All language subtitles for 32-StaggeredPlanesGettingTheShot.mp4

Let's know, take a look at actually
getting the shot.

All right.

So now we've got the talent on, and
we're just working on finessing the

light a little bit, making sure,
because we are working with one light

source, they don't get in each other's
light, and then making the poses, just

working through those poses.

Ok.

So do me a favor.

I want to have you just make sure you
lean this way a little bit,

so that you can catch the light.

Otherwise he blocks your cook.

All right.

Let's try that.

All right.

Go ahead.

Good.

And lean to me with your

exactly.

Nice.

Good.

Really good.

Nice.

Now, kind of like you're walking into
it, both of you.

So, like, lift the leg up a little bit
on the back leg, get ego.

Nice.

Nice,

again.

Good.

And you can look at each other, just
not with a face, just with the eyes.

I mean, turn the face a little yup.

Good,

you can smile.

Good.

Good, that's great.

Yeah.

Nice.

It's great to meet you.

Again,

when posing for a photograph,

especially posing in an action pose, it
rarely

works.

And so if you just give them a little
bit of a rocky motion, or a slight bit

of the motion to do, it's usually a lot
more successful, because there's a

point of impact.

And it feels a lot more natural.

May have you guys step back just to
hair,

if that doesn't get you out of the
light.

Both the be that way

a little bit.

Yeah, there you go.

Good.

And now you can step into it.

Really good.

Let me have you move in.

Just a hair, let you go.

That's good, because I'm losing your
foot behind this.

But it looks good though.

The pose is right.

The movement's great.

And action

good.

Now, like you're somewhat happy to see
each other.

Could, again,

make sure you don't turn the bag away.

I'm losing it a little bit.

So just kind of, yeah, that.

God,

that's really good.

Nice,

good.

That's great.

Craig you.

Great.

Couple more.

Good.

Nice, super nice.

Hold the bag a little bit tighter, if
you can.

So grip it a little bit more.

Is it heavy,

what they put in it?

Can you try a couple where you zip the
jacket up?

Just a couple?

Good,

I know now.

That it's,

I mean, it is a summer day.

Go ahead.

Yeah.

It's great.

Good.

Let's get some with the laughing and
the smiling,

the last thing and the smiling.

Good.

Pick a good

lock in a position for me, really quick.

Again.

Give you the movement.

Good.

Nice,

really good really good.

I'm going to lock this in place.

You guys want to do a few more

interactions.

You want to try the

salute

as well.

Feed together, though.

Good.

So I'm looking for something that's a
little bit

different than just the guy standing
here, shaking hands.

What would they be doing here?

And so

the suggestion, let's try the salute.

Well, we asked a couple of the guys
that worked here,

who were both in different branches of
the military, what would be a common

interaction, or what would be the
proper way to salute.

And it was

related to us.

The saluting wasn't necessarily done.

It was a little bit more common,

was a little bit more casual out here.

And so you get the right pad on the
back, good job.

You'd get the well done, the handshake.

And so

that's what we're going to kind of give
this toward, just something that's a

little bit more friendly and a little
bit more casual and less formal.

And so again, this is all in the
pursuit of trying to

be respectful of the time and the
period and the subject matter, and

trying to make it as authentic as we
can.

Or see, you can hold this if you want
to turn around.

Maybe a little bit.

And we can try somewhere you're like,

come, and just like,

shoulder on the back, and maybe one of
you's laughing, or maybe you're kind of

like this, in looking down, or, you
know, we can kind of like, you cross

your arms,

and you just kind of, I know, if you
can't, can you give your hands in the pockets,

or maybe up top?

Yeah, so put thumbs into,

and then you, kind of, and he's
laughing on the back, or something like

that.

Yeah, let's try that,

go a little bit closer.

But this way, guys,

this way, a little bit.

Ok, great, or great.

That's nice.

Yeah, sort of

good.

that's sort of

good.

All right.

Now, switch,

you under switch positions, just kind
of switch switch activities.

Yeah,

good.

Now, shake hands from there.

Let me see what that looks like.

Good.

You want to pick the bag back up,

and you go,

your purse.

Good.

That's cool.

All right,

I'm good with this.

Ok.

So

I'm going to lock focus here for the
plates.

Ok.

So what I need to do now that I have my
shot

of the guys, I'm going to get one of
them back there on the plane.

Doesn't actually matter.

Whoever wants to do it.

We're just going to make a couple quick
shots.

As long as it's ok that we go, we check
and we kill, climb up on the wing, and

then these can come down,

ok?

You kind of got to see the experience.

You'll notice, I wasn't

hugely focused on getting that wide
shot just yet.

It's really more about the moment
between the two of those guys more than

anything else.

So I want to show you a few of the
images

that I selected and narrowed down.

This is what they look like.

And there's a few different variations

on it.

Obviously, some he's holding it,
somewhat's on the ground.

All just a few different directions,
angles, actions and so forth and so on.

And you know,

that that's the frame that I was
looking to create.

Now, this is obviously a small fraction
of what this shot becomes.

We have to

obviously take into account what the
rest of the image looks like.

It's a much Greater scene.

This is just a small portion of it.