All language subtitles for tp-s01e11-720p-splits_track3_[eng]

(Annie) l have been accused

of many things.

But the most familiar accusation
is that l mix politics with religion.

Well,

why not?

Aren't they the two most
potent forces in the world today?

Aren't we controlled by
one or by the other?

So why shouldn't they be brought together to work in
perfect harmony, work to create a better world for us all?

She's wonderful tonight.

Annie's wonderful every night.

You know why? Because she
believes in every word she says.

Really believes.

So do you.

Sure.

But l temper my belief with a
touch of hard-headed realism.

... the most grievous accusation
against me is that l am a Communist.

(Audience) Never!

They say l am a Communist
because l oppose the bosses.

(Annie) They say l am a Communist because l
work for where he and she belong, at the front.

(Annie) ... a Communist?
No, dear friends!

l say that makes me a humanist
who believes in God and man!

Ah! just over forty-one thousand dollars.

(lsla) Well, that's even better than Boston.

Yeah... could be even better still... .

Now, that's when she ought to make the appeal
for the money. Not on their way in, but then. Right?

Right when she's got them
in the palm of her hand.

l'll have to talk to her about it.

Still...

forty-one thousand dollars isn't chicken feed.

(AUDlENCE CHEERS AND WHlSTLES)

But l don't mind

the opposition.

(Annie) l don't mind the accusations.

(Annie) Because you and l both know
what that opposition means, don't we?

(Audience) Yes...

(Annie) lt means they are getting
scared of this movement.

(Audience) Yes...

(Annie) lt means that l am getting through
to them. Getting through to where it hurts!

That's the wind-up. Better get
her car around the back.

But l don't mean "l"...

because, in all humility, this would
not be possible without you,

(CLAPPlNG, CHEERlNG)

the Workers Christian Alliance. Workers
Christian Alliance: that means you and me,

brothers, sisters. That means you and me...

(GUNSHOT)

(AUDlENCE CHEERS AND WHlSTLES)

(Annie) l have come a long way...

(Annie) since that moment two years ago

(Annie) when an assassin tried to take
me from you. We have come a long way:

the Workers Christian Alliance (CHEERlNG), now
officially the fourth most potent force and still gaining!

Because we are not
just a political force;

we are a Christian force, too.

(AUDlENCE CHEERS AND CLAPS)

Handsome woman, eh?

Not bad for an old 'un.

Old?

Oh, she's no more than forty-five.

That's what l meant.

Well, you can't deny the power of her appeal.
She speaks with a passion, real passion.

Yeah, a passion for power.

Eh?

Annie lrvine. Agitator.

Agitat- ? Not once has she
ever advocated violence.

She always speaks out against it.

Nevertheless, it was violence that
put her where she is today.

Ah, c'mon - we all know the story. Annie was just another
crank, a political non-runner until someone took a shot at her.

Missed her heart and hit
the public right in its fickle one.

And now she's a mixture of Joan
of Arc and the Tolpuddle Martyrs.

She has a big following - millions.

And everywhere she goes, there's trouble.

Anyway, her big following's
mainly in California, so why us?

Because she's coming here.

She's coming home next week
for one special meeting.

Highly publicised, of course.

Of course. You can't keep
Annie out of the papers.

Gosh, l don't envy the Special Branch.

Won't be Special Branch. Cl5
we will be looking after Annie lrvine.

(SlGHS) Ah, for God sake, why us?

Because l want it.

Because l say so.

(MlMlCKlNG COWLEY):
"Because l want it... because l say so, Bodie."

And what he says goes.

Yeah. Ah, this could be different, though,
you know. l got a feeling, sense it.

Annie lrvine's different.

Yeah, she comes under the category
of visiting VlP, doesn't she?

Yeah. l wish she'd visit someplace else.

Yeah, so do l.

And Cowley wants her looked after. Well,
he might find that harder than it sounds.

What, because someone
tried to kill her before?

Yeah. And might well
try and kill her again.

Yes.

Yes, l'll be pleased to
appear tomorrow night.

Yes.

TV interview.

Tomorrow night? We have
the Ambassador's dinner.

We can fit it in.

Or cancel it. Sometimes not to appear at the
last moment is actually better than appearing.

lsla, my dear, l've said l will appear.

Yes, but-
-Oh, we can fit it in, l'm sure we can fit it in.

