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1
00:00:02,300 --> 00:00:03,700
Announcer:
HERE ISA PREVIEW
2
00:00:03,700 --> 00:00:05,600
OF SOME OF THE PROGRAMS
YOU'LL BEABLE TO SEE
3
00:00:05,700 --> 00:00:07,200
COMING SHORTLY
ON BBC TELEVISION.
4
00:00:07,200 --> 00:00:09,100
TO KICK OFF WITH,
THERE'S VARIETY.
5
00:00:09,100 --> 00:00:12,700
PETER WESTAND BRIANJOHNSON
STAR IN RAIN STOPPED PLAY
6
00:00:12,800 --> 00:00:14,400
A WACKY NEW COMEDY SERIES
7
00:00:14,400 --> 00:00:18,200
ABOUT THE GA Y EXPLOITS OF TWO
TELEVISION CRICKET COMMENTATORS
8
00:00:18,300 --> 00:00:21,700
WITH E.W. SWANTON ASAGGIE,
THE KOOKY SCOTS MAID.
9
00:00:21,700 --> 00:00:25,600
FOR THOSE OF YOU WHO DON'T LIKE
VARIETY, THERE'S VARIETY
10
00:00:25,600 --> 00:00:28,300
WITH BRIAN CLOSE
AT THE TALK OF THE TOWN.
11
00:00:28,400 --> 00:00:30,600
AND OF COURSE,
THERE'LL BE SPORT.
12
00:00:30,600 --> 00:00:32,900
THE CLASSICS SERIES
RETURN TO BBC2
13
00:00:33,000 --> 00:00:36,600
WITH 26 EPISODES OFJOHN
GALSWORTHY'S "SNOOKER MY WA Y"
14
00:00:36,600 --> 00:00:39,600
WITH NYREE DAWN PORTER
REPEATING HER TRIUMPH
15
00:00:39,700 --> 00:00:41,200
ASJOE DA VIS.
16
00:00:41,200 --> 00:00:43,400
AND OF COURSE,
THERE'LL BE SPORT.
17
00:00:43,400 --> 00:00:45,800
COMEDY IS NOT FORGOTTEN,
WITHJIM LAKER
18
00:00:45,900 --> 00:00:48,400
IN 13 WEEKS
OF OFFSPIN BOWLING.
19
00:00:48,500 --> 00:00:51,100
JIM PLA YS
THEZANY BACHELOR BOWLER
20
00:00:51,200 --> 00:00:53,100
IN A NEW SERIES, OWZAT
21
00:00:53,100 --> 00:00:56,200
WITH ANNELEY DRUMMOND-HA YE,
ON MR. SOFTEE, AS HIS WIFE.
22
00:00:56,300 --> 00:00:58,200
AND OF COURSE,
THERE'LL BE SPORT.
23
00:00:58,200 --> 00:01:00,000
PANORAMA WILL BE RETURNING
24
00:01:00,100 --> 00:01:02,400
INTRODUCED AS USUAL
BY TONYJACKLIN
25
00:01:02,500 --> 00:01:05,500
AND LULU WILL BE TACKLING
THE OLD MAN OF HOY.
26
00:01:05,600 --> 00:01:09,100
AND FOR THOSE OF YOU WHO PREFER
DRAMA, THERE'S SPORT.
27
00:01:09,200 --> 00:01:12,300
ON SHOW OF THE WEEK,
KENNETH WOSTENHOLME SINGS.
28
00:01:12,300 --> 00:01:14,800
AND FOR THOSE OF YOU
WHO DON'T LIKE TELEVISION
29
00:01:14,900 --> 00:01:16,100
THERE'S DA VID COLEMAN.
30
00:01:16,100 --> 00:01:17,800
AND OF COURSE,
THERE'LL BE SPORT.
31
00:01:18,000 --> 00:01:20,400
BUT NOW FOR SOMETHING
COMPLETELY DIFFERENT--
32
00:01:20,400 --> 00:01:22,100
SPORT.
33
00:01:22,200 --> 00:01:25,300
( Sousa's "Liberty Bell March"
playing )
34
00:01:25,400 --> 00:01:29,100
MONTY PYTHON'S FLYING CIRCUS.
35
00:01:34,100 --> 00:01:37,800
[Captioning sponsored by THE
U.S. DEPARTMENT OF EDUCATION
36
00:01:37,800 --> 00:01:41,600
and A&E TELEVISION NETWORKS]
37
00:01:52,700 --> 00:01:54,600
( music ends with a rude noise )
38
00:01:58,600 --> 00:02:10,300
( wind blowing )
39
00:02:10,400 --> 00:02:13,900
( wind instruments play
ethereal tune )
40
00:02:14,000 --> 00:02:19,400
( banging and sawing )
41
00:02:19,400 --> 00:02:24,200
( roaring '20s dance music
plays )
42
00:02:29,600 --> 00:02:33,100
( recording wobbles
and slows to a stop )
43
00:02:33,100 --> 00:02:34,400
( metal clangs )
44
00:02:34,500 --> 00:02:38,400
( fly buzzing )
45
00:02:38,400 --> 00:02:39,800
( hammerpounds nail )
46
00:02:47,100 --> 00:02:48,200
( more hammering )
47
00:02:54,400 --> 00:02:55,600
Man:
GO ON. BLIMEY!
48
00:02:55,600 --> 00:02:56,900
LOOK WHAT WE FOUND!
49
00:02:56,900 --> 00:03:00,200
( men mutter enthusiastically )
50
00:03:02,800 --> 00:03:04,100
Man:
WHAT AN AMAZING FIND.
51
00:03:04,200 --> 00:03:05,800
Man 2:
IT REALLY IS FANTASTIC.
52
00:03:05,900 --> 00:03:08,500
Man 1:
IT'S THE ARCHAEOLOGICAL FIND OF THE CENTURY.
53
00:03:08,500 --> 00:03:10,500
Man 2:
IT IS, INDEED, INDEED, INDEED.
54
00:03:10,600 --> 00:03:13,100
Man 1:
GENTLEMEN, FROM THIS SINGLE PART
55
00:03:13,100 --> 00:03:15,400
AND MONTHS
OF PAINSTAKING RESEARCH
56
00:03:15,400 --> 00:03:19,400
WE HAVE BEEN ABLE TO ACCURATELY
RECONSTRUCT THIS ENTIRE BEAST.
57
00:03:19,400 --> 00:03:21,000
( audience laughter )
58
00:03:29,100 --> 00:03:30,200
HELLO.
59
00:03:30,200 --> 00:03:31,800
ON ARCHAEOLOGY TODA Y
TONIGHT
60
00:03:31,800 --> 00:03:34,100
I HAVE WITH ME
PROFESSOR LUCIEN KASTNER
61
00:03:34,200 --> 00:03:35,200
OF OSLO UNIVERSITY.
62
00:03:35,300 --> 00:03:36,300
GOOD EVENING.
63
00:03:36,400 --> 00:03:38,300
HOW TALL ARE YOU,
PROFESSOR?
64
00:03:38,300 --> 00:03:39,500
I BEG
YOUR PARDON?
65
00:03:39,600 --> 00:03:40,800
HOW TALL ARE YOU?
66
00:03:40,800 --> 00:03:42,500
I'M ABOUT
FIVE FOOT TEN.
67
00:03:42,500 --> 00:03:44,400
AND AN EXPERT
IN EGYPTIAN TOMB PAINTINGS
68
00:03:44,400 --> 00:03:46,400
SIR ROBERT...
ARE YOU REALLY FIVE FOOT TEN?
69
00:03:46,400 --> 00:03:47,600
YES.
70
00:03:47,700 --> 00:03:49,100
FUNNY, YOU LOOK
MUCH SHORTER THAN THAT TO ME.
71
00:03:49,200 --> 00:03:50,800
ARE YOU SLUMPED FORWARD
IN YOUR CHAIR AT ALL?
72
00:03:50,900 --> 00:03:52,300
UH, NO, I, I...
73
00:03:52,300 --> 00:03:53,500
EXTRAORDINARY.
74
00:03:53,500 --> 00:03:54,800
SIR ROBERT EVERSLEY
75
00:03:54,900 --> 00:03:57,700
WHO'S JUST RETURNED
FROM THE EXCAVATIONS AT EL ARA
76
00:03:57,800 --> 00:03:59,700
AND WHO MUST BE
WELL OVER SIX FOOT.
77
00:03:59,800 --> 00:04:01,400
ISN'T THAT RIGHT,
SIR ROBERT?
78
00:04:01,500 --> 00:04:02,400
YES.
79
00:04:02,500 --> 00:04:03,500
IN FACT, I THINK
80
00:04:03,500 --> 00:04:05,000
YOU'RE SIX FOOT FIVE,
AREN'T YOU?
81
00:04:05,000 --> 00:04:06,000
UH, YES.
82
00:04:06,000 --> 00:04:07,000
( canned applause )
83
00:04:07,000 --> 00:04:08,100
OH, THAT'S MARVELOUS.
84
00:04:08,200 --> 00:04:09,300
I MEAN, YOU'RE
85
00:04:09,400 --> 00:04:11,100
A TOTALLY DIFFERENT
KIND OF SPECIMEN
86
00:04:11,200 --> 00:04:12,200
TO PROFESSOR KASTNER.
87
00:04:12,300 --> 00:04:13,500
STRAIGHT
IN YOUR SEAT
88
00:04:13,500 --> 00:04:14,500
ERECT, FIRM...
89
00:04:14,500 --> 00:04:16,000
YES. I THOUGHT
WE WERE HERE
90
00:04:16,000 --> 00:04:17,300
TO DISCUSS
ARCHAEOLOGY.
