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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,100 --> 00:00:09,700 Hello, everyone. Thank you for watching my video. 2 00:00:09,700 --> 00:00:16,700 In the previous section 1, I explained my self-introduction and the flow of this course. 3 00:00:16,700 --> 00:00:22,700 In this section 2, I would like to explain the composition. 4 00:00:22,700 --> 00:00:24,700 What is a composition? 5 00:00:24,700 --> 00:00:27,700 There are four elements that make up a composition. 6 00:00:27,700 --> 00:00:31,700 Screen, space, line, brightness. 7 00:00:32,300 --> 00:00:45,740 Composition refers to choosing the right elements to display on the screen to effectively convey what you want to convey or the emotions you want to convey to the viewer. 8 00:00:45,740 --> 00:00:52,740 The meaning of the composition changes greatly depending on what elements you choose and how you place them. 9 00:00:55,300 --> 00:01:07,300 Depending on the composition, it can be an interesting picture with a strong appeal, or on the contrary, it can be a picture that is cluttered and overlapped. 10 00:01:07,300 --> 00:01:18,300 The composition basically combines the form and the space to create a harmonious screen with a meaningful expression. 11 00:01:18,300 --> 00:01:25,120 The placement of the elements of the picture is similar to composition. 12 00:01:25,720 --> 00:01:31,720 For example, it is like arranging notes and themes to create a song with a good reputation. 13 00:01:31,720 --> 00:01:49,100 The elements that make up the picture are the placement of the objects on the screen, the size and brightness of the objects, the relationship between the object and the screen. 14 00:01:49,100 --> 00:01:55,100 A good picture is not something that can be made by chance. 15 00:01:55,700 --> 00:02:05,700 It's not easy to make a good picture even if you gather random things without thinking about anything and draw the background. 16 00:02:05,700 --> 00:02:17,700 Also, no matter how good the depiction of the object is, it is difficult to make a picture that satisfies the viewer if the plan is not sufficient. 17 00:02:18,300 --> 00:02:34,300 On the other hand, a picture that is well thought out and composed can make the viewer feel a sense of satisfaction and beauty, even if they do not know how it was made. 18 00:02:34,300 --> 00:02:43,250 We express various things to the subject we are given. 19 00:02:43,850 --> 00:02:54,850 For example, some people try to express the picture in a fantasy way, and some people try to draw it in a realistic way. 20 00:02:54,850 --> 00:03:06,850 For example, some people try to emphasize the texture, shape, and form of metal and cloth. 21 00:03:06,850 --> 00:03:16,850 No matter what the perspective is, each subject has its own meaning, and each subject has its own composition that emphasizes that perspective. 22 00:03:16,850 --> 00:03:24,850 A composition is a tool to express what you want to say, and it is also a tool that can be used freely. 23 00:03:24,850 --> 00:03:29,850 Let's take a look at an illustration here. 24 00:03:29,850 --> 00:03:34,850 This is a still illustration of Honkai Gakuen. 25 00:03:34,850 --> 00:03:44,670 When composing a picture, you emphasize the most important element for your subject. 26 00:03:44,670 --> 00:04:00,670 In this picture, the big figure in the center is the most important element, and by drawing it large, it catches the eye first. 27 00:04:00,670 --> 00:04:15,460 The small and inconspicuous element is the background structure. 28 00:04:15,460 --> 00:04:27,860 By blurring these and lowering the contrast, it becomes less conspicuous. 29 00:04:27,860 --> 00:04:37,430 Also, by changing the size and position of the object, you can make it stand out or make it less conspicuous. 30 00:04:37,430 --> 00:04:40,430 Let's draw a little. 