DON'T SEE THE POINT IN 1161 00:42:00,018 --> 00:42:01,518 ALL? >> I DON'T SEE THE POINT IN LEARNING A LOT OF STUFF I'M NOT 1162 00:42:01,520 --> 00:42:02,952 >> I DON'T SEE THE POINT IN LEARNING A LOT OF STUFF I'M NOT PARTICULARLY INTERESTED IN AND 1163 00:42:02,954 --> 00:42:04,020 LEARNING A LOT OF STUFF I'M NOT PARTICULARLY INTERESTED IN AND I'M BOUND TO FORGET. 1164 00:42:04,022 --> 00:42:05,421 PARTICULARLY INTERESTED IN AND I'M BOUND TO FORGET. AND BESIDES, I CAN'T STAND THE 1165 00:42:05,423 --> 00:42:06,856 I'M BOUND TO FORGET. AND BESIDES, I CAN'T STAND THE IDEA OF SPENDING FOUR YEARS IN 1166 00:42:06,858 --> 00:42:08,224 AND BESIDES, I CAN'T STAND THE IDEA OF SPENDING FOUR YEARS IN CLOSED QUARTERS WITH COLLEGE 1167 00:42:08,226 --> 00:42:08,791 IDEA OF SPENDING FOUR YEARS IN CLOSED QUARTERS WITH COLLEGE STUDENTS. 1168 00:42:08,793 --> 00:42:10,126 CLOSED QUARTERS WITH COLLEGE STUDENTS. >> OH, WHAT'S SO BAD ABOUT 1169 00:42:10,128 --> 00:42:10,960 STUDENTS. >> OH, WHAT'S SO BAD ABOUT COLLEGE STUDENTS? 1170 00:42:10,962 --> 00:42:12,395 >> OH, WHAT'S SO BAD ABOUT COLLEGE STUDENTS? >> DAD, THAT'S NOT THE POINT. 1171 00:42:12,397 --> 00:42:13,897 COLLEGE STUDENTS? >> DAD, THAT'S NOT THE POINT. >> OH, YOU'RE GOING TO COLLEGE. 1172 00:42:13,899 --> 00:42:15,365 >> DAD, THAT'S NOT THE POINT. >> OH, YOU'RE GOING TO COLLEGE. YOU'RE A VERY INTELLIGENT YOUNG 1173 00:42:15,367 --> 00:42:17,800 >> OH, YOU'RE GOING TO COLLEGE. YOU'RE A VERY INTELLIGENT YOUNG MAN. 1174 00:42:17,802 --> 00:42:19,802 YOU'RE A VERY INTELLIGENT YOUNG MAN. >> DAD, YOU DON'T GET IT. 1175 00:42:19,804 --> 00:42:21,304 MAN. >> DAD, YOU DON'T GET IT. I DON'T NEED A DEGREE. 1176 00:42:21,306 --> 00:42:22,539 >> DAD, YOU DON'T GET IT. I DON'T NEED A DEGREE. I DON'T WANT ONE. 1177 00:42:22,541 --> 00:42:24,607 I DON'T NEED A DEGREE. I DON'T WANT ONE. I DON'T WANT TO BE A BUSINESSMAN 1178 00:42:24,609 --> 00:42:26,943 I DON'T WANT ONE. I DON'T WANT TO BE A BUSINESSMAN OR A LAWYER. 1179 00:42:26,945 --> 00:42:28,144 I DON'T WANT TO BE A BUSINESSMAN OR A LAWYER. >> WHAT IS IT EXACTLY YOU WANT 1180 00:42:28,146 --> 00:42:30,079 OR A LAWYER. >> WHAT IS IT EXACTLY YOU WANT TO DO, THEN? 1181 00:42:30,081 --> 00:42:30,980 >> WHAT IS IT EXACTLY YOU WANT TO DO, THEN? >> I DON'T KNOW. 1182 00:42:30,982 --> 00:42:32,582 TO DO, THEN? >> I DON'T KNOW. I WAS -- I WAS THINKING OF BEING 1183 00:42:32,584 --> 00:42:37,287 >> I DON'T KNOW. I WAS -- I WAS THINKING OF BEING SOME SORT OF TRADESMAN. 1184 00:42:37,289 --> 00:42:39,589 I WAS -- I WAS THINKING OF BEING SOME SORT OF TRADESMAN. >> A TRADESMAN? 1185 00:42:39,591 --> 00:42:41,991 SOME SORT OF TRADESMAN. >> A TRADESMAN? WHAT THE HELL IS A TRADESMAN? 1186 00:42:41,993 --> 00:42:43,092 >> A TRADESMAN? WHAT THE HELL IS A TRADESMAN? ARE YOU GONNA MAKE SHOES? 1187 00:42:43,094 --> 00:42:44,294 WHAT THE HELL IS A TRADESMAN? ARE YOU GONNA MAKE SHOES? ARE YOU GONNA WEAR A LEATHER 1188 00:42:44,296 --> 00:42:45,261 ARE YOU GONNA MAKE SHOES? ARE YOU GONNA WEAR A LEATHER APRON AND MAKE SHOES? 1189 00:42:45,263 --> 00:42:46,396 ARE YOU GONNA WEAR A LEATHER APRON AND MAKE SHOES? >> WHAT'S WRONG WITH THAT? 1190 00:42:46,398 --> 00:42:47,397 APRON AND MAKE SHOES? >> WHAT'S WRONG WITH THAT? AT LEAST IT'S HONEST. 1191 00:42:47,399 --> 00:42:48,598 >> WHAT'S WRONG WITH THAT? AT LEAST IT'S HONEST. IT'S MORE HONEST THAN BEING A 1192 00:42:48,600 --> 00:42:51,000 AT LEAST IT'S HONEST. IT'S MORE HONEST THAN BEING A STOCKBROKER. 1193 00:42:51,002 --> 00:42:52,335 IT'S MORE HONEST THAN BEING A STOCKBROKER. BUT YOU'D PROBABLY PREFER THAT, 1194 00:42:52,337 --> 00:42:53,002 STOCKBROKER. BUT YOU'D PROBABLY PREFER THAT, WOULDN'T YOU? 1195 00:42:53,004 --> 00:42:54,270 BUT YOU'D PROBABLY PREFER THAT, WOULDN'T YOU? >> NO. DON'T YOU THINK YOU'VE 1196 00:42:54,272 --> 00:42:55,638 WOULDN'T YOU? >> NO. DON'T YOU THINK YOU'VE PUT US THROUGH ENOUGH WITH YOUR 1197 00:42:55,640 --> 00:42:56,072 >> NO. DON'T YOU THINK YOU'VE PUT US THROUGH ENOUGH WITH YOUR ANTICS? 1198 00:42:56,074 --> 00:42:57,340 PUT US THROUGH ENOUGH WITH YOUR ANTICS? YOUR MOTHER AND I AGREE ON SO 1199 00:42:57,342 --> 00:42:58,675 ANTICS? YOUR MOTHER AND I AGREE ON SO VERY FEW THINGS, BUT THIS IS ONE 1200 00:42:58,677 --> 00:43:01,144 YOUR MOTHER AND I AGREE ON SO VERY FEW THINGS, BUT THIS IS ONE OF THEM. 1201 00:43:01,146 --> 00:43:02,679 VERY FEW THINGS, BUT THIS IS ONE OF THEM. NOT ANOTHER WORD ABOUT IT. 1202 00:43:02,681 --> 00:43:04,681 OF THEM. NOT ANOTHER WORD ABOUT IT. YOU'RE GOING TO BROWN, AND 1203 00:43:04,683 --> 00:43:08,518 NOT ANOTHER WORD ABOUT IT. YOU'RE GOING TO BROWN, AND THAT'S THAT. 1204 00:43:08,520 --> 00:43:12,188 YOU'RE GOING TO BROWN, AND THAT'S THAT. LET'S EAT. 1205 00:43:12,190 --> 00:43:13,590 THAT'S THAT. LET'S EAT. I MEAN, I LOVE SHOES AS MUCH AS 1206 00:43:13,592 --> 00:43:15,792 LET'S EAT. I MEAN, I LOVE SHOES AS MUCH AS THE NEXT GUY. 1207 00:43:26,470 --> 00:43:37,547 >> JOHN? BREAKFAST IS SERVED. >> I'M IN THE BACK. 1208 00:43:37,549 --> 00:43:39,549 BREAKFAST IS SERVED. >> I'M IN THE BACK. >> "SUCCESSFUL, EDUCATED, 1209 00:43:39,551 --> 00:43:41,618 >> I'M IN THE BACK. >> "SUCCESSFUL, EDUCATED, CULTURED, HANDSOME, 1210 00:43:41,620 --> 00:43:44,387 >> "SUCCESSFUL, EDUCATED, CULTURED, HANDSOME, FIT...LOOKING FOR SMART AND FUN 1211 00:43:44,389 --> 00:43:46,656 CULTURED, HANDSOME, FIT...LOOKING FOR SMART AND FUN MAN INTERESTED IN SEX AND 1212 00:43:46,658 --> 00:43:47,824 FIT...LOOKING FOR SMART AND FUN MAN INTERESTED IN SEX AND SEMANTICS. 1213 00:43:47,826 --> 00:43:49,792 MAN INTERESTED IN SEX AND SEMANTICS. NICE PROFILE, JOHN." 1214 00:43:49,794 --> 00:43:51,227 SEMANTICS. NICE PROFILE, JOHN." [ CHUCKLES ] 1215 00:43:51,229 --> 00:43:53,463 NICE PROFILE, JOHN." [ CHUCKLES ] [ DOOR OPENS ] 1216 00:43:57,835 --> 00:44:01,304 >> MISSION ACCOMPLISHED? >> YES. BARLEY, COFFEE, AND A 1217 00:44:01,306 --> 00:44:02,972 >> YES. BARLEY, COFFEE, AND A DOUBLE-BERRY YOGURT MUFFIN. 1218 00:44:02,974 --> 00:44:03,806 BARLEY, COFFEE, AND A DOUBLE-BERRY YOGURT MUFFIN. >> GOOD JOB. 1219 00:44:03,808 --> 00:44:05,041 DOUBLE-BERRY YOGURT MUFFIN. >> GOOD JOB. THANK YOU VERY MUCH. 1220 00:44:05,043 --> 00:44:06,809 >> GOOD JOB. THANK YOU VERY MUCH. >> YOU WANT ME TO DO YOUR DRY 1221 00:44:06,811 --> 00:44:08,011 THANK YOU VERY MUCH. >> YOU WANT ME TO DO YOUR DRY CLEANING, TOO, NOW? 1222 00:44:08,013 --> 00:44:08,978 >> YOU WANT ME TO DO YOUR DRY CLEANING, TOO, NOW? >> [ LAUGHS ] 1223 00:44:08,980 --> 00:44:10,647 CLEANING, TOO, NOW? >> [ LAUGHS ] VERY FUNNY, JAMES. 1224 00:44:10,649 --> 00:44:12,015 >> [ LAUGHS ] VERY FUNNY, JAMES. I HAVE AN EVENT, IF YOU MUST 1225 00:44:12,017 --> 00:44:13,182 VERY FUNNY, JAMES. I HAVE AN EVENT, IF YOU MUST KNOW. 1226 00:44:13,184 --> 00:44:14,217 I HAVE AN EVENT, IF YOU MUST KNOW. >> WELL, LET ME KNOW IF YOU NEED 1227 00:44:14,219 --> 00:44:14,751 KNOW. >> WELL, LET ME KNOW IF YOU NEED ANYTHING ELSE. 1228 00:44:14,753 --> 00:44:17,020 >> WELL, LET ME KNOW IF YOU NEED ANYTHING ELSE. >> THANK YOU, JAMES. 1229 00:44:24,695 --> 00:44:28,564 >> HELLO, BLACK NARCISSUS. NICE PROFILE. 1230 00:44:39,276 --> 00:44:41,511 >> DO YOU HAVE ONE? 1231 00:44:45,683 --> 00:44:56,793 >> HAVEN'T REGISTERED YET, BUT I'M 30, 6', 180, BLOND. I WORK IN THE CONTEMPORARY ART 1232 00:44:56,795 --> 00:44:59,529 I'M 30, 6', 180, BLOND. I WORK IN THE CONTEMPORARY ART DEPARTMENT OF SOTHEBY'S. 1233 00:44:59,531 --> 00:45:02,131 I WORK IN THE CONTEMPORARY ART DEPARTMENT OF SOTHEBY'S. I GRADUATED FROM STANFORD AND 1234 00:45:02,133 --> 00:45:04,634 DEPARTMENT OF SOTHEBY'S. I GRADUATED FROM STANFORD AND DID POSTGRADUATE WORK AT THE 1235 00:45:04,636 --> 00:45:05,735 I GRADUATED FROM STANFORD AND DID POSTGRADUATE WORK AT THE SORBONNE. 1236 00:45:05,737 --> 00:45:07,470 DID POSTGRADUATE WORK AT THE SORBONNE. I LIVE IN CHELSEA. 1237 00:45:07,472 --> 00:45:09,739 SORBONNE. I LIVE IN CHELSEA. I HAVE TWO MAINE CATS. 1238 00:45:18,415 --> 00:45:25,788 >> DO YOU HAVE A PIC? >> NO. SORRY. >> IT'S OKAY. 1239 00:45:25,790 --> 00:45:27,824 >> NO. SORRY. >> IT'S OKAY. IT'S NOT OFTEN YOU MEET A SMART, 1240 00:45:27,826 --> 00:45:29,992 >> IT'S OKAY. IT'S NOT OFTEN YOU MEET A SMART, INTERESTING MAN. 1241 00:45:29,994 --> 00:45:32,595 IT'S NOT OFTEN YOU MEET A SMART, INTERESTING MAN. >> [ CHUCKLES ] 1242 00:45:32,597 --> 00:45:33,563 INTERESTING MAN. >> [ CHUCKLES ] >> I'LL BE BACK IN A FEW 1243 00:45:33,565 --> 00:45:36,666 >> [ CHUCKLES ] >> I'LL BE BACK IN A FEW MINUTES. 1244 00:45:36,668 --> 00:45:40,403 >> I'LL BE BACK IN A FEW MINUTES. JAMES? 1245 00:45:40,405 --> 00:45:41,637 MINUTES. JAMES? CAN YOU CALL SOTHEBY'S AND GET 1246 00:45:41,639 --> 00:45:42,839 JAMES? CAN YOU CALL SOTHEBY'S AND GET ME THE NAMES OF ALL THE PEOPLE 1247 00:45:42,841 --> 00:45:44,173 CAN YOU CALL SOTHEBY'S AND GET ME THE NAMES OF ALL THE PEOPLE WHO WORK IN THE CONTEMPORARY ART 1248 00:45:44,175 --> 00:45:44,741 ME THE NAMES OF ALL THE PEOPLE WHO WORK IN THE CONTEMPORARY ART DEPARTMENT? 1249 00:45:44,743 --> 00:45:45,174 WHO WORK IN THE CONTEMPORARY ART DEPARTMENT? >> SURE. 1250 00:45:45,176 --> 00:45:46,409 DEPARTMENT? >> SURE. >> BUT DON'T TELL WHERE YOU'RE 1251 00:45:46,411 --> 00:45:48,311 >> SURE. >> BUT DON'T TELL WHERE YOU'RE CALLING FROM, OKAY? 1252 00:45:48,313 --> 00:45:50,513 >> BUT DON'T TELL WHERE YOU'RE CALLING FROM, OKAY? >> OKAY. I'LL DO IT RIGHT NOW. 1253 00:45:59,156 --> 00:46:05,928 HERE'S THE SOTHEBY'S LIST. >> GOOD. HOW'D YOU GET IT? 1254 00:46:05,930 --> 00:46:07,797 >> GOOD. HOW'D YOU GET IT? I TOLD THEM I WAS A FACT CHECKER 1255 00:46:07,799 --> 00:46:09,699 HOW'D YOU GET IT? I TOLD THEM I WAS A FACT CHECKER FROM THE NEW YORKER UPDATING OUR 1256 00:46:09,701 --> 00:46:10,933 I TOLD THEM I WAS A FACT CHECKER FROM THE NEW YORKER UPDATING OUR RESEARCH DATABASE. 1257 00:46:10,935 --> 00:46:11,934 FROM THE NEW YORKER UPDATING OUR RESEARCH DATABASE. >> [ CHUCKLES ] 1258 00:46:11,936 --> 00:46:13,436 RESEARCH DATABASE. >> [ CHUCKLES ] THAT'S BRILLIANT, JAMES. 1259 00:46:13,438 --> 00:46:16,339 >> [ CHUCKLES ] THAT'S BRILLIANT, JAMES. YOU WILL GO VERY FAR. 1260 00:46:16,341 --> 00:46:18,207 THAT'S BRILLIANT, JAMES. YOU WILL GO VERY FAR. >> YOU NEED ANYTHING ELSE? 1261 00:46:18,209 --> 00:46:20,476 YOU WILL GO VERY FAR. >> YOU NEED ANYTHING ELSE? >> UH, NOT AT THE MOMENT, JAMES. 1262 00:46:20,478 --> 00:46:22,378 >> YOU NEED ANYTHING ELSE? >> UH, NOT AT THE MOMENT, JAMES. THANK YOU. 1263 00:46:22,380 --> 00:46:24,380 >> UH, NOT AT THE MOMENT, JAMES. THANK YOU. YOU STILL ONLINE? 1264 00:46:24,382 --> 00:46:25,715 THANK YOU. YOU STILL ONLINE? >> YES. 1265 00:46:25,717 --> 00:46:28,785 YOU STILL ONLINE? >> YES. >> WHAT ARE YOU DOING TONIGHT? 1266 00:46:28,787 --> 00:46:32,655 >> YES. >> WHAT ARE YOU DOING TONIGHT? >> TONIGHT? 1267 00:46:32,657 --> 00:46:34,223 >> WHAT ARE YOU DOING TONIGHT? >> TONIGHT? >> GOING TO A PARTY? 1268 00:46:34,225 --> 00:46:36,225 >> TONIGHT? >> GOING TO A PARTY? DO YOU WANT TO JOIN? 1269 00:46:36,227 --> 00:46:38,628 >> GOING TO A PARTY? DO YOU WANT TO JOIN? >> ♪ I WAS NAGGLING ♪ 1270 00:46:38,630 --> 00:46:39,662 DO YOU WANT TO JOIN? >> ♪ I WAS NAGGLING ♪ ♪ DANG-DANG-DANGLING ♪ 1271 00:46:39,664 --> 00:46:41,230 >> ♪ I WAS NAGGLING ♪ ♪ DANG-DANG-DANGLING ♪ >> SURE. 1272 00:46:41,232 --> 00:46:42,965 ♪ DANG-DANG-DANGLING ♪ >> SURE. >> [ CHUCKLES ] GREAT. 1273 00:46:42,967 --> 00:46:45,301 >> SURE. >> [ CHUCKLES ] GREAT. JUST GIVE ME YOUR NAME, AND I'LL 1274 00:46:45,303 --> 00:46:48,337 >> [ CHUCKLES ] GREAT. JUST GIVE ME YOUR NAME, AND I'LL PUT YOU ON THE LIST. 1275 00:46:48,339 --> 00:46:53,075 JUST GIVE ME YOUR NAME, AND I'LL PUT YOU ON THE LIST. >> PHILIP BRAQUE. 1276 00:46:53,077 --> 00:46:56,045 PUT YOU ON THE LIST. >> PHILIP BRAQUE. >> BRAQUE. 1277 00:46:56,047 --> 00:46:58,981 >> PHILIP BRAQUE. >> BRAQUE. >> ♪ DANG-DANG-DANG-DANGLING ♪ 1278 00:46:58,983 --> 00:47:00,550 >> BRAQUE. >> ♪ DANG-DANG-DANG-DANGLING ♪ >> GREAT. 1279 00:47:00,552 --> 00:47:01,918 >> ♪ DANG-DANG-DANG-DANGLING ♪ >> GREAT. BE THERE AT 6:30. 1280 00:47:01,920 --> 00:47:04,921 >> GREAT. BE THERE AT 6:30. I'LL BE EASY TO SPOT. 1281 00:47:04,923 --> 00:47:07,256 BE THERE AT 6:30. I'LL BE EASY TO SPOT. I'LL BE THE ONLY BLACK MAN 1282 00:47:07,258 --> 00:47:07,857 I'LL BE EASY TO SPOT. I'LL BE THE ONLY BLACK MAN THERE. 1283 00:47:07,859 --> 00:47:10,560 I'LL BE THE ONLY BLACK MAN THERE. >> [ CHUCKLES ] 1284 00:47:10,562 --> 00:47:15,498 THERE. >> [ CHUCKLES ] [ SIGHING ] 1285 00:47:15,500 --> 00:47:17,433 >> [ CHUCKLES ] [ SIGHING ] [ TRUCK HORN BLARES ] 1286 00:47:27,177 --> 00:47:29,278 [ INDISTINCT CONVERSATIONS ] 1287 00:47:33,784 --> 00:47:37,753 >> ENJOY YOUR EVENING. >> THANK YOU. >> I'M SORRY. 1288 00:47:37,755 --> 00:47:39,222 >> THANK YOU. >> I'M SORRY. THIS SPACE IS CLOSED FOR A 1289 00:47:39,224 --> 00:47:40,189 >> I'M SORRY. THIS SPACE IS CLOSED FOR A PRIVATE EVENT. 1290 00:47:40,191 --> 00:47:40,756 THIS SPACE IS CLOSED FOR A PRIVATE EVENT. >> I KNOW. 1291 00:47:40,758 --> 00:47:42,358 PRIVATE EVENT. >> I KNOW. THAT'S, UH, THAT'S WHAT I'M HERE 1292 00:47:42,360 --> 00:47:42,758 >> I KNOW. THAT'S, UH, THAT'S WHAT I'M HERE FOR. 1293 00:47:42,760 --> 00:47:44,961 THAT'S, UH, THAT'S WHAT I'M HERE FOR. >> OH, I'M SO SORRY. YOUR NAME? 1294 00:47:44,963 --> 00:47:46,195 FOR. >> OH, I'M SO SORRY. YOUR NAME? >> IT'S, UH, BRAQ -- 1295 00:47:46,197 --> 00:47:48,364 >> OH, I'M SO SORRY. YOUR NAME? >> IT'S, UH, BRAQ -- PHILIP BRAQ. 1296 00:47:48,366 --> 00:47:50,366 >> IT'S, UH, BRAQ -- PHILIP BRAQ. PHILIP BRAQ, SENIOR VICE 1297 00:47:50,368 --> 00:47:52,935 PHILIP BRAQ. PHILIP BRAQ, SENIOR VICE PRESIDENT OF CONTEMPORARY ART AT 1298 00:47:52,937 --> 00:47:55,204 PHILIP BRAQ, SENIOR VICE PRESIDENT OF CONTEMPORARY ART AT SOTHEBY'S? 1299 00:47:55,206 --> 00:47:57,874 PRESIDENT OF CONTEMPORARY ART AT SOTHEBY'S? >> THAT'S ME. VICE PRESIDENT. 1300 00:47:57,876 --> 00:47:59,976 SOTHEBY'S? >> THAT'S ME. VICE PRESIDENT. >> ENJOY YOUR EVENING, SIR. 1301 00:48:03,146 --> 00:48:05,047 [ MID-TEMPO MUSIC PLAYS ] 1302 00:48:07,951 --> 00:48:12,121 >> [ LAUGHS ] [ INDISTINCT CONVERSATIONS ] 1303 00:48:33,944 --> 00:48:40,616 >> JAMES? WHAT ARE YOU DOING HERE? WERE YOU INVITED? 1304 00:48:40,618 --> 00:48:41,918 WHAT ARE YOU DOING HERE? WERE YOU INVITED? >> YEAH. 1305 00:48:41,920 --> 00:48:44,186 WERE YOU INVITED? >> YEAH. IN A...A MANNER OF SPEAKING. 1306 00:48:44,188 --> 00:48:45,521 >> YEAH. IN A...A MANNER OF SPEAKING. >> AND WHAT MANNER OF SPEAKING 1307 00:48:45,523 --> 00:48:46,322 IN A...A MANNER OF SPEAKING. >> AND WHAT MANNER OF SPEAKING WAS THAT, JAMES? 1308 00:48:46,324 --> 00:48:49,592 >> AND WHAT MANNER OF SPEAKING WAS THAT, JAMES? >> I WAS INVITED BUY A GUEST. 1309 00:48:49,594 --> 00:48:51,193 WAS THAT, JAMES? >> I WAS INVITED BUY A GUEST. >> WHO DO YOU KNOW HERE? 1310 00:48:51,195 --> 00:48:52,461 >> I WAS INVITED BUY A GUEST. >> WHO DO YOU KNOW HERE? >> YOU. 1311 00:48:52,463 --> 00:48:54,597 >> WHO DO YOU KNOW HERE? >> YOU. >> I KNOW YOU KNOW ME, JAMES. 