91
00:04:17,300 --> 00:04:18,800
YES, YES,
OF COURSE WE ARE.
92
00:04:18,900 --> 00:04:21,200
YES, ABSOLUTELY, YOU'RE
ABSOLUTELY RIGHT!
93
00:04:21,200 --> 00:04:23,000
THAT'S POSITIVE
THINKING FOR YOU.
94
00:04:23,100 --> 00:04:25,500
YOU WOULDN'T HAVE SAID
A THING LIKE THAT, WOULD YOU
95
00:04:25,500 --> 00:04:26,800
YOU FIVE-FOOT-TEN-INCH WEED?
96
00:04:26,800 --> 00:04:28,300
( audience laughter )
97
00:04:28,300 --> 00:04:31,500
SIR ROBERT EVERSLEY--
WHO'S VERY INTERESTING--
98
00:04:31,500 --> 00:04:33,200
WHAT HAVE YOU
DISCOVERED
99
00:04:33,200 --> 00:04:35,200
IN THE EXCAVATIONS
AT EL ARA?
100
00:04:35,200 --> 00:04:37,200
WELL, BASICALLY,
WE HAVE FOUND
101
00:04:37,200 --> 00:04:38,700
A COMPLEX OF TOMBS...
102
00:04:38,800 --> 00:04:40,000
VERY GOOD SPEAKING VOICE.
103
00:04:40,100 --> 00:04:41,800
WHICH PRESENT
DRAMATIC EVIDENCE
104
00:04:41,900 --> 00:04:43,200
OF POLYNESIAN INFLUENCE
105
00:04:43,300 --> 00:04:45,000
IN EGYPT
IN THE THIRD DYNASTY
106
00:04:45,000 --> 00:04:46,500
WHICH IS
QUITE REMARKABLE.
107
00:04:46,500 --> 00:04:48,300
HOW TALL WERE
THE POLYNESIANS?
108
00:04:48,300 --> 00:04:48,800
THEY WERE...
109
00:04:48,900 --> 00:04:50,000
SHH!
110
00:04:50,000 --> 00:04:52,000
WELL, THEY WERE
RATHER SMALL, SEAFARING...
111
00:04:52,000 --> 00:04:53,500
SHORT MEN, WERE THEY--
ALL SQUAT AND BENT UP?
112
00:04:53,500 --> 00:04:54,500
WELL, I REALLY
DON'T KNOW.
113
00:04:54,500 --> 00:04:55,500
WHO WERE THE TALL PEOPLE?
114
00:04:55,500 --> 00:04:56,500
I'M AFRAID
I DON'T KNOW.
115
00:04:56,600 --> 00:04:57,800
WHO'S THAT VERY TALL TRIBE
IN AFRICA?
116
00:04:57,800 --> 00:05:00,200
WELL, THIS IS HARDLY
ARCHAEOLOGY.
117
00:05:00,300 --> 00:05:02,100
THE WATUTSI,
THAT'S IT, THE WATUTSI!
118
00:05:02,200 --> 00:05:03,300
OH, THAT'S THE TRIBE.
119
00:05:03,400 --> 00:05:05,100
SOME OF THEM
WERE EIGHT FOOT TALL.
120
00:05:05,200 --> 00:05:06,500
OH! CAN YOU IMAGINE THAT?
121
00:05:06,500 --> 00:05:07,700
EIGHT FOOT OF WATUTSI.
122
00:05:07,800 --> 00:05:09,800
NOT ONE ON ANOTHER'S
SHOULDERS, OH, NO!
123
00:05:09,800 --> 00:05:11,300
EIGHT FOOT OF SOLID WATUTSI!
124
00:05:11,400 --> 00:05:12,600
THAT'S WHAT I CALL TALL.
125
00:05:12,700 --> 00:05:14,800
YES, BUT IT'S NOTHING
TO DO WITH ARCHAEOLOGY.
126
00:05:14,900 --> 00:05:16,300
OH, TO HELL
WITH ARCHAEOLOGY!
127
00:05:16,300 --> 00:05:17,700
( loud shattering )
128
00:05:17,800 --> 00:05:19,400
( shouting ):
MAY I PLEASE SPEAK?
129
00:05:19,500 --> 00:05:21,900
( quavering ):
I CAME ALL THE WAY FROM OSLO
130
00:05:22,000 --> 00:05:23,000
TO DO THIS PROGRAM.
131
00:05:23,100 --> 00:05:24,900
I'M A PROFESSOR
OF ARCHAEOLOGY!
132
00:05:24,900 --> 00:05:27,100
I'M AN EXPERT
IN ANCIENT CIVILIZATIONS.
133
00:05:27,100 --> 00:05:29,600
ALL RIGHT, I'M
ONLY FIVE FOOT TEN.
134
00:05:29,700 --> 00:05:31,700
ALL RIGHT, MY
POSTURE IS BAD
135
00:05:31,800 --> 00:05:34,100
ALL RIGHT, I SLUMP
IN MY CHAIR.
136
00:05:34,200 --> 00:05:36,900
BUT I'VE HAD MORE WOMEN
THAN EITHER OF YOU TWO!
137
00:05:37,000 --> 00:05:39,100
( hysterically ):
I'VE HAD HALF OF BLOODY NORWAY
138
00:05:39,200 --> 00:05:40,200
THAT'S WHAT I'VE HAD!
139
00:05:40,200 --> 00:05:41,600
SO, YOU CAN KEEP
YOUR ROBERT EVERSLEY!
140
00:05:41,600 --> 00:05:43,500
AND KEEP
YOUR BLOODY WATUTSI!
141
00:05:43,600 --> 00:05:47,500
( shrieking ):
I'D RATHER HAVE MY LITTLE BODY!
142
00:05:47,500 --> 00:05:50,700
MY LITTLE, FIVE-FOOT-
TEN-INCH BODY.
143
00:05:50,700 --> 00:05:52,500
( sobbing )
144
00:05:54,800 --> 00:05:57,000
BLOODY FOOL,
LOOK WHAT YOU'VE DONE TO HIM.
145
00:05:57,000 --> 00:05:58,200
DON'T
"BLOODY FOOL" ME.
146
00:05:58,300 --> 00:05:59,600
I'LL DO WHAT I LIKE
147
00:05:59,600 --> 00:06:01,400
BECAUSE I'M
SIX FOOT FIVE
148
00:06:01,400 --> 00:06:04,100
AND I EAT
PUNKS LIKE YOU FOR BREAKFAST.
149
00:06:08,300 --> 00:06:09,700
I'LL GET YOU
FOR THAT, EVERSLEY!
150
00:06:09,800 --> 00:06:11,200
I'LL GET YOU
IF I HAVE TO TRAVEL
151
00:06:11,200 --> 00:06:12,800
TO THE FOUR CORNERS
OF THE EARTH!
152
00:06:12,800 --> 00:06:18,900
( western-film theme music
playing )
153
00:06:23,100 --> 00:06:28,000
( traditional Egyptian music
playing )
154
00:06:28,100 --> 00:06:45,000
( traditional Egyptian music
playing )
155
00:06:45,000 --> 00:06:47,300
Woman:
THE DIG WAS GOING WELL THAT YEAR.
156
00:06:47,300 --> 00:06:49,800
WE'D DISCOVERED
SOME HITTITE BAKING DISHES
157
00:06:49,800 --> 00:06:51,200
FROM THE FIFTH DYNASTY.
158
00:06:51,300 --> 00:06:54,100
AND SIR ROBERT WAS HAPPIER
THAN I'D EVER SEEN HIM.
159
00:06:54,200 --> 00:06:55,700
( with organ accompaniment )
160
00:06:55,700 --> 00:07:02,400
TODAY...
I HEAR THE ROBIN SING
161
00:07:02,400 --> 00:07:08,400
TODAY...
THE THRUSH IS ON THE WING
162
00:07:08,400 --> 00:07:14,800
TODAY WHO KNOWS
WHAT LIFE WILL BRING
163
00:07:14,900 --> 00:07:21,700
TODAY...
164
00:07:23,500 --> 00:07:25,800
( aghast ):
WHY!
165
00:07:25,800 --> 00:07:30,100
A SUMERIAN DRINKING VESSEL
OF THE FOURTH DYNASTY.
166
00:07:30,200 --> 00:07:34,700
TODAY...
167
00:07:36,100 --> 00:07:39,000
CATALOGUE THIS POT,
DANIELLE.
168
00:07:39,000 --> 00:07:41,200
IT'S... FOURTH DYNASTY.
169
00:07:41,300 --> 00:07:42,600
( joyously ):
OH! IS IT?
170
00:07:42,600 --> 00:07:45,200
YES, IT'S... SUMERIAN.
171
00:07:45,200 --> 00:07:47,300
OH, HOW WONDERFUL!
172
00:07:47,400 --> 00:07:50,500
OH, I AM SO HAPPY FOR YOU.
173
00:07:50,500 --> 00:07:51,900
I'M HAPPY, TOO.
174
00:07:52,000 --> 00:07:55,500
NOW AT LAST WE KNOW
THERE WAS A SUMERIAN INFLUENCE
175
00:07:55,600 --> 00:07:59,200
HERE IN ABU SIMNEL IN THE EARLY
PRE-DYNASTIC PERIOD
176
00:07:59,200 --> 00:08:03,100
2,000 YEARS BEFORE
THE REIGN OF TUTANKHAMEN.
177
00:08:03,100 --> 00:08:10,700
TODAY...
I HEAR THE ROBIN SING
178
00:08:10,800 --> 00:08:16,600
TODAY...
THE THRUSH IS ON THE WING
179
00:08:16,700 --> 00:08:24,100
TODAY WHO KNOWS
WHAT LIFE WILL BRING...
