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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:27,778 --> 00:00:29,780 [ WAVES CRASHING ] >> A LIGHT EXISTED IN THE CORNER 4 00:00:56,723 --> 00:00:57,808 OF THE ROOM. 5 00:00:57,808 --> 00:01:00,644 A SMALL, YELLOW TRIANGLE OF LIGHT. 6 00:01:00,644 --> 00:01:03,647 HER EYES CAUGHT IT, HELD IT. 7 00:01:03,647 --> 00:01:07,859 MAGIC THEY WERE, GOLDEN AND DEVOURING. 8 00:01:07,859 --> 00:01:12,572 A DECADE AGO, I WAS THEIR WILLING PRISONER. 9 00:01:12,572 --> 00:01:15,409 A LOCK HELD MY HEART. 10 00:01:15,409 --> 00:01:17,786 CHAINED. CHAINED. 11 00:01:17,786 --> 00:01:20,289 CHAINED ME TO HER. 12 00:01:20,289 --> 00:01:24,835 AND WHEN, AT LAST, I BROKE FREE, I REALIZED THE METERS AND MILES, 13 00:01:24,835 --> 00:01:29,214 HOW FAR I'D COME IN THE WRONG DIRECTION AND HOW MUCH FURTHER I 14 00:01:29,214 --> 00:01:31,967 NEEDED TO GO TO EVER FIND HER AGAIN. 15 00:01:31,967 --> 00:01:33,926 [ HORN PLAYING ] [ PEOPLE GRUNTING, MOANING ] 16 00:02:21,767 --> 00:02:23,018 >> HA! 17 00:02:23,018 --> 00:02:27,647 >> [ SOBS ] >> [ MOANING ] 18 00:02:27,647 --> 00:02:33,278 >> [ SPUTTERING ] >> [ SOBS ] 19 00:02:33,278 --> 00:02:37,783 >> AH. RIGHT HERE. GOOD. 20 00:02:37,783 --> 00:02:41,661 HERE. 21 00:02:41,661 --> 00:02:43,246 GOOD. NOW YOU CAN POISE UP. 22 00:02:43,246 --> 00:02:45,415 I REALLY WANT YOU TO GO DEEPER NOW. 23 00:02:45,415 --> 00:02:46,917 GOOD. RIGHT THROUGH HERE. 24 00:02:46,917 --> 00:02:48,043 PULL YOU UP. 25 00:02:48,043 --> 00:02:49,753 GOOD. FEEL YOUR BODY. 26 00:02:49,753 --> 00:02:53,340 GOOD. AND SEND THIS ENERGY OUT TO EACH OTHER. 27 00:02:53,340 --> 00:02:57,594 LET IT MIX IN THE ROOM AND SEND THROUGH EACH OTHER. 28 00:02:57,594 --> 00:03:00,514 [ ALL MOANING ] GOOD. MAKE SOME SOUND. 29 00:03:00,514 --> 00:03:02,641 GOOD. YOU GOT TO MAKE SOUND. 30 00:03:02,641 --> 00:03:05,811 >> [ MOANS ] >> A LITTLE MORE RIGHT HERE. 31 00:03:05,811 --> 00:03:09,689 >> [ MOANS ] >> GOOD. GOOD. GOOD. 32 00:03:09,689 --> 00:03:12,359 GOOD. AND RIGHT HERE. 33 00:03:12,359 --> 00:03:14,444 A TEENY LITTLE BIT BACK HERE. 34 00:03:14,444 --> 00:03:15,237 COME ON. 35 00:03:15,237 --> 00:03:20,784 >> [ MOANS ] >> COME ON. DEEPER. 36 00:03:20,784 --> 00:03:22,369 GO DEEPER. 37 00:03:22,369 --> 00:03:25,329 >> [ MOANS ] >> OKAY. 38 00:03:25,329 --> 00:03:27,165 UH, KEEP WORKING THAT HEAD. 39 00:03:27,165 --> 00:03:27,749 OKAY? 40 00:03:27,749 --> 00:03:30,460 [ ALL MOANING ] GOOD. 41 00:03:30,460 --> 00:03:31,545 GOOD. 42 00:03:31,545 --> 00:03:33,130 INTO EACH OTHER. COME ON. 43 00:03:33,130 --> 00:03:34,840 WE'RE GONNA HAVE A GOOD DAY. 44 00:03:34,840 --> 00:03:38,927 [ MOANS ] GOOD. GOOD. 45 00:03:38,927 --> 00:03:40,595 BRING IT BACK HERE. 46 00:03:40,595 --> 00:03:42,055 EXCELLENT. EXCELLENT. 47 00:03:42,055 --> 00:03:45,100 >> A LIGHT EXISTED IN THE CORNER OF THE ROOM. 48 00:03:45,100 --> 00:03:47,602 A SMALL, YELLOW TRIANGLE OF LIGHT. 49 00:03:47,602 --> 00:03:49,521 HER EYES CAUGHT IT, HELD IT. 50 00:03:49,521 --> 00:03:52,274 MAGIC THEY WERE, GOLDEN AND DEVOURING. 51 00:03:52,274 --> 00:03:55,317 A DECADE AGO, I WAS THEIR WILLING PRISONER. 52 00:03:55,317 --> 00:03:57,028 A LOCK HELD MY HEART. 53 00:03:57,028 --> 00:03:58,447 CHAINED. CHAINED. 54 00:03:58,447 --> 00:03:59,948 CHAINED ME TO HER. 55 00:03:59,948 --> 00:04:03,201 AND WHEN, AT LAST, I BROKE FREE, I REALIZED THE METERS AND MILES, 56 00:04:03,201 --> 00:04:06,288 HOW FAR I'D COME IN THE WRONG DIRECTION AND HOW MUCH FURTHER I 57 00:04:06,288 --> 00:04:08,248 NEEDED TO GO TO EVER FIND HER AGAIN. 58 00:04:08,248 --> 00:04:12,127 >> AND WHAT DOES IT MEAN? 59 00:04:12,127 --> 00:04:13,670 >> UH... 60 00:04:13,670 --> 00:04:14,796 I DON'T KNOW. 61 00:04:14,796 --> 00:04:19,050 >> WELL, WHAT DOES IT MEAN TO YOU? 62 00:04:19,050 --> 00:04:20,677 >> LOVE? 63 00:04:20,677 --> 00:04:21,428 LOST LOVE? 64 00:04:21,428 --> 00:04:22,762 >> ARE YOU ASKING ME? 65 00:04:22,762 --> 00:04:26,183 BECAUSE IF YOU'RE ASKING ME, THEN YOU OBVIOUSLY DON'T KNOW. 66 00:04:26,183 --> 00:04:28,935 AND IF YOU DON'T KNOW, THEN WHY ARE YOU HERE? 67 00:04:28,935 --> 00:04:30,479 YOU NEED TO KNOW VICTOR. 68 00:04:30,479 --> 00:04:31,938 YOU NEED TO LEARN HIM. 69 00:04:31,938 --> 00:04:34,774 YOU NEED TO UNDERSTAND HIS WANTS, HIS NEEDS. 70 00:04:34,774 --> 00:04:40,197 YOU NEED TO UNDERSTAND WHERE HE'S BEEN AND WHERE HE'S GOING. 71 00:04:40,197 --> 00:04:43,658 JAMES, WE'VE BEEN WORKING ON THIS MONOLOGUE FOR ABOUT THREE 72 00:04:43,658 --> 00:04:44,534 WEEKS, MAYBE. 73 00:04:44,534 --> 00:04:47,746 AND TO BE HONEST WITH YOU, WE HAVEN'T GOTTEN THAT FAR. 74 00:04:47,746 --> 00:04:49,456 >> SO, WHAT DO I NEED TO DO? 75 00:04:49,456 --> 00:04:52,417 >> I CAN ONLY ANSWER THAT QUESTION SO MANY TIMES. 76 00:04:52,417 --> 00:04:53,960 YOU NEED TO ASK YOURSELF. 77 00:04:53,960 --> 00:04:57,506 YOU NEED TO FIND THE GIRL WITH THE GOLDEN EYES, WHOMEVER SHE 78 00:04:57,506 --> 00:05:00,509 MAY BE, TO YOU. 79 00:05:00,509 --> 00:05:03,178 TO VICTOR. 80 00:05:03,178 --> 00:05:04,971 >> MAYBE I'M NOT MEANT TO DO THIS. 81 00:05:04,971 --> 00:05:07,682 >> MAYBE NOT. 82 00:05:07,682 --> 00:05:10,852 ALL I KNOW IS YOU CAME TO MY CLASS FOR A REASON. 83 00:05:10,852 --> 00:05:14,606 I'M WILLING TO TEACH YOU, BUT AT SOME POINT, YOU HAVE TO BE 84 00:05:14,606 --> 00:05:16,775 WILLING TO TRY. 85 00:05:16,775 --> 00:05:18,443 >> I'M SORRY. 86 00:05:18,443 --> 00:05:20,570 >> DON'T BE SORRY. 87 00:05:20,570 --> 00:05:24,282 JUST DO THE WORK. 88 00:05:24,282 --> 00:05:26,201 OKAY. 89 00:05:26,201 --> 00:05:28,036 IT'S 10 TO 4:00. 90 00:05:28,036 --> 00:05:30,872 HOW ABOUT WE CALL IT A WRAP? 91 00:05:30,872 --> 00:05:34,793 I'LL GIVE YOU 10 MINUTES AT THE END OF NEXT SESSION. 92 00:05:34,793 --> 00:05:36,795 YOU WANT A CUP OF COFFEE? 93 00:05:36,795 --> 00:05:37,921 >> SURE. 94 00:05:37,921 --> 00:05:39,881 >> OKAY. COME ON. 95 00:05:51,308 --> 00:05:55,855 >> [ CHUCKLES ] [ GRUNTS LOUDLY ] 96 00:05:55,855 --> 00:05:56,898 >> AAH! 97 00:05:56,898 --> 00:06:07,367 [ BOTH LAUGH ] >> [ SPEAKING SPANISH ] 98 00:06:07,367 --> 00:06:10,287 >> [ LAUGHS ] YOU WILL LOOK AMAZING. 99 00:06:10,287 --> 00:06:13,164 >> [ SPEAKS SPANISH ] >> WHY NOT? 100 00:06:13,164 --> 00:06:25,885 >> [ SPEAKS SPANISH ] [ COMPUTER KEYS CLACKING ] 101 00:06:25,885 --> 00:06:27,846 [ POUNDS DESK ] [ DOORBELL RINGS ] 102 00:06:54,039 --> 00:06:54,998 >> HELLO. 103 00:06:54,998 --> 00:06:56,499 >> [ LAUGHS ] HI! 104 00:06:56,499 --> 00:06:57,876 >> WHAT IS ALL THIS? 105 00:06:57,876 --> 00:06:59,336 >> OH, THIS IS HEAVY. 106 00:06:59,336 --> 00:07:00,712 I'M COOKING FOR YOU. 107 00:07:00,712 --> 00:07:01,254 HERE. 108 00:07:01,254 --> 00:07:02,839 WHERE'S SYLVIA? 109 00:07:02,839 --> 00:07:03,798 >> SERAFINA. 110 00:07:03,798 --> 00:07:05,008 >> OH, SERAFINA. 111 00:07:05,008 --> 00:07:05,842 >> HELLO. 112 00:07:05,842 --> 00:07:06,468 >> HI. 113 00:07:06,468 --> 00:07:07,218 >> HOLA. 114 00:07:07,218 --> 00:07:08,345 >> HEY. 115 00:07:08,345 --> 00:07:09,179 >> HOW ARE YOU? 116 00:07:09,179 --> 00:07:09,929 >> FINE. YOU? 117 00:07:09,929 --> 00:07:11,056 >> OH, SO YOU THINK? 118 00:07:11,056 --> 00:07:12,182 >> GOOD, GOOD, GOOD. 119 00:07:12,182 --> 00:07:13,475 >> CAN I HELP SOMETHING? 120 00:07:13,475 --> 00:07:14,059 TO COOK? 121 00:07:14,059 --> 00:07:14,976 >> DO YOU COOK? 122 00:07:14,976 --> 00:07:16,978 >> OF COURSE I COOK. 123 00:07:16,978 --> 00:07:17,937 >> HERE. 124 00:07:17,937 --> 00:07:19,522 >> OH, THANK YOU! 125 00:07:19,522 --> 00:07:20,940 THEY'RE SO BEAUTIFUL. 126 00:07:20,940 --> 00:07:22,192 MM. 127 00:07:22,192 --> 00:07:23,902 >> CAN I GET YOU LADIES SOME WINE? 128 00:07:23,902 --> 00:07:24,486 >> UH-HUH. 129 00:07:24,486 --> 00:07:25,528 >> UH, ME TOO. 130 00:07:25,528 --> 00:07:51,012 [ CLEARS THROAT ] [ LAUGHTER ] 131 00:07:51,012 --> 00:07:54,349 >> HEY. 132 00:07:57,686 --> 00:07:59,646 BRIT? 133 00:08:04,025 --> 00:08:06,194 >> HEY. 134 00:08:06,194 --> 00:08:07,445 >> WHAT ARE YOU DOING? 135 00:08:07,445 --> 00:08:08,613 WHY IS YOUR DAD HERE? 136 00:08:08,613 --> 00:08:10,824 >> LOOK, I DON'T WANT TO TALK ABOUT IT. 137 00:08:10,824 --> 00:08:13,535 >> YOU CAN'T TELL ME THAT RIGHT NOW WHEN YOU'RE IN THE MIDDLE OF 138 00:08:13,535 --> 00:08:14,160 MOVING OUT. 139 00:08:14,160 --> 00:08:16,121 IF NOT NOW, WHEN ARE WE GONNA TALK ABOUT IT? 140 00:08:16,121 --> 00:08:17,205 >> JAMES, COME ON, OKAY? 141 00:08:17,205 --> 00:08:18,415 DON'T START THIS RIGHT NOW. 142 00:08:18,415 --> 00:08:19,749 >> IS IT BECAUSE I QUIT MY JOB? 143 00:08:19,749 --> 00:08:22,961 >> JAMES, GO FIGURE YOURSELF OUT, OKAY? 144 00:08:22,961 --> 00:08:27,424 'CAUSE I-I CAN'T DO THIS ANYMORE. 145 00:08:27,424 --> 00:08:29,384 YEAH, I'LL BE DOWN IN A SEC. 146 00:08:34,472 --> 00:08:35,597 >> SO, IS THIS IT? 147 00:08:35,597 --> 00:08:37,100 I'LL NEVER SEE YOU AGAIN? 148 00:08:37,100 --> 00:08:40,937 >> [ SNIFFLES ] YOU'VE ALWAYS OWNED MY HEART. 149 00:08:40,937 --> 00:08:42,897 I THINK YOU KNOW THAT. 150 00:08:47,569 --> 00:08:49,529 [ DOOR CLOSES ] >> [ LOWING ] 151 00:09:39,746 --> 00:09:54,177 [ LOWING INTENSIFIES ] [ SHOUTS ] 152 00:09:54,177 --> 00:09:56,679 THE LIPS. 153 00:09:56,679 --> 00:10:01,059 THE BREATH. 154 00:10:01,059 --> 00:10:07,023 EYES. 155 00:10:07,023 --> 00:10:10,860 CLOSE. 156 00:10:10,860 --> 00:10:14,197 OPEN. 157 00:10:14,197 --> 00:10:20,078 DEATH IS THE STILL WATER... 158 00:10:20,078 --> 00:10:23,748 AT THE DOOR. 159 00:10:23,748 --> 00:10:25,708 [ GASPS ] I SEE YOU, DEATH! 160 00:10:32,799 --> 00:10:36,719 I...SEE...YOU! 161 00:10:43,601 --> 00:10:45,562 [ INDISTINCT CONVERSATIONS ] >> YOU WANT ANOTHER GLASS? 162 00:10:55,280 --> 00:10:57,490 >> YEAH. SURE. 163 00:10:57,490 --> 00:10:59,409 >> WHAT IS THAT? 164 00:10:59,409 --> 00:11:02,829 >> UH, IT'S THIS PLAY I'M WORKING ON FOR MY CLASS. 165 00:11:02,829 --> 00:11:03,955 >> WHAT CLASS? 166 00:11:03,955 --> 00:11:05,915 >> [ CHUCKLES ] ACTING CLASS. 167 00:11:05,915 --> 00:11:07,417 >> OH, WHAT? YOU'RE AN ACTOR NOW? 168 00:11:07,417 --> 00:11:11,588 THE WHOLE LAW THING JUST DIDN'T WORK OUT FOR YOU? 169 00:11:11,588 --> 00:11:14,257 >> YEAH. 170 00:11:14,257 --> 00:11:17,051 NO, I HAVE NO IDEA WHAT I'M DOING, ACTUALLY. 171 00:11:17,051 --> 00:11:18,720 >> LOOK, I'M OFF IN 20 MINUTES. 172 00:11:18,720 --> 00:11:19,304 LET'S... 173 00:11:19,304 --> 00:11:22,599 [ CORK POPS ] ...HAVE A DRINK. 174 00:11:22,599 --> 00:11:24,559 >> OKAY. 175 00:11:28,313 --> 00:11:29,647 >> MUCHOS GRACIAS, SEÑOR. 