Or at least try.

lt's not just a question of trying.
l've said l will appear.

(Stanley) Of course, if we rearrange
the party schedule-

We can't! We just can't-
(TELEPHONE RlNGlNG)

Oh, damn.

(lsla) Yes?

(lsla) Miss lrvine never gives an interview
without a photographer. lt's a matter of policy.

This is impossible.

lt's Chicago all over again. You've
set Annie too tough a schedule.

She can do it. Can't you?

Stanley, sometimes l think you look on me just
as a piece of valuable property. Don't forget-

Lax.

Lousy.

Lousier than lousy.
You are now all dead.

What he means is, you
would be dead if it wasn't us.

Lovable us.-
- (LAUGHS) Yeah!

Well, you can relax,
we're not going to kill you.

Although almost anybody else could
have done. Your security's lousy!

(Bodie) Yeah, good job we tested it.-
(Doyle) - lt is, isn't it?

Just consider us the
finger-in-the-dyke men.

Yeah. We're, er, Cl5;
l'm Doyle, he's Bodie.

What kind of a joke is this?

(Stanley) Do you know who
you're dealing with?

l know who we might have been
dealing with: three corpses,

(Doyle) one black, two white.

(Bodie) Don't worry. We'll have security so tight,
you'll have to send out for oxygen.

We don't have to stand for this!

l'll call the Embassy.

(Annie) Come on, Stanley,
they're just doing their job.

And very well, too.

l shall feel quite safe with you
two around. Cl5, you say?

Yeah, Criminal lntelligence.
Mr Cowley's orders.

Cowley?

George Cowley?-
- Yep.

Georgie sent you!

What...?

l was thinking of when Cowley
was showing us that film...

and he said, "Handsome woman, eh?"
And you said-

Yeah, l know what l said.
"Not bad for an old 'un".

Yeah...

"Georgie."

(DOYLE LAUGHS)

This is not a job
for Cl5, you know.

(Bodie) l know.

(Doyle) lt's only because Cowley
wants it, because he says so.

What about this, er, lrvine woman?
Do you think she and Cowley ever...

Oh, come on. Cowley and the
opposite sex? You must be joking.

Well, he must be an
attractive man... l s'pose.

l mean, he's a bit aggressive, but

he... he would be
attractive, wouldn't he?

l've not noticed.

Anyway, too busy ducking insults.-
- Yeah.

What?

Oh, l was just thinking...
Cowley and a woman.

(LAUGHS)

Yeah. He'd kick the door down,
throw her on the bed-

And frisk her.

(DOYLE LAUGHS)

Uh-huh...

the extra man on the floor above?

ln position.

And the man across the street?

Ready and waiting.

Good, good. Well, we seem to
have Annie lrvine secure, eh?

l trust you both, and
l trust your judgement.

Nevertheless, sir...

Doyle and myself, sir, we were...

well, we'd feel more secure if...

no, well, we'd feel happier, sir,
if you'd go there yourself.

Check us out.

(Cowley) Go there myself?!

We'd feel happier, sir.

Go there myself?

Yeah, give her the
once-over, you know.

The assignment, sir, the stake out.

Yes,

yes, that might be
a good idea, Bodie.

Yes, l might just do that.

All right, carry on.-
- Thank you, sir.

(Doyle) Cupid.

(Turner) Hey!

All right, Turner. But nice,
very nice. Keep it up.

(Annie) We are beginning to
challenge the governments of...

(KNOCK AT DOOR)

Stanley?

Stanley!

(KNOCK AT DOOR)

Have l changed so much?

Georgie!

Georgie, come in, come in.

(Annie) You've hardly changed at all.

Och, the hair's thinned
down a wee bit.

Georgie, it's good to see you.

And you, Annie.

You're looking wonderful.-
- Oh...

lt's true; it was always true.

Whenever l see you, l
wish l had sore eyes.

What?

Well, you'd be a sight
for them, wouldn't you?

l've been half-expecting you.

Well, your men, earlier today...

you're looking after me now, aren't you?

An ambition finally realised:
to look after you, Annie.

Would you like a drink?-
- l wouldn't say no.

A wee dram of pure malt Scotch?

(LAUGHS) Oh, now l know
you haven't changed.

Tell me all your news.-
- News?

Well, how long is it since we
last met? Must be all of ten years.

Close on.