31 00:04:40,430 --> 00:04:47,430 Let's say there's a person here. 32 00:04:47,430 --> 00:05:14,780 If you put it in the center of the screen like this, you can control the screen. 33 00:05:14,780 --> 00:05:22,780 If you look at this screen, you can immediately see that this person is the main character of this screen. 34 00:05:22,780 --> 00:05:32,780 On the contrary, let's make this person smaller and put it in the corner. 35 00:05:32,780 --> 00:05:41,780 Then, it is suppressed by the surrounding space and becomes a weak impression. 36 00:05:41,780 --> 00:05:48,780 By doing this, the impression of the person can be greatly changed depending on the location and size. 37 00:05:48,780 --> 00:06:01,850 Drawing skills allow you to keep the viewer's gaze fixed on a certain part and let them know the most important part. 38 00:06:01,850 --> 00:06:11,850 By placing the object on the screen, you can create the focus of the picture and indirectly or intuitively direct the viewer's gaze. 39 00:06:16,140 --> 00:06:19,140 Let's take a look at this illustration. 40 00:06:19,140 --> 00:06:25,140 This is a fan art of Hadesolhi's First One Man Live. 41 00:06:25,140 --> 00:06:32,140 This is a work that uses the tone of the light and shadow to direct the viewer's gaze. 42 00:06:32,140 --> 00:06:39,800 To make it easier to understand, let's lower the saturation. 43 00:06:39,800 --> 00:06:40,800 How is it? 44 00:06:40,800 --> 00:06:43,800 I think the viewer's gaze goes around the head. 45 00:06:43,800 --> 00:07:00,890 By making the contrast between the dark background and the head with the spotlight stronger, 46 00:07:00,890 --> 00:07:17,610 the brightest part stands out, making it easier for the viewer's gaze to go around. 47 00:07:17,610 --> 00:07:27,610 Also, the composition, the shape of the screen, and the size of the subject may be decided well in the natural form of the subject. 48 00:07:27,610 --> 00:07:36,110 For example, let's take a look at this free-material picture. 49 00:07:36,110 --> 00:07:44,110 The subject is a wide meadow or sea, or the sky. 50 00:07:44,110 --> 00:07:51,110 If you want to emphasize the width of the picture, you can use a horizontal screen. 51 00:07:51,110 --> 00:07:54,110 Let's take a look at the next picture. 52 00:07:54,110 --> 00:07:57,110 This is a picture of a tower. 53 00:07:57,110 --> 00:08:03,110 If the subject is a tall person or a church tower, 54 00:08:03,110 --> 00:08:08,110 the longer the screen is, the more effectively the height is conveyed. 55 00:08:08,110 --> 00:08:20,110 In this way, changing the shape of the screen depends on the subject's form, which is also very useful as an expression effect. 56 00:08:20,110 --> 00:08:26,110 And before you draw a picture, you have to decide what to draw. 57 00:08:26,110 --> 00:08:33,110 Choose a subject, then compose it to make it as effective as possible. 58 00:08:33,110 --> 00:08:36,110 The first important thing is the image of the picture. 59 00:08:36,110 --> 00:08:43,110 First of all, the image comes to mind, and the picture starts from there. 60 00:08:43,110 --> 00:08:50,110 If you listen to a word or think of an idea, your imagination will work right away. 61 00:08:50,110 --> 00:08:55,110 For example, let's say you heard the word Hawaii. 62 00:08:55,110 --> 00:09:00,420 Of course, the image that comes to mind is one or the other, 63 00:09:00,420 --> 00:09:06,420 but if you hear Hawaii, you think of a blue sea, a blue sky, a palm tree, 64 00:09:07,420 --> 00:09:14,420 or a person relaxing on the beach with a parasol. 65 00:09:14,420 --> 00:09:26,420 And some people may think of looking at the red sea in the evening from the hotel window. 66 00:09:26,420 --> 00:09:38,930 In this way, the image that comes to mind about what we hear, read, and think of becomes the material of the picture. 