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These are the user uploaded subtitles that are being translated: 1 00:00:00,633 --> 00:00:06,133 [helicopter blades whirring] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:06,167 --> 00:00:09,367 - IN A MOMENT, WHEN I SAY THE NUMBER THREE, 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:09,400 --> 00:00:13,500 YOU WILL ENTER A STATE OF DEEP RELAXATION. 6 00:00:13,533 --> 00:00:17,167 [distant traffic noises] 7 00:00:17,200 --> 00:00:20,633 ALL THE STRESSES AND WORRIES OF THE DAY 8 00:00:20,667 --> 00:00:22,467 WILL FALL AWAY 9 00:00:22,500 --> 00:00:24,767 AND YOU WILL FEEL COMPLETELY RELAXED... 10 00:00:24,800 --> 00:00:29,600 [distant car alarm blares] 11 00:00:29,633 --> 00:00:34,100 AS YOU FALL TOWARDS A STATE OF TREMENDOUS WELL-BEING, 12 00:00:34,133 --> 00:00:37,333 DEEPER AND DEEPER. 13 00:00:37,367 --> 00:00:39,500 ONE... 14 00:00:39,533 --> 00:00:41,767 DEEPER. 15 00:00:41,800 --> 00:00:44,400 TWO... 16 00:00:44,433 --> 00:00:47,367 DEEPER. 17 00:00:47,400 --> 00:00:48,500 THREE-- [tape clicks off] 18 00:01:12,133 --> 00:01:15,000 [high-pitched whistling] 19 00:01:27,067 --> 00:01:29,033 MORNING, MELVILLE. 20 00:01:29,067 --> 00:01:31,000 HERE YOU GO. 21 00:02:07,300 --> 00:02:08,267 - [grunts] 22 00:02:08,300 --> 00:02:10,700 BLAM. 23 00:02:10,733 --> 00:02:13,100 [speaking in foreign language] 24 00:02:29,400 --> 00:02:34,300 [sloshing] 25 00:02:34,333 --> 00:02:36,667 - WHAT DID YOU WANT TO BE WHEN YOU GREW UP? 26 00:02:36,700 --> 00:02:38,100 WHEN YOU WERE A BOY, I MEAN. 27 00:02:38,133 --> 00:02:39,367 - RICH. 28 00:02:39,400 --> 00:02:41,767 - I MUST SAY, THAT'S MISSION ACCOMPLISHED. 29 00:02:41,800 --> 00:02:43,100 - WHAT DO YOU WANT? 30 00:02:43,133 --> 00:02:44,233 - WHAT DO I WANT? 31 00:02:44,267 --> 00:02:45,667 WHAT DOES ANYBODY WANT? 32 00:02:45,700 --> 00:02:47,700 HAPPINESS, LOVE, WORLD PEACE. 33 00:02:47,733 --> 00:02:49,367 THAT'S THE $6 MILLION QUESTION, ISN'T IT? 34 00:02:49,400 --> 00:02:51,033 - YOU WANT $6 MILLION? 35 00:02:51,067 --> 00:02:52,700 - NO. - THESE THINGS TAKE TIME. 36 00:02:52,733 --> 00:02:54,367 IT'S ALL TIED UP IN STOCKS AND SHARES. 37 00:02:54,400 --> 00:02:55,467 - SHUT UP. 38 00:02:55,500 --> 00:02:58,333 - PLEASE, DON'T KILL ME. 39 00:02:58,367 --> 00:03:00,533 - I'M NOT GOING TO. 40 00:03:00,567 --> 00:03:02,667 YOU'RE GONNA DISAPPEAR. 41 00:03:02,700 --> 00:03:04,800 YOU CHANGE YOUR NAME, YOU TAKE NOTHING WITH YOU, 42 00:03:04,833 --> 00:03:06,600 YOU TELL NO ONE, AND YOU NEVER-- 43 00:03:06,633 --> 00:03:07,767 AND THIS IS THE IMPORTANT BIT-- 44 00:03:07,800 --> 00:03:11,533 YOU NEVER, EVER COME BACK. 45 00:03:11,567 --> 00:03:12,800 I HEAR BRAZIL'S NICE. 46 00:03:12,833 --> 00:03:14,667 - VERY NICE. 47 00:03:14,700 --> 00:03:18,200 - IF YOU FAIL IN ANY ONE OF THESE CONDITIONS, 48 00:03:18,233 --> 00:03:19,533 I WILL FIND YOU. 49 00:03:19,567 --> 00:03:20,600 - THANK YOU. 50 00:03:20,633 --> 00:03:22,467 - DON'T THANK ME. JUST DO IT. 51 00:03:22,500 --> 00:03:24,733 - NO, REALLY. THANK YOU. 52 00:03:24,767 --> 00:03:29,067 I HAVEN'T CRAPPED FOR A WEEK. 53 00:03:29,100 --> 00:03:31,267 [gunshot] OOH. 54 00:03:31,300 --> 00:03:32,633 - SHIT. 55 00:03:41,633 --> 00:03:43,233 WHAT ARE YOU DOING HERE, BJORN? 56 00:03:43,267 --> 00:03:44,300 THIS WAS MY JOB. 57 00:03:44,333 --> 00:03:46,767 - YOUR ASS IS MINE NOW, MILO. 58 00:03:46,800 --> 00:03:48,233 WHEN MANAGEMENT HEARS ABOUT THIS, 59 00:03:48,267 --> 00:03:49,700 I'LL HAVE YOUR HEAD ON A PLATE. 60 00:03:49,733 --> 00:03:50,533 - WELL, MAKE YOUR MIND UP. 61 00:03:50,567 --> 00:03:52,033 IS IT MY HEAD OR MY ASS YOU WANT? 62 00:03:52,067 --> 00:03:54,167 - A BIT OF BOTH. 63 00:03:54,200 --> 00:03:55,700 - WHY NOT DO IT NOW, THEN? 64 00:03:55,733 --> 00:03:59,567 - I DON'T WANT PEOPLE ACCUSING ME OF ACTING UNPROFESSIONALLY. 65 00:03:59,600 --> 00:04:03,300 I'LL WAIT FOR THE PAPERWORK. 66 00:04:03,333 --> 00:04:04,633 AND WHEN I HAVE IT, 67 00:04:04,667 --> 00:04:10,067 NO ONE WILL BE ABLE TO SAVE YOU, NOT EVEN LEO. 68 00:04:10,100 --> 00:04:12,667 I'VE BEEN WAITING FOR THIS DAY EVER SINCE AMSTERDAM. 69 00:04:12,700 --> 00:04:13,667 [car door clicks shut] 70 00:04:13,700 --> 00:04:16,700 [motor purrs and tires squeal] 71 00:04:23,167 --> 00:04:24,667 - HI. MY NAME'S MILO. 72 00:04:24,700 --> 00:04:26,567 I'M 33. 73 00:04:26,600 --> 00:04:29,800 [tape rewinds] 74 00:04:29,833 --> 00:04:31,267 HI. 75 00:04:31,300 --> 00:04:33,133 HI, MY NAME'S MILO. 76 00:04:33,167 --> 00:04:34,800 I'M 31. 77 00:04:34,833 --> 00:04:37,533 I LIKE GOING OUT TO RESTAURANTS. 78 00:04:37,567 --> 00:04:38,567 I LIKE GOING TO THE CINEMA. 79 00:04:38,600 --> 00:04:39,667 I LOVE CLUBBING. 80 00:04:39,700 --> 00:04:41,800 UH, READING, WRITING, ARITHMETIC-- 81 00:04:41,833 --> 00:04:43,367 SHIT. 82 00:04:48,067 --> 00:04:51,400 MY NAME'S MILO. 83 00:04:51,433 --> 00:04:53,567 I'M A PROFESSIONAL HIT MAN, 84 00:04:53,600 --> 00:04:55,300 AND I HAVE BEEN FOR TOO LONG. 85 00:04:55,333 --> 00:04:57,100 WHAT I AM LOOKING FOR? 86 00:04:57,133 --> 00:04:58,767 WELL... 87 00:04:58,800 --> 00:05:00,800 SOMEONE TO-- 88 00:05:00,833 --> 00:05:04,367 SOMEONE TO SHARE THINGS WITH. 89 00:05:04,400 --> 00:05:07,100 A LIFE WITHOUT SECRETS. 90 00:05:07,133 --> 00:05:08,533 A NEW BEGINNING, I SUPPOSE, 91 00:05:08,567 --> 00:05:09,767 IF IT'S POSSIBLE. 92 00:05:09,800 --> 00:05:11,667 [sighs] 93 00:05:11,700 --> 00:05:16,233 I'VE NO IDEA WHAT I AM LOOKING FOR. 94 00:05:16,267 --> 00:05:19,100 I'LL KNOW IT WHEN I FIND IT. 95 00:05:19,133 --> 00:05:21,500 [gunshot and smashing] 96 00:05:21,533 --> 00:05:22,500 [gunshot and glass shattering] 97 00:05:22,533 --> 00:05:24,367 [electricity zapping] 98 00:05:24,400 --> 00:05:26,567 [gunshot and glass shattering] 99 00:05:26,600 --> 00:05:29,133 [yelps] 100 00:05:29,167 --> 00:05:31,600 [gunshots and glass shattering] 101 00:05:31,633 --> 00:05:36,667 [grunts] 102 00:05:36,700 --> 00:05:39,600 [phone rings] 103 00:05:39,633 --> 00:05:41,733 [ringing continues] 104 00:05:41,767 --> 00:05:43,500 [gunshots, glass shattering, and grunting] 105 00:05:43,533 --> 00:05:44,600 [loud clicking] 106 00:05:44,633 --> 00:05:46,533 [loud clanging and ringing continues] 107 00:05:46,567 --> 00:05:48,467 [panting] - HELLO? 108 00:05:48,500 --> 00:05:49,433 [gunshot and glass shatters] 109 00:05:49,467 --> 00:05:51,600 - I DON'T THINK I CAN GO THROUGH WITH THIS. 110 00:05:51,633 --> 00:05:53,500 - WHAT ARE YOU TALKING ABOUT, LEO? THROUGH WITH WHAT? 111 00:05:53,533 --> 00:05:56,667 - HAVE YOU SEEN WHAT HAPPENS TO PEOPLE WHEN THEY RETIRE? 112 00:05:56,700 --> 00:05:58,633 - LEO, WE'VE BEEN THROUGH THIS. 113 00:05:58,667 --> 00:06:01,233 DON'T SEE IT AS AN END; SEE IT AS A NEW BEGINNING. 114 00:06:01,267 --> 00:06:03,633 LIFE IS THERE FOR THE TAKING. 115 00:06:03,667 --> 00:06:06,500 - WHAT DO YOU THINK I'VE BEEN DOING FOR THE PAST 20 YEARS? 116 00:06:12,067 --> 00:06:15,500 - THAT WASN'T QUITE WHAT I MEANT. 117 00:06:15,533 --> 00:06:17,500 - YOU WOULDN'T SAY THAT IF YOU WERE SITTING WHERE I AM NOW. 118 00:06:17,533 --> 00:06:18,600 - AND WHERE IS THAT? 119 00:06:18,633 --> 00:06:21,733 - I'M IN MY FUTURE. 120 00:06:21,767 --> 00:06:25,033 I'M IN THE AUTUMN SUN RETIREMENT VILLAGE 121 00:06:25,067 --> 00:06:29,300 WITH STANLEY. 122 00:06:29,333 --> 00:06:30,500 ANYWAY, 123 00:06:30,533 --> 00:06:31,567 THAT'S NOT WHY I RANG YOU. 124 00:06:31,600 --> 00:06:33,333 YOU'RE IN DEEP TROUBLE, MILO. 125 00:06:33,367 --> 00:06:34,467 - SO IT WOULD SEEM. 126 00:06:34,500 --> 00:06:36,333 - ARE YOU HAVING A NERVOUS BREAKDOWN? 127 00:06:36,367 --> 00:06:38,500 - LEO, CAN WE-- 128 00:06:38,533 --> 00:06:41,700 CAN WE TALK ABOUT THIS ANOTHER TIME? 129 00:06:41,733 --> 00:06:44,033 IT'S NOT--IT'S NOT REALLY CONVENIENT RIGHT NOW. 130 00:06:44,067 --> 00:06:46,067 - YOU HAVE TO ACKNOWLEDGE THAT YOU HAVE A PROBLEM 131 00:06:46,100 --> 00:06:48,433 BEFORE YOU CAN FIX IT, MILO. 132 00:06:48,467 --> 00:06:50,700 IN THE MEANTIME, GET OUT OF TOWN. 133 00:06:50,733 --> 00:06:52,400 USE THE BISCUIT TIN. 134 00:06:52,433 --> 00:06:54,633 GO TO MY PLACE IN THE COUNTRY. 135 00:06:57,633 --> 00:06:58,733 [crashing] 136 00:06:58,767 --> 00:07:01,567 [crows cawing] 137 00:07:05,567 --> 00:07:06,567 [gunshot] 138 00:07:10,767 --> 00:07:13,267 [gunshots] 139 00:07:13,300 --> 00:07:14,300 - MELVILLE! 140 00:07:14,333 --> 00:07:16,500 [gunshots continue] 141 00:08:11,267 --> 00:08:14,267 [rattling and clanking] 142 00:08:47,367 --> 00:08:50,300 [rooster crowing] 143 00:08:50,333 --> 00:08:53,033 - "AND THERE WENT OUT ANOTHER HORSE. 144 00:08:53,067 --> 00:08:56,033 "AND POWER WAS GIVEN TO HIM THAT SAT THEREON 145 00:08:56,067 --> 00:08:58,333 "TO TAKE PEACE FROM THE EARTH 146 00:08:58,367 --> 00:09:04,200 "AND THAT THEY SHOULD KILL ONE ANOTHER. 147 00:09:04,233 --> 00:09:05,433 "AND I HEARD A VOICE 148 00:09:05,467 --> 00:09:07,700 "IN THE MIDST OF THE FOUR BEASTS SAY, 149 00:09:07,733 --> 00:09:10,333 "'A MEASURE OF A WHEAT FOR A PENNY 150 00:09:10,367 --> 00:09:13,333 "'AND THREE MEASURES OF BARLEY FOR A PENNY 151 00:09:13,367 --> 00:09:17,200 AND SEE THOU HURT NOT THE OIL AND THE WINE.'" 152 00:09:17,233 --> 00:09:18,733 - AMEN TO THAT. 153 00:09:18,767 --> 00:09:20,300 - "AND I LOOKED. 154 00:09:20,333 --> 00:09:22,733 "AND BEHOLD, A PALE HORSE. 155 00:09:22,767 --> 00:09:27,167 "AND HIM THAT SAT ON HIM WAS DEATH 156 00:09:27,200 --> 00:09:30,300 AND HELL FOLLOWED WITH HIM." 157 00:09:30,333 --> 00:09:34,667 - [panting] 158 00:09:34,700 --> 00:09:39,300 [rooster crowing] 159 00:09:39,333 --> 00:09:42,333 [church bells ringing] 160 00:09:48,700 --> 00:09:51,733 [ringing continues] 161 00:10:38,700 --> 00:10:42,233 - [coughing and choking] 162 00:10:42,267 --> 00:10:43,433 [spits] 163 00:10:53,267 --> 00:10:56,300 [ringing continues] 164 00:11:01,667 --> 00:11:03,500 - WHAT ARE YOU GAWKING AT? 165 00:11:03,533 --> 00:11:04,533 - HUH? 166 00:11:10,233 --> 00:11:13,100 - [grunting] 167 00:11:34,233 --> 00:11:35,633 [sheep bleating] 168 00:11:35,667 --> 00:11:38,433 - [sighs] 169 00:11:38,467 --> 00:11:41,300 - [burps] 170 00:11:41,333 --> 00:11:44,033 [explosion] 171 00:11:44,067 --> 00:11:47,233 smack! - OOH! 172 00:11:47,267 --> 00:11:48,333 - OH, SHIT. 173 00:11:51,367 --> 00:11:55,300 [whimpering] 174 00:11:55,333 --> 00:11:56,767 SHIT! 175 00:12:00,333 --> 00:12:03,433 [motor rumbling] 176 00:12:11,767 --> 00:12:14,200 - HOW ARE YOU FEELING? 