(Annie) My God. Ten years.

Where have they all gone, Georgie?

ln my case, into hard
and diligent work.

You never married, then?

Of course not.

You didn't have to ask that, Annie.

You know that, as far as l'm
concerned, you were always...

Cheers to you, Georgie.

Aye - cheers.

l've been married twice.

Well, you always were a
passionate woman, Annie.

Foolish, too. l've been divorced both times.

Oh, l know, l know. l've kept up with you, Annie. God knows
you're a difficult enough woman to keep with, but l've kept up.

But we had fun, didn't we, George?

Do you remember the fun we had?

l'll never forget it.

Oh, it's great to have you back,
Annie, if only for a few days.

And to tell you the truth, since l heard you
were coming, l've planned a few things.

Even got a couple of
tickets for the opera.

Remember how we used
to queue up for the opera?

We sat so high up in the gallery you said
they should have provided oxygen.

l'm going to be rather busy, George.

No, no, l'll have none of that. A few hours off, Annie.
lf not for me, you owe that to yourself.

Now, this is the Scala Company.
lt's a complete sell-out.

But l'm fairly important now, you see.
l can wangle a few tickets if l have to.

So, if l pick you up here
about half an hour before-

(Stanley) Annie?

l'm sorry- l, l didn't
know you had company.

(Annie) Stanley,

this is George Cowley,
an old, dear friend.

This is Stanley Langdon. Stanley
is my campaign manager.

Delighted to meet you, Mr Cowley.

(Stanley) Annie has often spoken about you.

How do you do.

Now, l understand you'll be
looking after her for me.

(Stanley) Well, l'd like to talk
to you about that later, if l may.

l'm sure your security arrangements are first class,
but, er, it would help if l could know about them, too.

My office door is always
open to you, Mr Langdon.

To both of you.

Well, it was good to see you, Annie.

(Annie) You're going so soon?

We've both got a pretty
full schedule ahead of us.

'll see you again before l go?

Perhaps.

Oh, Mr Langdon, l've got a couple of tickets for the opera here. l won't
be able to use them myself. Maybe you and Annie would like to-

We won't have the time. Anyway, opera?

We neither of us care for it.

Good night.

(Turner) Good night, sir.

Do you think she suspects?

No, she feels totally safe.

l don't mean about that.
Does she suspect about us?

No. Annie believes only
what she wants to believe.

There are many similarities.

Similarities?

(lsla) You are beautiful.

Just beautiful.

We're going to make her
the martyr of the decade.

Like Kennedy. Or Christ.

Or Peron.

They, all of them, their influence
was greater after their death.

l suppose that's what "martyr" really
means: a new beginning. Stronger.

Like Phoenix rising up from the ashes.

Yeah...

l like that! Annie
lrvine like a phoenix.

Dead, but, uh-
- But her soul goes marching on.

Stronger than before. Richer.

And you as spiritual leader.

Hm... would you accept treasurer?

l'd better get back or she'll
be wondering where l am.

How will you do it?

l've been thinking about that.

Annie's death will have
to be an event in itself.

Something so horrendous that
it will shock the world.

Hey, do you reckon they
were childhood sweethearts?

(Doyle) Eh?

Cowley and Annie lrvine.

(Doyle) He must be ten years older
than she is. Childhood sweethearts? Never.

Yeah. l reckon there's a story
there, though, don't you? Eh?

Yeah.

Love unrequited, l think.

You turning sentimental, Bodie?

No, nosy.

And l'm also something of an opportunist. Listen, Cowley's got a file
on us like that. He even knows what side of the bed we get out of.

(Doyle) And whose bed...

Yeah. So it'd be nice to have
something over him, wouldn't it?

Let's face it, we don't know
much about George Cowley.

Except he's the best man
l've ever worked for.

Hm... well, l'm not knocking his virtues.
l can list them from A to B.

Come on, you know you like him.

Okay, so l like him. But l'd like him even more if he'd let us
know a little bit more about him. You know, his Achilles' heel?

More human.

What, human enough
for a childhood sweetheart?

(Bodie) Hm, yeah,

(Bodie) all right - the dates are wrong.

What about Ml5?-
- What about it?

Well, when he was in Ml5, Annie could have been the beautiful spy.
You know, pitched her up over a wall, caught a glimpse of her knickers...

University.

That's where he met her.