67 00:09:38,930 --> 00:09:43,930 The first thing that comes to mind about an image is just one way. 68 00:09:43,930 --> 00:09:49,930 Try to expand your thoughts and choose the one that seems to be the best picture. 69 00:09:49,930 --> 00:09:56,930 There is a clue to developing ideas when choosing what seems to be a good picture. 70 00:09:56,930 --> 00:10:00,930 First, what kind of atmosphere do you want to express? 71 00:10:00,930 --> 00:10:05,930 Next, what kind of emotion do you want to express? 72 00:10:05,930 --> 00:10:11,930 Next, what should I write to convey my thoughts? 73 00:10:11,930 --> 00:10:16,930 And what is unnecessary? 74 00:10:16,930 --> 00:10:21,930 Finally, which one is the best? 75 00:10:21,930 --> 00:10:29,070 Let's try to arrange the objects that come to mind one after another. 76 00:10:29,070 --> 00:10:45,920 At this stage, let's draw a lot of rough sketches without fixing our thoughts and develop various methods. 77 00:10:45,920 --> 00:10:49,920 Now, let's take a look at the basic idea and arrangement. 78 00:10:49,920 --> 00:10:54,920 If what you want to draw comes to mind in a good image, 79 00:10:54,920 --> 00:11:00,920 I think it's okay to say that the composition of the picture is halfway done. 80 00:11:00,920 --> 00:11:08,260 The rest is to arrange each object as effectively as possible. 81 00:11:08,260 --> 00:11:14,260 The most basic way to think about the composition of a picture is to simplify the object. 82 00:11:14,260 --> 00:11:21,290 What I mean by that is... 83 00:11:21,290 --> 00:11:28,430 For example, let's make the screen vertical. 84 00:11:28,430 --> 00:14:28,670 Let's draw a character like a monster with a sword. 85 00:14:28,670 --> 00:16:08,750 And let's draw a tree. 86 00:16:08,750 --> 00:16:13,750 It's a very simple rough sketch. 87 00:16:13,750 --> 00:16:18,340 Let's make it a forest. 88 00:16:18,340 --> 00:16:24,960 Let's say there are three elements. 89 00:16:24,960 --> 00:16:27,960 And let's prepare a rough object. 90 00:16:27,960 --> 00:16:37,960 I think it's easy to find a composition that you like if you arrange it in various places and find the right position and interrelationship. 91 00:16:37,960 --> 00:16:44,720 The composition of the picture shown here is completely omitted in detail. 92 00:16:44,720 --> 00:16:50,720 It's mostly just the size, shape, brightness, and background. 93 00:16:50,720 --> 00:16:56,720 To find a good composition, I think it's a good idea to move the composition of the picture in various ways. 94 00:16:56,720 --> 00:17:02,930 First, let's arrange it. 95 00:17:02,930 --> 00:17:18,010 Let's arrange a big demon like a devil. 96 00:17:18,010 --> 00:17:31,090 Next, let's arrange the tree around here. 97 00:17:31,090 --> 00:17:43,470 And let's arrange the swordsman around here. 98 00:17:43,470 --> 00:18:03,690 If you arrange it like this, the demon will dominate the whole screen, and other elements will feel cramped. 99 00:18:03,690 --> 00:18:10,830 So next, let's move the demon a little bit. 100 00:18:10,830 --> 00:18:32,620 And let's arrange the swordsman around here. 101 00:18:32,620 --> 00:18:41,620 And let's arrange the tree around here. 102 00:18:41,620 --> 00:18:56,280 And let's arrange the tree around here. 103 00:18:56,280 --> 00:19:06,280 In this case, there is no center, so the three elements seem to interfere with each other. 104 00:19:06,280 --> 00:19:24,020 Next, let's move the tree around here. 105 00:19:24,020 --> 00:19:46,930 Let's make the demon bigger and put the swordsman around here. 106 00:19:46,930 --> 00:20:10,790 Then, I tried to overlap the demon in the foreground with the tree, but the tree's dominance looks a little intense. 107 00:20:10,790 --> 00:20:14,790 And it looks like it's confusing the movement of the scene. 