177 00:12:17,200 --> 00:12:19,300 COME ON, LUCKY. OFF YOU GO. 178 00:12:23,067 --> 00:12:24,200 - WHO ARE YOU? 179 00:12:24,233 --> 00:12:26,167 - I WAS GONNA ASK YOU THE SAME QUESTION. 180 00:12:26,200 --> 00:12:28,133 - WHERE AM I? - IN MY HOUSE. 181 00:12:28,167 --> 00:12:32,333 - HOW DID I GET HERE? - MY CAR. 182 00:12:32,367 --> 00:12:34,167 YOU CAN LET GO OF MY ARM NOW. 183 00:12:42,267 --> 00:12:43,233 - A SHEEP EXPLODED. 184 00:12:43,267 --> 00:12:44,300 THEY DON'T NORMALLY DO THAT. 185 00:12:44,333 --> 00:12:46,233 - THE QUESTION IS, WHAT WERE YOU DOING UP THERE? 186 00:12:46,267 --> 00:12:47,367 - WHY IS THAT THE QUESTION? 187 00:12:47,400 --> 00:12:48,800 - SHEEP DON'T BLOW THEMSELVES UP. 188 00:12:48,833 --> 00:12:50,233 - YOU THINK I DID THAT? 189 00:12:50,267 --> 00:12:52,233 I'VE GOT BETTER THINGS TO DO WITH MY TIME. 190 00:12:52,267 --> 00:12:53,400 - IS THAT RIGHT? 191 00:12:53,433 --> 00:12:54,400 - YES. 192 00:12:54,433 --> 00:12:57,300 YES, IT IS. 193 00:12:57,333 --> 00:12:58,433 [gasps] 194 00:12:58,467 --> 00:13:00,267 - WHERE DO YOU THINK YOU'RE GOING? 195 00:13:00,300 --> 00:13:02,133 - THANK YOU FOR ALL YOUR ASSISTANCE. 196 00:13:02,167 --> 00:13:03,633 I DON'T WANT TO TAKE UP ANY MORE OF YOUR TIME. 197 00:13:03,667 --> 00:13:05,033 - YOU'RE NOT GOING ANYWHERE. 198 00:13:05,067 --> 00:13:06,267 - I'M SORRY? 199 00:13:06,300 --> 00:13:08,133 - NOT UNTIL I KNOW FOR SURE IT WASN'T YOU. 200 00:13:08,167 --> 00:13:10,800 - YOU'RE SERIOUS? - DEADLY. 201 00:13:10,833 --> 00:13:12,500 JUST LOOK ME IN THE EYE AND SAY IT WASN'T YOU, 202 00:13:12,533 --> 00:13:13,667 THEN YOU'RE FREE TO GO. 203 00:13:13,700 --> 00:13:15,600 - DO YOU TREAT ALL YOUR GUESTS LIKE THIS? 204 00:13:15,633 --> 00:13:18,533 - YOU'RE NOT A GUEST. YOU'RE A SUSPECT. 205 00:13:18,567 --> 00:13:20,133 GO ON. 206 00:13:20,167 --> 00:13:21,633 HOW HARD IT CAN BE TO LOOK SOMEONE IN THE EYE 207 00:13:21,667 --> 00:13:25,133 AND TELL THEM THE TRUTH? 208 00:13:25,167 --> 00:13:27,467 - IT WASN'T ME. 209 00:13:27,500 --> 00:13:29,500 - THAT WASN'T TOO HARD, WAS IT? 210 00:13:31,767 --> 00:13:34,100 YOU CAN GO NOW. - THANK YOU. 211 00:13:34,133 --> 00:13:35,467 - I'LL GIVE YOU A LIFT IF YOU LIKE. 212 00:13:35,500 --> 00:13:37,200 - THAT WON'T BE NECESSARY. 213 00:13:37,233 --> 00:13:39,100 - I KNOW. COME ON. 214 00:13:43,767 --> 00:13:46,533 [birds clucking and squawking] 215 00:14:04,267 --> 00:14:05,767 slam! 216 00:14:05,800 --> 00:14:08,033 [rustling and thud] 217 00:14:08,067 --> 00:14:11,067 - [panting] 218 00:14:18,267 --> 00:14:19,667 [gasps] 219 00:14:36,067 --> 00:14:39,133 IT'S A GLOCK 17. 220 00:14:39,167 --> 00:14:43,033 IT'S MADE ALMOST ENTIRELY OF PLASTIC, 221 00:14:43,067 --> 00:14:49,033 MAKING IT UN...DE...TEC...TABLE 222 00:14:49,067 --> 00:14:52,133 BY METAL...DETECTORS. 223 00:14:52,167 --> 00:14:53,700 FOR THIS REASON ALONE, 224 00:14:53,733 --> 00:14:56,133 IT IS THE HAND GUN OF CHOICE 225 00:14:56,167 --> 00:15:01,200 FOR PROFESSIONAL ASSISTANTS. 226 00:15:01,233 --> 00:15:05,500 FOR PROFESSIONAL ASSASSINS. 227 00:15:13,700 --> 00:15:15,667 - THANKS AGAIN. 228 00:15:15,700 --> 00:15:17,633 - TAKE THESE. PAINKILLERS. 229 00:15:17,667 --> 00:15:18,767 THEY'RE FOR DOGS. 230 00:15:18,800 --> 00:15:20,800 SO IF YOU GET AN URGE TO COCK YOUR LEG ON A LAMPPOST, 231 00:15:20,833 --> 00:15:22,667 DON'T WORRY, IT'LL WEAR OFF. 232 00:15:22,700 --> 00:15:24,133 WELCOME TO GWYNFYD. 233 00:15:40,067 --> 00:15:43,667 - WHAT I AM LOOKING FOR? 234 00:15:43,700 --> 00:15:47,400 SOMEONE TO SHARE THINGS WITH. 235 00:16:00,767 --> 00:16:03,000 - OH, MILO. 236 00:16:52,333 --> 00:16:53,567 - HELLO. 237 00:16:53,600 --> 00:16:55,100 NICE HAT. 238 00:16:55,133 --> 00:16:57,067 - BOY, SHE'S A BEAUTY, ISN'T SHE? 239 00:16:57,100 --> 00:16:58,567 - WERE YOU ON THE MOORS? 240 00:16:58,600 --> 00:16:59,567 - THAT'S RIGHT. 241 00:16:59,600 --> 00:17:01,600 GIVE LONGSHANKS A RIGHT KICKING. 242 00:17:01,633 --> 00:17:04,033 HISTORICAL REENACTMENT SOCIETY. 243 00:17:04,067 --> 00:17:05,100 - LONGSHANKS? 244 00:17:05,133 --> 00:17:06,700 - EDWARD I, KING OF ENGLAND, 245 00:17:06,733 --> 00:17:09,067 1272 TO 1307. 246 00:17:09,100 --> 00:17:11,300 I CAN SEE YOU ARE NOT AN HISTORICAL GENTLEMAN. 247 00:17:11,333 --> 00:17:16,733 - NO, I'M AFRAID NOT. 248 00:17:16,767 --> 00:17:18,400 - IT'S YOU, ISN'T IT? 249 00:17:18,433 --> 00:17:20,367 - WHAT'S ME? - YOU'RE HIM, AREN'T YOU? 250 00:17:21,833 --> 00:17:23,033 I THOUGHT SO. 251 00:17:23,067 --> 00:17:25,800 - I THINK--I THINK YOU MIGHT HAVE MADE SOME SORT OF MISTAKE. 252 00:17:25,833 --> 00:17:27,400 - OH, NO, NO. NOT AT ALL. NOT AT ALL. 253 00:17:27,433 --> 00:17:28,433 WE'VE BEING EXPECTING YOU. 254 00:17:28,467 --> 00:17:30,800 - YOU HAVE? - YES, I KNEW IT. 255 00:17:30,833 --> 00:17:33,567 - YOU'RE THE BAKER. - THE BAKER? 256 00:17:33,600 --> 00:17:35,333 THE BAKER. THE BAKER. [chuckles] 257 00:17:35,367 --> 00:17:37,200 YES. YES, OF COURSE I AM. 258 00:17:37,233 --> 00:17:38,333 - YOU KNOW, I'LL TELL YOU WHAT. 259 00:17:38,367 --> 00:17:40,600 I KNEW IT THE MOMENT YOU WALKED THROUGH THAT DOOR THERE. 260 00:17:40,633 --> 00:17:42,133 THERE'S AN AURA OF FRESH BREAD ABOUT YOU. 261 00:17:42,167 --> 00:17:44,667 YOU KNOW, PIES, SCONES, CAKES. IT'S WONDERFUL. 262 00:17:44,700 --> 00:17:45,733 YOU JUST GIVE IT OFF. 263 00:17:45,767 --> 00:17:46,800 I'VE OFTEN THOUGHT TO MYSELF, 264 00:17:46,833 --> 00:17:49,433 THERE IS NO NOBLER CRAFT THAN THE BAKING OF BREAD. 265 00:17:49,467 --> 00:17:53,233 WHERE, AFTER ALL, WOULD WE BE WITHOUT THE HUMBLE LOAF? 266 00:17:53,267 --> 00:17:54,633 - QUITE. 267 00:17:54,667 --> 00:17:56,233 - BRYN MORGAN, LOCAL APOTHECARY, 268 00:17:56,267 --> 00:17:57,767 BREWER OF MEDICINAL LIQUIDS. 269 00:17:57,800 --> 00:17:58,767 - MILO. 270 00:17:58,800 --> 00:17:59,867 - MILO? - YES? 271 00:17:59,900 --> 00:18:04,233 - NEVER TRUST A MAN WHO DOESN'T GIVE HIS FULL NAME. 272 00:18:04,267 --> 00:18:06,367 - MILO. 273 00:18:06,400 --> 00:18:07,633 M--MILO SHAKESPEARE. 274 00:18:07,667 --> 00:18:08,633 - SHAKESPEARE! thud! 275 00:18:08,667 --> 00:18:11,033 [both grunting and yelping] 276 00:18:11,067 --> 00:18:14,100 "OH, THE SMELL OF BLOOD STILL. 277 00:18:14,133 --> 00:18:17,033 "ALL THE PERFUMES OF ARABIA 278 00:18:17,067 --> 00:18:20,567 WILL NOT SWEETEN THIS LITTLE HAND." 279 00:18:21,600 --> 00:18:25,633 [moans and groans] 280 00:18:25,667 --> 00:18:27,400 MACBETH. ANY RELATION? 281 00:18:27,433 --> 00:18:28,267 - TO MACBETH? 282 00:18:28,300 --> 00:18:29,600 - SHAKESPEARE. - NOT THAT I KNOW OF. 283 00:18:29,633 --> 00:18:30,800 - AH, MORE'S THE PITY. 284 00:18:30,833 --> 00:18:32,633 GREAT MIND, WONDERFUL WRITER, 285 00:18:32,667 --> 00:18:34,333 NOT MUCH HAIR, THOUGH. 286 00:18:34,367 --> 00:18:36,033 NEVER TRUST BALDNESS. 287 00:18:38,667 --> 00:18:39,733 RHYS! 288 00:18:39,767 --> 00:18:45,633 GET YOURSELF UP HERE NOW. 289 00:18:45,667 --> 00:18:47,600 THIS IS MILO, MILO SHAKESPEARE, 290 00:18:47,633 --> 00:18:49,200 NO RELATION. 291 00:18:49,233 --> 00:18:50,633 - RHYS EDWARDS. 292 00:18:50,667 --> 00:18:51,633 I OWN A CHOP CHIP-- 293 00:18:51,667 --> 00:18:53,733 SHIP SHOP--SHOP CHIP--SHIP SHIP. 294 00:18:53,767 --> 00:18:55,100 WHAT DO YOU CALL IT? 295 00:18:55,133 --> 00:18:57,133 COD ALMIGHTY. 296 00:18:57,167 --> 00:18:58,633 I OWN COD ALMIGHTY. 297 00:18:58,667 --> 00:19:00,633 FRESHEST HADDOCK IN THE VALLEY... 298 00:19:00,667 --> 00:19:01,633 OR FISH CAKES 299 00:19:01,667 --> 00:19:05,600 OR ANY FISH-RELATED PRODUCT... 300 00:19:05,633 --> 00:19:07,633 REALLY. 301 00:19:07,667 --> 00:19:09,633 - WELL, IT'S A PLEASURE TO MEET YOU, RHYS. 302 00:19:09,667 --> 00:19:11,633 - NOTHING BETTER THAN THE SMELL OF FRESH FISH. 303 00:19:11,667 --> 00:19:13,167 IS THERE, BRYN? 304 00:19:13,200 --> 00:19:15,467 EXCEPT THE SMELL OF FRESH BREAD, OF COURSE. 305 00:19:15,500 --> 00:19:17,467 [snorts] 306 00:19:19,467 --> 00:19:20,467 bang! 307 00:19:33,800 --> 00:19:35,067 - [exhales] 308 00:19:37,633 --> 00:19:39,600 - WHAT WE CAN DO FOR YOU, MILO? 309 00:19:39,633 --> 00:19:41,500 - I'M JUST LOOKING FOR A TELEPHONE. 310 00:19:55,633 --> 00:19:56,667 WELL, I CAN'T STAY HERE FOREVER. 311 00:19:56,700 --> 00:19:58,267 THEY THINK I'M THE BAKER, LEO. 312 00:19:58,300 --> 00:19:59,667 WHY DIDN'T YOU TELL ME IT WAS A BAKERY, 313 00:19:59,700 --> 00:20:00,633 FOR CHRIST'S SAKE? 314 00:20:00,667 --> 00:20:02,667 - WELL, I WOULD HAVE THOUGHT IT WAS OBVIOUS 315 00:20:02,700 --> 00:20:03,667 FROM THE PHOTO. 316 00:20:03,700 --> 00:20:05,033 - WHAT PHOTO? 317 00:20:05,067 --> 00:20:06,567 - WITH THE REST OF THE INFORMATION. 318 00:20:06,600 --> 00:20:08,067 - THERE WAS NO PHOTO, LEO. 319 00:20:08,100 --> 00:20:10,267 - THAT'S STRANGE. 320 00:20:10,300 --> 00:20:12,567 DOES IT MATTER IF IT'S A BAKERY? 321 00:20:12,600 --> 00:20:14,567 - EH, IT JUST MIGHT. 322 00:20:14,600 --> 00:20:16,433 WHAT WAS THE NAME OF THAT PLASTIC SURGEON? 323 00:20:16,467 --> 00:20:19,133 THE ONE THAT DID VICTOR AFTER THE SAO PAULO FIASCO? 324 00:20:19,167 --> 00:20:21,233 - FORGET THE PLASTIC SURGEON, MILO. 325 00:20:21,267 --> 00:20:22,567 I'M WORKING ON IT 326 00:20:22,600 --> 00:20:24,500 AS WE SPEAK, IN FACT, 327 00:20:24,533 --> 00:20:26,567 BUT IT COULD TAKE SOME TIME. 328 00:20:26,600 --> 00:20:27,567 JUST SIT TIGHT. 329 00:20:27,600 --> 00:20:30,233 [beeping] - HELLO? 330 00:20:30,267 --> 00:20:31,733 HELLO? [clicking] 331 00:20:33,567 --> 00:20:35,300 [dial tone droning] LEO? 332 00:20:35,333 --> 00:20:37,433 - THANKS FOR THE DRINK, HENRY. 333 00:20:40,667 --> 00:20:42,433 BE LUCKY. 334 00:21:14,700 --> 00:21:17,533 - "COD ALMIGHTY." 335 00:21:52,600 --> 00:21:53,733 - HE'S NOT A BAKER. 336 00:21:53,767 --> 00:21:54,733 - WHO'S NOT A BAKER? 337 00:21:54,767 --> 00:21:56,300 - THE BAKER! 338 00:21:56,333 --> 00:21:58,500 - THE BAKER'S NOT A BAKER. 339 00:21:58,533 --> 00:21:59,467 - IT'S A COVER. 