180
00:08:24,200 --> 00:08:26,900
( music ends discordantly )
181
00:08:27,000 --> 00:08:29,900
ALL RIGHT, EVERSLEY,
GET UP OUT OF THAT TRENCH.
182
00:08:30,000 --> 00:08:32,600
DON'T FORGET...
183
00:08:32,600 --> 00:08:34,800
I'M SIX FOOT FIVE.
184
00:08:34,800 --> 00:08:36,300
THAT DOESN'T WORRY ME.
185
00:08:36,400 --> 00:08:37,300
KASTNER!
186
00:08:37,400 --> 00:08:38,900
( whining ):
HERE, LORD.
187
00:08:39,900 --> 00:08:41,000
UP!
188
00:08:42,000 --> 00:08:43,100
( grunts )
189
00:08:44,100 --> 00:08:46,200
ELEVEN FOOT THREE?
190
00:08:46,200 --> 00:08:50,100
( maniacally ):
I'M SO TALL! I AM SO TALL!
191
00:08:52,100 --> 00:08:53,200
DANIELLE.
192
00:08:53,200 --> 00:08:55,700
( grunts daintily )
193
00:08:55,700 --> 00:08:57,200
ELEVEN FOOT SIX.
194
00:08:57,200 --> 00:08:58,300
DAMN YOU!
195
00:08:58,400 --> 00:08:59,700
ABDUL!
196
00:08:59,700 --> 00:09:01,800
FIFTEEN FOOT FOUR!
197
00:09:01,800 --> 00:09:03,200
MUSTAPHA!
198
00:09:03,300 --> 00:09:04,500
NINETEEN FOOT THREE!
199
00:09:04,600 --> 00:09:05,600
DAMN YOU!
200
00:09:05,700 --> 00:09:08,800
( all grunting breathlessly )
201
00:09:08,800 --> 00:09:10,800
( fists smacking )
202
00:09:10,800 --> 00:09:13,400
( yelping and shouting )
203
00:09:13,500 --> 00:09:19,200
( smacking and shouting
continue )
204
00:09:22,400 --> 00:09:24,800
( woman screams )
205
00:09:24,800 --> 00:09:26,800
( men grunting )
206
00:09:31,000 --> 00:09:36,400
UH, AND THERE WE END THIS
EDITION OF ARCHAEOLOGY TODA Y.
207
00:09:36,400 --> 00:09:40,200
NEXT WEEK, THE SILBURY DIG
BY COLE PORTER
208
00:09:40,300 --> 00:09:43,600
WITH PEARL BAILEY
AND ARTHUR NEGUS.
209
00:09:43,700 --> 00:09:45,600
( groans )
210
00:09:45,700 --> 00:09:47,100
AND NOWAN APPEAL FOR SANITY
211
00:09:47,100 --> 00:09:48,900
FROM THE REVEREND
ARTHUR BELLING.
212
00:09:48,900 --> 00:09:53,700
YOU KNOW, THERE ARE MANY PEOPLE
IN THE COUNTRY TODAY
213
00:09:53,800 --> 00:09:57,900
WHO, THROUGH NO FAULT
OF THEIR OWN, ARE SANE.
214
00:09:58,000 --> 00:10:00,600
SOME OF THEM WERE BORN SANE.
215
00:10:00,600 --> 00:10:04,900
SOME OF THEM BECAME SANE
LATER IN THEIR LIVES.
216
00:10:04,900 --> 00:10:08,000
IT IS UP TO PEOPLE
LIKE YOU AND ME
217
00:10:08,000 --> 00:10:11,600
WHO ARE OUT OF OUR
TINY LITTLE MINDS...
218
00:10:11,700 --> 00:10:13,100
( laughter )
219
00:10:13,100 --> 00:10:16,100
TO TRY AND HELP THESE PEOPLE
OVERCOME THEIR SANITY.
220
00:10:16,200 --> 00:10:17,800
YOU CAN START IN SMALL WAYS
221
00:10:17,900 --> 00:10:20,200
WITH PING-PONG BALL EYES
AND A FUNNY VOICE
222
00:10:20,200 --> 00:10:22,600
AND THEN YOU CAN PAINT
HALF OF YOUR BODY RED
223
00:10:22,700 --> 00:10:24,100
AND THE OTHER HALF GREEN
224
00:10:24,100 --> 00:10:27,000
AND THEN YOU CAN JUMP UP
AND DOWN IN A BOWL OF TREACLE
225
00:10:27,100 --> 00:10:28,000
GOING...
226
00:10:28,100 --> 00:10:30,400
( squawking loudly )
227
00:10:30,500 --> 00:10:34,600
AND THEN YOU CAN GO,
"NEURH, NEURH, NEURH!"
228
00:10:34,600 --> 00:10:36,600
AND THEN YOU CAN ROLL
AROUND ON THE FLOOR
229
00:10:36,600 --> 00:10:38,900
GOING "PTING, PTING,
PTING, PTING."
230
00:10:38,900 --> 00:10:40,900
Man:
THE REVEREND ARTHUR BELLING
231
00:10:40,900 --> 00:10:43,900
IS VICAR OF ST. LOONY
UP THE CREAM BUN AND JAM.
232
00:10:44,000 --> 00:10:46,600
AND NOW...
233
00:10:46,600 --> 00:10:47,600
GOOD EVENING.
234
00:10:47,600 --> 00:10:50,400
MY NAME IS LEAPY LEE.
235
00:10:50,400 --> 00:10:53,400
NO, SORRY-- THAT'S THE NAME
OF ME FAVORITE SINGER.
236
00:10:53,500 --> 00:10:55,300
MY NAME IS MRS. FRED STOLLE.
237
00:10:55,300 --> 00:10:57,000
NO, NO, MRS. FRED STOLLE IS
238
00:10:57,100 --> 00:10:59,400
THE WIFE OF ME FAVORITE
TENNIS PLAYER.
239
00:10:59,500 --> 00:11:00,700
MY NAME IS BANANAS.
240
00:11:00,700 --> 00:11:02,700
NO, NO, THAT'S
ME FAVORITE FRUIT.
241
00:11:02,800 --> 00:11:05,000
I'M MRS. A-NICE-EVENING-
OUT-TO-THE-PICTURES-
242
00:11:05,100 --> 00:11:07,900
THEN-PERHAPS-A-DANCE-AT-A-CLUB-
THEN-BACK-TO-HIS-PLACE-
243
00:11:08,000 --> 00:11:10,400
FOR-A-QUICK-CUP-OF-COFFEE-
AND-A-LITTLE-BIT-OF...
244
00:11:10,400 --> 00:11:11,600
NO, NO, SORRY.
245
00:11:11,700 --> 00:11:14,100
THAT'S ME FAVORITE WAY
OF SPENDING A NIGHT OUT.
246
00:11:14,100 --> 00:11:15,300
PERHAPS I AM LEAPY LEE.
247
00:11:15,300 --> 00:11:16,600
YES! I MUST BE LEAPY LEE!
248
00:11:16,600 --> 00:11:18,100
HELLO, FANS. LEAPY LEE HERE.
249
00:11:18,200 --> 00:11:19,700
LITTLE ARROWS THAT WILL...
250
00:11:19,800 --> 00:11:21,200
( phone rings )
251
00:11:21,200 --> 00:11:22,200
HELLO?
252
00:11:22,200 --> 00:11:23,800
EVIDENTLY I'M NOT LEAPY LEE.
253
00:11:23,900 --> 00:11:25,700
I THOUGHT
I PROBABLY WOULDN'T BE.
254
00:11:25,700 --> 00:11:27,200
THANK YOU, I'LL TELL THEM.
255
00:11:27,300 --> 00:11:29,800
HELLO, DENIS COMPTON HERE.
256
00:11:29,900 --> 00:11:31,900
NO, NO. I SHOULD HAVE
WRITTEN IT DOWN.
257
00:11:31,900 --> 00:11:33,300
NOW, WHERE'S THAT NUMBER?
258
00:11:33,400 --> 00:11:34,300
I'M MAO ZEDONG.
259
00:11:34,400 --> 00:11:35,300
I'M P.P. ARNOLD.
260
00:11:35,400 --> 00:11:36,600
I'M MARGARET THATCHER.
261
00:11:36,600 --> 00:11:37,900
I'M SIR GERALD NABARRO.
262
00:11:39,000 --> 00:11:40,600
HELLO? SIR LEN HUTTON HERE.
263
00:11:40,600 --> 00:11:42,300
COULD YOU TELL ME, PLEASE...
264
00:11:42,400 --> 00:11:43,400
OH, AM I?
265
00:11:43,400 --> 00:11:44,500
OH, THANK YOU.
266
00:11:44,600 --> 00:11:46,000
GOOD EVENING.
267
00:11:46,000 --> 00:11:48,600
I'M MRS. WHAT-NUMBER-ARE-
YOU-DIALING-PLEASE?
268
00:11:56,400 --> 00:11:57,400
GOOD MORNING.
269
00:11:57,400 --> 00:11:58,400
GOOD MORNING.
270
00:11:58,400 --> 00:11:59,400
ARE YOU
THE REGISTRAR?
271
00:11:59,500 --> 00:12:00,500
I HAVE
THAT FUNCTION.
272
00:12:00,600 --> 00:12:01,900
WELL, I WAS HERE
ON SATURDAY
273
00:12:02,000 --> 00:12:03,500
GETTING MARRIED
TO A BLOND GIRL
274
00:12:03,500 --> 00:12:05,000
AND I'D LIKE
TO CHANGE, PLEASE.
