All language subtitles for DCI.Banks.S03E03.Piece.of.My.Heart.Part.1.1080p.WEB-DL.DD2.0.H.264-squalor_Track03

(THUNDER RUMBLING)

(AMBULANCE SIREN WAILING)

-You hated it.
-No, it was good.

I didn't quite get all of
the plot and it was too long.

And really noisy,
but it was quite good.

There you go, grandad.

OK, so, the babysitter's fine.

I've got, wow!
Two whole hours.

-Drink?
-Bite to eat?

Come on.

(JOVIAL MUSIC PLAYING)

Excuse me. Thank you.

Not much choice with
the white wine, I'm afraid.

-Who cares? Cheers.
-Cheers.

-CROWD: Whoo!
-Aw, shit!

MATT: Must be a power cut.

Right, we need to
talk about the tape.

I know all about it.
I know what's on it.

And I'm going to
get hold of it.

I'm going to get to the truth

because I was brought up
to believe in truth
and decency and justice

and all that stuff.

It's just the way I am.

Love makes madmen of us all.

Isn't that what they say?

(GROANS)

Thanks, Alan. That was nice.

Nice?

Look, maybe next time
we do go for a meal?

Yeah, I'd like that.

Night, Annie.

(KISSES)

(KEYS JANGLING)

ALAN: Annie!

Can you get the babysitter
to stay longer?

Yeah.

There's a major incident.

(SIGHS) I'll drive.

(POLICE TALKING INDISTINCTLY)

KEN: Holiday chalet.
The victim was renting it.

Body was found
by the caretaker.

He came to check
the victim was OK
after the power went down.

His name's Martin Soames.

He found the body but...

He'd traipsed all over
the place in the dark.

Yeah. It's a very compromised
crime scene.

Tariq, do you have
an ID for us, yet?

Victim was using a hire car.

His name's Matthew Barber.
33, lives in London,
journalist.

KEN: Boss.
Crime scene's ready.

Well, we don't need pathology
for time of death.

The power went down at 9:15.
We were in the pub.

What time did
the caretaker find him?

9:45. But how'd you know
he was killed
after the power went out?

Candle on the floor.
Must've fallen
in the struggle.

KEN: We'll do our best
with trace evidence,
but it's messy.

TARIQ: Boss, down here.

There's a computer plug
and battery pack,
but no laptop.

No sign of his
phone or wallet, either.

-Robbery gone wrong?
-There's no sign
of forced entry.

(CAMERA CLICKING)

Looks like we've found
the murder weapon.

OK, check it for prints,
but let's not hold our
breath.

We've got a bit of
a bipolar killer.

Desperate struggle,
serious violence,

but still has
the presence of mind
to clean the murder weapon

and ransack
the victim's personal
effects.

Boss. The victim's
father's outside.

Jack Barber.

What? The guy who's running
for police commissioner?

You know him?

We passed in the night,
career-wise.

But everyone admired
Jack Barber from a distance.

-ALAN: Can I help you, sir?
-Well, yes, I hope so.

Er, my son is
staying at that chalet.

My name's DCI Alan Banks.
This is my colleague,
DS Cabbot.

-There's been
a major incident.
-Major incident?

Is my son... I can't seem
to get hold of him.

His phone's gone dead.

That's all I can say for now.

I'm sure you'll understand,
Mr Barber.

Why don't you go home?
We'll call you
as soon as possible.

Yes, yes, of course.
I... I understand.

You couldn't have done
anything else.

We can't give him
special treatment.

Poor man.

(ENGINE STARTING)

(TYRES SQUEALING)

-Oi! Hey! Hey, wait!
-What's that?

Stop the car! Stop! Police!

ANNIE: Come on.

(HORN BLARING)

What's he playing at?

-Number plate?
-Too much spray, I can't see.

I still can't see but
left hand tail light's
broken.

Annie, careful.

Annie!

Shit!

(TYRES SQUEALING)

(CRASHES)

Annie!

What are you playing at?
You could have
killed yourself.

-We've lost a suspect.
-You've got a young child.

I'm a cop.
Not your girlfriend.

(POLICE SIREN WAILING)

ANNIE: Alan? Alan!