340 00:21:59,500 --> 00:22:00,633 - I SEE. 341 00:22:00,667 --> 00:22:02,167 - I DON'T KNOW WHY HE'S HERE YET. 342 00:22:02,200 --> 00:22:04,467 I'M GUESSING IT'S A BIG JOB. 343 00:22:04,500 --> 00:22:06,100 HE COULD BE A SLEEPER. 344 00:22:06,133 --> 00:22:07,567 YEAH, SOMEONE WHO GOES IN 345 00:22:07,600 --> 00:22:09,633 MONTHS OR YEARS BEFORE THE JOB 346 00:22:09,667 --> 00:22:11,733 TO ESTABLISH THEMSELVES IN THE COMMUNITY, 347 00:22:11,767 --> 00:22:13,333 THEREBY, YOU KNOW, 348 00:22:13,367 --> 00:22:15,567 AVOIDING SUSPICION WHEN THE DAY COMES. 349 00:22:15,600 --> 00:22:16,600 - WHAT DAY IS THAT THEN? 350 00:22:16,633 --> 00:22:17,567 - WELL, FOR THE HIT. 351 00:22:17,600 --> 00:22:19,033 - THE HIT? 352 00:22:19,067 --> 00:22:22,433 - HE'S A HIT MAN. 353 00:22:22,467 --> 00:22:24,267 - YOU'RE FIRED. 354 00:22:24,300 --> 00:22:26,033 - HUH? 355 00:22:26,067 --> 00:22:28,600 - I CAN'T HAVE DANGEROUSLY DELUSIONAL EMPLOYEES 356 00:22:28,633 --> 00:22:29,667 SERVING MY CUSTOMERS. 357 00:22:29,700 --> 00:22:31,600 YOU'LL PUT THEM OFF THEIR FISH. 358 00:22:31,633 --> 00:22:33,600 TAKE MY ADVICE: 359 00:22:33,633 --> 00:22:35,567 STAY OFF THE DRUGS. 360 00:22:35,600 --> 00:22:37,133 - THAT'S YOUR ANSWER TO EVERYTHING. 361 00:22:37,167 --> 00:22:38,533 HE'S A HIT MAN. I'M TELLING YOU. 362 00:22:38,567 --> 00:22:41,467 THE BAKERY IS A FRONT. 363 00:22:41,500 --> 00:22:42,600 [electronic beeping] 364 00:22:42,633 --> 00:22:44,133 - WELL, 365 00:22:44,167 --> 00:22:46,667 MY COMMANDER WILL BE VERY INTERESTED IN THIS. 366 00:22:46,700 --> 00:22:49,600 - YOUR COMMANDER? - MM-HMM. 367 00:22:49,633 --> 00:22:52,533 OF THE ALIEN MOTHER SHIP I COME FROM, SEE? 368 00:22:52,567 --> 00:22:54,267 THIS SHOP IS JUST A FRONT. 369 00:22:54,300 --> 00:22:56,500 AND I'M REALLY AN ALIEN COME HERE 370 00:22:56,533 --> 00:22:59,567 TO STUDY THE BRAIN ACTIVITY OF IMBECILES. 371 00:22:59,600 --> 00:23:01,800 THAT'S WHY I EMPLOYED YOU, EGGS. 372 00:23:01,833 --> 00:23:03,233 - I CAN PROVE IT. 373 00:23:03,267 --> 00:23:04,433 GUESS WHAT I'VE GOT IN MY TROUSERS. 374 00:23:04,467 --> 00:23:05,433 - OH, GOD. 375 00:23:05,467 --> 00:23:08,433 EGGS, NO! DON'T, PLEASE-- 376 00:23:08,467 --> 00:23:10,633 BLOODY HELL. 377 00:23:10,667 --> 00:23:12,500 IS THAT WHAT I THINK IT IS? - YES. 378 00:23:12,533 --> 00:23:17,633 - IS IT--IS IT REAL? 379 00:23:17,667 --> 00:23:18,767 EGGS, GIVE IT TO ME. 380 00:23:18,800 --> 00:23:19,767 COME ON. 381 00:23:19,800 --> 00:23:21,133 - NO! - GIVE IT. 382 00:23:21,167 --> 00:23:22,133 JUST GIVE IT TO ME! 383 00:23:22,167 --> 00:23:23,133 [both speaking indistinctly] 384 00:23:23,167 --> 00:23:24,367 [gunshot and glass shatters] 385 00:23:24,400 --> 00:23:27,133 - * THROW ME A LINE 386 00:23:27,167 --> 00:23:28,633 * I GOT TO LEAVE THIS PLACE 387 00:23:28,667 --> 00:23:30,267 * 388 00:23:41,167 --> 00:23:42,533 - MM, SMELLS GOOD. 389 00:23:42,567 --> 00:23:45,600 - ONE OF MY PATIENTS. 390 00:23:45,633 --> 00:23:50,067 YOU WIN SOME; YOU LOSE SOME. 391 00:23:50,100 --> 00:23:51,600 - SO YOU WORK HERE TOO? 392 00:23:51,633 --> 00:23:53,367 - GETS ME OUT IN THE EVENINGS. 393 00:23:53,400 --> 00:23:54,633 - LIFE IN THE FAST LANE, EH? 394 00:23:54,667 --> 00:23:56,467 - LIFE IN THE HARD SHOULDER'S MORE LIKE IT. 395 00:23:56,500 --> 00:23:58,333 - GREAT. 396 00:23:58,367 --> 00:24:00,467 - YES, IT IS. IT'S GREAT. 397 00:24:00,500 --> 00:24:01,533 WHICH LANE DO YOU DRIVE IN? 398 00:24:01,567 --> 00:24:04,400 - WELL, SLOW LANE, MOSTLY. 399 00:24:04,433 --> 00:24:05,633 SOMETIMES ON A CRAZY DAY, 400 00:24:05,667 --> 00:24:07,600 I MIGHT WANDER INTO THE MIDDLE LANE. 401 00:24:07,633 --> 00:24:08,767 - HMM. 402 00:24:08,800 --> 00:24:10,367 SO MILO... 403 00:24:10,400 --> 00:24:12,100 WHAT ARE YOU RUNNING AWAY FROM? 404 00:24:12,133 --> 00:24:13,467 - HOW DO YOU MEAN? 405 00:24:13,500 --> 00:24:14,567 - YOU DON'T MOVE TO A PLACE LIKE GWYNFYD 406 00:24:14,600 --> 00:24:16,300 UNLESS YOU'RE RUNNING FROM SOMETHING. 407 00:24:16,333 --> 00:24:18,033 - YEAH, I WANTED A CHANGE. 408 00:24:18,067 --> 00:24:19,033 - FROM WHAT? 409 00:24:19,067 --> 00:24:20,200 - FROM WHAT I WAS DOING. 410 00:24:20,233 --> 00:24:21,433 - WHAT WAS THAT? 411 00:24:21,467 --> 00:24:23,167 - THAT'S BAKING, OF COURSE. 412 00:24:23,200 --> 00:24:25,300 - BUT YOU'RE STILL A BAKER. 413 00:24:25,333 --> 00:24:27,600 - YEAH, BUT I'M IN A DIFFERENT PLACE NOW. 414 00:24:27,633 --> 00:24:29,300 DO YOU EVER STOP ASKING QUESTIONS? 415 00:24:29,333 --> 00:24:30,367 - ONCE THEY'RE ALL ANSWERED. 416 00:24:30,400 --> 00:24:32,433 DOES IT BOTHER YOU? 417 00:24:32,467 --> 00:24:33,133 - IS THAT WHY YOU'RE HERE? 418 00:24:33,167 --> 00:24:34,700 ARE YOU RUNNING FROM SOMETHING? 419 00:24:34,733 --> 00:24:36,567 - WHAT MAKES YOU THINK I'M NOT FROM HERE? 420 00:24:36,600 --> 00:24:37,567 - ARE YOU? - NO. 421 00:24:37,600 --> 00:24:38,567 - SO. 422 00:24:38,600 --> 00:24:41,433 - HAVE YOU ALWAYS BEEN A BAKER? - NOT ALWAYS. 423 00:24:41,467 --> 00:24:43,167 IS IT TRUE THAT VETS ARE JUST DOCTORS 424 00:24:43,200 --> 00:24:44,200 WHO DON'T LIKE PEOPLE? 425 00:24:44,233 --> 00:24:46,367 IS THAT WHY YOU CAME HERE, TO BE WITH ANIMALS? 426 00:24:46,400 --> 00:24:48,600 - I MET QUITE A FEW ANIMALS WHEN I LIVED IN THE CITY. 427 00:24:48,633 --> 00:24:50,467 WHY DID YOU CHOOSE GWYNFYD? 428 00:24:50,500 --> 00:24:52,467 - I HEARD THERE WAS SHORTAGE OF BAKED GOODS. 429 00:24:52,500 --> 00:24:53,567 - IS THAT RIGHT? 430 00:24:53,600 --> 00:24:56,167 - THAT'S RIGHT. 431 00:24:56,200 --> 00:24:58,467 - SO WHEN DO WE GET OUR FIRST TASTE OF FRESH BREAD? 432 00:24:58,500 --> 00:25:01,033 - OH, YOU KNOW, SOON. 433 00:25:01,067 --> 00:25:03,467 - I WOULDN'T LEAVE IT TOO LONG OR PEOPLE WILL START TO TALK. 434 00:25:03,500 --> 00:25:04,333 - ABOUT WHAT? 435 00:25:04,367 --> 00:25:07,333 - ABOUT THE BAKER WHO DOESN'T BAKE. 436 00:25:07,367 --> 00:25:10,400 WILL YOU BE MAKING DONUTS? - DONUTS? 437 00:25:10,433 --> 00:25:11,633 - THE ONES WITH JAM IN THE MIDDLE. 438 00:25:11,667 --> 00:25:14,467 THERE'S NOTHING BETTER THAN BITING INTO A JAM-FILLED DONUT, 439 00:25:14,500 --> 00:25:16,467 AND FEELING THE JAM SQUIRT OUT ALL OVER YOUR CHIN. 440 00:25:16,500 --> 00:25:17,600 DON'T YOU THINK? 441 00:25:17,633 --> 00:25:19,600 - MM. 442 00:25:19,633 --> 00:25:21,167 - HOW'S YOUR HEAD? 443 00:25:21,200 --> 00:25:22,467 - I'LL LIVE. 444 00:25:22,500 --> 00:25:24,533 - GLAD TO HEAR IT. 445 00:25:24,567 --> 00:25:26,200 ENJOY YOUR MEAL. 446 00:25:32,167 --> 00:25:34,233 - DOING SOME BAKING, ARE YOU? 447 00:25:34,267 --> 00:25:37,400 - OOH, NOTHING GETS PAST YOU, DOES IT? 448 00:25:37,433 --> 00:25:41,300 SHARP AS A SPOON AND HALF AS USEFUL. 449 00:25:41,333 --> 00:25:44,533 - SPOONS CAN BE VERY USEFUL. 450 00:26:46,633 --> 00:26:49,700 [slapping] 451 00:27:06,200 --> 00:27:09,200 - [grunting] 452 00:27:14,367 --> 00:27:15,700 - AT THIS TIME, 453 00:27:15,733 --> 00:27:18,200 THE FEMALE OFTEN GORGES TO SUCH AN EXTENT 454 00:27:18,233 --> 00:27:23,700 THAT THE WEAKER MALE CAN BE FATALLY CRUSHED. 455 00:27:23,733 --> 00:27:26,367 - MARTHA! 456 00:27:26,400 --> 00:27:30,300 - [indistinct shouting and smacking] 457 00:27:30,333 --> 00:27:33,367 [sheep bleating] 458 00:27:53,233 --> 00:27:56,233 [smashing] 459 00:28:26,333 --> 00:28:29,333 [snipping] 460 00:28:45,300 --> 00:28:47,100 [sheep bleating faintly] 461 00:28:47,133 --> 00:28:48,267 [belching] 462 00:28:48,300 --> 00:28:52,767 [explosion] 463 00:28:52,800 --> 00:28:56,267 [dog barking faintly] 464 00:28:56,300 --> 00:28:57,733 - [sighs] 465 00:28:57,767 --> 00:28:59,467 [dog continues barking] 466 00:28:59,500 --> 00:29:01,067 [sighs] 467 00:29:01,100 --> 00:29:04,100 [sirens blaring] 468 00:29:16,767 --> 00:29:18,167 - WHAT CAN I GET YOU? 469 00:29:23,100 --> 00:29:24,167 [electricity buzzing] 470 00:29:24,200 --> 00:29:26,067 [muffled screaming] 471 00:29:33,133 --> 00:29:34,467 - AHH! 472 00:29:34,500 --> 00:29:36,167 [whimpers] 473 00:29:36,200 --> 00:29:37,700 - [gasps] 474 00:29:37,733 --> 00:29:41,200 [wailing] 475 00:29:53,200 --> 00:29:54,700 [electricity zapping and screaming] 476 00:29:54,733 --> 00:29:56,367 click! [zapping and screaming continue] 477 00:29:56,400 --> 00:29:58,233 - [laughing maniacally] 478 00:29:58,267 --> 00:29:59,233 OH! 479 00:29:59,267 --> 00:30:01,200 THAT'S PRICELESS. 480 00:30:01,233 --> 00:30:03,200 THIS'LL LOOK GOOD WITH THE OTHERS. 481 00:30:03,233 --> 00:30:04,400 - YOU... 482 00:30:04,433 --> 00:30:05,600 GO TOO FAR. 483 00:30:05,633 --> 00:30:08,033 - OH, I GO ALL THE WAY, BOY. 484 00:30:08,067 --> 00:30:11,133 YOU ASK YOUR WIFE... 485 00:30:11,167 --> 00:30:12,433 IF YOU KNOW WHERE SHE IS. 486 00:30:12,467 --> 00:30:16,067 - I WILL SEE YOU IN THE GRAVE, 487 00:30:16,100 --> 00:30:17,533 ROBERT RICHARDS. 488 00:30:17,567 --> 00:30:20,700 - NOT IF I SEE YOU THERE FIRST, 489 00:30:20,733 --> 00:30:22,433 ALUN THOMAS. 490 00:30:28,833 --> 00:30:30,400 - IT'S A GLOCK 17. 491 00:30:30,433 --> 00:30:31,533 click! 9 MILLIMETER. 492 00:30:31,567 --> 00:30:33,067 A FAVORITE WITH HIT MEN. 493 00:30:33,100 --> 00:30:35,300 AND IT'S MADE ALMOST ENTIRELY OUT OF PLASTIC 494 00:30:35,333 --> 00:30:37,033 AND CAN BE DISMANTLED 495 00:30:37,067 --> 00:30:38,800 FOR TRANSPORTATION THROUGH AIRPORTS 496 00:30:38,833 --> 00:30:40,400 AND OTHER AREAS OF HIGH SECURITY. 497 00:30:40,433 --> 00:30:42,767 - THIS MUST GO NO FURTHER, BRYN. 498 00:30:42,800 --> 00:30:45,500 - NO. NO, NO, OF COURSE NOT. 499 00:30:45,533 --> 00:30:49,033 WHAT'S A BAKER DOING WITH A GUN? 500 00:30:49,067 --> 00:30:50,633 both: HE'S NOT A BAKER. 501 00:30:50,667 --> 00:30:51,800 [bell jingling] 502 00:30:51,833 --> 00:30:54,300 - OH. 503 00:30:54,333 --> 00:30:55,300 - RHYS. 504 00:30:55,333 --> 00:30:56,300 - YES, DEAR? 505 00:30:56,333 --> 00:30:58,033 - I WANT A WORD WITH YOU. 506 00:30:58,067 --> 00:31:01,533 - WELL, I'M A BIT BUSY-- - NOW. 507 00:31:01,567 --> 00:31:03,767 - OF COURSE. 508 00:31:03,800 --> 00:31:05,200 I'LL BE RIGHT BACK. 509 00:31:17,833 --> 00:31:19,033 click! 510 00:31:19,067 --> 00:31:22,067 - [grunting] 511 00:31:26,100 --> 00:31:30,100 [grunting continues] 512 00:31:36,800 --> 00:31:40,633 - MAYBE HE'S JUST HERE ON HOLIDAY. 513 00:31:40,667 --> 00:31:43,100 - THEN WHY IS HE OPENING A BAKERY? 514 00:31:43,133 --> 00:31:45,067 IS HE ON A BAKING HOLIDAY? 