He was a major then.

He didn't finish his education, you see; too busy
fighting a bloody war. Soon as it was over, he caught up.

Went to university, and that's
when he met this Annie lrvine.

(Charlie) She was a slip of a girl
then, but tough - very tough.

His Achilles' heel...
l used to wonder about that.

Then, one day, l ran into the two
of them in a pub down by the river.

Of course, the major had no side to him. l might've just been
a corporal but it was, "Hallo, Charlie", "Have a drink, Charlie"...

And l watched the pair of them.

(Charlie) And l watched him watching her.

What happened, Charlie?

She's a woman, isn't she?
And a tough 'un.

Funny, though...

l once helped carry him nearly a mile
over open country with a broken leg.

Every step agony -

but it was nothing compared with
the hurt l saw when she left him.

(Doyle) What happened, Charlie?

l shouldn't have told you.

(Charlie) l wouldn't expect you to go chasing
up the wrong tree, not understanding.

(Charlie) Now, you're not going
to go blabbing about this?

(Charlie) No...

Women.

These will be distributed at least
one hour before her meeting begins.

Our march will start
from the north side,

and the chant will
be just one word

because the boys that you buy in never seem to
be able to remember more than one word.

That word will be "whore".

(Howard) lt's a very calculated word.

(Howard) lt's hard, it's easy to
shout, and it's very insulting.

lnsulting enough to guarantee physical retaliation.

(Howard) Besides, anyone on our
side will know what we mean.

She's been married twice.

She's currently sporting a black paramour.

Frank, you will arrange a spontaneous demonstration
outside the meeting-place proper.

Rehearse your boys carefully on that.

Any questions?

(Howard) Right.

(Howard) And let us all make
sure the fists fly, hm?

Oh! l'm terribly sorry.

l take it this is all in the
cause of law and order...

Something like that.

(Howard) You see?

Pockets.

(Doyle) Mr Howard.

l have never seen that before.

lt was planted. You planted it.

Did you see me plant that?-
- No.

He just bumped into me.

Well, you'd better look where you're going
then, hadn't you? Come on, it's a bust.

(Cowley) Okay, wait outside.

Hallo, George.

John.

Those boys of yours are very good.

Neatest plant l ever experienced.

(Cowley) l train them well.

As you did me.

Sit down.

Surely you haven't forgotten that six bloody
weeks of training, that assault course?

l never will.

You pushed me, George.

You showed me what
l was really capable of.

Yes, l've got a lot to answer for.

Major Cowley. Sixteenth Special Commando.

A long time ago.

We were close then, George.

Really close.

You know, l've often thought,
if you'd thrown in with me-

With your bigotry? No, John. You
and l are diametrically opposed.

l respect you as a soldier, but for
everything else about you -

your ethics, your politics, the emotions you engender
l have a loathing of such depth you could never measure it.

My lawyer will get
me out, you know.

Eventually.

After the investigation has run its course.

Approximately one hour after Annie
lrvine's meeting has concluded?

Which prison do you prefer
to be remanded to?

You did me a favour or two during the
war, l'll not forget that. Which one?

Er, would Bedford be possible?

could have food sent in. As a matter of fact, there's
a rather nice little restaurant nearby that, er-

Bedford it is.

My demonstration will go on without me.

Yes.

And l hate to admit it, but,
without you, it'll lack power.

lt'll be a bomb without a fuse.

Miss lrvine's chair should be well
forward, centre of the stage.

(Doyle) l'd prefer it to be off stage.

Almost anybody could shoot her from
back there, you know... Never mind.

We'll have a man up there, Bodie'll take the
circle and l'll be right here in the front row.

What about when she comes
out into the audience?

Out?

She always does, to meet the people.

lt's part of her-

Act?

lt's part of her humanity.

Her bonhomie.

She always comes down to meet
the people, shake a few hands.

Well, one of those hands
could be holding a gun.

(Bodie) What's all that doing at the back?

lt's our experience that

those who can't get into the meeting tend
to congregate around the building.

And a few remain at the rear, hoping
to catch a glimpse of Miss lrvine.

What, all that for a few people?

Ah, Annie has a saying:

"From the few grow the many".

Hm. Adam and Eve
wouldn't argue with that.

(Doyle) Bodie.

(Doyle) Would you believe
this place has got a cellar?

(Bodie) Yep. Linked to the
main drainage system, eh?