Morning.

Sorry about last night.
I got carried away.

My fault. You were being
a police officer and...

Well, I'm sorry.
I wasn't thinking straight.

Come on, then.
Do your bloke thing.
Compartmentalise.

-ALAN: (CLEARS THROAT)
Morning, team.
-Oh, morning, boss.

DS Cabbot.

(PHONE RINGING)

Matthew Barber.

London-based
investigative journalist.

Over the last five years,
he's been running exposes

of miscarriages of justice,
official corruption,

organised crime groups,
financial impropriety.

This is a man
with a lot of enemies.

We'll need to get through
every investigation
he's worked on.

ANNIE: OK, but it's probably
something he was
currently working on.

His computer
and phone were taken.

The killer wanted to stop
whatever he'd uncovered

getting out into
the public domain.

Or maybe it was
just plain robbery,
his wallet was also taken.

Hmm, that could
be to misdirect us.

ALAN: Why was Matt Barber
renting a chalet in
Yorkshire?

I want every minute
of every hour accounted for.

Where did he go?
Who did he see?

Ken, get everyone tasked up.

Usual avenues, friends,
family, work, colleagues.

Thanks, everyone.

I understand there was
a motor vehicle incident
last night?

Yeah, there was
a car fleeing the scene.

Annie and I pursued,
but we didn't apprehend.

Did you get a number plate?
A make?

It was a blue-black Merc.

ANNIE: Brake light broken.
Left side.

I was on call, you know.

ALAN: It was
a foul night, Helen,

and I thought Ken,
Tariq, Annie and I
could handle the crime scene.

I notice you both
logged onto the case
at exactly the same time.

You have been busy.

Yes, DI Morton.
DS Cabbot and I went
to the pictures last night.

KEN: Boss.
ALAN: Ken?

There's an Elizabeth Lester
here to see you.

Who?

Owner of the chalet
Matt Barber was renting.

You asked her to come in?

Yes. Annie,
can you liaise with the Met?

We need to find out about
Matt Barber's London life.

-Helen?
-DI MORTON: Yep.

Ms Lester,

thank you for agreeing
to come in and see us.

It's awful, Mr Barber being
murdered like that?

What makes you think
he was murdered?

Martin... Mr Soames,
the caretaker
who found the body.

He told me.

He's in a dreadful state.

We'll need a list of everyone
with access to the chalet.

And anyone who's been there
within the last three months.

Have you been there
yourself in that time?

Uh, yes.

Then we'll also need
your prints and a DNA sample.

Liz Forbes?

Yes.

I really enjoyed...
Your first two albums
were really good.

I still listen to them.

Oh, thank you.

You haven't recorded
anything since.

I suppose I've outgrown
the music business.

I'm sorry,
this might seem inappropriate,

but the last track
on your first album,
Dark Eyed Boy,

just as it's fading out

and there's a sound,
an instrument that comes in,

is it a zither?

Er...

Well, yes.

We played it backwards
to get that feeling of...

Yearning? Loss?

Yes.

Ms Lester?

My business name.

I have to be discreet.

-Over-zealous fans.
-Hmm, I can imagine.

Thanks, Tariq.

Would you like to sit down
and get your breath back?

I'm sorry. It's just...
That was Liz Forbes!

DI MORTON:
No, never heard of her.

Why am I not surprised?

OK, look, she was never huge.

But she made two great albums
in the '90s.

Really complex adult stuff,

folk, jazz influenced,
but more than
the sum of the parts.

I don't understand.

You know that
I'm passionate about music.

Everyone's passionate
about something, Helen.

What are you passionate about?

Punctuality?

-Mr Barber.
-Alan.

-This is my colleague.
-DI Helen Morton.

It's this way, sir.

(DOOR OPENS)

(DOOR CLOSES)

OK, sir?

Sir?

It's Matthew.

I last saw Matthew
on Friday afternoon.

About 4:00, at the chalet.

Er, he seemed fine.

Nothing was worrying him
and I didn't notice
anything untoward.

Sir, if you went to
the chalet, then...

Yes, I know, I know.

You'll need fingerprints
and a DNA sample.

