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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,860 --> 00:00:04,220 ♪ 2 00:00:04,420 --> 00:00:05,400 - [laughs] - I hope we're rolling. 3 00:00:05,590 --> 00:00:07,400 Yeah. W-What was the question? 4 00:00:07,590 --> 00:00:10,360 Let's not overthink it. [laughs] 5 00:00:10,560 --> 00:00:12,640 - KEVIN FRAZIER: Tonight... - [imitates NCIS: Los Angeles theme music] 6 00:00:12,840 --> 00:00:15,290 ...the cast of NCIS: Los Angeles say goodbye. 7 00:00:15,490 --> 00:00:16,980 You guys just watched the finale. 8 00:00:17,180 --> 00:00:18,290 Lots of feels. 9 00:00:18,490 --> 00:00:20,980 My God. Pinch me. 10 00:00:21,180 --> 00:00:22,360 I wasn't expecting that ending. 11 00:00:22,560 --> 00:00:24,950 I-It's not the end of these characters. 12 00:00:25,150 --> 00:00:27,340 FRAZIER: ...sharing 14 seasons of behind-the-scenes secrets... 13 00:00:29,270 --> 00:00:30,680 Lot of pyro, lot of explosions. 14 00:00:32,440 --> 00:00:34,400 These are directly stolen from set. 15 00:00:34,590 --> 00:00:35,570 - Mark! - ...from the first day... 16 00:00:35,770 --> 00:00:36,980 - It's nice to meet you. - It's funny, 17 00:00:37,180 --> 00:00:37,980 I forget he's LL Cool J. 18 00:00:38,180 --> 00:00:39,670 ...to the final shot. 19 00:00:39,870 --> 00:00:41,910 [choked up]: This was beyond 20 00:00:42,110 --> 00:00:43,050 anything I could have imagined. 21 00:00:43,250 --> 00:00:44,570 You get overcome with emotions. 22 00:00:44,770 --> 00:00:46,740 I love you, I appreciate you. Thank you. 23 00:00:46,940 --> 00:00:48,670 - [cheering, applause] -FRAZIER: Favorite memories... 24 00:00:48,870 --> 00:00:50,290 I was like, "How did we get that?" 25 00:00:50,490 --> 00:00:52,290 That's not normal life. [laughs] 26 00:00:52,490 --> 00:00:55,290 ...that made them forever family. 27 00:00:55,490 --> 00:00:56,500 They're my brothers. [laughs] 28 00:00:56,700 --> 00:00:58,400 Daniela is-is that-that fun mom. 29 00:00:58,590 --> 00:01:00,260 LL Cool J always has 30 00:01:00,460 --> 00:01:02,050 - the music playing. - McRANEY: "Todd, 31 00:01:02,250 --> 00:01:03,530 we're-we're ready." 32 00:01:03,730 --> 00:01:05,400 "Oh, okay," you know? 33 00:01:05,590 --> 00:01:07,570 - Come on. It's NCIS: L.A. - It's NCIS: Los Angeles. 34 00:01:07,770 --> 00:01:09,360 FRAZIER: This isCBS Presents 35 00:01:09,560 --> 00:01:11,290 A Salute to NCIS: Los Angeles: 36 00:01:11,490 --> 00:01:14,770 An Entertainment Tonight Special. 37 00:01:14,970 --> 00:01:18,020 Hello and welcome, everybody, to a bittersweet tribute. 38 00:01:18,220 --> 00:01:20,220 We just witnessed the end of an era, 39 00:01:20,420 --> 00:01:22,950 the end of NCIS: Los Angeles. 40 00:01:23,150 --> 00:01:26,050 I'm here at the historic studios at Paramount, 41 00:01:26,250 --> 00:01:28,260 where all the sets once stood. 42 00:01:28,460 --> 00:01:30,570 The boatshed, the team's desks, 43 00:01:30,770 --> 00:01:33,710 the Ops center, even the gym. 44 00:01:33,910 --> 00:01:36,170 It was all right here just two months ago. 45 00:01:39,650 --> 00:01:41,740 - It was amazing. It was amazing. - Yeah. 46 00:01:41,940 --> 00:01:44,080 We-- You know, w-we called these stages home for 14 years. 47 00:01:44,280 --> 00:01:45,770 O'DONNELL: I'll probably be calling him, saying, 48 00:01:45,970 --> 00:01:46,910 "Hey, man, did that really happen?" 49 00:01:47,110 --> 00:01:48,120 [laughs] Probably. 