515 00:31:45,100 --> 00:31:46,400 - [chuckles] DEAR GOD. 516 00:31:46,433 --> 00:31:48,667 WHOEVER HEARD OF A BAKING HOLIDAY? 517 00:31:55,433 --> 00:31:57,067 LOOK, HE'S JUST A BAKER 518 00:31:57,100 --> 00:32:00,300 WHO HAPPENS TO BE A WEAPONS ENTHUSIAST. 519 00:32:00,333 --> 00:32:01,733 WELL, YOU NEVER KNOW. 520 00:32:01,767 --> 00:32:04,733 - WE THINK HE'S A SLEEPER. 521 00:32:04,767 --> 00:32:06,133 - BRYN! 522 00:32:08,800 --> 00:32:10,100 HAVE YOU GONE COMPLETELY MAD? 523 00:32:10,133 --> 00:32:11,100 - "OH, AYE. 524 00:32:11,133 --> 00:32:12,600 "I AM BUT MAD NORTH-NORTH-WEST 525 00:32:12,633 --> 00:32:14,767 WHEN THE WIND IS SOUTHERLY I KNOW A HAWK FROM A HANDSAW." 526 00:32:14,800 --> 00:32:16,567 - WHAT THE BLOODY HELL ARE YOU TALKING ABOUT? 527 00:32:16,600 --> 00:32:17,600 - HAMLET. 528 00:32:17,633 --> 00:32:18,600 - I'M TALKING ABOUT SHAKESPEARE. 529 00:32:18,633 --> 00:32:19,600 - WELL, THERE WE ARE THEN. 530 00:32:19,633 --> 00:32:20,700 - WHAT? - SHAKESPEARE. 531 00:32:20,733 --> 00:32:21,733 - YEAH. - WELL, THAT'S IT. 532 00:32:21,767 --> 00:32:23,733 - FOR GOD'S SAKE, I'M TALKING ABOUT THE BAKER. 533 00:32:23,767 --> 00:32:25,100 - OH, YES. YES, THE BAKER. 534 00:32:25,133 --> 00:32:26,433 - IT WAS SUPPOSED TO BE A SECRET. 535 00:32:26,467 --> 00:32:27,233 - I KNOW. I KNOW. 536 00:32:27,267 --> 00:32:28,767 THERE'S NOTHING I CAN DO ABOUT IT. 537 00:32:28,800 --> 00:32:30,600 YOU KNOW THE WAY WORD GETS AROUND IN THIS PLACE. 538 00:32:30,633 --> 00:32:32,733 - I WAS ONLY GONE FOR TEN MINUTES. 539 00:32:32,767 --> 00:32:36,567 - SEE WHAT I MEAN? 540 00:32:36,600 --> 00:32:40,800 - DO YOU THINK HE'S A SLEEPER, RHYS? 541 00:32:40,833 --> 00:32:43,067 - HE'S HERE TO ESTABLISH A COVER 542 00:32:43,100 --> 00:32:45,267 UNTIL THE BIG DAY COMES 543 00:32:45,300 --> 00:32:47,300 WHEN HE HAS TO... 544 00:32:47,333 --> 00:32:49,300 ASSASSINATE SOMEONE. 545 00:32:49,333 --> 00:32:50,667 - ASSASSINATE? 546 00:32:50,700 --> 00:32:51,800 - SHH! 547 00:32:51,833 --> 00:32:53,300 - WELL, WHO PRECISELY AROUND HERE 548 00:32:53,333 --> 00:32:54,400 QUALIFIES FOR THAT TERM? 549 00:32:54,433 --> 00:32:55,800 - WELL, IT COULD BE ANY ONE OF US. 550 00:32:55,833 --> 00:32:58,400 WHO KNOWS WHO'S PAYING HIS WAGES. 551 00:32:58,433 --> 00:33:04,267 - "THEN NOT TO ASK FOR WHOM THE BELL TOLLS. 552 00:33:04,300 --> 00:33:08,333 IT TOLLS FOR THE THEE." 553 00:33:08,367 --> 00:33:09,700 - ME? WHAT HAVE I DONE? 554 00:33:09,733 --> 00:33:11,733 - NO, NO. NOT YOU SPECIFICALLY, RHYS. 555 00:33:11,767 --> 00:33:13,333 NOT--NO, NO. I MEAN MORE GENERALLY... 556 00:33:13,367 --> 00:33:17,033 LIKE, YOU KNOW, THE-- 557 00:33:17,067 --> 00:33:19,033 - THE PRESIDENTIAL ELECTIONS ARE COMING UP. 558 00:33:19,067 --> 00:33:20,033 - [chuckling] 559 00:33:20,067 --> 00:33:22,633 - I DON'T THINK PRESIDENT OF THE LOCAL GOLF CLUB 560 00:33:22,667 --> 00:33:25,233 COUNTS AS A POTENTIAL TARGET, SIMON. 561 00:33:25,267 --> 00:33:27,300 - IT'S THE OLDEST COVER IN THE BOOK, 562 00:33:27,333 --> 00:33:29,767 LIKE MAFIA GUYS WHO OWN PIZZA RESTAURANTS 563 00:33:29,800 --> 00:33:34,633 EXCEPT WHEN SOMEONE GOES IN AND ORDERS A MEAT FEAST, 564 00:33:34,667 --> 00:33:36,633 THEY'RE NOT ASKING FOR A PIZZA. 565 00:33:36,667 --> 00:33:39,233 IF YOU KNOW WHAT I MEAN. 566 00:33:39,267 --> 00:33:41,300 - SO WHAT? 567 00:33:41,333 --> 00:33:42,800 YOU GO TO THE BAKERY, 568 00:33:42,833 --> 00:33:45,700 ASK FOR A CHOCOLATE SPONGE, 569 00:33:45,733 --> 00:33:49,667 AND BEFORE YOU KNOW IT... 570 00:33:49,700 --> 00:33:54,467 YOUR NEIGHBOR'S PUSHING UP DAISIES. 571 00:33:56,533 --> 00:33:59,467 - OR WIFE. 572 00:33:59,500 --> 00:34:01,367 both: OR DAD. 573 00:34:01,400 --> 00:34:02,633 - OR... 574 00:34:02,667 --> 00:34:04,633 ANYONE AT ALL. 575 00:34:04,667 --> 00:34:06,067 - THE BAKER. 576 00:34:06,100 --> 00:34:07,733 THAT'S HIS CODE NAME, PROBABLY. 577 00:34:07,767 --> 00:34:10,333 IT'S BRILLIANT! 578 00:34:10,367 --> 00:34:11,600 thud! 579 00:34:11,633 --> 00:34:12,633 thud! - [sighs] 580 00:34:12,667 --> 00:34:16,400 - BUT WHAT'S HE DOING HERE? 581 00:34:16,433 --> 00:34:18,200 - WHATEVER THE REASON, 582 00:34:18,233 --> 00:34:20,233 HE'S HERE: 583 00:34:20,267 --> 00:34:23,633 A PROFESSIONAL ASSASSIN IN OUR MIDST. 584 00:34:23,667 --> 00:34:26,033 - THE BAKER. 585 00:34:40,333 --> 00:34:41,767 - DON'T YOU WORK IN THE CHIP SHOP? 586 00:34:41,800 --> 00:34:44,467 - AFTERNOONS. 587 00:34:44,500 --> 00:34:45,700 - TWO JOBS? 588 00:34:45,733 --> 00:34:47,367 NOT MANY PEOPLE COULD HANDLE THAT. 589 00:34:47,400 --> 00:34:48,567 - I CAN... 590 00:34:48,600 --> 00:34:50,667 AND A SECRET IDENTITY IF I HAVE TO. 591 00:34:53,767 --> 00:34:55,633 [bell jingles] 592 00:35:01,133 --> 00:35:04,600 - CHECKING OUT THE COMPETITION? 593 00:35:04,633 --> 00:35:06,567 - SOMETHING LIKE THAT. 594 00:35:06,600 --> 00:35:07,700 - YOU HAVE NOTHING TO WORRY ABOUT. 595 00:35:07,733 --> 00:35:09,067 THOSE ARE TERRIBLE. 596 00:35:21,567 --> 00:35:23,200 - SO WHAT DO PEOPLE DO HERE IN THE EVENINGS? 597 00:35:23,233 --> 00:35:25,067 WHEN THEY'RE NOT SITTING ON THE HARD SHOULDER. 598 00:35:25,100 --> 00:35:26,133 YOU KNOW, FOR FUN. 599 00:35:26,167 --> 00:35:28,567 - AH, FOR FUN. YOU KNOW, THE USUAL. 600 00:35:28,600 --> 00:35:29,700 - THE USUAL? 601 00:35:29,733 --> 00:35:33,167 - YOU KNOW, PLAYING SCRABBLE, 602 00:35:33,200 --> 00:35:34,433 DARNING SOCKS, 603 00:35:34,467 --> 00:35:36,033 ALPHABETIZING THE VIDEO COLLECTION, 604 00:35:36,067 --> 00:35:37,267 THE USUAL. 605 00:35:37,300 --> 00:35:38,667 - RIGHT, THE USUAL. I SEE. 606 00:35:38,700 --> 00:35:40,567 - OCCASIONALLY, WE GO ON DATES. 607 00:35:40,600 --> 00:35:42,033 - GREAT. 608 00:35:42,067 --> 00:35:43,433 WITH OTHER... 609 00:35:43,467 --> 00:35:44,633 VILLAGE PEOPLE? 610 00:35:44,667 --> 00:35:47,567 - HE WANTS TO KNOW IF SHE'D LIKE TO GO ON A DATE WITH HIM, 611 00:35:47,600 --> 00:35:49,433 BUT HE DOESN'T KNOW HOW TO ASK. 612 00:35:49,467 --> 00:35:53,100 - SHE ISN'T SURE IF THAT'S SUCH A GOOD IDEA. 613 00:35:53,133 --> 00:35:54,800 I MEAN, YOU KNOW... 614 00:35:54,833 --> 00:35:56,633 WHATEVER. 615 00:35:56,667 --> 00:35:57,767 - HOW ABOUT SOMETIME THIS WEEK? 616 00:35:57,800 --> 00:35:59,500 WOULD THAT SUIT YOU, DO THINK? 617 00:35:59,533 --> 00:36:01,667 - I SUPPOSE SO. 618 00:36:01,700 --> 00:36:03,633 - GREAT, SHE'LL CHECK HER DIARY AND GET BACK TO HIM. 619 00:36:03,667 --> 00:36:04,700 - MAGIC. 620 00:36:04,733 --> 00:36:06,767 - HE CAN'T WAIT. 621 00:36:06,800 --> 00:36:09,267 5 POUNDS 35, PLEASE. 622 00:36:15,467 --> 00:36:17,400 - THANKS. 623 00:36:17,433 --> 00:36:18,400 - GUESS I'LL LET YOU KNOW. 624 00:36:18,433 --> 00:36:20,233 - GREAT. 625 00:36:20,267 --> 00:36:22,333 - WHO SAID ROMANCE WAS DEAD? 626 00:36:29,267 --> 00:36:32,200 [German music plays on radio] 627 00:36:32,233 --> 00:36:40,233 * 628 00:36:51,233 --> 00:36:54,367 - [humming] 629 00:36:55,533 --> 00:36:57,067 thud! 630 00:36:57,100 --> 00:36:58,467 thud! 631 00:36:58,500 --> 00:37:00,133 thud! 632 00:37:27,067 --> 00:37:28,067 GOOD MORNING. 633 00:37:28,100 --> 00:37:29,600 HOW CAN I HELP YOU? 634 00:37:29,633 --> 00:37:31,467 BREAD? CERTAINLY. 635 00:37:31,500 --> 00:37:33,600 WHITE, BROWN, 636 00:37:33,633 --> 00:37:34,633 GRANARY? 637 00:37:34,667 --> 00:37:35,633 HMM? 638 00:37:35,667 --> 00:37:37,100 A DONUT? 639 00:37:37,133 --> 00:37:39,433 [scoffs] OF COURSE. 640 00:37:39,467 --> 00:37:42,400 ANYTHING ELSE I CAN HELP YOU WITH? 641 00:37:45,200 --> 00:37:49,433 GOD, WHAT ARE YOU THINKING OF? 642 00:37:49,467 --> 00:37:53,733 [sighs] 643 00:37:53,767 --> 00:37:56,633 [indistinct murmuring] 644 00:38:13,833 --> 00:38:15,433 - HEY, DID YOU GET THOSE CHIPS YET? 645 00:38:15,467 --> 00:38:16,733 - YEAH, JUST ABOUT TO. 646 00:38:16,767 --> 00:38:18,133 OH! [clatters] 647 00:38:18,167 --> 00:38:20,800 thud! 648 00:38:20,833 --> 00:38:23,800 - I WONDER HOW MUCH HE CHARGES. 649 00:38:23,833 --> 00:38:24,800 - OOH. 650 00:38:24,833 --> 00:38:26,567 WHO HAVE YOU GOT IN MIND? 651 00:38:26,600 --> 00:38:30,767 - HYPOTHETICALLY IS WHAT I MEANT. 652 00:38:30,800 --> 00:38:32,767 - A SAMURAI... [gasps] 653 00:38:32,800 --> 00:38:35,100 NEVER SELLS HIMSELF CHEAPLY. 654 00:38:35,133 --> 00:38:36,367 - SAMURAI? 655 00:38:36,400 --> 00:38:37,433 - YEAH, YEAH. SAMURAI, 656 00:38:37,467 --> 00:38:40,500 ASSASSIN, HIT MAN, 657 00:38:40,533 --> 00:38:43,667 PROBLEM SOLVER, CLEANER, 658 00:38:43,700 --> 00:38:47,367 TERMINATOR, LIQUIDATOR, MUTILATOR... 659 00:38:47,400 --> 00:38:48,367 - I THINK I GET THE PICTURE. 660 00:38:48,400 --> 00:38:50,667 - ANNIHILATOR, 661 00:38:50,700 --> 00:38:54,767 EXTERMINATOR. 662 00:38:54,800 --> 00:38:56,767 [bell jingles and both yelp] 663 00:38:56,800 --> 00:38:58,767 - THINKING OF DOING ANY WORK TODAY 664 00:38:58,800 --> 00:39:00,567 OR YOU JUST GONNA STARE OUT OF YOUR GLASS BOWL 665 00:39:00,600 --> 00:39:03,567 LIKE GOLD FISH? 666 00:39:03,600 --> 00:39:06,033 [popping] 667 00:39:09,100 --> 00:39:11,400 BRING HOME SOME FISH FOR YOUR TEA. 668 00:39:11,433 --> 00:39:14,133 I HAVEN'T GOT TIME TO GO TO THE SHOPS TODAY. 669 00:39:14,167 --> 00:39:15,767 - YES, DEAR. 670 00:39:19,567 --> 00:39:21,367 - MIND YOU... 671 00:39:21,400 --> 00:39:24,433 SOME JOBS ARE PROBABLY CHEAPER THAN OTHERS. 672 00:39:27,267 --> 00:39:30,300 [both speaking Welsh] 673 00:39:50,733 --> 00:39:53,367 [both giggle] 674 00:40:24,700 --> 00:40:27,333 - I'M YOUR MAN. 675 00:40:27,367 --> 00:40:28,433 - YOU BETTER COME IN. 676 00:40:33,067 --> 00:40:34,667 [silverware clinking] 677 00:40:34,700 --> 00:40:37,767 - [laughs hysterically] 678 00:41:10,167 --> 00:41:13,167 [crunching] 679 00:41:19,400 --> 00:41:20,467 [spits] 680 00:41:29,667 --> 00:41:30,633 - EXCUSE ME, DEAR. 681 00:41:30,667 --> 00:41:33,233 I JUST HAVE TO... 682 00:41:33,267 --> 00:41:35,400 GO OUT FOR A MINUTE. 683 00:41:40,700 --> 00:41:42,367 - [chuckles] 684 00:41:42,400 --> 00:41:46,133 [laughing hysterically] 685 00:41:54,767 --> 00:41:57,233 thud! 686 00:41:57,267 --> 00:41:58,367 thud! 687 00:41:59,633 --> 00:42:02,633 [laughter] 688 00:42:11,433 --> 00:42:13,267 - HELLO? 689 00:42:13,300 --> 00:42:17,200 IS ANYBODY THERE? 690 00:42:17,233 --> 00:42:19,067 - AH, MR. EDWARDS. 