176 00:11:29,647 --> 00:11:31,608 THANK YOU VERY MUCH. 177 00:11:36,195 --> 00:11:37,447 >> HI, HENRY. 178 00:11:37,447 --> 00:11:38,197 >> HI. 179 00:11:38,197 --> 00:11:40,533 >> SO, WHAT DO YOU THINK? 180 00:11:40,533 --> 00:11:42,076 >> REALLY QUITE SOMETHING. 181 00:11:42,076 --> 00:11:43,453 >> DON'T GIVE ME THAT. 182 00:11:43,453 --> 00:11:45,079 >> WE THOUGHT IT WAS GREAT. 183 00:11:45,079 --> 00:11:46,331 >> TELL ME HONESTLY. 184 00:11:46,331 --> 00:11:47,290 I CAN TAKE IT. 185 00:11:47,290 --> 00:11:48,750 >> NO, YOU CAN'T, HENRY. 186 00:11:48,750 --> 00:11:50,418 YOU NEVER COULD. 187 00:11:50,418 --> 00:11:52,086 >> HOW DARE YOU? 188 00:11:52,086 --> 00:11:53,463 >> IT WAS... 189 00:11:53,463 --> 00:11:54,422 A BIT SELF-INDULGENT. 190 00:11:54,422 --> 00:11:55,256 >> SELF-INDULGENT? 191 00:11:55,256 --> 00:11:55,757 >> YEAH. 192 00:11:55,757 --> 00:11:56,633 >> WELL, THANK YOU. 193 00:11:56,633 --> 00:11:58,426 THAT REALLY MEANS A LOT COMING FROM YOU. 194 00:11:58,426 --> 00:12:00,637 AFTER ALL, THAT IS YOUR AREA OF EXPERTISE, ISN'T IT? 195 00:12:00,637 --> 00:12:01,554 >> SEE? I TOLD YOU? 196 00:12:01,554 --> 00:12:02,180 >> IT'S OKAY. 197 00:12:02,180 --> 00:12:03,222 >> HE COULDN'T TAKE IT. 198 00:12:03,222 --> 00:12:04,933 >> WHY'D YOU EVEN BOTHER COMING? 199 00:12:04,933 --> 00:12:10,271 >> [ SPEAKS SPANISH ] >> YOU ASKED ME TO, HEN. 200 00:12:10,271 --> 00:12:12,231 YOU ASKED ME TO. 201 00:12:12,231 --> 00:12:13,900 WHAT DO YOU EXPECT ME TO SAY? 202 00:12:13,900 --> 00:12:16,653 IT WAS A THREE-HOUR ONE-MAN SHOW WITHOUT AN INTERMISSION. 203 00:12:16,653 --> 00:12:17,904 >> IT'S BARELY OVER TWO. 204 00:12:17,904 --> 00:12:20,782 >> A MAN NEEDS TO GET UP AND STRETCH, ESPECIALLY AFTER THOSE 205 00:12:20,782 --> 00:12:21,908 CRAMPED, LITTLE SEATS. 206 00:12:21,908 --> 00:12:22,241 OH! 207 00:12:22,241 --> 00:12:25,119 >> WELL, NOT EVERYONE CAN DEBUT THEIR PLAY ON BROADWAY, YOU 208 00:12:25,119 --> 00:12:25,536 KNOW. 209 00:12:25,536 --> 00:12:27,455 I'M SORRY. 210 00:12:27,455 --> 00:12:28,331 I KNEW IT. 211 00:12:28,331 --> 00:12:29,374 >> KNEW WHAT? 212 00:12:29,374 --> 00:12:33,336 >> THAT YOU'D COMPLAIN ABOUT THE THEATER, ABOUT THE LACK OF 213 00:12:33,336 --> 00:12:34,170 GRANDEUR. 214 00:12:34,170 --> 00:12:38,174 >> LOOK, LET'S NOT GO INTO THIS RIGHT NOW, OKAY? 215 00:12:38,174 --> 00:12:40,051 IT'S A LOVELY EVENING. 216 00:12:40,051 --> 00:12:41,719 I WANT TO ENJOY IT. 217 00:12:41,719 --> 00:12:45,598 I'VE GOT VERONICA ALL DRESSED UP, AND I WANT TO SHOW HER OFF A 218 00:12:45,598 --> 00:12:46,766 LITTLE BIT, HUH? 219 00:12:46,766 --> 00:12:49,227 >> FINE. 220 00:12:49,227 --> 00:12:52,313 >> HE'S PROUD OF YOU. 221 00:12:52,313 --> 00:13:00,863 >> ENJOY THE REST OF YOUR EVENING. 222 00:13:00,863 --> 00:13:04,033 >> SERIOUSLY, THIS QUARTER-LIFE CRISIS SEEMS A LITTLE MORE 223 00:13:04,033 --> 00:13:06,411 DRAMATIC THAN MOST. 224 00:13:06,411 --> 00:13:09,956 >> I DON'T WANT TO BE A LAWYER ANYMORE. 225 00:13:09,956 --> 00:13:13,793 WHY DOES EVERYONE HAVE SUCH A HUGE PROBLEM WITH THAT ONE? 226 00:13:13,793 --> 00:13:15,336 IT'S MY LIFE. 227 00:13:15,336 --> 00:13:17,005 I'M LIVING IT. 228 00:13:17,005 --> 00:13:20,550 IF I'M NOT DOING WHAT MAKES ME HAPPY, THEN WHAT'S THE POINT? 229 00:13:20,550 --> 00:13:21,175 >> HMM. 230 00:13:21,175 --> 00:13:25,847 YOU DON'T REALLY SEEM THAT HAPPY TO ME. 231 00:13:25,847 --> 00:13:28,266 SO, OKAY, SO TELL ME ABOUT THIS ACTING THING. 232 00:13:28,266 --> 00:13:30,143 LIKE, WHAT IS IT YOU'RE DRAWN TO? 233 00:13:30,143 --> 00:13:33,312 'CAUSE IF YOU'RE GONNA PURSUE THIS, THEN YOU SHOULD REALLY GO 234 00:13:33,312 --> 00:13:34,439 WHOLE HOG, YOU KNOW? 235 00:13:34,439 --> 00:13:35,732 >> WHO SAYS "WHOLE HOG"? 236 00:13:35,732 --> 00:13:36,816 >> SHUT UP. 237 00:13:36,816 --> 00:13:39,569 >> [ LAUGHS ] I KNOW. 238 00:13:39,569 --> 00:13:42,905 IT'S THIS ROADBLOCK, AND I CAN'T TAP INTO IT. 239 00:13:42,905 --> 00:13:45,742 IF I CAN'T CONNECT TO THIS ONE CHARACTER, THEN HOW CAN I 240 00:13:45,742 --> 00:13:47,076 CONNECT TO ANY OTHER ONE? 241 00:13:47,076 --> 00:13:50,079 >> I DON'T GET IT. 242 00:13:50,079 --> 00:13:52,749 >> MAYBE I SHOULD GO TO SPAIN. 243 00:13:52,749 --> 00:13:57,253 >> WHAT? [ CHUCKLES ] I'M SO CONFUSED. 244 00:13:57,253 --> 00:13:58,463 >> GO LEARN VICTOR. 245 00:13:58,463 --> 00:13:59,881 >> YOU'RE REALLY DRUNK. 246 00:13:59,881 --> 00:14:02,633 >> [ LAUGHS ] THIS PLAY, THE ONE I WAS TELLING 247 00:14:02,633 --> 00:14:04,302 YOU ABOUT, IT'S SET IN SPAIN. 248 00:14:04,302 --> 00:14:04,927 >> HMM. 249 00:14:04,927 --> 00:14:06,387 >> I'VE NEVER BEEN THERE. 250 00:14:06,387 --> 00:14:10,641 HOW CAN ONE UNDERSTAND THE EXPERIENCE OF SPAIN IF ONE HAS 251 00:14:10,641 --> 00:14:12,018 NEVER BEEN THERE? 252 00:14:12,018 --> 00:14:15,271 BRIT'S GONE. 253 00:14:15,271 --> 00:14:18,399 THIS PLACE IS REALLY AWFUL WITHOUT HER. 254 00:14:18,399 --> 00:14:20,109 >> GO TO SPAIN, THEN. 255 00:14:20,109 --> 00:14:21,527 >> MAYBE THEY HAVE HOGS THERE. 256 00:14:21,527 --> 00:14:25,323 >> [ LAUGHS ] YOU'RE SO WEIRD. 257 00:14:25,323 --> 00:14:30,161 >> THINK I'M GOING TO BED. 258 00:14:30,161 --> 00:14:32,288 >> ALL RIGHT, DON'T BE AN ASSHOLE. 259 00:14:32,288 --> 00:14:33,081 GO MAKE UP. 260 00:14:33,081 --> 00:14:38,711 >> [ CHUCKLES ] YOU'RE A PEACH, YOU KNOW THAT? 261 00:14:38,711 --> 00:14:42,215 >> I TRY. 262 00:14:42,215 --> 00:14:46,177 [ CHUCKLES ] >> TO PEACHES. 263 00:14:46,177 --> 00:14:47,178 >> TO PEACHES. 264 00:14:47,178 --> 00:14:48,096 >> LIKE YOU. 265 00:14:48,096 --> 00:14:50,056 >> OH. 266 00:15:21,420 --> 00:15:24,590 >> [ GASPS ] >> YOU OKAY? 267 00:15:24,590 --> 00:15:30,138 >> I JUST DON'T KNOW WHY IT WENT WRONG THERE. 268 00:15:30,138 --> 00:15:33,766 >> THERE'S A POINT IN LIFE WHERE THE PROBLEMS OF THE SON ARE NO 269 00:15:33,766 --> 00:15:36,144 LONGER THE FAULT OF THE FATHER. 270 00:15:36,144 --> 00:15:37,854 >> SOME ANSWERS. 271 00:15:37,854 --> 00:15:39,397 >> NOPE. 272 00:15:39,397 --> 00:15:41,399 VERONICA. 273 00:15:41,399 --> 00:15:46,195 [ BOTH CHUCKLE ] >> I WAS WONDERING, WHAT AM I 274 00:15:46,195 --> 00:15:47,029 DOING? 275 00:15:47,029 --> 00:15:48,823 WHY AM I HERE? 276 00:15:48,823 --> 00:15:54,078 WHY AM I LEARNING ALL OF THIS STUFF AND GIVING ALL OF THESE 277 00:15:54,078 --> 00:15:59,250 FEELINGS EVERY MINUTE, EVERY DAY, EVERY HOUR, EVERY MONTH, 278 00:15:59,250 --> 00:16:00,501 EVERY WEEK? 279 00:16:00,501 --> 00:16:02,962 WHY AM I DOING ALL OF THIS? 280 00:16:02,962 --> 00:16:04,672 FOR WHAT? FOR THIS? 281 00:16:04,672 --> 00:16:07,258 FOR A 30-SECOND COLA COMMERCIAL? 282 00:16:07,258 --> 00:16:13,931 AND I REALIZED I NEEDED TO REEXAMINE EVERYTHING IN MY LIFE. 283 00:16:13,931 --> 00:16:15,808 EVERYTHING. 284 00:16:15,808 --> 00:16:20,396 AND I KNEW THAT I WAS DOING THIS, I WAS LEARNING ALL OF THIS 285 00:16:20,396 --> 00:16:23,357 AND I WAS DOING ALL OF THIS 286 00:16:23,357 --> 00:16:27,695 BECAUSE I HAD TO. HAD. 287 00:16:27,695 --> 00:16:30,698 HAD TO. 288 00:16:30,698 --> 00:16:46,505 THERE WAS SOMETHING INSIDE OF ME... 289 00:16:46,505 --> 00:16:52,887 [ CHUCKLES ] ME. 290 00:16:52,887 --> 00:16:54,972 ME. 291 00:16:54,972 --> 00:16:58,935 ...THAT HAD TO BE EXPLORED. 292 00:16:58,935 --> 00:17:04,147 I HAD TO KNOW MY TRUTH. 293 00:17:04,147 --> 00:17:10,070 AND ACTING HAD BECOME MY TRUTH. 294 00:17:10,070 --> 00:17:14,492 SO I CAN'T TELL YOU WHAT TO DO OR HOW TO DO IT. 295 00:17:14,492 --> 00:17:22,290 I CAN ONLY TELL YOU THAT YOU MUST FIND THIS FOR YOURSELF. 296 00:17:22,290 --> 00:17:29,090 YOU MUST, MUST, MUST, MUST FIND YOUR TRUTH. 297 00:17:29,090 --> 00:17:32,969 THERE'S ONLY ONE. IT'S YOURS. 298 00:17:32,969 --> 00:17:36,472 OKAY. IT'S TRUE. 299 00:17:36,472 --> 00:17:38,516 SO, WHO'S MY NEXT VICTIM? 300 00:17:38,516 --> 00:17:40,726 >> OH, GOOD. 301 00:17:40,726 --> 00:18:11,590 >> [ SIGHS ] >> [ MOANS ] 302 00:18:11,590 --> 00:18:18,514 >> ♪ THE LIGHT, THE LIGHT ♪ ♪ THE LIGHT ♪ 303 00:18:18,514 --> 00:18:20,808 >> LA AMAR. 304 00:18:20,808 --> 00:18:25,187 LA AMAR ESTABA SERENA. 305 00:18:25,187 --> 00:18:28,232 SERENA ESTABA LA AMAR. 306 00:18:28,232 --> 00:18:31,777 IF SHE COULD SLEEP UNDERWATER, SHE WOULD, BECAUSE THEN SHE 307 00:18:31,777 --> 00:18:34,947 WOULD NEVER HAVE TO LEAVE THE SEA. 308 00:18:34,947 --> 00:18:39,035 "MY HOME," SHE SAID. 309 00:18:39,035 --> 00:18:46,208 SAND ON SKIN AND SUN-STAINED EYELASHES, HER BROWN ARMS 310 00:18:46,208 --> 00:18:50,546 WRAPPED AROUND ME, ENTANGLE ME. 311 00:18:50,546 --> 00:18:52,506 [ MAN VOCALIZING ] >> WHAT LANGUAGES DID YOU STUDY 312 00:19:01,599 --> 00:19:02,558 IN SCHOOL? 313 00:19:02,558 --> 00:19:03,517 >> GERMAN. 314 00:19:03,517 --> 00:19:04,727 >> AHA. I SEE. 315 00:19:04,727 --> 00:19:06,354 NO ROMANCE LANGUAGES. 316 00:19:06,354 --> 00:19:07,104 >> WHY? 317 00:19:07,104 --> 00:19:09,398 >> LA AMAR. 318 00:19:09,398 --> 00:19:10,399 SAY IT WITH ME. 319 00:19:10,399 --> 00:19:11,776 FEEL IT ON YOUR TONGUE. 320 00:19:11,776 --> 00:19:12,443 LA AMAR. 321 00:19:12,443 --> 00:19:13,527 >> LA AMAR. LA AMAR. 322 00:19:13,527 --> 00:19:14,236 >> LA AMAR. 323 00:19:14,236 --> 00:19:15,279 >> LA -- LA AMARD. 324 00:19:15,279 --> 00:19:16,906 >> I MEAN, THERE'S A DIFFERENCE. 325 00:19:16,906 --> 00:19:17,823 CAN YOU HEAR IT? 326 00:19:17,823 --> 00:19:20,326 >> [ CHUCKLES ] >> LAMARE. LA AMAR. 327 00:19:20,326 --> 00:19:21,535 RIGHT? 328 00:19:21,535 --> 00:19:26,290 YOU CAN'T SAY THESE LINES KIND OF LIKE AN INDIFFERENT AMERICAN. 329 00:19:26,290 --> 00:19:30,878 YOU HAVE TO SAY THEM LIKE YOU KNOW THEM, LIKE THEY'RE YOURS. 330 00:19:30,878 --> 00:19:34,048 LA AMAR. 331 00:19:34,048 --> 00:19:34,965 >> LA AMAR. 332 00:19:34,965 --> 00:19:35,758 LA AMAR. 333 00:19:35,758 --> 00:19:37,843 >> [ LAUGHS ] LA AMAR. LA AMAR. 334 00:19:37,843 --> 00:19:40,137 OKAY, PRACTICE IT. JUST -- [ CHUCKLES ] 335 00:19:40,137 --> 00:19:43,432 LA AMAR. LA AMAR. LA AMAR. 336 00:19:43,432 --> 00:19:45,601 PRACTICE IT. 337 00:19:45,601 --> 00:19:49,522 >> I BOUGHT MY TICKET. 338 00:19:49,522 --> 00:19:52,942 >> WHAT? [ CHUCKLES ] >> I'M GOING TO SPAIN ON 339 00:19:52,942 --> 00:19:53,776 TUESDAY. 340 00:19:53,776 --> 00:19:55,945 >> YOU SURPRISE ME. 341 00:19:55,945 --> 00:19:56,695 >> YEAH? 342 00:19:56,695 --> 00:20:01,450 >> I THINK THAT YOU'LL, UM, OPEN YOURSELF UP. 343 00:20:01,450 --> 00:20:10,668 AND THEN WHEN YOU COME BACK, WE CAN MAYBE CONQUER VICTOR. 