275
00:12:05,000 --> 00:12:06,700
I'D LIKE TO HAVE
THIS ONE INSTEAD, PLEASE.
276
00:12:06,800 --> 00:12:07,300
WHAT DO YOU MEAN?
277
00:12:07,400 --> 00:12:08,300
WELL, THE OTHER ONE
278
00:12:08,400 --> 00:12:09,500
WASN'T ANY GOOD
279
00:12:09,600 --> 00:12:11,300
SO I'D LIKE TO SWAP IT
FOR THIS ONE, PLEASE.
280
00:12:11,300 --> 00:12:12,500
I HAVE PAID;
I PAID ON SATURDAY.
281
00:12:12,600 --> 00:12:13,700
HERE'S THE TICKET.
282
00:12:13,800 --> 00:12:15,700
AH, NO, THAT WAS WHEN
YOU WERE MARRIED.
283
00:12:15,800 --> 00:12:18,300
YES, THAT WAS
WHEN I WAS MARRIED TO THE WRONG ONE.
284
00:12:18,400 --> 00:12:19,500
I DIDN'T LIKE
THE COLOR.
285
00:12:19,600 --> 00:12:20,800
THIS IS THE ONE
I WANT TO HAVE.
286
00:12:20,800 --> 00:12:22,100
SO, IF YOU COULD JUST
CHANGE THE FORMS ROUND
287
00:12:22,200 --> 00:12:23,300
I CAN TAKE THIS ONE
BACK WITH ME NOW.
288
00:12:23,400 --> 00:12:24,300
I CAN'T DO THAT.
289
00:12:24,400 --> 00:12:26,300
LOOK, MAKE IT SIMPLE,
I'LL PAY AGAIN.
290
00:12:26,300 --> 00:12:27,300
NO, YOU CAN'T DO THAT.
291
00:12:27,400 --> 00:12:28,300
LOOK, ALL I WANT
YOU TO DO
292
00:12:28,400 --> 00:12:29,300
IS CHANGE THE WIFE
293
00:12:29,400 --> 00:12:30,400
SAY THE WORDS,
"BLAH, BLAH, BLAH"
294
00:12:30,400 --> 00:12:31,800
BACK TO MY PLACE,
NO QUESTIONS ASKED.
295
00:12:31,800 --> 00:12:33,400
I'M SORRY, SIR,
BUT WE'RE NOT ALLOWED TO CHANGE.
296
00:12:33,400 --> 00:12:34,700
YOU CAN AT HARRODS.
297
00:12:34,800 --> 00:12:35,500
YOU CAN'T.
298
00:12:35,600 --> 00:12:37,100
YOU CAN; I CHANGED
MY RECORD PLAYER
299
00:12:37,100 --> 00:12:38,300
AND THERE WASN'T A GRUMBLE.
300
00:12:38,300 --> 00:12:39,200
IT'S DIFFERENT.
301
00:12:39,200 --> 00:12:40,300
AND I CHANGED MY PET SNAKE.
302
00:12:40,400 --> 00:12:41,700
AND I CHANGED MY ROBIN DAY TIE.
303
00:12:41,800 --> 00:12:43,200
WELL, YOU CAN'T CHANGE
A BLOODY WIFE!
304
00:12:43,200 --> 00:12:44,300
OH, ALL RIGHT!
305
00:12:44,300 --> 00:12:46,500
WELL, CAN I BORROW ONE
FOR THE WEEKEND?
306
00:12:46,600 --> 00:12:47,200
NO!
307
00:12:47,200 --> 00:12:48,300
OH, BLIMEY!
308
00:12:48,300 --> 00:12:49,800
I ONLY WANTED A JOLLY GOOD...
309
00:12:49,800 --> 00:12:51,800
( loud whistle blows )
310
00:12:51,800 --> 00:12:53,000
ALL RIGHT, BREAK IT UP.
311
00:12:53,000 --> 00:12:54,400
WHAT'S YOUR
NUMBER, THEN?
312
00:12:54,400 --> 00:12:55,400
ALL RIGHT. NAME?
313
00:12:55,400 --> 00:12:56,400
COOK.
314
00:12:58,600 --> 00:13:00,200
( blows whistle )
315
00:13:03,500 --> 00:13:05,000
NEXT, PLEASE. NAME?
316
00:13:05,000 --> 00:13:06,000
UH, WATSON.
317
00:13:06,000 --> 00:13:07,000
MR. WATSON.
318
00:13:07,000 --> 00:13:08,000
UH, NO-- DOCTOR.
319
00:13:08,000 --> 00:13:09,800
AH, MR. DOCTOR.
320
00:13:09,800 --> 00:13:11,000
NO, NOT MISTER-- DOCTOR.
321
00:13:11,000 --> 00:13:12,600
OH. DR. DOCTOR.
322
00:13:12,700 --> 00:13:13,900
NO. DR. WATSON.
323
00:13:13,900 --> 00:13:16,700
DR. WATSON DOCTOR.
324
00:13:16,800 --> 00:13:18,100
OH, JUST CALL ME DARLING.
325
00:13:18,200 --> 00:13:18,900
HELLO, MR. DARLING.
326
00:13:19,000 --> 00:13:20,200
NO-- DOCTOR!
327
00:13:20,200 --> 00:13:21,200
HELLO, DOCTOR DARLING.
328
00:13:21,300 --> 00:13:23,300
( whistle blows )
329
00:13:24,400 --> 00:13:26,400
BUT AT WEMBLEY,
PLAY HAD RESUMED.
330
00:13:26,400 --> 00:13:27,800
( whistle blows )
331
00:13:27,800 --> 00:13:28,800
( crowd cheering )
332
00:13:28,900 --> 00:13:30,600
( bass reverberates )
333
00:13:31,900 --> 00:13:34,700
( bass reverberates )
334
00:13:34,800 --> 00:13:36,200
MEANWHILE, NEARBY
335
00:13:36,200 --> 00:13:39,000
THE DA Y WASJUST BEGINNING
FOR MUGSY SPANIEL
336
00:13:39,000 --> 00:13:41,900
A CONVICTED GANGSTER
AND WELL-KNOWN SWELL GUY.
337
00:13:41,900 --> 00:13:43,000
BREAKFAST, DEAR.
338
00:13:43,000 --> 00:13:44,500
OH, THANK YOU, DEAR.
339
00:13:44,500 --> 00:13:47,900
( humming )
340
00:13:47,900 --> 00:13:49,600
HAPPY BIRTHDAY, MUGSY.
341
00:13:49,600 --> 00:13:51,500
( machine gunfire )
342
00:13:51,600 --> 00:13:53,100
ENJOY THE EGGS.
343
00:13:53,200 --> 00:13:56,600
YES, INDEED, THIS WAS THE WORK
OF NONE OTHER THAN EGGS DIAMOND
344
00:13:56,600 --> 00:13:58,600
LEADER OF THE NOTORIOUS
CHICKEN GANG.
345
00:13:58,600 --> 00:14:00,800
( audience laughter )
346
00:14:00,800 --> 00:14:07,000
( clucking )
347
00:14:07,000 --> 00:14:09,200
DIMSDALE.
348
00:14:09,200 --> 00:14:10,800
WITH THE CHICKEN GANG
OFF THE BLOTTER
349
00:14:10,800 --> 00:14:13,200
A MAN'S LIFE WASN'T WORTH
THE PAPER IT WAS PRINTED ON.
350
00:14:13,300 --> 00:14:15,700
ALREADY THERE HAVE BEEN MURDERS
COMMITTED HERE AND HERE
351
00:14:15,800 --> 00:14:17,200
AND THE LATEST ONE RIGHT HERE.
352
00:14:17,200 --> 00:14:18,600
( gun fires )
353
00:14:18,700 --> 00:14:20,600
HE'S RIGHT,
YOU KNOW.
354
00:14:20,700 --> 00:14:22,100
( gasps )
355
00:14:22,100 --> 00:14:24,500
THE POWERFUL FORCES
EGGS HAD LOOSED ON THE CITY
356
00:14:24,600 --> 00:14:25,800
WERE TO BE HIS UNDOING.
357
00:14:25,800 --> 00:14:27,600
RETURN WITH US NOW
TO THE HIDEOUT.
358
00:14:27,600 --> 00:14:34,400
( rapid gunfire and clucking )
359
00:14:37,400 --> 00:14:40,600
THESE AND OTHER FASCINATING LIES
ARE YOURS FOR THE READING
360
00:14:40,600 --> 00:14:42,800
IN THIS BEAUTIFULLY
BOUND VOLUME.
361
00:14:42,800 --> 00:14:44,200
BUY IT NOW, SUCKERS.
362
00:14:44,200 --> 00:14:47,700
THIS IS AN IDEAL GIFT--
A MUST FOR ALL YOU OUT THERE
363
00:14:47,700 --> 00:14:51,200
WHO LONG TO SOUND CLEVER
AT YOUR NEXT COCKTAIL PARTY.
364
00:14:54,800 --> 00:14:56,400
AH, JOHN...
365
00:14:56,400 --> 00:14:59,100
ALLOW ME TO INTRODUCE
MY NEXT-DOOR NEIGHBOR.
366
00:14:59,100 --> 00:15:00,400
JOHN STOKES
367
00:15:00,500 --> 00:15:02,800
THIS IS A SNIVELING
LITTLE RAT-FACED GIT.
368
00:15:02,800 --> 00:15:05,100
HELLO, I NOTICED A
SLIGHT LOOK OF ANXIETY
369
00:15:05,100 --> 00:15:07,300
CROSS YOUR FACE
FOR A MOMENT JUST THEN.
370
00:15:07,300 --> 00:15:09,400
BUT YOU NEEDN'T WORRY,
I'M USED TO IT.