1312 00:48:54,599 --> 00:48:56,933 >> YOU. >> I KNOW YOU KNOW ME, JAMES. BUT WHO INVITED YOU. 1313 00:48:56,935 --> 00:48:58,768 >> I KNOW YOU KNOW ME, JAMES. BUT WHO INVITED YOU. >> YOU DID. 1314 00:48:58,770 --> 00:49:00,269 BUT WHO INVITED YOU. >> YOU DID. >> I DIDN'T INVITE YOU. 1315 00:49:00,271 --> 00:49:02,204 >> YOU DID. >> I DIDN'T INVITE YOU. I INVITED SOMEONE ELSE. 1316 00:49:02,206 --> 00:49:03,940 >> I DIDN'T INVITE YOU. I INVITED SOMEONE ELSE. NOW, IF YOU'LL EXCUSE ME, I'LL 1317 00:49:03,942 --> 00:49:06,108 I INVITED SOMEONE ELSE. NOW, IF YOU'LL EXCUSE ME, I'LL GO LOOK FOR HIM. 1318 00:49:10,347 --> 00:49:12,181 >> JOHN... 1319 00:49:14,551 --> 00:49:20,389 HE ISN'T HERE. >> CUT THE CRAP, JAMES. YOU'RE NOT BEING FUNNY. 1320 00:49:20,391 --> 00:49:23,726 >> CUT THE CRAP, JAMES. YOU'RE NOT BEING FUNNY. >> IT'S ME. 1321 00:49:23,728 --> 00:49:26,529 YOU'RE NOT BEING FUNNY. >> IT'S ME. >> WHAT THE FUCK DO YOU MEAN? 1322 00:49:26,531 --> 00:49:28,397 >> IT'S ME. >> WHAT THE FUCK DO YOU MEAN? >> PHILIP BRAQ IS ME. 1323 00:49:30,701 --> 00:49:34,837 >> I WAS CHATTING WITH YOU THIS MORNING? >> YEP. 1324 00:49:39,042 --> 00:49:43,312 >> YOU'RE EXTREMELY FUCKED UP, JAMES. FUCK YOU. 1325 00:49:55,826 --> 00:50:01,364 >> JOHN! JOHN! JOHN! 1326 00:50:01,366 --> 00:50:03,332 JOHN! JOHN! JOHN, PLEASE WAIT. 1327 00:50:03,334 --> 00:50:04,667 JOHN! JOHN, PLEASE WAIT. JOHN! 1328 00:50:04,669 --> 00:50:05,868 JOHN, PLEASE WAIT. JOHN! >> "JOHN" WHAT? 1329 00:50:05,870 --> 00:50:09,205 JOHN! >> "JOHN" WHAT? JUST SHUT UP. 1330 00:50:09,207 --> 00:50:09,739 >> "JOHN" WHAT? JUST SHUT UP. >> I'M SORRY. 1331 00:50:09,741 --> 00:50:10,573 JUST SHUT UP. >> I'M SORRY. >> GODDAMN IT, JAMES. 1332 00:50:10,575 --> 00:50:11,774 >> I'M SORRY. >> GODDAMN IT, JAMES. I DON'T EVEN KNOW WHAT TO SAY TO 1333 00:50:11,776 --> 00:50:12,408 >> GODDAMN IT, JAMES. I DON'T EVEN KNOW WHAT TO SAY TO YOU RIGHT NOW. 1334 00:50:12,410 --> 00:50:14,243 I DON'T EVEN KNOW WHAT TO SAY TO YOU RIGHT NOW. I-I CAN'T EVEN LOOK AT YOU. 1335 00:50:19,850 --> 00:50:23,052 >> I'M -- I'M REALLY, REALLY SORRY. 1336 00:50:25,222 --> 00:50:30,593 I RESPECT YOU. YOU'RE MY FRIEND. >> FRIEND? 1337 00:50:30,595 --> 00:50:32,228 YOU'RE MY FRIEND. >> FRIEND? YOU CALL THAT FRIENDSHIP? 1338 00:50:35,866 --> 00:50:44,240 >> I WOULD NEVER HURT YOU. >> WELL, YOU JUST DID, JAMES. DON'T SAY ANOTHER WORD, AND 1339 00:50:44,242 --> 00:50:47,043 >> WELL, YOU JUST DID, JAMES. DON'T SAY ANOTHER WORD, AND DON'T YOU DARE FOLLOW ME. 1340 00:50:47,045 --> 00:50:50,112 DON'T SAY ANOTHER WORD, AND DON'T YOU DARE FOLLOW ME. I'M DONE WITH YOU. 1341 00:51:07,731 --> 00:51:10,066 [ DOG WHIMPERS ] 1342 00:51:13,670 --> 00:51:20,943 >> I WISH I WAS A DOG. [ DOG WHINES ] DUMB DOG LIKE YOU, MIRO. 1343 00:51:20,945 --> 00:51:22,678 [ DOG WHINES ] DUMB DOG LIKE YOU, MIRO. THINGS WOULD BE SO MUCH EASIER 1344 00:51:22,680 --> 00:51:25,781 DUMB DOG LIKE YOU, MIRO. THINGS WOULD BE SO MUCH EASIER IF I WAS A DOG. 1345 00:51:25,783 --> 00:51:29,852 THINGS WOULD BE SO MUCH EASIER IF I WAS A DOG. WHAT THE FUCK AM I SAYING? 1346 00:51:29,854 --> 00:51:32,288 IF I WAS A DOG. WHAT THE FUCK AM I SAYING? YOU'RE A DOG. 1347 00:51:32,290 --> 00:51:34,590 WHAT THE FUCK AM I SAYING? YOU'RE A DOG. YOU DON'T HAVE A PASSPORT. 1348 00:51:34,592 --> 00:51:36,258 YOU'RE A DOG. YOU DON'T HAVE A PASSPORT. YOU CAN'T EVEN OPEN DOORS. 1349 00:51:36,260 --> 00:51:37,026 YOU DON'T HAVE A PASSPORT. YOU CAN'T EVEN OPEN DOORS. [ DOG WHINES ] 1350 00:51:37,028 --> 00:51:38,260 YOU CAN'T EVEN OPEN DOORS. [ DOG WHINES ] WHY DON'T YOU SEE WHAT IT'S 1351 00:51:38,262 --> 00:51:39,829 [ DOG WHINES ] WHY DON'T YOU SEE WHAT IT'S LIKE? 1352 00:51:39,831 --> 00:51:42,765 WHY DON'T YOU SEE WHAT IT'S LIKE? CUT YOUR HAIR, PUT SOME SHOES 1353 00:51:42,767 --> 00:51:46,869 LIKE? CUT YOUR HAIR, PUT SOME SHOES ON, AND TRY BEING A HUMAN BEING. 1354 00:51:49,773 --> 00:52:00,449 A FUCKING HUMAN BEING LIKE ME. >> ♪ OOH ♪ ♪ OOH-OOH-OOH ♪ 1355 00:52:00,451 --> 00:52:02,985 >> ♪ OOH ♪ ♪ OOH-OOH-OOH ♪ ♪ OOH ♪ 1356 00:52:02,987 --> 00:52:08,324 ♪ OOH-OOH-OOH ♪ ♪ OOH ♪ ♪ OOH-OOH-OOH-OOH ♪ 1357 00:52:08,326 --> 00:52:10,993 ♪ OOH ♪ ♪ OOH-OOH-OOH-OOH ♪ >> JOHN? 1358 00:52:10,995 --> 00:52:15,564 ♪ OOH-OOH-OOH-OOH ♪ >> JOHN? BREAKFAST IS SERVED. 1359 00:52:15,566 --> 00:52:20,302 >> JOHN? BREAKFAST IS SERVED. JOHN? 1360 00:52:20,304 --> 00:52:22,505 BREAKFAST IS SERVED. JOHN? JOHN? 1361 00:52:27,244 --> 00:52:30,045 [ DOOR CLOSES ] [ FOOTSTEPS APPROACH ] 1362 00:52:33,650 --> 00:52:39,822 >> IT NEEDS MORE SMOKE. >> WHAT ARE YOU DOING HERE SO EARLY? 1363 00:52:39,824 --> 00:52:41,323 >> WHAT ARE YOU DOING HERE SO EARLY? ARE YOU GOING SKYDIVING DRESSED 1364 00:52:41,325 --> 00:52:42,825 EARLY? ARE YOU GOING SKYDIVING DRESSED LIKE THAT? 1365 00:52:46,263 --> 00:52:49,565 >> THAT'S IT, JAMES. >> WHAT? WHAT DID I DO? 1366 00:52:49,567 --> 00:52:51,400 >> WHAT? WHAT DID I DO? >> WEREN'T YOU WONDERING WHY 1367 00:52:51,402 --> 00:52:54,837 WHAT DID I DO? >> WEREN'T YOU WONDERING WHY JOHN WASN'T HERE THIS MORNING? 1368 00:52:54,839 --> 00:52:56,872 >> WEREN'T YOU WONDERING WHY JOHN WASN'T HERE THIS MORNING? >> WHY? 1369 00:52:56,874 --> 00:52:59,241 JOHN WASN'T HERE THIS MORNING? >> WHY? >> YOU NEED TO ASK WHY? 1370 00:52:59,243 --> 00:53:01,577 >> WHY? >> YOU NEED TO ASK WHY? HE JUST CALLED ME TO TELL ME 1371 00:53:01,579 --> 00:53:05,214 >> YOU NEED TO ASK WHY? HE JUST CALLED ME TO TELL ME WHAT YOU DID TO HIM LAST NIGHT. 1372 00:53:05,216 --> 00:53:06,916 HE JUST CALLED ME TO TELL ME WHAT YOU DID TO HIM LAST NIGHT. >> I TOLD HIM I WAS SORRY. 1373 00:53:06,918 --> 00:53:11,253 WHAT YOU DID TO HIM LAST NIGHT. >> I TOLD HIM I WAS SORRY. >> THAT'S ALL YOU HAVE TO SAY? 1374 00:53:11,255 --> 00:53:14,356 >> I TOLD HIM I WAS SORRY. >> THAT'S ALL YOU HAVE TO SAY? IF I LOSE JOHN, IT IS THE END OF 1375 00:53:14,358 --> 00:53:16,192 >> THAT'S ALL YOU HAVE TO SAY? IF I LOSE JOHN, IT IS THE END OF THIS GALLERY. 1376 00:53:16,194 --> 00:53:17,726 IF I LOSE JOHN, IT IS THE END OF THIS GALLERY. YOU MAY THINK THAT THIS IS ALL 1377 00:53:17,728 --> 00:53:21,263 THIS GALLERY. YOU MAY THINK THAT THIS IS ALL SOME BIG GAME, JAMES -- MY LIFE, 1378 00:53:21,265 --> 00:53:23,699 YOU MAY THINK THAT THIS IS ALL SOME BIG GAME, JAMES -- MY LIFE, THE GALLERY, JOHN'S LIFE. 1379 00:53:23,701 --> 00:53:25,568 SOME BIG GAME, JAMES -- MY LIFE, THE GALLERY, JOHN'S LIFE. BUT IT ISN'T. 1380 00:53:31,808 --> 00:53:39,982 IS YOUR LIFE A GAME, JAMES? >> NO. >> DO YOU HAVE ANY IDEA WHAT 1381 00:53:39,984 --> 00:53:41,383 >> NO. >> DO YOU HAVE ANY IDEA WHAT SEXUAL HARASSMENT IS? 1382 00:53:41,385 --> 00:53:42,885 >> DO YOU HAVE ANY IDEA WHAT SEXUAL HARASSMENT IS? >> YES. 1383 00:53:42,887 --> 00:53:45,087 SEXUAL HARASSMENT IS? >> YES. >> DID IT EVER OCCUR TO YOU THAT 1384 00:53:45,089 --> 00:53:47,256 >> YES. >> DID IT EVER OCCUR TO YOU THAT YOU'RE NOT SUPPOSED TO PUT YOUR 1385 00:53:47,258 --> 00:53:49,091 >> DID IT EVER OCCUR TO YOU THAT YOU'RE NOT SUPPOSED TO PUT YOUR CO-WORKERS IN EMBARRASSING 1386 00:53:49,093 --> 00:53:50,626 YOU'RE NOT SUPPOSED TO PUT YOUR CO-WORKERS IN EMBARRASSING SEXUAL SITUATIONS? 1387 00:53:50,628 --> 00:53:52,595 CO-WORKERS IN EMBARRASSING SEXUAL SITUATIONS? >> IT WAS SORT OF A JOKE. 1388 00:53:52,597 --> 00:53:55,064 SEXUAL SITUATIONS? >> IT WAS SORT OF A JOKE. >> YOU THINK MISLEADING SOMEONE 1389 00:53:55,066 --> 00:53:57,266 >> IT WAS SORT OF A JOKE. >> YOU THINK MISLEADING SOMEONE AND PLAYING A MEAN-SPIRITED 1390 00:53:57,268 --> 00:53:59,335 >> YOU THINK MISLEADING SOMEONE AND PLAYING A MEAN-SPIRITED PRANK ON THEM IS A JOKE? 1391 00:53:59,337 --> 00:54:00,169 AND PLAYING A MEAN-SPIRITED PRANK ON THEM IS A JOKE? >> HE'S MY FRIEND. 1392 00:54:00,171 --> 00:54:01,237 PRANK ON THEM IS A JOKE? >> HE'S MY FRIEND. >> HE'S NOT YOUR FRIEND. 1393 00:54:01,239 --> 00:54:02,404 >> HE'S MY FRIEND. >> HE'S NOT YOUR FRIEND. HE WASN'T BEFORE, AND HE'S 1394 00:54:02,406 --> 00:54:03,239 >> HE'S NOT YOUR FRIEND. HE WASN'T BEFORE, AND HE'S CERTAINLY NOT NOW. 1395 00:54:03,241 --> 00:54:05,241 HE WASN'T BEFORE, AND HE'S CERTAINLY NOT NOW. HE IS THE MANAGER OF THIS 1396 00:54:05,243 --> 00:54:07,243 CERTAINLY NOT NOW. HE IS THE MANAGER OF THIS GALLERY. 1397 00:54:07,245 --> 00:54:08,644 HE IS THE MANAGER OF THIS GALLERY. AND IT'S EVEN WORSE IF YOU WOULD 1398 00:54:08,646 --> 00:54:09,845 GALLERY. AND IT'S EVEN WORSE IF YOU WOULD DO SOMETHING LIKE THAT TO 1399 00:54:09,847 --> 00:54:11,180 AND IT'S EVEN WORSE IF YOU WOULD DO SOMETHING LIKE THAT TO SOMEONE YOU THOUGHT WAS YOUR 1400 00:54:11,182 --> 00:54:15,517 DO SOMETHING LIKE THAT TO SOMEONE YOU THOUGHT WAS YOUR FRIEND. 1401 00:54:15,519 --> 00:54:18,988 SOMEONE YOU THOUGHT WAS YOUR FRIEND. >> I'M REALLY SORRY. 1402 00:54:18,990 --> 00:54:21,991 FRIEND. >> I'M REALLY SORRY. >> YOU'RE SORRY. 1403 00:54:21,993 --> 00:54:25,327 >> I'M REALLY SORRY. >> YOU'RE SORRY. YOU'RE SORRY. 1404 00:54:25,329 --> 00:54:29,198 >> YOU'RE SORRY. YOU'RE SORRY. WELL, I'M SORRY, TOO. 1405 00:54:29,200 --> 00:54:31,800 YOU'RE SORRY. WELL, I'M SORRY, TOO. YOU'RE FIRED. 1406 00:54:31,802 --> 00:54:37,673 WELL, I'M SORRY, TOO. YOU'RE FIRED. >> ♪ CAN'T END LAST NIGHT ♪ 1407 00:54:37,675 --> 00:54:43,379 YOU'RE FIRED. >> ♪ CAN'T END LAST NIGHT ♪ ♪ NO DAWN IN SIGHT ♪ 1408 00:54:43,381 --> 00:54:49,218 >> ♪ CAN'T END LAST NIGHT ♪ ♪ NO DAWN IN SIGHT ♪ ♪ SLEEP IS OUT OF REACH ♪ 1409 00:54:49,220 --> 00:54:57,293 ♪ NO DAWN IN SIGHT ♪ ♪ SLEEP IS OUT OF REACH ♪ ♪ BUT YOUR DREAMS ARE DE-E-EP ♪ 1410 00:54:57,295 --> 00:55:00,396 ♪ SLEEP IS OUT OF REACH ♪ ♪ BUT YOUR DREAMS ARE DE-E-EP ♪ ♪ NOW YOUR TEARS ♪ 1411 00:55:00,398 --> 00:55:03,165 ♪ BUT YOUR DREAMS ARE DE-E-EP ♪ ♪ NOW YOUR TEARS ♪ ♪ THEY HAVE DRIED ♪ 1412 00:55:03,167 --> 00:55:05,901 ♪ NOW YOUR TEARS ♪ ♪ THEY HAVE DRIED ♪ ♪ AND YOU FEEL ♪ 1413 00:55:05,903 --> 00:55:08,037 ♪ THEY HAVE DRIED ♪ ♪ AND YOU FEEL ♪ ♪ CLAD YOURSELF IN FLAME AND 1414 00:55:08,039 --> 00:55:09,705 ♪ AND YOU FEEL ♪ ♪ CLAD YOURSELF IN FLAME AND STEEL ♪ 1415 00:55:09,707 --> 00:55:12,708 ♪ CLAD YOURSELF IN FLAME AND STEEL ♪ ♪ THE MOMENT'S NIGH ♪ 1416 00:55:12,710 --> 00:55:15,344 STEEL ♪ ♪ THE MOMENT'S NIGH ♪ ♪ YOU'RE OUT TO TRY ♪ 1417 00:55:15,346 --> 00:55:16,979 ♪ THE MOMENT'S NIGH ♪ ♪ YOU'RE OUT TO TRY ♪ ♪ YOU FEEL... ♪ 1418 00:55:16,981 --> 00:55:18,547 ♪ YOU'RE OUT TO TRY ♪ ♪ YOU FEEL... ♪ >> I FEEL LIKE AN EMPTY PLASTIC 1419 00:55:18,549 --> 00:55:20,015 ♪ YOU FEEL... ♪ >> I FEEL LIKE AN EMPTY PLASTIC BOTTLE IN THE MIDDLE OF THE 1420 00:55:20,017 --> 00:55:21,650 >> I FEEL LIKE AN EMPTY PLASTIC BOTTLE IN THE MIDDLE OF THE OCEAN WITH NO CAP, SO THE WATER 1421 00:55:21,652 --> 00:55:22,751 BOTTLE IN THE MIDDLE OF THE OCEAN WITH NO CAP, SO THE WATER COULD EASILY COME IN. 1422 00:55:22,753 --> 00:55:25,988 OCEAN WITH NO CAP, SO THE WATER COULD EASILY COME IN. SOON I'LL BE FULL, AND THEN -- 1423 00:55:25,990 --> 00:55:27,856 COULD EASILY COME IN. SOON I'LL BE FULL, AND THEN -- AND THEN I'LL BE SINKING. 1424 00:55:32,729 --> 00:55:38,067 >> HAVE YOU THOUGHT ABOUT WHAT YOU'RE GONNA DO WITH JOHN? >> NO. 1425 00:55:38,069 --> 00:55:40,069 YOU'RE GONNA DO WITH JOHN? >> NO. EVERYONE'S ALL PISSED OFF AT ME 1426 00:55:40,071 --> 00:55:40,569 >> NO. EVERYONE'S ALL PISSED OFF AT ME NOW. 1427 00:55:40,571 --> 00:55:43,238 EVERYONE'S ALL PISSED OFF AT ME NOW. >> WELL, YOU DID ACT KIND OF 1428 00:55:43,240 --> 00:55:47,076 NOW. >> WELL, YOU DID ACT KIND OF STUPIDLY AND INCONSIDERATELY. 1429 00:55:47,078 --> 00:55:48,744 >> WELL, YOU DID ACT KIND OF STUPIDLY AND INCONSIDERATELY. AND YOU CERTAINLY MADE A MESS OF 1430 00:55:48,746 --> 00:55:50,212 STUPIDLY AND INCONSIDERATELY. AND YOU CERTAINLY MADE A MESS OF THINGS. 1431 00:55:50,214 --> 00:55:51,280 AND YOU CERTAINLY MADE A MESS OF THINGS. >> BUT I DON'T KNOW. 1432 00:55:51,282 --> 00:55:52,848 THINGS. >> BUT I DON'T KNOW. I FIND THE WHOLE THING RATHER 1433 00:55:52,850 --> 00:55:53,615 >> BUT I DON'T KNOW. I FIND THE WHOLE THING RATHER HEARTENING. 1434 00:55:53,617 --> 00:55:54,950 I FIND THE WHOLE THING RATHER HEARTENING. >> HEARTENING? 1435 00:55:54,952 --> 00:55:55,851 HEARTENING. >> HEARTENING? >> YEAH. 1436 00:55:55,853 --> 00:55:57,453 >> HEARTENING? >> YEAH. YOU PRETENDED YOU WERE SOMEONE 1437 00:55:57,455 --> 00:55:58,887 >> YEAH. YOU PRETENDED YOU WERE SOMEONE ELSE BECAUSE YOU WANT TO BE 1438 00:55:58,889 --> 00:56:00,923 YOU PRETENDED YOU WERE SOMEONE ELSE BECAUSE YOU WANT TO BE SOMEONE ELSE, SOMEONE 1439 00:56:00,925 --> 00:56:02,925 ELSE BECAUSE YOU WANT TO BE SOMEONE ELSE, SOMEONE BETTER-EDUCATED, MORE 1440 00:56:02,927 --> 00:56:05,361 SOMEONE ELSE, SOMEONE BETTER-EDUCATED, MORE INTERESTING, MORE CULTURED. 1441 00:56:05,363 --> 00:56:08,197 BETTER-EDUCATED, MORE INTERESTING, MORE CULTURED. BESIDES, IF THIS JOHN PERSON IS 1442 00:56:08,199 --> 00:56:10,899 INTERESTING, MORE CULTURED. BESIDES, IF THIS JOHN PERSON IS ANY KIND OF A HUMAN BEING, HE'LL 1443 00:56:10,901 --> 00:56:13,202 BESIDES, IF THIS JOHN PERSON IS ANY KIND OF A HUMAN BEING, HE'LL REALIZE THAT WHAT YOU DID, 1444 00:56:13,204 --> 00:56:15,938 ANY KIND OF A HUMAN BEING, HE'LL REALIZE THAT WHAT YOU DID, ALTHOUGH SOMEWHAT CHILDISH, WAS 1445 00:56:15,940 --> 00:56:18,407 REALIZE THAT WHAT YOU DID, ALTHOUGH SOMEWHAT CHILDISH, WAS REALLY RATHER FLATTERING AND 1446 00:56:18,409 --> 00:56:20,309 ALTHOUGH SOMEWHAT CHILDISH, WAS REALLY RATHER FLATTERING AND SWEET. 1447 00:56:20,311 --> 00:56:21,810 REALLY RATHER FLATTERING AND SWEET. WHY DON'T YOU TALK TO HIM? 1448 00:56:21,812 --> 00:56:24,380 SWEET. WHY DON'T YOU TALK TO HIM? TELL HIM HOW YOU'RE FEELING. 1449 00:56:24,382 --> 00:56:25,781 WHY DON'T YOU TALK TO HIM? TELL HIM HOW YOU'RE FEELING. >> WHAT AM I SUPPOSED TO SAY TO 1450 00:56:25,783 --> 00:56:27,616 TELL HIM HOW YOU'RE FEELING. >> WHAT AM I SUPPOSED TO SAY TO HIM, "SORRY I WAS SUCH AN 1451 00:56:27,618 --> 00:56:28,384 >> WHAT AM I SUPPOSED TO SAY TO HIM, "SORRY I WAS SUCH AN IDIOT"? 1452 00:56:28,386 --> 00:56:30,219 HIM, "SORRY I WAS SUCH AN IDIOT"? >> WELL, I DON'T KNOW. 1453 00:56:30,221 --> 00:56:33,555 IDIOT"? >> WELL, I DON'T KNOW. THAT'S GOT TO COME FROM YOU. 1454 00:56:33,557 --> 00:56:35,224 >> WELL, I DON'T KNOW. THAT'S GOT TO COME FROM YOU. YOU HAVE TO LEARN HOW TO BE THE 1455 00:56:35,226 --> 00:56:36,725 THAT'S GOT TO COME FROM YOU. YOU HAVE TO LEARN HOW TO BE THE GENERAL IN YOUR OWN LIFE -- NOT 1456 00:56:36,727 --> 00:56:38,394 YOU HAVE TO LEARN HOW TO BE THE GENERAL IN YOUR OWN LIFE -- NOT JUST THE GENERAL, BUT THE WHOLE 1457 00:56:38,396 --> 00:56:39,228 GENERAL IN YOUR OWN LIFE -- NOT JUST THE GENERAL, BUT THE WHOLE BATTLEFIELD. 1458 00:56:39,230 --> 00:56:40,496 JUST THE GENERAL, BUT THE WHOLE BATTLEFIELD. YOU'VE GOT WORK TO DO ON 1459 00:56:40,498 --> 00:56:42,664 BATTLEFIELD. YOU'VE GOT WORK TO DO ON YOURSELF. 1460 00:56:42,666 --> 00:56:44,500 YOU'VE GOT WORK TO DO ON YOURSELF. WHAT ABOUT THAT THERAPIST YOUR 1461 00:56:44,502 --> 00:56:45,734 YOURSELF. WHAT ABOUT THAT THERAPIST YOUR MOTHER SENT YOU TO? 1462 00:56:45,736 --> 00:56:47,636 WHAT ABOUT THAT THERAPIST YOUR MOTHER SENT YOU TO? >> SHE'S NOT A THERAPIST. 1463 00:56:47,638 --> 00:56:49,238 MOTHER SENT YOU TO? >> SHE'S NOT A THERAPIST. SHE'S A LIFE COACH. 