344 00:20:10,668 --> 00:20:12,253 >> DO YOU WANT ME TO CONTINUE? 345 00:20:12,253 --> 00:20:13,629 >> AH, YEAH. 346 00:20:13,629 --> 00:20:15,881 NO, NO, NO. NO, NO, NO. 347 00:20:15,881 --> 00:20:18,008 TAKE IT FROM THE TOP. 348 00:20:18,008 --> 00:20:20,594 AND THIS TIME, HIT YOUR "R." 349 00:20:47,872 --> 00:20:54,253 >> ♪ WHEN I PUT YOU TO BED ♪ >> ♪ YEAH, SLEEP UNTIL THE 350 00:20:54,253 --> 00:20:59,008 MORNING COMES ♪ >> ♪ WHEN OUR SHIP COMES IN ♪ 351 00:20:59,008 --> 00:21:06,724 >> ♪ WE'LL BE ON EASY STREET ♪ >> ♪ WHEN I PUT YOU ON A PLANE ♪ 352 00:21:06,724 --> 00:21:09,435 >> ♪ YOU'LL FLY BACK HOME AGAIN ♪ 353 00:21:09,435 --> 00:21:15,983 >> ♪ IF IT STAYS THE SAME ♪ >> ♪ YOU CAN SAY THAT YOU KNEW 354 00:21:15,983 --> 00:21:17,943 ME WHEN ♪ >> LIGHT BEYOND LIGHT. 355 00:21:37,421 --> 00:21:40,633 >> THE HEAT, FROZEN HOT. 356 00:21:40,633 --> 00:21:43,385 >> THE "TOMAH-TOES" ARE SLICED. 357 00:21:43,385 --> 00:21:46,096 >> THE "TOMAY-TOES." 358 00:21:46,096 --> 00:21:48,599 >> I NEVER TRIED TO. 359 00:21:48,599 --> 00:21:51,185 >> I NEVER EVEN TRIED. 360 00:21:56,190 --> 00:21:58,442 >> WHAT? 361 00:21:58,442 --> 00:22:00,653 >> THE TOMATOES. 362 00:22:00,653 --> 00:22:04,281 >> YEAH? 363 00:22:04,281 --> 00:22:06,325 >> NOTHING. 364 00:22:06,325 --> 00:22:09,954 >> [ CLEARS THROAT ] IT'S, UM, YOU KNOW, IT'S JUST 365 00:22:09,954 --> 00:22:10,829 ASIDES. 366 00:22:10,829 --> 00:22:14,500 JUST -- JUST SAY THEM. 367 00:22:14,500 --> 00:22:16,710 IT'LL -- IT'LL ALL MAKE MORE SENSE WHEN YOU READ THE WHOLE 368 00:22:16,710 --> 00:22:18,796 PLAY. 369 00:22:18,796 --> 00:22:21,590 >> THE WHOLE PLAY? 370 00:22:21,590 --> 00:22:23,842 [ SCOFFS ] RATHER LARGE. 371 00:22:23,842 --> 00:22:25,803 >> [ CHUCKLES ] >> OKAY, GOOD. THANKS, GUYS. 372 00:22:30,516 --> 00:22:33,769 I THINK THAT'S ALL I NEED TO SEE FOR -- FOR NOW, SO THANKS VERY 373 00:22:33,769 --> 00:22:35,062 MUCH. 374 00:22:35,062 --> 00:22:38,857 THANKS. [ CLEARS THROAT ] UM, SO, WHO'S NEXT? 375 00:22:38,857 --> 00:22:39,900 UM... 376 00:22:39,900 --> 00:22:41,735 ANA. ANA? 377 00:22:41,735 --> 00:22:45,322 >> Sí. YO. 378 00:22:45,322 --> 00:22:47,283 >> AND ROBERTO. 379 00:22:50,452 --> 00:22:51,579 ROBERTO? 380 00:22:51,579 --> 00:22:53,163 >> THAT'S ME. 381 00:22:53,163 --> 00:22:57,960 >> [ CHUCKLES ] >> [ CLEARS THROAT ] OKAY. 382 00:22:57,960 --> 00:23:06,343 SO, CAN WE GO FROM THE TOP, PLEASE? 383 00:23:06,343 --> 00:23:07,845 WHEN YOU'RE READY. 384 00:23:07,845 --> 00:23:09,263 >> OKAY. 385 00:23:09,263 --> 00:23:12,766 >> DO YOU THINK THE WORLD GETS SMALL AT NIGHT? 386 00:23:12,766 --> 00:23:16,312 >> DO YOU THINK THE LIGHTS IN MY ROOM ARE REAL? 387 00:23:16,312 --> 00:23:18,147 >> I ACHE BEFORE WAKING. 388 00:23:18,147 --> 00:23:21,108 >> I FEAR THE MORNING TO LOSING YOU. 389 00:23:21,108 --> 00:23:27,531 >> MY DREAMS, ONLY IF THEY CONTINUE, LIGHT BEYOND LIGHT. 390 00:23:27,531 --> 00:23:30,492 >> THE HEAT, FROZEN HOT. 391 00:24:43,732 --> 00:24:46,527 >> [ WHISTLES ] >> OH, SEÑOR LUCCHESI. 392 00:25:02,543 --> 00:25:03,627 >> HOLA, FRANCIS. 393 00:25:03,627 --> 00:25:04,753 >> HOW'S IT GOING? 394 00:25:04,753 --> 00:25:07,381 >> OH, JUST PICKING SOMETHING UP FOR THE LITTLE LADY. 395 00:25:07,381 --> 00:25:09,591 >> OH, DID SHE LIKE THE BOOKS OF MONOLOGUES? 396 00:25:09,591 --> 00:25:10,300 >> SHE DID. 397 00:25:10,300 --> 00:25:12,803 SHE'S BEEN CHANNELING ELIZABETH TAYLOR ALL OVER THE 398 00:25:12,803 --> 00:25:13,929 LIVING ROOM FOR DAYS. 399 00:25:13,929 --> 00:25:14,638 >> OH, GOOD. 400 00:25:14,638 --> 00:25:16,056 "CAT ON A HOT TIN ROOF," HUH? 401 00:25:16,056 --> 00:25:18,559 ALL THE ACTORS SEEM TO GO THROUGH THAT THESE DAYS. 402 00:25:18,559 --> 00:25:19,601 >> AH, YES, INDEED. 403 00:25:19,601 --> 00:25:23,439 DID YOU HAPPEN TO GET A COPY OF THAT, UH, SPLINTERS PLAY IN YET? 404 00:25:23,439 --> 00:25:25,023 >> OH, NO. NOT YET. SORRY. 405 00:25:25,023 --> 00:25:26,233 >> OH. 406 00:25:26,233 --> 00:25:27,693 MAYBE NEXT TIME. 407 00:25:27,693 --> 00:25:29,653 >> SURE. HAVE A NICE DAY. 408 00:26:27,878 --> 00:26:30,964 >> MAY I ASK YOU SOMETHING? 409 00:26:30,964 --> 00:26:32,800 >> YEAH. 410 00:26:32,800 --> 00:26:35,427 >> HOW LONG DO YOU INTEND TO FOLLOW ME? 411 00:26:35,427 --> 00:26:38,430 >> UH, I'M -- >> DO I KNOW YOU? 412 00:26:38,430 --> 00:26:40,557 >> NO. NO, YOU DON'T, SIR. 413 00:26:40,557 --> 00:26:44,436 >> WELL, UM, CARE FOR A DRINK? 414 00:26:44,436 --> 00:26:47,189 DON'T JUST STAND THERE WITH YOUR MOUTH OPEN, KID. 415 00:26:47,189 --> 00:26:48,816 THIS WAY. 416 00:26:48,816 --> 00:26:50,776 [ CHUCKLES ] SO, WHAT DO THEY CALL YOU? 417 00:27:04,289 --> 00:27:05,624 >> JAMES. 418 00:27:05,624 --> 00:27:07,960 MY NAME'S, UH, CARL. PROPER. 419 00:27:07,960 --> 00:27:10,420 AROUND HERE, THEY ALL CALL ME CARLO. 420 00:27:10,420 --> 00:27:13,757 >> IT'S AN HONOR TO MEET YOU, SIR. 421 00:27:13,757 --> 00:27:14,758 >> YOU OKAY, KID? 422 00:27:14,758 --> 00:27:16,051 YOU LOOK A LITTLE PALE. 423 00:27:16,051 --> 00:27:18,720 >> IT'S JUST THAT, UH, DO YOU BELIEVE IN FATE? 424 00:27:18,720 --> 00:27:23,684 >> I BELIEVE IN THE IDEA OF FATE, UH, THE HOPE OF FATE. 425 00:27:23,684 --> 00:27:28,230 I-I DON'T KNOW IF I BELIEVE IN FATE ITSELF. 426 00:27:28,230 --> 00:27:30,816 >> BECAUSE YOUR PLAYS ARE WHAT BROUGHT ME HERE. 427 00:27:30,816 --> 00:27:31,692 >> I SEE. 428 00:27:31,692 --> 00:27:33,068 YOU'RE A STALKER. 429 00:27:33,068 --> 00:27:33,986 >> NO, NO. 430 00:27:33,986 --> 00:27:35,487 I SWEAR, SERIOUSLY. 431 00:27:35,487 --> 00:27:37,281 I CAN'T BELIEVE MY LUCK. 432 00:27:37,281 --> 00:27:40,701 >> SO, YOU'RE A -- YOU'RE A WRITER? 433 00:27:40,701 --> 00:27:42,661 >> NO, I'M A LAWYER. 434 00:27:42,661 --> 00:27:44,037 UH, I WAS A LAWYER. 435 00:27:44,037 --> 00:27:45,789 I'M AN ACTOR NOW, I GUESS. 436 00:27:45,789 --> 00:27:47,624 >> LET ME GET THIS STRAIGHT. 437 00:27:47,624 --> 00:27:51,461 YOU -- YOU WERE A LAWYER, BUT YOU GAVE THAT UP TO BECOME AN 438 00:27:51,461 --> 00:27:52,087 ACTOR? 439 00:27:52,087 --> 00:27:52,838 >> YEAH. 440 00:27:52,838 --> 00:27:56,508 >> WELL, I GUESS EVERYONE NEEDS A FALLBACK PLAN. 441 00:27:56,508 --> 00:27:58,176 >> [ CHUCKLES ] TRUE. 442 00:27:58,176 --> 00:28:00,679 I'VE WANTED TO BE AN ACTOR SINCE I WAS A KID. 443 00:28:00,679 --> 00:28:04,725 I WAS JUST TOO AFRAID TO ADMIT IT TO ANYONE ELSE, TOO AFRAID TO 444 00:28:04,725 --> 00:28:06,476 TRY. 445 00:28:06,476 --> 00:28:08,186 SO I BECAME A LAWYER. 446 00:28:08,186 --> 00:28:10,522 AND EVERYONE WAS HAPPY BUT ME. 447 00:28:10,522 --> 00:28:13,483 >> TAKES GUTS TO DO SOMETHING CRAZY. 448 00:28:13,483 --> 00:28:14,860 I KNOW THAT ONE. 449 00:28:14,860 --> 00:28:17,613 >> AND NOW THAT I'M BRAVE ENOUGH TO TRY ACTING, I'M REALIZING 450 00:28:17,613 --> 00:28:21,450 THAT I'M REALLY AN AWFUL ACTOR. 451 00:28:21,450 --> 00:28:24,286 I'M STUCK. I... 452 00:28:24,286 --> 00:28:25,996 I CAN'T CONNECT TO ANY CHARACTER. 453 00:28:25,996 --> 00:28:28,498 IT'S LIKE... 454 00:28:28,498 --> 00:28:32,628 I SEE THE WORDS, BUT I DON'T KNOW HOW TO MAKE THEM REAL. 455 00:28:32,628 --> 00:28:35,464 >> SO YOU CAME TO SPAIN TO MAKE THEM REAL? 456 00:28:35,464 --> 00:28:36,882 >> MAKE VICTOR REAL. 457 00:28:36,882 --> 00:28:37,883 >> AH, I SEE. 458 00:28:37,883 --> 00:28:38,967 I SEE. VICTOR. YEAH. 459 00:28:38,967 --> 00:28:40,969 >> YEAH, I CAME IN SEARCH OF VICTOR. 460 00:28:40,969 --> 00:28:43,221 >> [ CHUCKLES ] INSTEAD YOU FOUND ME. 461 00:28:43,221 --> 00:28:46,516 >> WHICH, IN SOME WAYS, IS BETTER, BECAUSE MAYBE I CAN ASK 462 00:28:46,516 --> 00:28:48,226 YOU WHAT IT ALL MEANS. 463 00:28:48,226 --> 00:28:51,480 >> [ CHUCKLES ] >> "A LIGHT EXISTS IN A CORNER 464 00:28:51,480 --> 00:28:52,314 OF A ROOM. 465 00:28:52,314 --> 00:28:54,691 A SMALL, YELLOW TRIANGLE OF LIGHT." 466 00:28:54,691 --> 00:28:56,151 >> [ CHUCKLES ] DON'T. 467 00:28:56,151 --> 00:28:58,487 DON'T QUOTE "TINTO" TO ME, PLEASE. 468 00:28:58,487 --> 00:28:59,363 >> WHY NOT? 469 00:28:59,363 --> 00:29:03,116 >> DO YOU KNOW HOW MANY MEDIOCRE COLLEGE PERFORMANCES OF THAT 470 00:29:03,116 --> 00:29:05,410 PLAY THAT I'VE HAD TO SIT THROUGH? 471 00:29:05,410 --> 00:29:10,165 HOW MANY SOGGY, WASHED UP, PATHETIC PROFESSORS HAVE SOUGHT 472 00:29:10,165 --> 00:29:14,920 ME OUT OVER THE YEARS TO -- TO GLEAN MY SECRETS AND HOW TO 473 00:29:14,920 --> 00:29:16,505 WRITE "THE PLAY." 474 00:29:16,505 --> 00:29:21,176 [ Chuckling ] DO YOU THINK I KNOW? 475 00:29:21,176 --> 00:29:23,053 >> WHO IS SHE? 476 00:29:23,053 --> 00:29:24,262 >> WHAT DO YOU MEAN? 477 00:29:24,262 --> 00:29:26,306 >> THE GIRL WITH THE GOLDEN EYES. 478 00:29:26,306 --> 00:29:27,975 SHE'S IN EVERY PLAY YOU WRITE. 479 00:29:27,975 --> 00:29:29,726 I MEAN, I'VE ONLY READ THE OLD ONES. 480 00:29:29,726 --> 00:29:30,978 I HAVEN'T READ THE NEW ONES. 481 00:29:30,978 --> 00:29:33,522 >> THERE ARE NO NEW ONES. 482 00:29:33,522 --> 00:29:37,317 DO YOU KNOW WHAT IT'S LIKE TO HAVE CREATED YOUR -- YOUR BEST 483 00:29:37,317 --> 00:29:44,074 WORK 30 YEARS AGO, HOW PARALYZING IT IS, HOW TO KNOW 484 00:29:44,074 --> 00:29:48,203 THAT YOU SHOULDN'T EVEN ATTEMPT TO TRY TO WRITE AGAIN 'CAUSE 485 00:29:48,203 --> 00:29:49,454 THERE'S NO POINT? 486 00:29:49,454 --> 00:29:50,497 YOU'VE TRIED. 487 00:29:50,497 --> 00:29:52,958 YOU CAN'T RE-CREATE IT, ANY OF IT. 488 00:29:52,958 --> 00:29:58,130 DO YOU THINK I COULD JUST TAP INTO IT MAGICALLY, YOU KNOW? 489 00:29:58,130 --> 00:30:01,758 RE-CREATE IT INSTANTLY, LIKE THAT? 490 00:30:01,758 --> 00:30:04,761 [ SIGHS ] DON'T YOU THINK I'VE TRIED 491 00:30:04,761 --> 00:30:07,222 ALREADY? 492 00:30:07,222 --> 00:30:10,183 [ CHUCKLES ] SO DON'T YOU SIT OVER THERE 493 00:30:10,183 --> 00:30:14,396 ASKING ME ABOUT THIS ELUSIVE MYSTERY, THIS GOLDEN-EYED GIRL. 494 00:30:14,396 --> 00:30:19,276 [ CHUCKLES ] TRUTH IS, SHE DOESN'T EXIST. 495 00:30:19,276 --> 00:30:20,819 NEVER DID. 496 00:30:20,819 --> 00:30:26,116 I MADE HER UP, JUST LIKE I MADE UP EVERYTHING ELSE. 497 00:30:26,116 --> 00:30:28,535 SO, WHERE YOU STAYING? 498 00:30:28,535 --> 00:30:30,245 >> UH, SOME HOTEL I FOUND. 499 00:30:30,245 --> 00:30:31,621 THE ADAGIO, I THINK. 500 00:30:31,621 --> 00:30:35,208 >> LOOK, WE DON'T WANT YOU STAYING IN SOME OLD HOTEL WHEN 501 00:30:35,208 --> 00:30:36,752 WE HAVE PLENTY OF ROOM. 502 00:30:36,752 --> 00:30:39,087 IT'S JUST DOWN THE ROAD A PIECE. 503 00:30:39,087 --> 00:30:41,089 COME WITH ME, HAVE A DRINK. 