691 00:42:19,100 --> 00:42:21,233 - PLEASE, RHYS. 692 00:42:21,267 --> 00:42:22,633 I, UH... 693 00:42:22,667 --> 00:42:24,367 I WANT TO TALK TO YOU ABOUT SOMETHING. 694 00:42:24,400 --> 00:42:25,200 - YES? 695 00:42:25,233 --> 00:42:26,433 IS THIS A GOOD MOMENT? 696 00:42:26,467 --> 00:42:28,200 - WELL, ACTUALLY... 697 00:42:28,233 --> 00:42:32,167 - IT IS RATHER A, UH... DELICATE MATTER. 698 00:42:32,200 --> 00:42:34,367 IT'S MY WIFE, YOU SEE. SHE'S-- 699 00:42:34,400 --> 00:42:35,367 HOW CAN I PUT THIS? 700 00:42:35,400 --> 00:42:36,633 SHE'S-- 701 00:42:36,667 --> 00:42:40,067 SHE'S SQUEEZING THE LIFE OUT OF ME. 702 00:42:40,100 --> 00:42:41,067 - RIGHT. 703 00:42:41,100 --> 00:42:43,033 I AM LISTENING. 704 00:42:43,067 --> 00:42:44,700 - IT'S JUST THAT SOMETIMES, I, UH.. 705 00:42:44,733 --> 00:42:47,333 I, YOU KNOW--I WANT TO DO THE SAME TO HER BUT I CAN'T... 706 00:42:47,367 --> 00:42:48,367 DO IT. 707 00:42:48,400 --> 00:42:49,600 - UH-HUH. 708 00:42:49,633 --> 00:42:52,233 - THE THING IS, I'M WEAK. 709 00:42:52,267 --> 00:42:55,700 I DON'T MEAN PHYSICALLY, THOUGH THAT MIGHT BE A PROBLEM. 710 00:42:55,733 --> 00:42:58,267 IT'S A MENTAL THING. 711 00:42:58,300 --> 00:43:00,133 AND I WAS HOPING YOU MIGHT BE ABLE TO, UH... 712 00:43:00,167 --> 00:43:02,667 DO SOMETHING FOR ME. 713 00:43:02,700 --> 00:43:06,267 YOU KNOW? 714 00:43:06,300 --> 00:43:08,667 BAKE HER A CAKE. 715 00:43:08,700 --> 00:43:10,167 - BAKE HER A CAKE? 716 00:43:10,200 --> 00:43:11,100 - YEAH. 717 00:43:11,133 --> 00:43:13,167 - YOU WANT ME TO BAKE YOUR WIFE A CAKE? 718 00:43:13,200 --> 00:43:14,333 WHAT KIND OF CAKE? 719 00:43:14,367 --> 00:43:17,300 - CHOCOLATE? 720 00:43:19,833 --> 00:43:22,433 - OF COURSE I CAN BAKE HER A CAKE. 721 00:43:22,467 --> 00:43:24,067 - REALLY? 722 00:43:24,100 --> 00:43:26,067 - CAKES ARE WHAT I DO. 723 00:43:26,100 --> 00:43:28,333 - [gasps] SO IT'S TRUE. 724 00:43:28,367 --> 00:43:31,267 YOU ARE THE BAKER. 725 00:43:31,300 --> 00:43:36,333 - YES, I AM. 726 00:43:36,367 --> 00:43:38,133 - THERE IS A... 727 00:43:38,167 --> 00:43:39,800 SMALL MATTER OF PAYMENT? 728 00:43:39,833 --> 00:43:41,033 - NO, NO. 729 00:43:41,067 --> 00:43:42,800 CONSIDER IT A SAMPLE OF MY WORK, 730 00:43:42,833 --> 00:43:45,267 AN INTRODUCTORY OFFER, IF YOU LIKE. 731 00:43:45,300 --> 00:43:47,233 - OH, THANK YOU. 732 00:43:47,267 --> 00:43:51,400 I CAN'T TELL YOU HOW MUCH THIS MEANS TO ME. 733 00:43:51,433 --> 00:43:53,100 YOU'VE SAVED ME FROM... 734 00:43:53,133 --> 00:43:55,100 THANK YOU. 735 00:43:55,133 --> 00:43:57,300 THANK YOU. 736 00:43:57,333 --> 00:43:59,533 - WE VILLAGERS HAVE TO LOOK OUT FOR EACH OTHER. 737 00:43:59,567 --> 00:44:02,167 - OH, YOU'RE RIGHT. 738 00:44:02,200 --> 00:44:03,333 SO RIGHT. 739 00:44:07,133 --> 00:44:08,800 [fly buzzing] 740 00:44:08,833 --> 00:44:10,033 zap! 741 00:44:10,067 --> 00:44:11,633 ting! plop! 742 00:44:11,667 --> 00:44:13,300 - NO, PLEASE. NO. 743 00:44:13,333 --> 00:44:14,633 NOT THAT, PLEASE. NO, NO! 744 00:44:14,667 --> 00:44:17,667 [muffled screams] 745 00:44:43,300 --> 00:44:44,500 - MM! 746 00:44:56,267 --> 00:44:59,267 [clicking] 747 00:45:03,333 --> 00:45:04,733 - RHYS! - MM. 748 00:45:04,767 --> 00:45:07,433 hiss! [whimpers] 749 00:45:07,467 --> 00:45:08,733 - YOU'VE SEEN MY MAGAZINE? 750 00:45:12,133 --> 00:45:14,100 HAVE YOU BEEN SMOKING? 751 00:45:18,100 --> 00:45:21,233 YOU GET STRANGER EVERY DAY. 752 00:45:21,267 --> 00:45:25,033 YOU REALLY ARE A POOR EXCUSE FOR A MAN, AREN'T YOU? 753 00:45:25,067 --> 00:45:28,700 - MM. 754 00:45:28,733 --> 00:45:30,067 hiss! AH! 755 00:45:30,100 --> 00:45:31,767 - NOT A DAY GOES PAST THAT I DON'T WISH 756 00:45:31,800 --> 00:45:34,400 I'D LISTENED TO MY SISTER. 757 00:45:34,433 --> 00:45:37,300 - I'LL BE OFF, THEN, DEAR. 758 00:45:37,333 --> 00:45:38,567 HAVE A NICE DAY. 759 00:45:54,167 --> 00:45:56,400 - SO, UM... 760 00:45:56,433 --> 00:45:57,667 EGGS. 761 00:45:57,700 --> 00:45:59,433 THAT'S AN UNUSUAL NAME. 762 00:45:59,467 --> 00:46:02,533 IS IT BECAUSE YOUR FATHER'S A CHICKEN FARMER OR-- 763 00:46:02,567 --> 00:46:03,733 - NO. 764 00:46:03,767 --> 00:46:05,500 BECAUSE HE'S A WANKER. 765 00:46:09,567 --> 00:46:12,133 WHEN CAN I GET STARTED ON SOME REAL WORK? 766 00:46:12,167 --> 00:46:15,633 - OH, THE LONGEST JOURNEY BEGINS WITH THE FIRST STEP. 767 00:46:15,667 --> 00:46:17,433 - RIGHT. 768 00:46:17,467 --> 00:46:19,767 THE PATH TO ENLIGHTENMENT 769 00:46:19,800 --> 00:46:22,667 IS LITTERED WITH DEAD BODIES. 770 00:46:22,700 --> 00:46:23,767 - WHAT? 771 00:46:23,800 --> 00:46:26,033 - WAX ON. WAX OFF. 772 00:46:29,133 --> 00:46:31,133 HI-YA! [explosion] 773 00:46:40,700 --> 00:46:43,800 - [chuckling] 774 00:46:43,833 --> 00:46:47,133 [laughs hysterically] 775 00:46:51,833 --> 00:46:54,367 [sobbing] 776 00:47:22,833 --> 00:47:26,333 MY LOVE... 777 00:47:26,367 --> 00:47:27,667 GONE FOREVER. 778 00:47:48,133 --> 00:47:50,200 - I'M SO SORRY. 779 00:47:50,233 --> 00:47:51,467 - THANK YOU. 780 00:48:07,767 --> 00:48:11,600 - [clears throat] 781 00:48:11,633 --> 00:48:12,800 - [clears throat] 782 00:48:12,833 --> 00:48:14,567 AND... 783 00:48:14,600 --> 00:48:16,267 I OFFER A SONG 784 00:48:16,300 --> 00:48:19,667 THAT WILL FOREVER REMIND US OF MARTHA, 785 00:48:19,700 --> 00:48:23,667 A SONG THAT WAS A PERSONAL FAVORITE OF HERS, 786 00:48:23,700 --> 00:48:27,800 A SONG THAT SHE WOULD PLAY OVER AND OVER 787 00:48:27,833 --> 00:48:31,600 AND OVER ON OUR JUKEBOX. 788 00:48:37,067 --> 00:48:38,033 [electricity hums] 789 00:48:38,067 --> 00:48:41,800 [guitar chord strums] 790 00:48:41,833 --> 00:48:46,167 [singing in foreign language] 791 00:48:46,200 --> 00:48:49,267 [wistful guitar music] 792 00:48:49,300 --> 00:48:57,300 * 793 00:49:12,733 --> 00:49:15,133 all: * VOLARE! 794 00:49:15,167 --> 00:49:17,233 * OH-OH! 795 00:49:17,267 --> 00:49:19,500 * CONTARE 796 00:49:19,533 --> 00:49:22,167 * OH WHOA-OH 797 00:49:22,200 --> 00:49:23,167 * NEL BLU 798 00:49:23,200 --> 00:49:26,067 * DIPINTO DI BLU 799 00:49:26,100 --> 00:49:27,500 * FELICE 800 00:49:27,533 --> 00:49:31,467 * DI STARE LASSU 801 00:49:31,500 --> 00:49:34,467 - [singing in foreign language] 802 00:49:34,500 --> 00:49:42,500 * 803 00:49:48,700 --> 00:49:51,067 all: * VOLARE! 804 00:49:51,100 --> 00:49:53,133 * OH-OH! 805 00:49:53,167 --> 00:49:55,467 * CONTARE 806 00:49:55,500 --> 00:49:58,200 * OH WHOA-OH 807 00:49:58,233 --> 00:49:59,200 * NEL BLU 808 00:49:59,233 --> 00:50:02,500 * DIPINTO DI BLU 809 00:50:02,533 --> 00:50:03,600 * FELICE 810 00:50:03,633 --> 00:50:06,733 * DI STARE LASSU 811 00:50:06,767 --> 00:50:08,067 * WE CAN SING IN THE GLOW 812 00:50:08,100 --> 00:50:09,300 * OF A STAR THAT I KNOW OF 813 00:50:09,333 --> 00:50:11,100 * WHERE LOVERS ENJOY PEACE OF MIND * 814 00:50:11,133 --> 00:50:12,600 * LET US LEAVE THE CONFUSION 815 00:50:12,633 --> 00:50:14,467 * AND ALL THE DISILLUSION BEHIND * 816 00:50:14,500 --> 00:50:15,600 * 817 00:50:15,633 --> 00:50:17,167 * JUST LIKE BIRDS OF A FEATHER 818 00:50:17,200 --> 00:50:19,167 * A RAINBOW TOGETHER WE'LL FIND * 819 00:50:19,200 --> 00:50:21,067 * 820 00:50:21,100 --> 00:50:22,767 * VOLARE! 821 00:50:22,800 --> 00:50:25,300 * OH-OH! 822 00:50:25,333 --> 00:50:27,767 * CONTARE 823 00:50:27,800 --> 00:50:29,700 * OH WHOA-OH 824 00:50:29,733 --> 00:50:31,200 * NEL BLU 825 00:50:31,233 --> 00:50:34,467 * DIPINTO DI BLU 826 00:50:34,500 --> 00:50:35,700 * FELICE 827 00:50:35,733 --> 00:50:38,700 * DI STARE LASSU 828 00:50:38,733 --> 00:50:39,700 * NEL BLU 829 00:50:39,733 --> 00:50:43,300 * DIPINTO DI BLU 830 00:50:43,333 --> 00:50:44,733 * FELICE 831 00:50:44,767 --> 00:50:47,667 * DI STARE LASSU 832 00:50:47,700 --> 00:50:49,267 * NEL BLU 833 00:50:49,300 --> 00:50:52,267 * DIPINTO DI BLU 834 00:50:52,300 --> 00:50:53,700 * 835 00:50:57,433 --> 00:51:00,667 - [breathing deeply] 836 00:51:00,700 --> 00:51:02,267 rip! [gasps] 837 00:51:02,300 --> 00:51:05,300 [sighs] 838 00:51:11,067 --> 00:51:14,567 - LOOKING GOOD, BOSS. 839 00:51:14,600 --> 00:51:16,700 - YOU DON'T THINK THE TIE'S TOO FORMAL OR-- 840 00:51:16,733 --> 00:51:20,567 - A TIE IS A SYMBOL OF POTENCY. 841 00:51:20,600 --> 00:51:23,700 - HMM. 842 00:51:23,733 --> 00:51:26,233 - DO YOU THINK I'M READY? 843 00:51:26,267 --> 00:51:27,400 - OH, HAVE YOU GOT A DATE THEN? 844 00:51:27,433 --> 00:51:30,633 - A DATE WITH DESTINY. 845 00:51:30,667 --> 00:51:32,633 - I'M SURE YOU'LL KNOCK HER DEAD. 846 00:51:32,667 --> 00:51:36,500 - HIM. 847 00:51:36,533 --> 00:51:37,567 - HIM? 848 00:51:37,600 --> 00:51:38,767 - IT'S BOB RICHARDS TONIGHT. 849 00:51:38,800 --> 00:51:40,400 - OH. 850 00:51:40,433 --> 00:51:43,633 GREAT. 851 00:51:43,667 --> 00:51:45,700 GREAT. I'M-- 852 00:51:45,733 --> 00:51:47,433 I'M REALLY HAPPY FOR YOU. 853 00:51:51,133 --> 00:51:52,367 WELL, WISH ME LUCK THEN. 854 00:51:52,400 --> 00:51:53,700 - YOU DON'T NEED ANY LUCK. 855 00:51:53,733 --> 00:51:55,400 YOU'RE THE MAN. [clicks tongue] 856 00:52:05,767 --> 00:52:09,333 [video game gunshots] 857 00:52:09,367 --> 00:52:10,467 - CAN I HELP YOU? 858 00:52:10,500 --> 00:52:13,500 [video game character screaming] 859 00:52:13,533 --> 00:52:15,100 - I'D LIKE A PICKLED EGG. 860 00:52:15,133 --> 00:52:17,067 - AH. 861 00:52:17,100 --> 00:52:19,500 VERY GOOD CHOICE. 862 00:52:19,533 --> 00:52:21,600 FINEST PICKLED EGGS IN THE VALLEY 863 00:52:21,633 --> 00:52:23,567 IF I SAY SO MYSELF. 864 00:52:35,800 --> 00:52:39,100 - [gulps] 865 00:52:39,133 --> 00:52:40,633 [gasps] 866 00:52:40,667 --> 00:52:42,533 - [chuckles nervously] 867 00:52:49,333 --> 00:52:50,633 - I'M LOOKING FOR SOMEONE. 868 00:52:50,667 --> 00:52:53,600 AND I BELIEVE HE MAY HAVE COME THIS WAY. 869 00:52:53,633 --> 00:52:58,467 - MAYBE YOU CAN HELP ME. - I CAN CERTAINLY TRY. 870 00:52:58,500 --> 00:53:02,500 WHAT ARE THE GLOVES FOR? 871 00:53:02,533 --> 00:53:03,533 snap! 872 00:53:06,467 --> 00:53:09,433 [energetic Latin music] 873 00:53:09,467 --> 00:53:17,467 * 874 00:53:28,633 --> 00:53:31,600 [music continues] 875 00:53:31,633 --> 00:53:39,633 * 876 00:54:27,400 --> 00:54:28,433 - IS THAT A TIE IN YOUR POCKET 877 00:54:28,467 --> 00:54:29,800 OR ARE YOU JUST PLEASED TO SEE ME? 878 00:54:29,833 --> 00:54:31,500 - OH. IT'S A TIE. 879 00:54:31,533 --> 00:54:33,033 BUT I AM PLEASED TO SEE YOU, 880 00:54:33,067 --> 00:54:35,467 VERY PLEASED. 