1464 00:56:49,240 --> 00:56:50,272 >> SHE'S NOT A THERAPIST. SHE'S A LIFE COACH. >> AH. 1465 00:56:50,274 --> 00:56:52,808 SHE'S A LIFE COACH. >> AH. LIKE THOSE PEOPLE ON TV, THOSE 1466 00:56:52,810 --> 00:56:54,243 >> AH. LIKE THOSE PEOPLE ON TV, THOSE LATE-NIGHT INFOMERCIALS -- 1467 00:56:54,245 --> 00:56:55,577 LIKE THOSE PEOPLE ON TV, THOSE LATE-NIGHT INFOMERCIALS -- HAPPY FACE AND SMILING AND 1468 00:56:55,579 --> 00:56:56,245 LATE-NIGHT INFOMERCIALS -- HAPPY FACE AND SMILING AND POSITIVE. 1469 00:56:56,247 --> 00:56:57,646 HAPPY FACE AND SMILING AND POSITIVE. >> WELL, ACTUALLY, SHE WASN'T 1470 00:56:57,648 --> 00:56:59,815 POSITIVE. >> WELL, ACTUALLY, SHE WASN'T THAT BAD. 1471 00:56:59,817 --> 00:57:01,150 >> WELL, ACTUALLY, SHE WASN'T THAT BAD. SHE WASN'T BAD AT ALL. 1472 00:57:01,152 --> 00:57:02,317 THAT BAD. SHE WASN'T BAD AT ALL. >> WELL, GOOD. 1473 00:57:02,319 --> 00:57:04,186 SHE WASN'T BAD AT ALL. >> WELL, GOOD. TALK TO HER. 1474 00:57:04,188 --> 00:57:06,155 >> WELL, GOOD. TALK TO HER. MOTHER'S NOT ALWAYS WRONG, YOU 1475 00:57:06,157 --> 00:57:10,793 TALK TO HER. MOTHER'S NOT ALWAYS WRONG, YOU KNOW. 1476 00:57:10,795 --> 00:57:12,428 MOTHER'S NOT ALWAYS WRONG, YOU KNOW. >> HI. THIS IS ROWENA. 1477 00:57:12,430 --> 00:57:13,529 KNOW. >> HI. THIS IS ROWENA. >> HI, ROWENA. 1478 00:57:13,531 --> 00:57:14,997 >> HI. THIS IS ROWENA. >> HI, ROWENA. THIS IS JAMES SVECK. 1479 00:57:14,999 --> 00:57:16,799 >> HI, ROWENA. THIS IS JAMES SVECK. >> OH, HEY, JAMES. HOW ARE YOU? 1480 00:57:16,801 --> 00:57:17,433 THIS IS JAMES SVECK. >> OH, HEY, JAMES. HOW ARE YOU? >> GOOD. 1481 00:57:17,435 --> 00:57:20,969 >> OH, HEY, JAMES. HOW ARE YOU? >> GOOD. UH, I WAS WONDERING IF... 1482 00:57:20,971 --> 00:57:22,438 >> GOOD. UH, I WAS WONDERING IF... IF MAYBE WE COULD SET UP ANOTHER 1483 00:57:22,440 --> 00:57:23,372 UH, I WAS WONDERING IF... IF MAYBE WE COULD SET UP ANOTHER SESSION. 1484 00:57:23,374 --> 00:57:24,540 IF MAYBE WE COULD SET UP ANOTHER SESSION. >> YEAH, SURE. 1485 00:57:24,542 --> 00:57:26,475 SESSION. >> YEAH, SURE. UM, WHEN ARE YOU AVAILABLE? 1486 00:57:26,477 --> 00:57:29,445 >> YEAH, SURE. UM, WHEN ARE YOU AVAILABLE? >> I'M UNEMPLOYED, SO... 1487 00:57:29,447 --> 00:57:30,846 UM, WHEN ARE YOU AVAILABLE? >> I'M UNEMPLOYED, SO... I'M PRETTY MUCH ONE BIG BUNDLE 1488 00:57:30,848 --> 00:57:31,613 >> I'M UNEMPLOYED, SO... I'M PRETTY MUCH ONE BIG BUNDLE OF AVAILABLE. 1489 00:57:31,615 --> 00:57:32,514 I'M PRETTY MUCH ONE BIG BUNDLE OF AVAILABLE. >> [ CHUCKLES ] 1490 00:57:32,516 --> 00:57:33,782 OF AVAILABLE. >> [ CHUCKLES ] OKAY, WHAT ABOUT FRIDAY? 1491 00:57:33,784 --> 00:57:35,350 >> [ CHUCKLES ] OKAY, WHAT ABOUT FRIDAY? >> SAME BAT PLACE, SAME BAT 1492 00:57:35,352 --> 00:57:35,851 OKAY, WHAT ABOUT FRIDAY? >> SAME BAT PLACE, SAME BAT TIME? 1493 00:57:35,853 --> 00:57:37,619 >> SAME BAT PLACE, SAME BAT TIME? >> UH, DO YOU HAVE ANY WORKOUT 1494 00:57:37,621 --> 00:57:38,287 TIME? >> UH, DO YOU HAVE ANY WORKOUT CLOTHES? 1495 00:57:38,289 --> 00:57:39,822 >> UH, DO YOU HAVE ANY WORKOUT CLOTHES? >> UH, NO. 1496 00:57:39,824 --> 00:57:41,356 CLOTHES? >> UH, NO. >> WHAT ABOUT SHORTS AND A 1497 00:57:41,358 --> 00:57:41,990 >> UH, NO. >> WHAT ABOUT SHORTS AND A T-SHIRT? 1498 00:57:41,992 --> 00:57:43,559 >> WHAT ABOUT SHORTS AND A T-SHIRT? >> YEAH. I'LL SEE. 1499 00:57:43,561 --> 00:57:45,627 T-SHIRT? >> YEAH. I'LL SEE. >> OKAY. GREAT. SEE YOU THEN. 1500 00:57:48,631 --> 00:57:58,140 >> I LIKE HER. >> ♪ I DON'T KN-O-O-O-OW ♪ ♪ I HEARD MY TIME IS GOING BY ♪ 1501 00:57:58,142 --> 00:58:00,476 >> ♪ I DON'T KN-O-O-O-OW ♪ ♪ I HEARD MY TIME IS GOING BY ♪ ♪ DON'T KNOW WHAT I'M GONNA 1502 00:58:00,478 --> 00:58:05,180 ♪ I HEARD MY TIME IS GOING BY ♪ ♪ DON'T KNOW WHAT I'M GONNA LEAVE ♪ 1503 00:58:05,182 --> 00:58:08,383 ♪ DON'T KNOW WHAT I'M GONNA LEAVE ♪ ♪ THEY SAID I-I-I-IT ♪ 1504 00:58:08,385 --> 00:58:11,153 LEAVE ♪ ♪ THEY SAID I-I-I-IT ♪ ♪ WOULD ALL BE OVER SOON ♪ 1505 00:58:11,155 --> 00:58:15,023 ♪ THEY SAID I-I-I-IT ♪ ♪ WOULD ALL BE OVER SOON ♪ ♪ I DIDN'T KNOW HOW FAST SOON 1506 00:58:15,025 --> 00:58:16,758 ♪ WOULD ALL BE OVER SOON ♪ ♪ I DIDN'T KNOW HOW FAST SOON WOULD COME ♪ 1507 00:58:23,399 --> 00:58:28,337 >> [ Breathlessly ] CAN WE TAKE A BREAK, PLEASE? >> SURE. 1508 00:58:28,339 --> 00:58:29,771 A BREAK, PLEASE? >> SURE. LET'S JUST WALK. 1509 00:58:29,773 --> 00:58:31,673 >> SURE. LET'S JUST WALK. WE CAN COOL OFF, OKAY? 1510 00:58:31,675 --> 00:58:34,409 LET'S JUST WALK. WE CAN COOL OFF, OKAY? >> [ BREATHING HEAVILY ] 1511 00:58:34,411 --> 00:58:36,345 WE CAN COOL OFF, OKAY? >> [ BREATHING HEAVILY ] >> SO, UH, YOU WERE SAYING HOW 1512 00:58:36,347 --> 00:58:38,180 >> [ BREATHING HEAVILY ] >> SO, UH, YOU WERE SAYING HOW EVERYBODY WAS TELLING YOU HOW 1513 00:58:38,182 --> 00:58:39,548 >> SO, UH, YOU WERE SAYING HOW EVERYBODY WAS TELLING YOU HOW NOT NORMAL YOU WERE. 1514 00:58:39,550 --> 00:58:41,350 EVERYBODY WAS TELLING YOU HOW NOT NORMAL YOU WERE. >> THE THING IS, I DON'T 1515 00:58:41,352 --> 00:58:44,720 NOT NORMAL YOU WERE. >> THE THING IS, I DON'T ENTIRELY DISAGREE WITH THEM. 1516 00:58:44,722 --> 00:58:46,021 >> THE THING IS, I DON'T ENTIRELY DISAGREE WITH THEM. >> SO YOU THINK YOU'RE NOT 1517 00:58:46,023 --> 00:58:47,723 ENTIRELY DISAGREE WITH THEM. >> SO YOU THINK YOU'RE NOT NORMAL. 1518 00:58:47,725 --> 00:58:49,224 >> SO YOU THINK YOU'RE NOT NORMAL. >> I DON'T THINK I KNOW WHAT 1519 00:58:49,226 --> 00:58:51,593 NORMAL. >> I DON'T THINK I KNOW WHAT NORMAL IS. 1520 00:58:51,595 --> 00:58:53,262 >> I DON'T THINK I KNOW WHAT NORMAL IS. NEW YORK IS A FUNNY PLACE TO BE 1521 00:58:53,264 --> 00:58:53,862 NORMAL IS. NEW YORK IS A FUNNY PLACE TO BE LONELY. 1522 00:58:53,864 --> 00:58:56,431 NEW YORK IS A FUNNY PLACE TO BE LONELY. >> HOW SO? 1523 00:58:56,433 --> 00:58:58,800 LONELY. >> HOW SO? >> THERE'S PEOPLE EVERYWHERE. 1524 00:58:58,802 --> 00:59:00,269 >> HOW SO? >> THERE'S PEOPLE EVERYWHERE. EVERYONE'S GOT A RHYTHM OF THEIR 1525 00:59:00,271 --> 00:59:00,602 >> THERE'S PEOPLE EVERYWHERE. EVERYONE'S GOT A RHYTHM OF THEIR OWN. 1526 00:59:00,604 --> 00:59:02,137 EVERYONE'S GOT A RHYTHM OF THEIR OWN. I DON'T HAVE ONE. 1527 00:59:02,139 --> 00:59:03,939 OWN. I DON'T HAVE ONE. I CAN SEE EVERYONE MOVING TO 1528 00:59:03,941 --> 00:59:05,374 I DON'T HAVE ONE. I CAN SEE EVERYONE MOVING TO THAT BEAT, YOU KNOW. 1529 00:59:05,376 --> 00:59:06,375 I CAN SEE EVERYONE MOVING TO THAT BEAT, YOU KNOW. GOTTA GO NOW. 1530 00:59:06,377 --> 00:59:07,809 THAT BEAT, YOU KNOW. GOTTA GO NOW. GOTTA GET THERE, HERE. 1531 00:59:07,811 --> 00:59:11,313 GOTTA GO NOW. GOTTA GET THERE, HERE. LAUGHING, DANCING, WHATEVER. 1532 00:59:11,315 --> 00:59:13,749 GOTTA GET THERE, HERE. LAUGHING, DANCING, WHATEVER. ALL I HEAR IS SILENCE. 1533 00:59:13,751 --> 00:59:15,717 LAUGHING, DANCING, WHATEVER. ALL I HEAR IS SILENCE. LIKE THERE'S SOMETHING WAY DOWN 1534 00:59:15,719 --> 00:59:17,553 ALL I HEAR IS SILENCE. LIKE THERE'S SOMETHING WAY DOWN DEEP INSIDE OF ME, SOME MINOR 1535 00:59:17,555 --> 00:59:18,820 LIKE THERE'S SOMETHING WAY DOWN DEEP INSIDE OF ME, SOME MINOR DEFECT IN THE MOST HIDDEN 1536 00:59:18,822 --> 00:59:20,055 DEEP INSIDE OF ME, SOME MINOR DEFECT IN THE MOST HIDDEN RECESSES OF THE SECOND 1537 00:59:20,057 --> 00:59:21,623 DEFECT IN THE MOST HIDDEN RECESSES OF THE SECOND CHROMOSOME IN MY DNA THAT MAKES 1538 00:59:21,625 --> 00:59:23,425 RECESSES OF THE SECOND CHROMOSOME IN MY DNA THAT MAKES ME DIFFERENT. 1539 00:59:23,427 --> 00:59:24,760 CHROMOSOME IN MY DNA THAT MAKES ME DIFFERENT. >> CAN YOU REMEMBER WHEN YOU 1540 00:59:24,762 --> 00:59:26,595 ME DIFFERENT. >> CAN YOU REMEMBER WHEN YOU FIRST STARTED FEELING THIS WAY? 1541 00:59:30,066 --> 00:59:34,169 >> I GUESS I'VE ALWAYS FELT THIS WAY. BUT IT WAS WORSE WHEN I WAS IN 1542 00:59:34,171 --> 00:59:34,736 WAY. BUT IT WAS WORSE WHEN I WAS IN WASHINGTON. 1543 00:59:34,738 --> 00:59:37,839 BUT IT WAS WORSE WHEN I WAS IN WASHINGTON. >> [ LAUGHS ] 1544 00:59:37,841 --> 00:59:39,007 WASHINGTON. >> [ LAUGHS ] >> THAT WAS THE AMERICAN 1545 00:59:39,009 --> 00:59:39,741 >> [ LAUGHS ] >> THAT WAS THE AMERICAN CLASSROOM. 1546 00:59:39,743 --> 00:59:41,410 >> THAT WAS THE AMERICAN CLASSROOM. >> GETTING IN WAS SUPPOSEDLY A 1547 00:59:41,412 --> 00:59:42,344 CLASSROOM. >> GETTING IN WAS SUPPOSEDLY A VERY BIG DEAL. 1548 00:59:42,346 --> 00:59:44,179 >> GETTING IN WAS SUPPOSEDLY A VERY BIG DEAL. MY PARENTS THOUGHT IT WOULD HELP 1549 00:59:44,181 --> 00:59:45,747 VERY BIG DEAL. MY PARENTS THOUGHT IT WOULD HELP ME GET INTO HARVARD. 1550 00:59:45,749 --> 00:59:47,516 MY PARENTS THOUGHT IT WOULD HELP ME GET INTO HARVARD. IT DIDN'T. 1551 00:59:47,518 --> 00:59:49,918 ME GET INTO HARVARD. IT DIDN'T. >> I AM SUSAN POWELL WRIGHT, 1552 00:59:49,920 --> 00:59:51,186 IT DIDN'T. >> I AM SUSAN POWELL WRIGHT, WIFE OF SENATOR 1553 00:59:51,188 --> 00:59:53,021 >> I AM SUSAN POWELL WRIGHT, WIFE OF SENATOR LYNDON FREDERICK WRIGHT. 1554 00:59:53,023 --> 00:59:54,523 WIFE OF SENATOR LYNDON FREDERICK WRIGHT. >> MIND IF I SIT HERE? 1555 00:59:54,525 --> 00:59:56,525 LYNDON FREDERICK WRIGHT. >> MIND IF I SIT HERE? >> WELCOME TO WASHINGTON, D.C., 1556 00:59:56,527 --> 00:59:58,026 >> MIND IF I SIT HERE? >> WELCOME TO WASHINGTON, D.C., THE CAPITAL CITY OF OUR 1557 00:59:58,028 --> 00:59:59,428 >> WELCOME TO WASHINGTON, D.C., THE CAPITAL CITY OF OUR BELOVED AND GLORIOUS 1558 00:59:59,430 --> 01:00:01,096 THE CAPITAL CITY OF OUR BELOVED AND GLORIOUS UNITED STATES OF AMERICA. 1559 01:00:01,098 --> 01:00:02,931 BELOVED AND GLORIOUS UNITED STATES OF AMERICA. NOW, BEFORE WE LEAVE, I'M GOING 1560 01:00:02,933 --> 01:00:05,534 UNITED STATES OF AMERICA. NOW, BEFORE WE LEAVE, I'M GOING TO PASS OUT ALL YOUR NAME TAGS. 1561 01:00:10,373 --> 01:00:15,611 >> THIS IS THE MOST EXCITING THING I'VE EVER DONE IN MY LIFE. WHAT'S YOUR NAME? 1562 01:00:15,613 --> 01:00:17,212 THING I'VE EVER DONE IN MY LIFE. WHAT'S YOUR NAME? >> JAMES SVECK. 1563 01:00:17,214 --> 01:00:18,280 WHAT'S YOUR NAME? >> JAMES SVECK. >> I'M SUE KENNEY, FROM 1564 01:00:18,282 --> 01:00:20,449 >> JAMES SVECK. >> I'M SUE KENNEY, FROM SOUTH DAKOTA. 1565 01:00:20,451 --> 01:00:21,483 >> I'M SUE KENNEY, FROM SOUTH DAKOTA. YOU? 1566 01:00:21,485 --> 01:00:22,651 SOUTH DAKOTA. YOU? >> NEW YORK. 1567 01:00:22,653 --> 01:00:24,219 YOU? >> NEW YORK. >> NEW YORK! WOW! 1568 01:00:24,221 --> 01:00:25,020 >> NEW YORK. >> NEW YORK! WOW! WHERE? 1569 01:00:25,022 --> 01:00:26,288 >> NEW YORK! WOW! WHERE? >> NEW YORK CITY. 1570 01:00:26,290 --> 01:00:29,124 WHERE? >> NEW YORK CITY. >> WOW! NEW YORK CITY? 1571 01:00:29,126 --> 01:00:30,459 >> NEW YORK CITY. >> WOW! NEW YORK CITY? >> WHY "WOW"? 1572 01:00:30,461 --> 01:00:31,693 >> WOW! NEW YORK CITY? >> WHY "WOW"? >> I ALWAYS SAY "WOW" WHEN I 1573 01:00:31,695 --> 01:00:32,794 >> WHY "WOW"? >> I ALWAYS SAY "WOW" WHEN I THINK OF NEW YORK CITY. 1574 01:00:32,796 --> 01:00:34,863 >> I ALWAYS SAY "WOW" WHEN I THINK OF NEW YORK CITY. OH, WE'RE GOING! 1575 01:00:34,865 --> 01:00:38,800 THINK OF NEW YORK CITY. OH, WE'RE GOING! YOU'RE NOT GONNA WEAR IT? 1576 01:00:38,802 --> 01:00:40,502 OH, WE'RE GOING! YOU'RE NOT GONNA WEAR IT? >> NO, IT'S FINE. I'LL DO IT. 1577 01:00:40,504 --> 01:00:41,837 YOU'RE NOT GONNA WEAR IT? >> NO, IT'S FINE. I'LL DO IT. THANK YOU. 1578 01:00:41,839 --> 01:00:43,505 >> NO, IT'S FINE. I'LL DO IT. THANK YOU. I HOPE THEY GIVE ME A NEW ONE. 1579 01:00:43,507 --> 01:00:44,706 THANK YOU. I HOPE THEY GIVE ME A NEW ONE. I MESSED THIS ONE UP. 1580 01:00:44,708 --> 01:00:46,074 I HOPE THEY GIVE ME A NEW ONE. I MESSED THIS ONE UP. I JUST DON'T WANT PEOPLE 1581 01:00:46,076 --> 01:00:47,309 I MESSED THIS ONE UP. I JUST DON'T WANT PEOPLE THINKING I COME FROM 1582 01:00:47,311 --> 01:00:48,910 I JUST DON'T WANT PEOPLE THINKING I COME FROM NORTH DAKOTA. 1583 01:00:48,912 --> 01:00:50,646 THINKING I COME FROM NORTH DAKOTA. I MEAN, THERE'S A BIG DIFFERENCE 1584 01:00:50,648 --> 01:00:52,314 NORTH DAKOTA. I MEAN, THERE'S A BIG DIFFERENCE BETWEEN NORTH AND SOUTH DAKOTA. 1585 01:00:52,316 --> 01:00:54,016 I MEAN, THERE'S A BIG DIFFERENCE BETWEEN NORTH AND SOUTH DAKOTA. IT'S LIKE THE DIFFERENCE BETWEEN 1586 01:00:54,018 --> 01:00:55,350 BETWEEN NORTH AND SOUTH DAKOTA. IT'S LIKE THE DIFFERENCE BETWEEN NORTH AND SOUTH KOREA. 1587 01:00:55,352 --> 01:00:56,918 IT'S LIKE THE DIFFERENCE BETWEEN NORTH AND SOUTH KOREA. WELL, NOT THAT NORTH DAKOTA IS 1588 01:00:56,920 --> 01:00:57,586 NORTH AND SOUTH KOREA. WELL, NOT THAT NORTH DAKOTA IS COMMUNIST. 1589 01:00:57,588 --> 01:00:58,186 WELL, NOT THAT NORTH DAKOTA IS COMMUNIST. I MEAN -- 1590 01:00:58,188 --> 01:00:59,421 COMMUNIST. I MEAN -- >> OH, THERE'S THE CAPITOL! 1591 01:00:59,423 --> 01:01:00,222 I MEAN -- >> OH, THERE'S THE CAPITOL! >> OOH! 1592 01:01:00,224 --> 01:01:03,358 >> OH, THERE'S THE CAPITOL! >> OOH! [ APPLAUSE ] 1593 01:01:03,360 --> 01:01:06,862 >> OOH! [ APPLAUSE ] >> All: ♪ OH, BEAUTIFUL FOR 1594 01:01:06,864 --> 01:01:08,830 [ APPLAUSE ] >> All: ♪ OH, BEAUTIFUL FOR SPACIOUS SKIES ♪ 1595 01:01:08,832 --> 01:01:14,202 >> All: ♪ OH, BEAUTIFUL FOR SPACIOUS SKIES ♪ ♪ FOR AMBER WAVES OF GRAIN ♪ 1596 01:01:14,204 --> 01:01:17,739 SPACIOUS SKIES ♪ ♪ FOR AMBER WAVES OF GRAIN ♪ ♪ FOR PURPLE MOUNTAIN 1597 01:01:17,741 --> 01:01:19,675 ♪ FOR AMBER WAVES OF GRAIN ♪ ♪ FOR PURPLE MOUNTAIN MAJESTIES ♪ 1598 01:01:19,677 --> 01:01:21,243 ♪ FOR PURPLE MOUNTAIN MAJESTIES ♪ ♪ ABOVE THE FRUITED PLAIN ♪ 1599 01:01:21,245 --> 01:01:23,679 MAJESTIES ♪ ♪ ABOVE THE FRUITED PLAIN ♪ >> WHY AREN'T YOU SINGING? 1600 01:01:23,681 --> 01:01:25,047 ♪ ABOVE THE FRUITED PLAIN ♪ >> WHY AREN'T YOU SINGING? >> I'M JUST ABOUT TO. 1601 01:01:25,049 --> 01:01:29,551 >> WHY AREN'T YOU SINGING? >> I'M JUST ABOUT TO. >> All: ♪ AMERICA! AMERICA! ♪ 1602 01:01:29,553 --> 01:01:30,719 >> I'M JUST ABOUT TO. >> All: ♪ AMERICA! AMERICA! ♪ >> SO, WHAT ABOUT THIS SUE? 1603 01:01:30,721 --> 01:01:32,054 >> All: ♪ AMERICA! AMERICA! ♪ >> SO, WHAT ABOUT THIS SUE? IS THAT SOMEONE YOU COULD HAVE 1604 01:01:32,056 --> 01:01:32,921 >> SO, WHAT ABOUT THIS SUE? IS THAT SOMEONE YOU COULD HAVE BEEN FRIENDS WITH? 1605 01:01:32,923 --> 01:01:34,456 IS THAT SOMEONE YOU COULD HAVE BEEN FRIENDS WITH? >> IF YOU'D MET HER, YOU 1606 01:01:34,458 --> 01:01:37,259 BEEN FRIENDS WITH? >> IF YOU'D MET HER, YOU WOULDN'T ASK ME THAT. 1607 01:01:37,261 --> 01:01:39,895 >> IF YOU'D MET HER, YOU WOULDN'T ASK ME THAT. >> All: ♪ AND CROWN THY GOOD 1608 01:01:39,897 --> 01:01:43,231 WOULDN'T ASK ME THAT. >> All: ♪ AND CROWN THY GOOD WITH BROTHERHOOD ♪ 1609 01:01:43,233 --> 01:01:45,467 >> All: ♪ AND CROWN THY GOOD WITH BROTHERHOOD ♪ >> OH, SHIT. 1610 01:01:45,469 --> 01:01:46,468 WITH BROTHERHOOD ♪ >> OH, SHIT. MAN, THANK GOD. 1611 01:01:46,470 --> 01:01:47,869 >> OH, SHIT. MAN, THANK GOD. I THOUGHT YOU WERE THE PROCTOR, 1612 01:01:47,871 --> 01:01:49,037 MAN, THANK GOD. I THOUGHT YOU WERE THE PROCTOR, MAN. 1613 01:01:49,039 --> 01:01:50,238 I THOUGHT YOU WERE THE PROCTOR, MAN. ARE YOU RETARDED? 