504 00:30:41,089 --> 00:30:43,675 VERONICA WILL LIKE YOU, I THINK. 505 00:30:47,971 --> 00:30:49,931 >> [ SPEAKS SPANISH ] [ DISTORTED VOICES ] 506 00:30:59,733 --> 00:31:01,693 [ DISTORTED VOICES ] >> HOLA. 507 00:31:09,367 --> 00:31:10,494 >> WHAT? 508 00:31:10,494 --> 00:31:12,329 >> CAN I ASK YOU SOMETHING? 509 00:31:12,329 --> 00:31:15,457 >> LOOK...[ CLEARS THROAT ] IF YOU DON'T UNDERSTAND THE 510 00:31:15,457 --> 00:31:17,292 LINES, I DON'T REALLY WANT TO HEAR IT. 511 00:31:17,292 --> 00:31:18,710 IT'S -- IT'S ALL IN THE SCRIPT. 512 00:31:18,710 --> 00:31:21,296 IT ALL MAKES SENSE IF YOU READ THE SCRIPT. 513 00:31:21,296 --> 00:31:22,547 >> NO. 514 00:31:22,547 --> 00:31:26,301 I WAS THINKING THAT IF YOU NEED HELP WITH COSTUMES, I LIKE TO DO 515 00:31:26,301 --> 00:31:26,802 THAT. 516 00:31:26,802 --> 00:31:32,182 [ CHUCKLES ] >> OH. 517 00:31:32,182 --> 00:31:32,974 >> OOH. 518 00:31:32,974 --> 00:31:36,186 I-I DIDN'T WANT TO SEEM -- [ CHUCKLES ] 519 00:31:36,186 --> 00:31:40,315 I MEAN, I WILL STILL OFFER TO DO THE COSTUMES EVEN IF I DON'T GET 520 00:31:40,315 --> 00:31:41,108 THE ROLE. 521 00:31:41,108 --> 00:31:43,068 >> OKAY. 522 00:31:48,073 --> 00:31:49,616 ANA. 523 00:31:49,616 --> 00:31:51,576 IT'S ANA, NO? 524 00:31:51,576 --> 00:31:52,786 >> Sí. 525 00:31:52,786 --> 00:31:55,956 >> WHAT DID YOU HAVE IN MIND? 526 00:31:55,956 --> 00:32:02,129 >> I MAY NEED TO READ THE SCRIPT FIRST. 527 00:32:02,129 --> 00:32:03,463 >> THE WHOLE THING? 528 00:32:03,463 --> 00:32:04,756 >> THE WHOLE THING. 529 00:32:04,756 --> 00:32:09,594 MAY I INVITE YOU FOR A DRINK? 530 00:32:09,594 --> 00:32:12,514 IT SEEMS YOU NEED ONE. 531 00:32:12,514 --> 00:32:14,141 >> YEAH. 532 00:32:14,141 --> 00:32:15,851 >> OKAY. LET'S GO. 533 00:32:15,851 --> 00:32:17,811 OKAY. 534 00:32:26,361 --> 00:32:27,696 >> JUST DOWN THE ROAD, EH? 535 00:32:27,696 --> 00:32:29,781 >> [ CHUCKLES ] SO I LIED A LITTLE BIT. 536 00:32:29,781 --> 00:32:32,284 [ LAUGHS ] NOT A BAD DRIVE, THOUGH, HUH? 537 00:32:32,284 --> 00:32:34,244 >> NOT A BAD DRIVE AT ALL. 538 00:32:40,083 --> 00:32:41,668 >> VERONICA! 539 00:32:41,668 --> 00:32:43,628 [ SHOUTS IN SPANISH ] VERONICA! 540 00:32:52,304 --> 00:32:54,264 >> [ SPEAKING SPANISH ] >> I PICKED UP A WANDERING 541 00:32:59,436 --> 00:33:00,270 MINSTREL. 542 00:33:00,270 --> 00:33:01,271 >> SO I SEE. 543 00:33:01,271 --> 00:33:03,440 >> THIS IS JAMES OF CALIFORNIA. 544 00:33:03,440 --> 00:33:04,107 >> OH. 545 00:33:04,107 --> 00:33:06,943 NICE TO MEET YOU, JAMES OF CALIFORNIA. 546 00:33:06,943 --> 00:33:09,654 [ SPEAKING SPANISH ] >> MUCHO GUSTO. 547 00:33:09,654 --> 00:33:10,155 >> OH! 548 00:33:10,155 --> 00:33:12,532 [ SPEAKS SPANISH ] >> NOT THAT I CAN TELL. 549 00:33:12,532 --> 00:33:15,118 >> [ LAUGHS ] >> NICE PLACE. 550 00:33:15,118 --> 00:33:17,495 >> I DIDN'T HAVE MUCH TO DO WITH IT. 551 00:33:17,495 --> 00:33:19,539 SO, UH, WHAT DO YOU FEEL LIKE DRINKING? 552 00:33:19,539 --> 00:33:20,832 >> I'M GAME FOR ANYTHING. 553 00:33:20,832 --> 00:33:23,835 >> I HAVE REHEARSALS TONIGHT, SO I SHOULD PROBABLY GET GOING. 554 00:33:23,835 --> 00:33:25,212 NICE TO MEET YOU. 555 00:33:25,212 --> 00:33:26,421 SEE YOU LATER. 556 00:33:26,421 --> 00:33:27,214 >> SURE. 557 00:33:27,214 --> 00:33:28,840 >> GOOD. 558 00:33:28,840 --> 00:33:29,341 CIAO. 559 00:33:29,341 --> 00:33:30,717 >> DO YOU LIKE VODKA? 560 00:33:30,717 --> 00:33:33,178 >> SURE. WHY NOT? 561 00:33:33,178 --> 00:33:34,638 >> AH. LET'S SEE NOW. 562 00:33:34,638 --> 00:33:36,598 DO WE HAVE ANY LIMES? 563 00:33:41,811 --> 00:33:43,521 >> YOUR DAUGHTER'S VERY BEAUTIFUL. 564 00:33:43,521 --> 00:33:46,733 >> [ LAUGHS ] >> WHAT? 565 00:33:46,733 --> 00:33:48,652 >> SHE AIN'T MY DAUGHTER. 566 00:33:48,652 --> 00:33:49,361 >> OH. 567 00:33:49,361 --> 00:33:50,695 >> YEAH, I KNOW. 568 00:33:50,695 --> 00:33:52,280 SHE'S QUITE A CATCH. 569 00:33:52,280 --> 00:33:56,910 THE THING IS, UH, SHE CAUGHT ME. 570 00:33:56,910 --> 00:33:59,704 >> [ CHUCKLES ] UM, I'M SORRY. I MEAN -- 571 00:33:59,704 --> 00:34:00,872 >> DON'T WORRY. 572 00:34:00,872 --> 00:34:03,124 TO YOUR HEALTH. 573 00:34:03,124 --> 00:34:21,518 TO MY HEALTH. [ CHUCKLES ] TO FATE. 574 00:34:21,518 --> 00:34:25,438 >> ♪ HATE TO SAY I TOLD YOU SO, BUT I DID ♪ 575 00:34:25,438 --> 00:34:28,942 ♪ I TOLD YA ♪ ♪ I TOLD YA ♪ 576 00:34:28,942 --> 00:34:32,862 ♪ HE'S GONNA LEAVE YOU HIGH AND DRY IN THE END ♪ 577 00:34:32,862 --> 00:34:35,824 ♪ I TOLD YA ♪ ♪ I TOLD YA ♪ 578 00:34:35,824 --> 00:34:39,703 ♪ IT'S HARD IN THE MIDDLE ♪ ♪ IT'S HARD IN THE MIDDLE OF THE 579 00:34:39,703 --> 00:34:42,580 DAY ♪ ♪ WHY CAN'T YOU MAKE IT EASY AND 580 00:34:42,580 --> 00:34:47,543 LEAVE IT ALONE? ♪ ♪ YOU BETTER GET IT TOGETHER ♪ 581 00:34:47,543 --> 00:35:04,853 ♪ BETTER, BETTER GET IT TOGETHER ♪ 582 00:35:04,853 --> 00:35:08,064 >> CARLO! 583 00:35:08,064 --> 00:35:09,649 CARLO! 584 00:35:09,649 --> 00:35:14,821 [ SPEAKS SPANISH ] >> HI. 585 00:35:14,821 --> 00:35:15,739 >> HI. 586 00:35:15,739 --> 00:35:19,326 >> [ CHUCKLES ] >> HEY. 587 00:35:19,326 --> 00:35:22,787 [ CHUCKLES ] HEY. 588 00:35:22,787 --> 00:35:24,164 CARLO. 589 00:35:24,164 --> 00:35:27,417 [ SPEAKS SPANISH ] >> TO BED? 590 00:35:27,417 --> 00:35:30,128 TO BED? IT'S EARLY, DARLING. 591 00:35:30,128 --> 00:35:32,505 >> [ CHUCKLES ] LET ME HELP YOU TO BED. 592 00:35:32,505 --> 00:35:33,465 >> NO, NO, NO. 593 00:35:33,465 --> 00:35:34,507 LET ME HELP YOU. 594 00:35:34,507 --> 00:35:38,470 [ LAUGHS ] >> COME UP. 595 00:35:38,470 --> 00:35:43,850 [ GRUNTS ] >> WAIT, WAIT. 596 00:35:43,850 --> 00:35:47,729 [ SPUTTERS ] [ LAUGHING ] 597 00:35:47,729 --> 00:35:50,315 >> OH, MY GOSH. 598 00:35:50,315 --> 00:35:54,819 >> [ LAUGHING ] GOOD NIGHT, MY BOY. 599 00:35:54,819 --> 00:35:57,822 VERONICA, CAN YOU HELP ME UP -- UP THE STAIRS? 600 00:35:57,822 --> 00:35:58,656 >> Sí. Sí. 601 00:35:58,656 --> 00:36:00,200 >> THANKS. 602 00:36:00,200 --> 00:36:04,204 >> [ CHUCKLES ] >> OH, MY GOD. 603 00:36:04,204 --> 00:36:07,749 >> [ LAUGHS ] >> [ SIGHS ] 604 00:36:07,749 --> 00:36:09,709 [ CHUCKLES ] >> WOW. [ CHUCKLES ] 605 00:36:20,470 --> 00:36:22,639 WOW. 606 00:36:22,639 --> 00:36:30,230 >> [ SIGHS ] SO, YOU'RE AN ACTRESS? 607 00:36:30,230 --> 00:36:31,231 >> AND YOU? 608 00:36:31,231 --> 00:36:32,941 ARE YOU AN ACTOR, TOO? 609 00:36:32,941 --> 00:36:37,779 >> [ LAUGHS ] UH, I'M PRETENDING TO BE AN 610 00:36:37,779 --> 00:36:40,448 ACTOR, BUT... 611 00:36:40,448 --> 00:36:41,991 WHO KNOWS? 612 00:36:41,991 --> 00:36:45,829 >> [ CHUCKLES ] HOW DO YOU KNOW CARLO? 613 00:36:45,829 --> 00:36:46,955 >> I DON'T. 614 00:36:46,955 --> 00:36:47,831 >> WHAT? 615 00:36:47,831 --> 00:36:50,959 >> OH, WE JUST MET THIS AFTERNOON, UH, AT THE THEATER 616 00:36:50,959 --> 00:36:51,751 BOOK STORE. 617 00:36:51,751 --> 00:36:53,962 >> MM-HMM. 618 00:36:53,962 --> 00:36:56,756 AND HE BROUGHT YOU HOME? 619 00:36:56,756 --> 00:36:58,133 WOW. 620 00:36:58,133 --> 00:36:59,759 HE MUST LIKE YOU. 621 00:36:59,759 --> 00:37:02,303 [ CHUCKLES ] TELL ME, JAMES. 622 00:37:02,303 --> 00:37:04,264 WHAT BRINGS YOU TO SPAIN? 623 00:37:04,264 --> 00:37:05,849 >> YOUR HUSBAND'S PLAYS. 624 00:37:05,849 --> 00:37:06,641 >> OH, NO. 625 00:37:06,641 --> 00:37:08,017 HE'S NOT MY HUSBAND. 626 00:37:08,017 --> 00:37:08,601 >> OH. 627 00:37:08,601 --> 00:37:14,023 >> THAT IS NOT MY CHOICE, YOU KNOW? 628 00:37:14,023 --> 00:37:16,693 WHAT HAVE YOU BOYS BEEN DOING THIS EVENING? 629 00:37:16,693 --> 00:37:18,653 >> [ LAUGHS ] HE'S A LUCKY MAN. 630 00:37:26,035 --> 00:37:27,412 >> NO. 631 00:37:27,412 --> 00:37:31,958 I AM THE LUCKY ONE. 632 00:37:31,958 --> 00:37:34,627 ARE YOU ALWAYS THIS BOLD? 633 00:37:34,627 --> 00:37:36,588 >> YOU ARE QUITE STUNNING. 634 00:37:40,675 --> 00:37:41,885 >> WHY ARE YOU HERE? 635 00:37:41,885 --> 00:37:45,305 >> TO FIGURE OUT WHAT THIS IS ALL ABOUT. 636 00:37:45,305 --> 00:37:50,268 THIS MAGICAL LIFE IN SPAIN THAT INSPIRED YOUR HU-- 637 00:37:50,268 --> 00:37:55,607 THIS LIFE THAT INSPIRED HIM TO WRITE SO MANY AMAZING PLAYS. 638 00:37:55,607 --> 00:37:57,025 AND THE WOMEN, TOO. 639 00:37:57,025 --> 00:37:58,860 THE WOMEN WHO INSPIRED IT. 640 00:37:58,860 --> 00:38:02,113 >> WELL, HE'S NEVER WRITTEN ANYTHING ABOUT ME. 641 00:38:02,113 --> 00:38:06,367 SO THERE'S NO NEED TO GET TO KNOW ME BETTER FOR THAT REASON. 642 00:38:06,367 --> 00:38:07,827 >> WHY NOT? 643 00:38:07,827 --> 00:38:10,288 WHY WOULDN'T HE WRITE ABOUT YOU? 644 00:38:10,288 --> 00:38:11,915 >> HMM. 645 00:38:11,915 --> 00:38:13,458 I DON'T KNOW. 646 00:38:13,458 --> 00:38:16,336 >> YOU SNAGGED YOURSELF A GOOD ONE, DIDN'T YOU? 647 00:38:16,336 --> 00:38:23,593 THIS HOUSE IS [ CHUCKLES ] SPECTACULAR. 648 00:38:23,593 --> 00:38:25,428 >> HOW DARE YOU SAY THAT? 649 00:38:25,428 --> 00:38:27,597 >> I DIDN'T MEAN TO OFFEND YOU. 650 00:38:27,597 --> 00:38:30,600 >> WELL, YOU HAVE OFFENDED ME VERY MUCH. 651 00:38:30,600 --> 00:38:31,935 THIS IS MY HOUSE. 652 00:38:31,935 --> 00:38:33,937 IT WAS MY GRANDFATHER'S. 653 00:38:33,937 --> 00:38:36,898 I INHERITED IT WHEN MY FATHER DIED. 654 00:38:36,898 --> 00:38:37,899 I SEE YOU. 655 00:38:37,899 --> 00:38:40,026 I SEE WHAT YOU'RE THINKING. 656 00:38:40,026 --> 00:38:44,364 AND HOW DARE YOU JUDGE ME OR JUDGE HIM? 657 00:38:44,364 --> 00:38:46,950 HE HAD NOTHING WHEN I MET HIM. 658 00:38:46,950 --> 00:38:48,576 HIS PLAYS WERE ALL SUCCESSFUL. 659 00:38:48,576 --> 00:38:49,410 THAT IS TRUE. 660 00:38:49,410 --> 00:38:52,288 BUT ANY MONEY HE HAD BACK THEN ALL WENT TO KATHERINE. 661 00:38:52,288 --> 00:38:54,874 AND WHEN THEY SPLIT, SHE GOT ALMOST EVERYTHING. 662 00:38:54,874 --> 00:38:57,835 SO DON'T YOU THINK FOR ONE MINUTE THAT I AM WITH HIM IN 663 00:38:57,835 --> 00:38:59,963 SOME KIND OF LIKE -- WHAT DO YOU SAY? 664 00:38:59,963 --> 00:39:02,298 A GOLD DIGGER? 665 00:39:02,298 --> 00:39:04,634 I LOVE HIM. 666 00:39:04,634 --> 00:39:08,012 I DON'T KNOW WHY I ALWAYS HAVE TO DEFEND THAT POINT. 667 00:39:08,012 --> 00:39:09,472 >> I'M SORRY, REALLY. 668 00:39:09,472 --> 00:39:10,515 >> NO, LISTEN. 669 00:39:10,515 --> 00:39:13,685 I LOVE HIM. I PURSUED HIM. 670 00:39:13,685 --> 00:39:17,021 HE SEES THE WORLD IN SUCH A MAGICAL WAY. 671 00:39:17,021 --> 00:39:19,440 I JUST LOVE BEING CLOSE TO HIM. 672 00:39:19,440 --> 00:39:23,194 HE MAKES ME FEEL ALIVE LIKE NO ONE EVER HAD. 673 00:39:23,194 --> 00:39:24,362 I THINK I'M GOING TO BED. 674 00:39:24,362 --> 00:39:26,197 >> LOOK, I CAN LEAVE IF YOU WANT ME TO. 675 00:39:26,197 --> 00:39:28,199 >> NO! NO. 676 00:39:28,199 --> 00:39:31,035 HE WANTS YOU TO STAY, SO YOU SHOULD STAY. 677 00:39:31,035 --> 00:39:34,163 I WANT HIM HAPPY. 