881 00:54:35,500 --> 00:54:37,500 [chuckles] 882 00:54:37,533 --> 00:54:38,633 - COME IN. 883 00:54:47,167 --> 00:54:49,333 [loud funky music] 884 00:54:49,367 --> 00:54:52,400 * 885 00:54:52,433 --> 00:54:53,400 ding! 886 00:54:53,433 --> 00:54:56,400 [funky music continues] 887 00:54:56,433 --> 00:55:04,433 * 888 00:55:06,367 --> 00:55:09,333 - * LET ME BE YOUR LOVER 889 00:55:09,367 --> 00:55:10,533 * LET ME 890 00:55:10,567 --> 00:55:15,433 [muffled music] 891 00:55:15,467 --> 00:55:18,433 [music and moaning] 892 00:55:18,467 --> 00:55:20,733 [girl moaning on TV] 893 00:55:20,767 --> 00:55:23,600 * 894 00:55:23,633 --> 00:55:26,600 [music and moaning continues] 895 00:55:26,633 --> 00:55:33,300 * 896 00:55:33,333 --> 00:55:34,300 LEONARD. 897 00:55:34,333 --> 00:55:35,767 LEONARD, COME HERE. 898 00:55:35,800 --> 00:55:37,033 - [cat meows] - COME ON. 899 00:55:37,067 --> 00:55:38,033 - * LOVE ME 900 00:55:38,067 --> 00:55:39,500 - meow! 901 00:55:39,533 --> 00:55:40,500 - * LOVE ME 902 00:55:40,533 --> 00:55:42,067 * 903 00:55:42,100 --> 00:55:45,433 * LEARN TO LOVE ME 904 00:55:45,467 --> 00:55:48,167 * LET ME BE YOUR LOVER BOY 905 00:55:48,200 --> 00:55:52,033 * 906 00:55:52,067 --> 00:55:52,800 [gunshot] 907 00:55:52,833 --> 00:55:56,800 - [screaming] 908 00:55:56,833 --> 00:56:00,167 - [gasps] 909 00:56:00,200 --> 00:56:01,467 [whimpers] 910 00:56:01,500 --> 00:56:04,500 [screaming and music continues] 911 00:56:10,367 --> 00:56:11,333 - TA-DA! 912 00:56:11,367 --> 00:56:12,667 - WOW. 913 00:56:12,700 --> 00:56:15,167 WHAT ARE THEY? 914 00:56:15,200 --> 00:56:16,400 - DONUTS. 915 00:56:16,433 --> 00:56:17,800 - OF COURSE THEY ARE. HOW SILLY OF ME. 916 00:56:17,833 --> 00:56:19,467 NOW YOU SAID IT, IT'S OBVIOUS. 917 00:56:29,300 --> 00:56:31,767 crunch! 918 00:56:31,800 --> 00:56:35,367 - WELL? 919 00:56:35,400 --> 00:56:37,167 - MM. 920 00:56:37,200 --> 00:56:40,300 - REALLY? - REALLY. 921 00:56:40,333 --> 00:56:43,300 IT'S REALLY... 922 00:56:43,333 --> 00:56:44,400 DIFFERENT. 923 00:56:48,333 --> 00:56:50,167 - RHIANNON... 924 00:57:01,667 --> 00:57:03,767 THERE'S SOMETHING I'VE GOT TO TELL YOU. 925 00:57:03,800 --> 00:57:05,400 - WHAT IS IT? 926 00:57:08,400 --> 00:57:12,067 - I'M NOT A BAKER. 927 00:57:12,100 --> 00:57:13,367 I MEAN, I'VE ONLY-- 928 00:57:13,400 --> 00:57:16,467 I'VE ONLY JUST STARTED BAKING VERY RECENTLY. 929 00:57:16,500 --> 00:57:18,467 - REALLY? 930 00:57:18,500 --> 00:57:22,233 - I FEEL LIKE I'VE BEEN DOING IT MY WHOLE LIFE 931 00:57:22,267 --> 00:57:26,600 OR AT LEAST, I SHOULD HAVE BEEN... 932 00:57:26,633 --> 00:57:31,500 ALL THESE YEARS. 933 00:57:31,533 --> 00:57:34,767 WHEN I BAKE, I'M FREE. 934 00:57:39,300 --> 00:57:41,267 - BEING FREE IS IMPORTANT. 935 00:57:44,300 --> 00:57:46,367 - OH, YOU'VE--YOU'VE GOT SOME-- 936 00:57:46,400 --> 00:57:48,500 A LITTLE BIT OF JAM ON YOUR... 937 00:57:52,267 --> 00:57:53,233 - WHERE? 938 00:57:53,267 --> 00:57:55,400 - IT'S JUST, UM... 939 00:58:00,267 --> 00:58:01,500 - WHERE IS IT? HAVE I GOT IT? 940 00:58:01,533 --> 00:58:03,733 - NO, IT'S--IT'S MORE-- 941 00:58:18,467 --> 00:58:21,433 [brassy Latin music] 942 00:58:21,467 --> 00:58:33,267 * 943 00:58:33,300 --> 00:58:35,167 - WHAT'S WRONG? DON'T YOU LIKE IT? 944 00:58:35,200 --> 00:58:36,400 - NO, I-- NO, I LOVE IT. 945 00:58:36,433 --> 00:58:38,167 I LOVE IT. 946 00:58:38,200 --> 00:58:39,567 CARRY ON, PLEASE. 947 00:58:52,700 --> 00:58:54,267 - WHAT? WHAT IS IT? 948 00:58:54,300 --> 00:58:56,100 - NOT WHAT. WHO. 949 00:59:05,467 --> 00:59:07,233 - EGGS, WHAT ARE YOU DOING HERE? 950 00:59:07,267 --> 00:59:09,233 - I ONLY DID IT. 951 00:59:09,267 --> 00:59:11,400 I ONLY BLOODY DID IT. 952 00:59:11,433 --> 00:59:12,767 ONE OF YOU NOW, AREN'T I? 953 00:59:12,800 --> 00:59:14,233 - DID WHAT, EGGS? 954 00:59:14,267 --> 00:59:15,767 - WHO'D HAVE THOUGHT YOU MADE SO MUCH MESS? 955 00:59:15,800 --> 00:59:17,500 - EGGS, WHAT ARE YOU TALKING ABOUT? 956 00:59:17,533 --> 00:59:18,800 - YOU TALKING TO ME? 957 00:59:18,833 --> 00:59:21,300 I CAN'T SEE ANYONE ELSE AROUND HERE. 958 00:59:21,333 --> 00:59:23,533 thud! 959 00:59:23,567 --> 00:59:26,133 [sheep bleating faintly] 960 00:59:26,167 --> 00:59:27,800 - I'D BETTER GET HIM BACK. 961 00:59:27,833 --> 00:59:30,367 I FEEL RESPONSIBLE. 962 00:59:30,400 --> 00:59:32,133 EGGS... 963 00:59:32,167 --> 00:59:33,300 EGGS. 964 00:59:33,333 --> 00:59:35,167 COME ON. COME ON. 965 00:59:35,200 --> 00:59:36,500 [scuffling] 966 00:59:36,533 --> 00:59:41,633 [panting] 967 00:59:41,667 --> 00:59:42,633 [grunts] 968 00:59:42,667 --> 00:59:44,033 HERE WE GO. 969 00:59:52,667 --> 00:59:54,100 I THINK HE SHOULD BE ALL RIGHT THERE. 970 00:59:54,133 --> 00:59:57,267 [chuckles] 971 00:59:57,300 --> 00:59:59,333 - I THINK SO. 972 00:59:59,367 --> 01:00:03,267 - THANKS FOR YOUR HELP. 973 01:00:03,300 --> 01:00:04,633 - I BETTER GET GOING. 974 01:00:05,800 --> 01:00:08,767 [calypso music plays] 975 01:00:08,800 --> 01:00:17,000 * 976 01:00:22,300 --> 01:00:24,500 - * SHAKE, SHAKE, SHAKE, SENORA * 977 01:00:24,533 --> 01:00:26,433 * SHAKE YOUR BODY LINE 978 01:00:26,467 --> 01:00:28,700 * SHAKE, SHAKE, SHAKE, SENORA 979 01:00:28,733 --> 01:00:30,700 * SHAKE IT ALL THE TIME 980 01:00:30,733 --> 01:00:32,767 * WORK, WORK, WORK, SENORA 981 01:00:32,800 --> 01:00:35,200 * WORK YOUR BODY LINE 982 01:00:35,233 --> 01:00:37,100 * WORK, WORK, WORK, SENORA 983 01:00:37,133 --> 01:00:39,100 * WORK IT ALL THE TIME 984 01:00:39,133 --> 01:00:41,067 * YOU CAN TALK ABOUT CHA-CHA 985 01:00:41,100 --> 01:00:43,100 * TANGO, WALTZ, OR DE RUMBA 986 01:00:43,133 --> 01:00:45,167 * SENORA'S DANCE HAS NO TITLE * 987 01:00:45,200 --> 01:00:47,733 * YOU JUMP IN THE SADDLE HOLD ON TO DE BRIDLE * 988 01:00:47,767 --> 01:00:49,033 * JUMP IN DE LINE 989 01:00:49,067 --> 01:00:50,167 * ROCK YOUR BODY ON TIME 990 01:00:50,200 --> 01:00:52,100 * OKAY, I BELIEVE YOU 991 01:00:52,133 --> 01:00:53,167 * JUMP IN DE LINE 992 01:00:53,200 --> 01:00:54,333 * ROCK YOUR BODY ON TIME 993 01:00:54,367 --> 01:00:56,200 * OKAY, I BELIEVE YOU 994 01:00:56,233 --> 01:00:57,200 * JUMP IN DE LINE 995 01:00:57,233 --> 01:00:58,433 * ROCK YOUR BODY ON TIME 996 01:00:58,467 --> 01:01:00,233 * OKAY, I BELIEVE YOU 997 01:01:00,267 --> 01:01:01,333 * JUMP IN DE LINE 998 01:01:01,367 --> 01:01:02,733 * ROCK YOUR BODY ON TIME 999 01:01:02,767 --> 01:01:03,700 * WHOA! 1000 01:01:03,733 --> 01:01:11,733 * 1001 01:01:21,167 --> 01:01:22,533 * JUMP IN DE LINE 1002 01:01:22,567 --> 01:01:23,700 * ROCK YOUR BODY IN TIME 1003 01:01:23,733 --> 01:01:25,400 * OKAY, I BELIEVE YOU 1004 01:01:25,433 --> 01:01:26,467 * JUMP IN DE LINE 1005 01:01:26,500 --> 01:01:27,667 * ROCK YOUR BODY IN TIME 1006 01:01:27,700 --> 01:01:29,467 * HOIST THOSE SKIRTS A LITTLE HIGHER * 1007 01:01:29,500 --> 01:01:31,067 * JUMP IN DE LINE 1008 01:01:31,100 --> 01:01:32,033 * ROCK YOUR BODY IN TIME 1009 01:01:32,067 --> 01:01:33,700 * UP THE CHIM-EN-Y 1010 01:01:33,733 --> 01:01:35,067 * JUMP IN DE LINE 1011 01:01:35,100 --> 01:01:36,400 * ROCK YOUR BODY IN TIME 1012 01:01:36,433 --> 01:01:37,400 * WHOA 1013 01:01:37,433 --> 01:01:45,433 * 1014 01:01:54,267 --> 01:01:56,633 * SHAKE, SHAKE, SHAKE, SENORA 1015 01:01:56,667 --> 01:01:58,700 * SHAKE YOUR BODY LINE 1016 01:01:58,733 --> 01:02:00,800 * SHAKE, SHAKE, SHAKE, SENORA 1017 01:02:00,833 --> 01:02:03,100 * SHAKE IT ALL THE TIME 1018 01:02:03,133 --> 01:02:07,233 * WORK, WORK, WORK, SENORA 1019 01:02:07,267 --> 01:02:10,267 [both moan softly] 1020 01:02:27,500 --> 01:02:30,800 - OH, MILO, WHAT HAVE YOU DONE? 1021 01:02:30,833 --> 01:02:32,500 WHAT HAVE YOU DONE? 1022 01:02:39,833 --> 01:02:43,400 [clanging and clattering] 1023 01:02:43,433 --> 01:02:46,433 [dog barking] 1024 01:02:51,367 --> 01:02:53,100 [clanging and clattering] 1025 01:02:53,133 --> 01:02:55,333 - WE'RE THE SAME NOW, MILO! 1026 01:02:55,367 --> 01:02:57,400 BANG, BANG, BOB. 1027 01:02:57,433 --> 01:02:59,233 POOR BOB. 1028 01:02:59,267 --> 01:03:01,333 ALL GONE NOW. 1029 01:03:01,367 --> 01:03:03,333 [clattering] 1030 01:03:05,467 --> 01:03:06,700 - EGGS. EGGS. EGGS! 1031 01:03:06,733 --> 01:03:07,700 YOU'RE DRUNK. 1032 01:03:07,733 --> 01:03:09,233 GO BACK TO YOUR CARAVAN. 1033 01:03:09,267 --> 01:03:11,033 - BACK TO THE CARAVAN? 1034 01:03:11,067 --> 01:03:13,700 THERE'S NO GOING BACK ANYWHERE FOR EGGS. 1035 01:03:13,733 --> 01:03:17,600 FORWARD ONLY, ON TO THE NEXT VICTIM. 1036 01:03:17,633 --> 01:03:19,633 - WHAT DO YOU MEAN "NEXT VICTIM"? 1037 01:03:24,267 --> 01:03:25,300 YOU WHAT? 1038 01:03:25,333 --> 01:03:26,700 - I SAID, "I KILLED BOB." 1039 01:03:26,733 --> 01:03:28,333 I KILLED BOB. I KILLED BOB. 1040 01:03:28,367 --> 01:03:29,433 I KILLED BOB. 1041 01:03:29,467 --> 01:03:31,433 - [stammers] 1042 01:03:31,467 --> 01:03:33,767 TELL ME WHAT HAPPENED. 1043 01:03:33,800 --> 01:03:37,067 - WELL, HE WAS IN THE KITCHEN 1044 01:03:37,100 --> 01:03:38,267 COOKING OR SOMETHING. 1045 01:03:38,300 --> 01:03:40,300 I WENT DOWN TO THE REAR WINDOW. 1046 01:03:40,333 --> 01:03:41,333 YOU KNOW, IN THE GARDEN 1047 01:03:41,367 --> 01:03:42,667 SO NO ONE COULD SEE ME, RIGHT? 1048 01:03:42,700 --> 01:03:44,533 LIKE A NINJA. 1049 01:03:44,567 --> 01:03:46,667 AND I JUST PULLED THE GUN OUT AND SHOT HIM. 1050 01:03:46,700 --> 01:03:48,600 - YOU SHOT HIM? WHY? 1051 01:03:48,633 --> 01:03:50,267 - I HAD THE DATE WITH DESTINY. 1052 01:03:50,300 --> 01:03:51,567 - WELL, DID YOU HAVE QUARREL? 1053 01:03:51,600 --> 01:03:52,733 LOVERS TIFF OR-- 1054 01:03:52,767 --> 01:03:56,133 - HUH? 1055 01:03:56,167 --> 01:03:57,400 - DID HE TRY TO MAKE YOU DO THINGS 1056 01:03:57,433 --> 01:03:58,733 YOU DIDN'T WANT TO DO? 1057 01:03:58,767 --> 01:04:00,567 IT'S ALL RIGHT, EGGS. YOU CAN TELL ME. 1058 01:04:00,600 --> 01:04:01,733 - WHAT? 1059 01:04:01,767 --> 01:04:02,600 - OH, EGGS! 1060 01:04:02,633 --> 01:04:04,067 WHY DID YOU SHOOT BOB IN THE GARDEN? 