I'm sorry for your loss, sir.

Thank you.

Alan, there's
no need to worry.

I'll not be pressurising you
for any special treatment.

OK.

ANNIE: So far we've pulled
27 sets of prints.

We've identified some of them.

Matt Barber,
the cleaning lady,
the caretaker,

-Martin Soames and Liz Forbes.
-Oh, your new girlfriend.

Um, I've got a list of
people
who've stayed in the chalet

for the past six months
and I've actioned TIEs.

Helen, Jack Barber.
We'll need a full statement.

Why was his son in Yorkshire?
Also Matt Barber,
his personal life.

Girlfriends,
boyfriends, whatever.

As for his professional life,

Annie, you and I are booked
on the 8:00 a.m. to London.

I didn't just assign you
to this so that
we could be alone.

No-one's saying you did.

Except DI Morton.
I mean, I've never seen
Spock so tickled.

Respect for your
fellow police officer,
please.

-She's enjoying this,
you know.
-Enjoying what, exactly?

Making us squirm
about something
she thinks is going on,

even though
it's not actually going on.

It doesn't matter
if it's going on or not,

because people
think it is going on.

Is it?

Is it what?

Going on?

It's complicated.

Us?

Or Matt Barber's life?

Both.

Mr Barber's ready for you.

JACK: Well, there was
the odd girlfriend,
nothing serious.

And no-one at present
as far as I'm aware.

Course most of his friends,
well, they're in London.

And what about his
professional life?

Well, I'm afraid
I can't help you there.

You see, Matthew was
very discreet about his work.

In some ways, we were in
the same line of business.

Righting wrongs,
serving justice.

It's the way I brought him up.

And what about his mother?
Would she be able to...

He hasn't seen his mother
in 30 years.

I brought him up by myself.

You see, when he was young,
I was really quite
worried about him.

He was so little
and vulnerable.

Was that the last time
you saw your son?

Friday, 4:00 p.m,
at the chalet?

Yes, that's right.
We chatted a little.

Leeds Rhinos,
the state of the nation,
my campaign.

Why was he in Yorkshire?

-Well, I live here.
-Yes, but he didn't
stay with you.

He came all the way from
London, for whatever reason

and he stayed in a chalet.
Not with you.

No.

Are we done here?

ANNIE: It's not so much
a brick wall as...

ALAN: Too many leads.

Matt Barber was busy with
a lot of different things.

We've got everything here.

Offshore tax evasion,
legal action
against the police,

the John Gaunt case,
health service outsourcing...

John Gaunt?

-Where?
-Here.

(MURMURING)
John Gaunt, John Gaunt.

John Gaunt.

Here, here we go. John Gaunt.

He was a guitarist with a band
called The Crystal Kiss.

-Never heard of them.
-He was murdered
in the late '80s.

-And?
-And...

That is Liz Forbes.

JACK ON TV:...what drives me
is the same thing
that's driven me

through 30 years
of front line service.

I believe in fairness,
I believe in decency.

I'm not interested in power
for power's sake.

I'm interested in the power
to protect us all
from organised crime.

At the moment, we are using
a 19th-century structure

to combat what is
a 21st-century problem.

♪ Slippery sweet

♪ And I'm tasting defeat

♪ The subtlety... ♪

The Crystal Kiss
released one single,
Marginal Love,

Got to number two
in the charts.

Then, while rehearsing
in this house,

this guy,
the bassist Martin Harford,

had a fight with John Gaunt,
the guitarist.

Now, John took a tumble
down the stairs and died.

Martin did five years
for manslaughter.

Crystal Kiss's
moment had gone.

Footnote in pop history.

Sorry, but why is
this relevant?

Wasn't our victim
working on lots of projects?

Yeah, but he was murdered
in a chalet that he was
renting from Liz Forbes.

And the lovely, fragrant
Liz Forbes was the lead singer
of The Crystal Kiss.

Right, so TIEs
on the other two band members,

Martin Harford, Ian Bassett.

ANNIE: Harford should be easy.

But after the death
of John Gaunt,
Ian Bassett left the
country.

An only child and his parents
died a couple of years ago.