678 00:39:34,163 --> 00:39:36,666 YOUR -- YOUR ROOM IS UPSTAIRS. 679 00:39:36,666 --> 00:39:38,626 GOOD NIGHT. 680 00:39:45,174 --> 00:39:47,135 [ DOOR SLAMS ] >> [ SIGHS ] 681 00:41:40,164 --> 00:41:42,125 [ POTS CLANKING ] >> MORNING TO YOU. 682 00:42:02,395 --> 00:42:04,480 >> COFFEE. 683 00:42:04,480 --> 00:42:06,524 >> THANK YOU. 684 00:42:06,524 --> 00:42:09,026 >> YOU'RE WELCOME. 685 00:42:09,026 --> 00:42:10,987 >> LOOK, UM... 686 00:42:14,866 --> 00:42:17,201 I THINK I WAS A BIT DRUNK LAST NIGHT. 687 00:42:17,201 --> 00:42:22,331 >> SO, YOU DIDN'T MEAN IT WHEN YOU ASKED ME TO MARRY YOU? 688 00:42:22,331 --> 00:42:24,417 >> WHAT? 689 00:42:24,417 --> 00:42:26,669 >> RIGHT AFTER YOU SERENADED ME. 690 00:42:26,669 --> 00:42:30,590 >> OH. 691 00:42:30,590 --> 00:42:35,470 I'M SORRY. 692 00:42:35,470 --> 00:42:38,264 >> I SAID YES, BY THE WAY. 693 00:44:23,828 --> 00:44:29,125 >> ♪ OUTSIDE THE CITY TONIGHT ♪ ♪ I MIGHT FIND A PLACE THAT I 694 00:44:29,125 --> 00:44:32,962 CAN CALL HOME ♪ ♪ AND I'LL LAY MY HEAD AGAINST 695 00:44:32,962 --> 00:44:36,215 THE GLASS ♪ ♪ EYES WIDE AS THE CITY ROLLS 696 00:44:36,215 --> 00:44:40,094 BY ♪ ♪ DIFFERENT PEOPLE DEEP INTO 697 00:44:40,094 --> 00:44:42,471 THEMSELVES ♪ ♪ EYES STRAIGHT, THEIR HEAD AND 698 00:44:42,471 --> 00:44:47,727 ARMS DOWN TO THEIR SIDES ♪ ♪ I WONDER IF ANOTHER ONE OF US 699 00:44:47,727 --> 00:44:52,899 HERE ARE LIKELY TRYING TO MAKE IT FEEL RIGHT ♪ 700 00:44:52,899 --> 00:44:55,568 ♪ WANDERING AWAY FROM WHAT WE KNOW ♪ 701 00:44:55,568 --> 00:45:00,156 ♪ HOPING AGAINST, HOPE ANSWERS LIE IN THE HORIZON ♪ 702 00:45:00,156 --> 00:45:05,202 ♪ THE UPTOWN, THE UPTOWN LINE DON'T TAKE ME FAR ENOUGH AWAY 703 00:45:05,202 --> 00:45:10,166 FROM YOU ♪ ♪ SO I'LL KEEP RIDING TILL I GET 704 00:45:10,166 --> 00:45:18,049 SOME DISTANCE FROM TODAY ♪ ♪ THE UPTOWN, THE UPTOWN LINE 705 00:45:18,049 --> 00:45:20,843 DON'T TAKE ME FAR ENOUGH AWAY FROM YOU ♪ 706 00:45:20,843 --> 00:45:28,184 ♪ SO I'LL KEEP RIDING TILL I HIT ROCK BOTTOM ♪ 707 00:45:28,184 --> 00:45:32,605 [ CHEERS AND APPLAUSE ] >> [ WHISTLES ] 708 00:45:32,605 --> 00:45:37,276 >> WHOO! 709 00:45:37,276 --> 00:45:43,407 [ INDISTINCT CONVERSATIONS ] >> WE'RE GONNA BE HEADING OUT. 710 00:45:43,407 --> 00:45:45,409 YOU THINK YOU CAN FIND YOUR WAY BACK? 711 00:45:45,409 --> 00:45:46,911 >> YEAH, I'LL BE OKAY. THANKS. 712 00:45:46,911 --> 00:45:48,788 >> OKAY. 713 00:45:48,788 --> 00:45:50,748 [ INDISTINCT CONVERSATION ] >> [ SPEAKING SPANISH ] 714 00:46:02,385 --> 00:46:04,553 YOU SURE YOU WON'T BE BORED? 715 00:46:04,553 --> 00:46:06,514 >> [ CHUCKLES ] [ Beep ] 716 00:46:32,748 --> 00:46:36,293 [ Beep ] >> HI. 717 00:46:36,293 --> 00:46:39,505 I WANT YOU BACK, BRIT. 718 00:46:39,505 --> 00:46:42,174 AND I WANT YOU TO... 719 00:46:42,174 --> 00:46:43,134 BE IN MY LIFE. 720 00:46:43,134 --> 00:46:44,301 I MISS YOU SO MUCH. 721 00:46:44,301 --> 00:46:46,262 [ Beep ] >> ♪ LIVIN' THE PAIN ♪ 722 00:47:21,380 --> 00:47:30,473 ♪ MAKES LIFE SEEM MORE REAL ♪ ♪ TRYIN' NOT TO COMPLAIN ♪ 723 00:47:30,473 --> 00:47:39,106 ♪ TRYIN' NOT TO FEEL ♪ ♪ ONE THOUSAND KNIVES ♪ 724 00:47:39,106 --> 00:47:47,198 ♪ PIERCE THROUGH YOUR EYES ♪ >> FATE. 725 00:47:47,198 --> 00:47:56,332 >> ♪ WE MIGHT FINALLY GET WISE ♪ ♪ I JUST WANT TO BE LOVED ♪ 726 00:47:56,332 --> 00:48:02,421 ♪ BUT ONLY BY YOU ♪ ♪ I JUST WANT TO BE LOVED ♪ 727 00:48:02,421 --> 00:48:07,301 >> ♪ I JUST WANT TO BE LOVED ♪ >> ♪ BUT ONLY BY YOU ♪ 728 00:48:07,301 --> 00:48:09,261 >> ♪ ONLY BY YOU ♪ >> AH. SPAIN. 729 00:48:17,603 --> 00:48:20,064 I SEE SHE HAS SEDUCED YOU, EH? 730 00:48:20,064 --> 00:48:22,900 [ CHUCKLES ] WHEN'D YOU RETURN? 731 00:48:22,900 --> 00:48:25,694 >> LATE. 732 00:48:25,694 --> 00:48:26,695 I DON'T EVEN KNOW. 733 00:48:26,695 --> 00:48:28,114 I WALKED AROUND FOR HOURS. 734 00:48:28,114 --> 00:48:29,115 >> YOU LOOK AWFUL. 735 00:48:29,115 --> 00:48:33,619 >> I FEEL AWFUL. 736 00:48:33,619 --> 00:48:37,706 [ SIGHS ] I CALLED BRIT. 737 00:48:37,706 --> 00:48:39,917 >> AH, LA CALIFORNIANA. 738 00:48:39,917 --> 00:48:40,751 >> Sí. 739 00:48:40,751 --> 00:48:42,419 >> AND? 740 00:48:42,419 --> 00:48:45,506 >> I MISS HER. 741 00:48:45,506 --> 00:48:48,467 I REALLY MISS HER. 742 00:48:48,467 --> 00:48:52,429 >> SO SHE DIDN'T TAKE YOU BACK WITH A PHONE CALL, HUH? 743 00:48:52,429 --> 00:48:54,431 WHAT'D YOU EXPECT? 744 00:48:54,431 --> 00:48:57,309 YOU KNOW WHO SHE IS, DON'T YOU, SON? 745 00:48:57,309 --> 00:48:58,060 >> WHO? 746 00:48:58,060 --> 00:49:03,691 >> THE ONE YOU LET GET AWAY. 747 00:49:03,691 --> 00:49:05,943 >> WHAT DO I DO? 748 00:49:05,943 --> 00:49:08,195 >> WELL, YOU HAVE A COUPLE OF CHOICES, KID. 749 00:49:08,195 --> 00:49:13,159 UH, YOU CAN DO AS I DID AND PATHETICALLY WRITE ABOUT IT FOR 750 00:49:13,159 --> 00:49:15,161 40 YEARS. 751 00:49:15,161 --> 00:49:17,121 OR "B"... 752 00:49:17,121 --> 00:49:19,039 >> WHAT'S "B"? 753 00:49:19,039 --> 00:49:20,958 >> GET THE HELL OUT OF HERE. 754 00:49:20,958 --> 00:49:22,960 GO ON. FIND HER. BE WITH HER. 755 00:49:22,960 --> 00:49:23,919 FIGHT FOR HER. 756 00:49:23,919 --> 00:49:27,298 DON'T -- DON'T WASTE YOUR LIFE AWAY WISHING YOU'D BEEN THIS 757 00:49:27,298 --> 00:49:29,341 COURAGEOUS YOUTH. 758 00:49:29,341 --> 00:49:35,055 IT'S NOT A FUN CHOICE TO LOOK BACK ON FROM THIS END OF THINGS. 759 00:49:35,055 --> 00:49:37,600 >> I THOUGHT YOU SAID YOU MADE THAT UP. 760 00:49:37,600 --> 00:49:38,726 >> MADE WHAT UP? 761 00:49:38,726 --> 00:49:41,353 >> THE GIRL WITH THE GOLDEN EYES. 762 00:49:41,353 --> 00:49:42,271 >> I LIED. 763 00:49:42,271 --> 00:49:43,189 >> I THOUGHT SO. 764 00:49:43,189 --> 00:49:46,859 >> [ CHUCKLES ] LOOK, WHAT'S THE POINT NOW, HUH? 765 00:49:46,859 --> 00:49:51,739 I HAVE THE MOST BEAUTIFUL WOMAN IN THE WORLD ON MY ARM. 766 00:49:51,739 --> 00:49:53,949 I HAVE NO COMPLAINTS. 767 00:49:53,949 --> 00:49:56,035 REGRETS, MAYBE, BUT... 768 00:49:56,035 --> 00:49:57,995 NO COMPLAINTS. 769 00:50:01,081 --> 00:50:04,084 >> TOMORROW NIGHT, THERE'S A SHOW I WANT TO CHECK OUT. 770 00:50:04,084 --> 00:50:05,169 CARE TO JOIN? 771 00:50:05,169 --> 00:50:06,754 >> WHAT KIND OF SHOW? 772 00:50:06,754 --> 00:50:09,882 >> JUST MUSIC. LIVE MUSIC. 773 00:50:09,882 --> 00:50:10,716 >> PERHAPS. 774 00:50:10,716 --> 00:50:12,927 BUT RIGHT NOW, I FEEL LIKE A SWIM. 775 00:50:12,927 --> 00:50:13,886 HOW ABOUT YOU? 776 00:50:13,886 --> 00:50:15,304 >> SURE. 777 00:50:15,304 --> 00:50:23,687 [ LAUGHS ] >> [ LAUGHS ] 778 00:50:23,687 --> 00:50:28,734 [ CHUCKLES ] >> STOP, STOP. 779 00:50:28,734 --> 00:50:30,027 >> IT'S COLD. 780 00:50:30,027 --> 00:50:31,987 >> GOOD. 781 00:50:31,987 --> 00:50:34,406 >> I KNOW, BUT... 782 00:50:34,406 --> 00:50:36,408 WHEN -- NO, NO, NO. 783 00:50:36,408 --> 00:50:39,370 >> DON'T WORRY. 784 00:50:39,370 --> 00:50:45,626 [ CELLPHONE VIBRATES ] >> WAIT. NO. 785 00:50:45,626 --> 00:50:48,545 >> CAN'T SEE. 786 00:50:48,545 --> 00:50:49,713 >> DAD? 787 00:50:49,713 --> 00:50:50,547 >> Henry. 788 00:50:50,547 --> 00:50:51,590 >> You okay? 789 00:50:51,590 --> 00:50:53,133 >> [ CHUCKLES ] YEAH. 790 00:50:53,133 --> 00:50:55,803 I'M FINE, THANKS. 791 00:50:55,803 --> 00:50:58,597 >> YOU SO RARELY CALL. 792 00:50:58,597 --> 00:51:00,391 I THOUGHT SOMETHING WAS WRONG. 793 00:51:00,391 --> 00:51:02,393 >> Yeah, I know. Hen. I... 794 00:51:02,393 --> 00:51:03,519 I'M SORRY ABOUT THAT. 795 00:51:03,519 --> 00:51:04,895 I NEED TO CALL MORE OFTEN. 796 00:51:04,895 --> 00:51:07,314 I REALLY DO. YEAH. 797 00:51:07,314 --> 00:51:08,983 >> SO SHOULD I, I SUPPOSE. 798 00:51:08,983 --> 00:51:12,820 >> But, Henry, uh, there's this live music I'm going to with a 799 00:51:12,820 --> 00:51:14,738 friend of mine from California. 800 00:51:14,738 --> 00:51:18,742 AND I WAS WONDERING IF YOU WOULD, UH, LIKE TO JOIN US, YOU 801 00:51:18,742 --> 00:51:21,412 KNOW, JUST US GUYS HITTING THE TOWN. 802 00:51:21,412 --> 00:51:23,122 WE'D LIKE THAT. 803 00:51:23,122 --> 00:51:24,498 >> ALL RIGHT. 804 00:51:24,498 --> 00:51:25,249 WHEN? 805 00:51:25,249 --> 00:51:27,793 >> Tomorrow. Tomorrow night. 806 00:51:27,793 --> 00:51:30,713 Can you make it? 807 00:51:30,713 --> 00:51:32,673 >> Tomorrow, yeah. 808 00:51:32,673 --> 00:51:35,134 Yeah, I can do tomorrow. 809 00:51:35,134 --> 00:51:38,512 I-I MIGHT BRING SOMEBODY ALONG, IF THAT'S OKAY. 810 00:51:38,512 --> 00:51:41,432 >> Oh, great. [ Chuckles ] SURE. WHOEVER. 811 00:51:41,432 --> 00:51:42,808 BRING HIM ALONG. 812 00:51:42,808 --> 00:51:44,059 IT'D BE GREAT. 813 00:51:44,059 --> 00:51:47,062 >> IT'S A SHE, ACTUALLY. 814 00:51:47,062 --> 00:51:48,480 >> OH. OH, YEAH. 815 00:51:48,480 --> 00:51:49,898 CERTAINLY. YEAH. 816 00:51:49,898 --> 00:51:54,403 WELL, LOOK, UH, IN THAT CASE, UH, WHY DON'T YOU COME BY THE 817 00:51:54,403 --> 00:51:54,987 HOUSE? 818 00:51:54,987 --> 00:51:55,821 COME ON BY. 819 00:51:55,821 --> 00:51:57,281 WE'LL HAVE SOME DRINKS. 820 00:51:57,281 --> 00:51:59,825 VERONICA WOULD LOVE TO SEE YOU. 821 00:51:59,825 --> 00:52:01,577 >> OKAY. SEE YOU TOMORROW, THEN. 822 00:52:01,577 --> 00:52:04,496 >> SEE YOU THEN. 823 00:52:04,496 --> 00:52:06,457 >> WHAT? 824 00:53:23,784 --> 00:53:25,744 [ TRUMPET PLAYING ] [ LAUGHTER ] 825 00:53:45,889 --> 00:53:48,934 >> SO, HEN, HOW'S YOUR NEW PLAY COMING ALONG? 826 00:53:48,934 --> 00:53:51,937 >> IT'S GOING WELL, I THINK. 827 00:53:51,937 --> 00:53:54,690 ANA'S COSTUMES ARE GONNA BE AMAZING. 828 00:53:54,690 --> 00:53:57,359 REALLY BRING EVERYTHING TO LIFE. 829 00:53:57,359 --> 00:53:59,528 >> HMM. 830 00:53:59,528 --> 00:54:02,364 >> ONLY THING IS, I DON'T ACTUALLY HAVE A LEAD. 831 00:54:02,364 --> 00:54:05,701 THE WOMAN I CAST HAS, UH, HAS JUST BACKED DOWN, WHICH IS 832 00:54:05,701 --> 00:54:07,077 PROBABLY FOR THE BEST. 833 00:54:07,077 --> 00:54:10,956 SHE WASN'T REALLY RIGHT FOR THE PART ANYWAYS. 834 00:54:10,956 --> 00:54:13,625 IT'S HARD TO FIND ENGLISH-SPEAKING ACTRESSES HERE 835 00:54:13,625 --> 00:54:17,796 IN BARCELONA THAT REALLY UNDERSTAND THE INTRICACIES OF 836 00:54:17,796 --> 00:54:21,133 THE LANGUAGE. 837 00:54:21,133 --> 00:54:25,888 SHOULD HAVE DONE WHAT YOU SAID YEARS AGO AND MOVED TO NEW YORK. 838 00:54:25,888 --> 00:54:29,057 BUT I LOVE MY LIFE HERE. 839 00:54:29,057 --> 00:54:30,976 ESPECIALLY NOW. 840 00:54:30,976 --> 00:54:32,644 >> GOOD TO SEE. 841 00:54:32,644 --> 00:54:34,688 REALLY GOOD TO SEE. 842 00:54:34,688 --> 00:54:38,358 >> [ CHUCKLES ] [ SPEAKS SPANISH ] 843 00:54:38,358 --> 00:54:38,942 >> Sí. 844 00:54:38,942 --> 00:54:40,652 >> WAIT A MINUTE. 