108 00:20:14,790 --> 00:20:33,410 So next, let's move the demon around here. 109 00:20:33,410 --> 00:20:41,230 And let's move the swordsman around here. 110 00:20:41,230 --> 00:21:04,490 And let's move the tree around here. 111 00:21:04,490 --> 00:21:27,590 In this way, I think it's easier to understand the movement of the scene. 112 00:21:28,590 --> 00:21:32,590 I think each shape is well related. 113 00:21:32,590 --> 00:21:54,260 Now, let's look at another pattern. 114 00:21:54,260 --> 00:22:08,660 Now, let's turn the screen sideways. 115 00:22:08,660 --> 00:23:35,850 First, let's use this and these three elements. 116 00:23:35,850 --> 00:23:38,850 What is this? 117 00:23:38,850 --> 00:23:44,850 This is a mountain, this is a yacht, and this is a rock. 118 00:23:44,850 --> 00:24:39,540 First of all, let's put a rock, a yacht, and a mountain. 119 00:24:39,540 --> 00:24:57,540 This is a lake. 120 00:25:13,550 --> 00:25:19,550 I tried to place it like this. 121 00:25:19,550 --> 00:25:29,780 I made the rock and the yacht smaller and compared them to the large shape of the mountain. 122 00:25:29,780 --> 00:25:40,900 I'm sorry. I'm sorry that the video quality is bad. 123 00:25:40,900 --> 00:25:50,460 In this way, I made the rock and the yacht smaller and compared them to the large shape of the mountain. 124 00:25:51,460 --> 00:25:58,460 If you take a look at the whole thing, it's like a situation explanation. 125 00:25:58,460 --> 00:26:08,840 Next, let's make the yacht bigger. 126 00:26:08,840 --> 00:26:19,940 Bring the rock to the front and place it like this. 127 00:26:19,940 --> 00:26:42,960 And let's place the mountain. 128 00:26:42,960 --> 00:26:48,380 What do you think? 129 00:26:48,380 --> 00:26:56,380 I made the yacht bigger and moved the rock to the right as the main shape. 130 00:26:56,380 --> 00:26:59,380 The mountain is treated as just a background. 131 00:26:59,380 --> 00:27:06,100 In this way, I think the yacht's presence has increased at once. 132 00:27:06,100 --> 00:27:12,570 The yacht is the main character. 133 00:27:12,570 --> 00:28:44,260 Next, let's make the yacht smaller. 134 00:28:44,260 --> 00:28:48,260 Let's put it around here. 135 00:28:48,260 --> 00:29:26,700 I placed the mountain like this. 136 00:29:26,700 --> 00:29:36,660 I placed the rock in the foreground and made the other elements smaller. 137 00:29:36,660 --> 00:29:57,660 I think the yacht and the mountain have lost their western meaning. 138 00:29:57,660 --> 00:30:10,480 For example, after this, let's put the yacht on this cliff. 139 00:30:10,480 --> 00:30:15,480 And let's put the mountain on the cliff. 140 00:30:15,480 --> 00:30:20,480 And let's put the yacht on the cliff. 141 00:30:20,480 --> 00:30:25,480 And let's put the mountain on the cliff. 142 00:30:25,480 --> 00:30:29,480 For example, after this, let's put the mountain on the cliff. 143 00:30:29,480 --> 00:30:33,480 And let's put the yacht on the cliff. 144 00:30:33,480 --> 00:30:39,480 And let's put the mountain on the cliff. 145 00:30:39,480 --> 00:30:49,480 In this way, the layout changes completely. 146 00:30:52,110 --> 00:30:57,110 Next, let's look at the four major elements of the composition. 147 00:30:57,110 --> 00:31:01,110 In order to study the composition as easily as possible, 148 00:31:01,110 --> 00:31:07,900 I will explain the four basic elements here. 149 00:31:07,900 --> 00:31:09,900 The four major elements of the composition. 150 00:31:09,900 --> 00:31:11,900 The first is the screen. 151 00:31:11,900 --> 00:31:13,900 The second is Okoyuki. 152 00:31:13,900 --> 00:31:15,900 The third is the line. 153 00:31:15,900 --> 00:31:17,900 The fourth is the maid. 154 00:31:17,900 --> 00:31:25,900 I will explain the meaning of these four elements in my work. 155 00:31:25,900 --> 00:31:28,900 The first is the screen. 156 00:31:28,900 --> 00:31:33,900 It is a plane that draws a picture divided into four areas. 