1061 01:04:04,100 --> 01:04:06,067 - I KNOW. I KNOW. 1062 01:04:06,100 --> 01:04:08,700 I SHOULD HAVE GONE INSIDE AND DONE IT. 1063 01:04:08,733 --> 01:04:11,267 I LOST MY BOTTLE, OKAY? 1064 01:04:11,300 --> 01:04:13,733 I COULDN'T DO IT FACE TO FACE. 1065 01:04:13,767 --> 01:04:18,700 I'M NOT A PROFESSIONAL LIKE YOU. 1066 01:04:18,733 --> 01:04:20,100 - WHAT DID YOU SAY? 1067 01:04:20,133 --> 01:04:21,667 - I JUST WANT TO GET OUT OF THIS VILLAGE, 1068 01:04:21,700 --> 01:04:23,533 LIVE AN EXCITING LIFE, 1069 01:04:23,567 --> 01:04:25,367 KILL IMPORTANT PEOPLE, 1070 01:04:25,400 --> 01:04:30,267 BE A HIT MAN, LIKE YOU. 1071 01:04:30,300 --> 01:04:32,367 IT WAS HORRIBLE. 1072 01:04:32,400 --> 01:04:34,700 HIS CHEST JUST SEEMED TO EXPLODE. 1073 01:04:34,733 --> 01:04:37,367 - EGGS, I'M A BAKER. 1074 01:04:37,400 --> 01:04:40,033 - YOU ARE THE BAKER. 1075 01:04:40,067 --> 01:04:41,233 HERE. 1076 01:04:41,267 --> 01:04:42,667 YOU'D BETTER HAVE THIS BACK. 1077 01:04:52,433 --> 01:04:54,367 - EGGS, WHY DID YOU KILL BOB? 1078 01:04:54,400 --> 01:04:55,800 - HE WAS FIRST IN THE LIST. 1079 01:04:55,833 --> 01:04:57,367 - WHAT LIST? 1080 01:04:57,400 --> 01:04:58,667 - THIS LIST. 1081 01:05:04,700 --> 01:05:06,733 I JUST WANTED TO BE LIKE YOU. 1082 01:05:06,767 --> 01:05:07,733 - WHO ELSE KNOWS? 1083 01:05:07,767 --> 01:05:08,733 - EVERYONE. 1084 01:05:08,767 --> 01:05:10,667 - I SEE. 1085 01:05:10,700 --> 01:05:12,400 - WELL, EXCEPT A FEW. 1086 01:05:12,433 --> 01:05:13,633 RHIANNON DOESN'T KNOW, OBVIOUSLY, 1087 01:05:13,667 --> 01:05:14,733 OR SHE WOULDN'T HAVE-- 1088 01:05:14,767 --> 01:05:17,200 - IT'S ALL RIGHT. THANKS, EGGS. 1089 01:05:17,233 --> 01:05:18,267 AND THE LIST? 1090 01:05:18,300 --> 01:05:19,533 - CLIENTS. 1091 01:05:19,567 --> 01:05:21,733 - THEY DIDN'T WANT CAKE? - NO. 1092 01:05:21,767 --> 01:05:25,733 - BREAD? 1093 01:05:25,767 --> 01:05:28,100 IS THERE ANYBODY IN THIS VILLAGE 1094 01:05:28,133 --> 01:05:30,633 WHO DOESN'T WANT SOMEONE DEAD? 1095 01:05:30,667 --> 01:05:33,367 - POSSIBLY MRS. PRITCHARD. 1096 01:05:42,633 --> 01:05:44,567 YOU DIDN'T KNOW. 1097 01:05:44,600 --> 01:05:46,867 - WELL, THAT'S IT THEN. 1098 01:05:50,733 --> 01:05:52,067 [car motor starting] 1099 01:05:52,100 --> 01:05:53,600 OH, NO. 1100 01:06:08,467 --> 01:06:09,700 [banging] 1101 01:06:09,733 --> 01:06:11,567 RHIANNON, PLEASE. 1102 01:06:11,600 --> 01:06:12,600 - WHAT DO YOU WANT? 1103 01:06:12,633 --> 01:06:14,167 - I WANT TO TALK TO YOU. 1104 01:06:14,200 --> 01:06:15,567 - I'VE NOTHING TO SAY TO YOU. 1105 01:06:15,600 --> 01:06:18,667 - I CAN EXPLAIN. 1106 01:06:18,700 --> 01:06:20,433 - YOU CAN EXPLAIN? GO ON THEN. 1107 01:06:20,467 --> 01:06:21,533 - EVERYONE... 1108 01:06:21,567 --> 01:06:23,600 HAS GOT A FEW SKELETONS IN THEIR CLOSET. 1109 01:06:23,633 --> 01:06:26,267 - THAT'S SUPPOSED TO BE A FIGURE OF SPEECH. 1110 01:06:26,300 --> 01:06:28,067 YOU LIED TO ME. WHAT ELSE IS THERE TO SAY? 1111 01:06:28,100 --> 01:06:29,267 - I DIDN'T LIE TO YOU. 1112 01:06:29,300 --> 01:06:30,700 I JUST DIDN'T TELL YOU EVERYTHING. 1113 01:06:30,733 --> 01:06:32,567 - I'D SAY THE FACT THAT YOU USED TO BE 1114 01:06:32,600 --> 01:06:34,600 A PROFESSIONAL ASSASSIN IS MORE THAN JUST A DETAIL 1115 01:06:34,633 --> 01:06:35,733 IN YOUR PAST, WOULDN'T YOU? 1116 01:06:35,767 --> 01:06:37,600 OR HAVE I GOT IT WRONG? 1117 01:06:37,633 --> 01:06:39,733 JUST LOOK ME IN THE EYE, MILO, AND TELL ME THE TRUTH. 1118 01:06:39,767 --> 01:06:42,067 THAT'S ALL I ASK. IS THAT TOO HARD? IS IT? 1119 01:06:42,100 --> 01:06:48,133 HAVE I GOT IT WRONG? - NO. 1120 01:06:48,167 --> 01:06:50,400 - I REALLY THOUGHT YOU WERE DIFFERENT. 1121 01:06:50,433 --> 01:06:52,400 - RHIANNON, GIVE ME A CHANCE. 1122 01:06:52,433 --> 01:06:53,633 A MAN CAN CHANGE. 1123 01:06:53,667 --> 01:06:55,533 I AM NOT THAT PERSON ANYMORE. 1124 01:06:55,567 --> 01:06:56,633 I'M A BAKER NOW. 1125 01:06:56,667 --> 01:06:58,367 - YOU KNOW WHAT? I DON'T WANT TO HEAR IT. 1126 01:06:58,400 --> 01:06:59,400 GOOD-BYE, MILO. 1127 01:06:59,433 --> 01:07:00,600 HAVE A NICE LIFE. 1128 01:07:00,633 --> 01:07:03,233 ACTUALLY, I DON'T EVEN CARE WHAT KIND OF LIFE YOU HAVE. 1129 01:07:03,267 --> 01:07:04,700 JUST HAVE IT SOMEWHERE ELSE. 1130 01:07:04,733 --> 01:07:08,100 I WAS VERY HAPPY ON THE HARD SHOULDER. 1131 01:07:08,133 --> 01:07:09,300 - RHIANNON, PLEASE. 1132 01:07:09,333 --> 01:07:10,800 I CAN'T JUSTIFY WHAT I DID 1133 01:07:10,833 --> 01:07:14,233 OR WHAT I USED TO BE. 1134 01:07:14,267 --> 01:07:16,533 ALL I KNOW IS WHAT THE FUTURE COULD BE, 1135 01:07:16,567 --> 01:07:21,400 AND IT--AND IT COULD BE GREAT. 1136 01:07:21,433 --> 01:07:25,533 - NO, IT COULD HAVE BEEN GREAT, MILO. 1137 01:07:25,567 --> 01:07:27,600 IT COULD HAVE BEEN. 1138 01:07:49,500 --> 01:07:50,433 - YOU'RE LEAVING. 1139 01:07:50,467 --> 01:07:53,600 - I WOULDN'T EXPECT YOU TO UNDERSTAND, EGGS. 1140 01:07:53,633 --> 01:07:55,500 - WELL, I DO. 1141 01:07:55,533 --> 01:07:59,200 TIME FOR THE GUNMAN TO RIDE OFF INTO THE SUNSET, 1142 01:07:59,233 --> 01:08:00,600 ALL ALONE. 1143 01:08:00,633 --> 01:08:03,233 NO ONE TO WORRY ABOUT YOU, 1144 01:08:03,267 --> 01:08:05,467 NO TIES TO ANY COMMUNITY, 1145 01:08:05,500 --> 01:08:11,100 NO ONE TO MOURN YOU WHEN YOU FINALLY MEET YOUR MATCH. 1146 01:08:11,133 --> 01:08:12,733 TAKE ME WITH YOU. 1147 01:08:12,767 --> 01:08:15,433 I KNOW I'M NOT CUT OUT FOR THE KILLING PART, 1148 01:08:15,467 --> 01:08:17,633 BUT YOU'RE BOUND TO NEED AN ASSISTANT. 1149 01:08:17,667 --> 01:08:19,600 SOMEONE TO BOOK YOUR JOBS, 1150 01:08:19,633 --> 01:08:22,333 TAKE YOUR SHIRT TO THE DRY CLEANERS, 1151 01:08:22,367 --> 01:08:25,100 WIPE CLEAN THE CRIME SCENE. 1152 01:08:25,133 --> 01:08:28,700 - IT'S A TEMPTING OFFER, 1153 01:08:28,733 --> 01:08:30,400 BUT I'M GONNA HAVE TO PASS. 1154 01:08:34,200 --> 01:08:37,200 - [whimpering] 1155 01:08:41,533 --> 01:08:44,533 [screaming and wailing hysterically] 1156 01:08:56,633 --> 01:08:59,267 - WHAT HAPPENED? 1157 01:08:59,300 --> 01:09:02,133 - A BLOND MAN WITH RUBBER GLOVES, HE-- 1158 01:09:02,167 --> 01:09:03,433 HE DID THINGS. 1159 01:09:03,467 --> 01:09:05,433 IT WAS HORRIBLE. 1160 01:09:05,467 --> 01:09:06,800 BUT THAT'S NOT THE WORST PART. 1161 01:09:06,833 --> 01:09:08,467 - WHAT--WHAT CAN BE WORSE THAN-- 1162 01:09:08,500 --> 01:09:10,433 [stammers] THAT'S DEPRAVED. 1163 01:09:10,467 --> 01:09:12,433 - I KNOW, BUT THE WORST PART-- 1164 01:09:12,467 --> 01:09:13,600 - AFTER OLD LADY. 1165 01:09:13,633 --> 01:09:16,467 OH, HEY! [laughs] 1166 01:09:16,500 --> 01:09:18,300 - BOB? 1167 01:09:18,333 --> 01:09:20,067 BOB! 1168 01:09:20,100 --> 01:09:21,533 YOU'RE ALIVE. 1169 01:09:21,567 --> 01:09:22,600 HE'S ALIVE! 1170 01:09:22,633 --> 01:09:23,700 YOU'RE-- 1171 01:09:23,733 --> 01:09:25,133 - GORGEOUS, I KNOW. 1172 01:09:25,167 --> 01:09:26,300 DON'T WET YOURSELF ABOUT IT. 1173 01:09:26,333 --> 01:09:27,767 - I WAS SAYING THE WORST PART IS... 1174 01:09:27,800 --> 01:09:30,267 - BUT HOW? - SOME OF US JUST HAVE IT, EGGS. 1175 01:09:30,300 --> 01:09:31,367 - BUT LAST NIGHT-- 1176 01:09:31,400 --> 01:09:33,100 - PLEASE, IT'S IMPORTANT! 1177 01:09:33,133 --> 01:09:35,767 - GET OFF! 1178 01:09:35,800 --> 01:09:37,633 - BOB, WHAT HAPPENED? 1179 01:09:37,667 --> 01:09:39,567 - HAPPENED LAST NIGHT? 1180 01:09:39,600 --> 01:09:41,100 [gunshot and screaming] 1181 01:09:41,133 --> 01:09:42,433 BLOODY THING WENT EVERYWHERE. 1182 01:09:42,467 --> 01:09:45,467 [screaming continues] 1183 01:09:47,600 --> 01:09:49,233 - OH, BOB! YOU'RE ALIVE! 1184 01:09:49,267 --> 01:09:50,367 - WHAT THE HELL'S GOT INTO YOU? 1185 01:09:50,400 --> 01:09:51,433 [all talking at once] 1186 01:09:51,467 --> 01:09:54,100 - QUIET! 1187 01:09:54,133 --> 01:09:57,100 HE'S GOT RHIANNON. 1188 01:09:57,133 --> 01:09:58,133 - WHERE IS HE? 1189 01:09:58,167 --> 01:09:59,400 - AT THE CASTLE. 1190 01:09:59,433 --> 01:10:01,100 IT'S YOU HE WANTS. 1191 01:10:01,133 --> 01:10:02,633 - THEN IT'S ME HE'LL GET. 1192 01:10:02,667 --> 01:10:04,567 - WHY DOES HE WANT HIM? ISN'T HE A BAKER? 1193 01:10:04,600 --> 01:10:06,067 - NO, 1194 01:10:06,100 --> 01:10:09,067 HE'S THE BAKER. 1195 01:10:09,100 --> 01:10:11,100 - YOU KNOW WHAT? 1196 01:10:11,133 --> 01:10:12,367 HE'S RIGHT. 1197 01:10:12,400 --> 01:10:14,233 I AM JUST A BAKER. 1198 01:10:14,267 --> 01:10:17,733 AND I DID REALLY THINK YOU WERE ORDERING CAKES. 1199 01:10:17,767 --> 01:10:19,633 I JUST WANTED TO START AGAIN. 1200 01:10:19,667 --> 01:10:22,200 I THOUGHT THIS WOULD BE A GOOD PLACE TO DO IT. 1201 01:10:22,233 --> 01:10:24,633 I THOUGHT YOU WERE GOOD PEOPLE. 1202 01:10:24,667 --> 01:10:27,467 - AT LEAST WE DON'T GO AROUND BLOWING UP PEOPLE'S WIVES. 1203 01:10:27,500 --> 01:10:28,500 - WHAT, YOU THINK I HAD SOMETHING TO DO 1204 01:10:28,533 --> 01:10:29,500 WITH MARTHA'S DEATH? 1205 01:10:29,533 --> 01:10:31,200 - I--I-- - WHAT ARE YOU IMPLYING? 1206 01:10:31,233 --> 01:10:34,467 - WHATEVER HAPPENED, I HAD NOTHING TO DO WITH IT. 1207 01:10:34,500 --> 01:10:36,500 - DIDN'T YOU? 1208 01:10:36,533 --> 01:10:37,633 THEN HOW-- 1209 01:10:45,533 --> 01:10:48,567 - THIS IS A LIST OF ORDERS 1210 01:10:48,600 --> 01:10:51,200 FOR CAKES 1211 01:10:51,233 --> 01:10:54,367 THAT DETAILS PRECISELY WHO WANTED WHAT KIND OF CAKE 1212 01:10:54,400 --> 01:10:57,333 AND FOR WHOM. 1213 01:11:01,733 --> 01:11:04,100 EVERYONE DESERVES A SECOND CHANCE. 1214 01:11:23,433 --> 01:11:25,100 - MILO! 1215 01:11:31,700 --> 01:11:34,300 WHAT HAPPENED TO YOU ALL? 1216 01:11:34,333 --> 01:11:36,333 HOW DID YOU GET LIKE THIS? 1217 01:11:36,367 --> 01:11:38,400 IF IT WAS ONE OF YOU OUT THERE, 1218 01:11:38,433 --> 01:11:40,667 MILO WOULD DO SOMETHING ABOUT IT. 1219 01:11:40,700 --> 01:11:42,267 DO YOU KNOW WHY? 1220 01:11:42,300 --> 01:11:44,133 BECAUSE HE'S OUR FRIEND. 1221 01:11:44,167 --> 01:11:46,333 - EGGS IS RIGHT. 1222 01:11:46,367 --> 01:11:50,133 MILO IS OUR FRIEND. 1223 01:11:50,167 --> 01:11:51,400 HE'S ONE OF US. 1224 01:11:51,433 --> 01:11:53,267 AND IF WE CAN'T HELP ONE OF OUR OWN, 1225 01:11:53,300 --> 01:11:56,300 THEN WHAT HOPE IS THERE FOR ANY OF US? 1226 01:11:56,333 --> 01:12:00,333 I'VE LEARNED SOMETHING FROM OUR BAKER, 1227 01:12:00,367 --> 01:12:04,267 APART FROM HOW EASY IT IS TO GET SOMEBODY KILLED. 1228 01:12:04,300 --> 01:12:07,133 AND THAT'S THAT EVERYBODY DESERVES 1229 01:12:07,167 --> 01:12:08,633 A SECOND CHANCE. 1230 01:12:08,667 --> 01:12:14,633 MILO, HE DESERVES A SECOND CHANCE. 