Doesn't matter,
I still wanna talk to him.

So pull out all the stops,
please, Ken.

Helen, I want you
to go to regional HQ.

Seize all the files
on the John Gaunt killing.

Annie, let's go and see
what Liz Forbes has to say.

Actually, I think
DS Cabbot and I should
interview Liz Forbes.

Yeah, you should stay here
and hold the fort.

With me, DS Cabbot.

ANNIE: So you still live here?

LIZ: Oh, I don't see it
as morbid.

We recorded here.

We all dreamed we'd live
and work here as a band.

Well, I did OK
from my solo albums,

so, when this house came up
for sale, I had to buy it.

I've always loved it here.

Marginal Love.

Album art for
the Japanese release.

Quite rare, so I'm told.

Did you know
Matt Barber was
an investigative journalist

working on a story
on John Gaunt?

No, no, I didn't know that.

Liz, the day that John died,
what happened?

Uh, we were rehearsing,
the studio used
to be up there.

I was with Ian.

Then, Martin and John
had an argument,
it got out of hand.

Martin hit him,
John fell all the way
to the bottom.

Died instantly.
It was an accident.

-A dreadful accident.
-What were they
fighting about?

Ah.

I couldn't really
tell you exactly.

I was always sort of,
um, semi-detached
from the band.

You know, brought in to do
the wispy ethereal vocals.

Oh, those three boys, it was
pretty intense between them.

Love, hate, testosterone.
It's a very volatile
cocktail.

ALAN: Ian Bassett.
Do you know where he is?

No.

After it happened,
he disappeared.

You didn't keep in touch?

No.

You see, I've been reading
a lot of background material,

I know your solo albums,
obviously,

but I always
thought you and Ian...

Well, Ian was my
first proper boyfriend.

So, it was pretty special
at the time, but, er,
it was 25 years ago.

Another life.

That's what being young's
all about, isn't it?

So since then,
you've not met anyone?

No-one significant.

I think long term
relationships are
too complicated.

ALAN: And Martin Harford?
Where is he?

LIZ: Oh, poor Martin.
He, er...

Liz, is there something
you want to tell us?

Where's Martin?

You've already met him.

There's a lot here,
isn't there?

Huh, 1988, ancient times.

Bits of paper were your
database back then.

OK?

How come Jack Barber's
got clearance for
the police archive?

LIBRARIAN: He's Jack Barber,
he can go where he wants.

(MOBILE RINGING)

Ken?

She's still a really
attractive woman, isn't she?

-Who's that, then?
-Liz Forbes.

Oh.

She's sexy,
in a cool, classy way.

Mmm-hmm.

I wouldn't blame you
if you still fancied her.

I would, but when
she's a suspect
in a CAT A inquiry,

kind of one of me turn-offs.

And in one leap, he was free.

(KNOCKING)

-Mrs Soames?
-Yes?

-DS Annie Cabbot.
-DCI Alan Banks.
May we come in, please?

-Yeah, yeah, of course.
-Thank you.

You'll find him out
back with the kids.

(CHILDREN CHATTERING)

ANNIE: Bloody hell.

Martin Soames is
Martin Harford.
The caretaker.

ALAN: One and the same.

Be right back.

ALAN: Mr Soames?

Can we still call you
Martin Harford?

My name's Martin Soames.

Well, we'd like to talk to you
about the death of John Gaunt.

No, I'm not
talking about that.

I'm not talking
without a lawyer.

I want to see a lawyer.
That's... That's the rules.

Ken.

Found in one of
Matt Barber's jacket pockets.

Receipt from here.
14:56 Tuesday afternoon,

the day he was murdered.

Latte and a pot of tea.
Who was he meeting?

-Already on it.
-Great.

Yeah. How could I forget?

Him and the other guy
had a right argument.

Practically came to blows.
I had to tell them to cool
it.

So this other man?
Do you remember
what he looked like?

Yeah, it was him.

ANNIE:Jack Barber?

He lied to us about
the last time he saw his son.

If he wasn't who he is,

we wouldn't hesitate
in designating him a suspect.

All right, but Jack Barber
is highly respected
on this force.

