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♪ Seven thirty seven
Comin' out of the sky ♪
4
00:00:21,611 --> 00:00:24,250
♪ Won't you take me down
To Memphis on a midnight ride ♪
5
00:00:24,320 --> 00:00:26,041
♪ I want to move ♪
6
00:00:26,111 --> 00:00:28,791
♪ Playin' in a travelin' band ♪
7
00:00:28,861 --> 00:00:30,027
♪ Yeah ♪
8
00:00:30,028 --> 00:00:31,777
♪ Well I'm flyin'
'Cross the land ♪
9
00:00:31,778 --> 00:00:33,291
♪ Tryin' to get a hand ♪
10
00:00:33,361 --> 00:00:35,777
♪ Playin' in
A travelin' band… ♪
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00:00:35,778 --> 00:00:39,250
1969 had been
a magical year for Creedence.
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00:00:39,320 --> 00:00:43,527
In only 12 months, the band
had achieved five top ten singles
13
00:00:43,528 --> 00:00:47,194
and three top ten albums
on the American charts,
14
00:00:47,195 --> 00:00:49,277
outselling The Beatles.
15
00:00:49,278 --> 00:00:52,416
They had appeared
on the legendary Ed Sullivan Show
16
00:00:52,486 --> 00:00:55,916
and played over a million people
across America,
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00:00:55,986 --> 00:00:57,875
including the hundreds
of thousands
18
00:00:57,945 --> 00:00:59,500
gathered at Woodstock.
19
00:01:00,028 --> 00:01:02,152
John, Tom, Stu, and Doug
20
00:01:02,153 --> 00:01:04,125
may not have had
the familiar ring to it
21
00:01:04,195 --> 00:01:06,500
of John, Paul,
George, and Ringo,
22
00:01:06,570 --> 00:01:09,277
but Creedence
were challenging The Beatles
23
00:01:09,278 --> 00:01:12,416
for the title
of the biggest group in the world.
24
00:01:12,486 --> 00:01:13,652
This is Doug Clifford,
25
00:01:13,653 --> 00:01:15,500
who plays drums
for Creedence Clearwater
26
00:01:15,570 --> 00:01:17,152
who's been there
since the start,
27
00:01:17,153 --> 00:01:18,416
which was how long ago?
28
00:01:18,486 --> 00:01:19,610
Eleven years.
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00:01:19,611 --> 00:01:21,902
Stu,
have you ever run into a situation
30
00:01:21,903 --> 00:01:23,791
where you didn't like
one another
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00:01:23,861 --> 00:01:26,041
or you had a very,
very bad argument?
32
00:01:26,111 --> 00:01:28,125
Yeah. We checked our equipment
quite frequently.
33
00:01:29,861 --> 00:01:30,985
John Fogerty,
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00:01:30,986 --> 00:01:32,791
you write
most of the material for the group.
35
00:01:32,861 --> 00:01:34,860
What was the first
gold record you had?
36
00:01:34,861 --> 00:01:36,061
"Proud Mary."
37
00:01:37,070 --> 00:01:40,291
Tom, uh, how would
you characterize this music?
38
00:01:40,361 --> 00:01:41,916
Rock and roll music.
39
00:01:50,736 --> 00:01:52,833
In April 1970,
40
00:01:53,236 --> 00:01:55,375
Creedence arrived
at Heathrow Airport
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00:01:55,445 --> 00:01:58,235
to begin their first ever
European tour.
42
00:01:58,236 --> 00:02:01,000
The tour would include
concerts in Berlin,
43
00:02:01,070 --> 00:02:06,027
Stockholm, Rotterdam,
Paris, and London.
44
00:02:06,028 --> 00:02:08,375
The band's British debut
was to take place
45
00:02:08,445 --> 00:02:11,610
at the most prestigious
music venue in the UK,
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00:02:11,611 --> 00:02:14,500
London's Royal Albert Hall,
47
00:02:14,570 --> 00:02:16,527
which had previously
hosted concerts
48
00:02:16,528 --> 00:02:18,152
by The Beatles,
49
00:02:18,153 --> 00:02:20,875
The Rolling Stones,
Led Zeppelin,
50
00:02:20,945 --> 00:02:24,041
Cream, and Jimi Hendrix.
51
00:02:24,111 --> 00:02:26,402
For Creedence
Clearwater Revival,
52
00:02:26,403 --> 00:02:28,250
the Royal Albert Hall concert
53
00:02:28,320 --> 00:02:31,777
would be a high point
of their tour of Europe.
54
00:02:31,778 --> 00:02:33,000
The concert was filmed,
55
00:02:33,070 --> 00:02:36,625
but never fully released
until now.
56
00:02:36,695 --> 00:02:39,500
This is also the story
of how they got there.
57
00:03:02,695 --> 00:03:04,791
My impressions of Europe?
58
00:03:06,195 --> 00:03:09,000
Well, I like it.
It's, uh-- it's my first time.
59
00:03:09,070 --> 00:03:12,125
And, uh, we're going through
so damn fast.
60
00:03:12,195 --> 00:03:14,125
Each country is definitely
each country, man.
61
00:03:14,195 --> 00:03:17,875
Like there's no, like,
you know, Sweden and Denmark
62
00:03:17,945 --> 00:03:20,416
as close as they are
in all their respects,
63
00:03:20,486 --> 00:03:22,000
there's really two
different worlds.
64
00:03:22,070 --> 00:03:23,777
And I can see that
just having been here
65
00:03:23,778 --> 00:03:25,319
just a day and a half.
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00:03:25,320 --> 00:03:27,666
The excitement,
it's just-- it's like a dream.
67
00:03:27,736 --> 00:03:29,152
I don't wanna sleep.
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00:03:29,153 --> 00:03:31,791
Uh, because number one,
I can't, I'm so excited
69
00:03:31,861 --> 00:03:33,416
and it's just like
living a dream
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00:03:33,486 --> 00:03:35,916
because I've lived in America
all my life,
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00:03:35,986 --> 00:03:37,541
and now coming over here,
72
00:03:37,611 --> 00:03:39,041
things are, you know,
physically different
73
00:03:39,111 --> 00:03:41,000
and the people are, you know,
mentally different.
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00:03:41,070 --> 00:03:43,291
It's a whole
fantastic experience.
75
00:03:48,320 --> 00:03:49,777
It's total excitement
when you walk out on the stage,
76
00:03:49,778 --> 00:03:52,652
you're thinking that
these people don't understand English.
77
00:03:52,653 --> 00:03:53,985
They don't understand the words,
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00:03:53,986 --> 00:03:56,194
but they are communicating
with you
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00:03:56,195 --> 00:03:57,819
because they feel the music,
you know?
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00:03:57,820 --> 00:03:59,250
You're gonna give
some people something
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00:03:59,320 --> 00:04:02,666
that, uh, they've never
heard before, you know?
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00:04:02,736 --> 00:04:06,166
♪ Hurryin' to get there
So you save some time ♪
83
00:04:06,236 --> 00:04:09,541
♪ Run, run, run, run, run ♪
84
00:04:09,611 --> 00:04:11,527
♪ Rushin' to the treadmill ♪
85
00:04:11,528 --> 00:04:13,250
♪ Rushin' to get home ♪
86
00:04:13,320 --> 00:04:16,000
♪ Worry 'bout the time
You save, save ♪
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00:04:16,070 --> 00:04:17,750
♪ Com, commotion ♪
88
00:04:17,820 --> 00:04:19,402
♪ Git, git, git, gone ♪
89
00:04:19,403 --> 00:04:21,069
♪ Com, commotion ♪
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00:04:21,070 --> 00:04:22,944
♪ Git, git, git, gone ♪
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00:04:22,945 --> 00:04:24,610
♪ Com, commotion ♪
92
00:04:24,611 --> 00:04:26,458
♪ Git, git, git, gone ♪
93
00:04:34,070 --> 00:04:35,541
We take great pride
in the fact that
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00:04:35,611 --> 00:04:37,652
we brought our own sound system.
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00:04:37,653 --> 00:04:41,610
It's like, uh, starting
all over again, you know?
96
00:04:41,611 --> 00:04:44,277
♪ Well, don't go around tonight ♪
97
00:04:44,278 --> 00:04:47,277
♪ Well it's bound
To take your life ♪
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00:04:47,278 --> 00:04:52,416
♪ There's a bad moon
On the rise ♪
99
00:04:52,486 --> 00:04:54,402
♪ Don't come around tonight ♪
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00:04:54,403 --> 00:04:57,541
♪ Well it's bound
To take your life ♪
101
00:04:57,611 --> 00:05:00,791
♪ There's a bad moon
On the rise ♪
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00:05:08,570 --> 00:05:09,777
What I did learn on this trip
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00:05:09,778 --> 00:05:13,152
more than any other
was to go out into the city
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00:05:13,153 --> 00:05:16,791
and give it a chance
to just be itself, you know?
105
00:05:16,861 --> 00:05:18,541
Not put on a show for me,
you know,
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00:05:18,611 --> 00:05:20,000
the people we always see.
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00:05:20,070 --> 00:05:22,625
Europe is like shades of gray
compared to America
108
00:05:22,695 --> 00:05:25,027
where things are really
getting polar, you know,
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00:05:25,028 --> 00:05:28,000
uh, black and white,
uh, to use an example.
110
00:05:28,070 --> 00:05:30,625
Uh, people don't--
people don't get all pissed off
111
00:05:30,695 --> 00:05:31,860
about what you look like.
112
00:05:31,861 --> 00:05:34,152
You can get a job
and you can like advance,
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00:05:34,153 --> 00:05:35,777
you know, with long hair.
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00:05:35,778 --> 00:05:39,569
In the States, man,
you could-- to get a job,
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00:05:39,570 --> 00:05:40,694
you have to cut your hair.
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00:05:40,695 --> 00:05:42,125
You can't even have sideburns,
you know?
117
00:05:42,195 --> 00:05:44,569
Like it doesn't make a difference
how many degrees you have
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00:05:44,570 --> 00:05:46,235
or what your trip
is or any of that.
119
00:05:47,903 --> 00:05:51,541
♪ Let the Midnight Special ♪
120
00:05:51,611 --> 00:05:53,541
♪ Shine a light on me ♪
121
00:05:55,528 --> 00:05:58,791
♪ Let the Midnight Special ♪
122
00:05:58,861 --> 00:06:02,500
♪ Shine a light on me ♪
123
00:06:02,570 --> 00:06:06,152
♪ Let the Midnight Special ♪
124
00:06:06,153 --> 00:06:08,125
♪ Shine a light on me ♪
125
00:06:10,111 --> 00:06:13,777
♪ Let the Midnight Special ♪
126
00:06:13,778 --> 00:06:17,666
♪ shine an ever-lovin'
Light on me ♪
127
00:06:17,736 --> 00:06:21,291
♪ Yonder come Miss Rosie ♪
128
00:06:21,361 --> 00:06:25,069
♪ How in the world
Did you know? ♪
129
00:06:25,070 --> 00:06:29,000
♪ By the way
She wears her apron ♪
130
00:06:29,070 --> 00:06:31,666
♪ And the clothes she wore… ♪
131
00:06:35,361 --> 00:06:38,250
To the berlin wall?
No, I would like to, though.
132
00:06:39,028 --> 00:06:42,652
It'd be great to--
is the wall-- is it, uh,
133
00:06:42,653 --> 00:06:45,360
is it barbed wire
or is it thick?
134
00:06:45,361 --> 00:06:46,444
Not a wall.
135
00:06:46,445 --> 00:06:47,569
I was thinking
about setting up there.
136
00:06:47,570 --> 00:06:48,791
You know, we could set up
137
00:06:48,861 --> 00:06:50,666
the equipment up
on top of the wall--
138
00:06:50,736 --> 00:06:52,444
Well, at certain
places they have a wall.
139
00:06:52,445 --> 00:06:54,027
And aim it that direction,
you know?
140
00:06:54,028 --> 00:06:55,319
We could aim
it both directions.
141
00:06:55,320 --> 00:06:56,902
How about that?
We'll bring everybody up on it
142
00:06:56,903 --> 00:06:59,125
and dance and maybe
the wall will come down.
143
00:06:59,195 --> 00:07:01,360
Maybe they'll object,
they might object.
144
00:07:01,361 --> 00:07:05,277
♪ Let the Midnight Special ♪
145
00:07:05,278 --> 00:07:08,875
♪ Shine a light on me ♪
146
00:07:08,945 --> 00:07:12,416
♪ Let the Midnight Special ♪
147
00:07:12,486 --> 00:07:13,569
♪ Shine an ever-lovin'… ♪
148
00:07:13,570 --> 00:07:15,277
Wow. Paris, France. Okay.
149
00:07:15,278 --> 00:07:16,791
We're off to Paris, then.
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Three days.
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And Germany was pretty nice.
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Lead me on. Lead me on.
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-Have a good trip.
-Thank you.
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00:07:33,320 --> 00:07:34,916
Well, number one,
I'm spending my birthday there,
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so it better be good.
156
00:07:36,361 --> 00:07:37,652
Better be good.
Here's to your birthday.
157
00:07:37,653 --> 00:07:39,166
Uh, thank you. Right, right.
158
00:07:39,236 --> 00:07:42,402
I just expect, um, uh…
159
00:07:42,403 --> 00:07:44,152
the American dream, I suppose.
160
00:08:01,903 --> 00:08:03,291
Have you ever eaten one?
161
00:08:03,361 --> 00:08:05,125
- Dandelion?
- No.
162
00:08:05,195 --> 00:08:07,500
Pick one up, eat it.
I'm serious. I'm not kidding.
163
00:08:07,570 --> 00:08:09,152
Really?