(Doyle) Could be.

This is where you plan to
have it happen, isn't it?

l've organised meetings,

l've organised rallies.

But never a martyrdom, lsla.
Never a martyrdom.

Until now.

You always manage to
cap me, you know that?

Ahead of my thoughts.
That's why l like you.

Like?

Love.

(Hymer) Langdon.

Not here.

(Stanley) You come highly recommended,
Mr Hymer, but can you deliver?

(Hymer) Deliver what?

(Stanley) Oh, men who can keep their mouths shut.
Hungry men who'll do anything.

(Hymer) Provided the price is right.

Oh, good. We understand each other.

lt should be easy, very natural.

There's bound to be
a counter-demonstration.

l'll exaggerate it, panic her, get her
to leave by the back door.

That's when you hit her.

Now,

l'm buying a spectacular death, Mr Hymer,
so let your imagination have full rein.

And, if her blood should stain that poster of her
face out there, that'd be good news, too.

You're not a cannibal, too, are you?

Can you do it, Hymer?

l can do it.

Excellent.

Uh, Mr Langdon.

Yes?

l need to know how Miss
lrvine plans to arrive.

Oh, er, her own personal
car, front entrance.

Personal car? That'd be
something big and flashy, eh?

You'd prefer something more anonymous,
like an ordinary cab, perhaps.

Yeah, and through the back door.

(Doyle) We're all set.

(Cowley) Eh?

Bodyguards.

The guarding of Annie lrvine's body, sir.

(Bodie) Our stake-out's planned.

Yeah, we're concentrating on the close-quarters stuff -
the nearby nut with a gun, the individual killer.

l think the police should
take care of the mob.

Yes. Yes, that makes sense.

Thanks.

Glad to look after
Annie for you, sir.

(Hymer) l'm looking for Billy Taylor.

(Hymer) Big Billy Taylor.

l'm Big Billy.

You are big, aren't you?

What of it?

Nothing. l've got a job for you.
That's if you're interested in money.

Big money. Almost as big as you.

Let's walk.

What do you mean, he's
demanding to see me?

John Howard demanding?

He said it was very important, sir.

lf he thinks l'm going to trek out to
Bedford Prison, he's got another-

He's here, sir.

Right outside the door.

See, we...

he mentioned Annie lrvine.

As her meeting's just a couple
of hours away, we thought-

Oh, bring him in.

(Bodie) Come in.

l'm glad you agreed to see me, George.
l think perhaps you'll be glad, too.

(Cowley) You said "important".

l had a visit from my lawyer.

He brought me some news
from one of my men.

He'd been out trying to drum up
some converts for my cause.

You mean find you
a few more bully boys.

George, listen to me.

Someone beat him to it

Another man.

Not drumming up a mob,
just a selected few;

the hardest, the heaviest.

Not simply bully boys
looking for a fight.

Killers, George.

All carefully chosen for one particular task.

Annie?

l... think so.

Why are you telling me?

(Howard) Well, l owe
you a few favours.

Besides, the last thing l
want is Annie lrvine dead.

l'd be blamed immediately.
The backlash would destroy me.

Do you believe it?

Yes, sir, l believe l do.

Bodie?-
- Yes, sir.

So do l.

My God, so do l.

l'm obliged to you, John. l still don't like you,
mind, but l'm obliged to you. Send him back.

(Doyle) Mr Howard -

these men being hired; do you
know any more about them?

Not much. What you'd expect.

Big, tough. No sort of description
you could hang your hat on.

(Doyle) What will you do, sir?

Cancel the meeting.

She has to be made to
cancel that meeting.

Cancel it? Quite out of the question.

(Cowley) Annie-

No, no, no, no!

Not those flowers, dear. Take them away.
The flowers can only be red and white

White to symbolise our cause, red to remind
people of the blood l shed for them.

Red and white. Only red and white!

Annie, l've given you the facts.

You're expecting trouble.

We always expect trouble.

(Cowley) Men are being hired.

That, too?

Well, it's happened before.

Not here, not in my territory.

l'm cancelling the meeting.

Can you?

l know your organisation is omnipotent, a law unto itself,
but can you cancel my meeting? Can he, Stanley?

Prevent free speech?

The media would eat him alive.

Well, that's my gamble, but at
least you have the choice.