845 00:54:40,652 --> 00:54:42,029 WHAT ABOUT VERONICA? 846 00:54:42,029 --> 00:54:42,738 >> WHAT? 847 00:54:42,738 --> 00:54:44,573 >> DARLING, YOU ARE AMAZING. 848 00:54:44,573 --> 00:54:48,035 REALLY, HEN, I THINK YOU TWO WOULD GET ALONG VERY WELL 849 00:54:48,035 --> 00:54:48,785 TOGETHER. 850 00:54:48,785 --> 00:54:49,995 >> NO, IT'S OKAY. 851 00:54:49,995 --> 00:54:50,621 >> NO. 852 00:54:50,621 --> 00:54:53,790 >> HENRY, SERIOUSLY. 853 00:54:53,790 --> 00:54:55,959 >> WHY NOT, VERONICA? WHY NOT? 854 00:54:55,959 --> 00:54:58,420 WE COULD TRY IT. 855 00:54:58,420 --> 00:55:00,380 >> [ SPEAKS SPANISH ] NO? 856 00:55:04,718 --> 00:55:08,347 SHE WOULD LOOK GORGEOUS IN THE NEW DRESS. 857 00:55:08,347 --> 00:55:10,098 DON'T YOU THINK SO? 858 00:55:10,098 --> 00:55:13,977 >> YEAH. 859 00:55:13,977 --> 00:55:17,940 >> [ CHUCKLES ] I'M -- I'M REALLY TOUCHED. 860 00:55:17,940 --> 00:55:22,236 I DO THINK YOU'RE -- YOU'RE VERY TALENTED, HENRY. 861 00:55:22,236 --> 00:55:24,279 LIKE YOUR FATHER. 862 00:55:24,279 --> 00:55:28,492 [ CHUCKLES ] >> AND, UH, HAVE YOU A ROLE FOR 863 00:55:28,492 --> 00:55:30,369 MY YOUNG FRIEND HERE? 864 00:55:30,369 --> 00:55:33,121 >> [ CHUCKLES ] >> THIS IS TOO MUCH. 865 00:55:33,121 --> 00:55:35,541 >> [ CHUCKLES ] >> [ CLEARS THROAT ] 866 00:55:35,541 --> 00:55:36,833 HAVE YOU ACTED BEFORE? 867 00:55:36,833 --> 00:55:37,751 >> NOT REALLY. 868 00:55:37,751 --> 00:55:39,086 >> HE'S BEEN STUDYING. 869 00:55:39,086 --> 00:55:40,128 IT'S HIS PASSION. 870 00:55:40,128 --> 00:55:41,338 IT'S HIS LIFE FORCE. 871 00:55:41,338 --> 00:55:42,506 IT'S WHY HE'S HERE. 872 00:55:42,506 --> 00:55:49,346 TO CONQUER THE ROLE OF VICTOR IN "TINTO." 873 00:55:49,346 --> 00:55:54,560 >> THE ONE ROLE I'LL NEVER ATTEMPT. 874 00:55:54,560 --> 00:55:58,021 UH, THERE'S A COUPLE OF ROLES I'VE DOUBLED UP. 875 00:55:58,021 --> 00:56:01,608 IF YOU REALLY WANT TO TRY IT, I COULD, UH, SEE IF I CAN MAKE 876 00:56:01,608 --> 00:56:05,112 SOME CHANGES. 877 00:56:05,112 --> 00:56:07,072 >> WOW. 878 00:56:07,072 --> 00:56:09,241 UH, YEAH, I'D BE HONORED. 879 00:56:09,241 --> 00:56:10,325 THANK YOU. 880 00:56:10,325 --> 00:56:14,162 >> [ CHUCKLES ] >> WELL, WHAT TIME IS THIS MUSIC 881 00:56:14,162 --> 00:56:14,997 THING TONIGHT? 882 00:56:14,997 --> 00:56:17,291 SHOULD WE -- SHOULD WE BE GOING PRETTY SOON? 883 00:56:17,291 --> 00:56:18,417 >> UH, YOU KNOW WHAT? 884 00:56:18,417 --> 00:56:20,335 IT'S NOT REALLY THAT BIG OF A DEAL. 885 00:56:20,335 --> 00:56:21,420 WE DON'T HAVE TO GO. 886 00:56:21,420 --> 00:56:22,296 >> OH, COME ON. 887 00:56:22,296 --> 00:56:23,547 WE'RE ALL HERE TOGETHER. 888 00:56:23,547 --> 00:56:25,257 IT'LL BE GREAT. 889 00:56:25,257 --> 00:56:26,383 >> YEAH. 890 00:56:26,383 --> 00:56:28,010 IT SOUNDS REALLY FUN. 891 00:56:28,010 --> 00:56:29,469 COME ON. LET'S GO. 892 00:56:29,469 --> 00:56:30,220 SALUTE. 893 00:56:30,220 --> 00:56:31,722 >> SALUTE. 894 00:56:31,722 --> 00:56:33,056 >> TA. 895 00:56:33,056 --> 00:56:36,268 >> [ LAUGHS ] >> [ SPEAKS SPANISH ] 896 00:56:36,268 --> 00:56:38,228 [ LAUGHS ] >> [ LAUGHS ] 897 00:56:46,403 --> 00:56:48,113 >> YOU'VE NOT GOT A DRINK. 898 00:56:48,113 --> 00:56:50,532 >> UH, I THINK CARLO HAS MY DRINK. 899 00:56:50,532 --> 00:56:51,908 I'LL GO AND CHECK. 900 00:56:51,908 --> 00:56:57,205 [ CONVERSES IN SPANISH ] >> YOU OKAY, KID? 901 00:56:57,205 --> 00:56:59,750 SOMETHING UP? 902 00:56:59,750 --> 00:57:01,335 YOU FEELING ALL RIGHT? 903 00:57:01,335 --> 00:57:04,755 >> YEAH, I THINK I JUST GOT A LITTLE TOO MUCH SUN. 904 00:57:04,755 --> 00:57:08,383 >> IF YOU NEED TO GO HOME, YOU KNOW, IT'S NO PROBLEM. 905 00:57:08,383 --> 00:57:13,221 >> I'M FINE. THANKS. 906 00:57:13,221 --> 00:57:14,389 HEY, CARLO. 907 00:57:14,389 --> 00:57:15,349 >> WHAT? 908 00:57:15,349 --> 00:57:17,309 >> UH... 909 00:57:30,364 --> 00:57:32,032 >> YOU GET MY DRINK? 910 00:57:32,032 --> 00:57:35,243 >> [ BREATHING HEAVILY ] >> SWEETIE, ARE YOU OKAY? 911 00:57:35,243 --> 00:57:36,912 >> I'M FINE. FINE. THANKS. 912 00:57:36,912 --> 00:57:39,998 I-I THINK I JUST NEED A LITTLE AIR. 913 00:57:39,998 --> 00:57:42,000 I'LL BE RIGHT BACK. 914 00:57:42,000 --> 00:57:45,921 >> SURE. 915 00:57:45,921 --> 00:57:47,881 WHAT HAPPENED? 916 00:57:51,009 --> 00:57:52,219 GRACIAS. 917 00:57:52,219 --> 00:57:54,179 >> DE NADA. 918 00:57:58,100 --> 00:57:59,059 >> YOU... 919 00:57:59,059 --> 00:58:02,270 >> LOOK -- >> IT'S ONE THING FOR YOU TO 920 00:58:02,270 --> 00:58:04,690 MESS AROUND WITH YOUR OWN FATE. 921 00:58:04,690 --> 00:58:09,152 IT'S QUITE ANOTHER TO INVOLVE YOURSELF IN MINE. 922 00:58:09,152 --> 00:58:10,737 H-HOW DARE YOU SET THIS UP? 923 00:58:10,737 --> 00:58:11,655 HOW DARE YOU? 924 00:58:11,655 --> 00:58:13,448 WHAT -- WHAT WERE YOU THINKING? 925 00:58:13,448 --> 00:58:15,659 >> I DIDN'T KNOW SHE WOULD BE HERE. 926 00:58:15,659 --> 00:58:18,995 >> OH, YOU -- YOU'VE BEEN PLANNING THIS ALL ALONG, HAVEN'T 927 00:58:18,995 --> 00:58:19,454 YOU? 928 00:58:19,454 --> 00:58:22,374 YOU WERE FOLLOWING ME, WEREN'T YOU? 929 00:58:22,374 --> 00:58:25,252 IS THIS SOME KIND OF CRAZY, MESSED UP GAME TO YOU? 930 00:58:25,252 --> 00:58:26,253 THIS IS MY LIFE. 931 00:58:26,253 --> 00:58:28,588 >> I DIDN'T MEAN FOR IT TO GO THIS WAY. 932 00:58:28,588 --> 00:58:32,217 >> WHAT WAY DID YOU MEAN FOR IT TO GO? 933 00:58:32,217 --> 00:58:34,678 >> YOU'RE THE ONE THAT TOLD ME TO BE COURAGEOUS. 934 00:58:34,678 --> 00:58:37,305 YOU'RE THE ONE THAT WROTE ALL THOSE PLAYS ABOUT HER. 935 00:58:37,305 --> 00:58:40,225 YOU'RE THE ONE THAT SAID, "GO, BE BRAVE," AND ALL OF THAT. 936 00:58:40,225 --> 00:58:43,687 I SAW THAT HE WAS PLAYING HERE TONIGHT. 937 00:58:43,687 --> 00:58:46,064 I THOUGHT... 938 00:58:46,064 --> 00:58:49,609 YOU AND I WOULD GO. 939 00:58:49,609 --> 00:58:50,485 >> HEY. 940 00:58:50,485 --> 00:58:52,028 WHAT'S GOING ON? 941 00:58:52,028 --> 00:58:53,029 YOU OKAY? 942 00:58:53,029 --> 00:58:54,865 >> FINE. FINE. FINE. 943 00:58:54,865 --> 00:58:56,158 >> HAVE YOU UPSET HIM? 944 00:58:56,158 --> 00:58:57,826 >> HONEY, EVERYTHING IS FINE. 945 00:58:57,826 --> 00:58:58,368 >> OKAY. 946 00:58:58,368 --> 00:58:59,661 YOU WANT TO GO BACK INSIDE? 947 00:58:59,661 --> 00:59:00,829 HENRY'S LOOKING FOR YOU. 948 00:59:00,829 --> 00:59:01,621 >> SURE. SURE. 949 00:59:01,621 --> 00:59:02,664 LET'S GO BACK INSIDE. 950 00:59:02,664 --> 00:59:03,874 LET'S -- >> LET'S GO. 951 00:59:03,874 --> 00:59:05,834 >> LET'S GO ENJOY THE MUSIC. 952 00:59:09,171 --> 00:59:13,008 [ JAZZ MUSIC PLAYING ] >> OH, BOY, IT'S HOT IN THERE. 953 00:59:13,008 --> 00:59:13,967 >> YES, IT IS. 954 00:59:13,967 --> 00:59:15,927 >> YES. 955 00:59:19,181 --> 00:59:21,099 CARLO? 956 00:59:21,099 --> 00:59:22,976 >> LIZ. 957 00:59:22,976 --> 00:59:24,311 >> IT IS REALLY YOU, ISN'T IT? 958 00:59:24,311 --> 00:59:25,228 YOU STAYED IN SPAIN? 959 00:59:25,228 --> 00:59:26,021 OH, LOOK AT YOU! 960 00:59:26,021 --> 00:59:27,689 >> LIZ, I-I WANT YOU TO MEET, UH -- 961 00:59:27,689 --> 00:59:28,815 >> IS THIS YOUR DAUGHTER? 962 00:59:28,815 --> 00:59:30,484 >> NO, SHE -- >> OH, WHAT A BEAUTY. 963 00:59:30,484 --> 00:59:31,485 >> I'M HIS GIRLFRIEND. 964 00:59:31,485 --> 00:59:32,611 >> SHE'S NOT MY DAUGHTER. 965 00:59:32,611 --> 00:59:34,237 SHE'S -- >> NICE TO MEET YOU, LIZ. 966 00:59:34,237 --> 00:59:35,697 >> WE'RE GOING BACK INSIDE NOW. 967 00:59:35,697 --> 00:59:38,617 >> YEAH, I'LL -- I'LL BE IN, IN A MINUTE. 968 00:59:38,617 --> 00:59:40,285 CARLO. 969 00:59:40,285 --> 00:59:44,998 DO YOU KNOW IT IS MY SON UP THERE, THE TRUMPET PLAYER? 970 00:59:44,998 --> 00:59:47,626 TIME FLIES, DOESN'T IT? 971 00:59:47,626 --> 00:59:49,377 >> YEAH. 972 00:59:49,377 --> 00:59:51,463 YEAH, IT DOES. 973 00:59:51,463 --> 00:59:53,215 I'M GOING BACK INSIDE. 974 00:59:53,215 --> 00:59:55,175 SEE YOU INSIDE. 975 00:59:58,678 --> 01:00:00,639 >> [ GASPS ] >> YOUR SON IS A WONDERFUL 976 01:00:09,481 --> 01:00:10,357 MUSICIAN. 977 01:00:10,357 --> 01:00:12,692 >> YEAH. YEAH, HE IS. 978 01:00:12,692 --> 01:00:15,612 UM, I'M A BIT BIASED, BUT... 979 01:00:15,612 --> 01:00:18,323 YES. 980 01:00:18,323 --> 01:00:21,701 >> I'M JAMES. 981 01:00:21,701 --> 01:00:26,957 >> I-I WOULD GUESS SON, BUT, UM, I MADE A FULL POT TONIGHT 982 01:00:26,957 --> 01:00:27,666 ALREADY. 983 01:00:27,666 --> 01:00:31,169 >> YOU WANT TO JOIN ME BACK INSIDE? 984 01:00:31,169 --> 01:00:32,420 >> YES. 985 01:00:32,420 --> 01:00:34,381 >> LET'S GO. 986 01:00:41,471 --> 01:00:44,558 >> I DON'T KNOW WHY YOU THINK I'M SO STUPID. 987 01:00:44,558 --> 01:00:46,893 >> WHAT ARE YOU SAYING, VERONICA? 988 01:00:46,893 --> 01:00:48,311 >> I KNOW WHO SHE IS. 989 01:00:48,311 --> 01:00:49,771 I'VE READ YOUR PLAYS. 990 01:00:49,771 --> 01:00:51,481 I KNOW EXACTLY WHO SHE IS. 991 01:00:51,481 --> 01:00:54,651 SO DON'T -- DON'T TRY AND TELL ME SHE'S JUST AN OLD FRIEND. 992 01:00:54,651 --> 01:00:55,944 >> I'M SORRY, VERONICA. 993 01:00:55,944 --> 01:00:58,029 I HAD NO IDEA SHE'D BE HERE. 994 01:00:58,029 --> 01:01:00,115 >> [ SPEAKS SPANISH ] >> IT WAS THE KID. 995 01:01:00,115 --> 01:01:01,116 HE SET THIS ALL UP. 996 01:01:01,116 --> 01:01:02,701 I-I HAD NO CLUE. 997 01:01:02,701 --> 01:01:05,662 I DON'T KNOW WHAT HE WAS THINKING. 998 01:01:05,662 --> 01:01:07,539 >> I SAW THE WAY YOU LOOKED AT HER. 999 01:01:07,539 --> 01:01:10,083 YOU'VE NEVER LOOKED AT ME LIKE THAT. 1000 01:01:10,083 --> 01:01:11,960 I'VE NEVER SEEN THAT IN YOUR EYES. 1001 01:01:11,960 --> 01:01:14,129 >> THAT'S ALL ANCIENT HISTORY. 1002 01:01:14,129 --> 01:01:15,547 DUST AND COBWEBS. 1003 01:01:15,547 --> 01:01:29,185 >> YOU SAY THAT, BUT I SAW YOUR EYES. 1004 01:01:29,185 --> 01:01:31,187 THIS IS ENOUGH. 1005 01:01:31,187 --> 01:01:32,564 >> VERONICA. 1006 01:01:32,564 --> 01:01:34,524 VERONICA, WAIT. 1007 01:01:34,524 --> 01:01:41,239 [ JAZZ MUSIC PLAYING ] >> I'M SO SORRY. 1008 01:01:41,239 --> 01:01:43,992 I-I HAD NO IDEA SHE WOULD BE THERE. 1009 01:01:43,992 --> 01:01:45,702 PLEASE, VERONICA, STOP. 1010 01:01:45,702 --> 01:01:47,704 PLEASE, BABY. I'M SO SORRY. 1011 01:01:47,704 --> 01:01:49,664 I'M SO SORRY. 1012 01:01:57,047 --> 01:01:59,007 [ GROANS ] >> CARLO? 1013 01:02:09,267 --> 01:02:10,268 CARLO! 1014 01:02:10,268 --> 01:02:11,269 CARLO. 