1614 01:01:50,240 --> 01:01:52,407 MAN. ARE YOU RETARDED? CLOSE THE FUCKING DOOR, MAN. 1615 01:01:57,547 --> 01:02:03,385 HEY, MM, SORRY, DUDE. FIRST COME, FIRST SERVE. LOOKS LIKE YOU GOT THE COT, MAN. 1616 01:02:03,387 --> 01:02:06,288 FIRST COME, FIRST SERVE. LOOKS LIKE YOU GOT THE COT, MAN. >> OH, THAT'S OKAY. 1617 01:02:06,290 --> 01:02:09,424 LOOKS LIKE YOU GOT THE COT, MAN. >> OH, THAT'S OKAY. WELL, I-I'M JAMES. 1618 01:02:09,426 --> 01:02:10,959 >> OH, THAT'S OKAY. WELL, I-I'M JAMES. >> DAKIN. 1619 01:02:10,961 --> 01:02:12,928 WELL, I-I'M JAMES. >> DAKIN. THAT'S RHONDA. 1620 01:02:12,930 --> 01:02:13,962 >> DAKIN. THAT'S RHONDA. >> I'M THOM. 1621 01:02:13,964 --> 01:02:14,596 THAT'S RHONDA. >> I'M THOM. >> HI. 1622 01:02:14,598 --> 01:02:15,797 >> I'M THOM. >> HI. >> WANNA GET HIGH? 1623 01:02:15,799 --> 01:02:16,998 >> HI. >> WANNA GET HIGH? >> OH, NO THANKS. 1624 01:02:17,000 --> 01:02:17,799 >> WANNA GET HIGH? >> OH, NO THANKS. I'M FINE. 1625 01:02:17,801 --> 01:02:19,067 >> OH, NO THANKS. I'M FINE. THANK YOU, THOUGH. 1626 01:02:19,069 --> 01:02:21,236 I'M FINE. THANK YOU, THOUGH. >> OH, SHIT. 1627 01:02:21,238 --> 01:02:24,239 THANK YOU, THOUGH. >> OH, SHIT. DAKIN, LOOK, MAN. 1628 01:02:24,241 --> 01:02:25,340 >> OH, SHIT. DAKIN, LOOK, MAN. WE GOT A TEACHER'S PET. 1629 01:02:25,342 --> 01:02:26,274 DAKIN, LOOK, MAN. WE GOT A TEACHER'S PET. >> UH, NO, NO, NO. 1630 01:02:26,276 --> 01:02:26,808 WE GOT A TEACHER'S PET. >> UH, NO, NO, NO. I'M NOT. 1631 01:02:26,810 --> 01:02:28,276 >> UH, NO, NO, NO. I'M NOT. >> HEY, I'M FROM NEW YORK, TOO. 1632 01:02:28,278 --> 01:02:29,010 I'M NOT. >> HEY, I'M FROM NEW YORK, TOO. >> OH, YEAH? 1633 01:02:29,012 --> 01:02:30,412 >> HEY, I'M FROM NEW YORK, TOO. >> OH, YEAH? >> YEAH, I'M GOING TO PARSONS 1634 01:02:30,414 --> 01:02:31,079 >> OH, YEAH? >> YEAH, I'M GOING TO PARSONS IN THE FALL. 1635 01:02:31,081 --> 01:02:32,347 >> YEAH, I'M GOING TO PARSONS IN THE FALL. I'M GOING TO BE A FASHION 1636 01:02:32,349 --> 01:02:33,582 IN THE FALL. I'M GOING TO BE A FASHION DESIGNER. 1637 01:02:33,584 --> 01:02:34,916 I'M GOING TO BE A FASHION DESIGNER. WHERE ARE YOU GOING? 1638 01:02:34,918 --> 01:02:36,585 DESIGNER. WHERE ARE YOU GOING? >> WELL, I'M SUPPOSED TO BE 1639 01:02:36,587 --> 01:02:37,753 WHERE ARE YOU GOING? >> WELL, I'M SUPPOSED TO BE GOING TO HARVARD. 1640 01:02:37,755 --> 01:02:39,020 >> WELL, I'M SUPPOSED TO BE GOING TO HARVARD. >> "SUPPOSED TO BE"? 1641 01:02:39,022 --> 01:02:40,489 GOING TO HARVARD. >> "SUPPOSED TO BE"? >> THING IS, I DON'T KNOW IF I'M 1642 01:02:40,491 --> 01:02:42,457 >> "SUPPOSED TO BE"? >> THING IS, I DON'T KNOW IF I'M ACTUALLY GONNA GO YET. 1643 01:02:42,459 --> 01:02:43,291 >> THING IS, I DON'T KNOW IF I'M ACTUALLY GONNA GO YET. [ CLANG ] 1644 01:02:43,293 --> 01:02:45,427 ACTUALLY GONNA GO YET. [ CLANG ] [ LAUGHTER ] 1645 01:02:45,429 --> 01:02:47,095 [ CLANG ] [ LAUGHTER ] >> HEY, DON'T BE AFRAID OF THE 1646 01:02:47,097 --> 01:02:47,763 [ LAUGHTER ] >> HEY, DON'T BE AFRAID OF THE COT, MAN. 1647 01:02:47,765 --> 01:02:49,998 >> HEY, DON'T BE AFRAID OF THE COT, MAN. IT'S NOT GONNA EAT YOU. 1648 01:02:50,000 --> 01:02:51,466 COT, MAN. IT'S NOT GONNA EAT YOU. >> OH, GOD. 1649 01:02:51,468 --> 01:02:52,667 IT'S NOT GONNA EAT YOU. >> OH, GOD. >> IT WAS ALL DOWNHILL FROM 1650 01:02:52,669 --> 01:02:55,303 >> OH, GOD. >> IT WAS ALL DOWNHILL FROM THERE. 1651 01:02:55,305 --> 01:02:57,305 >> IT WAS ALL DOWNHILL FROM THERE. >> YOU MEAN IT GOT WORSE. 1652 01:02:57,307 --> 01:02:58,974 THERE. >> YOU MEAN IT GOT WORSE. >> A LOT WORSE. 1653 01:02:58,976 --> 01:03:02,844 >> YOU MEAN IT GOT WORSE. >> A LOT WORSE. [ BREATHING HEAVILY ] 1654 01:03:02,846 --> 01:03:04,179 >> A LOT WORSE. [ BREATHING HEAVILY ] >> DO YOU WANT TO TELL ME ABOUT 1655 01:03:04,181 --> 01:03:06,314 [ BREATHING HEAVILY ] >> DO YOU WANT TO TELL ME ABOUT IT NEXT WEEK? 1656 01:03:06,316 --> 01:03:08,183 >> DO YOU WANT TO TELL ME ABOUT IT NEXT WEEK? >> FIXING THE MIND AND TUNING UP 1657 01:03:08,185 --> 01:03:08,784 IT NEXT WEEK? >> FIXING THE MIND AND TUNING UP THE BODY? 1658 01:03:08,786 --> 01:03:10,619 >> FIXING THE MIND AND TUNING UP THE BODY? YOU SHOULD GET PAID DOUBLE. 1659 01:03:10,621 --> 01:03:13,622 THE BODY? YOU SHOULD GET PAID DOUBLE. I'M GONNA BE BUFF AND SANE. 1660 01:03:13,624 --> 01:03:15,190 YOU SHOULD GET PAID DOUBLE. I'M GONNA BE BUFF AND SANE. >> [ EXHALES ] 1661 01:03:15,192 --> 01:03:16,458 I'M GONNA BE BUFF AND SANE. >> [ EXHALES ] >> HOW DO YOU EVEN KNOW I WANT 1662 01:03:16,460 --> 01:03:17,292 >> [ EXHALES ] >> HOW DO YOU EVEN KNOW I WANT ANOTHER SESSION? 1663 01:03:17,294 --> 01:03:19,127 >> HOW DO YOU EVEN KNOW I WANT ANOTHER SESSION? >> WELL, THAT'S UP TO YOU. 1664 01:03:35,011 --> 01:03:42,651 >> MR. ROG-- UH... BARRY. >> HELLO, JAMES. 1665 01:03:42,653 --> 01:03:43,919 BARRY. >> HELLO, JAMES. >> WHAT ARE YOU DOING HERE? 1666 01:03:43,921 --> 01:03:45,821 >> HELLO, JAMES. >> WHAT ARE YOU DOING HERE? >> STOOPS ARE PLACES OF PUBLIC 1667 01:03:45,823 --> 01:03:47,589 >> WHAT ARE YOU DOING HERE? >> STOOPS ARE PLACES OF PUBLIC ACCOMMODATION -- NEW YORK CITY 1668 01:03:47,591 --> 01:03:51,226 >> STOOPS ARE PLACES OF PUBLIC ACCOMMODATION -- NEW YORK CITY CODE 456-12. 1669 01:03:51,228 --> 01:03:52,594 ACCOMMODATION -- NEW YORK CITY CODE 456-12. >> WELL, HAVE A NICE DAY. 1670 01:03:52,596 --> 01:03:55,831 CODE 456-12. >> WELL, HAVE A NICE DAY. >> WAIT, UH... 1671 01:03:55,833 --> 01:03:56,832 >> WELL, HAVE A NICE DAY. >> WAIT, UH... [ SIGHS ] 1672 01:03:56,834 --> 01:03:58,533 >> WAIT, UH... [ SIGHS ] I CAME TO SEE YOUR MOTHER. 1673 01:03:58,535 --> 01:04:00,335 [ SIGHS ] I CAME TO SEE YOUR MOTHER. LOOK, I JUST -- I WANT TO REPAY 1674 01:04:00,337 --> 01:04:02,037 I CAME TO SEE YOUR MOTHER. LOOK, I JUST -- I WANT TO REPAY HER THE MONEY THAT I OWE HER, 1675 01:04:02,039 --> 01:04:03,738 LOOK, I JUST -- I WANT TO REPAY HER THE MONEY THAT I OWE HER, BUT SHE WON'T LET ME IN, AND 1676 01:04:03,740 --> 01:04:05,006 HER THE MONEY THAT I OWE HER, BUT SHE WON'T LET ME IN, AND SHE WON'T COME DOWN. 1677 01:04:05,008 --> 01:04:07,209 BUT SHE WON'T LET ME IN, AND SHE WON'T COME DOWN. >> WELL, GIVE IT TO ME, AND I'LL 1678 01:04:07,211 --> 01:04:08,376 SHE WON'T COME DOWN. >> WELL, GIVE IT TO ME, AND I'LL GIVE IT TO HER. 1679 01:04:08,378 --> 01:04:09,044 >> WELL, GIVE IT TO ME, AND I'LL GIVE IT TO HER. >> NO. 1680 01:04:09,046 --> 01:04:11,046 GIVE IT TO HER. >> NO. NO, I WANT TO SEE HER, TALK TO 1681 01:04:11,048 --> 01:04:11,580 >> NO. NO, I WANT TO SEE HER, TALK TO HER. 1682 01:04:11,582 --> 01:04:13,215 NO, I WANT TO SEE HER, TALK TO HER. THIS IS VERY IMPORTANT. 1683 01:04:13,217 --> 01:04:14,716 HER. THIS IS VERY IMPORTANT. I NEED TO APOLOGIZE. 1684 01:04:14,718 --> 01:04:16,451 THIS IS VERY IMPORTANT. I NEED TO APOLOGIZE. >> CALL HER. ASK HER OUT. 1685 01:04:16,453 --> 01:04:17,452 I NEED TO APOLOGIZE. >> CALL HER. ASK HER OUT. >> I DID. 1686 01:04:17,454 --> 01:04:19,688 >> CALL HER. ASK HER OUT. >> I DID. LOOK, I EVEN, UH... 1687 01:04:19,690 --> 01:04:21,556 >> I DID. LOOK, I EVEN, UH... LOOK, I CHARTERED ONE OF THOSE 1688 01:04:21,558 --> 01:04:23,091 LOOK, I EVEN, UH... LOOK, I CHARTERED ONE OF THOSE PRIVATE DINNER CRUISE BOATS FOR 1689 01:04:23,093 --> 01:04:24,693 LOOK, I CHARTERED ONE OF THOSE PRIVATE DINNER CRUISE BOATS FOR TUESDAY NIGHT, BUT SHE SAID SHE 1690 01:04:24,695 --> 01:04:26,027 PRIVATE DINNER CRUISE BOATS FOR TUESDAY NIGHT, BUT SHE SAID SHE CAN'T COME BECAUSE SHE GETS 1691 01:04:26,029 --> 01:04:26,595 TUESDAY NIGHT, BUT SHE SAID SHE CAN'T COME BECAUSE SHE GETS SEASICK. 1692 01:04:26,597 --> 01:04:27,395 CAN'T COME BECAUSE SHE GETS SEASICK. IS THAT TRUE? 1693 01:04:27,397 --> 01:04:29,030 SEASICK. IS THAT TRUE? >> A LOT OF THINGS MAKE MY 1694 01:04:29,032 --> 01:04:29,931 IS THAT TRUE? >> A LOT OF THINGS MAKE MY MOTHER SICK. 1695 01:04:29,933 --> 01:04:32,434 >> A LOT OF THINGS MAKE MY MOTHER SICK. >> WHAT AM I GONNA DO? 1696 01:04:32,436 --> 01:04:34,870 MOTHER SICK. >> WHAT AM I GONNA DO? JAMES, MAYBE YOU COULD...HELP 1697 01:04:34,872 --> 01:04:35,203 >> WHAT AM I GONNA DO? JAMES, MAYBE YOU COULD...HELP ME. 1698 01:04:35,205 --> 01:04:36,571 JAMES, MAYBE YOU COULD...HELP ME. LOOK, YOU MAY NOT BELIEVE IT, 1699 01:04:36,573 --> 01:04:39,241 ME. LOOK, YOU MAY NOT BELIEVE IT, BUT I REALLY LOVE YOUR MOTHER. 1700 01:04:39,243 --> 01:04:40,275 LOOK, YOU MAY NOT BELIEVE IT, BUT I REALLY LOVE YOUR MOTHER. OKAY? I ADMIT IT. 1701 01:04:40,277 --> 01:04:41,776 BUT I REALLY LOVE YOUR MOTHER. OKAY? I ADMIT IT. I DO HAVE A LITTLE GAMBLING 1702 01:04:41,778 --> 01:04:42,377 OKAY? I ADMIT IT. I DO HAVE A LITTLE GAMBLING PROBLEM. 1703 01:04:42,379 --> 01:04:44,045 I DO HAVE A LITTLE GAMBLING PROBLEM. BUT TELL HER I HAVE BEEN GOING 1704 01:04:44,047 --> 01:04:45,614 PROBLEM. BUT TELL HER I HAVE BEEN GOING TO GAMBLERS ANONYMOUS, AND I 1705 01:04:45,616 --> 01:04:47,315 BUT TELL HER I HAVE BEEN GOING TO GAMBLERS ANONYMOUS, AND I HAVE BEEN EVERY NIGHT SINCE SHE 1706 01:04:47,317 --> 01:04:51,253 TO GAMBLERS ANONYMOUS, AND I HAVE BEEN EVERY NIGHT SINCE SHE LEFT, ALMOST. 1707 01:04:51,255 --> 01:04:52,320 HAVE BEEN EVERY NIGHT SINCE SHE LEFT, ALMOST. IT'S AN AWFUL THING TO 1708 01:04:52,322 --> 01:04:55,991 LEFT, ALMOST. IT'S AN AWFUL THING TO DISAPPOINT SOMEONE YOU LOVE. 1709 01:04:55,993 --> 01:04:57,492 IT'S AN AWFUL THING TO DISAPPOINT SOMEONE YOU LOVE. DO YOU KNOW WHAT THAT'S LIKE, 1710 01:04:57,494 --> 01:04:59,794 DISAPPOINT SOMEONE YOU LOVE. DO YOU KNOW WHAT THAT'S LIKE, HURTING SOMEONE YOU LOVE? 1711 01:04:59,796 --> 01:05:03,231 DO YOU KNOW WHAT THAT'S LIKE, HURTING SOMEONE YOU LOVE? EH. 1712 01:05:03,233 --> 01:05:05,967 HURTING SOMEONE YOU LOVE? EH. [ MUFFLED INDISTINCT SHOUTING ] 1713 01:05:05,969 --> 01:05:07,936 EH. [ MUFFLED INDISTINCT SHOUTING ] >> FUCKING BASTARD! 1714 01:05:07,938 --> 01:05:09,404 [ MUFFLED INDISTINCT SHOUTING ] >> FUCKING BASTARD! WHY DON'T YOU GO BACK?! 1715 01:05:09,406 --> 01:05:10,405 >> FUCKING BASTARD! WHY DON'T YOU GO BACK?! >> CALM DOWN. 1716 01:05:10,407 --> 01:05:11,339 WHY DON'T YOU GO BACK?! >> CALM DOWN. >> NO, I DON'T WANT TO! 1717 01:05:11,341 --> 01:05:12,774 >> CALM DOWN. >> NO, I DON'T WANT TO! DON'T TELL ME TO CALM DOWN! 1718 01:05:12,776 --> 01:05:13,775 >> NO, I DON'T WANT TO! DON'T TELL ME TO CALM DOWN! >> I'M A MARRIED MAN. 1719 01:05:13,777 --> 01:05:14,576 DON'T TELL ME TO CALM DOWN! >> I'M A MARRIED MAN. >> I DON'T CARE! 1720 01:05:14,578 --> 01:05:15,577 >> I'M A MARRIED MAN. >> I DON'T CARE! YOU WERE A MARRIED MAN 1721 01:05:15,579 --> 01:05:16,177 >> I DON'T CARE! YOU WERE A MARRIED MAN YESTERDAY! 1722 01:05:16,179 --> 01:05:17,612 YOU WERE A MARRIED MAN YESTERDAY! >> OH, GILLY. 1723 01:05:17,614 --> 01:05:19,247 YESTERDAY! >> OH, GILLY. >> GET OUT, OKAY?! 1724 01:05:19,249 --> 01:05:19,648 >> OH, GILLY. >> GET OUT, OKAY?! GET OUT! 1725 01:05:19,650 --> 01:05:20,315 >> GET OUT, OKAY?! GET OUT! >> I AM. I AM. 1726 01:05:20,317 --> 01:05:21,316 GET OUT! >> I AM. I AM. >> I'M GONNA KILL YOU, YOU 1727 01:05:21,318 --> 01:05:22,017 >> I AM. I AM. >> I'M GONNA KILL YOU, YOU FUCKING ASSHOLE! 1728 01:05:22,019 --> 01:05:22,617 >> I'M GONNA KILL YOU, YOU FUCKING ASSHOLE! >> WHAT'S UP? 1729 01:05:22,619 --> 01:05:24,519 FUCKING ASSHOLE! >> WHAT'S UP? >> I'M SORRY, JAMES. 1730 01:05:24,521 --> 01:05:25,620 >> WHAT'S UP? >> I'M SORRY, JAMES. >> OH, NO. 1731 01:05:25,622 --> 01:05:27,789 >> I'M SORRY, JAMES. >> OH, NO. >> IT'S NOT A BIG DEAL! 1732 01:05:27,791 --> 01:05:28,924 >> OH, NO. >> IT'S NOT A BIG DEAL! YES. 1733 01:05:28,926 --> 01:05:31,626 >> IT'S NOT A BIG DEAL! YES. >> I HATE YOU, YOU POLISH FREAK! 1734 01:05:31,628 --> 01:05:33,962 YES. >> I HATE YOU, YOU POLISH FREAK! JUST LEAVE ME ALONE! 1735 01:05:33,964 --> 01:05:34,829 >> I HATE YOU, YOU POLISH FREAK! JUST LEAVE ME ALONE! NO! 1736 01:05:34,831 --> 01:05:35,964 JUST LEAVE ME ALONE! NO! >> OH, GILLY. 1737 01:05:35,966 --> 01:05:36,798 NO! >> OH, GILLY. >> [ CRYING ] 1738 01:05:36,800 --> 01:05:38,667 >> OH, GILLY. >> [ CRYING ] >> Shh. 1739 01:05:38,669 --> 01:05:41,002 >> [ CRYING ] >> Shh. OH. 1740 01:05:41,004 --> 01:05:43,038 >> Shh. OH. Shh. 1741 01:05:43,040 --> 01:05:45,273 OH. Shh. >> WHAT'S WRONG? 1742 01:05:45,275 --> 01:05:47,042 Shh. >> WHAT'S WRONG? >> HE DUMPED ME. 1743 01:05:47,044 --> 01:05:47,976 >> WHAT'S WRONG? >> HE DUMPED ME. >> OH. 1744 01:05:47,978 --> 01:05:50,345 >> HE DUMPED ME. >> OH. >> THAT'S WHAT'S WRONG. 1745 01:05:50,347 --> 01:05:51,947 >> OH. >> THAT'S WHAT'S WRONG. >> HEINRICH MARIA? 1746 01:05:51,949 --> 01:05:53,448 >> THAT'S WHAT'S WRONG. >> HEINRICH MARIA? >> NO, JOHNNY DEPP! 1747 01:05:53,450 --> 01:05:55,216 >> HEINRICH MARIA? >> NO, JOHNNY DEPP! OF COURSE IT WAS HEINRICH MARIA. 1748 01:05:55,218 --> 01:05:56,651 >> NO, JOHNNY DEPP! OF COURSE IT WAS HEINRICH MARIA. WHAT DO YOU THINK? 1749 01:05:56,653 --> 01:05:58,787 OF COURSE IT WAS HEINRICH MARIA. WHAT DO YOU THINK? I HATE THAT FUCKING BASTARD. 1750 01:05:58,789 --> 01:06:01,489 WHAT DO YOU THINK? I HATE THAT FUCKING BASTARD. HIM AND THAT STUPID BITCH! 1751 01:06:01,491 --> 01:06:03,458 I HATE THAT FUCKING BASTARD. HIM AND THAT STUPID BITCH! >> YOU MEAN HIS WIFE, THE ONE 1752 01:06:03,460 --> 01:06:05,293 HIM AND THAT STUPID BITCH! >> YOU MEAN HIS WIFE, THE ONE WHO INVENTED THE TRANSSEXUAL 1753 01:06:05,295 --> 01:06:06,227 >> YOU MEAN HIS WIFE, THE ONE WHO INVENTED THE TRANSSEXUAL DETECTIVE? 1754 01:06:06,229 --> 01:06:07,295 WHO INVENTED THE TRANSSEXUAL DETECTIVE? >> [ CRYING ] 1755 01:06:07,297 --> 01:06:07,862 DETECTIVE? >> [ CRYING ] JAMES. 1756 01:06:07,864 --> 01:06:08,863 >> [ CRYING ] JAMES. >> OH, NO, NO. 1757 01:06:08,865 --> 01:06:09,831 JAMES. >> OH, NO, NO. >> I'M SORRY. 1758 01:06:09,833 --> 01:06:11,633 >> OH, NO, NO. >> I'M SORRY. I'M SORRY. 1759 01:06:11,635 --> 01:06:13,001 >> I'M SORRY. I'M SORRY. HERE. 1760 01:06:13,003 --> 01:06:15,403 I'M SORRY. HERE. >> THANKS. 1761 01:06:15,405 --> 01:06:16,638 HERE. >> THANKS. >> COME ON, GILLY. 1762 01:06:16,640 --> 01:06:18,840 >> THANKS. >> COME ON, GILLY. >> HE AND HIS WIFE -- SHE GOT 1763 01:06:18,842 --> 01:06:20,075 >> COME ON, GILLY. >> HE AND HIS WIFE -- SHE GOT THIS GREAT JOB OUT IN 1764 01:06:20,077 --> 01:06:21,643 >> HE AND HIS WIFE -- SHE GOT THIS GREAT JOB OUT IN U.C. BERKELEY, SO NOW THEY'RE 1765 01:06:21,645 --> 01:06:23,211 THIS GREAT JOB OUT IN U.C. BERKELEY, SO NOW THEY'RE BOTH GOING, AND THEY'RE JUST 1766 01:06:23,213 --> 01:06:24,846 U.C. BERKELEY, SO NOW THEY'RE BOTH GOING, AND THEY'RE JUST GONNA, LIKE, RECONNECT AND TIE 1767 01:06:24,848 --> 01:06:26,548 BOTH GOING, AND THEY'RE JUST GONNA, LIKE, RECONNECT AND TIE THE KNOT AND DO ALL THIS STUPID 1768 01:06:26,550 --> 01:06:28,216 GONNA, LIKE, RECONNECT AND TIE THE KNOT AND DO ALL THIS STUPID SHIT THAT I DON'T EVEN WANT TO 1769 01:06:28,218 --> 01:06:28,984 THE KNOT AND DO ALL THIS STUPID SHIT THAT I DON'T EVEN WANT TO TALK ABOUT. 1770 01:06:28,986 --> 01:06:31,353 SHIT THAT I DON'T EVEN WANT TO TALK ABOUT. >> WELL, HE'S NOT DUMPING YOU. 1771 01:06:31,355 --> 01:06:32,554 TALK ABOUT. >> WELL, HE'S NOT DUMPING YOU. >> [ SNIFFLES ] 1772 01:06:32,556 --> 01:06:33,989 >> WELL, HE'S NOT DUMPING YOU. >> [ SNIFFLES ] >> YEAH, HE'S LEAVING, BUT HE'S 1773 01:06:33,991 --> 01:06:35,390 >> [ SNIFFLES ] >> YEAH, HE'S LEAVING, BUT HE'S NOT DUMPING YOU, AND THERE'S A 1774 01:06:35,392 --> 01:06:36,191 >> YEAH, HE'S LEAVING, BUT HE'S NOT DUMPING YOU, AND THERE'S A BIG DIFFERENCE. 