164
00:08:09,153 --> 00:08:10,875
Today is the most impressed
165
00:08:10,945 --> 00:08:13,652
I've ever been
in my life with, you know,
166
00:08:13,653 --> 00:08:16,333
just what I've seen, you know?
167
00:08:16,903 --> 00:08:18,625
It's pretty much
of a mindblower.
168
00:08:18,695 --> 00:08:20,791
My 25th birthday has been
169
00:08:20,861 --> 00:08:22,916
the most insignificant thing
of the whole day.
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00:08:22,986 --> 00:08:25,277
I've been to the Louvre.
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00:08:25,278 --> 00:08:28,666
I've been to, uh,
Louis XIV's, uh,
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00:08:28,736 --> 00:08:30,402
playground as it were.
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00:08:30,403 --> 00:08:33,791
Probably most fantastic
collection of art
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00:08:33,861 --> 00:08:37,000
I've ever seen,
between that and the Louvre.
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00:08:40,070 --> 00:08:41,750
Huh?
176
00:08:41,820 --> 00:08:44,666
Uh, I've only been
in my room so far.
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00:08:44,736 --> 00:08:46,500
It's just like
the room in Berlin
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00:08:46,570 --> 00:08:48,250
and the room in Stockholm
179
00:08:48,320 --> 00:08:49,708
and the room in…
180
00:08:52,028 --> 00:08:53,485
the water is good though.
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00:08:53,486 --> 00:08:56,875
♪ Love to kick my feet
Way down the shallow water ♪
182
00:08:56,945 --> 00:09:00,166
♪ Shoo fly, dragon fly,
Get back to your mother ♪
183
00:09:00,236 --> 00:09:04,375
♪ Pick up a flat rock,
Skip it across Green River ♪
184
00:09:07,320 --> 00:09:09,583
♪ Well… ♪
185
00:09:13,611 --> 00:09:14,811
Now the whole time
we're in Rotterdam,
186
00:09:14,861 --> 00:09:17,708
it was like a blizzard,
only it was just raining.
187
00:09:24,028 --> 00:09:26,625
What do you mean
about the friendly Europeans?
188
00:09:26,695 --> 00:09:27,777
Well, like in New York,
189
00:09:27,778 --> 00:09:29,541
they would've run us down,
you know?
190
00:09:36,653 --> 00:09:37,875
Me too.
191
00:09:39,778 --> 00:09:43,333
You know, I woke up
around 2:00 one afternoon
192
00:09:43,945 --> 00:09:46,902
and just that's the--
when I saw you on the balcony.
193
00:09:46,903 --> 00:09:48,069
Oh, that was fantastic.
194
00:09:48,070 --> 00:09:52,152
And just, uh, you know,
I was happy. Wow.
195
00:09:54,028 --> 00:09:57,375
♪ Cleaned a lot of plates
In Memphis ♪
196
00:09:57,445 --> 00:10:01,277
♪ Pumped a lot of 'pane
Down in New Orleans ♪
197
00:10:01,278 --> 00:10:05,027
♪ But I never saw
The good side of the city ♪
198
00:10:05,028 --> 00:10:08,860
♪ 'Til I hitched a ride
On a river boat queen… ♪
199
00:10:08,861 --> 00:10:12,152
I think that to me,
this tour proves that, uh,
200
00:10:12,153 --> 00:10:14,750
that rock and roll music, uh,
after 15 years
201
00:10:14,820 --> 00:10:17,541
should be somebody--
somebody's taking it serious somewhere.
202
00:10:17,611 --> 00:10:21,416
I mean, it's the same--
you get the same reaction in Rotterdam
203
00:10:21,486 --> 00:10:23,527
that you get in Oakland,
that you get in LA,
204
00:10:23,528 --> 00:10:25,527
that you get in Omaha,
205
00:10:25,528 --> 00:10:27,569
like there's something happening.
206
00:10:31,320 --> 00:10:33,541
The real test
as to the success
207
00:10:33,611 --> 00:10:34,875
of their European tour
208
00:10:35,320 --> 00:10:37,235
would be measured
by the reception
209
00:10:37,236 --> 00:10:40,166
they would receive
at London's Royal Albert Hall.
210
00:10:41,820 --> 00:10:44,777
The journey that led
to this landmark concert
211
00:10:44,778 --> 00:10:48,652
began 13 years earlier
in El Cerrito, California
212
00:10:48,653 --> 00:10:50,791
near San Francisco.
213
00:10:50,861 --> 00:10:52,527
It all happened one day.
214
00:10:52,528 --> 00:10:54,500
The first day
in junior high school,
215
00:10:54,570 --> 00:10:56,777
there was this guy sitting
in the back of the class,
216
00:10:56,778 --> 00:10:58,875
just screwing around.
217
00:10:58,945 --> 00:11:00,375
And, uh, all the seats
were taken
218
00:11:00,445 --> 00:11:02,277
except the ones next to him.
219
00:11:02,278 --> 00:11:03,791
So I just fell down
and sat next to him,
220
00:11:03,861 --> 00:11:05,291
it turned out to be Doug.
221
00:11:05,361 --> 00:11:06,944
Hello there.
222
00:11:06,945 --> 00:11:08,527
Like we were good friends
for a couple years
223
00:11:08,528 --> 00:11:11,277
before we even, you know,
got into a music thing at all.
224
00:11:11,278 --> 00:11:14,291
Then John…
225
00:11:14,361 --> 00:11:17,569
John was tinkling on the piano,
then in the music room
226
00:11:17,570 --> 00:11:20,402
to like audition people
who are interested.
227
00:11:20,403 --> 00:11:22,625
Yeah. We started out
as a-- like a--
228
00:11:22,695 --> 00:11:25,944
as a trio with piano,
drums, and guitar.
229
00:11:25,945 --> 00:11:27,027
You have to understand,
230
00:11:27,028 --> 00:11:29,027
like we were the only band
in the school.
231
00:11:29,028 --> 00:11:31,416
It wasn't like
how it was after The Beatles
232
00:11:31,486 --> 00:11:33,902
when it seemed like
every school had 50 bands,
233
00:11:33,903 --> 00:11:36,041
we were the band of the school.
234
00:11:38,403 --> 00:11:39,750
The instrumental trio,
235
00:11:39,820 --> 00:11:43,041
John Fogerty, Stu Cook,
and Doug Clifford
236
00:11:43,111 --> 00:11:46,652
initially went under the name,
The Blue Velvets.
237
00:11:46,653 --> 00:11:49,416
They became a four piece
when John's older brother,
238
00:11:49,486 --> 00:11:53,000
Tom joined on vocals
under the name,
239
00:11:53,070 --> 00:11:55,375
Tommy Fogerty
and The Blue Velvets,
240
00:11:55,445 --> 00:11:57,416
they released a handful of singles
241
00:11:57,486 --> 00:11:59,000
that helped build their reputation
242
00:11:59,070 --> 00:12:00,833
around the Bay Area.
243
00:12:02,320 --> 00:12:06,166
Then during February of 1964,
244
00:12:06,236 --> 00:12:08,166
their world was shaken
by a hurricane
245
00:12:08,236 --> 00:12:11,402
that had blown in
from across the Atlantic.
246
00:12:11,403 --> 00:12:13,152
♪ Well, shake it up, baby ♪
247
00:12:13,153 --> 00:12:15,166
♪ Now, shake it up, baby ♪
248
00:12:15,236 --> 00:12:17,041
♪ Twist and shout ♪
249
00:12:17,111 --> 00:12:19,777
♪ Twist and shout… ♪
250
00:12:19,778 --> 00:12:22,875
So in '64, we'd already
been together five years.
251
00:12:22,945 --> 00:12:24,985
And our listening experience,
the kind of stuff we were into
252
00:12:24,986 --> 00:12:27,666
was pretty much similar
to The Beatles.
253
00:12:27,736 --> 00:12:29,444
And when The Beatles hit,
we said, wow, you know,
254
00:12:29,445 --> 00:12:30,527
the door is wide open again,
255
00:12:30,528 --> 00:12:32,041
'cause The Beatles really just changed
256
00:12:32,111 --> 00:12:34,194
the whole thing for all musicians.
257
00:12:35,820 --> 00:12:37,916
The month
after The Beatles heralded
258
00:12:37,986 --> 00:12:40,500
the start of the so-called
British invasion,
259
00:12:40,570 --> 00:12:45,666
San Francisco's Channel 9
broadcast Anatomy of a Hit,
260
00:12:45,736 --> 00:12:47,902
a television program
that told the story
261
00:12:47,903 --> 00:12:50,000
of "Cast Your Fate to the Wind"
262
00:12:50,070 --> 00:12:52,750
by jazz artist, Vince Guaraldi.
263
00:12:52,820 --> 00:12:55,500
This single had been a hit
for Fantasy,
264
00:12:55,570 --> 00:12:58,527
the San Francisco
based record label.
265
00:12:58,528 --> 00:13:00,375
Having watched the documentary,
266
00:13:00,445 --> 00:13:03,194
John and Tom Fogerty
crossed the Bay Bridge
267
00:13:03,195 --> 00:13:06,027
and played their songs
to Max Weiss,
268
00:13:06,028 --> 00:13:09,777
Fantasy's co-founder
and resident hipster.
269
00:13:09,778 --> 00:13:13,777
I have perfect pitch
and natural rhythm.
270
00:13:13,778 --> 00:13:15,875
And just by one listening
271
00:13:15,945 --> 00:13:18,541
of just a, maybe four or five bars,
272
00:13:18,611 --> 00:13:21,125
usually five bars, uh,
273
00:13:21,195 --> 00:13:24,194
I can spot whether a record's
gonna make it or not.
274
00:13:25,445 --> 00:13:27,000
Impressed by what he heard
275
00:13:27,070 --> 00:13:30,360
and no doubt aware
of the tremendous success of The Beatles
276
00:13:30,361 --> 00:13:32,819
in the growing
beat group phenomenon,
277
00:13:32,820 --> 00:13:35,083
Weiss signed the group
to Fantasy.
278
00:13:36,486 --> 00:13:39,402
Wanting the band's name
to sound more British,
279
00:13:39,403 --> 00:13:41,541
the label opted for a new one
280
00:13:41,611 --> 00:13:46,291
unaware of its offensive
racial connotations.
281
00:13:46,361 --> 00:13:48,000
Thought it sounded British,
282
00:13:48,070 --> 00:13:50,000
Beatle-ly and all the rest,
283
00:13:50,070 --> 00:13:51,291
and that was the reason
284
00:13:51,361 --> 00:13:54,777
trying to emulate
the English thing.
285
00:13:54,778 --> 00:13:56,166
As their sound evolved,
286
00:13:56,236 --> 00:13:59,416
Stu Cook switched
from piano to bass,
287
00:13:59,486 --> 00:14:02,027
Tommy Fogerty to rhythm guitar,
288
00:14:02,028 --> 00:14:05,666
and John Fogerty assumed
the role of lead vocalist.
289
00:14:05,736 --> 00:14:08,152
And by late 1966,
290
00:14:08,153 --> 00:14:10,152
it was beginning
to look like the group
291
00:14:10,153 --> 00:14:12,000
was on the verge
of a breakthrough.
292
00:14:12,070 --> 00:14:15,041
♪ I got me
A brown eyed girl ♪
293
00:14:15,111 --> 00:14:16,235
♪ Yeah ♪
294
00:14:16,236 --> 00:14:19,250
-♪ Brown eyed girl ♪
-♪ Yeah ♪
295
00:14:19,320 --> 00:14:21,875
But with the escalation
of the Vietnam War
296
00:14:21,945 --> 00:14:23,625
and the shadow of the draft
297
00:14:23,695 --> 00:14:26,235
hanging over young men
across the States,
298
00:14:26,236 --> 00:14:29,194
the group's progress
was brought to a halt.
299
00:14:29,195 --> 00:14:32,402
John Fogerty enlisted
in the army reserve
300
00:14:32,403 --> 00:14:35,375
and Doug Clifford
served in the coast guard.
301
00:14:35,445 --> 00:14:36,916
During this period,
302
00:14:36,986 --> 00:14:40,360
the musical spotlight
had shifted to San Francisco,
303
00:14:40,361 --> 00:14:44,166
in what would soon explode
into the Summer of Love.
304
00:14:44,236 --> 00:14:45,902
It exploded
while I was gone,
305
00:14:45,903 --> 00:14:47,777
San Francisco
just broke wide open
306
00:14:47,778 --> 00:14:50,458
and everybody was talking
about it and I was away.
307
00:14:50,861 --> 00:14:53,152
I like Country Joe
and the Fish.
308
00:14:53,153 --> 00:14:57,277
And the Jefferson Airplane,
Quicksilver Messenger Service.
309
00:14:57,278 --> 00:14:58,610
Well, like, uh, the local groups
310
00:14:58,611 --> 00:14:59,735
that have been playing
around here,
311
00:14:59,736 --> 00:15:00,819
I've been seeing 'em
for a long time
312
00:15:00,820 --> 00:15:02,277
and, uh, they're really making it,
313
00:15:02,278 --> 00:15:03,750
they're doing
a real good thing, man.
314
00:15:04,570 --> 00:15:07,916
I got out of the army
in, uh, '67
315
00:15:07,986 --> 00:15:10,791
and we sort of resolved
to really go for it.
316
00:15:10,861 --> 00:15:13,277
To either we were-- we were
really gonna commit ourselves
317
00:15:13,278 --> 00:15:15,958
and everything we had
or else we weren't gonna make it.
318
00:15:16,653 --> 00:15:18,416
A major turning point
319
00:15:18,486 --> 00:15:21,152
was the release
of their single Porterville.