1015 01:02:11,269 --> 01:02:18,735 [ SPEAKS SPANISH ] >> [ SHOUTS IN SPANISH ] 1016 01:02:18,735 --> 01:02:24,616 >> [ SPEAKS SPANISH ] [ APPLAUSE ] 1017 01:02:24,616 --> 01:02:46,554 [ INDISTINCT CONVERSATIONS ] [ SLOW JAZZ MUSIC PLAYING ] 1018 01:02:46,554 --> 01:02:53,019 [ CONVERSING IN SPANISH ] >> [ LAUGHS ] 1019 01:02:53,019 --> 01:02:54,396 >> HI. 1020 01:02:54,396 --> 01:02:55,522 >> IT'S JAMES. 1021 01:02:55,522 --> 01:02:56,314 >> HELLO. 1022 01:02:56,314 --> 01:02:56,940 >> HI. 1023 01:02:56,940 --> 01:02:57,774 >> HELLO. 1024 01:02:57,774 --> 01:02:59,067 >> WHAT IS IT? 1025 01:02:59,067 --> 01:03:02,988 >> OH, THIS IS, UM, TINTO DE VERANO. 1026 01:03:02,988 --> 01:03:04,489 >> WINE OF SUMMER? 1027 01:03:04,489 --> 01:03:09,160 >> YEAH. 1028 01:03:09,160 --> 01:03:37,188 >> [ SPEAKS SPANISH ] >> Sí. 1029 01:03:37,188 --> 01:03:44,070 >> [ SIGHS ] >> WERE YOU EVER CALLED ELIZA? 1030 01:03:44,070 --> 01:03:46,531 >> YES. 1031 01:03:46,531 --> 01:03:48,658 A LONG TIME AGO. 1032 01:03:48,658 --> 01:03:50,994 A LONG, LONG TIME AGO. 1033 01:03:50,994 --> 01:03:53,079 WHY DO YOU ASK? 1034 01:03:53,079 --> 01:03:56,666 >> I SEE YOU HERE. 1035 01:03:56,666 --> 01:03:59,878 AND I SEE IT ALL SO CLEARLY. 1036 01:03:59,878 --> 01:04:01,546 WHAT YOU MUST HAVE BEEN LIKE. 1037 01:04:01,546 --> 01:04:04,883 WHAT THAT SUMMER MUST HAVE BEEN LIKE WHEN HE WROTE ABOUT IT. 1038 01:04:04,883 --> 01:04:06,092 >> WHAT DO YOU MEAN? 1039 01:04:06,092 --> 01:04:09,220 >> WHEN CARL WROTE THE PLAY. 1040 01:04:09,220 --> 01:04:12,140 >> I NEVER READ HIS PLAYS. 1041 01:04:12,140 --> 01:04:13,767 ANY OF THEM. 1042 01:04:13,767 --> 01:04:15,143 >> WHY NOT? 1043 01:04:15,143 --> 01:04:18,772 >> [ SIGHS ] IT'S TOO COMPLICATED, AND A TOO 1044 01:04:18,772 --> 01:04:20,398 LONG STORY FOR TONIGHT. 1045 01:04:20,398 --> 01:04:24,444 >> I HAVE ALL THE TIME IN THE WORLD, THOUGH. 1046 01:04:24,444 --> 01:04:27,989 I CAN'T BELIEVE YOU NEVER READ ANY. 1047 01:04:27,989 --> 01:04:29,449 NONE OF THEM? 1048 01:04:29,449 --> 01:04:32,368 >> I WAS WRITING MY OWN THINGS. 1049 01:04:32,368 --> 01:04:37,373 AND WHEN CARLO'S PLAYS STARTED TO GET WELL-KNOWN, I... 1050 01:04:37,373 --> 01:04:40,376 IT WAS... 1051 01:04:40,376 --> 01:04:44,756 I DIDN'T WANT TO BE INFLUENCED BY THEM. 1052 01:04:44,756 --> 01:04:48,176 [ SIGHS ] IT'S BORING. [ CHUCKLES ] 1053 01:04:48,176 --> 01:04:52,347 IT'S REALLY BORING. 1054 01:04:52,347 --> 01:04:55,475 TELL ME ABOUT YOU. 1055 01:04:55,475 --> 01:04:57,435 I WANT TO KNOW ABOUT YOU. 1056 01:05:00,688 --> 01:05:02,649 >> YOU SHOULD READ THEM. 1057 01:05:11,533 --> 01:05:27,632 >> ♪ OOH, OOH, OH ♪ [ VOCALIZING ] 1058 01:05:27,632 --> 01:05:31,803 >> HEY. JAMES? 1059 01:05:31,803 --> 01:05:35,473 THERE IS SOMETHING I WANT YOU TO TELL CARLO. 1060 01:05:35,473 --> 01:05:38,059 SAY HI FROM LA SERENA. 1061 01:05:38,059 --> 01:05:39,769 >> LA SERENA? 1062 01:05:39,769 --> 01:05:41,980 >> HE'LL KNOW WHAT IT MEANS. 1063 01:05:41,980 --> 01:05:45,358 [ CHUCKLES ] SO, MY FRIEND, IF I DON'T SEE 1064 01:05:45,358 --> 01:05:48,987 YOU AGAIN IN SPAIN, HAVE AN AMAZING ADVENTURE. 1065 01:05:48,987 --> 01:05:53,032 AND I DO HOPE YOU FIND EVERYTHING YOU'RE LOOKING FOR. 1066 01:05:53,032 --> 01:05:54,993 >> THANK YOU. 1067 01:06:08,339 --> 01:06:10,717 >> BUENO DíAS. 1068 01:06:10,717 --> 01:06:15,638 >> [ SIGHS ] [ SPEAKS SPANISH ] 1069 01:06:15,638 --> 01:06:18,892 >> YOU, TOO? 1070 01:06:18,892 --> 01:06:20,852 [ SPEAKS SPANISH ] WHAT? 1071 01:06:42,248 --> 01:06:44,209 >> I'VE NEVER... 1072 01:06:52,258 --> 01:06:54,844 I'VE NEVER LET MYSELF... 1073 01:06:58,223 --> 01:07:03,645 FALL IN LOVE WITH ANYONE BEFORE. 1074 01:07:03,645 --> 01:07:06,856 UNTIL YOU. 1075 01:07:06,856 --> 01:07:08,816 YOU. 1076 01:07:15,031 --> 01:07:28,795 [ CHUCKLES ] >> THEN I MUST BE VERY LUCKY. 1077 01:07:28,795 --> 01:07:30,755 [ FOOTSTEPS APPROACH ] >> I'M SORRY. 1078 01:07:37,512 --> 01:07:39,597 I DIDN'T MEAN TO INTERRUPT YOU. 1079 01:07:39,597 --> 01:07:41,266 >> GO, PLEASE. 1080 01:07:41,266 --> 01:07:43,226 JUST LEAVE, OKAY? 1081 01:07:43,226 --> 01:07:46,020 >> OKAY. I'LL GO GET MY THINGS. 1082 01:07:46,020 --> 01:07:50,316 >> PLEASE DO. 1083 01:07:50,316 --> 01:07:53,486 >> ARE YOU OKAY? 1084 01:07:53,486 --> 01:07:54,612 >> NO. 1085 01:07:54,612 --> 01:07:57,740 NO, NOT OKAY. 1086 01:07:57,740 --> 01:08:00,952 >> I'M SORRY. 1087 01:08:00,952 --> 01:08:04,914 >> YOU -- YOU -- YOU DO STUPID THINGS. 1088 01:08:04,914 --> 01:08:08,376 IT IS ONE THING TO CHANGE YOUR LIFE, BUT WHY DO YOU COME HERE 1089 01:08:08,376 --> 01:08:11,504 AND TRY TO CHANGE MINE? 1090 01:08:11,504 --> 01:08:13,631 >> I'M REALLY SORRY ABOUT THAT. 1091 01:08:13,631 --> 01:08:16,634 I HAD NO IDEA SHE WOULD BE THERE. 1092 01:08:16,634 --> 01:08:20,805 >> I DON'T KNOW WHY YOU CAME HERE OR WHAT YOU WANT, BUT WHAT 1093 01:08:20,805 --> 01:08:23,683 I KNOW IS I DON'T WANT YOU IN MY HOUSE. 1094 01:08:23,683 --> 01:08:24,934 >> I UNDERSTAND. 1095 01:08:24,934 --> 01:08:28,438 >> [ SPEAKS SPANISH ] WHO DO YOU THINK YOU ARE? 1096 01:08:28,438 --> 01:08:32,524 >> I DON'T KNOW WHO I AM RIGHT NOW. 1097 01:08:32,524 --> 01:08:35,153 REALLY, BELIEVE ME, I DIDN'T MEAN TO UPSET YOU. 1098 01:08:35,153 --> 01:08:36,862 >> YOU KNOW WHAT I DID TONIGHT? 1099 01:08:36,862 --> 01:08:39,324 I WAS AT THE HOSPITAL ALL NIGHT WITH CARLO. 1100 01:08:39,324 --> 01:08:40,575 >> OH, NO. IS HE OKAY? 1101 01:08:40,575 --> 01:08:41,701 >> YEAH, HE'S OKAY. 1102 01:08:41,701 --> 01:08:42,785 HE'S SLEEPING NOW. 1103 01:08:42,785 --> 01:08:46,621 BUT FOR A MOMENT, I THOUGHT I LOST HIM, AND -- 1104 01:08:46,621 --> 01:09:42,637 YOU -- JUST LEAVE, OKAY? GO. 1105 01:09:42,637 --> 01:09:44,596 [ FOOTSTEPS APPROACH ] [ KNOCK ON DOOR ] 1106 01:10:05,576 --> 01:10:06,452 >> BUENO DíAS. 1107 01:10:06,452 --> 01:10:09,246 SORRY TO DISTURB, BUT I SHOULD HAVE CALLED BEFORE. 1108 01:10:09,246 --> 01:10:12,041 UM, I'VE BEEN MAKING SOME REVISIONS TO THE SCRIPTS. 1109 01:10:12,041 --> 01:10:15,670 I'VE GOT A COPY THERE FOR YOU AND FOR JAMES. 1110 01:10:15,670 --> 01:10:17,964 UM... 1111 01:10:17,964 --> 01:10:19,757 YOU OKAY, VERONICA? 1112 01:10:19,757 --> 01:10:20,591 YOU... 1113 01:10:20,591 --> 01:10:22,552 >> JAMES IS NOT HERE. 1114 01:10:22,552 --> 01:10:25,054 DO YOU WANT SOMETHING TO DRINK? 1115 01:10:25,054 --> 01:10:26,639 COFFEE? SOMETHING? 1116 01:10:26,639 --> 01:10:28,558 >> UH, YEAH. 1117 01:10:28,558 --> 01:10:31,144 THAT'S GREAT. THANKS. 1118 01:10:35,731 --> 01:10:38,025 THANK YOU. 1119 01:10:38,025 --> 01:10:40,027 ARE YOU SURE YOU'RE OKAY, VERONICA? 1120 01:10:40,027 --> 01:10:41,320 YOU DON'T LOOK TOO GOOD. 1121 01:10:41,320 --> 01:10:45,366 >> WE HAD TO GO TO THE HOSPITAL LAST NIGHT. 1122 01:10:45,366 --> 01:10:46,701 HE HAD ONE OF HIS EPISODES. 1123 01:10:46,701 --> 01:10:48,202 >> OH, MY GOD. IS HE ALL RIGHT? 1124 01:10:48,202 --> 01:10:49,370 WHY DIDN'T YOU CALL ME? 1125 01:10:49,370 --> 01:10:52,123 AT TIMES LIKE THIS, VERONICA, YOU REALLY SHOULD CALL ME. 1126 01:10:52,123 --> 01:10:53,416 >> DON'T BE ANGRY WITH ME. 1127 01:10:53,416 --> 01:10:54,625 IT'S BEEN A ROUGH NIGHT. 1128 01:10:54,625 --> 01:10:56,669 I'VE BEEN UP ALL NIGHT, ALL THE DOCTORS. 1129 01:10:56,669 --> 01:10:58,087 >> AND WHAT DO THEY SAY? 1130 01:10:58,087 --> 01:11:00,548 >> THE USUAL THING -- TOO MUCH EXCITEMENT. 1131 01:11:00,548 --> 01:11:03,175 HE NEEDS TO SLOW DOWN. 1132 01:11:03,175 --> 01:11:05,594 I WAS SO SCARED. 1133 01:11:05,594 --> 01:11:08,097 YOU -- YOU SHOULD GO AND SEE HIM. 1134 01:11:08,097 --> 01:11:11,726 [ CUP THUDS ON TABLE ] [ SIGHS ] 1135 01:11:11,726 --> 01:11:13,686 [ FOOTSTEPS DEPART ] >> HEY. EASY, EASY. 1136 01:11:23,196 --> 01:11:24,739 >> I AM NOT DEAD. 1137 01:11:24,739 --> 01:11:29,535 >> [ SIGHS ] I CAN SEE THAT. 1138 01:11:29,535 --> 01:11:33,331 BUT YOU ARE STUBBORN. 1139 01:11:33,331 --> 01:11:36,918 >> WHY AM I HERE? 1140 01:11:36,918 --> 01:11:38,252 >> YOU OKAY, DAD? 1141 01:11:38,252 --> 01:11:40,004 >> WHY -- WHY AM I HERE? 1142 01:11:40,004 --> 01:11:45,218 WHY AM I HERE IN THIS HOUSE WITH THAT -- THAT POOR GIRL? 1143 01:11:45,218 --> 01:11:48,012 SHE DESERVES SO MUCH MORE THAN THIS. 1144 01:11:48,012 --> 01:11:53,100 SITTING BESIDE THE BED OF AN OLD MAN AND SCARED TO DEATH. 1145 01:11:53,100 --> 01:11:55,603 I CAN'T PUT HER THROUGH THIS AGAIN, YOU KNOW. 1146 01:11:55,603 --> 01:12:00,525 >> LOOK -- >> HENRY. 1147 01:12:00,525 --> 01:12:03,152 I NEED TO ASK YOU SOMETHING. 1148 01:12:03,152 --> 01:12:06,864 >> OF COURSE. WHATEVER. 1149 01:12:14,330 --> 01:12:15,831 >> WHAT IS IT? 1150 01:12:15,831 --> 01:12:17,791 WHAT IS THIS? 1151 01:12:21,212 --> 01:12:23,839 ARE YOU LEAVING? 1152 01:12:23,839 --> 01:12:27,635 ARE YOU LEAVING ME FOR THAT WOMAN? 1153 01:12:27,635 --> 01:12:31,305 AFTER I STAY ALL NIGHT IN THE HOSPITAL THINKING YOU MIGHT DIE? 1154 01:12:31,305 --> 01:12:33,266 IS THAT WHAT YOU'RE DOING? 1155 01:12:38,938 --> 01:12:40,731 I LOVE YOU. 1156 01:12:40,731 --> 01:12:42,692 I LOVE YOU SO MUCH. 1157 01:12:42,692 --> 01:12:46,821 [ SPEAKS SPANISH ] YOU CAN'T DO THIS TO ME. 1158 01:12:46,821 --> 01:12:49,574 >> I'M JUST GONNA CAMP OUT AT HENRY'S FOR A FEW DAYS. 1159 01:12:49,574 --> 01:12:50,282 THAT'S ALL. 1160 01:12:50,282 --> 01:12:53,995 I-I JUST DON'T WANT YOU SITTING AROUND HERE WAITING FOR ME TO 1161 01:12:53,995 --> 01:12:54,537 DIE. 1162 01:12:54,537 --> 01:12:56,246 >> OH, DON'T SAY THAT! 1163 01:12:56,246 --> 01:13:00,501 >> YOU NEED SOMEONE YOUNGER, SOME-- SOMEONE WHO CAN GIVE YOU 1164 01:13:00,501 --> 01:13:04,589 BABIES IF YOU WANT THEM, SOME-- SOMEONE TO GROW OLD WITH. 1165 01:13:04,589 --> 01:13:06,841 >> YOU ARE WHAT I NEED. 1166 01:13:06,841 --> 01:13:10,928 >> I LOVE YOU. 1167 01:13:10,928 --> 01:13:12,471 YOU'RE MY ANGEL. 1168 01:13:12,471 --> 01:13:15,308 I CHERISH YOU. 1169 01:13:15,308 --> 01:13:20,980 YOU -- YOU CAME AND YOU SAVED MY LIFE WHEN IT NEEDED SAVING, BUT 1170 01:13:20,980 --> 01:13:22,732 I DON'T WANT TO BE YOUR BURDEN. 1171 01:13:22,732 --> 01:13:25,943 >> YOU'RE NOT MY BURDEN. 1172 01:13:25,943 --> 01:13:28,862 YOU'RE MY LIFE. 1173 01:13:28,862 --> 01:13:30,823 >> OH, BABY. 1174 01:13:37,371 --> 01:13:40,916 I'LL NEVER LOVE ANYONE LIKE I LOVE YOU. 1175 01:13:40,916 --> 01:13:43,460 >> YES, YOU WILL. 1176 01:13:43,460 --> 01:13:45,421 BELIEVE ME. YOU WILL. 1177 01:14:05,900 --> 01:14:07,610 >> HENRY. 