50 00:01:48,320 --> 00:01:49,190 What-what are you, what are you doing? 51 00:01:49,390 --> 00:01:50,400 - You want to hang out? - Yeah. 52 00:01:50,590 --> 00:01:52,290 RUAH: It's a weird sensation 53 00:01:52,490 --> 00:01:55,260 because it doesn't hit you in, like, one big slap. 54 00:01:55,460 --> 00:01:57,810 I think it'll hit me 55 00:01:58,010 --> 00:02:01,080 when we don't come back in July to shoot another season. 56 00:02:01,280 --> 00:02:03,460 As I was driving home was the first, like, round 57 00:02:03,660 --> 00:02:05,290 that it really hit me, 58 00:02:05,490 --> 00:02:07,770 which is like, "I'm not gonna be driving to work 59 00:02:07,970 --> 00:02:10,360 on NCIS: Los Angelesanymore." 60 00:02:10,560 --> 00:02:13,530 And that's just a full cornucopia of emotions. 61 00:02:13,730 --> 00:02:15,880 We made a show that made so many people happy 62 00:02:16,080 --> 00:02:19,290 and that, uh, built up such a following around the world. 63 00:02:19,490 --> 00:02:20,410 It was pretty amazing. 64 00:02:22,580 --> 00:02:24,290 FRAZIER: Yep, after 14 years 65 00:02:24,490 --> 00:02:26,770 and 323 episodes, 66 00:02:26,970 --> 00:02:28,770 we're saying goodbye to these special agents. 67 00:02:28,970 --> 00:02:31,190 But first, let's talk about that finale. 68 00:02:31,390 --> 00:02:33,500 We got a long-awaited wedding, 69 00:02:33,700 --> 00:02:35,600 a baby on the way, surprise guests, 70 00:02:35,800 --> 00:02:38,710 and we finally got to hear Hetty's voice again. 71 00:02:38,910 --> 00:02:40,670 I think we all have a lot of feelings about 72 00:02:40,870 --> 00:02:43,290 how it went down, and so does the cast. 73 00:02:43,490 --> 00:02:46,120 I think that, uh, they did a nice job wrapping it up. 74 00:02:46,320 --> 00:02:48,770 LL COOL J: And I think the fans that, you know, 75 00:02:48,970 --> 00:02:51,290 had an opportunity to be with us from day one 76 00:02:51,490 --> 00:02:52,260 should feel really, really good 77 00:02:52,460 --> 00:02:53,460 about these characters. 78 00:02:53,660 --> 00:02:54,720 OLSEN: I think that it's... 79 00:02:56,820 --> 00:02:59,020 ...really emotionally fulfilling for the characters 80 00:02:59,220 --> 00:03:00,530 and also, I think, for-- hopefully, 81 00:03:00,730 --> 00:03:03,150 for everybody that just, that just watched. 82 00:03:03,350 --> 00:03:06,020 With this ring, I thee wed. 83 00:03:06,220 --> 00:03:08,710 RUAH: The hard thing is that we took 84 00:03:08,910 --> 00:03:10,950 so many pictures that day, 85 00:03:11,150 --> 00:03:13,530 but we couldn't post them because we couldn't let it on 86 00:03:13,730 --> 00:03:16,080 to the audience that we were shooting a wedding scene. 87 00:03:16,280 --> 00:03:18,360 JUDGE: I pronounce you man and wife. 88 00:03:18,560 --> 00:03:20,570 You may share your first married kiss. 89 00:03:20,770 --> 00:03:22,260 - [applause] - [whoops] 90 00:03:22,460 --> 00:03:23,910 O'DONNELL: I wasn't expecting that ending, 91 00:03:24,110 --> 00:03:25,330 and I actually thought it was great-- I go, "God, they-- 92 00:03:25,530 --> 00:03:26,530 "this thing could end on us, you know, 93 00:03:26,730 --> 00:03:28,530 "me getting married and, you know, 94 00:03:28,730 --> 00:03:30,570 "saying goodbye, and that's kind of it," and then I was like, 95 00:03:30,770 --> 00:03:31,880 "Wait a second, they're going to Morocco." 96 00:03:32,080 --> 00:03:33,330 Thought it was very clever, 97 00:03:33,530 --> 00:03:35,840 and leaves the fans thinking, 98 00:03:36,040 --> 00:03:37,020 "So they're still doing stuff? 