1775 01:06:36,193 --> 01:06:38,026 NOT DUMPING YOU, AND THERE'S A BIG DIFFERENCE. >> [ SNIFFLES ] 1776 01:06:38,028 --> 01:06:39,494 BIG DIFFERENCE. >> [ SNIFFLES ] THAT'S THE POINT HE TRIED TO 1777 01:06:39,496 --> 01:06:40,762 >> [ SNIFFLES ] THAT'S THE POINT HE TRIED TO MAKE, BUT I DON'T SEE THE 1778 01:06:40,764 --> 01:06:42,364 THAT'S THE POINT HE TRIED TO MAKE, BUT I DON'T SEE THE DIFFERENCE, OKAY, BECAUSE IN THE 1779 01:06:42,366 --> 01:06:43,665 MAKE, BUT I DON'T SEE THE DIFFERENCE, OKAY, BECAUSE IN THE END, I STILL END UP ALONE. 1780 01:06:43,667 --> 01:06:46,835 DIFFERENCE, OKAY, BECAUSE IN THE END, I STILL END UP ALONE. >> NO, GILLY. COME ON. 1781 01:06:46,837 --> 01:06:48,336 END, I STILL END UP ALONE. >> NO, GILLY. COME ON. >> I...I GUESS THAT'S WHAT YOU 1782 01:06:48,338 --> 01:06:49,604 >> NO, GILLY. COME ON. >> I...I GUESS THAT'S WHAT YOU GET FOR DATING A LANGUAGE 1783 01:06:49,606 --> 01:06:50,672 >> I...I GUESS THAT'S WHAT YOU GET FOR DATING A LANGUAGE THEORETICIAN, RIGHT? 1784 01:06:50,674 --> 01:06:51,606 GET FOR DATING A LANGUAGE THEORETICIAN, RIGHT? >> YEAH. 1785 01:06:51,608 --> 01:06:52,707 THEORETICIAN, RIGHT? >> YEAH. [ CHUCKLES ] 1786 01:06:52,709 --> 01:06:54,009 >> YEAH. [ CHUCKLES ] >> WELL, MAYBE IT'S FOR THE 1787 01:06:54,011 --> 01:06:54,376 [ CHUCKLES ] >> WELL, MAYBE IT'S FOR THE BEST. 1788 01:06:54,378 --> 01:06:57,445 >> WELL, MAYBE IT'S FOR THE BEST. I MEAN, I LIKED HEINRICH MARIA. 1789 01:06:57,447 --> 01:06:58,680 BEST. I MEAN, I LIKED HEINRICH MARIA. HE WAS A NICE GUY AND 1790 01:06:58,682 --> 01:07:00,248 I MEAN, I LIKED HEINRICH MARIA. HE WAS A NICE GUY AND EVERYTHING, BUT HE WAS A LOT 1791 01:07:00,250 --> 01:07:01,249 HE WAS A NICE GUY AND EVERYTHING, BUT HE WAS A LOT OLDER THAN YOU. 1792 01:07:01,251 --> 01:07:02,617 EVERYTHING, BUT HE WAS A LOT OLDER THAN YOU. >> [ SNIFFLES ] 1793 01:07:02,619 --> 01:07:04,686 OLDER THAN YOU. >> [ SNIFFLES ] >> AND MARRIED. 1794 01:07:04,688 --> 01:07:06,688 >> [ SNIFFLES ] >> AND MARRIED. >> YEAH, SO MAYBE NOW YOU'LL 1795 01:07:06,690 --> 01:07:08,957 >> AND MARRIED. >> YEAH, SO MAYBE NOW YOU'LL FIND SOMEONE MORE...APPROPRIATE. 1796 01:07:08,959 --> 01:07:10,258 >> YEAH, SO MAYBE NOW YOU'LL FIND SOMEONE MORE...APPROPRIATE. >> WHAT DO YOU MEAN BY "MORE 1797 01:07:10,260 --> 01:07:12,394 FIND SOMEONE MORE...APPROPRIATE. >> WHAT DO YOU MEAN BY "MORE APPROPRIATE"? 1798 01:07:12,396 --> 01:07:14,195 >> WHAT DO YOU MEAN BY "MORE APPROPRIATE"? YOU GUYS... 1799 01:07:14,197 --> 01:07:15,430 APPROPRIATE"? YOU GUYS... NO, IT MEANT A LOT TO ME, AND 1800 01:07:15,432 --> 01:07:16,931 YOU GUYS... NO, IT MEANT A LOT TO ME, AND YOU GUYS ARE TREATING IT LIKE I 1801 01:07:16,933 --> 01:07:17,932 NO, IT MEANT A LOT TO ME, AND YOU GUYS ARE TREATING IT LIKE I DID SOMETHING WRONG! 1802 01:07:17,934 --> 01:07:19,401 YOU GUYS ARE TREATING IT LIKE I DID SOMETHING WRONG! WHY CAN'T YOU BE ON MY SIDE FOR 1803 01:07:19,403 --> 01:07:19,868 DID SOMETHING WRONG! WHY CAN'T YOU BE ON MY SIDE FOR ONCE?! 1804 01:07:19,870 --> 01:07:21,202 WHY CAN'T YOU BE ON MY SIDE FOR ONCE?! I MEAN, JAMES, THE GUY'S A 1805 01:07:21,204 --> 01:07:21,569 ONCE?! I MEAN, JAMES, THE GUY'S A PRICK! 1806 01:07:21,571 --> 01:07:22,804 I MEAN, JAMES, THE GUY'S A PRICK! I DON'T EVEN KNOW WHY I'M 1807 01:07:22,806 --> 01:07:23,738 PRICK! I DON'T EVEN KNOW WHY I'M LISTENING TO YOU! 1808 01:07:23,740 --> 01:07:25,206 I DON'T EVEN KNOW WHY I'M LISTENING TO YOU! WHAT DO YOU POSSIBLY KNOW ABOUT 1809 01:07:25,208 --> 01:07:27,442 LISTENING TO YOU! WHAT DO YOU POSSIBLY KNOW ABOUT LOVE?! 1810 01:07:30,646 --> 01:07:32,914 >> OW. 1811 01:07:35,985 --> 01:07:42,090 >> THE THING IS, MAYBE THEY'RE RIGHT. WHAT DO I KNOW ABOUT LOVE? 1812 01:07:42,092 --> 01:07:45,293 RIGHT. WHAT DO I KNOW ABOUT LOVE? >> ARE YOU SURE THEY'RE RIGHT? 1813 01:07:45,295 --> 01:07:47,829 WHAT DO I KNOW ABOUT LOVE? >> ARE YOU SURE THEY'RE RIGHT? >> I DON'T KNOW. 1814 01:07:47,831 --> 01:07:49,431 >> ARE YOU SURE THEY'RE RIGHT? >> I DON'T KNOW. >> HI! 1815 01:07:49,433 --> 01:07:51,900 >> I DON'T KNOW. >> HI! LIKE MY EVENING PAJAMAS? 1816 01:07:51,902 --> 01:07:53,101 >> HI! LIKE MY EVENING PAJAMAS? WHOO-HOO! 1817 01:07:53,103 --> 01:07:54,402 LIKE MY EVENING PAJAMAS? WHOO-HOO! >> WHAT ARE EVENING PAJAMAS? 1818 01:07:54,404 --> 01:07:55,570 WHOO-HOO! >> WHAT ARE EVENING PAJAMAS? >> I THOUGHT FOR SURE YOU'D 1819 01:07:55,572 --> 01:07:56,905 >> WHAT ARE EVENING PAJAMAS? >> I THOUGHT FOR SURE YOU'D KNOW, BEING FROM NEW YORK CITY 1820 01:07:56,907 --> 01:07:58,606 >> I THOUGHT FOR SURE YOU'D KNOW, BEING FROM NEW YORK CITY AND ALL! 1821 01:07:58,608 --> 01:08:00,575 KNOW, BEING FROM NEW YORK CITY AND ALL! THEY'RE A STYLISH ALTERNATIVE TO 1822 01:08:00,577 --> 01:08:02,911 AND ALL! THEY'RE A STYLISH ALTERNATIVE TO AN EVENING DRESS, FROM FRANCE! 1823 01:08:02,913 --> 01:08:09,184 THEY'RE A STYLISH ALTERNATIVE TO AN EVENING DRESS, FROM FRANCE! >> ♪ WATCH ME FLOATING ♪ 1824 01:08:09,186 --> 01:08:11,453 AN EVENING DRESS, FROM FRANCE! >> ♪ WATCH ME FLOATING ♪ ♪ DRIFTING ♪ 1825 01:08:11,455 --> 01:08:12,821 >> ♪ WATCH ME FLOATING ♪ ♪ DRIFTING ♪ >> SO, TELL ME WHAT HAPPENED IN 1826 01:08:12,823 --> 01:08:13,988 ♪ DRIFTING ♪ >> SO, TELL ME WHAT HAPPENED IN D.C. 1827 01:08:13,990 --> 01:08:16,791 >> SO, TELL ME WHAT HAPPENED IN D.C. >> MONDAY WAS CIA NIGHT. 1828 01:08:16,793 --> 01:08:18,526 D.C. >> MONDAY WAS CIA NIGHT. TUESDAY WAS THE FBI. 1829 01:08:18,528 --> 01:08:20,528 >> MONDAY WAS CIA NIGHT. TUESDAY WAS THE FBI. AND WEDNESDAY WAS "ON THE 1830 01:08:20,530 --> 01:08:22,764 TUESDAY WAS THE FBI. AND WEDNESDAY WAS "ON THE GROUND, IN THE AIR, UNDERSEA 1831 01:08:22,766 --> 01:08:24,432 AND WEDNESDAY WAS "ON THE GROUND, IN THE AIR, UNDERSEA ARMED FORCES" NIGHT. 1832 01:08:24,434 --> 01:08:26,801 GROUND, IN THE AIR, UNDERSEA ARMED FORCES" NIGHT. >> WHAT HAPPENED THURSDAY NIGHT? 1833 01:08:26,803 --> 01:08:29,204 ARMED FORCES" NIGHT. >> WHAT HAPPENED THURSDAY NIGHT? >> THURSDAY NIGHT WAS PARTY 1834 01:08:29,206 --> 01:08:30,839 >> WHAT HAPPENED THURSDAY NIGHT? >> THURSDAY NIGHT WAS PARTY NIGHT -- A DANCE. 1835 01:08:30,841 --> 01:08:33,208 >> THURSDAY NIGHT WAS PARTY NIGHT -- A DANCE. IT ALL STARTED WITH SUE KENNEY. 1836 01:08:33,210 --> 01:08:34,876 NIGHT -- A DANCE. IT ALL STARTED WITH SUE KENNEY. >> JAMES SVECK, WHAT ARE YOU 1837 01:08:34,878 --> 01:08:36,644 IT ALL STARTED WITH SUE KENNEY. >> JAMES SVECK, WHAT ARE YOU DOING? 1838 01:08:36,646 --> 01:08:37,712 >> JAMES SVECK, WHAT ARE YOU DOING? >> I'M READING. 1839 01:08:37,714 --> 01:08:39,314 DOING? >> I'M READING. >> YOU KNOW WHAT MY TEACHER 1840 01:08:39,316 --> 01:08:39,781 >> I'M READING. >> YOU KNOW WHAT MY TEACHER SAYS? 1841 01:08:39,783 --> 01:08:40,648 >> YOU KNOW WHAT MY TEACHER SAYS? >> NOPE. 1842 01:08:40,650 --> 01:08:43,518 SAYS? >> NOPE. >> LEAVE. DON'T READ. 1843 01:08:43,520 --> 01:08:45,353 >> NOPE. >> LEAVE. DON'T READ. >> THAT'S A GREAT TEACHER. 1844 01:08:45,355 --> 01:08:46,221 >> LEAVE. DON'T READ. >> THAT'S A GREAT TEACHER. >> OH, COME ON! 1845 01:08:46,223 --> 01:08:47,722 >> THAT'S A GREAT TEACHER. >> OH, COME ON! WE'RE GONNA GO TO THE PARTY. 1846 01:08:47,724 --> 01:08:49,190 >> OH, COME ON! WE'RE GONNA GO TO THE PARTY. WE'RE GONNA BE DANCING, HAVING A 1847 01:08:49,192 --> 01:08:49,791 WE'RE GONNA GO TO THE PARTY. WE'RE GONNA BE DANCING, HAVING A GOOD TIME. 1848 01:08:49,793 --> 01:08:51,860 WE'RE GONNA BE DANCING, HAVING A GOOD TIME. COME ON! IT'LL BE FUN! 1849 01:08:51,862 --> 01:08:53,628 GOOD TIME. COME ON! IT'LL BE FUN! I HEARD IT'S MANDATORY, UNLESS 1850 01:08:53,630 --> 01:08:54,996 COME ON! IT'LL BE FUN! I HEARD IT'S MANDATORY, UNLESS YOU'RE MUSLIM OR SOMETHING. 1851 01:08:54,998 --> 01:08:56,798 I HEARD IT'S MANDATORY, UNLESS YOU'RE MUSLIM OR SOMETHING. >> I REALLY DON'T FEEL LIKE 1852 01:08:56,800 --> 01:08:57,365 YOU'RE MUSLIM OR SOMETHING. >> I REALLY DON'T FEEL LIKE GOING. 1853 01:08:57,367 --> 01:08:58,166 >> I REALLY DON'T FEEL LIKE GOING. >> [ SIGHS ] 1854 01:08:58,168 --> 01:08:59,501 GOING. >> [ SIGHS ] WHERE ARE YOUR ROOMMATES? 1855 01:08:59,503 --> 01:09:01,202 >> [ SIGHS ] WHERE ARE YOUR ROOMMATES? >> THEY'RE NEXT DOOR, GETTING 1856 01:09:01,204 --> 01:09:01,736 WHERE ARE YOUR ROOMMATES? >> THEY'RE NEXT DOOR, GETTING HIGH. 1857 01:09:01,738 --> 01:09:04,005 >> THEY'RE NEXT DOOR, GETTING HIGH. >> WELL, WE DON'T NEED DRUGS TO 1858 01:09:04,007 --> 01:09:05,240 HIGH. >> WELL, WE DON'T NEED DRUGS TO BE HAPPY, DO WE? 1859 01:09:05,242 --> 01:09:06,407 >> WELL, WE DON'T NEED DRUGS TO BE HAPPY, DO WE? WE'RE HIGH ON LIFE! 1860 01:09:06,409 --> 01:09:10,812 BE HAPPY, DO WE? WE'RE HIGH ON LIFE! [ MID-TEMPO DANCE MUSIC PLAYS ] 1861 01:09:10,814 --> 01:09:12,347 WE'RE HIGH ON LIFE! [ MID-TEMPO DANCE MUSIC PLAYS ] >> THURSDAY NIGHT WAS THE WORST, 1862 01:09:12,349 --> 01:09:12,814 [ MID-TEMPO DANCE MUSIC PLAYS ] >> THURSDAY NIGHT WAS THE WORST, THOUGH. 1863 01:09:12,816 --> 01:09:15,183 >> THURSDAY NIGHT WAS THE WORST, THOUGH. IT WAS REALLY AWFUL. 1864 01:09:15,185 --> 01:09:16,584 THOUGH. IT WAS REALLY AWFUL. AND I REALLY BEGAN TO WONDER IF 1865 01:09:16,586 --> 01:09:17,819 IT WAS REALLY AWFUL. AND I REALLY BEGAN TO WONDER IF I WAS SOMEHOW GENETICALLY 1866 01:09:17,821 --> 01:09:20,021 AND I REALLY BEGAN TO WONDER IF I WAS SOMEHOW GENETICALLY TWISTED. 1867 01:09:22,892 --> 01:09:29,164 >> YOU WANT TO COME OUTSIDE... FOR A JOINT? >> I DON'T THINK THIS KID'S 1868 01:09:29,166 --> 01:09:30,999 FOR A JOINT? >> I DON'T THINK THIS KID'S SMOKING WITH US, MAN. 1869 01:09:34,203 --> 01:09:37,906 FUN WITH THE COOL KIDS, ALL RIGHT? 1870 01:09:42,378 --> 01:09:47,448 >> DO YOU WANT TO DANCE? >> NO. >> LATER? PROMISE? 1871 01:09:47,450 --> 01:09:49,050 >> NO. >> LATER? PROMISE? >> NO. 1872 01:09:49,052 --> 01:09:51,519 >> LATER? PROMISE? >> NO. >> I'M COMING BACK. 1873 01:09:51,521 --> 01:09:54,455 >> NO. >> I'M COMING BACK. >> ♪ ...I FOLLOW YOU AROUND ♪ 1874 01:09:54,457 --> 01:09:57,392 >> I'M COMING BACK. >> ♪ ...I FOLLOW YOU AROUND ♪ ♪ I SHOW YOU HOW YOU BROUGHT ME 1875 01:09:57,394 --> 01:09:58,726 >> ♪ ...I FOLLOW YOU AROUND ♪ ♪ I SHOW YOU HOW YOU BROUGHT ME DOWN ♪ 1876 01:09:58,728 --> 01:10:00,261 ♪ I SHOW YOU HOW YOU BROUGHT ME DOWN ♪ ♪ SINK AND TWIST ♪ 1877 01:10:00,263 --> 01:10:03,398 DOWN ♪ ♪ SINK AND TWIST ♪ ♪ DID YOU ALREADY KNOW? ♪ 1878 01:10:03,400 --> 01:10:05,600 ♪ SINK AND TWIST ♪ ♪ DID YOU ALREADY KNOW? ♪ ♪ WHY DON'T YOU TRY LOOKIN' DOWN 1879 01:10:05,602 --> 01:10:10,405 ♪ DID YOU ALREADY KNOW? ♪ ♪ WHY DON'T YOU TRY LOOKIN' DOWN AT YOUR PHONE? ♪ 1880 01:10:10,407 --> 01:10:14,609 ♪ WHY DON'T YOU TRY LOOKIN' DOWN AT YOUR PHONE? ♪ >> YOU LIKE BEING ALONE? 1881 01:10:14,611 --> 01:10:15,610 AT YOUR PHONE? ♪ >> YOU LIKE BEING ALONE? >> YOU'RE A LOSER? 1882 01:10:15,612 --> 01:10:17,579 >> YOU LIKE BEING ALONE? >> YOU'RE A LOSER? >> WHAT? 1883 01:10:17,581 --> 01:10:19,814 >> YOU'RE A LOSER? >> WHAT? >> YOU'RE A LONER. 1884 01:10:24,253 --> 01:10:30,425 >> ♪ YOU'VE GOT A STRANGE WAY OF SHOWING ME HOW... ♪ >> IT'S COOL. 1885 01:10:30,427 --> 01:10:32,660 SHOWING ME HOW... ♪ >> IT'S COOL. SOME GIRLS LIKE LONERS. 1886 01:10:35,764 --> 01:10:41,269 YOU WANT TO DANCE? >> NO THANKS. >> OH, COME ON. 1887 01:10:41,271 --> 01:10:42,470 >> NO THANKS. >> OH, COME ON. IT'LL MAKE THE NIGHT GO BY 1888 01:10:42,472 --> 01:10:44,405 >> OH, COME ON. IT'LL MAKE THE NIGHT GO BY QUICKER. 1889 01:10:44,407 --> 01:10:45,673 IT'LL MAKE THE NIGHT GO BY QUICKER. >> ♪ GOT THAT BEAT, BEAT, BEAT, 1890 01:10:45,675 --> 01:10:46,407 QUICKER. >> ♪ GOT THAT BEAT, BEAT, BEAT, BEAT, BEAT, BEAT ♪ 1891 01:10:46,409 --> 01:10:48,009 >> ♪ GOT THAT BEAT, BEAT, BEAT, BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT ♪ 1892 01:10:48,011 --> 01:10:49,577 BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT ♪ ♪ WE GOT THAT BEAT, MAKE YOU GET 1893 01:10:49,579 --> 01:10:50,245 ♪ GOT THAT BEAT ♪ ♪ WE GOT THAT BEAT, MAKE YOU GET OUT YOUR SEATS ♪ 1894 01:10:50,247 --> 01:10:52,280 ♪ WE GOT THAT BEAT, MAKE YOU GET OUT YOUR SEATS ♪ ♪ WE GOT THAT, YEAH ♪ 1895 01:10:52,282 --> 01:10:54,449 OUT YOUR SEATS ♪ ♪ WE GOT THAT, YEAH ♪ ♪ WE LIKE TO TAKE IT DOWN ♪ 1896 01:10:54,451 --> 01:10:56,117 ♪ WE GOT THAT, YEAH ♪ ♪ WE LIKE TO TAKE IT DOWN ♪ ♪ WE GOT THAT BEAT, GOT THAT 1897 01:10:56,119 --> 01:10:58,620 ♪ WE LIKE TO TAKE IT DOWN ♪ ♪ WE GOT THAT BEAT, GOT THAT HOUSE, GOT THAT FUNKY SOUND ♪ 1898 01:10:58,622 --> 01:11:00,622 ♪ WE GOT THAT BEAT, GOT THAT HOUSE, GOT THAT FUNKY SOUND ♪ ♪ WE GOT THAT BEAT, BEAT, BEAT ♪ 1899 01:11:00,624 --> 01:11:01,990 HOUSE, GOT THAT FUNKY SOUND ♪ ♪ WE GOT THAT BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT, BEAT, BEAT, 1900 01:11:01,992 --> 01:11:02,857 ♪ WE GOT THAT BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT, BEAT, BEAT, BEAT, BEAT, BEAT ♪ 1901 01:11:02,859 --> 01:11:03,825 ♪ GOT THAT BEAT, BEAT, BEAT, BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT, BEAT, BEAT, 1902 01:11:03,827 --> 01:11:04,659 BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT, BEAT, BEAT, BEAT FROM THE STREETS ♪ 1903 01:11:04,661 --> 01:11:06,027 ♪ GOT THAT BEAT, BEAT, BEAT, BEAT FROM THE STREETS ♪ ♪ WE GOT THAT BEAT, MAKE YOU GET 1904 01:11:06,029 --> 01:11:06,794 BEAT FROM THE STREETS ♪ ♪ WE GOT THAT BEAT, MAKE YOU GET OUT YOUR SEATS ♪ 1905 01:11:06,796 --> 01:11:07,929 ♪ WE GOT THAT BEAT, MAKE YOU GET OUT YOUR SEATS ♪ ♪ WE GOT THAT ♪ 1906 01:11:15,804 --> 01:11:21,476 ♪ YEAH, IT'S THE WEEKEND LIMIT ♪ ♪ RAVING GONNA GET... ♪ [ SLOW PIANO MUSIC PLAYING ] 1907 01:11:57,680 --> 01:12:00,815 >> [ BREATHING HEAVILY ] >> OH, SHIT. LOOK WHO FINALLY SHOWED UP, MAN! 1908 01:12:00,817 --> 01:12:02,016 >> OH, SHIT. LOOK WHO FINALLY SHOWED UP, MAN! >> HEY, SVECK, WHERE DO YOU 1909 01:12:02,018 --> 01:12:02,884 LOOK WHO FINALLY SHOWED UP, MAN! >> HEY, SVECK, WHERE DO YOU THINK YOU'RE GOING? 1910 01:12:02,886 --> 01:12:04,218 >> HEY, SVECK, WHERE DO YOU THINK YOU'RE GOING? HEY, WE'RE ALL FRIENDS HERE. 1911 01:12:04,220 --> 01:12:05,553 THINK YOU'RE GOING? HEY, WE'RE ALL FRIENDS HERE. >> LOOK, IF YOU'RE -- IF YOU'RE 1912 01:12:05,555 --> 01:12:06,754 HEY, WE'RE ALL FRIENDS HERE. >> LOOK, IF YOU'RE -- IF YOU'RE WORRIED, I'M NOT GONNA TELL 1913 01:12:06,756 --> 01:12:07,755 >> LOOK, IF YOU'RE -- IF YOU'RE WORRIED, I'M NOT GONNA TELL ANYONE ABOUT THE POT. 1914 01:12:07,757 --> 01:12:09,991 WORRIED, I'M NOT GONNA TELL ANYONE ABOUT THE POT. >> [ Echoing ] WHO SAID ANYTHING 1915 01:12:09,993 --> 01:12:11,192 ANYONE ABOUT THE POT. >> [ Echoing ] WHO SAID ANYTHING ABOUT THE POT? 1916 01:12:11,194 --> 01:12:13,027 >> [ Echoing ] WHO SAID ANYTHING ABOUT THE POT? [ BOTH LAUGH ] 1917 01:12:13,029 --> 01:12:14,028 ABOUT THE POT? [ BOTH LAUGH ] >> I JUST NEED TO -- 1918 01:12:14,030 --> 01:12:15,263 [ BOTH LAUGH ] >> I JUST NEED TO -- >> WHOA, WHOA, WHOA, WHOA. 1919 01:12:15,265 --> 01:12:17,065 >> I JUST NEED TO -- >> WHOA, WHOA, WHOA, WHOA. HEY, HEY, ARE YOU ALL RIGHT? 