1178 01:14:07,610 --> 01:14:08,693 >> HEY. 1179 01:14:08,693 --> 01:14:09,862 COME UP? 1180 01:14:09,862 --> 01:14:11,822 >> YEAH. 1181 01:14:22,583 --> 01:14:24,960 >> HEY. 1182 01:14:24,960 --> 01:14:27,088 >> HOW ARE YOU? 1183 01:14:27,088 --> 01:14:29,924 >> [ CLEARS THROAT ] I BROUGHT YOU A COPY OF THE 1184 01:14:29,924 --> 01:14:31,675 SCRIPT SO YOU CAN GET STARTED. 1185 01:14:31,675 --> 01:14:32,885 I MADE A FEW CHANGES. 1186 01:14:32,885 --> 01:14:35,846 I'D LIKE YOU TO DO THE ROLE OF EZEKIEL. 1187 01:14:35,846 --> 01:14:38,057 ORIGINALLY I HAD IT DOUBLED UP. 1188 01:14:38,057 --> 01:14:40,309 I THINK I PREFER YOU TO DO THAT. 1189 01:14:40,309 --> 01:14:41,268 >> THANK YOU. 1190 01:14:41,268 --> 01:14:42,520 I'M REALLY HONORED. 1191 01:14:42,520 --> 01:14:46,148 >> SO, FIRST REHEARSAL'S ON TUESDAY, THEN EVERY NIGHT UNTIL 1192 01:14:46,148 --> 01:14:48,025 WE OPEN, WHICH IS IN TWO WEEKS. 1193 01:14:48,025 --> 01:14:48,734 >> OKAY. 1194 01:14:48,734 --> 01:14:50,986 >> DON'T LET ME DOWN. 1195 01:14:50,986 --> 01:14:53,489 >> I'LL DO MY BEST NOT TO. 1196 01:14:53,489 --> 01:14:55,449 >> OKAY. 1197 01:15:00,830 --> 01:15:02,415 >> HOW DO YOU SLEEP? 1198 01:15:02,415 --> 01:15:03,958 >> OH, FINE. THANKS. 1199 01:15:03,958 --> 01:15:06,335 A COMFY, LITTLE BEDROOM YOU GOT BACK THERE. 1200 01:15:06,335 --> 01:15:07,878 >> THEN IT SUITS YOU. 1201 01:15:07,878 --> 01:15:08,546 THANKS. 1202 01:15:08,546 --> 01:15:10,089 >> OH, THIS IS BLACK. 1203 01:15:10,089 --> 01:15:13,008 >> ANYTHING I CAN, UH, HELP WITH? 1204 01:15:13,008 --> 01:15:14,385 UH, FOR THE PLAY, I MEAN? 1205 01:15:14,385 --> 01:15:18,431 >> WELL, IT'S THE DRESS REHEARSAL TONIGHT. 1206 01:15:18,431 --> 01:15:20,099 LOVE TO HEAR YOUR NOTES. 1207 01:15:20,099 --> 01:15:24,478 >> I'LL BE THERE. 1208 01:15:24,478 --> 01:15:27,440 [ SOMBER MUSIC PLAYING ] >> THEY TOOK THE CHILD FROM HER 1209 01:15:43,748 --> 01:15:44,331 ARMS. 1210 01:15:44,331 --> 01:15:46,375 >> Both: THEY TOOK THE CHILD. 1211 01:15:46,375 --> 01:15:49,044 >> SILENTLY HE SWOOPS IN. 1212 01:15:49,044 --> 01:15:54,884 >> SILENTLY HE SWOOPS IN, A NIGHTINGALE ON ANGEL'S WINGS. 1213 01:15:54,884 --> 01:15:56,260 >> HE ADORED HER. 1214 01:15:56,260 --> 01:15:57,469 >> I ADORE HER. 1215 01:15:57,469 --> 01:15:58,971 LIGHT BEYOND LIGHT. 1216 01:15:58,971 --> 01:16:01,974 >> THE HEAT, FROZEN HOT. 1217 01:16:01,974 --> 01:16:03,517 >> I NEVER TRIED TO. 1218 01:16:03,517 --> 01:16:05,144 >> I NEVER EVEN TRIED. 1219 01:16:05,144 --> 01:16:07,772 >> I ASKED, AND YOU ENTERED. 1220 01:16:07,772 --> 01:16:10,107 >> HE ASKED, AND YOU ENTERED. 1221 01:16:10,107 --> 01:16:12,109 >> IT ALL MEANS NOTHING. 1222 01:16:12,109 --> 01:16:34,882 IT ALL MEANS NOTHING WITHOUT YOU. 1223 01:16:34,882 --> 01:16:38,886 >> DAD. 1224 01:16:38,886 --> 01:16:42,097 LISTEN, I'VE GOT A FEW THINGS I NEED TO JUST WRAP UP HERE. 1225 01:16:42,097 --> 01:16:45,142 SO IF YOU DON'T MIND, WE'LL MEET UP AT THE HOUSE LATER. 1226 01:16:45,142 --> 01:16:46,559 >> OH, OKAY. THAT'S FINE. 1227 01:16:46,559 --> 01:16:47,353 NO PROBLEM. 1228 01:16:47,353 --> 01:16:49,480 >> YOU CAN GIVE ME YOUR NOTES THERE. 1229 01:16:49,480 --> 01:16:51,690 >> OH, HENRY, IT WAS -- IT WAS GREAT. 1230 01:16:51,690 --> 01:16:53,359 UM, REALLY GOOD. 1231 01:16:53,359 --> 01:16:57,279 AND ANA'S COSTUMES, THEY WERE -- OH, MMM. 1232 01:16:57,279 --> 01:16:58,614 THEY WERE SOMETHING ELSE. 1233 01:16:58,614 --> 01:16:59,281 >> THANKS. 1234 01:16:59,281 --> 01:17:03,035 >> HEY, UM, DID, UH, VERONICA LEAVE? 1235 01:17:03,035 --> 01:17:05,788 >> YEAH, SHE HAD TO SHOOT OFF. 1236 01:17:05,788 --> 01:17:09,458 I'M -- I'M SURE SHE WANTED TO SAY GOODBYE. 1237 01:17:09,458 --> 01:17:13,504 >> WELL, I'LL, UH, I GUESS I'LL SEE YOU BACK AT THE HOUSE. 1238 01:17:13,504 --> 01:17:16,173 >> SOUNDS GOOD. 1239 01:17:16,173 --> 01:17:18,133 OH, HEY. 1240 01:17:25,474 --> 01:17:28,059 >> [ SIGHS ] KID, YOU DID IT. 1241 01:17:28,059 --> 01:17:31,355 YOU -- YOU'RE AN ACTOR NOW, WHETHER YOU LIKE IT OR NOT, HUH? 1242 01:17:31,355 --> 01:17:33,858 [ CHUCKLES ] >> THANKS. 1243 01:17:33,858 --> 01:17:35,568 >> WANT TO JOIN ME FOR A DRINK? 1244 01:17:35,568 --> 01:17:36,777 >> YEAH, I'D LOVE TO. 1245 01:17:36,777 --> 01:17:44,702 >> A LITTLE BAR RIGHT AROUND THE CORNER THERE. 1246 01:17:44,702 --> 01:17:49,540 >> LOOK, I JUST WANT TO SAY THAT I'M SORRY. 1247 01:17:49,540 --> 01:17:51,750 >> EVERYBODY'S SORRY. 1248 01:17:51,750 --> 01:17:54,210 BUT DON'T YOU BE SORRY, KID. 1249 01:17:54,210 --> 01:17:55,546 >> NO, BUT I AM. 1250 01:17:55,546 --> 01:17:59,967 >> YOU ARE SOMEONE WITH -- WITH DREAMS AND -- AND HOPES AND -- 1251 01:17:59,967 --> 01:18:06,139 AND INTUITIONS, BAD AS THEY MAY BE SOMETIMES. 1252 01:18:06,139 --> 01:18:11,687 I-I ADMIRE THAT, TO BE ABLE TO LEAVE THAT SAFETY NET AND JUST 1253 01:18:11,687 --> 01:18:16,984 LEAP, LEAP INTO THE OBLIVION BLINDLY, NOT KNOWING IF YOU'RE 1254 01:18:16,984 --> 01:18:19,068 DOING THE RIGHT THING. 1255 01:18:19,068 --> 01:18:20,905 JUST KNOWING YOU MUST DO IT. 1256 01:18:20,905 --> 01:18:24,575 >> YOU ACT AS IF YOU HAVE NOTHING TO ASPIRE TO, AS IF IT'S 1257 01:18:24,575 --> 01:18:27,786 ALL DONE AND BEHIND YOU, BUT I DON'T BELIEVE THAT. 1258 01:18:27,786 --> 01:18:29,955 I THINK YOU SHOULD WRITE SOMETHING. 1259 01:18:29,955 --> 01:18:31,665 >> NO. 1260 01:18:31,665 --> 01:18:34,335 >> I THINK THE WORLD EXPECTS IT OF YOU, AND I THINK YOU SHOULD 1261 01:18:34,335 --> 01:18:34,752 DO IT. 1262 01:18:34,752 --> 01:18:37,379 >> I'M NOT SO SURE I SHOULD BE TAKING [Chuckling] ADVICE FROM 1263 01:18:37,379 --> 01:18:39,505 YOU. 1264 01:18:39,505 --> 01:18:42,343 WHAT ABOUT YOUR GIRL, YOUR -- YOUR DOCTOR? 1265 01:18:42,343 --> 01:18:43,928 HAVE YOU SPOKEN TO HER? 1266 01:18:43,928 --> 01:18:47,973 >> WELL, I CALL, BUT SHE DOESN'T ANSWER. 1267 01:18:47,973 --> 01:18:52,061 BUT I DID DO SOMETHING GRAND AND DRAMATIC. 1268 01:18:52,061 --> 01:18:56,065 I BOUGHT HER A TICKET TO PORTUGAL AND SENT IT TO HER. 1269 01:18:56,065 --> 01:18:58,817 SHE'S ALWAYS WANTED TO GO. 1270 01:18:58,817 --> 01:19:02,612 SO AFTER THE SHOW WRAPS, I'LL HEAD DOWN THAT WAY, AND IF SHE 1271 01:19:02,612 --> 01:19:05,991 DECIDES I'M WORTH IT, THEN SHE'LL BE THERE WHEN I GET 1272 01:19:05,991 --> 01:19:06,617 THERE. 1273 01:19:06,617 --> 01:19:08,410 >> THAT SOUNDS PRETTY GRAND. 1274 01:19:08,410 --> 01:19:14,416 >> AND IF I LOSE HER, AT LEAST I TRIED. 1275 01:19:14,416 --> 01:19:16,669 AND YOU WERE RIGHT. 1276 01:19:16,669 --> 01:19:19,713 I SHOULD HAVE FOLLOWED HER. 1277 01:19:19,713 --> 01:19:22,591 >> I GIVE A LOT OF ADVICE THAT I DON'T EVEN FOLLOW MYSELF. 1278 01:19:22,591 --> 01:19:24,718 MAYBE YOU SHOULD STOP LISTENING TO ME. 1279 01:19:24,718 --> 01:19:28,138 >> I'M REALLY GLAD YOU MADE IT OUT. 1280 01:19:28,138 --> 01:19:30,432 IT MEANS A LOT TO ME. 1281 01:19:30,432 --> 01:19:33,227 >> ME, TOO. 1282 01:19:33,227 --> 01:19:34,853 >> OH, I MEANT TO TELL YOU. 1283 01:19:34,853 --> 01:19:38,482 UH, THE NIGHT -- THE NIGHT THAT WE RAN INTO LIZ, SHE TOLD ME TO 1284 01:19:38,482 --> 01:19:39,692 TELL YOU SOMETHING. 1285 01:19:39,692 --> 01:19:40,359 >> WHAT? 1286 01:19:40,359 --> 01:19:42,111 WHAT'D SHE SAY? WHAT? 1287 01:19:42,111 --> 01:19:45,990 >> SHE SAID, "LA SERENA SAYS HI." 1288 01:19:45,990 --> 01:19:47,741 >> SHE SAID THAT? LA SERENA? 1289 01:19:47,741 --> 01:19:49,451 >> YEAH. WHAT DOES IT MEAN? 1290 01:19:49,451 --> 01:19:50,452 >> THE MERMAID. 1291 01:19:50,452 --> 01:19:53,414 I CAN'T BELIEVE SHE REMEMBERED THAT. 1292 01:19:53,414 --> 01:19:54,790 >> NO, I-I GOT THIS ONE. 1293 01:19:54,790 --> 01:19:56,416 I THINK -- I THINK I OWE YOU. 1294 01:19:56,416 --> 01:19:59,003 >> OH, THANKS. 1295 01:20:28,949 --> 01:20:31,535 LA SERENA. 1296 01:21:05,068 --> 01:21:06,528 H-HELLO. EXCUSE ME. 1297 01:21:06,528 --> 01:21:08,362 I'M SORRY TO DISTURB YOU. 1298 01:21:08,362 --> 01:21:11,700 I'M -- I'M LOOKING FOR YOUR MOTHER, ACTUALLY. 1299 01:21:11,700 --> 01:21:15,871 UH, I'M CARL, AN OLD FRIEND OF HERS, AND, UH, PERHAPS SHE'S 1300 01:21:15,871 --> 01:21:17,206 BACK IN NEW YORK. 1301 01:21:17,206 --> 01:21:19,208 MY PLAN ONLY GOT ME THIS FAR. 1302 01:21:19,208 --> 01:21:21,001 >> SHE'S INSIDE, ACTUALLY. 1303 01:21:21,001 --> 01:21:22,419 >> SHE'S INSIDE? 1304 01:21:22,419 --> 01:21:24,880 >> YEAH. LET ME GET THE DOOR. 1305 01:21:24,880 --> 01:21:26,840 [ KEYS JINGLE ] >> [ SNIFFS ] 1306 01:22:00,249 --> 01:22:02,209 >> [ SIGHS ] YOU STILL HAVE THAT OLD THING? 1307 01:22:37,702 --> 01:22:41,331 >> HI. 1308 01:22:41,331 --> 01:22:46,420 >> OH, HOW DO YOU LIKE THAT -- THAT PLAY? 1309 01:22:46,420 --> 01:22:48,880 >> IT'S WONDERFUL. 1310 01:22:48,880 --> 01:22:51,925 SO YOU FOUND ME. 1311 01:22:51,925 --> 01:22:56,972 >> I HAVE A FRIEND WHO WOULD SAY IT WAS FATE. 1312 01:22:56,972 --> 01:22:59,766 YOU KNOW, MAYBE IT IS. 1313 01:23:05,105 --> 01:23:06,064 SO... 1314 01:23:06,064 --> 01:23:07,357 >> SO... 1315 01:23:07,357 --> 01:23:13,989 [ BOTH CHUCKLE ] WOULD YOU LIKE SOME WINE? 1316 01:23:13,989 --> 01:23:15,032 >> OH, YEAH. 1317 01:23:15,032 --> 01:23:18,160 THAT WOULD BE LOVELY. 1318 01:23:18,160 --> 01:23:20,120 >> YEAH. 1319 01:23:28,337 --> 01:23:47,481 >> RECORDS. [ CHUCKLES ] WHO HAS RECORDS ANYMORE? 1320 01:23:47,481 --> 01:23:50,442 [ SLOW-PACED MUSIC PLAYING ] WHY DID YOU EVER LEAVE ME? 1321 01:24:21,056 --> 01:24:28,063 >> ♪ SUMMER WINE ♪ ♪ IN THE WINTER OF LIFE ♪ 1322 01:24:28,063 --> 01:24:34,736 ♪ IN THE SPRING ♪ [ APPLAUSE ] 1323 01:24:34,736 --> 01:24:41,827 ♪ THERE'S A TIME ♪ ♪ FOR THE SEASON OF LOVE ♪ 1324 01:24:41,827 --> 01:24:47,416 ♪ NONE ABOVE SUMMER WINE ♪ >> COME ON UP! 1325 01:24:56,008 --> 01:25:01,555 >> ♪ AHHH, AHHH, AHHH ♪ ♪ AHHHH, AHH, AHH ♪ 1326 01:25:09,938 --> 01:25:19,740 ♪ AHHH, AHHH, AHHH ♪ ♪ IN THE YEARS ♪ 1327 01:25:19,740 --> 01:25:26,705 ♪ WHEN TRUE LOVE IS BORN ♪ ♪ WE ARE BLIND ♪ 1328 01:25:26,705 --> 01:25:33,670 ♪ TO THE FALL ♪ ♪ THERE'LL BE TEARS ♪ 1329 01:25:33,670 --> 01:25:40,510 ♪ AND FEELINGS FORLORN ♪ ♪ SUMMER WINE ♪ 1330 01:25:40,510 --> 01:25:51,438 ♪ THROUGH IT ALL ♪ ♪ AHHHH, AHH, AHH ♪ 1331 01:25:51,438 --> 01:26:05,202 ♪ AHHHH, AHHHH, AHHHH ♪ ♪ AHHHH, AHH, AHH ♪ 1332 01:26:05,202 --> 01:26:15,212 ♪ AHHHH, AHHHH, AHHHH ♪ ♪ SUMMER WINE ♪ 1333 01:26:15,212 --> 01:26:22,135 ♪ IN THE WINTER OF LIFE ♪ ♪ IN THE SPRING ♪ 1334 01:26:22,135 --> 01:26:29,101 ♪ THERE'LL BE RAIN ♪ ♪ THERE'S A TIME ♪ 1335 01:26:29,101 --> 01:26:39,528 ♪ FOR THE SEASONS OF LOVE ♪ ♪ NONE ABOVE SUMMER WINE ♪ 1336 01:26:39,528 --> 01:26:45,367 ♪ NONE ABOVE SUMMER WINE ♪ [ SLOW PIANO MUSIC PLAYING ] 85193