320
00:15:21,153 --> 00:15:24,027
It didn't just sound like
the work of a different group,
321
00:15:24,028 --> 00:15:25,985
it pointed the way forward.
322
00:15:25,986 --> 00:15:28,000
♪ It's been an awful long time ♪
323
00:15:28,070 --> 00:15:30,416
♪ Since I been home ♪
324
00:15:30,486 --> 00:15:34,916
♪ But you won't catch me
Goin' back down there alone ♪
325
00:15:34,986 --> 00:15:37,277
♪ Things they said
When I was young ♪
326
00:15:37,278 --> 00:15:41,166
♪ Are quite enough
To get me hung ♪
327
00:15:41,236 --> 00:15:44,152
"Porterville" showed
John Fogerty's determination
328
00:15:44,153 --> 00:15:46,902
and growing confidence
as a songwriter.
329
00:15:46,903 --> 00:15:48,750
And it was around this time
330
00:15:48,820 --> 00:15:51,152
that they were able
to rid themselves of the name
331
00:15:51,153 --> 00:15:54,666
that had been originally suggested
by the record label.
332
00:15:55,861 --> 00:15:59,777
They became Creedence
Clearwater Revival.
333
00:15:59,778 --> 00:16:01,000
We've been together
all this time
334
00:16:01,070 --> 00:16:03,277
and nothing was happening
with the group.
335
00:16:03,278 --> 00:16:04,791
So we decided we wanted
336
00:16:04,861 --> 00:16:08,152
to have a little revival
among ourselves.
337
00:16:08,153 --> 00:16:09,902
That's what that part meant.
338
00:16:09,903 --> 00:16:13,000
It's just let's get back
to the basics, you know.
339
00:16:13,070 --> 00:16:16,902
Let's get back
to where we were 10 years ago.
340
00:16:16,903 --> 00:16:20,360
When "Porterville"
failed to make an impact on the charts,
341
00:16:20,361 --> 00:16:22,277
Creedence resorted to a formula
342
00:16:22,278 --> 00:16:25,527
that had provided many groups
with breakthrough hits.
343
00:16:25,528 --> 00:16:27,902
They've recorded
a cover version.
344
00:16:27,903 --> 00:16:30,652
The band decided on "Susie Q,"
345
00:16:30,653 --> 00:16:34,625
a song that had been a hit
for Dale Hawkins back in 1958.
346
00:16:34,695 --> 00:16:37,041
♪ Oh, Susie Q ♪
347
00:16:38,528 --> 00:16:39,777
At first,
it was just a demo tape
348
00:16:39,778 --> 00:16:42,166
that we took
to a local FM station,
349
00:16:42,236 --> 00:16:44,250
and they started
playing it a lot
350
00:16:44,570 --> 00:16:46,902
like four, five times a day,
351
00:16:46,903 --> 00:16:50,416
in exactly the same form
that it appears on the record.
352
00:16:51,861 --> 00:16:53,527
The excitement of actually
353
00:16:53,528 --> 00:16:56,944
really hearing
your song on KYA, uh,
354
00:16:56,945 --> 00:16:59,916
after years and years,
some nine and a half years, of trying,
355
00:17:00,320 --> 00:17:02,791
it took-- it took us pretty much
by surprise when it happened,
356
00:17:02,861 --> 00:17:04,527
because it just took off.
357
00:17:04,528 --> 00:17:06,777
And wisely,
the man at the record company
358
00:17:06,778 --> 00:17:09,541
finally saw, "Oh, well,
these guys are getting popular.
359
00:17:09,611 --> 00:17:11,458
Maybe they should
make an album."
360
00:17:12,778 --> 00:17:16,527
So, um, we got to go in
and with, um,
361
00:17:16,528 --> 00:17:19,777
something like seven
or eight hours of studio time,
362
00:17:19,778 --> 00:17:21,416
uh, we made the first album.
363
00:17:21,486 --> 00:17:24,527
The budget was like
less than $2,000.
364
00:17:27,653 --> 00:17:30,875
First album was released
and we came to San Francisco
365
00:17:30,945 --> 00:17:32,291
and we started playing there
366
00:17:32,361 --> 00:17:34,250
and it's like it just fell
together real fast,
367
00:17:34,320 --> 00:17:36,291
but we've been working on it
for about nine years,
368
00:17:36,361 --> 00:17:38,000
you know,
getting ourselves together
369
00:17:38,070 --> 00:17:40,027
so that when we--
when we had it together,
370
00:17:40,028 --> 00:17:42,416
like, all we needed
was an audience.
371
00:17:42,486 --> 00:17:46,110
Having broken on
to the San Francisco ballroom circuit
372
00:17:46,111 --> 00:17:49,777
and with their album hovering
just outside the top 50,
373
00:17:49,778 --> 00:17:52,277
they were hoping to take things
to the next level
374
00:17:52,278 --> 00:17:55,416
with another cover
of an R&B classic.
375
00:17:56,028 --> 00:17:58,875
♪ I put a spell on you ♪
376
00:18:02,236 --> 00:18:05,916
♪ Because you're mine ♪
377
00:18:10,445 --> 00:18:14,083
♪ You better stop the thing
That you're doin' ♪
378
00:18:16,028 --> 00:18:20,041
♪ I said watch out, I ain't lyin' ♪
379
00:18:20,111 --> 00:18:24,041
Screamin' Jay Hawkins did
"I Put a Spell on You."
380
00:18:24,111 --> 00:18:27,625
And that's another great old
R&B song that I loved.
381
00:18:27,695 --> 00:18:29,402
It happened to fit
my vocal style.
382
00:18:29,403 --> 00:18:32,541
I could-- I could sing that well
and that was the reason, uh,
383
00:18:32,611 --> 00:18:35,166
we decided to do that
particular song.
384
00:18:38,278 --> 00:18:39,777
It's kind of hard for me
to talk about John
385
00:18:39,778 --> 00:18:42,250
and be unbiased, you know,
386
00:18:42,320 --> 00:18:46,416
because, uh,
we're in the same band together,
387
00:18:46,486 --> 00:18:49,875
but I think that he had
one of the most unique voices.
388
00:18:49,945 --> 00:18:52,319
I think it's right up there
with Ray Charles and Van Morrison,
389
00:18:52,320 --> 00:18:54,708
you know, it's a voice that's distinct.
390
00:18:55,986 --> 00:18:58,000
Despite showcasing
his development
391
00:18:58,070 --> 00:19:01,500
into one of the era's
most recognizable voices
392
00:19:01,570 --> 00:19:04,875
with a style rooted deep
in the blues and R&B,
393
00:19:04,945 --> 00:19:08,375
the record failed
to reach the top 50.
394
00:19:08,445 --> 00:19:10,916
John Fogerty had said that
he wanted Creedence
395
00:19:10,986 --> 00:19:15,402
to make something for the ages,
to be great like The Beatles.
396
00:19:15,403 --> 00:19:18,402
On the day that he received
his honorable discharge papers
397
00:19:18,403 --> 00:19:19,875
from the army,
398
00:19:19,945 --> 00:19:23,250
he wrote his first
genuine classic.
399
00:19:23,445 --> 00:19:27,235
♪ Left a good job In the city ♪
400
00:19:27,236 --> 00:19:31,402
♪ Workin' for the man
Ev'ry night and day ♪
401
00:19:31,403 --> 00:19:35,375
♪ And I never lost
One minute of sleepin' ♪
402
00:19:35,445 --> 00:19:39,500
♪ Worryin' 'bout the way
Things might have been ♪
403
00:19:39,570 --> 00:19:43,125
♪ Big wheel keep on turnin' ♪
404
00:19:43,195 --> 00:19:47,152
♪ Proud Mary keep on burnin' ♪
405
00:19:47,153 --> 00:19:50,375
"Proud Mary" reached
number two on the US charts,
406
00:19:50,445 --> 00:19:52,625
and five years
after watching The Beatles
407
00:19:52,695 --> 00:19:55,375
make their debut on American TV,
408
00:19:55,445 --> 00:19:57,235
they too appeared
on The Ed Sullivan Show.
409
00:19:57,236 --> 00:20:00,041
♪ Rollin' on the river ♪
410
00:20:01,403 --> 00:20:05,402
♪ Cleaned a lot of plates
In Memphis ♪
411
00:20:05,403 --> 00:20:09,500
♪ Pumped a lot of 'pane
Down in New Orleans ♪
412
00:20:09,570 --> 00:20:13,541
♪ But I never saw
The good side of the city ♪
413
00:20:13,611 --> 00:20:17,527
♪ 'Til I hitched a ride
On a river boat queen ♪
414
00:20:17,528 --> 00:20:21,250
♪ Big wheel keep on turnin' ♪
415
00:20:21,320 --> 00:20:25,152
♪ Proud Mary keep on burnin' ♪
416
00:20:25,153 --> 00:20:29,041
♪ Rollin', rollin' ♪
417
00:20:29,111 --> 00:20:31,541
♪ Rollin' on the river ♪
418
00:20:34,278 --> 00:20:36,625
You know, like "Proud Mary"
I'm really happy about that,
419
00:20:36,695 --> 00:20:39,291
that it came off
as well as it did.
420
00:20:39,361 --> 00:20:41,652
The way I write
is a very loose thing.
421
00:20:41,653 --> 00:20:44,166
All I'm trying to do really
is put down what I see,
422
00:20:44,236 --> 00:20:45,916
you know, the way I see it.
423
00:20:45,986 --> 00:20:48,500
Get something out of just
hearing the notes and the rhythm.
424
00:20:49,111 --> 00:20:52,541
But if the words
can convey the same meaning,
425
00:20:52,611 --> 00:20:54,860
it's like icing on the cake
then, you know,
426
00:20:54,861 --> 00:20:57,000
because I try and match
the music with the words.
427
00:20:57,070 --> 00:21:00,541
It was during that time
that I completed, uh,
428
00:21:00,611 --> 00:21:03,777
all the stuff on Bayou Country
429
00:21:03,778 --> 00:21:06,500
and, uh, some
of other songs, too.
430
00:21:06,570 --> 00:21:09,750
In other words,
that didn't really reflect--
431
00:21:09,820 --> 00:21:12,291
the songs didn't reflect
my mood at the time, you know,
432
00:21:12,695 --> 00:21:15,402
I just switched off
and went into something else.
433
00:21:15,403 --> 00:21:17,666
If "Proud Mary"
was about a riverboat
434
00:21:17,736 --> 00:21:19,541
rolling up the Mississippi,
435
00:21:19,611 --> 00:21:22,152
"Born on the Bayou"
took you on a journey
436
00:21:22,153 --> 00:21:24,110
through the swamplands
that stretched
437
00:21:24,111 --> 00:21:27,569
from New Orleans
into rural Louisiana.
438
00:21:27,570 --> 00:21:30,875
♪ When I was just a little boy ♪
439
00:21:32,028 --> 00:21:34,875
♪ Standin' to
My daddy's knee… ♪
440
00:21:34,945 --> 00:21:36,527
At the time
of the release
441
00:21:36,528 --> 00:21:38,902
of their second album,
Bayou Country,
442
00:21:38,903 --> 00:21:40,902
none of the band members
had yet set foot
443
00:21:40,903 --> 00:21:42,777
in the part of
the American South
444
00:21:42,778 --> 00:21:45,902
that was so vividly captured
in their songs,
445
00:21:45,903 --> 00:21:47,916
a great achievement
for a songwriter
446
00:21:47,986 --> 00:21:52,625
whose roots lay 2000 miles away
in Northern California.
447
00:21:52,695 --> 00:21:56,875
♪ And I can remember
The Fourth of July ♪
448
00:21:56,945 --> 00:22:01,027
♪ Runnin' through
The backwood bay ♪
449
00:22:01,028 --> 00:22:05,194
♪ I can still hear
My old hound dog barkin' ♪
450
00:22:05,195 --> 00:22:09,000
♪ Chasin' down a hoodoo there ♪
451
00:22:09,070 --> 00:22:12,125
♪ Chasin' down a hoodoo there ♪
452
00:22:13,153 --> 00:22:15,610
I, like,
haven't lived there, uh,
453
00:22:15,611 --> 00:22:17,777
you know, in the south,
454
00:22:17,778 --> 00:22:21,027
it was purely that was all
in my head really,
455
00:22:21,028 --> 00:22:23,875
like, that was where
I wanted to go.
456
00:22:23,945 --> 00:22:25,916
And all the things
I had heard before
457
00:22:25,986 --> 00:22:27,416
that I dug were from there.
458
00:22:27,486 --> 00:22:29,777
And it was like, I wanted
to be like that, you know?
459
00:22:40,945 --> 00:22:42,902
Creedence
never bought into the idea
460
00:22:42,903 --> 00:22:45,777
of turning on, tuning in,
and dropping out.
461
00:22:45,778 --> 00:22:48,750
For them, it was always
about the work.
462
00:22:48,820 --> 00:22:50,500
And to reflect
their identification
463
00:22:50,570 --> 00:22:52,125
with the working man,
464
00:22:52,195 --> 00:22:53,916
they called
their rehearsal place
465
00:22:53,986 --> 00:22:55,333
The Factory.
466
00:22:56,903 --> 00:22:59,166
Now, we come down here
every day,
467
00:22:59,236 --> 00:23:02,250
we rehearse, talk about music
or what's happening,
468
00:23:02,320 --> 00:23:05,458
you know, with other groups
or other records.
469
00:23:07,278 --> 00:23:09,125
As well as writing the songs,
470
00:23:09,195 --> 00:23:12,402
John Fogerty was also producing
the records.
471
00:23:12,403 --> 00:23:15,527
The Factory was where
the songs took shape.