99 00:03:37,220 --> 00:03:39,020 What-- Do we get to see?" You know? 100 00:03:39,220 --> 00:03:40,840 [car door closes] 101 00:03:41,040 --> 00:03:43,190 - There's nothing here. - Well, maybe that's the point. 102 00:03:43,390 --> 00:03:44,770 The future is bright. It leaves the future open. 103 00:03:44,970 --> 00:03:46,710 - Mm-hmm. I like that. - They're off to new adventures. 104 00:03:46,910 --> 00:03:48,430 LL COOL J: You never know, there might be a-a whole movie 105 00:03:48,630 --> 00:03:50,770 for NCIS: Los Angelesone day. 106 00:03:50,970 --> 00:03:52,600 There could be many things that could happen. 107 00:03:52,800 --> 00:03:54,530 You never know what could happen, so... 108 00:03:54,730 --> 00:03:56,840 you know, there was no reason for us to just, like, 109 00:03:57,040 --> 00:03:58,710 drive off a cliff, like Thelma & Louise, 110 00:03:58,910 --> 00:04:00,240 - you know what I mean, like, we... - [laughs] 111 00:04:01,550 --> 00:04:03,050 FRAZIER: Another mission was the perfect way 112 00:04:03,250 --> 00:04:05,770 to bring Linda Hunt back as Hetty Lange. 113 00:04:05,970 --> 00:04:07,840 Fans got to hear her voice one last time 114 00:04:08,040 --> 00:04:10,290 in a letter to her surrogate son. 115 00:04:10,490 --> 00:04:13,330 HETTY: I have been blessed with the greatest family 116 00:04:13,530 --> 00:04:16,500 one could ever have wished for, 117 00:04:16,700 --> 00:04:18,430 and so have you. 118 00:04:18,630 --> 00:04:20,290 FRAZIER: Health concerns have kept everyone's favorite 119 00:04:20,490 --> 00:04:22,980 operations manager off set for the last two seasons, 120 00:04:23,180 --> 00:04:26,120 but she's never far from this cast's heart. 121 00:04:26,320 --> 00:04:28,370 HETTY: The one wish I have for you, Mr. Callen... 122 00:04:29,620 --> 00:04:31,810 ...is that by the time you leave here, 123 00:04:32,010 --> 00:04:35,260 you've learned the art of trusting others. 124 00:04:35,460 --> 00:04:37,080 OLSEN: I-- We needed that closure. 125 00:04:37,280 --> 00:04:39,260 Like, a-as a human being, I needed that closure. 126 00:04:39,460 --> 00:04:41,080 I'm so glad that she did it. 127 00:04:41,280 --> 00:04:42,400 And I miss her desperately. 128 00:04:42,590 --> 00:04:45,740 The body versus the mind. 129 00:04:45,940 --> 00:04:48,330 There's a fight indeed. 130 00:04:48,530 --> 00:04:50,950 RUAH: She's incredibly funny. Incredibly funny. 131 00:04:51,150 --> 00:04:53,670 But to be able to represent her when we talk about her, 132 00:04:53,870 --> 00:04:55,640 to be able to give her that final closure in the end, 133 00:04:55,840 --> 00:05:00,150 um, but also leaving that "dot, dot, dot" 134 00:05:00,350 --> 00:05:02,150 at the end of the show through her, 135 00:05:02,350 --> 00:05:04,570 which is so, uh, appropriate. 136 00:05:04,770 --> 00:05:06,880 - O'DONNELL: She was such a part of the show. - LL COOL J: Huge. 137 00:05:07,080 --> 00:05:08,570 And will always be such a big part of the show, and... 138 00:05:08,770 --> 00:05:10,930 and she's one of a kind. 139 00:05:12,310 --> 00:05:13,640 FRAZIER: Tonight's finale also 140 00:05:13,840 --> 00:05:14,500 brought back some old friends, 141 00:05:14,700 --> 00:05:16,880 like Erik Palladino, 142 00:05:17,080 --> 00:05:19,220 Peter Cambor and Renée Felice Smith. 143 00:05:19,420 --> 00:05:20,840 What do you say, gentlemen? 