371
00:15:09,400 --> 00:15:10,500
THAT'S THE TROUBLE
372
00:15:10,500 --> 00:15:12,000
OF HAVING
A SURNAME LIKE "GIT."
373
00:15:12,100 --> 00:15:13,300
OH... YES, YES.
374
00:15:13,300 --> 00:15:15,000
WE THOUGHT ABOUT
CHANGING IT BY DEED-POLL
375
00:15:15,100 --> 00:15:16,500
TO WATSON
OR SOMETHING LIKE THAT.
376
00:15:16,600 --> 00:15:18,400
BUT A SNIVELING LITTLE
RAT-FACED WATSON'S
377
00:15:18,500 --> 00:15:19,400
JUST AS BAD, EH?
378
00:15:19,500 --> 00:15:20,800
YES, YES, I SUPPOSE SO.
379
00:15:20,800 --> 00:15:22,600
OH, THAT'S MY WIFE.
380
00:15:22,600 --> 00:15:25,900
DARLING, COME AND MEET
MR.... WHAT WAS IT?
381
00:15:25,900 --> 00:15:28,000
STOKES,
JOHN STOKES.
382
00:15:28,100 --> 00:15:30,200
OH, YES. JOHN STOKES,
THIS IS MY WIFE
383
00:15:30,200 --> 00:15:31,700
DREARY FAT
BORING OLD.
384
00:15:31,800 --> 00:15:34,800
OH, UH, HOW DO YOU DO?
385
00:15:34,800 --> 00:15:36,400
( with a manly voice ):
HOW DO YOU DO?
386
00:15:36,400 --> 00:15:38,300
DARLING,
THERE YOU ARE.
387
00:15:38,400 --> 00:15:39,600
YES, YES,
HERE I AM, YES.
388
00:15:39,700 --> 00:15:40,800
OH, IS THIS
YOUR WIFE?
389
00:15:40,800 --> 00:15:42,600
YES, YES, YES,
THIS IS THE WIFE.
390
00:15:42,600 --> 00:15:43,800
YES.
391
00:15:43,800 --> 00:15:45,800
UM... DARLING,
THESE...
392
00:15:45,800 --> 00:15:47,600
THESE ARE THE GITS.
393
00:15:47,600 --> 00:15:48,600
WHAT?
394
00:15:48,600 --> 00:15:49,700
THE GITS.
395
00:15:49,800 --> 00:15:51,500
OH, HEAVEN'S SAKES,
WE ARE BEING FORMAL.
396
00:15:51,600 --> 00:15:52,700
DOES IT HAVE
TO BE SURNAMES?
397
00:15:52,800 --> 00:15:54,000
OH, NO, NO.
398
00:15:54,100 --> 00:15:55,300
NOT AT ALL.
399
00:15:55,400 --> 00:15:58,700
UM, NO, THIS...
THIS IS MY WIFE, NORAH.
400
00:15:58,800 --> 00:16:02,000
UH... NORAH JANE,
NORAH JANE STOKES.
401
00:16:02,100 --> 00:16:05,700
THIS IS SNIVELING
LITTLE RAT-FACED GIT.
402
00:16:05,800 --> 00:16:07,600
AND THIS IS
HIS WIFE
403
00:16:07,600 --> 00:16:09,600
DREARY FAT
BORING OLD GIT.
404
00:16:09,600 --> 00:16:11,400
I WAS JUST TELLING
YOUR HUSBAND
405
00:16:11,400 --> 00:16:12,800
WHAT AN AWFUL
BORE IT IS
406
00:16:12,800 --> 00:16:14,300
HAVING A SURNAME
LIKE GIT.
407
00:16:14,400 --> 00:16:17,400
OH! OH, WELL,
IT'S NOT THAT BAD.
408
00:16:17,400 --> 00:16:19,800
OH, YOU'VE NO IDEA
HOW THE KIDS GET TAUNTED.
409
00:16:19,900 --> 00:16:22,400
WHY, ONLY LAST WEEK
DIRTY LYING LITTLE TWO-FACED
410
00:16:22,400 --> 00:16:25,000
CAME RUNNING HOME FROM SCHOOL,
SOBBING HIS EYES OUT
411
00:16:25,100 --> 00:16:28,000
AND OUR YOUNGEST, GHASTLY
SPOTTY HORRIBLE VICIOUS LITTLE
412
00:16:28,000 --> 00:16:29,200
IS JUST AT THE AGE
413
00:16:29,300 --> 00:16:31,900
WHEN TAUNTS LIKE
"SHE'S A GIT" REALLY HURT.
414
00:16:31,900 --> 00:16:35,100
YES.
415
00:16:35,200 --> 00:16:36,600
DO... DO YOU
LIVE ROUND HERE?
416
00:16:36,700 --> 00:16:38,600
YES, WE LIVE UP
THE ROAD, NUMBER 49--
417
00:16:38,600 --> 00:16:39,600
YOU CAN'T MISS IT.
418
00:16:39,600 --> 00:16:41,400
WE'VE JUST HAD
THE OUTSIDE PAINTED
419
00:16:41,400 --> 00:16:42,400
WITH WARM PUS.
420
00:16:42,400 --> 00:16:43,500
IT'S VERY NICE,
ACTUALLY.
421
00:16:43,600 --> 00:16:45,600
GOES NICELY WITH
THE VOMIT AND CATARRH
422
00:16:45,600 --> 00:16:47,600
WE'VE HAD SMEARED
OVER THE FRONT DOOR.
423
00:16:47,700 --> 00:16:49,000
I THINK WE OUGHT
TO BE GOING.
424
00:16:49,100 --> 00:16:50,600
WE HAVE TWO CHILDREN
TO COLLECT.
425
00:16:50,700 --> 00:16:53,000
OH, WELL, BRING THEM
ROUND FOR TEA TOMORROW.
426
00:16:53,000 --> 00:16:55,200
IT'S GHASTLY SPOTTY
CROSS-EYED'S BIRTHDAY
427
00:16:55,300 --> 00:16:57,400
AND SHE'S HAVING A
DISEMBOWELING PARTY
428
00:16:57,400 --> 00:16:58,800
FOR A FEW FRIENDS.
429
00:16:58,800 --> 00:17:01,800
THE NAUSEAS WILL BE THERE,
AND DOUG AND JANICE MUCUS
430
00:17:01,900 --> 00:17:03,600
AND THE RECTUMS
FROM SWANAGE.
431
00:17:11,500 --> 00:17:12,800
AH, JOHN...
432
00:17:12,800 --> 00:17:15,600
ALLOW ME TO INTRODUCE
MY NEXT-DOOR NEIGHBOR.
433
00:17:15,600 --> 00:17:17,200
JOHN, THIS IS MR. WATSON.
434
00:17:17,300 --> 00:17:19,300
HELLO, I NOTICED
A SLIGHT LOOK OF ANXIETY
435
00:17:19,400 --> 00:17:20,600
CROSS YOUR FACE
JUST THEN
436
00:17:20,700 --> 00:17:22,000
BUT YOU NEEDN'T WORRY...
437
00:17:22,000 --> 00:17:24,400
I PREFERRED THE DIRTY VERSION.
438
00:17:27,400 --> 00:17:29,800
WELL, I'VE BEEN A HUNTER
ALL MY LIFE.
439
00:17:29,800 --> 00:17:30,800
I LOVE ANIMALS.
440
00:17:30,800 --> 00:17:32,800
THAT'S WHY I LIKE TO KILL 'EM.
441
00:17:32,900 --> 00:17:35,000
I WOULDN'T KILL AN ANIMAL
I DIDN'T LIKE.
442
00:17:36,400 --> 00:17:38,200
GOOD DAY, ROY.
443
00:17:38,200 --> 00:17:41,300
Narrator:
HANK AND ROY SPIM ARE TOUGH, FEARLESS BACKWOODSMEN
444
00:17:41,400 --> 00:17:42,800
WHO HAVE CHOSEN TO LIVE
445
00:17:42,900 --> 00:17:45,800
IN A VIOLENT, UNRELENTING
WORLD OF NATURE'S CREATURES
446
00:17:45,900 --> 00:17:47,700
WHERE ONLY THE FITTEST SURVIVE.
447
00:17:47,800 --> 00:17:50,100
TODAY THEY ARE OFF
TO HUNT MOSQUITOES.
448
00:17:50,100 --> 00:17:52,400
Roy:
THE MOSQUITO'S A CLEVER LITTLE BASTARD.
449
00:17:52,500 --> 00:17:54,400
YOU CAN TRACK HIM
FOR DAYS AND DAYS
450
00:17:54,400 --> 00:17:56,800
UNTIL YOU REALLY GET TO KNOW HIM
LIKE A FRIEND.
451
00:17:56,900 --> 00:17:59,400
HE KNOWS YOU'RE THERE,
AND YOU KNOW HE'S THERE.
452
00:17:59,500 --> 00:18:00,800
IT'S A GAME OF WITS.
453
00:18:00,800 --> 00:18:02,800
YOU HATE HIM,
THEN YOU RESPECT HIM
454
00:18:02,800 --> 00:18:04,600
THEN YOU KILL HIM.
455
00:18:04,700 --> 00:18:07,900
Narrator:
SUDDENLY, HANK SPOTS THE MOSQUITO THEY'RE AFTER.
456
00:18:11,700 --> 00:18:12,900
NOW MORE THAN EVER
457
00:18:13,000 --> 00:18:15,600
THEY MUST RELY ON THE SKILLS
THEY HAVE LEARNT
458
00:18:15,600 --> 00:18:17,200
FROM A LIFETIME'S HUNTING.