472
00:23:15,528 --> 00:23:18,416
As they saw it,
simplicity was best
473
00:23:18,486 --> 00:23:20,916
and less was usually more.
474
00:23:20,986 --> 00:23:22,375
Like, when we make a record,
I don't--
475
00:23:22,445 --> 00:23:23,750
I don't maybe listen to the--
476
00:23:23,820 --> 00:23:25,541
really listen
and get into the words,
477
00:23:25,611 --> 00:23:28,485
until maybe a month
after we're finished, you know.
478
00:23:28,486 --> 00:23:31,027
Like, I don't sit down
and take it all apart,
479
00:23:31,028 --> 00:23:33,166
you know, I just, uh,
480
00:23:33,236 --> 00:23:35,541
you know, one line
or one word does it for me.
481
00:23:35,611 --> 00:23:40,000
♪ I see the bad moon a-risin' ♪
482
00:23:41,111 --> 00:23:44,583
♪ I see trouble on the way ♪
483
00:23:46,445 --> 00:23:50,041
♪ I see earthquakes
And lightnin' ♪
484
00:23:51,361 --> 00:23:54,000
Three months
after releasing "Proud Mary,"
485
00:23:54,070 --> 00:23:55,916
Creedence were back
on the charts
486
00:23:55,986 --> 00:23:57,902
with "Bad Moon Rising."
487
00:23:57,903 --> 00:23:59,791
This song would also give them
488
00:23:59,861 --> 00:24:02,402
their first UK number one.
489
00:24:02,403 --> 00:24:05,958
♪ There's a bad moon
On the rise ♪
490
00:24:11,695 --> 00:24:14,375
Yes, but just not fast enough.
491
00:24:15,903 --> 00:24:17,208
Um…
492
00:24:20,236 --> 00:24:22,277
Yeah. There's really no other way
to say it, you know.
493
00:24:22,278 --> 00:24:25,694
I would dig it if we all woke up
tomorrow morning
494
00:24:25,695 --> 00:24:29,000
and we're just superb musicians,
you know, who could play anything,
495
00:24:29,070 --> 00:24:31,152
but it never works out that way.
496
00:24:35,111 --> 00:24:37,291
By mid-1969,
497
00:24:37,361 --> 00:24:40,166
Creedence was arguably
the second biggest band
498
00:24:40,236 --> 00:24:42,750
in the world behind The Beatles.
499
00:24:42,820 --> 00:24:45,625
And that summer featured
among the headlining acts
500
00:24:45,695 --> 00:24:47,777
at the Denver, Newport,
501
00:24:47,778 --> 00:24:49,875
and Atlanta music festivals.
502
00:24:49,945 --> 00:24:52,027
♪ I went down to the station ♪
503
00:24:52,028 --> 00:24:55,402
♪ Just to take a ride ♪
504
00:24:55,403 --> 00:24:57,527
They were also approached
to perform
505
00:24:57,528 --> 00:25:00,152
at the upcoming
Woodstock Festival.
506
00:25:00,153 --> 00:25:01,777
Creedence was one of the first,
507
00:25:01,778 --> 00:25:04,819
if not the first major act
to sign.
508
00:25:04,820 --> 00:25:07,791
You know, they used us
to entice other artists
509
00:25:07,861 --> 00:25:09,916
of our generation
to get onboard.
510
00:25:09,986 --> 00:25:12,791
We were signed
to headline Saturday night.
511
00:25:12,861 --> 00:25:15,958
The day before
their scheduled appearance at Woodstock,
512
00:25:16,236 --> 00:25:18,944
they were in a Los Angeles
television studio
513
00:25:18,945 --> 00:25:21,277
recording a performance
of "Green River"
514
00:25:21,278 --> 00:25:23,125
on The Andy Williams Show,
515
00:25:23,195 --> 00:25:25,166
a showbiz institution,
516
00:25:25,236 --> 00:25:27,666
a world away
from outdoor festivals
517
00:25:27,736 --> 00:25:29,652
and the counterculture.
518
00:25:29,653 --> 00:25:32,625
♪ Well, take me back down ♪
519
00:25:32,695 --> 00:25:35,250
♪ Where cool water flows, y'all ♪
520
00:25:37,903 --> 00:25:41,500
♪ Oh, let me remember
Things I love ♪
521
00:25:44,903 --> 00:25:48,250
♪ Stoppin' at the log
Where catfish bite ♪
522
00:25:48,320 --> 00:25:51,750
♪ Walkin' along
The river road at night ♪
523
00:25:51,820 --> 00:25:55,360
♪ Barefoot girls
Dancin' in the moonlight ♪
524
00:25:55,361 --> 00:25:57,875
The song is, uh, like, uh,
525
00:25:57,945 --> 00:26:00,027
just a little segment
of John's child--
526
00:26:00,028 --> 00:26:02,291
John and Tom's childhood,
527
00:26:02,361 --> 00:26:04,750
uh, when their father
used to take 'em up
528
00:26:04,820 --> 00:26:07,277
to the, uh, Cody's camp.
529
00:26:07,278 --> 00:26:09,500
I mean, it's, uh, part of the lyric.
530
00:26:09,570 --> 00:26:11,291
The place isn't there anymore.
531
00:26:11,361 --> 00:26:13,791
Like progress, they built a dam,
532
00:26:13,861 --> 00:26:16,166
flooded the-- you know,
backed the river up
533
00:26:16,236 --> 00:26:17,527
and flooded out the whole place.
534
00:26:17,528 --> 00:26:18,902
I think that, you know,
the camp,
535
00:26:18,903 --> 00:26:21,708
everything's gone
except the song.
536
00:26:23,611 --> 00:26:25,791
I like the place that that song
537
00:26:25,861 --> 00:26:27,527
is supposed to be coming from.
538
00:26:27,528 --> 00:26:29,277
"Green River,"
I always thought, was like
539
00:26:29,278 --> 00:26:32,125
the heart and soul
of what Creedence is.
540
00:26:32,195 --> 00:26:35,416
Uh, musically and also just kind of what
it's talking about.
541
00:26:36,945 --> 00:26:39,416
Having honored
their television commitments,
542
00:26:39,486 --> 00:26:41,791
they then traveled
to Upstate New York
543
00:26:41,861 --> 00:26:44,291
to take part
in what would turn out to be
544
00:26:44,361 --> 00:26:47,833
the most historic
music festival of all time,
545
00:26:50,111 --> 00:26:51,527
Woodstock.
546
00:27:03,195 --> 00:27:05,152
We're just overwhelmed
by, uh,
547
00:27:05,153 --> 00:27:07,777
the enormity of--
but we had no idea
548
00:27:07,778 --> 00:27:09,860
of what to expect.
549
00:27:09,861 --> 00:27:12,277
And the weather
and technical problems
550
00:27:12,278 --> 00:27:14,291
pushed the show later and later.
551
00:27:14,361 --> 00:27:16,208
We finally got on
about 3:00 in the morning.
552
00:27:32,861 --> 00:27:35,166
♪ I put a spell on you ♪
553
00:27:38,486 --> 00:27:41,500
♪ Because you're mine ♪
554
00:27:45,528 --> 00:27:48,916
♪ You better stop the thing
That you're doin' ♪
555
00:27:50,445 --> 00:27:54,416
♪ I said, watch out, I ain't lyin' ♪
556
00:27:55,653 --> 00:27:57,250
We didn't consciously
go out of our way
557
00:27:57,320 --> 00:27:59,500
to try to sound
like a Black band.
558
00:27:59,570 --> 00:28:01,166
You know, there was parts
of country
559
00:28:01,236 --> 00:28:02,777
and it's just that…
560
00:28:02,778 --> 00:28:05,125
that was really
that we liked Black music
561
00:28:05,195 --> 00:28:06,875
better than the kind
of white music
562
00:28:06,945 --> 00:28:08,694
that was being presented
to us at the time,
563
00:28:08,695 --> 00:28:11,166
but, um, our early heroes
were definitely Black,
564
00:28:11,236 --> 00:28:14,444
so I think it kind of maybe just
unconsciously came together.
565
00:28:16,070 --> 00:28:19,027
-♪ You know, the night-time ♪
-♪ Night and day ♪
566
00:28:19,028 --> 00:28:23,277
-♪ Oh, is the right time ♪
-♪ Night and day ♪
567
00:28:23,278 --> 00:28:25,777
-♪ To be ♪
-♪ Night and day ♪
568
00:28:25,778 --> 00:28:27,777
♪ With the one you love,
Oh, oh ♪
569
00:28:27,778 --> 00:28:29,069
♪ Night and day ♪
570
00:28:29,070 --> 00:28:31,152
-♪ I said the night-time ♪
-♪ Night and day ♪
571
00:28:31,153 --> 00:28:32,777
"Night Time Is the Right Time"
572
00:28:32,778 --> 00:28:35,291
was originally recorded
by Ray Charles
573
00:28:35,361 --> 00:28:37,250
and would feature on Creedence's
574
00:28:37,320 --> 00:28:41,125
first number one album in America,
Green River.
575
00:28:41,486 --> 00:28:43,027
I've heard it
and I've experienced it,
576
00:28:43,028 --> 00:28:44,416
and it's real.
577
00:28:44,486 --> 00:28:46,416
And in fact, it's played
on the Black station.
578
00:28:46,486 --> 00:28:48,291
It's being played
on the Black station,
579
00:28:48,361 --> 00:28:51,902
and like the deejay there
was really pushing the record
580
00:28:51,903 --> 00:28:54,041
and the people were digging.
My old lady and myself,
581
00:28:54,111 --> 00:28:55,625
we were thinking of coming
to work the other morning
582
00:28:55,695 --> 00:28:57,166
and I said,
"Hey, wait a minute, you know,
583
00:28:57,236 --> 00:28:58,902
like those cats are for real."
584
00:28:58,903 --> 00:29:00,500
So, like, it doesn't matter,
you know,
585
00:29:00,570 --> 00:29:02,277
whether they're a white group
or not, like,
586
00:29:02,278 --> 00:29:04,125
they're really coming
from within.
587
00:29:04,195 --> 00:29:05,902
You dig it.
And when you come from within,
588
00:29:05,903 --> 00:29:07,916
you got to be for real
no matter what you are.
589
00:29:07,986 --> 00:29:09,375
- Yeah.
- Yeah.
590
00:29:10,320 --> 00:29:12,569
Green River occupied
the top spot
591
00:29:12,570 --> 00:29:14,791
for three weeks
before being replaced
592
00:29:14,861 --> 00:29:16,944
by The Beatles' Abbey Road.
593
00:29:16,945 --> 00:29:19,500
While the record
was still on the charts,
594
00:29:19,570 --> 00:29:21,402
Creedence were back
in the studio
595
00:29:21,403 --> 00:29:23,319
recording
what would be their third album
596
00:29:23,320 --> 00:29:26,319
in less than a year,
Willy and the Poor Boys.
597
00:29:27,403 --> 00:29:30,500
♪ Down on the corner, out in the street ♪
598
00:29:30,570 --> 00:29:33,027
♪ Willy and the Poor Boys
Are playin' ♪
599
00:29:33,028 --> 00:29:35,777
♪ Bring a nickel, tap your feet ♪
600
00:29:35,778 --> 00:29:37,791
♪ Rooster hits the washboard ♪
601
00:29:37,861 --> 00:29:39,916
♪ And people just got to smile ♪
602
00:29:39,986 --> 00:29:41,527
What set Creedence apart
603
00:29:41,528 --> 00:29:43,375
from many
of their contemporaries,
604
00:29:43,445 --> 00:29:46,375
was their ability to produce
the sound of their records,
605
00:29:46,445 --> 00:29:48,916
on stage
and the primal excitement
606
00:29:48,986 --> 00:29:50,791
and joy of their concerts,
607
00:29:50,861 --> 00:29:53,527
which came from their love
of live performance.
608
00:29:53,528 --> 00:29:57,125
♪ Down on the corner, out in the street ♪
609
00:29:57,195 --> 00:29:59,152
♪ Willy and the Poor Boys
Are playin' ♪
610
00:29:59,153 --> 00:30:01,416
♪ Bring a nickel, tap your feet ♪
611
00:30:07,528 --> 00:30:10,041
It has an elating effect on you.
It makes you feel good.
612
00:30:10,111 --> 00:30:12,541
Therefore, you--
like, "I love music.
613
00:30:12,611 --> 00:30:14,416
I consider it a good thing.
614
00:30:14,486 --> 00:30:15,875
I don't love it
because I think it's good.
615
00:30:15,945 --> 00:30:17,485
I just-- I just love it."
616
00:30:17,486 --> 00:30:21,000
Like it's the fear
of, like, blowing it
617
00:30:21,070 --> 00:30:23,902
and the excitement of being able
to do it at the same time.
618
00:30:23,903 --> 00:30:26,000
If we're all working together, boom.
619
00:30:26,070 --> 00:30:29,777
You know, it's just fabulous
and everybody's turned on.
620
00:30:29,778 --> 00:30:32,375
If you do turn them on,
you really feel rewarded.
621
00:30:32,445 --> 00:30:34,277
And that's really the reward.
622
00:30:34,278 --> 00:30:36,777
That's the only reward
that counts, I think.
623
00:30:36,778 --> 00:30:38,666
♪ Just to hang around ♪
624
00:30:38,736 --> 00:30:40,819
♪ But if you've got a nickel… ♪
625
00:30:40,820 --> 00:30:43,041
Besides people
looking for your music,
626
00:30:43,111 --> 00:30:44,777
they also-- well,
627
00:30:44,778 --> 00:30:48,527
they wanna know what you think,
they wanna know what you wear,
628
00:30:48,528 --> 00:30:50,166
and, you know,
what movies you like,
629
00:30:50,236 --> 00:30:51,791
and do you eat spaghetti
for breakfast
630
00:30:51,861 --> 00:30:53,416
and junk like that.