Troops and senior management.

Exactly why we shouldn't
give him special treatment.

Why would he kill his own son?

I don't know.
But arguing in public?

There's some kind of
issue between them.

And the crime scene,
no forced entry,
the victim knew his killer

and it looks like an argument
that got out of hand.

Ian Bassett, the guy who
disappeared from the band,

he got into Hull from Ostend
three days ago.

Before Matt Barber
was murdered.

Right, we need to find him.
Now.

OK, what we have here are
two separate lines of
inquiry.

Jack Barber.
And The Crystal Kiss.

Helen, go carefully
around old man Barber.

He knows the drill
and he still wields
a lot of influence.

But we need answers.

What were he and Matt
arguing about and
why did he lie to us?

The Crystal Kiss.

Tariq, get a few pairs of
eyes
and go through that lot.

Annie, you're with me.
Martin Soames.

He's on his way here
with his brief.

ALAN: Listen, I've been
thinking about you and me

working together and dating.

Are we dating?
I thought we were...

Sunday night, you're gonna
come round to mine for dinner.

You bring the wine, I'll cook.

Uh, OK... I think.
I mean, I'll need
to get a babysitter.

Bring the baby.

-Right, I'll arrange some...
-Bring the travel cot.

"Bring the travel cot"!
And they say romance is dead.

Well, let's go and see

what the artist formerly known
as Martin Harford has to say.

Yeah, let's.

ALAN: DCI Alan Banks.

I'm heading the inquiry
into the death of Matt
Barber.

-David Hornby. DS Cabbot.
-Mr Hornby.

I believe I owe you
an apology. The Olsen case?

I was a bit hard on you.

-Shall we?
-Mr Soames.

After you.

-And the Olsen case.
We got the result.
-Always the last word.

DAVID: 25 years ago,
my firm represented
Martin Harford

when he confessed
to the accidental
killing of John Gaunt.

He's paid his debt.

When he was
released from prison,

he changed his name
by deed poll to Martin Soames.

He wanted to build a new
life.
All above board.

And my client
did not talk to Matt Barber

about the death of his
friend,
John Gaunt.

I don't believe you, Martin.

Unless you can prove whatever
it is you believe, Mr Banks,

this conversation
is a waste of time.

Matt Barber was
an investigative...

-There's nothing
to investigate.
-Martin.

MARTIN: I got into a fight
with John because
he wanted to leave the band.

It got out of hand
and I lost my temper
and I lashed out.

Sounds like
the death of Matt Barber.

What's going on here, Annie?

Tuesday night,
you arrived at the chalet
and found Matt Barber dead.

At about 9:45 p.m,
is that correct?

-Yes.
-Look, it's all in
Mr Soames' statement.

Where were you
when the power
went down at 9:15 p.m?

As I said...

We need a positional statement
from your client.

Working on one of Liz's
other chalets, in Ellesby.

Working?
At that time of night?

We had guests arriving,
first thing.

I work for Liz as and when
she needs me.

She, erm...

Well, she helped me
put my life back together,

when I came out of prison.

And this property
you were working at.

How far was it from
Mr Barber's chalet?

-About eight miles.
-And you drove there?

No, he took a hot air balloon.

A man is dead!
This isn't a game, you prick!

Matt Barber was a well-known
investigative journalist.

He made a lot of enemies.

You're barking up
the wrong tree here.

(DOOR OPENS)

Good to see you again, Annie.

Look, I don't suppose
you fancy a drink later?

I've got to work.

(DOOR CLOSES)

Look.

You've had a run in
with him in court.

It happens.
He's defence, that's his
job.

-That's not the point.
-What is the point, Annie?

(SIGHS)

Nothing. I'm fine.
It won't happen again.

Ian.

Thanks.

-Martin, I have to ask
you...
-I didn't kill Matt Barber.

We've still got
some issues here.

Sorry, I've...
I've changed my mind.
After what happened.

That's all the more
reason to go ahead.

No, no. I don't want to
go through with it.

I killed John, OK.
End of story.

(MOBILE RINGS)

Hi, Liz.

What?

Uh, yeah, yeah, OK.
I'm on my way.