459
00:18:20,600 --> 00:18:22,700
HANK GAUGES THE WIND.
460
00:18:23,800 --> 00:18:26,800
ROY EXAMINES
THE MOSQUITO'S SPOOR.
461
00:18:30,700 --> 00:18:32,200
THEN...
462
00:18:46,500 --> 00:18:47,800
IT'S A SUCCESS.
463
00:18:47,900 --> 00:18:50,100
THE MOSQUITO NOW IS DEAD.
464
00:18:50,100 --> 00:18:52,200
BUT ROY MUST MAKE SURE.
465
00:18:54,400 --> 00:18:57,600
Roy:
THERE'S NOTHING MORE DANGEROUS THAN A WOUNDED MOSQUITO.
466
00:18:57,600 --> 00:19:00,200
Narrator:
BUT THE HUNT IS NOT OVER.
467
00:19:00,200 --> 00:19:03,600
WITH WELL-PRACTICED SKILL,
HANK SKINS THE MOSQUITO.
468
00:19:03,600 --> 00:19:07,600
THE WINGS OF A FULLY GROWN
MALE MOSQUITO CAN FETCH ANYTHING
469
00:19:07,700 --> 00:19:10,400
UP TO .8 OF A PENNY
ON THE OPEN MARKET.
470
00:19:17,500 --> 00:19:19,900
THE LONG DAY IS OVER
471
00:19:19,900 --> 00:19:25,300
AND IT'S BACK TO BASE CAMP
FOR A NIGHT'S REST.
472
00:19:25,400 --> 00:19:27,600
HERE, SURROUNDED
BY THEIR TROPHIES
473
00:19:27,600 --> 00:19:31,800
ROY AND HANK PREPARE FOR A MUCH
TOUGHER ORDEAL-- A MOTH HUNT.
474
00:19:31,800 --> 00:19:34,200
WELL, I FOLLOW THE MOTH
IN THE HELICOPTER
475
00:19:34,300 --> 00:19:36,100
TO LURE IT AWAY
FROM THE FLOWERS
476
00:19:36,100 --> 00:19:39,200
AND THEN ROY COMES ALONG
IN THE LOCKHEED STAR FIGHTER
477
00:19:39,200 --> 00:19:41,800
AND ATTACKS IT
WITH AIR-TO-AIR MISSILES.
478
00:19:41,800 --> 00:19:44,500
A LOT OF PEOPLE
HAVE ASKED US
479
00:19:44,500 --> 00:19:47,000
WHY WE DON'T
USE FLY SPRAY.
480
00:19:47,100 --> 00:19:50,000
WELL, WHERE'S
THE SPORT IN THAT?
481
00:19:50,100 --> 00:19:52,700
Narrator:
FOR ROY, SPORT IS EVERYTHING.
482
00:19:52,700 --> 00:19:56,300
EVER SINCE HE LOST HIS LEFT ARM
BATTLING WITH AN ANT
483
00:19:56,300 --> 00:20:00,200
ROY HAS RISKED HIS LIFE IN
THE PURSUIT OF TINY CREATURES.
484
00:20:02,900 --> 00:20:06,200
BUT IT'S NOT ALL WORK,
AND FOR RELAXATION
485
00:20:06,200 --> 00:20:09,800
THEY LIKE NOTHING MORE
THAN A DAY'S FISHING.
486
00:20:16,500 --> 00:20:20,700
WHEREVER THERE IS A CHALLENGE,
HANK AND ROY SPIM WILL BE THERE
487
00:20:20,800 --> 00:20:23,600
READY TO CARRY ON
THE PRIMORDIAL STRUGGLE
488
00:20:23,600 --> 00:20:26,500
BETWEEN MAN
AND INOFFENSIVE, TINY INSECTS.
489
00:20:44,400 --> 00:20:46,200
OH, I'VE HAD
SUCH A MORNING
490
00:20:46,200 --> 00:20:47,500
IN THE HIGH COURT.
491
00:20:47,500 --> 00:20:49,000
I COULD STAMP
MY LITTLE FEET
492
00:20:49,000 --> 00:20:50,600
THE WAY THOSE Q.C.s
CARRY ON.
493
00:20:50,600 --> 00:20:51,800
DON'T I KNOW IT, LOVE.
494
00:20:51,800 --> 00:20:53,500
OBJECTION HERE,
OBJECTION THERE.
495
00:20:53,500 --> 00:20:54,700
AND THAT
NICE POLICEMAN
496
00:20:54,800 --> 00:20:56,200
GIVING HIS
EVIDENCE SO WELL--
497
00:20:56,300 --> 00:20:57,600
BEAUTIFUL
SPEAKING VOICE.
498
00:20:57,700 --> 00:20:59,000
WELL, AFTER A BIT
499
00:20:59,000 --> 00:21:01,200
ALL I COULD DO WAS
BANG MY LITTLE GAVEL.
500
00:21:01,200 --> 00:21:01,900
YOU WHAT, LOVE?
501
00:21:01,900 --> 00:21:03,200
I BANGED ME GAVEL.
502
00:21:03,200 --> 00:21:05,500
I DID ME "SILENCE
IN COURT" BIT.
503
00:21:05,600 --> 00:21:06,800
OH! IF LOOKS COULD KILL
504
00:21:06,900 --> 00:21:09,800
THAT PROSECUTING COUNSEL
WOULD BE IN FOR 30 YEARS.
505
00:21:09,800 --> 00:21:11,300
HOW DID YOUR
SUMMING UP GO?
506
00:21:11,400 --> 00:21:12,400
I WAS PLEASED, ACTUALLY.
507
00:21:12,500 --> 00:21:14,200
I WAS TRYING TO
HAVE A BUTCH VOICE:
508
00:21:14,200 --> 00:21:16,200
( in deep voice ):
"WHAT THE JURY MUST UNDERSTAND..."
509
00:21:16,200 --> 00:21:17,400
AND THEY LOVED IT.
510
00:21:17,400 --> 00:21:18,800
I COULD SEE
THAT FOREMAN EYEING ME.
511
00:21:18,800 --> 00:21:19,600
REALLY?
512
00:21:19,600 --> 00:21:20,700
YES, CHEEKY DEVIL.
513
00:21:20,700 --> 00:21:21,900
WAS HE THAT TALL MAN WITH...?
514
00:21:21,900 --> 00:21:23,200
NO, JUST A MINUTE,
I MUST FINISH.
515
00:21:23,200 --> 00:21:24,600
ANYWAY, I
FINISHED UP WITH:
516
00:21:24,600 --> 00:21:26,800
( low voice ):
"THE ACTIONS OF THESE VICIOUS MEN
517
00:21:26,900 --> 00:21:28,600
"IS A VIOLENT STAIN
ON THE COMMUNITY
518
00:21:28,600 --> 00:21:30,100
"AND THE FULL
PENALTY OF THE LAW
519
00:21:30,100 --> 00:21:31,200
"IS SCARCELY SUFFICIENT
520
00:21:31,300 --> 00:21:32,900
TO DEAL WITH
THEIR GHASTLY CRIMES."
521
00:21:33,000 --> 00:21:33,800
AND I WAGGLED MY WIG.
522
00:21:33,900 --> 00:21:34,900
JUST EVER SO SLIGHTLY
523
00:21:35,000 --> 00:21:36,500
BUT IT WAS
A STUNNING EFFECT.
524
00:21:36,500 --> 00:21:37,700
OH, I BET IT WAS...
525
00:21:37,800 --> 00:21:40,100
LIKE THAT SUPER TIME
I WORE THAT STRIPED ROBE
526
00:21:40,100 --> 00:21:41,400
IN THE MAGISTRATES COURT.
527
00:21:41,500 --> 00:21:42,500
OH, AYE.
528
00:21:45,400 --> 00:21:47,000
HELLO, MRS. THING.
529
00:21:47,000 --> 00:21:48,600
HELLO, MRS. ENTITY.
530
00:21:48,600 --> 00:21:50,500
HOW ARE YOU, THEN?
531
00:21:50,500 --> 00:21:52,100
OH, I HAVE HAD A MORNING.
532
00:21:52,200 --> 00:21:53,200
BUSY?
533
00:21:53,200 --> 00:21:54,200
BUSY? HUH!
534
00:21:54,200 --> 00:21:55,200
I GOT UP AT 5:00
535
00:21:55,200 --> 00:21:56,800
I MADE MYSELF
A CUP OF TEA
536
00:21:56,900 --> 00:21:58,500
I LOOKED OUT
OF THE WINDOW.
537
00:21:58,600 --> 00:22:00,500
WELL, BY THEN
I WAS SO WORN OUT
538
00:22:00,500 --> 00:22:02,600
I HAD TO COME
AND HAVE A SIT-DOWN.
539
00:22:02,700 --> 00:22:04,400
I'VE BEEN HERE
FOR SEVEN HOURS.
540
00:22:04,500 --> 00:22:06,600
YOU MUST BE EXHAUSTED.
541
00:22:06,600 --> 00:22:08,100
OH, HAVE YOU
BEEN SHOPPING?
542
00:22:08,200 --> 00:22:09,600
NO, I'VE BEEN SHOPPING.
543
00:22:09,700 --> 00:22:10,600
FUNNY.
544
00:22:10,700 --> 00:22:11,600
I'M WORN OUT.
545
00:22:11,700 --> 00:22:13,400
I'VE BEEN SHOPPING
FOR SIX HOURS.
546
00:22:13,400 --> 00:22:14,800
WHAT HAVE YOU
BOUGHT, THEN?
547
00:22:14,800 --> 00:22:15,800
NOTHING.
548
00:22:15,800 --> 00:22:16,800
NOTHING AT ALL.
