All language subtitles for 17 - RAW vs DNG vs TIFF

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These are the user uploaded subtitles that are being translated: 1 00:00:01,066 --> 00:00:05,333 When we discussed the raw image format, we mentioned that each raw file 2 00:00:05,333 --> 00:00:10,666 is proprietary to the camera and manufacturer that produced the file. 3 00:00:10,766 --> 00:00:14,000 This means that certain applications may not be compatible 4 00:00:14,000 --> 00:00:18,700 with the raw file produced by a certain camera. 5 00:00:18,766 --> 00:00:21,766 You often experience this if you purchase new equipment, 6 00:00:21,933 --> 00:00:25,400 but use old editing software such as older versions 7 00:00:25,400 --> 00:00:28,400 of Photoshop or Lightroom. 8 00:00:28,433 --> 00:00:31,266 In some cases, even newer applications 9 00:00:31,266 --> 00:00:34,266 may not be able to read your file. 10 00:00:34,500 --> 00:00:36,866 So why does this happen? 11 00:00:36,866 --> 00:00:40,033 Remember your Rafael stores bits of data. 12 00:00:40,133 --> 00:00:44,666 Each camera manufacturer stores this data in a different order. 13 00:00:44,733 --> 00:00:49,733 Some raw files contain information that other raw files do not. 14 00:00:49,800 --> 00:00:54,333 Now, keep in mind, there are thousands of different camera types out there. 15 00:00:54,400 --> 00:00:57,700 This inconsistency, coupled with the volume of camera 16 00:00:57,700 --> 00:01:01,500 types and manufacturers, makes it challenging for software 17 00:01:01,500 --> 00:01:05,933 applications to simply open and interpret any raw file. 18 00:01:06,000 --> 00:01:08,300 Take a look at this chart, which shows you just a 19 00:01:08,300 --> 00:01:13,200 few of the different raw file formats from different manufacturers. 20 00:01:13,266 --> 00:01:16,000 Two popular ones here that you might recognize. 21 00:01:16,000 --> 00:01:19,000 Are the Nikon DOTT any file 22 00:01:19,033 --> 00:01:23,066 and the Canon dot C R2 formats. 23 00:01:23,133 --> 00:01:25,466 The metadata format in each one of these 24 00:01:25,466 --> 00:01:28,466 raw file types is different. 25 00:01:28,533 --> 00:01:31,400 This makes it challenging for a single application 26 00:01:31,400 --> 00:01:35,066 such as Lightroom and Photoshop to work with so many different 27 00:01:35,066 --> 00:01:39,100 formats. 28 00:01:39,166 --> 00:01:40,833 To resolve this issue, 29 00:01:40,833 --> 00:01:46,200 the DNG file or digital negative was created. 30 00:01:46,266 --> 00:01:50,600 This format is a lossless raw image format written by Adobe 31 00:01:50,800 --> 00:01:54,600 and specifically used for digital photography. 32 00:01:54,666 --> 00:01:58,966 The DNG file format offers a much greater level of compatibility 33 00:01:59,166 --> 00:02:02,733 with Adobe photo editing applications. 34 00:02:02,800 --> 00:02:06,333 It is considered universally accepted because it specifies 35 00:02:06,333 --> 00:02:11,266 exactly how a raw file should be written so that each manufacturer 36 00:02:11,300 --> 00:02:20,366 knows what order to store raw data in. 37 00:02:20,433 --> 00:02:23,333 Now that we're better acquainted with DNG files, 38 00:02:23,333 --> 00:02:28,300 we can explore some of the unique character tactics of this file type. 39 00:02:28,400 --> 00:02:31,166 First, DNG files are supported 40 00:02:31,166 --> 00:02:35,800 by several dozen software and camera manufacturers. 41 00:02:35,900 --> 00:02:38,100 The format was created by Adobe, 42 00:02:38,100 --> 00:02:41,966 but it is openly documented and openly licensed. 43 00:02:42,033 --> 00:02:45,266 This means DNG files have an increased probability 44 00:02:45,333 --> 00:02:49,866 of remaining accessible far into the future. 45 00:02:49,933 --> 00:02:53,933 DNG files are also known to produce smaller file sizes, 46 00:02:54,000 --> 00:02:57,233 typically 15 to 50% smaller 47 00:02:57,300 --> 00:03:00,600 due to better compression algorithms. 48 00:03:00,666 --> 00:03:05,766 DNG files retain all the original proprietary file information. 49 00:03:05,833 --> 00:03:08,800 Zero data is lost during the conversion process 50 00:03:08,800 --> 00:03:13,300 from camera RAW to DNG. 51 00:03:13,366 --> 00:03:15,600 As new cameras come to the market, 52 00:03:15,600 --> 00:03:22,000 they can be immediately supported 53 00:03:22,066 --> 00:03:24,500 similar to the DNG file format. 54 00:03:24,500 --> 00:03:27,133 The TIFF file also offers 16 bit 55 00:03:27,133 --> 00:03:30,133 color depth in lossless quality. 56 00:03:30,133 --> 00:03:33,500 For this reason, similar to RAW and DNG files, 57 00:03:33,600 --> 00:03:39,666 they're also much larger in file size than compressed formats such as JPEG. 58 00:03:39,733 --> 00:03:42,733 When we export photos from Lightroom to Photoshop, 59 00:03:42,833 --> 00:03:45,466 they're exported as either TIFF or Photoshop's 60 00:03:45,466 --> 00:03:48,466 native file format. SD. 61 00:03:48,666 --> 00:03:52,266 One of the benefits of TIFF files is their universal application 62 00:03:52,266 --> 00:03:57,633 among many different graphic design and photo editing applications. 63 00:03:57,700 --> 00:04:00,266 SD files are also considered less efficient 64 00:04:00,266 --> 00:04:03,700 than TIFF files in regards to image processing. 65 00:04:03,766 --> 00:04:06,666 Later, in the course, when we export images from Lightroom 66 00:04:06,666 --> 00:04:10,700 into Photoshop, you'll notice that the TIFF file format is recommended. 5709

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