1920 01:12:17,067 --> 01:12:19,033 >> WHOA, WHOA, WHOA, WHOA. HEY, HEY, ARE YOU ALL RIGHT? YOU SEEM A LITTLE NERVOUS. 1921 01:12:19,035 --> 01:12:20,568 HEY, HEY, ARE YOU ALL RIGHT? YOU SEEM A LITTLE NERVOUS. ARE YOU OKAY? 1922 01:12:20,570 --> 01:12:21,536 YOU SEEM A LITTLE NERVOUS. ARE YOU OKAY? [ LAUGHS ] 1923 01:12:21,538 --> 01:12:23,838 ARE YOU OKAY? [ LAUGHS ] WHAT A FUCKING WEIRDO, MAN. 1924 01:12:23,840 --> 01:12:25,039 [ LAUGHS ] WHAT A FUCKING WEIRDO, MAN. LOOK AT YOU. 1925 01:12:25,041 --> 01:12:27,608 WHAT A FUCKING WEIRDO, MAN. LOOK AT YOU. >> HEY! DON'T! 1926 01:12:27,610 --> 01:12:30,278 LOOK AT YOU. >> HEY! DON'T! >> [ GRUNTS ] 1927 01:12:30,280 --> 01:12:32,046 >> HEY! DON'T! >> [ GRUNTS ] >> THOM, MAN. 1928 01:12:32,048 --> 01:12:32,880 >> [ GRUNTS ] >> THOM, MAN. >> YOU ALL RIGHT? 1929 01:12:32,882 --> 01:12:33,915 >> THOM, MAN. >> YOU ALL RIGHT? >> MY FREAKING BALLS, MAN. 1930 01:12:33,917 --> 01:12:35,083 >> YOU ALL RIGHT? >> MY FREAKING BALLS, MAN. >> [ GASPS ] 1931 01:12:35,085 --> 01:12:36,584 >> MY FREAKING BALLS, MAN. >> [ GASPS ] >> HEY, HE'S RUNNING. 1932 01:12:36,586 --> 01:12:37,685 >> [ GASPS ] >> HEY, HE'S RUNNING. >> HEY! 1933 01:12:37,687 --> 01:12:39,053 >> HEY, HE'S RUNNING. >> HEY! HEY, SVECK, YOU'RE GONNA HAVE TO 1934 01:12:39,055 --> 01:12:40,288 >> HEY! HEY, SVECK, YOU'RE GONNA HAVE TO COME BACK TO THE ROOM SOMETIME, 1935 01:12:40,290 --> 01:12:40,722 HEY, SVECK, YOU'RE GONNA HAVE TO COME BACK TO THE ROOM SOMETIME, YOU... 1936 01:12:40,724 --> 01:12:42,023 COME BACK TO THE ROOM SOMETIME, YOU... >> NOW DO YOU UNDERSTAND WHY I 1937 01:12:42,025 --> 01:12:43,257 YOU... >> NOW DO YOU UNDERSTAND WHY I DON'T WANT TO GO TO COLLEGE? 1938 01:12:43,259 --> 01:12:44,525 >> NOW DO YOU UNDERSTAND WHY I DON'T WANT TO GO TO COLLEGE? >> AND WHEN YOU DO, WE'RE GONNA 1939 01:12:44,527 --> 01:12:45,059 DON'T WANT TO GO TO COLLEGE? >> AND WHEN YOU DO, WE'RE GONNA STOMP YOU! 1940 01:12:45,061 --> 01:12:46,260 >> AND WHEN YOU DO, WE'RE GONNA STOMP YOU! >> IT WAS JUST ONE INCIDENT, 1941 01:12:46,262 --> 01:12:46,694 STOMP YOU! >> IT WAS JUST ONE INCIDENT, JAMES. 1942 01:12:46,696 --> 01:12:48,062 >> IT WAS JUST ONE INCIDENT, JAMES. YOU CAN'T DECIDE YOUR ENTIRE 1943 01:12:48,064 --> 01:12:49,230 JAMES. YOU CAN'T DECIDE YOUR ENTIRE LIFE BASED ON ONE BAD 1944 01:12:49,232 --> 01:12:50,298 YOU CAN'T DECIDE YOUR ENTIRE LIFE BASED ON ONE BAD EXPERIENCE, YOU KNOW. 1945 01:12:50,300 --> 01:12:51,632 LIFE BASED ON ONE BAD EXPERIENCE, YOU KNOW. >> THAT ONE INCIDENT WAS A 1946 01:12:51,634 --> 01:12:53,234 EXPERIENCE, YOU KNOW. >> THAT ONE INCIDENT WAS A CULMINATION OF DOZENS OF SMALLER 1947 01:12:53,236 --> 01:12:54,736 >> THAT ONE INCIDENT WAS A CULMINATION OF DOZENS OF SMALLER INCIDENTS THAT HAVE OCCURRED 1948 01:12:54,738 --> 01:12:56,704 CULMINATION OF DOZENS OF SMALLER INCIDENTS THAT HAVE OCCURRED THROUGHOUT MY WHOLE LIFE. 1949 01:12:56,706 --> 01:12:59,073 INCIDENTS THAT HAVE OCCURRED THROUGHOUT MY WHOLE LIFE. IT JUST MADE ME REALIZE I DON'T 1950 01:12:59,075 --> 01:13:00,908 THROUGHOUT MY WHOLE LIFE. IT JUST MADE ME REALIZE I DON'T BELONG IN A COMMUNITY LIKE THAT. 1951 01:13:04,046 --> 01:13:10,084 >> DO YOU WANT TO TELL ME WHAT HAPPENED NEXT? IT'S OKAY IF YOU DON'T. 1952 01:13:10,086 --> 01:13:11,586 HAPPENED NEXT? IT'S OKAY IF YOU DON'T. >> I CHECKED IN TO A HOTEL. 1953 01:13:11,588 --> 01:13:17,258 IT'S OKAY IF YOU DON'T. >> I CHECKED IN TO A HOTEL. [ HORN HONKS ] 1954 01:13:17,260 --> 01:13:18,626 >> I CHECKED IN TO A HOTEL. [ HORN HONKS ] THEY ONLY HAD SUITES AVAILABLE 1955 01:13:18,628 --> 01:13:21,629 [ HORN HONKS ] THEY ONLY HAD SUITES AVAILABLE FOR $700. 1956 01:13:21,631 --> 01:13:23,064 THEY ONLY HAD SUITES AVAILABLE FOR $700. MY MOTHER GAVE ME HER CREDIT 1957 01:13:23,066 --> 01:13:25,099 FOR $700. MY MOTHER GAVE ME HER CREDIT CARD FOR EMERGENCIES ONLY. 1958 01:13:28,670 --> 01:13:30,505 I FIGURED THIS QUALIFIED. 1959 01:13:36,512 --> 01:13:40,114 AND THEN AN AMAZING THING HAPPENED. 1960 01:13:43,752 --> 01:13:45,586 [ CLASSICAL MUSIC PLAYS ] 1961 01:13:48,957 --> 01:13:54,629 I WAS ALONE, FINALLY. BEAUTIFULLY ALONE. 1962 01:13:57,299 --> 01:14:04,105 WHEN I WOKE UP, I WAS STARVING. I HAD A LONG, RELAXING JACUZZI. AND I HAD A FACE MASK... 1963 01:14:04,107 --> 01:14:05,273 I HAD A LONG, RELAXING JACUZZI. AND I HAD A FACE MASK... SOMETHING THAT WOULD HAVE 1964 01:14:05,275 --> 01:14:06,474 AND I HAD A FACE MASK... SOMETHING THAT WOULD HAVE DEFINITELY NOT IMPRESSED MY 1965 01:14:06,476 --> 01:14:07,475 SOMETHING THAT WOULD HAVE DEFINITELY NOT IMPRESSED MY FATHER. 1966 01:14:07,477 --> 01:14:09,310 DEFINITELY NOT IMPRESSED MY FATHER. [ THUNDER RUMBLING ] 1967 01:14:14,817 --> 01:14:20,855 I WALKED AROUND TOWN A BIT, FOUND MYSELF AT A WAR MEMORIAL. HAVE YOU EVER BEEN TO ONE? 1968 01:14:20,857 --> 01:14:22,723 FOUND MYSELF AT A WAR MEMORIAL. HAVE YOU EVER BEEN TO ONE? THERE WERE SO MANY DEAD. 1969 01:14:34,036 --> 01:14:38,840 [ FILM PROJECTOR CLICKING ] I LIKE MUSEUMS BECAUSE THEY'RE ONE OF THE FEW PLACES LEFT IN 1970 01:14:38,842 --> 01:14:40,475 I LIKE MUSEUMS BECAUSE THEY'RE ONE OF THE FEW PLACES LEFT IN THE WORLD WHERE NOBODY'S TRYING 1971 01:14:40,477 --> 01:14:42,510 ONE OF THE FEW PLACES LEFT IN THE WORLD WHERE NOBODY'S TRYING TO SELL YOU ANYTHING. 1972 01:15:08,937 --> 01:15:13,508 THERE WAS A CHILD DRAPED ACROSS THE CANVASS. 1973 01:15:17,513 --> 01:15:21,516 MAYBE HE WAS SLEEPING. BUT TO ME, HE SEEMED DEAD. 1974 01:15:26,588 --> 01:15:32,226 [ BEEPING ] >> STAND BACK, PLEASE. DON'T TOUCH THE PAINTINGS. 1975 01:15:38,600 --> 01:15:44,906 >> I WANTED TO BE IN THAT PAINTING, WITH THAT CHILD, WITH ALL OF LIFE'S DANGERS AND 1976 01:15:44,908 --> 01:15:46,908 PAINTING, WITH THAT CHILD, WITH ALL OF LIFE'S DANGERS AND TURBULENCE BEHIND ME, LIKE I WAS 1977 01:15:46,910 --> 01:15:50,311 ALL OF LIFE'S DANGERS AND TURBULENCE BEHIND ME, LIKE I WAS BEING GUIDED AWAY FROM IT, 1978 01:15:50,313 --> 01:15:52,146 TURBULENCE BEHIND ME, LIKE I WAS BEING GUIDED AWAY FROM IT, TOWARDS SOMETHING PEACEFUL. 1979 01:16:04,560 --> 01:16:06,093 [ BEEPING ] 1980 01:16:13,435 --> 01:16:18,940 >> YOU UNDERSTAND ENGLISH? I ASKED YOU NOT TO TOUCH IT. HEY, HEY, HEY! 1981 01:16:18,942 --> 01:16:23,678 I ASKED YOU NOT TO TOUCH IT. HEY, HEY, HEY! HEY! 1982 01:16:23,680 --> 01:16:25,446 HEY, HEY, HEY! HEY! [ SHOUTS INDISTINCTLY ] 1983 01:16:45,133 --> 01:16:49,870 AND THEY CALLED MY FATHER... WHO, AS IT TURNS OUT, WAS ALREADY ON HIS WAY TO D.C. 1984 01:16:49,872 --> 01:16:50,938 WHO, AS IT TURNS OUT, WAS ALREADY ON HIS WAY TO D.C. FOLLOWING A CALL FROM 1985 01:16:50,940 --> 01:16:52,373 ALREADY ON HIS WAY TO D.C. FOLLOWING A CALL FROM THE AMERICAN CLASSROOM, TELLING 1986 01:16:52,375 --> 01:16:56,978 FOLLOWING A CALL FROM THE AMERICAN CLASSROOM, TELLING MY PARENTS I WAS MISSING. 1987 01:16:56,980 --> 01:16:59,347 THE AMERICAN CLASSROOM, TELLING MY PARENTS I WAS MISSING. >> WHAT DID YOUR FATHER SAY? 1988 01:16:59,349 --> 01:17:02,383 MY PARENTS I WAS MISSING. >> WHAT DID YOUR FATHER SAY? >> AND HITTING A KID. 1989 01:17:02,385 --> 01:17:03,651 >> WHAT DID YOUR FATHER SAY? >> AND HITTING A KID. AND GETTING YOURSELF EXPELLED 1990 01:17:03,653 --> 01:17:04,819 >> AND HITTING A KID. AND GETTING YOURSELF EXPELLED FROM THE AMERICAN CLASSROOM, 1991 01:17:04,821 --> 01:17:07,054 AND GETTING YOURSELF EXPELLED FROM THE AMERICAN CLASSROOM, IT'S -- IT'S LIKE I DON'T EVEN 1992 01:17:07,056 --> 01:17:09,957 FROM THE AMERICAN CLASSROOM, IT'S -- IT'S LIKE I DON'T EVEN KNOW WHO YOU ARE. 1993 01:17:09,959 --> 01:17:12,026 IT'S -- IT'S LIKE I DON'T EVEN KNOW WHO YOU ARE. WHAT WERE YOU THINKING? 1994 01:17:12,028 --> 01:17:13,194 KNOW WHO YOU ARE. WHAT WERE YOU THINKING? WELL, YOU CAN'T JUST RUN AWAY 1995 01:17:13,196 --> 01:17:14,195 WHAT WERE YOU THINKING? WELL, YOU CAN'T JUST RUN AWAY FROM THINGS YOU DON'T LIKE. 1996 01:17:14,197 --> 01:17:17,531 WELL, YOU CAN'T JUST RUN AWAY FROM THINGS YOU DON'T LIKE. THAT'S NOT HOW LIFE WORKS. 1997 01:17:17,533 --> 01:17:19,834 FROM THINGS YOU DON'T LIKE. THAT'S NOT HOW LIFE WORKS. WHAT THE HELL IS WRONG WITH YOU? 1998 01:17:19,836 --> 01:17:21,669 THAT'S NOT HOW LIFE WORKS. WHAT THE HELL IS WRONG WITH YOU? [ TRAIN WHISTLE BLOWS ] 1999 01:17:29,378 --> 01:17:32,713 >> I want to die. >> WHAT? 2000 01:17:36,084 --> 01:17:40,087 >> NOTHING. I'M THIRSTY. >> WOULD YOU LIKE A WATER? 2001 01:17:58,373 --> 01:18:08,249 >> ♪ OOH ♪ ♪ OOH-OOH-OOH ♪ ♪ OOH ♪ 2002 01:18:08,251 --> 01:18:13,054 ♪ OOH-OOH-OOH ♪ ♪ OOH ♪ ♪ OOH-OOH-OOH-OOH ♪ 2003 01:18:21,596 --> 01:18:25,900 >> YOU WANTED TO DIE. WHY IS THAT, JAMES? 2004 01:18:32,040 --> 01:18:39,980 >> WHEN I WAS 13, RIGHT OUTSIDE THE BUILDING WHERE WE LIVED, THEY PUT UP A PLAQUE, THE MEMORY 2005 01:18:39,982 --> 01:18:42,817 THE BUILDING WHERE WE LIVED, THEY PUT UP A PLAQUE, THE MEMORY OF A LITTLE BOY. 2006 01:18:42,819 --> 01:18:44,251 THEY PUT UP A PLAQUE, THE MEMORY OF A LITTLE BOY. HOWARD WAS HIS NAME. 2007 01:18:44,253 --> 01:18:47,455 OF A LITTLE BOY. HOWARD WAS HIS NAME. HE DIED SOME TRAGIC EARLY DEATH. 2008 01:18:47,457 --> 01:18:49,256 HOWARD WAS HIS NAME. HE DIED SOME TRAGIC EARLY DEATH. AND... 2009 01:18:49,258 --> 01:18:52,426 HE DIED SOME TRAGIC EARLY DEATH. AND... >> AND? 2010 01:18:52,428 --> 01:18:53,994 AND... >> AND? >> HE DIED AT APPROXIMATELY THE 2011 01:18:53,996 --> 01:18:56,263 >> AND? >> HE DIED AT APPROXIMATELY THE AGE I WAS THEN. 2012 01:18:56,265 --> 01:18:57,765 >> HE DIED AT APPROXIMATELY THE AGE I WAS THEN. I DON'T KNOW HOW TO EXPLAIN IT, 2013 01:18:57,767 --> 01:19:01,602 AGE I WAS THEN. I DON'T KNOW HOW TO EXPLAIN IT, BUT I FELT VERY CLOSE TO HIM. 2014 01:19:01,604 --> 01:19:03,637 I DON'T KNOW HOW TO EXPLAIN IT, BUT I FELT VERY CLOSE TO HIM. LIKE IN SOME WAY, I WAS HIS 2015 01:19:03,639 --> 01:19:05,172 BUT I FELT VERY CLOSE TO HIM. LIKE IN SOME WAY, I WAS HIS SUCCESSOR. 2016 01:19:05,174 --> 01:19:06,507 LIKE IN SOME WAY, I WAS HIS SUCCESSOR. I THOUGHT ABOUT THROWING MYSELF 2017 01:19:06,509 --> 01:19:09,977 SUCCESSOR. I THOUGHT ABOUT THROWING MYSELF OFF OUR ROOF. 2018 01:19:09,979 --> 01:19:13,314 I THOUGHT ABOUT THROWING MYSELF OFF OUR ROOF. I'D LAND ON THE SIDEWALK. 2019 01:19:13,316 --> 01:19:16,183 OFF OUR ROOF. I'D LAND ON THE SIDEWALK. I'D GET MY OWN PLAQUE, RIGHT 2020 01:19:16,185 --> 01:19:18,119 I'D LAND ON THE SIDEWALK. I'D GET MY OWN PLAQUE, RIGHT NEXT TO HOWARD'S. 2021 01:19:25,527 --> 01:19:30,097 >> WHY DIDN'T YOU TELL YOUR FATHER WHAT REALLY HAPPENED IN D.C., ABOUT THE PARTY NIGHT AND 2022 01:19:30,099 --> 01:19:33,768 FATHER WHAT REALLY HAPPENED IN D.C., ABOUT THE PARTY NIGHT AND EVERYTHING ELSE? 2023 01:19:33,770 --> 01:19:36,470 D.C., ABOUT THE PARTY NIGHT AND EVERYTHING ELSE? >> I WAS EMBARRASSED. 2024 01:19:36,472 --> 01:19:38,205 EVERYTHING ELSE? >> I WAS EMBARRASSED. >> ABOUT WHAT? 2025 01:19:38,207 --> 01:19:39,807 >> I WAS EMBARRASSED. >> ABOUT WHAT? >> ABOUT DISAPPOINTING HIM, I 2026 01:19:39,809 --> 01:19:41,275 >> ABOUT WHAT? >> ABOUT DISAPPOINTING HIM, I GUESS. 2027 01:19:41,277 --> 01:19:42,710 >> ABOUT DISAPPOINTING HIM, I GUESS. HE'S ALWAYS WANTED TO THINK OF 2028 01:19:42,712 --> 01:19:44,678 GUESS. HE'S ALWAYS WANTED TO THINK OF ME LIKE HE THINKS OF HIMSELF -- 2029 01:19:44,680 --> 01:19:46,113 HE'S ALWAYS WANTED TO THINK OF ME LIKE HE THINKS OF HIMSELF -- ALL-AMERICAN. 2030 01:19:46,115 --> 01:19:47,548 ME LIKE HE THINKS OF HIMSELF -- ALL-AMERICAN. I'VE NEVER THOUGHT OF MYSELF 2031 01:19:47,550 --> 01:19:49,784 ALL-AMERICAN. I'VE NEVER THOUGHT OF MYSELF THAT WAY. 2032 01:19:49,786 --> 01:19:52,219 I'VE NEVER THOUGHT OF MYSELF THAT WAY. IT'S VERY CONFUSING. 2033 01:19:52,221 --> 01:19:54,288 THAT WAY. IT'S VERY CONFUSING. >> IT'S -- IT'S OKAY TO BE 2034 01:19:54,290 --> 01:19:55,222 IT'S VERY CONFUSING. >> IT'S -- IT'S OKAY TO BE CONFUSED. 2035 01:19:55,224 --> 01:19:57,057 >> IT'S -- IT'S OKAY TO BE CONFUSED. I MEAN, GOD, IF YOU ONLY KNEW 2036 01:19:57,059 --> 01:20:00,327 CONFUSED. I MEAN, GOD, IF YOU ONLY KNEW HOW CONFUSING MY LIFE WAS. 2037 01:20:02,230 --> 01:20:12,306 >> REALLY? >> YEAH. >> ♪ I DON'T KN-O-O-O-OW ♪ 2038 01:20:12,308 --> 01:20:15,910 >> YEAH. >> ♪ I DON'T KN-O-O-O-OW ♪ ♪ I HEARD MY TIME IS GOING BY ♪ 2039 01:20:15,912 --> 01:20:18,879 >> ♪ I DON'T KN-O-O-O-OW ♪ ♪ I HEARD MY TIME IS GOING BY ♪ ♪ DON'T KNOW WHAT I'M GONNA 2040 01:20:18,881 --> 01:20:23,651 ♪ I HEARD MY TIME IS GOING BY ♪ ♪ DON'T KNOW WHAT I'M GONNA LEAVE ♪ 2041 01:20:23,653 --> 01:20:26,854 ♪ DON'T KNOW WHAT I'M GONNA LEAVE ♪ ♪ THEY SAID I-I-I-IT ♪ 2042 01:20:26,856 --> 01:20:29,523 LEAVE ♪ ♪ THEY SAID I-I-I-IT ♪ ♪ WOULD ALL BE OVER SOON ♪ 2043 01:20:29,525 --> 01:20:33,494 ♪ THEY SAID I-I-I-IT ♪ ♪ WOULD ALL BE OVER SOON ♪ ♪ I DIDN'T KNOW HOW FAST SOON 2044 01:20:33,496 --> 01:20:35,196 ♪ WOULD ALL BE OVER SOON ♪ ♪ I DIDN'T KNOW HOW FAST SOON WOULD COME ♪ 2045 01:20:40,335 --> 01:20:43,571 >> [ BREATHING HEAVILY ] >> JAMES, SLOW DOWN. 2046 01:20:48,076 --> 01:20:54,048 WE HAVE MORE TIME. [ SIGHS ] DO YOU WANT TO KNOW WHAT I THINK 2047 01:20:54,050 --> 01:20:56,550 [ SIGHS ] DO YOU WANT TO KNOW WHAT I THINK ABOUT YOU? 2048 01:20:56,552 --> 01:20:57,852 DO YOU WANT TO KNOW WHAT I THINK ABOUT YOU? >> GO ON. UH... 2049 01:20:57,854 --> 01:20:59,620 ABOUT YOU? >> GO ON. UH... SOCIOPATHIC? 2050 01:20:59,622 --> 01:21:01,555 >> GO ON. UH... SOCIOPATHIC? MALADJUSTED? 2051 01:21:01,557 --> 01:21:01,922 SOCIOPATHIC? MALADJUSTED? MANIC? 2052 01:21:01,924 --> 01:21:03,257 MALADJUSTED? MANIC? >> NO, I DON'T THINK THERE'S 2053 01:21:03,259 --> 01:21:06,260 MANIC? >> NO, I DON'T THINK THERE'S ANYTHING REALLY WRONG WITH YOU. 2054 01:21:06,262 --> 01:21:07,795 >> NO, I DON'T THINK THERE'S ANYTHING REALLY WRONG WITH YOU. >> YOU DON'T? 2055 01:21:07,797 --> 01:21:09,396 ANYTHING REALLY WRONG WITH YOU. >> YOU DON'T? >> NO, I THINK YOU HAVE A LOT OF 2056 01:21:09,398 --> 01:21:10,865 >> YOU DON'T? >> NO, I THINK YOU HAVE A LOT OF UNRESOLVED PROBLEMS, LIKE THIS 2057 01:21:10,867 --> 01:21:13,300 >> NO, I THINK YOU HAVE A LOT OF UNRESOLVED PROBLEMS, LIKE THIS ISSUE WITH JOHN. 2058 01:21:13,302 --> 01:21:14,602 UNRESOLVED PROBLEMS, LIKE THIS ISSUE WITH JOHN. BUT EVERYONE HAS PROBLEMS, AND 2059 01:21:14,604 --> 01:21:15,736 ISSUE WITH JOHN. BUT EVERYONE HAS PROBLEMS, AND YOU'RE GONNA WORK IT OUT. 2060 01:21:15,738 --> 01:21:18,272 BUT EVERYONE HAS PROBLEMS, AND YOU'RE GONNA WORK IT OUT. YOU'RE GONNA BE FINE. 2061 01:21:18,274 --> 01:21:20,975 YOU'RE GONNA WORK IT OUT. YOU'RE GONNA BE FINE. I THINK YOU'RE A VERY CLEVER 2062 01:21:20,977 --> 01:21:23,644 YOU'RE GONNA BE FINE. I THINK YOU'RE A VERY CLEVER YOUNG MAN. 2063 01:21:23,646 --> 01:21:26,046 I THINK YOU'RE A VERY CLEVER YOUNG MAN. VERY DEEP AND VERY FEELING. 