-Mr Barber.
-DI Morton.

You told us that you last saw
your son on Friday,

but we now know
that you actually met Matt

at 2:38 p.m. on Tuesday.

Now, that's the day
your son was murdered.

Now, according to the manager
at the coffee shop
that you went to,

you and your son had
something of a row.

In fact in his statement,
the manager says,

"They practically
came to blows.

"I had to
physically separate."

Now, Mr Barber...

Now you see, this is exactly
what I'm up against.

Time-serving civil servants

with their colour-coded
notebooks and their
head in the manual.

When I'm commissioner,
there will be certain
officers

who will be find themselves
in dog training.

Do I make myself clear,
DI Morton?

You diminish yourself
more than me with that, sir.

(SIGHS)

Matthew said
he wanted to find his mother.

Now, she walked out
on us 30 years ago

after I won
the custody battle.

She never tried
to get hold of him,
contact him, not one attempt.

She just abandoned him.

So, well, I know should have
been a bit more understanding,

but when he said
he wanted to find his mother,

I lost it. I got angry.
I got really angry.

And that was
the last time I saw him.

Why didn't you
tell us this before?

Look, if I've broken the
law,
you arrest and charge me!

If not, you stop pestering me!

Back in the '90s,
I bought a place
like this in Spain.

Near Cadiz.

Same architect.

I suppose I was trying to
recapture the past too,

but it wasn't the same.

This is wonderful, Liz.

I feel like I've come home.

You can't be serious.
Reforming the band?

IAN: I feel we have
unfinished business.

Do you remember that night,
May 10th, 1988?

We sold out The Forum,
the four of us.
Remember, Martin?

I'll never forget that.
None of us will.

I remember us
looking at one another.

The world was ours.

Do you remember
what it felt like?

To be that wanted?

You haven't changed, Ian.

That was our
perfect moment, Liz.

And John died.

Liz.

Liz, tell him this is stupid.

I mean, you don't want to
reform the band, do you?

IAN: Come on, Martin.

There's a huge demand
out there for a reunion.

-Who told you that?
-A journalist
I've been speaking to.

Matt Barber.

What?

Your journalist is dead.

He was murdered.

DI MORTON:
Nearly 30 years later,

and he's still holding
a grudge against
Matt's mother.

He's bitter.

And I've been asking around.

When Jack Barber was
on the force, he was not
a man you wanted to cross.

He was famous for his temper.

He had very high standards

and occasionally, when people
didn't meet up to
those standards...

Yeah, I know. And you think
he's a good and decent man.

But we have to go
after him, Alan.

You know, he really
tried to intimidate me.

Sometimes good people
do bad things.

KEN: Boss!

Matt Barber's bank accounts
and financial statements

going back two years.

-This one sticks out.
-Bertram Mellis?

Er, names of
the senior partners.

Thanks, Ken.

(DIALS MOBILE)

(MOBILE RINGING)

-(MOBILE RINGING)
-(SIGHS)

-Alan.
-ALAN ON MOBILE:
Where are you?

I'm just grabbing a coffee.

We need you back here
as soon as, please.

OK.

Are you OK?

Yeah, I'm on my way.

What exactly did Matt Barber
tell you, Ian?

He'd spoken to a promoter
who'd sounded out demand

and we could do really well.

(SNORTS) He was
trying to lure you
back into the country.

LIZ: Why would he do that?

Martin?

The tape.

I told him about the tape.

He got me drunk.
I let it slip.

I'm sorry.

It's OK, Martin.

I'll look after you.

I always have,
haven't I, sweetheart?

Sarge, Matt Barber's
financial transactions.

One in particular,
from a local law firm,
Bertram Mellis.

Barber received
a payment of £15,000

actioned by one of
the senior members,
David Hornby.

Who?

ALAN: Martin Soames' lawyer.

Boss, his prints match
set of prints found
at the crime scene.

Great, another suspect.

Seems like David Hornby's
got a lot of explaining to
do.

Annie, you know him. Annie?

Annie!

I need a word.

Ken, get hold of him.
Bring him in.

You need to take me
off this case.

Why?

David Hornby is
the father of my baby.