What about your supporters, the ordinary people
who'll be sitting out there? What about their safety?

(Stanley) lf Annie can take it, so can they.
Otherwise, they shouldn't be here.

(Annie) George.

l can remember a young student who once got
his head bust open at a political meeting.

He was standing up for the right
of everyone to speak freely.

We were both a lot
younger then, Annie.

Right, make yourselves at home.

She turned you down.

Langdon was right. We can't stop the meeting. lf we did that,
we'd be on Howard's side. But there's something we can do.

Meeting takes place here, right? Counter-
demonstration will probably use these streets.

That's a hell of a
large area to cover.

We're not going to cover it.

Got to make it an empty area.
A no-go area.

Get on to Police Control, tell them to close
off the area here, here, here and here.

Nobody gets in beyond those points.

There'll be a meeting all right,
but nobody will turn up.

Testing, testing, one, two, three, four.

lt's okay.

(Stanley) lt's fine.

And, please note, it is big.

(Annie) But they'll be standing.

(Stanley) Oh, ten deep in the aisles
and even more outside.

lt's wonderful

You've done a wonderful job, Stanley.

For you.

Yes.

For me.

Stanley,

do you think George Cowley was exaggerating when
he said there was going to be trouble?

Oh, no more than the usual extremists, and l'm
sure the police and George can handle it.

Oh, George. Poor George.

You never did tell me
about him, did you?

No, l never did, did l?

l must go and get changed.

That's her.

Mind you, with her face plastered over half the town,
you could hardly fail to recognise her, could you?

Not even you.

Not yet.

Not quite yet.

(CROWD SHOUTS AND WHlSTLES)

Sir.

How are things?

Not good. There's a big crowd
building up in the northeast sector.

A big, ugly crowd.

Who's running that sector?

Patterson.

Cowley to Patterson, come in.

(PATTERSON OVER RADlO)
Yes, sir. Over.

(Cowley)
Everything all right? Over.

Well, we've got the for-Annie-
lrvines and the against,

and at the moment they're too busy skirmishing with
each other to give us much trouble. Over.

Well, let's hope it stays that way. Keep in touch.
You, too. Over and out.

Yes, sir.

(CROWD SHOUTlNG)

(DOYLE WHlSTLES)

(Doyle) Okay?-
-(Lookout) Okay.

Well, it's working. A no-go area.

Listen.

(JEERlNG)

lt's started.

Cowley to Patterson, come in, Patterson.

(PATTERSON OVER RADlO)
Come in.

What's happening?

(PATTERSON OVER RADlO)
They've started on us now.

Bad?

(PATTERSON OVER RADlO)
l've seen worse, sir.

There's more people than we expected.
More people than we were prepared for.

Well, do your best. Over and out.

Well, the police'll hold them.

They'll get their heads kicked in and they'll kick a few heads in,
and tomorrow the papers'll be full of police brutality.

l hope they hold 'em.

l hope so, too.

l'm going over to check Patterson's position for myself.
You stay close to Annie- Miss lrvine. Take good care of her.

(Doyle) Yes, sir.

(SHOUTlNG AND CHANTlNG)

What's wrong?

The meeting's cancelled.

Because of them? Well,
we've faced mobs before.

Because of Cowley. The whole area's
sealed off. No one's getting through.

Who told you?

Doyle.

(Annie) Why has he done it?

lt's for your own good, Miss lrvine.

He cancelled my meeting.

(Bodie) Not exactly.
The meeting can still go on.

(Bodie) lt's just that some people
are finding it hard getting here.

But we're here. We're people. We'd like to
hear your speech. lsn't that right, Ray?

Absolutely right.

Yes, we'd like to be swayed to the
paths of peace and righteousness.

l'll never forgive him for this. Never.

That might just make you even.

Mightn't it?

(Annie) lt's none of your damned business.

(SHATTERlNG GLASS)

(SHOUTlNG AND CHANTlNG)

Patterson! Patterson!

(Patterson) lt's bloody hell, sir!

(Cowley) Can you hold them?

Well, l've got a good set of blokes but they're
going to take a hell of a hammering.

l've ordered up reinforcements.

Well, they'd better get
here damn quick, sir.

Doyle, there could be a breakthrough.

l'm on my way back to you now, but don't wait for me. Get
Annie lrvine clear. Pick her up and carry her if you have to.

Do the best you can, eh?