549
00:22:16,800 --> 00:22:18,400
A COMPLETE
WASTE OF TIME.
550
00:22:18,500 --> 00:22:19,500
WICKED, ISN'T IT?
551
00:22:19,600 --> 00:22:20,700
WICKED, IT'LL BE WORSE
552
00:22:20,800 --> 00:22:22,400
WHEN WE JOIN
THE COMMON MARKET.
553
00:22:22,400 --> 00:22:25,100
THAT NICE MR. HEATH
WOULD NEVER ALLOW THAT.
554
00:22:25,200 --> 00:22:27,000
IT'S FUNNY
HE NEVER MARRIED.
555
00:22:27,000 --> 00:22:28,400
HE'S A BACHELOR.
556
00:22:28,400 --> 00:22:30,300
OOH! THAT WOULD
EXPLAIN IT.
557
00:22:30,300 --> 00:22:31,400
OH, DEAR ME
558
00:22:31,500 --> 00:22:34,000
ALL THIS CHATTING AWAY
WEARS ME OUT.
559
00:22:34,000 --> 00:22:35,900
YES. I BET
MRS. REGINALD MAUDLING
560
00:22:36,000 --> 00:22:38,700
DOESN'T HAVE TO PUT UP
WITH ALL THIS DRUDGERY
561
00:22:38,700 --> 00:22:40,700
GETTING UP AT 5:00
IN THE MORNING
562
00:22:40,700 --> 00:22:41,900
MAKING A CUP OF TEA
563
00:22:41,900 --> 00:22:44,400
LOOKING OUT OF THE WINDOW,
CHATTING AWAY.
564
00:22:44,400 --> 00:22:46,100
NO! IT'D ALL
BE DONE FOR HER.
565
00:22:46,100 --> 00:22:47,800
YES, SHE'D HAVE
THE WHOLE DAY FREE
566
00:22:47,900 --> 00:22:48,900
FOR PLAYING SNOOKER.
567
00:22:49,000 --> 00:22:50,200
SHE PROBABLY WOULDN'T GO
568
00:22:50,300 --> 00:22:52,600
THROUGH ALL THE DRUDGERY
OF PLAYING SNOOKER
569
00:22:52,600 --> 00:22:53,600
DAY IN, DAY OUT.
570
00:22:53,700 --> 00:22:55,400
NO, IT WOULD ALL
BE DONE FOR HER.
571
00:22:55,400 --> 00:22:57,400
SHE WOULDN'T EVEN
HAVE TO LIFT A CUE.
572
00:22:57,500 --> 00:22:58,800
SHE PROBABLY
DOESN'T EVEN KNOW
573
00:22:58,800 --> 00:23:00,000
WHAT A BILLIARD
ROOM IS.
574
00:23:00,000 --> 00:23:02,300
NO-- STILL, IT'S NOT
AS BAD AS THE OLD DAYS.
575
00:23:02,300 --> 00:23:03,600
MRS. STANLEY BALDWIN
576
00:23:03,600 --> 00:23:06,500
USED TO HAVE TO GET UP
AT 5:00 IN THE MORNING
577
00:23:06,500 --> 00:23:08,500
AND GO OUT
AND CATCH PARTRIDGES
578
00:23:08,500 --> 00:23:09,800
WITH HER BARE HANDS.
579
00:23:09,800 --> 00:23:11,700
YES, AND MRS. WILLIAM
PITT THE ELDER
580
00:23:11,700 --> 00:23:13,200
USED TO HAVE TO
GET UP AT 3:00
581
00:23:13,300 --> 00:23:14,800
AND GO BURROWING
FOR TRUFFLES
582
00:23:14,800 --> 00:23:16,300
WITH THE BRIDGE
OF HER NOSE.
583
00:23:16,300 --> 00:23:19,400
MRS. BEETHOVEN USED
TO HAVE TO GET UP AT MIDNIGHT
584
00:23:19,500 --> 00:23:21,200
TO SPUR ON
THE MYNAH BIRD.
585
00:23:21,200 --> 00:23:23,000
LAZY CREATURES,
MYNAH BIRDS.
586
00:23:23,100 --> 00:23:24,000
YES.
587
00:23:24,100 --> 00:23:26,100
WHEN BEETHOVEN WENT DEAF
588
00:23:26,200 --> 00:23:29,000
THE MYNAH BIRD JUST
USED TO MIME.
589
00:23:29,000 --> 00:23:30,400
OOH! WHAT'S HAPPENING?
590
00:23:30,400 --> 00:23:31,400
IT'S ALL RIGHT.
591
00:23:31,400 --> 00:23:33,200
IT'S ONLY A FLASHBACK.
592
00:23:33,200 --> 00:23:37,100
( plays first four notes
of Symphony No. 5 )
593
00:23:37,200 --> 00:23:41,400
( clicking )
594
00:23:41,500 --> 00:23:43,900
YOU DON'T FOOL ME,
YOU STUPID MYNAH BIRD.
595
00:23:44,000 --> 00:23:45,000
I'M NOT DEAF YET.
596
00:23:45,000 --> 00:23:46,200
JUST YOU WAIT.
597
00:23:46,300 --> 00:23:47,300
( laughs )
598
00:23:49,100 --> 00:23:49,900
OH! BUGGER.
599
00:23:49,900 --> 00:23:51,200
SHUT UP!
600
00:23:51,300 --> 00:23:52,900
RIGHT IN THE WING.
601
00:23:52,900 --> 00:23:54,300
SHUT YOUR BEAK!
602
00:23:54,400 --> 00:23:57,600
GOTT IN HIMMEL,
I NEVER GET ANY PEACE HERE.
603
00:23:57,600 --> 00:24:00,500
( plays first seven notes
of Symphony No. 5 )
604
00:24:00,600 --> 00:24:03,700
( plays the wrong note
and repeats )
605
00:24:03,700 --> 00:24:04,900
LUDWIG!
606
00:24:04,900 --> 00:24:06,000
WHAT?!
607
00:24:06,000 --> 00:24:07,500
HAVE YOU SEEN
THE SUGAR BOWL?!
608
00:24:07,500 --> 00:24:09,800
NO, I HAVEN'T SEEN
THE BLOODY SUGAR BOWL!
609
00:24:09,800 --> 00:24:11,200
YOU KNOW,
THE SUGAR BOWL!
610
00:24:11,200 --> 00:24:12,300
SOD THE SUGAR BOWL!
611
00:24:12,400 --> 00:24:14,600
I'M TRYING TO FINISH
THIS STINKING TUNE!
612
00:24:14,600 --> 00:24:15,900
( cries )
613
00:24:16,000 --> 00:24:17,200
IT'S DRIVING ME SPARE!
614
00:24:17,300 --> 00:24:18,800
SO SHUT UP!
615
00:24:18,900 --> 00:24:21,800
( continues playing
first notes of Symphony No. 5 )
616
00:24:21,900 --> 00:24:25,900
( switches to opening bars
of "Washington Post March" )
617
00:24:26,000 --> 00:24:27,500
NO, NO, NO, NO, NO.
618
00:24:27,600 --> 00:24:30,200
( switches back to first
notes of Symphony No. 5 )
619
00:24:30,300 --> 00:24:32,200
LUDWIG, HAVE YOU SEEN
THE JAM SPOON?!
620
00:24:32,300 --> 00:24:33,400
STUFF THE JAM SPOON!
621
00:24:33,400 --> 00:24:35,400
IT WAS IN
THE SUGAR BOWL!
622
00:24:35,500 --> 00:24:37,600
LOOK, GET OUT,
YOU OLD RAT-BAG!
623
00:24:37,600 --> 00:24:38,700
BUZZ OFF AND SHUT UP!
624
00:24:38,800 --> 00:24:40,900
I DON'T KNOW WHAT
YOU SEE IN THAT PIANO!
625
00:24:40,900 --> 00:24:42,700
LEAVE ME ALONE!
626
00:24:42,800 --> 00:24:46,200
( plays first eight notes
of Symphony No. 5 correctly )
627
00:24:46,300 --> 00:24:50,000
( laughing ):
I'VE GOT IT! I'VE GOT IT!
628
00:24:50,000 --> 00:24:51,800
( plays first seven notes )
629
00:24:51,800 --> 00:24:53,300
DO YOU WANT
PEANUT BUTTER
630
00:24:53,300 --> 00:24:55,300
OR SANDWICH SPREAD
FOR YOUR TEA?
631
00:24:55,300 --> 00:24:56,300
WHAT?!
632
00:24:56,300 --> 00:24:57,600
PEANUT BUTTER!
633
00:24:57,600 --> 00:24:58,600
I'VE FORGOTTEN IT!
634
00:24:58,600 --> 00:25:00,900
I HAD IT! I HAD IT!
635
00:25:01,000 --> 00:25:02,300
DO YOU WANT
PEANUT BUTTER
636
00:25:02,300 --> 00:25:03,400
OR SANDWICH SPREAD?!
637
00:25:03,400 --> 00:25:04,800
I DON'T CARE!
638
00:25:04,800 --> 00:25:06,600
OOH! I DON'T KNOW.
639
00:25:06,600 --> 00:25:10,100
( fumbling around, attempting
first notes of Symphony No. 5 )
640
00:25:10,100 --> 00:25:11,100
I HAD IT.
641
00:25:11,200 --> 00:25:13,800
I HAD IT, YOU OLD BAG.
642
00:25:14,800 --> 00:25:17,800
MEIN LIEBER GOTT!
643
00:25:17,800 --> 00:25:19,600
WHAT ARE YOU DOING?
644
00:25:19,600 --> 00:25:21,200
( clanking and banging )
645
00:25:21,200 --> 00:25:23,300
WHAT'S THAT?!