144 00:05:21,040 --> 00:05:22,220 You ready for your next adventure? 145 00:05:22,420 --> 00:05:23,840 I mean, how are they gonna wrap it up without Nell? 146 00:05:24,040 --> 00:05:25,950 [laughs] 147 00:05:26,150 --> 00:05:27,530 It felt like I-I had lost 148 00:05:27,730 --> 00:05:30,220 no time in between. 149 00:05:30,420 --> 00:05:32,120 Um, we picked up right where we left off. 150 00:05:32,320 --> 00:05:34,220 And I think they were, 151 00:05:34,420 --> 00:05:37,020 you know, excited to have Nell back as well. 152 00:05:37,220 --> 00:05:38,460 Don't tell me Beale's here with you. 153 00:05:38,660 --> 00:05:42,050 No. Sadly, he is giving a TED Talk in Singapore. 154 00:05:42,250 --> 00:05:44,050 - Of course he is. - FRAZIER: Beale didn't factor 155 00:05:44,250 --> 00:05:46,120 into the final storyline, but for Barrett Foa, 156 00:05:46,320 --> 00:05:49,190 just like the rest of us, saying goodbye is tough. 157 00:05:49,390 --> 00:05:51,050 FOA: I'm really sad that the show is over. 158 00:05:51,250 --> 00:05:52,880 I mean, it's 12 years of my life, you know? 159 00:05:53,080 --> 00:05:55,910 14 years of-of, of our fans' lives. 160 00:05:56,110 --> 00:05:57,290 FRAZIER: And if this face in the final scene 161 00:05:57,490 --> 00:05:59,400 looks familiar, well, here's why. 162 00:05:59,590 --> 00:06:01,400 Uh, that's Chris's son Chip, playing Will, 163 00:06:01,590 --> 00:06:02,710 which is amazing. 164 00:06:02,910 --> 00:06:04,880 I'm the new guy. 165 00:06:05,080 --> 00:06:07,570 O'DONNELL: My son was in the last scene, as part of the, uh, 166 00:06:07,770 --> 00:06:09,880 the new team, which was kind of fun. 167 00:06:10,080 --> 00:06:11,260 We got a kick out of him. 168 00:06:11,460 --> 00:06:13,120 Over the course of the show, 169 00:06:13,320 --> 00:06:15,570 all of my kids had been on the show, and my wife. 170 00:06:15,770 --> 00:06:18,530 My oldest son had not been on for various reasons, 171 00:06:18,730 --> 00:06:20,080 and then-- partly during COVID-- 172 00:06:20,280 --> 00:06:21,640 and so at the end, I said, "Oh, my God, 173 00:06:21,840 --> 00:06:23,290 we should have, we should have done something." 174 00:06:23,490 --> 00:06:24,950 So, it was kind of fun. 175 00:06:25,150 --> 00:06:25,740 SMITH: It was really sweet to have 176 00:06:25,940 --> 00:06:26,810 that moment, I think. 177 00:06:27,010 --> 00:06:28,570 And I, and I saw Chris 178 00:06:28,770 --> 00:06:30,460 really absorbing sort of the gravity 179 00:06:30,660 --> 00:06:31,820 of that moment, too. 180 00:06:36,060 --> 00:06:37,530 RUAH: I was like, do you think the audience is not gonna notie 181 00:06:37,730 --> 00:06:39,080 that he is a straight photocopy of Chris? 182 00:06:39,280 --> 00:06:40,290 Do you think people are not 183 00:06:40,490 --> 00:06:42,810 gonna see that that's his son? 184 00:06:43,010 --> 00:06:44,220 And I was just like, "My goodness, Chris, 185 00:06:44,420 --> 00:06:47,080 you make good-looking children." [laughs] 186 00:06:47,280 --> 00:06:49,640 FRAZIER: Yeah. This cast has always been about family. 187 00:06:49,840 --> 00:06:51,600 It even resonates in the storylines. 188 00:06:51,800 --> 00:06:53,260 We're having a baby. 189 00:06:53,460 --> 00:06:55,000 We're having a baby? 190 00:06:56,860 --> 00:06:59,360 RUAH: I think Kensi and Deeks 191 00:06:59,560 --> 00:07:00,670 deserved this ending. 192 00:07:00,870 --> 00:07:02,120 I had hoped for this, to be honest. 