2064 01:21:26,048 --> 01:21:28,249 YOUNG MAN. VERY DEEP AND VERY FEELING. >> YOU THINK SO? 2065 01:21:28,251 --> 01:21:30,885 VERY DEEP AND VERY FEELING. >> YOU THINK SO? >> I DO. 2066 01:21:30,887 --> 01:21:33,087 >> YOU THINK SO? >> I DO. [ CHUCKLES ] 2067 01:21:35,090 --> 01:21:39,827 [ LIGHT JAZZ PLAYING ] >> YOU WON'T REMEMBER THIS, BUT YOUR SECOND-GRADE TEACHER SAID 2068 01:21:39,829 --> 01:21:41,829 >> YOU WON'T REMEMBER THIS, BUT YOUR SECOND-GRADE TEACHER SAID ALMOST THE SAME THING ABOUT YOU. 2069 01:21:41,831 --> 01:21:44,298 YOUR SECOND-GRADE TEACHER SAID ALMOST THE SAME THING ABOUT YOU. "JAMES IS VERY DEEP AND VERY 2070 01:21:44,300 --> 01:21:45,933 ALMOST THE SAME THING ABOUT YOU. "JAMES IS VERY DEEP AND VERY FEELING." 2071 01:21:48,937 --> 01:21:54,909 I WANTED TO SHOW YOU SOMETHING. COME HERE. >> WOW. 2072 01:21:54,911 --> 01:21:55,910 COME HERE. >> WOW. >> YOU RECOGNIZE ME? 2073 01:21:55,912 --> 01:21:56,844 >> WOW. >> YOU RECOGNIZE ME? >> YEAH. OF COURSE. 2074 01:21:56,846 --> 01:21:57,444 >> YOU RECOGNIZE ME? >> YEAH. OF COURSE. I SEE YOU. 2075 01:21:57,446 --> 01:21:58,746 >> YEAH. OF COURSE. I SEE YOU. THE MOST ALIVE PICTURE I'VE EVER 2076 01:21:58,748 --> 01:21:59,113 I SEE YOU. THE MOST ALIVE PICTURE I'VE EVER SEEN. 2077 01:21:59,115 --> 01:22:00,781 THE MOST ALIVE PICTURE I'VE EVER SEEN. >> IT'S WHEN I WAS DANCING WITH 2078 01:22:00,783 --> 01:22:01,482 SEEN. >> IT'S WHEN I WAS DANCING WITH MARTHA GRAHAM. 2079 01:22:01,484 --> 01:22:02,917 >> IT'S WHEN I WAS DANCING WITH MARTHA GRAHAM. >> LOOK. YOU'VE GOT DARK HAIR. 2080 01:22:02,919 --> 01:22:03,684 MARTHA GRAHAM. >> LOOK. YOU'VE GOT DARK HAIR. >> YEAH. 2081 01:22:03,686 --> 01:22:05,653 >> LOOK. YOU'VE GOT DARK HAIR. >> YEAH. I DID HAVE DARK HAIR THEN. 2082 01:22:05,655 --> 01:22:08,088 >> YEAH. I DID HAVE DARK HAIR THEN. >> I THINK THAT WHEN YOU GET TO 2083 01:22:08,090 --> 01:22:10,457 I DID HAVE DARK HAIR THEN. >> I THINK THAT WHEN YOU GET TO THE END OF YOUR LIFE, YOU HAVE 2084 01:22:10,459 --> 01:22:12,359 >> I THINK THAT WHEN YOU GET TO THE END OF YOUR LIFE, YOU HAVE TO ASK YOURSELF ONLY TWO 2085 01:22:12,361 --> 01:22:14,261 THE END OF YOUR LIFE, YOU HAVE TO ASK YOURSELF ONLY TWO QUESTIONS. 2086 01:22:14,263 --> 01:22:16,297 TO ASK YOURSELF ONLY TWO QUESTIONS. DID I LIVE FULLY? 2087 01:22:16,299 --> 01:22:18,632 QUESTIONS. DID I LIVE FULLY? AND DID I LOVE WELL? 2088 01:22:18,634 --> 01:22:20,968 DID I LIVE FULLY? AND DID I LOVE WELL? AND IF YOU CAN SAY "YES" TO 2089 01:22:20,970 --> 01:22:23,470 AND DID I LOVE WELL? AND IF YOU CAN SAY "YES" TO THOSE TWO THINGS, THEN YOU'RE 2090 01:22:23,472 --> 01:22:25,673 AND IF YOU CAN SAY "YES" TO THOSE TWO THINGS, THEN YOU'RE HOME-FREE. 2091 01:22:25,675 --> 01:22:27,174 THOSE TWO THINGS, THEN YOU'RE HOME-FREE. >> WELL, TO BEING ALIVE. 2092 01:22:27,176 --> 01:22:28,142 HOME-FREE. >> WELL, TO BEING ALIVE. >> [ CHUCKLES ] 2093 01:22:28,144 --> 01:22:32,346 >> WELL, TO BEING ALIVE. >> [ CHUCKLES ] TO BEING ALIVE INDEED. 2094 01:22:32,348 --> 01:22:33,647 >> [ CHUCKLES ] TO BEING ALIVE INDEED. >> NANETTE, CAN I ASK YOU 2095 01:22:33,649 --> 01:22:34,281 TO BEING ALIVE INDEED. >> NANETTE, CAN I ASK YOU SOMETHING? 2096 01:22:34,283 --> 01:22:36,050 >> NANETTE, CAN I ASK YOU SOMETHING? >> ANYTHING YOU WANT, HONEY. 2097 01:22:36,052 --> 01:22:37,518 SOMETHING? >> ANYTHING YOU WANT, HONEY. >> WERE YOU AND MY MOTHER EVER 2098 01:22:37,520 --> 01:22:38,018 >> ANYTHING YOU WANT, HONEY. >> WERE YOU AND MY MOTHER EVER CLOSE? 2099 01:22:38,020 --> 01:22:39,520 >> WERE YOU AND MY MOTHER EVER CLOSE? >> OH. 2100 01:22:39,522 --> 01:22:41,322 CLOSE? >> OH. YES. 2101 01:22:41,324 --> 01:22:43,057 >> OH. YES. TOO CLOSE, I'D SAY. 2102 01:22:43,059 --> 01:22:45,826 YES. TOO CLOSE, I'D SAY. [ CHUCKLES ] 2103 01:22:45,828 --> 01:22:47,661 TOO CLOSE, I'D SAY. [ CHUCKLES ] >> DO YOU THINK THAT YOU'LL EVER 2104 01:22:47,663 --> 01:22:48,862 [ CHUCKLES ] >> DO YOU THINK THAT YOU'LL EVER TALK TO HER AGAIN? 2105 01:22:48,864 --> 01:22:51,732 >> DO YOU THINK THAT YOU'LL EVER TALK TO HER AGAIN? >> OH, OF COURSE WE'LL TALK. 2106 01:22:51,734 --> 01:22:54,501 TALK TO HER AGAIN? >> OH, OF COURSE WE'LL TALK. YOU KNOW, JUST... 2107 01:22:54,503 --> 01:22:56,971 >> OH, OF COURSE WE'LL TALK. YOU KNOW, JUST... SOON AS SHE FIGURES OUT WHO SHE 2108 01:22:56,973 --> 01:22:58,672 YOU KNOW, JUST... SOON AS SHE FIGURES OUT WHO SHE REALLY IS. 2109 01:22:58,674 --> 01:23:01,241 SOON AS SHE FIGURES OUT WHO SHE REALLY IS. BESIDES JUST BEING MY DAUGHTER. 2110 01:23:01,243 --> 01:23:02,876 REALLY IS. BESIDES JUST BEING MY DAUGHTER. [ SLOW JAZZ PLAYS ] 2111 01:23:02,878 --> 01:23:05,546 BESIDES JUST BEING MY DAUGHTER. [ SLOW JAZZ PLAYS ] LISTEN. OH. 2112 01:23:05,548 --> 01:23:07,348 [ SLOW JAZZ PLAYS ] LISTEN. OH. CHESTER AND I USED TO LOVE TO 2113 01:23:07,350 --> 01:23:10,551 LISTEN. OH. CHESTER AND I USED TO LOVE TO DANCE TO THAT. 2114 01:23:10,553 --> 01:23:13,821 CHESTER AND I USED TO LOVE TO DANCE TO THAT. >> WOULD YOU LIKE TO DANCE NOW? 2115 01:23:13,823 --> 01:23:14,989 DANCE TO THAT. >> WOULD YOU LIKE TO DANCE NOW? >> WITH YOU? 2116 01:23:14,991 --> 01:23:15,589 >> WOULD YOU LIKE TO DANCE NOW? >> WITH YOU? >> YEAH. 2117 01:23:15,591 --> 01:23:17,224 >> WITH YOU? >> YEAH. >> DO YOU KNOW HOW TO DANCE? 2118 01:23:17,226 --> 01:23:18,225 >> YEAH. >> DO YOU KNOW HOW TO DANCE? >> NOPE. 2119 01:23:18,227 --> 01:23:20,060 >> DO YOU KNOW HOW TO DANCE? >> NOPE. >> WELL, THEN... 2120 01:23:20,062 --> 01:23:22,029 >> NOPE. >> WELL, THEN... OKAY. 2121 01:23:22,031 --> 01:23:23,497 >> WELL, THEN... OKAY. NOW, START WITH YOUR RIGHT FOOT 2122 01:23:23,499 --> 01:23:25,833 OKAY. NOW, START WITH YOUR RIGHT FOOT AND COME TOWARD ME. 2123 01:23:25,835 --> 01:23:26,900 NOW, START WITH YOUR RIGHT FOOT AND COME TOWARD ME. THAT'S IT! 2124 01:23:26,902 --> 01:23:30,771 AND COME TOWARD ME. THAT'S IT! IT'S EASY, RIGHT? 2125 01:23:30,773 --> 01:23:33,040 THAT'S IT! IT'S EASY, RIGHT? [ CHUCKLES ] 2126 01:23:33,042 --> 01:23:34,875 IT'S EASY, RIGHT? [ CHUCKLES ] [ DOG WHIMPERS ] 2127 01:23:53,962 --> 01:23:55,796 >> [ SIGHS ] 2128 01:23:59,401 --> 01:24:07,474 >> WHAT ARE YOU DOING HERE, JAMES? >> I CAME HERE TO TELL YOU... 2129 01:24:07,476 --> 01:24:09,977 JAMES? >> I CAME HERE TO TELL YOU... YOU WERE RIGHT. 2130 01:24:09,979 --> 01:24:11,078 >> I CAME HERE TO TELL YOU... YOU WERE RIGHT. I WAS AN ASSHOLE TO DO WHAT I 2131 01:24:11,080 --> 01:24:12,579 YOU WERE RIGHT. I WAS AN ASSHOLE TO DO WHAT I DID. 2132 01:24:12,581 --> 01:24:13,981 I WAS AN ASSHOLE TO DO WHAT I DID. AND I'VE BEEN THINKING ABOUT IT 2133 01:24:13,983 --> 01:24:17,251 DID. AND I'VE BEEN THINKING ABOUT IT A LOT. 2134 01:24:17,253 --> 01:24:18,819 AND I'VE BEEN THINKING ABOUT IT A LOT. THE NIGHT OF THE PARTY, I NEVER 2135 01:24:18,821 --> 01:24:19,653 A LOT. THE NIGHT OF THE PARTY, I NEVER GOT TO EXPLAIN. 2136 01:24:19,655 --> 01:24:21,255 THE NIGHT OF THE PARTY, I NEVER GOT TO EXPLAIN. >> THERE'S NOTHING TO EXPLAIN. 2137 01:24:21,257 --> 01:24:22,089 GOT TO EXPLAIN. >> THERE'S NOTHING TO EXPLAIN. >> YES, THERE IS. 2138 01:24:22,091 --> 01:24:25,125 >> THERE'S NOTHING TO EXPLAIN. >> YES, THERE IS. I THINK I ACTED THAT WAY TO... 2139 01:24:25,127 --> 01:24:26,293 >> YES, THERE IS. I THINK I ACTED THAT WAY TO... TO TRY AND IMPRESS YOU. 2140 01:24:26,295 --> 01:24:27,561 I THINK I ACTED THAT WAY TO... TO TRY AND IMPRESS YOU. >> WELL, YOU DID MAKE AN 2141 01:24:27,563 --> 01:24:29,296 TO TRY AND IMPRESS YOU. >> WELL, YOU DID MAKE AN IMPRESSION. 2142 01:24:32,634 --> 01:24:40,474 >> I WANTED TO BE SOMEONE THAT MAYBE... MAYBE YOU LIKED. 2143 01:24:40,476 --> 01:24:41,842 MAYBE... MAYBE YOU LIKED. LIKE A -- LIKE A DIFFERENT 2144 01:24:41,844 --> 01:24:42,910 MAYBE YOU LIKED. LIKE A -- LIKE A DIFFERENT PERSON. 2145 01:24:42,912 --> 01:24:44,411 LIKE A -- LIKE A DIFFERENT PERSON. >> BUT YOU'RE NOT A DIFFERENT 2146 01:24:44,413 --> 01:24:45,279 PERSON. >> BUT YOU'RE NOT A DIFFERENT PERSON, JAMES. 2147 01:24:45,281 --> 01:24:46,780 >> BUT YOU'RE NOT A DIFFERENT PERSON, JAMES. YOU'RE YOU. 2148 01:24:50,752 --> 01:24:56,924 >> MAYBE I DON'T LIKE WHO I AM. I GUESS I WANT TO BE SOMEBODY ELSE. 2149 01:24:56,926 --> 01:24:58,459 I GUESS I WANT TO BE SOMEBODY ELSE. >> THEN GROW UP AND BECOME 2150 01:24:58,461 --> 01:25:00,294 ELSE. >> THEN GROW UP AND BECOME SOMEONE ELSE! 2151 01:25:03,998 --> 01:25:12,506 [ DOOR OPENS ] [ DOOR CLOSES ] [ DOG WHINES ] 2152 01:25:24,219 --> 01:25:25,953 SIT DOWN. 2153 01:25:30,291 --> 01:25:32,059 YOU LOOK THIRSTY. 2154 01:25:45,740 --> 01:25:52,913 JAMES, IT'S ALL RIGHT WITH ME IF YOU COME BACK. >> I WAS FIRED. 2155 01:25:52,915 --> 01:25:54,414 YOU COME BACK. >> I WAS FIRED. >> I'M ON VERY GOOD TERMS WITH 2156 01:25:54,416 --> 01:25:58,051 >> I WAS FIRED. >> I'M ON VERY GOOD TERMS WITH YOUR BOSS. 2157 01:25:58,053 --> 01:26:00,154 >> I'M ON VERY GOOD TERMS WITH YOUR BOSS. I THINK I CAN GET YOU REHIRED. 2158 01:26:04,192 --> 01:26:09,363 >> THANKS. LOOKS LIKE SOMEONE ELSE HERE IS THIRSTY. 2159 01:26:09,365 --> 01:26:11,198 LOOKS LIKE SOMEONE ELSE HERE IS THIRSTY. [ DOG BARKS ] 2160 01:26:22,076 --> 01:26:25,112 >> JAMES! WHAT ARE YOU AND MIRO DOING HERE? 2161 01:26:25,114 --> 01:26:26,613 WHAT ARE YOU AND MIRO DOING HERE? >> UH, WE JUST HAD SOME BUSINESS 2162 01:26:26,615 --> 01:26:27,447 HERE? >> UH, WE JUST HAD SOME BUSINESS TO TAKE CARE OF. 2163 01:26:27,449 --> 01:26:28,415 >> UH, WE JUST HAD SOME BUSINESS TO TAKE CARE OF. >> BUSINESS? 2164 01:26:28,417 --> 01:26:29,917 TO TAKE CARE OF. >> BUSINESS? WHAT KIND OF BUSINESS? 2165 01:26:29,919 --> 01:26:31,351 >> BUSINESS? WHAT KIND OF BUSINESS? >> PERSONAL BUSINESS. 2166 01:26:31,353 --> 01:26:32,519 WHAT KIND OF BUSINESS? >> PERSONAL BUSINESS. >> AH. 2167 01:26:32,521 --> 01:26:34,054 >> PERSONAL BUSINESS. >> AH. THIS IS OLIVIA. 2168 01:26:34,056 --> 01:26:36,089 >> AH. THIS IS OLIVIA. OLIVIA, THIS IS MY SON, JAMES. 2169 01:26:36,091 --> 01:26:37,090 THIS IS OLIVIA. OLIVIA, THIS IS MY SON, JAMES. >> HI, JAMES. 2170 01:26:37,092 --> 01:26:38,792 OLIVIA, THIS IS MY SON, JAMES. >> HI, JAMES. >> HI, OLIVIA. 2171 01:26:38,794 --> 01:26:39,927 >> HI, JAMES. >> HI, OLIVIA. HEY, WEREN'T YOU ON THE 2172 01:26:39,929 --> 01:26:41,261 >> HI, OLIVIA. HEY, WEREN'T YOU ON THE WASHINGTON-NEW YORK TRAIN A 2173 01:26:41,263 --> 01:26:42,262 HEY, WEREN'T YOU ON THE WASHINGTON-NEW YORK TRAIN A COUPLE OF MONTHS AGO? 2174 01:26:42,264 --> 01:26:47,067 WASHINGTON-NEW YORK TRAIN A COUPLE OF MONTHS AGO? >> YEAH, I WAS. 2175 01:26:47,069 --> 01:26:50,637 COUPLE OF MONTHS AGO? >> YEAH, I WAS. >> WELL... 2176 01:26:50,639 --> 01:26:51,438 >> YEAH, I WAS. >> WELL... [ CHUCKLES ] 2177 01:26:51,440 --> 01:26:53,574 >> WELL... [ CHUCKLES ] HEY, YOUR EYES LOOK GREAT. 2178 01:26:57,045 --> 01:27:01,448 >> WHAT HAPPENED TO YOUR EYES? >> NOTHING. THEY'RE FINE. THANK YOU. 2179 01:27:01,450 --> 01:27:02,749 >> NOTHING. THEY'RE FINE. THANK YOU. WE'RE JUST GOING OUT TO THE 2180 01:27:02,751 --> 01:27:03,217 THEY'RE FINE. THANK YOU. WE'RE JUST GOING OUT TO THE HOUSE. 2181 01:27:03,219 --> 01:27:04,251 WE'RE JUST GOING OUT TO THE HOUSE. YOU WANT TO COME WITH US? 2182 01:27:04,253 --> 01:27:05,619 HOUSE. YOU WANT TO COME WITH US? >> WELL, IT DOESN'T LOOK LIKE 2183 01:27:05,621 --> 01:27:06,987 YOU WANT TO COME WITH US? >> WELL, IT DOESN'T LOOK LIKE THERE'S ROOM FOR ME AND MIRO IN 2184 01:27:06,989 --> 01:27:07,454 >> WELL, IT DOESN'T LOOK LIKE THERE'S ROOM FOR ME AND MIRO IN THE CAR. 2185 01:27:07,456 --> 01:27:08,488 THERE'S ROOM FOR ME AND MIRO IN THE CAR. HAVE A NICE WEEKEND. 2186 01:27:08,490 --> 01:27:10,090 THE CAR. HAVE A NICE WEEKEND. IT WAS NICE MEETING YOU, OLIVIA. 2187 01:27:10,092 --> 01:27:11,658 HAVE A NICE WEEKEND. IT WAS NICE MEETING YOU, OLIVIA. >> NICE TO MEET YOU, TOO, JAMES. 2188 01:27:11,660 --> 01:27:14,127 IT WAS NICE MEETING YOU, OLIVIA. >> NICE TO MEET YOU, TOO, JAMES. >> TAKE CARE OF YOURSELF. 2189 01:27:14,129 --> 01:27:15,963 >> NICE TO MEET YOU, TOO, JAMES. >> TAKE CARE OF YOURSELF. GOOD TO SEE YOU, SON. 2190 01:27:15,965 --> 01:27:16,930 >> TAKE CARE OF YOURSELF. GOOD TO SEE YOU, SON. >> BYE, DAD. 2191 01:27:16,932 --> 01:27:17,831 GOOD TO SEE YOU, SON. >> BYE, DAD. >> HAVE FUN, HUH. 2192 01:27:17,833 --> 01:27:20,500 >> BYE, DAD. >> HAVE FUN, HUH. >> YOU TOO. 2193 01:27:20,502 --> 01:27:21,635 >> HAVE FUN, HUH. >> YOU TOO. >> BYE. BYE, MIRO! 2194 01:27:21,637 --> 01:27:24,071 >> YOU TOO. >> BYE. BYE, MIRO! [ DOG BARKS ] 2195 01:27:24,073 --> 01:27:26,907 >> BYE. BYE, MIRO! [ DOG BARKS ] [ KNOCK ON DOOR ] 2196 01:27:26,909 --> 01:27:28,609 [ DOG BARKS ] [ KNOCK ON DOOR ] >> COME IN. 2197 01:27:28,611 --> 01:27:30,077 [ KNOCK ON DOOR ] >> COME IN. >> GUESS WHAT. 2198 01:27:30,079 --> 01:27:32,079 >> COME IN. >> GUESS WHAT. WE SOLD THREE GARBAGE CANS 2199 01:27:32,081 --> 01:27:32,779 >> GUESS WHAT. WE SOLD THREE GARBAGE CANS TODAY. 2200 01:27:32,781 --> 01:27:34,448 WE SOLD THREE GARBAGE CANS TODAY. >> THAT'S GREAT, MOM. 2201 01:27:34,450 --> 01:27:36,416 TODAY. >> THAT'S GREAT, MOM. >> IT WAS TO THE GERMANS THAT 2202 01:27:36,418 --> 01:27:38,418 >> THAT'S GREAT, MOM. >> IT WAS TO THE GERMANS THAT YOU SPOKE TO, SO YOU ARE PARTLY 2203 01:27:38,420 --> 01:27:40,087 >> IT WAS TO THE GERMANS THAT YOU SPOKE TO, SO YOU ARE PARTLY RESPONSIBLE. 2204 01:27:40,089 --> 01:27:41,455 YOU SPOKE TO, SO YOU ARE PARTLY RESPONSIBLE. AND I'M INVITING JOHN OUT TO 2205 01:27:41,457 --> 01:27:42,789 RESPONSIBLE. AND I'M INVITING JOHN OUT TO DINNER TONIGHT TO CELEBRATE. 2206 01:27:42,791 --> 01:27:44,124 AND I'M INVITING JOHN OUT TO DINNER TONIGHT TO CELEBRATE. WHY DON'T YOU COME WITH US? 2207 01:27:44,126 --> 01:27:45,492 DINNER TONIGHT TO CELEBRATE. WHY DON'T YOU COME WITH US? >> ACTUALLY, I'M GOING TO SEE 2208 01:27:45,494 --> 01:27:46,960 WHY DON'T YOU COME WITH US? >> ACTUALLY, I'M GOING TO SEE "LONG DAY'S JOURNEY INTO NIGHT" 2209 01:27:46,962 --> 01:27:48,295 >> ACTUALLY, I'M GOING TO SEE "LONG DAY'S JOURNEY INTO NIGHT" WITH NANETTE FOR MY BIRTHDAY. 2210 01:27:48,297 --> 01:27:49,997 "LONG DAY'S JOURNEY INTO NIGHT" WITH NANETTE FOR MY BIRTHDAY. >> YOUR BIRTHDAY'S NOT TILL 2211 01:27:49,999 --> 01:27:50,697 WITH NANETTE FOR MY BIRTHDAY. >> YOUR BIRTHDAY'S NOT TILL OCTOBER. 2212 01:27:50,699 --> 01:27:52,633 >> YOUR BIRTHDAY'S NOT TILL OCTOBER. >> BUT THE PLAY CLOSES THIS 2213 01:27:52,635 --> 01:27:53,300 OCTOBER. >> BUT THE PLAY CLOSES THIS MONTH. 2214 01:27:53,302 --> 01:27:55,335 >> BUT THE PLAY CLOSES THIS MONTH. >> FOUR HOURS OF TRAGEDY FOR A 2215 01:27:55,337 --> 01:27:56,637 MONTH. >> FOUR HOURS OF TRAGEDY FOR A BIRTHDAY PRESENT? 2216 01:27:56,639 --> 01:27:59,206 >> FOUR HOURS OF TRAGEDY FOR A BIRTHDAY PRESENT? >> I PICKED THE PLAY. 2217 01:27:59,208 --> 01:28:00,707 BIRTHDAY PRESENT? >> I PICKED THE PLAY. >> AH. 2218 01:28:04,212 --> 01:28:09,650 [ THUNDER RUMBLES ] >> LOOKS LIKE MR. ROGERS IS IN THE NEIGHBORHOOD. 2219 01:28:09,652 --> 01:28:11,485 >> LOOKS LIKE MR. ROGERS IS IN THE NEIGHBORHOOD. >> MM. 2220 01:28:15,490 --> 01:28:17,324 [ THUNDER CRASHES ] 2221 01:28:28,870 --> 01:28:33,874 WHAT SHOULD I DO? [ THUNDER RUMBLES ] 2222 01:28:37,245 --> 01:28:41,815 >> I HATE IT WHEN PEOPLE SAY THAT. MOST OF THE TIME, THEY KNOW 2223 01:28:41,817 --> 01:28:43,150 THAT. MOST OF THE TIME, THEY KNOW EXACTLY WHAT TO DO. 2224 01:28:43,152 --> 01:28:45,018 MOST OF THE TIME, THEY KNOW EXACTLY WHAT TO DO. ASK YOURSELF WHAT YOU REALLY 2225 01:28:45,020 --> 01:28:46,753 EXACTLY WHAT TO DO. ASK YOURSELF WHAT YOU REALLY WANT. 2226 01:28:50,325 --> 01:28:53,393 HE SAYS HE'S GOING TO GAMBLERS ANONYMOUS. 