631
00:30:53,486 --> 00:30:56,041
And they also wanna know
how you accept
632
00:30:56,111 --> 00:30:58,777
the world you live in.
Do you accept it, really?
633
00:30:58,778 --> 00:31:01,291
John, he's got an expression
634
00:31:01,361 --> 00:31:03,902
that you can-- you can--
635
00:31:03,903 --> 00:31:06,277
You can tell how a person is
636
00:31:06,278 --> 00:31:08,152
by, you know,
looking in his eyes
637
00:31:08,153 --> 00:31:11,152
and just how far behind
his eyes his brain is,
638
00:31:11,153 --> 00:31:12,777
is where he's at.
639
00:31:12,778 --> 00:31:14,902
You know,
if his brain is right up there,
640
00:31:14,903 --> 00:31:17,375
you know, if his head's right up there
behind his eyes
641
00:31:17,445 --> 00:31:20,277
and he's-- you know,
John will talk to him.
642
00:31:20,278 --> 00:31:22,666
We go around talking about
how we're communicating
643
00:31:22,736 --> 00:31:24,375
but no one ever does.
644
00:31:24,445 --> 00:31:28,902
It's like you look right into a guy's
eyeballs and you're staring.
645
00:31:28,903 --> 00:31:33,152
You say, you know, "Are you in there,
you know? Hello? Hello?"
646
00:31:33,153 --> 00:31:36,819
And most of the time,
you don't get anything back.
647
00:31:36,820 --> 00:31:39,069
He really cuts through
the bullshit.
648
00:31:39,070 --> 00:31:42,791
♪ Good men through the ages ♪
649
00:31:42,861 --> 00:31:45,166
♪ Tryin' to find the sun ♪
650
00:31:46,736 --> 00:31:50,694
♪ And I wonder, still I wonder ♪
651
00:31:50,695 --> 00:31:54,083
♪ Who'll stop the rain? ♪
652
00:31:55,695 --> 00:31:57,777
I want people to know
when I'm really saying
653
00:31:57,778 --> 00:31:59,652
something seriously
and when I'm…
654
00:31:59,653 --> 00:32:01,708
just being an entertainer,
you know?
655
00:32:02,820 --> 00:32:05,250
But it's also important
that I don't appeal
656
00:32:05,320 --> 00:32:07,902
the basic motivations
and I don't start,
657
00:32:07,903 --> 00:32:10,500
you know, "Hey, all you hippies,
658
00:32:10,570 --> 00:32:12,750
join together
and let's smoke dope," you know?
659
00:32:12,820 --> 00:32:14,777
I mean, people are gonna dig that.
660
00:32:14,778 --> 00:32:16,416
A certain element of society.
661
00:32:16,486 --> 00:32:17,875
But I don't want them
digging it for that.
662
00:32:17,945 --> 00:32:19,750
I want them to look a little
further than just, "Hey.
663
00:32:19,820 --> 00:32:21,402
Okay. We're all together,
brother,"
664
00:32:21,403 --> 00:32:22,569
you know, and that crap.
665
00:32:22,570 --> 00:32:24,916
"Who'll Stop the Rain,"
666
00:32:24,986 --> 00:32:27,125
and some of the others too,
especially that one,
667
00:32:27,195 --> 00:32:28,875
I tried to stay away from,
668
00:32:28,945 --> 00:32:31,166
"Hey, he's a left-wing
radical crazy
669
00:32:31,236 --> 00:32:34,291
or he's a super Bircher,"
you know,
670
00:32:34,361 --> 00:32:36,250
because both sides can take it,
you know,
671
00:32:36,320 --> 00:32:38,166
and use it
as their own rallying cry.
672
00:32:38,236 --> 00:32:39,944
Same as "Fortunate Son," really.
673
00:32:39,945 --> 00:32:43,402
♪ It ain't me, it ain't me ♪
674
00:32:43,403 --> 00:32:46,902
♪ I ain't no senator's son, son ♪
675
00:32:46,903 --> 00:32:50,569
♪ It ain't me, it ain't me ♪
676
00:32:50,570 --> 00:32:54,041
♪ I ain't no fortunate one, no ♪
677
00:32:54,111 --> 00:32:57,000
As 1969
was drawing to a close,
678
00:32:57,070 --> 00:32:59,916
John Fogerty was considered
one of America's
679
00:32:59,986 --> 00:33:03,166
most politically significant songwriters.
680
00:33:03,236 --> 00:33:05,902
And in this year alone,
Creedence had accomplished
681
00:33:05,903 --> 00:33:08,750
more than most groups managed
during a whole career,
682
00:33:08,820 --> 00:33:11,416
including four top ten singles
683
00:33:11,486 --> 00:33:13,875
and three top ten albums.
684
00:33:13,945 --> 00:33:16,194
To emphasize this success,
685
00:33:16,195 --> 00:33:20,958
Rolling Stone magazine declared
them best American band.
686
00:33:21,278 --> 00:33:24,625
The outsiders from El Cerrito,
had come a long way.
687
00:33:24,695 --> 00:33:28,166
And 1970 began
with a celebratory concert
688
00:33:28,236 --> 00:33:32,277
on home turf,
in front of 15,000 ecstatic fans
689
00:33:32,278 --> 00:33:34,652
at California's
Oakland Coliseum.
690
00:33:34,653 --> 00:33:37,375
♪ Keep on chooglin' ♪
691
00:33:37,445 --> 00:33:40,250
♪ Keep on chooglin' ♪
692
00:33:40,320 --> 00:33:42,291
♪ Keep on chooglin' ♪
693
00:33:42,361 --> 00:33:44,485
♪ Chooglin', chooglin' ♪
694
00:33:44,486 --> 00:33:46,083
♪ Chooglin', chooglin' ♪
695
00:33:49,486 --> 00:33:51,527
♪ Maybe you don't understand ♪
696
00:33:51,528 --> 00:33:54,694
In America,
Creedence were flying high,
697
00:33:54,695 --> 00:33:58,110
and three months
after their victorious Oakland concert,
698
00:33:58,111 --> 00:34:00,444
they took their show to Europe.
699
00:34:07,861 --> 00:34:10,916
Their European campaign
began on April 7th
700
00:34:10,986 --> 00:34:14,125
when they touched down
at London's Heathrow Airport.
701
00:34:15,445 --> 00:34:19,527
♪ There's a place
Up ahead and I'm going ♪
702
00:34:19,528 --> 00:34:22,125
♪ Just as fast
As my feet can fly ♪
703
00:34:22,195 --> 00:34:24,485
When we got to London,
we were just destroyed.
704
00:34:24,486 --> 00:34:27,652
Eleven-hour flight
and a nine-hour time difference.
705
00:34:27,653 --> 00:34:30,402
It was like when it was night,
it was morning.
706
00:34:30,403 --> 00:34:33,735
You know, you get so tired
that you just can't sleep.
707
00:34:33,736 --> 00:34:35,125
And then,
just immediately went out
708
00:34:35,195 --> 00:34:37,360
and got on a double-decker bus
709
00:34:37,361 --> 00:34:39,527
and just started cruising
through London.
710
00:34:45,945 --> 00:34:48,027
Creedence's
highly anticipated
711
00:34:48,028 --> 00:34:51,041
sold-out concerts
at London's Royal Albert Hall
712
00:34:51,111 --> 00:34:53,527
would take on
even greater significance
713
00:34:53,528 --> 00:34:57,916
when just days before news broke
that shook the world.
714
00:34:57,986 --> 00:35:00,625
The event is so momentous
that historians
715
00:35:00,695 --> 00:35:03,402
may one day view it
as a landmark
716
00:35:03,403 --> 00:35:05,902
in the decline
of the British Empire.
717
00:35:05,903 --> 00:35:07,875
The Beatles are breaking up.
718
00:35:09,945 --> 00:35:11,666
With the London audience
719
00:35:11,736 --> 00:35:13,833
reeling from the news
of The Beatles' breakup,
720
00:35:14,445 --> 00:35:17,041
Creedence was now poised
to take on the mantle
721
00:35:17,111 --> 00:35:19,250
of the biggest group
in the world.
722
00:35:19,320 --> 00:35:21,277
My biggest fear, man,
if these people
723
00:35:21,278 --> 00:35:23,250
are gonna boo us off.
You know, you're not sacred.
724
00:35:23,320 --> 00:35:26,291
If you ain't making it, you--
the first cat's gonna-- you know,
725
00:35:26,361 --> 00:35:29,125
everyone else think it's like
The Emperor Wears No Clothes.
726
00:35:29,195 --> 00:35:31,791
Finally some cat'll go, "Boo,"
727
00:35:31,861 --> 00:35:33,291
and pretty soon the whole place
728
00:35:33,361 --> 00:35:34,944
will just tear you to pieces,
you know?
729
00:35:34,945 --> 00:35:36,902
There's a lot of pressure on John
730
00:35:36,903 --> 00:35:38,500
and there's a lot of pressure,
I guess, on all of us,
731
00:35:38,570 --> 00:35:42,125
because I wanna live up
to what John expects of me.
732
00:35:43,361 --> 00:35:45,166
And hopefully
because we've practiced a lot
733
00:35:45,236 --> 00:35:47,041
and we have improved anyway,
you know, just…
734
00:35:47,111 --> 00:35:49,360
evolving as musicians,
we want that to happen.
735
00:35:49,361 --> 00:35:51,750
You know, it's four parts
that make up a whole.
736
00:35:51,820 --> 00:35:53,500
Every once in a while,
you really--
737
00:35:53,570 --> 00:35:55,652
you really know together,
you know?
738
00:35:55,653 --> 00:35:57,750
It's like four people are one.
739
00:35:57,820 --> 00:36:01,166
In other words, if something--
if something goes wrong,
740
00:36:01,236 --> 00:36:02,750
hopefully,
instead of getting uptight,
741
00:36:02,820 --> 00:36:05,041
we'll just remember
that time in Omaha
742
00:36:05,111 --> 00:36:06,777
or that time in Lodi.
743
00:36:06,778 --> 00:36:08,902
You just remember
all the little funny things
744
00:36:08,903 --> 00:36:10,458
that have happened in 11 years.