157 00:31:33,900 --> 00:31:41,720 When thinking about the screen, the size and position of the object are important. 158 00:31:41,720 --> 00:31:45,720 The first thing that comes to mind when looking at this picture is this character. 159 00:31:45,720 --> 00:31:50,720 This is because it is drawn in the most prominent position on the screen. 160 00:31:50,720 --> 00:31:59,540 This character completely dominates the screen, and the other elements are like a rainbow. 161 00:31:59,540 --> 00:32:07,540 The second, depth, is the sense of distance. 162 00:32:07,540 --> 00:32:09,540 What does this mean? 163 00:32:09,540 --> 00:32:17,920 Since the picture is flat, it means that it spreads out to the back due to an illusion. 164 00:32:17,920 --> 00:32:30,920 In this picture, you can feel the depth from this hand in this way. 165 00:32:30,920 --> 00:32:41,870 Depending on the sense of depth, the object seems to be in a three-dimensional space, and you can feel the sense with the viewer. 166 00:32:41,870 --> 00:32:44,870 The crane in the front view. 167 00:32:44,870 --> 00:32:51,870 This object also emphasizes the sense of depth. 168 00:32:51,870 --> 00:33:01,820 The sense of depth is expressed by overlapping the front and the back. 169 00:33:01,820 --> 00:33:07,570 The third, line. 170 00:33:07,570 --> 00:33:15,570 The line here refers to the direction in which our gaze is guided when looking at the picture. 171 00:33:15,570 --> 00:33:25,570 When composing a picture, you have to consider the arrangement so that the shape of the object and the main line lead the gaze to the center of interest. 172 00:33:25,570 --> 00:33:30,570 In the case of this picture, the center is the head of the character. 173 00:33:30,570 --> 00:34:10,840 And the line is roughly shaped like this. 174 00:34:10,840 --> 00:34:38,880 The line of the arm leads the gaze to the back in this way. 175 00:34:38,880 --> 00:34:47,880 The gaze flows like this using the flow of the hair. 176 00:34:47,880 --> 00:35:04,400 There is a way to guide the gaze using the shape of such objects. 177 00:35:04,400 --> 00:35:09,180 The fourth, brightness. 178 00:35:09,180 --> 00:35:18,180 There are times when a certain part of the picture or a shape is pointed out, and there are times when the whole picture is bright or dark. 179 00:35:18,180 --> 00:35:27,760 To make it easier to understand, I'd like to monochrome this picture. 180 00:35:27,760 --> 00:35:42,760 The contrast between the head of the character and the brightness of the left arm leads the gaze to the center of the picture. 181 00:35:42,760 --> 00:36:05,280 This dark part, this bright part. 182 00:36:05,280 --> 00:36:11,280 This contrast makes the bright part in the dark stand out. 183 00:36:11,280 --> 00:36:16,280 The above is a simple explanation of the four elements of the composition. 184 00:36:16,280 --> 00:36:21,280 How these elements are combined to create a picture. 185 00:36:21,280 --> 00:36:26,280 I think you can understand it by learning it in Section 2. 186 00:36:26,280 --> 00:36:32,280 Next time, I'd like to dig deeper into the first element of the four elements, the screen. 187 00:36:32,280 --> 00:36:37,280 Yes, this is the end of this video. 188 00:36:37,280 --> 00:36:42,280 Can I make just one excuse? 189 00:36:42,280 --> 00:36:46,280 Actually, weight training is my hobby. 190 00:36:46,280 --> 00:36:50,280 Today is the day of my forearm training. 191 00:36:50,280 --> 00:36:55,280 After training, my arms are shaking. 192 00:36:55,280 --> 00:37:00,280 So my strokes are not good. 193 00:37:00,280 --> 00:37:04,280 After training, I wake up and get motivated. 194 00:37:04,280 --> 00:37:08,280 So I'm doing this recording after training. 195 00:37:09,280 --> 00:37:13,280 Thank you for watching until the end. 196 00:37:13,280 --> 00:37:15,280 See you next time. 20137

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