All language subtitles for 07. Capture The Basic Form

Thank you very much for watching.

From this time on, I would like to explain about the drawing in Section 3.

In the last section 2, I explained about the screen, space, lines, and brightness as the four main elements that are necessary for making a composition.

Among them, I explained the impression of the picture by the brightness of the key.

It means that you can change the key depending on the atmosphere you want to express.

And next, the gaze guidance by brightness.

It means that you can make the part you want to pay attention to stand out by using the contrast of brightness.

The effect by symmetrical brightness.

I explained that the brightness composition can be divided into four main elements.

And finally, I introduced the four-step keystrokes, which are mainly used when drawing pictures.

Section 3. Drawing.

It means to grasp the basic form.

Now, let's take a look at the form of the characters and objects on the screen.

The form is a three-dimensional object with height, width, and depth, and has a structure to contain a certain space.

You can feel the form without touching it.

For example, when you grab a PET bottle, you instinctively know that you have to turn your hand around it.

In this way, the form is what you see and feel.

It's the same in the picture.

Although it is drawn, you need to be able to feel the actual form.

It means to draw so that the viewer can feel more than the range of vision.

In this course, we will start with how to express the form.

I would like to explain the basics of three-dimensional drawing, how to create a sense of perspective of objects, and how to strengthen the sense of form using light and dark correctly.

Before I think about how to draw the form, I would like to introduce a new way of looking at objects and things in the picture.

I think it helps to capture the form and give the picture a three-dimensional effect.

The canvas is a two-dimensional plane that spreads up, down, left, and right.

But what I'm trying to draw on this plane is another dimension called depth.

To draw something like that, you have to draw three dimensions on a two-dimensional plane.

In other words, you have to express depth on a screen that doesn't have depth.

In order to express depth, you have to feel the depth.

For example, let's draw a refrigerator.

The actual refrigerator is a cube with depth and width.

The form has a space that we can feel by closing the space.

So when you draw them, it's like a flat outline.

You don't just have to draw this surface, but you have to express the feeling that the form is in the back of the picture.

What I mean by that is, you have to draw this surface and show that it's in the back.

This is the red surface.

I think an excellent picture is a picture that captures the sense of form well based on color and texture.

And no matter how complicated it looks, the basic structure is this.

These four things are a combination of a cube, a sphere, a cylinder, and a cylinder.

If you know how to draw this basic form, I think it will be easier to draw what you see and imagine.

If you can distinguish these four basic forms, you can find them around you.

For example, this is the refrigerator I drew earlier.

I think you can tell that it's a cube.

And next, there's a baseball here.

As you can see, this is a sphere.

And next, this is a beehive.

I think you can see that this is a cylindrical shape like this.

And this is a roll cake.

This is expressed in a cylinder.

And finally, this tree.

This is a combination of a cylindrical shape and a cylindrical shape.

In this way, when you look at a house in your daily life, you'll think,

Oh, it's a house.

But I think it's a good idea to change your perspective and try to convert it into a cube.

Let's think about the height, width, and depth of the house.

Even when you draw a house, don't start with the windows and ventilation lines.

First, start with a cube, and then draw the details.

If you draw in this way, it will look like a three-dimensional house.

Portrait drawing is the basis of all art, so it can be said that this course is the basis of painting study.

So it's a good idea to apply it to all objects that you draw with the basic form in mind.

It is also important to feel the three-dimensionality of the form while drawing.

If you keep practicing, you'll gradually gain the ability to feel the form.

You can also gain the ability to grasp the space.

For example, if you draw a lot of faces while taking a hit at first,

Even if you don't hit it, you'll be able to grasp the three-dimensionality, and you'll be able to draw the face right away.

I'm going to summarize the layers.

As I said earlier, any object has a basic form, and it can be related to that combination.

This is the picture that shows that.

The basic form seen in the object is not always perfectly consistent,

Roughly speaking, you can find these basic forms in the object.

First, cube.

Chairs, houses, etc. can be reflected in a cube.

The roof of a house is made by combining a cube diagonally and cutting it in half.

And 9. Apples and cups.

Cups are used with 9 cut in half.

Next, round.

This is an ice cone.

And a mountain.

Complex shapes of mountains can also be reflected in a round.

Next, a cylinder.

Bottle and door knob.

The bottle is a long cylinder with a short cylinder on top.

The door knob can also be reflected in the same way.

I think it will be easier to draw if the object is reflected in the basic form.

If you draw the basic form, all you have to do is modify the form to add details, texture, and brightness.

Now, I would like to explain the perspective method, which draws a picture as if it actually exists.

The perspective method draws the form from the inside and outside.

What it means is...

First, let's say there is a box.

It's a way to express the three-dimensionality by drawing a face that you can't see from the perspective you're looking at right now.

This is the perspective method.

If you use the perspective method, for example...

Let's say there's a desk here.

You can put a box on top of this desk.

First, draw the bottom of the box you want to put on a table.

Next, draw the side of the box.

By doing this, you can draw a box from the bottom to the top, so the three-dimensional form looks like it's exactly on the table.

This way, you won't be able to see it from the desk or in your eyes.

Even when one object is in the shadow of another object, you can draw the position and three-dimensionality accurately by drawing the invisible part.

Now, I'd like to give you another example of that.

First, I'm going to draw a rectangular container.

And I'd like to put two boxes in here.

First, I'd like to decide on the bottom of the first box.

It's the side.

I'm going to draw it, and I'm going to draw the invisible part, and I'm going to draw the first box.

I'm going to draw the second box from the bottom.

And I'm going to add the side.

By using this method, you can place it in the correct position and size.

If you continue to practice creating a basic form with this method, you will be able to create a three-dimensional form without having to be conscious of it.

That's it for the explanation of the form.

I think many people find it difficult to draw symmetrically.

However, as I explained this time, I think it will be easier if you simplify it and draw it after deciding the position and three-dimensionality using the perspective method.

Next time, I'd like to explain how to draw a person's face.

Thank you for watching until the end.

See you next time.