745
00:36:24,945 --> 00:36:27,152
♪ Seven thirty seven
Comin' out of the sky ♪
746
00:36:27,153 --> 00:36:29,916
♪ Oh, won't you take me down
To Memphis on a midnight ride ♪
747
00:36:29,986 --> 00:36:31,666
♪ I want to move ♪
748
00:36:31,736 --> 00:36:34,291
♪ Playin' in a travelin' band ♪
749
00:36:34,361 --> 00:36:37,166
♪ Yeah, and I'm flyin'
'Cross the land ♪
750
00:36:37,236 --> 00:36:38,666
♪ Tryin' to get a hand ♪
751
00:36:38,736 --> 00:36:41,541
♪ Playin' in a travelin' band ♪
752
00:36:41,611 --> 00:36:44,375
♪ Get me to the hotel
Baggage gone, oh well ♪
753
00:36:44,445 --> 00:36:46,902
♪ Come on, come on
Won't you get me to my room ♪
754
00:36:46,903 --> 00:36:48,652
♪ I want to move ♪
755
00:36:48,653 --> 00:36:51,152
♪ Playin' in a travelin' band ♪
756
00:36:51,153 --> 00:36:52,527
♪ Yeah ♪
757
00:36:52,528 --> 00:36:54,125
♪ Well, I'm flyin'
'Cross the land ♪
758
00:36:54,195 --> 00:36:55,625
♪ Tryin' to get a hand ♪
759
00:36:55,695 --> 00:36:58,777
♪ Playin' in a travelin' band ♪
760
00:36:58,778 --> 00:37:01,666
♪ Listen to the radio
Talkin' 'bout the last show ♪
761
00:37:01,736 --> 00:37:04,152
♪ Someone got excited
Had to call the state militia ♪
762
00:37:04,153 --> 00:37:05,652
♪ Want to move ♪
763
00:37:05,653 --> 00:37:07,500
♪ Playin' in a travelin' band ♪
764
00:37:07,570 --> 00:37:09,250
♪ Yeah ♪
765
00:37:09,320 --> 00:37:11,000
♪ And I'm flyin'
'Cross the land ♪
766
00:37:11,070 --> 00:37:12,270
♪ Tryin' to get a hand ♪
767
00:37:12,320 --> 00:37:15,375
♪ Playin' in a travelin' band ♪
768
00:37:26,820 --> 00:37:29,250
♪ Here we come again
On a Saturday night ♪
769
00:37:29,320 --> 00:37:30,875
♪ With your fussin'
And your fightin' ♪
770
00:37:30,945 --> 00:37:33,416
♪ Won't you get me to the rhyme
I want to move ♪
771
00:37:33,486 --> 00:37:36,166
♪ Playin' in a travelin' band ♪
772
00:37:36,236 --> 00:37:37,652
♪ Yeah ♪
773
00:37:37,653 --> 00:37:39,291
♪ Well, I'm flyin'
'Cross the land ♪
774
00:37:39,361 --> 00:37:40,791
♪ Tryin' to get a hand ♪
775
00:37:40,861 --> 00:37:42,500
♪ Playin' in a travelin' band ♪
776
00:37:42,570 --> 00:37:44,652
♪ Woo! ♪
777
00:37:54,778 --> 00:37:57,416
♪ Playin' in a travelin' band ♪
778
00:37:57,486 --> 00:38:00,652
♪ Playin' in a travelin' band ♪
779
00:38:00,653 --> 00:38:02,791
♪ Won't you give myself
A hand? ♪
780
00:38:02,861 --> 00:38:05,166
♪ I'm playin'
In a travelin' band ♪
781
00:38:05,236 --> 00:38:07,652
♪ Well, I'm flyin'
'Cross the land ♪
782
00:38:07,653 --> 00:38:08,902
♪ Tryin' to get a hand ♪
783
00:38:08,903 --> 00:38:10,416
♪ Playin' in a travelin' band ♪
784
00:38:10,486 --> 00:38:11,916
♪ Oh, now ♪
785
00:38:44,320 --> 00:38:48,250
♪ When I was just a little boy ♪
786
00:38:48,320 --> 00:38:51,250
♪ Standin' to my daddy's knee ♪
787
00:38:52,736 --> 00:38:56,375
♪ My papa said, son,
Don't let the man get you ♪
788
00:38:56,445 --> 00:38:58,666
♪ And do what he done to me ♪
789
00:38:59,986 --> 00:39:01,541
♪ 'Cause he'll get you, Lord ♪
790
00:39:04,028 --> 00:39:08,625
♪ Get right now, now ♪
791
00:39:08,695 --> 00:39:12,777
♪ Well, I can remember
The Fourth of July ♪
792
00:39:12,778 --> 00:39:15,500
♪ Runnin' through
The backwood bay ♪
793
00:39:16,820 --> 00:39:20,027
♪ And I can still hear
My old hound dog ♪
794
00:39:20,028 --> 00:39:23,541
♪ Barkin' chasin' down
A hoodoo there ♪
795
00:39:25,153 --> 00:39:28,000
♪ Chasin' down a hoodoo there ♪
796
00:39:30,028 --> 00:39:32,875
♪ Born on the bayou ♪
797
00:39:34,195 --> 00:39:36,527
♪ Born on the bayou ♪
798
00:39:36,528 --> 00:39:38,000
♪ All right, yeah ♪
799
00:39:38,070 --> 00:39:41,500
♪ Born on the bayou, do it, do it ♪
800
00:40:52,236 --> 00:40:56,250
♪ I wish I were back
On the bayou ♪
801
00:40:56,320 --> 00:41:00,777
♪ Rollin' with some
Cajun Queen ♪
802
00:41:00,778 --> 00:41:03,916
♪ Wish I were
A fast freight train ♪
803
00:41:03,986 --> 00:41:07,666
♪ A-just a-choogling on
Down to New Orleans ♪
804
00:41:09,403 --> 00:41:11,875
♪ Born on the bayou ♪
805
00:41:13,320 --> 00:41:15,791
♪ Born on the bayou ♪
806
00:41:15,861 --> 00:41:17,402
♪ All right, yeah ♪
807
00:41:17,403 --> 00:41:19,277
♪ Born on the bayou ♪
808
00:41:19,278 --> 00:41:20,666
♪ Do it, do it ♪
809
00:42:20,486 --> 00:42:24,402
♪ I can remember
The Fourth of July ♪
810
00:42:24,403 --> 00:42:28,291
♪ Runnin' through
The backwood bay ♪
811
00:42:28,361 --> 00:42:32,250
♪ And I can still hear
My old hound dog barkin' ♪
812
00:42:32,320 --> 00:42:36,277
♪ Chasin' down a hoodoo there ♪
813
00:42:36,278 --> 00:42:39,541
♪ Chasin' down a hoodoo there ♪
814
00:42:41,236 --> 00:42:43,750
♪ Born on the bayou ♪
815
00:42:45,195 --> 00:42:47,666
♪ Born on the bayou ♪
816
00:42:47,736 --> 00:42:49,125
♪ All right, yeah ♪
817
00:42:49,195 --> 00:42:51,000
♪ Born on the bayou ♪
818
00:42:51,070 --> 00:42:53,416
♪ Do it, do it, do it, do it ♪
819
00:43:21,111 --> 00:43:22,375
Thank you.
820
00:43:24,653 --> 00:43:26,541
Yeah. All right.
821
00:43:44,445 --> 00:43:46,375
♪ Well ♪
822
00:43:46,445 --> 00:43:49,833
♪ Take me back down
Where cool water flows, y'all ♪
823
00:43:53,028 --> 00:43:56,416
♪ Oh, let me remember
The things I love ♪
824
00:43:59,570 --> 00:44:03,125
♪ Stoppin' at the log
Where catfish bite ♪
825
00:44:03,195 --> 00:44:06,750
♪ Walkin' along
The river road at night ♪
826
00:44:06,820 --> 00:44:10,708
♪ Barefoot girls dancin'
In the moonlight ♪
827
00:44:13,153 --> 00:44:16,541
♪ I can hear
The bullfrog callin' me ♪
828
00:44:19,903 --> 00:44:23,583
♪ Wonder if my rope's
Still hangin' to the tree ♪
829
00:44:26,695 --> 00:44:30,250
♪ Love to kick my feet
Way down the shallow water ♪
830
00:44:30,320 --> 00:44:33,652
♪ Shoo fly, dragon fly
Get back to your mother ♪
831
00:44:33,653 --> 00:44:38,291
♪ Pick up a flat rock,
Skip it across Green River ♪
832
00:44:40,528 --> 00:44:42,166
♪ Well… ♪
833
00:45:03,903 --> 00:45:07,541
♪ Up at Cody's camp
I spent my days, Lord ♪
834
00:45:10,445 --> 00:45:13,666
♪ With flat car riders
And cross-tie walkers ♪
835
00:45:17,195 --> 00:45:20,652
♪ Old Cody Junior took me over ♪
836
00:45:20,653 --> 00:45:23,916
♪ Said you're gonna find
The world is smoldering ♪
837
00:45:23,986 --> 00:45:28,375
♪ And if you get lost,
Come on home to Green River ♪
838
00:45:30,778 --> 00:45:33,375
♪ Well… ♪
839
00:46:23,861 --> 00:46:25,375
Thank you.
840
00:46:44,070 --> 00:46:47,625
♪ Tombstone shadow ♪
841
00:46:47,695 --> 00:46:50,750
♪ Stretchin' across my path ♪
842
00:46:52,570 --> 00:46:55,750
♪ Tombstone shadow ♪
843
00:46:58,445 --> 00:47:01,402
♪ Stretchin' across my path ♪
844
00:47:01,403 --> 00:47:04,416
♪ Ev'ry time I get
Some good news ♪
845
00:47:04,486 --> 00:47:06,750
♪ Ooh, there's a shadow
On my back ♪
846
00:47:10,111 --> 00:47:13,152
♪ Saw the gypsy man ♪
847
00:47:13,153 --> 00:47:15,750
♪ 'Way down in San Berdoo ♪
848
00:47:18,320 --> 00:47:21,000
♪ Said, I saw the gypsy man ♪
849
00:47:23,653 --> 00:47:26,625
♪ 'Way down in San Berdoo ♪
850
00:47:26,695 --> 00:47:29,527
♪ Five dollars on the table ♪
851
00:47:29,528 --> 00:47:32,416
♪ Ooh, keep me 'way
From my tomb ♪
852
00:47:59,986 --> 00:48:02,625
♪ Said I got thirteen months of bad luck ♪
853
00:48:02,695 --> 00:48:04,625
♪ Bound to be some pain ♪
854
00:48:04,695 --> 00:48:06,652
♪ Don't you do no trav'lin' ♪
855
00:48:06,653 --> 00:48:08,152
♪ Fly in no machines ♪
856
00:48:08,153 --> 00:48:11,541
♪ Tombstone shadow ♪
857
00:48:11,611 --> 00:48:14,583
♪ Stretchin' across my path ♪
858
00:48:16,820 --> 00:48:19,500
♪ Ev'ry time I get
Some good news ♪
859
00:48:19,570 --> 00:48:22,666
♪ Ooh, here come shadow
On my back ♪
860
00:48:49,986 --> 00:48:53,027
♪ The man gave me a luck charm ♪
861
00:48:53,028 --> 00:48:55,666
♪ Cost five dollars more, Lord ♪
862
00:48:58,153 --> 00:49:01,416
♪ Said, put some
On your pillow ♪
863
00:49:01,486 --> 00:49:04,083
♪ And put some on your door ♪
864
00:49:06,486 --> 00:49:09,277
♪ He said, take a long vacation ♪
865
00:49:09,278 --> 00:49:12,041
♪ Ooh, for 13 months or more ♪
866
00:49:14,486 --> 00:49:17,791
♪ Tombstone shadow ♪
867
00:49:17,861 --> 00:49:20,791
♪ Stretchin' across my path ♪
868
00:49:22,528 --> 00:49:25,500
♪ Tombstone shadow ♪
869
00:49:28,028 --> 00:49:30,916
♪ Stretchin' across my path ♪
870
00:49:30,986 --> 00:49:33,902
♪ Ev'ry time I get
Some good news ♪
871
00:49:33,903 --> 00:49:36,791
♪ Ooh, here come a shadow
On my back ♪
872
00:50:08,111 --> 00:50:09,791
Thank you.
873
00:50:19,403 --> 00:50:21,000
Thank you.
874
00:51:28,528 --> 00:51:31,902
♪ Some folks are born
Made to wave the flag ♪
875
00:51:31,903 --> 00:51:35,152
♪ Hoo, they're red, white and blue ♪
876
00:51:35,153 --> 00:51:38,416
♪ And when the band plays
Hail to the chief ♪
877
00:51:38,486 --> 00:51:41,666
♪ Ooh they point
The cannon at you, Lord ♪
878
00:51:41,736 --> 00:51:44,791
♪ It ain't me, it ain't me ♪
879
00:51:44,861 --> 00:51:48,402
♪ I ain't no senator's son ♪
880
00:51:48,403 --> 00:51:51,402
♪ It ain't me, it ain't me ♪
881
00:51:51,403 --> 00:51:54,375
♪ I ain't no fortunate one ♪
882
00:51:54,445 --> 00:51:57,777
♪ Some folks are born
Silver spoon in hand ♪
883
00:51:57,778 --> 00:52:00,916
♪ Lord, don't
They help themselves? ♪
884
00:52:01,278 --> 00:52:04,291
♪ But when the taxman
Come to the door ♪
885
00:52:04,361 --> 00:52:07,625
♪ Lord the house lookin'
Like a rummage sale ♪
886
00:52:07,695 --> 00:52:10,777
♪ It ain't me, it ain't me ♪
887
00:52:10,778 --> 00:52:14,152
♪ I ain't no millionaire's son ♪
888
00:52:14,153 --> 00:52:17,277
♪ It ain't me, it ain't me ♪
889
00:52:17,278 --> 00:52:20,000
♪ I ain't no fortunate one ♪
890
00:52:32,861 --> 00:52:36,625
♪ Yeah, some folks
Inherit star-spangled eyes ♪
891
00:52:36,695 --> 00:52:39,916
♪ Hoo, they send you down
To war ♪
892
00:52:39,986 --> 00:52:43,152
♪ And when you ask 'em,
How much should we give? ♪
893
00:52:43,153 --> 00:52:46,416
♪ Hoo, they only answer,
More, more, more ♪
894
00:52:46,486 --> 00:52:49,541
♪ It ain't me, it ain't me ♪
895
00:52:49,611 --> 00:52:52,791
♪ I ain't no military son ♪
896
00:52:52,861 --> 00:52:55,902
♪ It ain't me, it ain't me ♪
897
00:52:55,903 --> 00:52:59,027
♪ I ain't no
Fortunate one, one ♪
898
00:52:59,028 --> 00:53:02,277
♪ It ain't me, it ain't me ♪
899
00:53:02,278 --> 00:53:05,500
♪ I ain't no senator's son, no ♪
900
00:53:05,570 --> 00:53:08,375
♪ It ain't me, it ain't me ♪
901
00:53:08,445 --> 00:53:11,444
♪ I ain't no fortunate one, one, one, no ♪
902
00:53:11,445 --> 00:53:14,777
♪ It ain't me, it ain't me ♪
903
00:53:14,778 --> 00:53:18,125
♪ I ain't no
Fortunate son, son, no ♪
904
00:53:18,195 --> 00:53:21,000
♪ It ain't me, it ain't me ♪
905
00:53:21,070 --> 00:53:24,333
♪ I ain't no fortunate one ♪
906
00:53:43,986 --> 00:53:47,416
♪ Traffic in the city
Turns my head around ♪
907
00:53:47,486 --> 00:53:51,277
♪ No, no, no, no, no ♪
908
00:53:51,278 --> 00:53:54,777
♪ Backed up on the freeway,
Backed up in the church ♪
909
00:53:54,778 --> 00:53:57,750
♪ Ev'rywhere you look
There's a frown, frown ♪
910
00:53:57,820 --> 00:53:59,625
♪ Com, commotion ♪
911
00:53:59,695 --> 00:54:01,250
♪ Git, git, git, gone ♪
912
00:54:01,320 --> 00:54:03,152
♪ Com, commotion ♪
913
00:54:03,153 --> 00:54:05,333
♪ Git, git, git, gone ♪
914
00:54:12,945 --> 00:54:16,277
♪ People keep a-talkin'
They don't say a word ♪
915
00:54:16,278 --> 00:54:20,027
♪ Jaw, jaw, jaw, jaw, jaw ♪
916
00:54:20,028 --> 00:54:23,527
♪ Talk up in the White House
Talk up to your door ♪
917
00:54:23,528 --> 00:54:26,291
♪ So much goin' on
I just can't hear ♪
918
00:54:26,361 --> 00:54:28,041
♪ Com, commotion ♪
919
00:54:28,111 --> 00:54:29,902
♪ Git, git, git, gone ♪
920
00:54:29,903 --> 00:54:31,625
♪ Com, commotion ♪
921
00:54:31,695 --> 00:54:33,652
♪ Git, git, git, gone ♪
922
00:54:53,570 --> 00:54:56,791
♪ Hurryin' to get there
So you save some time ♪
923
00:54:56,861 --> 00:55:00,527
♪ Run, run, run, run, run ♪
924
00:55:00,528 --> 00:55:03,902
♪ Rushin' to the treadmill
Rushin' to get home ♪
925
00:55:03,903 --> 00:55:06,791
♪ Worry 'bout the time
You save, save ♪
926
00:55:06,861 --> 00:55:08,527
♪ Com, commotion ♪
927
00:55:08,528 --> 00:55:10,291
♪ Git, git, git, gone ♪
928
00:55:10,361 --> 00:55:12,125
♪ Com, commotion ♪
929
00:55:12,195 --> 00:55:13,875
♪ Git, git, git, gone ♪
930
00:55:13,945 --> 00:55:15,625
♪ Com, commotion ♪
931
00:55:15,695 --> 00:55:18,000
♪ Git, git, git, gone ♪
932
00:55:59,736 --> 00:56:01,291
Thank you.