646
00:25:23,400 --> 00:25:24,800
IT'S THE
PLUMBER!
647
00:25:24,900 --> 00:25:27,300
( clanking and banging
continue )
648
00:25:27,400 --> 00:25:30,100
GOTT IN HIMMEL,
I'M GOING OUT!
649
00:25:30,100 --> 00:25:31,600
WELL, IF YOU'RE GOING OUT
650
00:25:31,600 --> 00:25:34,400
DON'T FORGET WE'VE GOT THE
MENDELSSOHNS COMING FOR TEA
651
00:25:34,500 --> 00:25:36,300
SO DON'T FORGET
TO ORDER SOME PIKELETS!
652
00:25:36,400 --> 00:25:38,500
PIKELETS! PIKELETS!
653
00:25:38,600 --> 00:25:40,300
SHAKESPEARE NEVER HAD
THIS TROUBLE.
654
00:25:40,400 --> 00:25:41,800
DO YOU WANT TO BET?
655
00:25:41,800 --> 00:25:43,700
INCIDENTALLY, IT'S...
656
00:25:43,800 --> 00:25:47,400
( hums first eight notes
of Symphony No. 5 )
657
00:25:48,400 --> 00:25:49,600
YOU'RE RIGHT!
658
00:25:49,600 --> 00:25:51,700
INCIDENTALLY,
WHY NOT CALL HIM HAMLET?
659
00:25:51,800 --> 00:25:55,700
HAMLET! I LIKE,
MUCH BETTER THAN DAVID.
660
00:25:55,700 --> 00:25:57,900
MICHELANGELO, YOU CAN USE DAVID.
661
00:25:58,000 --> 00:25:59,200
I WON'T SUE.
662
00:25:59,200 --> 00:26:01,500
THANKS, BUT I'VE HAD
A BETTER IDEA.
663
00:26:05,000 --> 00:26:06,100
Woman:
MICHELANGELO!
664
00:26:06,200 --> 00:26:07,200
YES, DEAR!
665
00:26:07,200 --> 00:26:09,200
I'VE HAD ANOTHER SON.
666
00:26:09,300 --> 00:26:10,800
OH, MY LIFE.
667
00:26:10,800 --> 00:26:11,800
COMPOSER?
668
00:26:11,800 --> 00:26:14,100
I WOULDN'T WISH IT ON MY SON.
669
00:26:14,100 --> 00:26:16,500
HE'S A SENSITIVE BOY, ALREADY.
670
00:26:16,500 --> 00:26:19,600
I'D RATHER HE WAS A SEWAGE
ATTENDANT OR A RAT CATCHER.
671
00:26:30,500 --> 00:26:34,400
AHA! RATS AT 42A
KARTOFFELNSTRASSE.
672
00:26:34,400 --> 00:26:36,900
HEY, MITZI! I'VE GOT TO GO
TO POTATO STREET.
673
00:26:36,900 --> 00:26:38,700
Mitzi:
PUT YOUR GALOSHES ON.
674
00:26:42,500 --> 00:26:44,100
DEPRESSED BY RATS?
675
00:26:44,100 --> 00:26:46,000
DO MICE GET YOU DOWN?
676
00:26:46,100 --> 00:26:48,700
THEN WHY NOT VISIT
COLIN MOZART'S
677
00:26:48,800 --> 00:26:51,200
RODENT EXTERMINATING
BOUTIQUE?
678
00:26:51,200 --> 00:26:54,400
RATS EXTIRPATED, MICE PUNISHED
679
00:26:54,500 --> 00:26:57,900
VOLES TORN APART
BY COLIN MOZART
680
00:26:57,900 --> 00:27:02,400
MUNICH'S LEADING
FURRY ANIMAL LIQUIDATOR.
681
00:27:11,600 --> 00:27:14,300
( doorbell chimes )
682
00:27:16,200 --> 00:27:17,200
YES?
683
00:27:17,200 --> 00:27:18,200
COLIN MOZART.
684
00:27:18,200 --> 00:27:19,900
OH, THANK GOODNESS
YOU'VE COME.
685
00:27:19,900 --> 00:27:21,400
WE'RE HAVING
A TERRIBLE TIME
686
00:27:21,400 --> 00:27:22,700
WITH THEM
BLEEDING RATS.
687
00:27:22,700 --> 00:27:23,900
I THINK THEY LIVE
688
00:27:23,900 --> 00:27:25,800
IN HIS STUPID
PIANO ALREADY.
689
00:27:25,900 --> 00:27:27,800
Beethoven:
GET OUT THE BLOODY PIANO
690
00:27:27,800 --> 00:27:29,800
YOU STUPID, FURRY,
BUCKTOOTHED GITS!
691
00:27:29,800 --> 00:27:31,100
GET OUT!
692
00:27:31,200 --> 00:27:36,300
( continues trying to compose
Symphony No. 5 )
693
00:27:36,300 --> 00:27:38,100
GOTT IN HIMMEL!
694
00:27:38,100 --> 00:27:40,700
GET YOUR STINKING TAIL
OUT OF MY FACE.
695
00:27:48,200 --> 00:27:49,300
SHUT UP!
696
00:27:53,700 --> 00:27:56,100
SO ANYWAY, BEETHOVEN
WAS RATHER GLAD
697
00:27:56,200 --> 00:27:57,400
WHEN HE WENT DEAF.
698
00:27:57,500 --> 00:27:59,600
Jimmy Durante:
...SO LET'S CELEBRATE
699
00:27:59,600 --> 00:28:01,200
I'M FEELING GREAT
700
00:28:01,200 --> 00:28:04,800
I'M THE GUY
THAT FOUND THE LOST CHORD.
701
00:28:06,800 --> 00:28:07,800
WELL, I WAS
EVER SO GLAD
702
00:28:07,900 --> 00:28:09,400
THEY ABOLISHED
HANGING, YOU KNOW
703
00:28:09,400 --> 00:28:11,400
BECAUSE THAT BLACK CAP
JUST DIDN'T SUIT ME.
704
00:28:11,400 --> 00:28:12,400
YES, DO
YOU REMEMBER
705
00:28:12,400 --> 00:28:13,600
THE GLASGOW
TREASON TRIAL?
706
00:28:13,700 --> 00:28:15,800
OH, YES, I WORE A BODY
STOCKING ALL THROUGH IT.
707
00:28:15,800 --> 00:28:17,400
NO, HEN, AT
THE PARTY AFTERWARDS.
708
00:28:17,400 --> 00:28:19,100
OH, THAT'S RIGHT,
YOU WERE WALKING OUT
709
00:28:19,200 --> 00:28:20,900
WITH THAT VERY BUTCH
CLERK OF THE COURT.
710
00:28:21,000 --> 00:28:23,500
THAT'S RIGHT--
HE MADE ME WANT TO TURN QUEEN'S EVIDENCE.
711
00:28:23,500 --> 00:28:26,500
[Captioning sponsored by THE
U.S. DEPARTMENT OF EDUCATION
712
00:28:26,500 --> 00:28:28,500
and A&E TELEVISION NETWORKS
713
00:28:28,500 --> 00:28:31,500
Captioned by
The Caption Center WGBH EducationaL Foundation]
714
00:28:31,500 --> 00:28:34,500
...SPECIALLY
IN THAT ARSON CASE.
715
00:28:34,500 --> 00:28:35,800
WHAT WAS THE VERDICT?
716
00:28:35,800 --> 00:28:37,600
THEY PREFERRED
THE BROWN WIG.
717
00:28:37,700 --> 00:28:39,500
I LOVE THE
SCOTTISH ASSIZES.
718
00:28:39,600 --> 00:28:40,600
I KNOW WHAT THEY MEAN
719
00:28:40,700 --> 00:28:42,100
BY A REALLY
WELL HUNG JURY.
720
00:28:42,100 --> 00:28:43,400
OH! GET BACK
IN THE WITNESS BOX.
721
00:28:43,500 --> 00:28:44,600
YOU'RE TOO SHARP
TO LIVE.
722
00:28:44,600 --> 00:28:46,800
I'LL SMACK
YOUR LITTLE BOTTY!
723
00:28:46,900 --> 00:28:49,200
HAVE YOU TRIED THAT
NEW BODY RUB J.P.s USE?
724
00:28:49,300 --> 00:28:51,500
I HAD A MAGISTRATE
IN BRADFORD YESTERDAY.
725
00:28:51,600 --> 00:28:53,400
FUNNILY ENOUGH
I FELT LIKE ONE
726
00:28:53,500 --> 00:28:55,200
IN A LUNCHTIME
RECESS TODAY.
727
00:28:55,200 --> 00:28:56,500
BUT THE ONES
I REALLY LIKE
728
00:28:56,600 --> 00:28:58,800
ARE THOSE VOICE-OVER
ANNOUNCERS ON THE BBC--
729
00:28:58,800 --> 00:29:00,300
YOU KNOW, AFTER
THE PROGRAMS ARE OVER.
730
00:29:00,400 --> 00:29:02,000
OH, AYE-- COURSE, THEY'RE
BENT AS SAFETY PINS.
731
00:29:02,000 --> 00:29:04,400
I KNOW, BUT THEY'VE GOT
BEAUTIFUL SPEAKING VOICES:
732
00:29:04,400 --> 00:29:06,800
"AND NOW A CHOICE OF
VIEWING ON BBC TELEVISION."
733
00:29:06,800 --> 00:29:08,700
"HERE ARE TONIGHT'S
FOOTBALL RESULTS."
734
00:29:08,800 --> 00:29:10,800
Both:
MMM...
735
00:29:10,850 --> 00:29:15,400
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