2227 01:29:02,570 --> 01:29:04,404 [ HORN BLARES ] 2228 01:29:15,917 --> 01:29:17,784 CAN I MAKE A CALL? 2229 01:29:21,956 --> 01:29:23,790 [ SIGHS ] 2230 01:29:37,238 --> 01:29:46,079 NANETTE?! NANETTE? NANETTE, WHERE ARE YOU? 2231 01:29:52,286 --> 01:29:54,121 NANETTE? 2232 01:30:06,467 --> 01:30:09,469 [ DOG WHINES ] NANETTE? 2233 01:31:14,702 --> 01:31:22,843 >> MY DEAREST JAMES, BE PATIENT AND TOUGH. SOMEDAY THIS PAIN WILL BE USEFUL 2234 01:31:22,845 --> 01:31:24,711 AND TOUGH. SOMEDAY THIS PAIN WILL BE USEFUL TO YOU. 2235 01:31:39,260 --> 01:31:44,531 >> OH, JAMES. MM. AND JILLIAN. 2236 01:31:44,533 --> 01:31:45,499 MM. AND JILLIAN. OH, GILLIAN. 2237 01:31:45,501 --> 01:31:48,335 AND JILLIAN. OH, GILLIAN. >> NO, NO, IT'S "JILLIAN" AGAIN. 2238 01:31:48,337 --> 01:31:49,769 OH, GILLIAN. >> NO, NO, IT'S "JILLIAN" AGAIN. >> WELL, IT WAS GILLIAN LAST 2239 01:31:49,771 --> 01:31:50,437 >> NO, NO, IT'S "JILLIAN" AGAIN. >> WELL, IT WAS GILLIAN LAST WEEK. 2240 01:31:50,439 --> 01:31:52,739 >> WELL, IT WAS GILLIAN LAST WEEK. >> YEAH, BUT THEN HEINRICH LEFT. 2241 01:31:55,943 --> 01:32:02,516 >> JAMES, SHE'S NOT REALLY GOING TO BE SITTING ON THE TABLE, IS SHE? 2242 01:32:02,518 --> 01:32:03,683 TO BE SITTING ON THE TABLE, IS SHE? >> WELL... 2243 01:32:03,685 --> 01:32:04,885 SHE? >> WELL... >> THAT'S WHAT I TRIED TO SAY. 2244 01:32:04,887 --> 01:32:06,086 >> WELL... >> THAT'S WHAT I TRIED TO SAY. I MEAN, IF THEY SEE THAT, 2245 01:32:06,088 --> 01:32:07,420 >> THAT'S WHAT I TRIED TO SAY. I MEAN, IF THEY SEE THAT, THEY'RE GONNA KICK US OUT. 2246 01:32:07,422 --> 01:32:07,921 I MEAN, IF THEY SEE THAT, THEY'RE GONNA KICK US OUT. >> RELAX. 2247 01:32:07,923 --> 01:32:09,589 THEY'RE GONNA KICK US OUT. >> RELAX. AS LONG AS WE PAY THE BILL, THEY 2248 01:32:09,591 --> 01:32:10,290 >> RELAX. AS LONG AS WE PAY THE BILL, THEY WON'T MIND. 2249 01:32:10,292 --> 01:32:12,259 AS LONG AS WE PAY THE BILL, THEY WON'T MIND. BESIDES, THIS IS THE PERFECT WAY 2250 01:32:12,261 --> 01:32:14,461 WON'T MIND. BESIDES, THIS IS THE PERFECT WAY TO SAY GOODBYE TO NANETTE. 2251 01:32:14,463 --> 01:32:17,430 BESIDES, THIS IS THE PERFECT WAY TO SAY GOODBYE TO NANETTE. IT WAS HER FAVORITE PLACE, AND 2252 01:32:17,432 --> 01:32:19,299 TO SAY GOODBYE TO NANETTE. IT WAS HER FAVORITE PLACE, AND A FUNERAL WOULD HAVE FELT NOT 2253 01:32:19,301 --> 01:32:20,534 IT WAS HER FAVORITE PLACE, AND A FUNERAL WOULD HAVE FELT NOT RIGHT. 2254 01:32:20,536 --> 01:32:22,769 A FUNERAL WOULD HAVE FELT NOT RIGHT. >> THAT'S TRUE. 2255 01:32:22,771 --> 01:32:26,239 RIGHT. >> THAT'S TRUE. I, FOR ONE, WANT A GREAT, BIG, 2256 01:32:26,241 --> 01:32:29,242 >> THAT'S TRUE. I, FOR ONE, WANT A GREAT, BIG, HUGE FUNERAL, WITH A BLACK 2257 01:32:29,244 --> 01:32:32,312 I, FOR ONE, WANT A GREAT, BIG, HUGE FUNERAL, WITH A BLACK CASKET AND, UH -- MAT, NOT 2258 01:32:32,314 --> 01:32:32,946 HUGE FUNERAL, WITH A BLACK CASKET AND, UH -- MAT, NOT GLOSSY. 2259 01:32:32,948 --> 01:32:34,281 CASKET AND, UH -- MAT, NOT GLOSSY. GLOSSY'S SO TACKY. 2260 01:32:34,283 --> 01:32:36,149 GLOSSY. GLOSSY'S SO TACKY. AND DON'T BE SKIMPY ON THE 2261 01:32:36,151 --> 01:32:38,285 GLOSSY'S SO TACKY. AND DON'T BE SKIMPY ON THE CHAMPAGNE AND THE LIMOS AND 2262 01:32:38,287 --> 01:32:39,386 AND DON'T BE SKIMPY ON THE CHAMPAGNE AND THE LIMOS AND AND THE FLOWERS. 2263 01:32:39,388 --> 01:32:40,954 CHAMPAGNE AND THE LIMOS AND AND THE FLOWERS. >> MM. THAT SOUNDS LIKE FUN. 2264 01:32:40,956 --> 01:32:41,922 AND THE FLOWERS. >> MM. THAT SOUNDS LIKE FUN. I CAN'T WAIT. 2265 01:32:41,924 --> 01:32:42,656 >> MM. THAT SOUNDS LIKE FUN. I CAN'T WAIT. >> [ CHUCKLES ] 2266 01:32:42,658 --> 01:32:43,957 I CAN'T WAIT. >> [ CHUCKLES ] ONE DAY, YOU'LL REGRET ALL THE 2267 01:32:43,959 --> 01:32:45,392 >> [ CHUCKLES ] ONE DAY, YOU'LL REGRET ALL THE MEANS THINGS YOU'VE EVER SAID TO 2268 01:32:45,394 --> 01:32:45,725 ONE DAY, YOU'LL REGRET ALL THE MEANS THINGS YOU'VE EVER SAID TO ME. 2269 01:32:45,727 --> 01:32:46,793 MEANS THINGS YOU'VE EVER SAID TO ME. >> YEAH, PROBABLY AT THE 2270 01:32:46,795 --> 01:32:50,630 ME. >> YEAH, PROBABLY AT THE AFOREMENTIONED FUNERAL. 2271 01:32:50,632 --> 01:32:51,932 >> YEAH, PROBABLY AT THE AFOREMENTIONED FUNERAL. THANK YOU. 2272 01:32:56,103 --> 01:33:00,440 >> THANK YOU. >> AND WHO GETS THIS? >> OH, THAT'S FOR OUR 2273 01:33:00,442 --> 01:33:01,241 >> AND WHO GETS THIS? >> OH, THAT'S FOR OUR GRANDMOTHER. 2274 01:33:01,243 --> 01:33:03,410 >> OH, THAT'S FOR OUR GRANDMOTHER. >> UNFORTUNATELY, SHE, UH, WON'T 2275 01:33:03,412 --> 01:33:04,811 GRANDMOTHER. >> UNFORTUNATELY, SHE, UH, WON'T BE WITH US TONIGHT. 2276 01:33:04,813 --> 01:33:06,413 >> UNFORTUNATELY, SHE, UH, WON'T BE WITH US TONIGHT. >> BUT SHE'S WITH US IN SPIRIT. 2277 01:33:06,415 --> 01:33:08,281 BE WITH US TONIGHT. >> BUT SHE'S WITH US IN SPIRIT. >> AH. OKAY. 2278 01:33:08,283 --> 01:33:12,152 >> BUT SHE'S WITH US IN SPIRIT. >> AH. OKAY. WHATEVER YOU SAY. 2279 01:33:12,154 --> 01:33:14,120 >> AH. OKAY. WHATEVER YOU SAY. >> DOMO ARIGATO. 2280 01:33:17,491 --> 01:33:24,331 TO NANETTE. I WISH I COULD HAVE... TALKED TO YOU MORE WHEN I HAD 2281 01:33:24,333 --> 01:33:26,299 I WISH I COULD HAVE... TALKED TO YOU MORE WHEN I HAD THE CHANCE TO. 2282 01:33:26,301 --> 01:33:28,501 TALKED TO YOU MORE WHEN I HAD THE CHANCE TO. >> MOM? 2283 01:33:28,503 --> 01:33:30,303 THE CHANCE TO. >> MOM? THE PAST DOES NOT CONTROL THE 2284 01:33:30,305 --> 01:33:32,672 >> MOM? THE PAST DOES NOT CONTROL THE FUTURE. 2285 01:33:32,674 --> 01:33:33,673 THE PAST DOES NOT CONTROL THE FUTURE. >> YOU'RE RIGHT. 2286 01:33:33,675 --> 01:33:37,010 FUTURE. >> YOU'RE RIGHT. BUT YOU FORGOT THE "MMMM." 2287 01:33:37,012 --> 01:33:38,511 >> YOU'RE RIGHT. BUT YOU FORGOT THE "MMMM." [ CHUCKLES ] 2288 01:33:41,649 --> 01:33:50,857 >> SHE WOULD HAVE LIKED TO SEE YOU SMILE. SO, TO NANETTE. 2289 01:33:50,859 --> 01:33:52,325 YOU SMILE. SO, TO NANETTE. AND TO LIFE. 2290 01:33:52,327 --> 01:33:53,493 SO, TO NANETTE. AND TO LIFE. >> NANETTE. 2291 01:33:53,495 --> 01:33:55,462 AND TO LIFE. >> NANETTE. [ GLASSES CLINKING ] 2292 01:33:55,464 --> 01:33:58,064 >> NANETTE. [ GLASSES CLINKING ] NANETTE AND TO LIFE. 2293 01:34:01,235 --> 01:34:05,639 [ DOG WHINES ] >> NOW, I KNOW YOU'RE JEALOUS, BUT THIS DOG HAS ENTERED YOUR 2294 01:34:05,641 --> 01:34:07,240 >> NOW, I KNOW YOU'RE JEALOUS, BUT THIS DOG HAS ENTERED YOUR LIFE, AND YOU'RE GONNA HAVE TO 2295 01:34:07,242 --> 01:34:08,475 BUT THIS DOG HAS ENTERED YOUR LIFE, AND YOU'RE GONNA HAVE TO DEAL WITH IT. 2296 01:34:08,477 --> 01:34:10,243 LIFE, AND YOU'RE GONNA HAVE TO DEAL WITH IT. [ DOG WHIMPERS ] 2297 01:34:16,250 --> 01:34:21,821 >> YOU KNOW HOW YOUR SISTER ONCE SAID THAT YOU DON'T KNOW ANYTHING ABOUT LOVE? 2298 01:34:21,823 --> 01:34:25,258 SAID THAT YOU DON'T KNOW ANYTHING ABOUT LOVE? WELL, I THINK SHE'S WRONG. 2299 01:34:25,260 --> 01:34:27,327 ANYTHING ABOUT LOVE? WELL, I THINK SHE'S WRONG. [ CHUCKLES ] 2300 01:34:50,551 --> 01:34:59,459 >> MY GRANDMOTHER LEFT EVERYTHING IN HER HOUSE TO ME. EVERY LAST THING. 2301 01:34:59,461 --> 01:35:01,061 EVERYTHING IN HER HOUSE TO ME. EVERY LAST THING. MY PARENTS WANT ME TO SELL IT TO 2302 01:35:01,063 --> 01:35:02,429 EVERY LAST THING. MY PARENTS WANT ME TO SELL IT TO AN ESTATE LIQUIDATOR, SOMEONE 2303 01:35:02,431 --> 01:35:04,864 MY PARENTS WANT ME TO SELL IT TO AN ESTATE LIQUIDATOR, SOMEONE WHO BUYS EVERYTHING AND THEN 2304 01:35:04,866 --> 01:35:06,900 AN ESTATE LIQUIDATOR, SOMEONE WHO BUYS EVERYTHING AND THEN LIQUIDATES IT. 2305 01:35:06,902 --> 01:35:09,269 WHO BUYS EVERYTHING AND THEN LIQUIDATES IT. THAT'S THE WORD THEY USED -- 2306 01:35:09,271 --> 01:35:12,739 LIQUIDATES IT. THAT'S THE WORD THEY USED -- "LIQUIDATE." 2307 01:35:12,741 --> 01:35:13,540 THAT'S THE WORD THEY USED -- "LIQUIDATE." I REFUSED. 2308 01:35:13,542 --> 01:35:15,308 "LIQUIDATE." I REFUSED. I'M PAYING TO HAVE EVERYTHING 2309 01:35:15,310 --> 01:35:17,277 I REFUSED. I'M PAYING TO HAVE EVERYTHING STORED IN A CLIMATE-CONTROLLED 2310 01:35:17,279 --> 01:35:17,977 I'M PAYING TO HAVE EVERYTHING STORED IN A CLIMATE-CONTROLLED WAREHOUSE. 2311 01:35:17,979 --> 01:35:22,282 STORED IN A CLIMATE-CONTROLLED WAREHOUSE. MY PARENTS THINK I'M CRAZY. 2312 01:35:22,284 --> 01:35:23,717 WAREHOUSE. MY PARENTS THINK I'M CRAZY. "BE REASONABLE," THEY SAY. 2313 01:35:23,719 --> 01:35:24,951 MY PARENTS THINK I'M CRAZY. "BE REASONABLE," THEY SAY. "GET RID OF THE JUNK. 2314 01:35:24,953 --> 01:35:29,556 "BE REASONABLE," THEY SAY. "GET RID OF THE JUNK. LIQUIDATE IT." 2315 01:35:29,558 --> 01:35:32,292 "GET RID OF THE JUNK. LIQUIDATE IT." BUT IF I'M CRAZY, WHAT THE HELL 2316 01:35:32,294 --> 01:35:34,127 LIQUIDATE IT." BUT IF I'M CRAZY, WHAT THE HELL IS EVERYONE ELSE? 2317 01:35:39,433 --> 01:35:44,571 >> ♪ AND SO THE DAY HAS FINALLY COME ♪ ♪ WITH MY PAST, I'VE DRAWN THE 2318 01:35:44,573 --> 01:35:45,572 COME ♪ ♪ WITH MY PAST, I'VE DRAWN THE SUN ♪ 2319 01:35:45,574 --> 01:35:50,977 ♪ WITH MY PAST, I'VE DRAWN THE SUN ♪ ♪ AND I'M GLAD I'M MOVING ON ♪ 2320 01:35:50,979 --> 01:35:54,581 SUN ♪ ♪ AND I'M GLAD I'M MOVING ON ♪ ♪ I'M LOST IN UNRETURNING TIME ♪ 2321 01:35:54,583 --> 01:35:56,783 ♪ AND I'M GLAD I'M MOVING ON ♪ ♪ I'M LOST IN UNRETURNING TIME ♪ ♪ LET THE WINTER CHILL MY 2322 01:35:56,785 --> 01:35:57,650 ♪ I'M LOST IN UNRETURNING TIME ♪ ♪ LET THE WINTER CHILL MY PRIME ♪ 2323 01:35:57,652 --> 01:36:03,423 ♪ LET THE WINTER CHILL MY PRIME ♪ ♪ BUT I'M DONE, I'M MOVING ON ♪ 2324 01:36:03,425 --> 01:36:05,492 PRIME ♪ ♪ BUT I'M DONE, I'M MOVING ON ♪ ♪ LOOKING BACK CAN HELP YOU 2325 01:36:05,494 --> 01:36:06,493 ♪ BUT I'M DONE, I'M MOVING ON ♪ ♪ LOOKING BACK CAN HELP YOU THROUGH ♪ 2326 01:36:06,495 --> 01:36:09,496 ♪ LOOKING BACK CAN HELP YOU THROUGH ♪ ♪ BUT I WONDER IF THAT'S TRUE ♪ 2327 01:36:09,498 --> 01:36:12,465 THROUGH ♪ ♪ BUT I WONDER IF THAT'S TRUE ♪ ♪ I DON'T WANNA HAVE TO TAKE 2328 01:36:12,467 --> 01:36:15,468 ♪ BUT I WONDER IF THAT'S TRUE ♪ ♪ I DON'T WANNA HAVE TO TAKE I-I-IT ♪ 2329 01:36:15,470 --> 01:36:18,471 ♪ I DON'T WANNA HAVE TO TAKE I-I-IT ♪ ♪ OR MAYBE SORROW IS MY GAIN ♪ 2330 01:36:18,473 --> 01:36:20,640 I-I-IT ♪ ♪ OR MAYBE SORROW IS MY GAIN ♪ ♪ AND I'M LEARNING FROM THE 2331 01:36:20,642 --> 01:36:21,508 ♪ OR MAYBE SORROW IS MY GAIN ♪ ♪ AND I'M LEARNING FROM THE PAIN ♪ 2332 01:36:21,510 --> 01:36:26,880 ♪ AND I'M LEARNING FROM THE PAIN ♪ ♪ BUT I'M READY TO MOVE ON ♪ 2333 01:36:26,882 --> 01:36:30,316 PAIN ♪ ♪ BUT I'M READY TO MOVE ON ♪ ♪ 'CAUSE THE MOMENT'S HIGH ♪ 2334 01:36:30,318 --> 01:36:33,353 ♪ BUT I'M READY TO MOVE ON ♪ ♪ 'CAUSE THE MOMENT'S HIGH ♪ ♪ MY TEARS HAVE DRIED ♪ 2335 01:36:33,355 --> 01:36:35,622 ♪ 'CAUSE THE MOMENT'S HIGH ♪ ♪ MY TEARS HAVE DRIED ♪ ♪ I FEEL ♪ 2336 01:36:35,624 --> 01:36:37,323 ♪ MY TEARS HAVE DRIED ♪ ♪ I FEEL ♪ ♪ I CLAD MYSELF IN FLAME AND 2337 01:36:37,325 --> 01:36:38,691 ♪ I FEEL ♪ ♪ I CLAD MYSELF IN FLAME AND STEEL ♪ 2338 01:36:38,693 --> 01:36:40,860 ♪ I CLAD MYSELF IN FLAME AND STEEL ♪ ♪ YEAH ♪ 2339 01:36:40,862 --> 01:36:44,030 STEEL ♪ ♪ YEAH ♪ ♪ YOU'LL BE INVITED ♪ 2340 01:36:44,032 --> 01:36:46,032 ♪ YEAH ♪ ♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR 2341 01:36:46,034 --> 01:36:50,336 ♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪ 2342 01:36:50,338 --> 01:36:52,705 ♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪ ♪ YEAH, YEAH, YEAH ♪ 2343 01:36:52,707 --> 01:36:55,875 HAND, LOVE IS REQUITED ♪ ♪ YEAH, YEAH, YEAH ♪ ♪ YOU'LL BE INVITED ♪ 2344 01:36:55,877 --> 01:36:58,144 ♪ YEAH, YEAH, YEAH ♪ ♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR 2345 01:36:58,146 --> 01:37:03,383 ♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪ 2346 01:37:19,733 --> 01:37:28,107 ♪ YEAH ♪ ♪ LOST IN UNRETURNING TIME ♪ ♪ LET THE WINTER CHILL MY 2347 01:37:28,109 --> 01:37:28,908 ♪ LOST IN UNRETURNING TIME ♪ ♪ LET THE WINTER CHILL MY PRIME ♪ 2348 01:37:28,910 --> 01:37:34,881 ♪ LET THE WINTER CHILL MY PRIME ♪ ♪ BUT I'M DONE, I'M MOVING ON ♪ 2349 01:37:34,883 --> 01:37:37,083 PRIME ♪ ♪ BUT I'M DONE, I'M MOVING ON ♪ ♪ OH, LOOKING BACK CAN HELP YOU 2350 01:37:37,085 --> 01:37:37,917 ♪ BUT I'M DONE, I'M MOVING ON ♪ ♪ OH, LOOKING BACK CAN HELP YOU THROUGH ♪ 2351 01:37:37,919 --> 01:37:41,020 ♪ OH, LOOKING BACK CAN HELP YOU THROUGH ♪ ♪ BUT I WONDER IF THAT'S TRUE ♪ 2352 01:37:41,022 --> 01:37:42,922 THROUGH ♪ ♪ BUT I WONDER IF THAT'S TRUE ♪ ♪ AND I DON'T WANNA HAVE TO 2353 01:37:42,924 --> 01:37:45,358 ♪ BUT I WONDER IF THAT'S TRUE ♪ ♪ AND I DON'T WANNA HAVE TO TAKE IT ♪ 2354 01:37:45,360 --> 01:37:49,028 ♪ AND I DON'T WANNA HAVE TO TAKE IT ♪ ♪ OH, AND MAYBE SORROW IS MY 2355 01:37:49,030 --> 01:37:50,096 TAKE IT ♪ ♪ OH, AND MAYBE SORROW IS MY GAIN ♪ 2356 01:37:50,098 --> 01:37:51,931 ♪ OH, AND MAYBE SORROW IS MY GAIN ♪ ♪ AND I'M LEARNING FROM THE 2357 01:37:51,933 --> 01:37:53,099 GAIN ♪ ♪ AND I'M LEARNING FROM THE PAIN ♪ 2358 01:37:53,101 --> 01:37:58,438 ♪ AND I'M LEARNING FROM THE PAIN ♪ ♪ BUT I'M READY TO MOVE ON ♪ 2359 01:37:58,440 --> 01:38:01,808 PAIN ♪ ♪ BUT I'M READY TO MOVE ON ♪ ♪ 'CAUSE THE MOMENT'S HIGH ♪ 2360 01:38:01,810 --> 01:38:04,878 ♪ BUT I'M READY TO MOVE ON ♪ ♪ 'CAUSE THE MOMENT'S HIGH ♪ ♪ AND MY TEARS HAVE DRIED ♪ 2361 01:38:04,880 --> 01:38:07,046 ♪ 'CAUSE THE MOMENT'S HIGH ♪ ♪ AND MY TEARS HAVE DRIED ♪ ♪ AND I FEEL ♪ 2362 01:38:07,048 --> 01:38:09,616 ♪ AND MY TEARS HAVE DRIED ♪ ♪ AND I FEEL ♪ ♪ SHOW MYSELF IN FLAME AND 2363 01:38:09,618 --> 01:38:10,416 ♪ AND I FEEL ♪ ♪ SHOW MYSELF IN FLAME AND STEEL ♪ 2364 01:38:10,418 --> 01:38:13,620 ♪ SHOW MYSELF IN FLAME AND STEEL ♪ ♪ 'CAUSE THE MOMENT'S NIGH ♪ 2365 01:38:13,622 --> 01:38:16,623 STEEL ♪ ♪ 'CAUSE THE MOMENT'S NIGH ♪ ♪ AND I'M OUT TO TRY ♪ 2366 01:38:16,625 --> 01:38:19,092 ♪ 'CAUSE THE MOMENT'S NIGH ♪ ♪ AND I'M OUT TO TRY ♪ ♪ THIS IS REAL ♪ 2367 01:38:19,094 --> 01:38:21,628 ♪ AND I'M OUT TO TRY ♪ ♪ THIS IS REAL ♪ ♪ I CLAD MYSELF IN FLAME AND 2368 01:38:21,630 --> 01:38:22,428 ♪ THIS IS REAL ♪ ♪ I CLAD MYSELF IN FLAME AND STEEL ♪ 2369 01:38:22,430 --> 01:38:27,500 ♪ I CLAD MYSELF IN FLAME AND STEEL ♪ ♪ YEAH, YOU'LL BE INVITED ♪ 2370 01:38:27,502 --> 01:38:29,802 STEEL ♪ ♪ YEAH, YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR 2371 01:38:29,804 --> 01:38:33,473 ♪ YEAH, YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪ 2372 01:38:33,475 --> 01:38:36,309 ♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪ ♪ YEAH, YEAH, YEAH ♪ 2373 01:38:36,311 --> 01:38:39,479 HAND, LOVE IS REQUITED ♪ ♪ YEAH, YEAH, YEAH ♪ ♪ YOU'LL BE INVITED ♪ 2374 01:38:39,481 --> 01:38:41,447 ♪ YEAH, YEAH, YEAH ♪ ♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR 2375 01:38:41,449 --> 01:38:47,854 ♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪ 2376 01:38:47,856 --> 01:38:50,957 ♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪ ♪ OOH-OOH-OOH ♪ 2377 01:38:50,959 --> 01:38:54,827 HAND, LOVE IS REQUITED ♪ ♪ OOH-OOH-OOH ♪ ♪ OOH-OOH-OOH-OOH-OOH ♪ 2378 01:38:54,829 --> 01:38:58,298 ♪ OOH-OOH-OOH ♪ ♪ OOH-OOH-OOH-OOH-OOH ♪ ♪ YEAH, YEAH ♪ 334061