933
00:56:03,320 --> 00:56:05,083
Thank you very much.
934
00:56:32,611 --> 00:56:36,583
♪ Well, you wake up
In the mornin' ♪
935
00:56:39,486 --> 00:56:42,791
♪ You hear the work bell ring ♪
936
00:56:44,528 --> 00:56:47,333
♪ And they march you
To the table ♪
937
00:56:48,945 --> 00:56:52,416
♪ You see the same old thing ♪
938
00:56:53,778 --> 00:56:57,875
♪ Ain't no food upon the table ♪
939
00:56:57,945 --> 00:57:00,750
♪ And no pork up in the pan ♪
940
00:57:02,736 --> 00:57:07,791
♪ But you better
Not complain, boy ♪
941
00:57:07,861 --> 00:57:10,750
♪ You get in trouble
With the man ♪
942
00:57:15,195 --> 00:57:18,902
♪ Let the Midnight Special ♪
943
00:57:18,903 --> 00:57:21,125
♪ Shine a light on me ♪
944
00:57:22,820 --> 00:57:26,527
♪ Let the Midnight Special ♪
945
00:57:26,528 --> 00:57:29,000
♪ Shine a light on me ♪
946
00:57:29,070 --> 00:57:30,416
All right.
947
00:57:30,486 --> 00:57:34,152
♪ Let the Midnight Special ♪
948
00:57:34,153 --> 00:57:36,291
♪ Shine a light on me ♪
949
00:57:38,028 --> 00:57:41,485
♪ Let the Midnight Special ♪
950
00:57:41,486 --> 00:57:45,625
♪ Shine an ever-lovin'
Light on me ♪
951
00:57:45,695 --> 00:57:49,250
♪ Yonder come Miss Rosie ♪
952
00:57:49,320 --> 00:57:51,916
♪ How in the world
Did you know? ♪
953
00:57:53,445 --> 00:57:56,902
♪ By the way she wears
Her apron ♪
954
00:57:56,903 --> 00:58:00,875
♪ And the clothes she wore, no ♪
955
00:58:00,945 --> 00:58:04,902
♪ Umbrella on her shoulder ♪
956
00:58:04,903 --> 00:58:07,583
♪ Piece of paper in her hand ♪
957
00:58:08,903 --> 00:58:12,027
♪ She come to see the gov'nor ♪
958
00:58:12,028 --> 00:58:15,083
♪ She want to free her man, oh ♪
959
00:58:16,236 --> 00:58:19,902
♪ Let the Midnight Special ♪
960
00:58:19,903 --> 00:58:23,694
♪ Shine a light on me ♪
961
00:58:23,695 --> 00:58:27,291
♪ Let the Midnight Special ♪
962
00:58:27,361 --> 00:58:31,166
♪ Shine a light on me ♪
963
00:58:31,236 --> 00:58:34,916
♪ Let the Midnight Special ♪
964
00:58:34,986 --> 00:58:38,777
♪ Shine a light on me ♪
965
00:58:38,778 --> 00:58:42,819
♪ Let the Midnight Special ♪
966
00:58:42,820 --> 00:58:46,152
♪ Shine an ever-lovin'
Light on me ♪
967
00:58:46,153 --> 00:58:50,027
♪ If you're ever in Houston ♪
968
00:58:50,028 --> 00:58:52,416
♪ Well, you better do it right ♪
969
00:58:54,320 --> 00:58:57,527
♪ You better not gamble ♪
970
00:58:57,528 --> 00:59:01,291
♪ And you better
Not fight, Lord ♪
971
00:59:01,361 --> 00:59:05,041
♪ Or the sheriff will grab ya ♪
972
00:59:05,111 --> 00:59:07,833
♪ And the boys
Will bring you down ♪
973
00:59:09,278 --> 00:59:12,625
♪ The next thing you know, boy ♪
974
00:59:12,695 --> 00:59:16,625
♪ Whoa, you're prison bound ♪
975
00:59:16,695 --> 00:59:20,291
♪ Let the Midnight Special ♪
976
00:59:20,361 --> 00:59:22,708
♪ Shine a light on me ♪
977
00:59:24,236 --> 00:59:28,027
♪ Let the Midnight Special ♪
978
00:59:28,028 --> 00:59:31,625
♪ Shine a light on me ♪
979
00:59:31,695 --> 00:59:35,402
♪ Let the Midnight Special ♪
980
00:59:35,403 --> 00:59:37,666
♪ Shine a light on me ♪
981
00:59:37,736 --> 00:59:39,250
All right, Lord!
982
00:59:39,320 --> 00:59:43,000
♪ Let the Midnight Special ♪
983
00:59:43,070 --> 00:59:47,125
♪ Shine an ever-lovin' light ♪
984
00:59:47,195 --> 00:59:51,000
♪ On me ♪
985
01:00:12,028 --> 01:00:17,152
♪ I see the bad moon a-risin' ♪
986
01:00:17,153 --> 01:00:20,666
♪ I see trouble on the way ♪
987
01:00:22,278 --> 01:00:25,791
♪ I see earthquakes
And lightnin' ♪
988
01:00:27,236 --> 01:00:30,500
♪ I see bad times today ♪
989
01:00:32,153 --> 01:00:34,402
♪ Don't go around tonight ♪
990
01:00:34,403 --> 01:00:37,125
♪ Well it's bound
To take your life ♪
991
01:00:37,195 --> 01:00:41,083
♪ There's a bad moon
On the rise ♪
992
01:00:42,445 --> 01:00:46,041
♪ I hear hurricanes a-blowin' ♪
993
01:00:47,403 --> 01:00:50,833
♪ I know the end
Is comin' soon ♪
994
01:00:52,611 --> 01:00:57,652
♪ I fear rivers over flowin' ♪
995
01:00:57,653 --> 01:01:00,958
♪ I hear the voice
Of rage and ruin ♪
996
01:01:02,361 --> 01:01:04,375
♪ Don't go around tonight ♪
997
01:01:04,445 --> 01:01:07,402
♪ Well it's bound
To take your life ♪
998
01:01:07,403 --> 01:01:10,750
♪ There's a bad moon
On the rise ♪
999
01:01:32,445 --> 01:01:35,833
♪ Hope you got
Your things together ♪
1000
01:01:37,611 --> 01:01:40,666
♪ Hope you are
Quite prepared to die ♪
1001
01:01:42,236 --> 01:01:45,750
♪ Looks like we're in for nasty weather ♪
1002
01:01:47,653 --> 01:01:50,458
♪ One eye is taken for an eye ♪
1003
01:01:51,820 --> 01:01:54,527
♪ Well don't go around tonight ♪
1004
01:01:54,528 --> 01:01:57,402
♪ Well it's bound
To take your life ♪
1005
01:01:57,403 --> 01:02:00,666
♪ There's a bad moon
On the rise ♪
1006
01:02:02,486 --> 01:02:04,625
♪ Don't come around tonight ♪
1007
01:02:04,695 --> 01:02:07,541
♪ Well it's bound
To take your life ♪
1008
01:02:07,611 --> 01:02:11,000
♪ There's a bad moon
On the rise ♪
1009
01:02:17,986 --> 01:02:20,666
- Thank you very much.
- Thank you.
1010
01:02:37,528 --> 01:02:41,250
♪ Left a good job in the city ♪
1011
01:02:41,320 --> 01:02:45,277
♪ Workin' for the man
Ev'ry night and day ♪
1012
01:02:45,278 --> 01:02:49,000
♪ And I never lost
One minute of sleepin' ♪
1013
01:02:49,070 --> 01:02:52,916
♪ Worryin' 'bout the way
Things might have been ♪
1014
01:02:52,986 --> 01:02:56,500
♪ Big wheel keep on turnin' ♪
1015
01:02:56,570 --> 01:03:00,250
♪ Proud Mary keep on burnin' ♪
1016
01:03:00,320 --> 01:03:03,916
♪ Rollin', rollin' ♪
1017
01:03:03,986 --> 01:03:06,458
♪ Rollin' on the river ♪
1018
01:03:08,111 --> 01:03:11,652
♪ Cleaned a lot of plates
In Memphis ♪
1019
01:03:11,653 --> 01:03:15,625
♪ Pumped a lot of 'pane
Down in New Orleans ♪
1020
01:03:15,695 --> 01:03:19,777
♪ But I never saw
The good side of the city ♪
1021
01:03:19,778 --> 01:03:23,166
♪ 'Til I hitched a ride
On a river boat queen ♪
1022
01:03:23,236 --> 01:03:26,666
♪ Big wheel keep on turnin' ♪
1023
01:03:26,736 --> 01:03:29,500
♪ Proud Mary keep on burnin' ♪
1024
01:03:30,653 --> 01:03:32,291
♪ Rollin', yeah ♪
1025
01:03:32,361 --> 01:03:34,277
♪ Rollin', all right ♪
1026
01:03:34,278 --> 01:03:36,625
♪ Rollin' on the river ♪
1027
01:04:11,736 --> 01:04:13,625
♪ Rollin' ♪
1028
01:04:13,695 --> 01:04:15,375
♪ Rollin', yeah ♪
1029
01:04:15,445 --> 01:04:17,625
♪ Rollin' on the river ♪
1030
01:04:30,778 --> 01:04:33,625
♪ If you come down
To the river ♪
1031
01:04:33,695 --> 01:04:38,125
♪ Bet you gonna find
Some people who live ♪
1032
01:04:38,195 --> 01:04:42,027
♪ You don't have to worry
'Cause you have no money ♪
1033
01:04:42,028 --> 01:04:45,652
♪ People on the river
Are happy to give ♪
1034
01:04:45,653 --> 01:04:49,125
♪ Big wheel keep on turnin' ♪
1035
01:04:49,195 --> 01:04:52,875
♪ Proud Mary keep on burnin' ♪
1036
01:04:52,945 --> 01:04:54,875
♪ Rollin', yeah ♪
1037
01:04:54,945 --> 01:04:56,777
♪ Rollin', oh ♪
1038
01:04:56,778 --> 01:04:59,166
♪ Rollin' on the river ♪
1039
01:05:00,611 --> 01:05:02,250
♪ Rollin' ♪
1040
01:05:02,320 --> 01:05:04,250
♪ Rollin', yeah ♪
1041
01:05:04,320 --> 01:05:06,666
♪ Rollin' on the river ♪
1042
01:05:07,986 --> 01:05:09,666
♪ Rollin', oh ♪
1043
01:05:09,736 --> 01:05:11,777
♪ Rollin', yeah ♪
1044
01:05:11,778 --> 01:05:14,208
♪ Rollin' on the river ♪
1045
01:06:41,611 --> 01:06:44,291
♪ You know the night time ♪
1046
01:06:44,361 --> 01:06:46,958
♪ Oh, is the right time ♪
1047
01:06:48,653 --> 01:06:50,916
♪ To be ♪
1048
01:06:50,986 --> 01:06:53,000
♪ With the one you love ♪
1049
01:06:54,570 --> 01:06:57,625
♪ I said the night time ♪
1050
01:06:57,695 --> 01:07:01,902
♪ Ooh, is the right time ♪
1051
01:07:01,903 --> 01:07:03,777
♪ To be ♪
1052
01:07:03,778 --> 01:07:06,000
♪ With the one you love ♪
1053
01:07:08,070 --> 01:07:10,777
♪ I said the night time, baby ♪
1054
01:07:10,778 --> 01:07:13,527
♪ Yeah, is the right time ♪
1055
01:07:13,528 --> 01:07:15,875
♪ To be with the one you love ♪
1056
01:07:20,903 --> 01:07:23,527
♪ Baby ♪
1057
01:07:23,528 --> 01:07:25,833
♪ I said a baby ♪
1058
01:07:27,653 --> 01:07:30,250
♪ Baby ♪
1059
01:07:30,320 --> 01:07:32,833
♪ Come on
And drive me crazy, Lord ♪
1060
01:07:34,111 --> 01:07:36,791
♪ You know I love you ♪
1061
01:07:36,861 --> 01:07:40,027
♪ Always thinkin' of you ♪
1062
01:07:40,028 --> 01:07:42,458
♪ Hey, baby ♪
1063
01:07:43,445 --> 01:07:45,708
♪ Oh, I said a baby, oh ♪
1064
01:07:47,486 --> 01:07:49,916
♪ I said the night time ♪
1065
01:07:49,986 --> 01:07:53,166
♪ Is the right time ♪
1066
01:07:53,236 --> 01:07:56,416
♪ To be with the one you love ♪
1067
01:07:56,486 --> 01:07:58,041
♪ All I can say ♪
1068
01:08:39,820 --> 01:08:42,541
♪ I said the night time ♪
1069
01:08:42,611 --> 01:08:44,791
♪ Oh, is the right time ♪
1070
01:08:47,028 --> 01:08:49,250
♪ To be ♪
1071
01:08:49,320 --> 01:08:51,333
♪ With the one you love ♪
1072
01:08:52,986 --> 01:08:54,833
♪ I said the night time ♪
1073
01:08:56,070 --> 01:08:58,375
♪ Ooh, is the right time ♪
1074