Yes, sir.

(Patterson) Hold back!
Get back, come on!

l'm not running.-
(Doyle) -Miss lrvine

l've faced a mob before and l've never run
away from them. l don't intend to run now.

(Bodie) Listen, Miss lrvine, there's a mob out there. They're
going to tear you to pieces. Now they've just broken through.

Annie, he's right. This
time you have to run.

Come on. l'll smuggle
her out the back way.

(Bodie) Turner will cover
you from the roof.

We'll hold the front
and catch up with you.

Annie! lt'll make a bigger
story than any speech.

D'you hear that?

l like a crowd.

Can lose yourself in a crowd.

You wait in the back.
l'll bring the car around.

Yeah?

There's a man on the roof.

Right.

(Turner) lt's all right, Miss lrvine.

l can see it from here.

Still a few blocks away.

(DOOR CRASHES OPEN)

Hold it!

Run!

Run, Miss lrvine! Run!

Run!

(GUNSHOTS)

(Doyle) Dead.

ln the dressing room.

Bottom of the trunk,
there's a gun. Bring it.

Stanley!

They've loused it up. Those jokers
l hired, they've loused it up.

Get the gun.

(Cowley) Annie!

Right! Come on!

(DlSTANT NOlSE OF CROWD)

(Hymer) This way!

(Hymer) She's in here somewhere.

(Billy) Well, let's get her,
then. Quick, eh?

Hold it.

Right, get down!

(TWO GUNSHOTS)

Ever shot a kewpie doll?
Anyone else want a try?

(Bodie) You, over there!

(Bodie) Right, drop everything.

(Bodie) Everything, including your pants!

(GUNSHOT)

No, around the ankles is just fine.

Hands on heads.

You all right, Ray?

Yeah.

How'd l do?

You're going to have to start
using a smaller calibre gun.

Where's Annie?

l dunno. She's around here somewhere.

Miss lrvine? Annie?

Over here, love.

You sure you're okay?

Arm's broken.

Yeah?

Don't cross in front!

Listen, there's a wagon back
there - l'll get it, okay?

Ray?

l think l might pass out.

Look, l'll be a minute. Okay?

(Doyle) Yeah.

You'll manage?-
- Yeah.

Bodie-
-Yeah.

l've seen that one before.

Talking to Stanley.

Yeah.

Don't pass out.

(Doyle) Stay behind me,
Miss lrvine, please.

They're pushing them back.

lt's all over, Miss lrvine.

(Bodie) ...which means, "resist"...

All right, sunshine.
You can pass out now.

(GUNSHOT)

(ANNlE SCREAMS)

Where is he?

George Cowley.

Ah, wondered when you'd turn up.

Right, we'll take you to him.

Hallo, sir.

Hallo, sir. How are you?

Leave us.

Yes, of course.

l got hurt, Annie.

l'm sorry. But, like me, that's one
of the risks you take, isn't it?

Yes.

(Annie) l'm going back to America,
George, on the twelve-thirty flight.

Well, it was nice of you to think
of dropping by to see me.

l had to see you, George.

lt was lsla, you know.
She planned the whole thing.

No, Annie, she told-

No, she lied to you. She implicated Stanley
because he's dead, because he can't deny it.

Annie.

You and l know the real truth.

The real truth.

You killed Stanley.

He had a gun pointed at you.

What do you want
me to say, George?

That you saved my life?

He had a gun pointed at you.

And you killed him for me?

But you hated him, didn't you, George?

You hated Stanley.

No, Annie.

That's the truth, isn't it,
George? That's the real truth.

Not because l hated him.

Not even because l envied him.

Will we see you again?

No.

l won't be coming
back to this country.

Our police are wonderful.

Yes, wonderful.

But l won't be coming back.

What about George- uh,
what about Mr Cowley?

You knew him very
well once, didn't you?

l never knew him at all.

But you can tell him one thing...
(SlREN)

...but l love him.

Goodbye.

Well, goodbye.-
- Great.

You gonna tell him?

Me?

(LAUGHS) Oh, yes.
She asked you, you know.

Well, you were there, too.

Tell him what?

You heard her, the bit where she-

Siren -

couldn't hear. Remember?

Anyway, he'll have enough problems
getting back on his own two feet.

Yeah, keeping us in line.

Exactly. So why tell him?

Tell him what?