1231 01:12:14,667 --> 01:12:16,233 COME ON. 1232 01:12:16,267 --> 01:12:17,633 HEY. 1233 01:12:17,667 --> 01:12:20,633 WHAT DO YOU SAY? 1234 01:12:20,667 --> 01:12:22,767 WHY DON'T WE... 1235 01:12:22,800 --> 01:12:26,233 WHY DON'T WE DO SOMETHING TOGETHER FOR ONCE? 1236 01:12:26,267 --> 01:12:29,400 WHY DON'T WE SHOW SOME OF THAT GWYNFYD SPIRITS 1237 01:12:29,433 --> 01:12:32,400 AND GO AND KICK SOME ASS! 1238 01:12:32,433 --> 01:12:37,667 LET'S GO AND RESCUE OUR BAKER! 1239 01:12:42,633 --> 01:12:44,367 RIGHT. IT'S ME AND YOU THEN, EGGS. 1240 01:12:48,767 --> 01:12:50,400 - LET HER GO, BJORN! 1241 01:12:50,433 --> 01:12:51,067 - [muffled scream] 1242 01:12:51,100 --> 01:12:53,400 - OH, NO, THE BAKER'S HERE. 1243 01:12:53,433 --> 01:12:54,733 - SHE'S NOTHING TO DO WITH THIS. 1244 01:12:54,767 --> 01:12:59,600 - OH, BUT SHE IS. 1245 01:12:59,633 --> 01:13:01,200 WHAT ARE YOU GONNA DO, DOUGH BOY? 1246 01:13:01,233 --> 01:13:02,267 BAKE ME A CAKE? 1247 01:13:02,300 --> 01:13:03,733 - I'M NOT COMING BACK, BJORN. 1248 01:13:03,767 --> 01:13:05,333 SO YOU CAN RUN ALONG AND TELL THE COMPANY. 1249 01:13:05,367 --> 01:13:06,800 - AH, YES, THE COMPANY 1250 01:13:06,833 --> 01:13:08,333 THEY DID ASK ME TO DO SOMETHING FOR YOU 1251 01:13:08,367 --> 01:13:10,233 NOW, WHAT WAS IT? UM... 1252 01:13:10,267 --> 01:13:12,333 SOMETHING ABOUT TAKING CARE OF YOU. 1253 01:13:12,367 --> 01:13:13,800 THEY'RE SO THOUGHTFUL. 1254 01:13:13,833 --> 01:13:16,733 THIS ISN'T FOR THE COMPANY, MILO. 1255 01:13:16,767 --> 01:13:19,333 THIS IS FOR ME. 1256 01:13:19,367 --> 01:13:21,233 - WHAT DO YOU MEAN IT'S FOR YOU? 1257 01:13:21,267 --> 01:13:22,700 - DO YOU KNOW HOW LONG I WAITED FOR YOU 1258 01:13:22,733 --> 01:13:26,300 ON THAT BRIDGE IN AMSTERDAM IN THE POURING RAIN 1259 01:13:26,333 --> 01:13:28,367 WATCHING THE BARGES ON THE AMSTEL FLOAT PAST? 1260 01:13:28,400 --> 01:13:31,233 HOURS. 1261 01:13:31,267 --> 01:13:34,367 I THOUGHT THAT FINALLY I FOUND SOMETHING GOOD, 1262 01:13:34,400 --> 01:13:37,567 SOMETHING REAL, 1263 01:13:37,600 --> 01:13:41,733 THAT FINALLY, THIS CRAZY WORLD MADE SOME KIND OF SENSE. 1264 01:13:41,767 --> 01:13:44,067 NOW I SEE IT'S JUST WHAT I THOUGHT IT WAS: 1265 01:13:44,100 --> 01:13:47,567 DARK, CRUEL... 1266 01:13:47,600 --> 01:13:49,300 ABSURD. 1267 01:13:49,333 --> 01:13:52,300 - BJORN, WE'VE BEEN THROUGH THIS. 1268 01:13:52,333 --> 01:13:53,633 I THINK YOU'RE A INTERESTING GUY 1269 01:13:53,667 --> 01:13:55,633 WITH A LOT OF REALLY FUN INSTINCTS, 1270 01:13:55,667 --> 01:13:57,700 BUT WHAT YOU WANT, IT'S NOT POSSIBLE 1271 01:13:57,733 --> 01:14:00,433 FOR SO MANY REASONS. 1272 01:14:00,467 --> 01:14:02,300 AS FOR AMSTERDAM, I'M NOT REALLY SURE-- 1273 01:14:02,333 --> 01:14:03,433 - FORGET IT. 1274 01:14:03,467 --> 01:14:06,333 IT'S ALL WATER UNDER THE BRIDGE NOW. 1275 01:14:06,367 --> 01:14:09,367 UNDER THAT LONELY, LONELY BRIDGE. 1276 01:14:14,367 --> 01:14:15,667 - SHE MEANS NOTHING TO ME. 1277 01:14:15,700 --> 01:14:17,333 - [muffled protests] 1278 01:14:17,367 --> 01:14:18,400 - IT WAS JUST A NIGHT OF FUN. 1279 01:14:18,433 --> 01:14:21,067 - OH, LUCKY GIRL. 1280 01:14:23,633 --> 01:14:25,333 OSCAR WILDE ONCE SAID, 1281 01:14:25,367 --> 01:14:30,167 "WE ALWAYS KILL THE ONES WE LOVE." 1282 01:14:30,200 --> 01:14:33,167 HE WAS RIGHT ABOUT SO MANY THINGS. 1283 01:14:33,200 --> 01:14:36,333 - [muffled screams] - WAIT! 1284 01:14:36,367 --> 01:14:38,100 LET'S DO THIS PROPERLY. 1285 01:14:43,800 --> 01:14:47,367 - MILO, YOU NEVER CEASE TO AMAZE ME. 1286 01:14:47,400 --> 01:14:50,033 THIS TIME, I FEAR YOU'VE BITTEN OFF 1287 01:14:50,067 --> 01:14:51,400 MORE THAN YOU CAN CHEW. 1288 01:14:58,267 --> 01:15:01,767 I WANT TO MAKE THIS PAINLESS AND FAIR. 1289 01:15:01,800 --> 01:15:04,100 AS OSCAR WILDE ONCE SAID, 1290 01:15:04,133 --> 01:15:05,633 "ALWAYS PLAY FAIRLY 1291 01:15:05,667 --> 01:15:07,700 WHEN YOU'RE HOLDING THE WINNING CARDS." 1292 01:15:15,300 --> 01:15:18,300 [metallic rasping and clinking] 1293 01:15:38,300 --> 01:15:39,467 MILO. 1294 01:15:39,500 --> 01:15:42,500 [screaming and grunting] 1295 01:16:06,067 --> 01:16:07,633 I'LL MISS YOU, MILO. 1296 01:16:14,767 --> 01:16:16,200 [grunts] 1297 01:16:22,200 --> 01:16:25,200 [both grunting] 1298 01:16:56,233 --> 01:16:58,633 - [muffled speech] 1299 01:17:02,067 --> 01:17:03,567 HE'S GOT A GUN. 1300 01:17:09,600 --> 01:17:12,200 - RELEASE OUR BAKER. 1301 01:17:24,200 --> 01:17:26,800 - THIS IS VERY BORING, MILO. 1302 01:17:26,833 --> 01:17:29,800 TELL YOUR LITTLE FRIENDS TO STAY OUT OF THIS. 1303 01:17:29,833 --> 01:17:31,400 THIS HAS NOTHING TO DO WITH THEM. 1304 01:17:31,433 --> 01:17:34,100 - OH, YES, IT HAS. 1305 01:17:34,133 --> 01:17:35,800 HE'S OUR BAKER. 1306 01:17:35,833 --> 01:17:38,267 YOU TAKE HIM ON; 1307 01:17:38,300 --> 01:17:41,167 YOU TAKE US ALL ON. 1308 01:17:41,200 --> 01:17:44,633 - I JUST WANT TO LIVE A NORMAL LIFE, BJORN 1309 01:17:44,667 --> 01:17:49,800 DOING SOMETHING I LOVE 1310 01:17:49,833 --> 01:17:55,800 POSSIBLY WITH SOMEONE I LOVE. 1311 01:17:55,833 --> 01:17:58,467 IS THAT TOO MUCH TO ASK? 1312 01:17:58,500 --> 01:18:00,633 I DON'T THINK SO. 1313 01:18:00,667 --> 01:18:05,133 AND I DON'T THINK YOU THINK SO EITHER. 1314 01:18:05,167 --> 01:18:07,100 - YOU CALL THIS NORMAL? 1315 01:18:07,133 --> 01:18:12,067 - IT'S AS CLOSE AS I'M EVER LIKELY TO GET. 1316 01:18:12,100 --> 01:18:13,767 - YOU LOVE HER. 1317 01:18:13,800 --> 01:18:15,367 MAYBE SHE LOVES YOU. 1318 01:18:15,400 --> 01:18:18,633 YOU MIGHT EVEN BE HAPPY TOGETHER. 1319 01:18:18,667 --> 01:18:20,200 BUT THEN AGAIN, 1320 01:18:20,233 --> 01:18:23,233 THERE IS THE CHANCE THAT SHE'LL BREAK YOUR HEART. 1321 01:18:23,267 --> 01:18:25,267 AND THEN YOU'LL FEEL WHAT I FELT, 1322 01:18:25,300 --> 01:18:28,033 AND THAT WILL BE WORSE THAN DEATH. 1323 01:18:32,233 --> 01:18:35,700 YOU KNOW WHAT? 1324 01:18:35,733 --> 01:18:38,600 I'M WILLING TO TAKE THAT CHANCE. 1325 01:18:38,633 --> 01:18:40,367 smack! 1326 01:18:40,400 --> 01:18:43,033 [all cheer] 1327 01:18:43,067 --> 01:18:46,000 [laughter] 1328 01:18:48,767 --> 01:18:54,333 slap! 1329 01:18:54,367 --> 01:18:56,567 all: AW! 1330 01:18:56,600 --> 01:18:58,200 [laughter] 1331 01:19:10,567 --> 01:19:11,667 - WHAT'S THE HOLD-UP? 1332 01:19:11,700 --> 01:19:12,733 EVERYONE'S WAITING. 1333 01:19:17,067 --> 01:19:18,400 YOU'RE GETTING THERE. 1334 01:19:18,433 --> 01:19:20,300 - [sighs] 1335 01:19:40,600 --> 01:19:43,033 - COME ON. 1336 01:19:43,067 --> 01:19:44,767 - I'LL BE RIGHT THERE. 1337 01:19:52,733 --> 01:19:55,567 - YOU'VE BEEN BUSY. 1338 01:19:55,600 --> 01:19:57,133 - LEO, WHAT ARE YOU DOING HERE? 1339 01:19:57,167 --> 01:19:59,033 - I MIGHT ASK YOU THE SAME QUESTION. 1340 01:19:59,067 --> 01:20:01,700 MADE YOURSELF QUITE AT HOME, HAVEN'T YOU? 1341 01:20:01,733 --> 01:20:03,533 I KNOW I SAID YOU SHOULD BLEND IN, 1342 01:20:03,567 --> 01:20:05,400 BUT THIS IS TAKING IT A BIT FAR, DON'T YOU THINK? 1343 01:20:05,433 --> 01:20:06,767 - HOW'S RETIREMENT? 1344 01:20:06,800 --> 01:20:09,700 - RETIREMENT WAS NEVER GONNA DO IT FOR ME, MILO. 1345 01:20:09,733 --> 01:20:12,267 I NEED TO WORK, GET MY HANDS DIRTY. 1346 01:20:12,300 --> 01:20:14,767 SO I INSTIGATED A TAKEOVER BID. 1347 01:20:14,800 --> 01:20:16,767 HOSTILE, OF COURSE. 1348 01:20:16,800 --> 01:20:19,767 AND I'M PLEASED TO SAY IT WAS COMPLETELY SUCCESSFUL. 1349 01:20:19,800 --> 01:20:21,500 NEW MANAGEMENT TEAM 1350 01:20:21,533 --> 01:20:23,033 WITH ME AT THE TOP. 1351 01:20:23,067 --> 01:20:24,533 YOU CAN COME BACK. 1352 01:20:24,567 --> 01:20:26,667 - THANKS, 1353 01:20:26,700 --> 01:20:28,133 BUT NO THANKS. 1354 01:20:28,167 --> 01:20:29,767 - OH, IT'S ENTIRELY SAFE. 1355 01:20:29,800 --> 01:20:32,100 ANY EMPLOYEE LOYAL TO THE OLD MANAGER 1356 01:20:32,133 --> 01:20:33,467 HAS BEEN REMOVED. 1357 01:20:33,500 --> 01:20:34,800 SO THERE'S NO REASON FOR YOU 1358 01:20:34,833 --> 01:20:37,067 TO STAY HERE ANY LONGER, IS THERE? 1359 01:20:37,100 --> 01:20:38,500 - ACTUALLY THERE IS, LEO. 1360 01:20:38,533 --> 01:20:39,733 THEY NEED A BAKER. 1361 01:20:39,767 --> 01:20:43,067 - WHAT ARE YOU TRYING TO TELL ME? 1362 01:20:43,100 --> 01:20:44,733 THAT YOU'RE GOING TO BE A BAKER? 1363 01:20:44,767 --> 01:20:47,200 I'M SAYING THAT I ALREADY AM A BAKER, LEO. 1364 01:20:47,233 --> 01:20:49,267 SO UNLESS IT'S A BAKER THAT THE COMPANY NEEDS, 1365 01:20:49,300 --> 01:20:51,067 I DON'T THINK I'LL BE OF ANY USE TO YOU. 1366 01:20:51,100 --> 01:20:53,767 - MILO, PLEASE TELL ME YOU'RE JOKING. 1367 01:20:53,800 --> 01:20:55,533 - MILO! 1368 01:20:58,300 --> 01:21:00,667 - I SUPPOSE THIS IS THE PUNCH LINE. 1369 01:21:00,700 --> 01:21:03,267 I'VE SEEN MANY A GOOD MAN GO LIKE THIS. 1370 01:21:03,300 --> 01:21:04,600 VERY MESSY. 1371 01:21:04,633 --> 01:21:07,633 AND THIS? 1372 01:21:07,667 --> 01:21:10,600 - WELL, I'LL GIVE YOU A FAIR PRICE. 1373 01:21:10,633 --> 01:21:15,167 - YOU'RE SERIOUS. 1374 01:21:15,200 --> 01:21:16,333 - MILO? 1375 01:21:19,333 --> 01:21:21,300 - HEY. 1376 01:21:21,333 --> 01:21:23,633 HEY, SORRY. I WAS JUST-- 1377 01:21:23,667 --> 01:21:26,100 - ARE YOU ALL RIGHT? - YEAH, FINE. 1378 01:21:26,133 --> 01:21:28,467 FINE, I WAS JUST GETTING SOME-- 1379 01:21:28,500 --> 01:21:30,600 YOU KNOW... AND THEN I REMEMBERED THAT-- 1380 01:21:30,633 --> 01:21:31,700 - NERVOUS? 1381 01:21:31,733 --> 01:21:33,433 - DOES IT SHOW? - NOT AT ALL. 1382 01:21:33,467 --> 01:21:35,300 - GOOD. 1383 01:21:35,333 --> 01:21:37,633 RHIANNON, UM... 1384 01:21:37,667 --> 01:21:39,200 THIS IS, UM... 1385 01:21:43,633 --> 01:21:44,600 - THIS IS WHAT? 1386 01:21:54,600 --> 01:21:56,700 - THIS IS HAPPIEST DAY IN MY LIFE. 1387 01:22:03,700 --> 01:22:06,800 - [clears throat] 1388 01:22:06,833 --> 01:22:08,633 I CAN'T HOLD THEM MUCH LONGER. 1389 01:22:15,600 --> 01:22:17,433 - I NOW PRONOUNCE... WHAT DO YOU CALL IT? 1390 01:22:17,467 --> 01:22:20,667 SHAKESPEARE'S CAKE OFFICIALLY OPEN. 1391 01:22:20,700 --> 01:22:23,700 [cheers and applause] 1392 01:22:46,600 --> 01:22:49,600 Captioning by CaptionMax www.captionmax.com 1393 01:22:52,800 --> 01:22:55,767 [whimsical piano music] 1394 01:22:55,800 --> 01:23:06,000 * 1395 01:23:56,367 --> 01:23:59,033 [shattering] 1396 01:23:59,067 --> 01:24:00,133 [explosion] 83024