01:09:00,320 --> 01:09:02,500
♪ To be ♪
1075
01:09:02,570 --> 01:09:04,583
♪ With the one you love ♪
1076
01:09:06,570 --> 01:09:08,375
♪ I said the night time, baby ♪
1077
01:09:09,820 --> 01:09:12,375
♪ Oh, is the right time ♪
1078
01:09:12,445 --> 01:09:14,625
♪ To be with the one you love ♪
1079
01:10:26,736 --> 01:10:28,916
♪ Good golly, Miss Molly ♪
1080
01:10:30,195 --> 01:10:31,750
♪ Sure like a ball ♪
1081
01:10:32,945 --> 01:10:35,000
♪ Good golly, Miss Molly ♪
1082
01:10:36,320 --> 01:10:37,708
♪ Sure like a ball ♪
1083
01:10:39,028 --> 01:10:41,083
♪ When you're
Rockin' 'n' rollin' ♪
1084
01:10:42,236 --> 01:10:44,166
♪ Can't hear your momma call ♪
1085
01:10:45,903 --> 01:10:47,527
♪ From the early Early mornin' ♪
1086
01:10:47,528 --> 01:10:48,902
♪ 'Til the early, early night ♪
1087
01:10:48,903 --> 01:10:50,402
♪ You can see
Miss Molly rockin' ♪
1088
01:10:50,403 --> 01:10:51,791
♪ At the house of blue lights ♪
1089
01:10:51,861 --> 01:10:53,791
♪ Ah, good golly, Miss Molly ♪
1090
01:10:55,028 --> 01:10:56,458
♪ Sure like a ball ♪
1091
01:10:57,736 --> 01:10:59,666
♪ When you're
Rockin' 'n' rollin' ♪
1092
01:11:00,945 --> 01:11:02,833
♪ Can't hear your momma call ♪
1093
01:11:04,278 --> 01:11:06,041
♪ Say, momma, poppa told me ♪
1094
01:11:06,111 --> 01:11:07,652
♪ Son, you better
Watch your step ♪
1095
01:11:07,653 --> 01:11:09,152
♪ If I knew my momma, poppa ♪
1096
01:11:09,153 --> 01:11:10,541
♪ Have to watch my pop myself ♪
1097
01:11:10,611 --> 01:11:12,416
♪ Ah, good golly, Miss Molly ♪
1098
01:11:13,695 --> 01:11:15,166
♪ Sure like a ball ♪
1099
01:11:16,361 --> 01:11:18,500
♪ When you're
Rockin' 'n' rollin' ♪
1100
01:11:19,528 --> 01:11:21,125
♪ Can't hear your momma call ♪
1101
01:11:41,820 --> 01:11:44,166
♪ I am goin' to the corner
Gonna buy a diamond ring ♪
1102
01:11:44,236 --> 01:11:45,625
♪ Would you pardon me
A kissin' ♪
1103
01:11:45,695 --> 01:11:47,152
♪ 'N' a ting-a-ling-a-ling? ♪
1104
01:11:47,153 --> 01:11:49,041
♪ Oh, good golly, Miss Molly ♪
1105
01:11:50,361 --> 01:11:51,833
♪ Sure like a ball ♪
1106
01:11:53,153 --> 01:11:56,166
♪ When you're
Rockin' 'n' rollin' ♪
1107
01:11:56,236 --> 01:11:58,291
♪ Can't hear your momma call ♪
1108
01:11:58,361 --> 01:11:59,902
♪ Aaaah ♪
1109
01:12:17,361 --> 01:12:19,416
♪ Good golly, Miss Molly ♪
1110
01:12:20,486 --> 01:12:21,791
♪ Sure like a ball ♪
1111
01:12:23,195 --> 01:12:25,416
♪ Good golly, Miss Molly ♪
1112
01:12:26,611 --> 01:12:28,375
♪ Sure like a ball ♪
1113
01:12:29,320 --> 01:12:32,277
♪ When you're
Rockin' 'n' rollin' ♪
1114
01:12:32,278 --> 01:12:34,125
♪ Can't hear your momma call ♪
1115
01:12:41,945 --> 01:12:43,145
Thank you.
1116
01:13:15,611 --> 01:13:18,277
This will be our last song,
1117
01:13:18,278 --> 01:13:20,791
but we hope you all join in
and listen.
1118
01:13:22,111 --> 01:13:23,875
Help us keep something going.
1119
01:13:23,945 --> 01:13:25,875
In advance, we wanna say
1120
01:13:25,945 --> 01:13:28,041
thank you very much
for having us here in London.
1121
01:13:28,111 --> 01:13:29,500
Here's a song called…
1122
01:13:31,070 --> 01:13:34,250
…"Keep On--" just "Keep On--"
"Keep On Chooglin'."
1123
01:13:58,320 --> 01:14:00,916
♪ Keep on chooglin' ♪
1124
01:14:00,986 --> 01:14:03,500
♪ Keep on chooglin' ♪
1125
01:14:03,570 --> 01:14:05,527
♪ Keep on chooglin' ♪
1126
01:14:05,528 --> 01:14:07,250
♪ Chooglin' ♪
1127
01:14:07,320 --> 01:14:09,458
♪ Chooglin', chooglin'
Chooglin' ♪
1128
01:14:12,695 --> 01:14:15,402
♪ Maybe you don't
Understand it ♪
1129
01:14:15,403 --> 01:14:17,916
♪ But if you're a natural man ♪
1130
01:14:17,986 --> 01:14:20,875
♪ You got to ball
And have a good time ♪
1131
01:14:20,945 --> 01:14:24,083
♪ And that's
What I call chooglin' ♪
1132
01:14:26,528 --> 01:14:29,166
♪ Here comes Mary
Lookin' for Harry ♪
1133
01:14:29,236 --> 01:14:31,125
♪ She gonna choogle tonight ♪
1134
01:14:32,236 --> 01:14:34,875
♪ Here comes Louie
Works in the sewer, Lord ♪
1135
01:14:34,945 --> 01:14:36,541
♪ He gonna choogle tonight ♪
1136
01:14:38,153 --> 01:14:39,875
♪ Keep on chooglin' ♪
1137
01:14:40,986 --> 01:14:42,625
♪ Keep on chooglin' ♪
1138
01:14:43,778 --> 01:14:45,375
♪ Keep on chooglin' ♪
1139
01:14:45,445 --> 01:14:47,166
♪ Chooglin' ♪
1140
01:14:47,236 --> 01:14:49,250
♪ Chooglin', chooglin'
Chooglin' ♪
1141
01:19:37,695 --> 01:19:40,166
♪ Keep on chooglin' ♪
1142
01:19:40,236 --> 01:19:42,916
♪ Keep on chooglin' ♪
1143
01:19:42,986 --> 01:19:46,125
♪ Keep on chooglin'
Chooglin' ♪
1144
01:19:46,195 --> 01:19:48,250
♪ Chooglin'
Chooglin', chooglin' ♪
1145
01:19:51,236 --> 01:19:54,000
♪ If you can choose it
Who can refuse it ♪
1146
01:19:54,070 --> 01:19:56,375
♪ Y'all be chooglin' tonight ♪
1147
01:19:56,445 --> 01:19:59,166
♪ Go on, take your pick
Right from the git go ♪
1148
01:19:59,236 --> 01:20:01,083
♪ You gotta choogle tonight ♪
1149
01:20:02,486 --> 01:20:04,916
♪ Keep on chooglin' ♪
1150
01:20:04,986 --> 01:20:07,666
♪ Keep on chooglin' ♪
1151
01:20:07,736 --> 01:20:10,625
♪ Keep on chooglin'
Chooglin' ♪
1152
01:20:10,695 --> 01:20:13,527
♪ Chooglin'
Chooglin', chooglin' ♪
1153
01:20:13,528 --> 01:20:16,027
♪ Chooglin', chooglin' ♪
1154
01:20:16,028 --> 01:20:19,166
♪ Chooglin', chooglin'
Chooglin', chooglin' ♪
1155
01:21:36,153 --> 01:21:38,777
Good night, y'all. We love you.
1156
01:21:57,736 --> 01:22:00,916
Creedence received
a 15-minute standing ovation,
1157
01:22:00,986 --> 01:22:03,166
clearly winning over
the London audience
1158
01:22:03,236 --> 01:22:05,166
and solidifying this performance
1159
01:22:05,236 --> 01:22:07,833
is a major highlight
of their career.
1160
01:22:11,153 --> 01:22:14,819
Later that year, their fifth album,
Cosmo's Factory,
1161
01:22:14,820 --> 01:22:17,166
topped the charts
around the world,
1162
01:22:17,236 --> 01:22:19,708
including the US and UK.
1163
01:22:20,986 --> 01:22:23,791
Creedence could then
rightfully lay claim to being
1164
01:22:23,861 --> 01:22:26,166
the biggest band in the world.
1165
01:22:46,611 --> 01:22:48,875
♪ Just got home from Illinois ♪
1166
01:22:48,945 --> 01:22:51,041
♪ Lock the front door, oh boy! ♪
1167
01:22:51,111 --> 01:22:55,666
♪ Got to sit down
Take a rest on the porch ♪
1168
01:22:55,736 --> 01:22:57,916
♪ Imagination sets in ♪
1169
01:22:57,986 --> 01:23:00,250
♪ Pretty soon I'm singin' ♪
1170
01:23:00,320 --> 01:23:04,402
♪ Doo, doo, doo
Lookin' out my back door ♪
1171
01:23:04,403 --> 01:23:07,152
♪ There's a giant
Doin' cartwheels ♪
1172
01:23:07,153 --> 01:23:09,416
♪ A statue wearin' high heels ♪
1173
01:23:09,486 --> 01:23:14,041
♪ Look at all the happy
Creatures dancin' on the lawn ♪
1174
01:23:14,111 --> 01:23:16,402
♪ Dinosaur Victrola ♪
1175
01:23:16,403 --> 01:23:18,625
♪ Listenin' to Buck Owens ♪
1176
01:23:18,695 --> 01:23:23,125
♪ Doo, doo, doo
Lookin' out my back door ♪
1177
01:23:23,195 --> 01:23:27,402
♪ Tambourines and elephants
Are playin' in the band ♪
1178
01:23:27,403 --> 01:23:31,277
♪ Won't you take a ride
On the flyin' spoon? ♪
1179
01:23:31,278 --> 01:23:32,541
♪ Dood-n-doo-doo ♪
1180
01:23:32,611 --> 01:23:34,250
♪ Wondrous apparition ♪
1181
01:23:34,320 --> 01:23:36,902
♪ Provided by magician ♪
1182
01:23:36,903 --> 01:23:41,027
♪ Doo, doo, doo
Lookin' out my back door ♪
1183
01:23:59,653 --> 01:24:01,750
♪ Tambourines and elephants ♪
1184
01:24:01,820 --> 01:24:03,916
♪ Are playin' in the band ♪
1185
01:24:03,986 --> 01:24:07,625
♪ Won't you take a ride
On the flyin' spoon? ♪
1186
01:24:07,695 --> 01:24:08,916
♪ Dood-n-doo-doo ♪
1187
01:24:08,986 --> 01:24:10,902
♪ Bother me tomorrow ♪
1188
01:24:10,903 --> 01:24:13,527
♪ Today I'll buy no sorrows ♪
1189
01:24:13,528 --> 01:24:17,958
♪ Doo, doo, doo
Lookin' out my back door ♪
1190
01:24:31,611 --> 01:24:33,902
♪ Forward troubles Illinois ♪
1191
01:24:33,903 --> 01:24:36,152
♪ Lock the front door, oh boy! ♪
1192
01:24:36,153 --> 01:24:40,902
♪ Look at all the happy
Creatures dancin' on the lawn ♪
1193
01:24:40,903 --> 01:24:43,416
♪ Bother me tomorrow ♪
1194
01:24:43,486 --> 01:24:46,791
♪ Today I'll buy no sorrows ♪
1195
01:24:46,861 --> 01:24:52,458
♪ Doo, doo, doo
Lookin' out my back door ♪
1196
01:25:13,445 --> 01:25:17,402
♪ Long as I remember ♪
1197
01:25:17,403 --> 01:25:21,166
♪ The rain been comin' down ♪
1198
01:25:21,236 --> 01:25:25,152
♪ Clouds of mystery pourin' ♪
1199
01:25:25,153 --> 01:25:29,000
♪ Confusion on the ground ♪
1200
01:25:29,070 --> 01:25:32,791
♪ Good men through the ages ♪
1201
01:25:32,861 --> 01:25:36,652
♪ Tryin' to find the sun ♪
1202
01:25:36,653 --> 01:25:38,652
♪ And I wonder ♪
1203
01:25:38,653 --> 01:25:43,541
♪ Still I wonder
Who'll stop the rain? ♪
1204
01:25:46,361 --> 01:25:49,777
♪ I went down Virginia ♪
1205
01:25:49,778 --> 01:25:54,125
♪ Seekin' shelter
From the storm ♪
1206
01:25:54,195 --> 01:25:58,000
♪ Caught up in the fable ♪
1207
01:25:58,070 --> 01:26:00,641
♪ I watched the tower grow… ♪
87034
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