193 00:07:02,320 --> 00:07:03,600 I had, like, been putting it out in the universe 194 00:07:03,800 --> 00:07:05,190 and making little jokes here and there with our writers 195 00:07:05,390 --> 00:07:06,950 and being like, "Wouldn't it be great if Kensi 196 00:07:07,150 --> 00:07:08,820 got pregnant in the last episode?" 197 00:07:10,310 --> 00:07:11,640 OLSEN: I think it's the only ending to that story. 198 00:07:11,840 --> 00:07:13,530 I think it's the best ending to that story. 199 00:07:13,730 --> 00:07:14,880 The end of Deeks's arc, 200 00:07:15,080 --> 00:07:17,880 finding love and-and a wife 201 00:07:18,080 --> 00:07:20,290 and-and potentially two kids, like, 202 00:07:20,490 --> 00:07:22,530 you can't ask for a better ending for that character. 203 00:07:22,730 --> 00:07:23,950 FRAZIER: The two-part series finale 204 00:07:24,150 --> 00:07:26,460 was actually shot 11 weeks ago. 205 00:07:26,660 --> 00:07:28,260 Production schedules varied for everyone, 206 00:07:28,460 --> 00:07:30,950 which means the cast didn't hae their final scenes together. 207 00:07:31,150 --> 00:07:32,770 RUAH: So I was out on a Friday and our show wrapped 208 00:07:32,970 --> 00:07:33,980 on a Wednesday, so I made a point 209 00:07:34,180 --> 00:07:36,430 of going to work those last three days. 210 00:07:36,630 --> 00:07:38,500 I went every day to make sure that I got to hug everybody 211 00:07:38,700 --> 00:07:40,430 on their last day. 212 00:07:40,630 --> 00:07:42,430 Anna, you look stunning. 213 00:07:42,630 --> 00:07:44,980 So do you. You're glowing. 214 00:07:45,180 --> 00:07:48,020 RUAH: The very last moment we shot was when Anna says, 215 00:07:48,220 --> 00:07:49,880 "Kensi, you look so lovely. You're glowing." 216 00:07:50,080 --> 00:07:51,530 And I say, "No, you look amazing." 217 00:07:51,730 --> 00:07:54,530 It's nice to have sort of, like, that female mutual empowerment 218 00:07:54,730 --> 00:07:57,840 as my very last line of the show. [laughs] 219 00:07:58,040 --> 00:08:01,050 OLSEN: My last scene was with Rosa right after the wedding. 220 00:08:01,250 --> 00:08:02,670 Or I say, "Did you hear that?" and she goes, "I did, 221 00:08:02,870 --> 00:08:04,880 I think they're cute," and I was like, "What?" 222 00:08:05,080 --> 00:08:06,020 What? 223 00:08:06,220 --> 00:08:08,020 You want that to be your grandpa? 224 00:08:08,220 --> 00:08:09,330 OLSEN: That was the last scene I shot 225 00:08:09,530 --> 00:08:11,260 of NCIS: Los Angeles. 226 00:08:11,460 --> 00:08:12,570 RAHIMI: I remember shooting the last scene very well. 227 00:08:12,770 --> 00:08:16,190 It was me, Caleb and, um, Gerald 228 00:08:16,390 --> 00:08:18,020 in Ops. 229 00:08:18,220 --> 00:08:19,600 There were lots of tears on the last day 230 00:08:19,800 --> 00:08:21,840 from-from everybody. 231 00:08:22,040 --> 00:08:24,190 CASTILLE: You know what was interesting, I-I didn't cry. 232 00:08:24,390 --> 00:08:27,400 Uh, a lot of our crew, uh, absolutely did. 233 00:08:27,590 --> 00:08:30,950 Medalion, sure, but, um, I didn't. 234 00:08:31,150 --> 00:08:33,080 I was just very proud of everyone, 235 00:08:33,280 --> 00:08:36,220 and the job that we had accomplished. 236 00:08:36,420 --> 00:08:40,440 Mine was, uh, it was just me working with a screen. 237 00:08:41,720 --> 00:08:43,400 Sir, Commander Collins 238 00:08:43,590 --> 00:08:46,190 with Navy Munitions Command Pac is online now. 239 00:08:46,390 --> 00:08:47,770 Got it. Put her through. 240 00:08:47,970 --> 00:08:49,880 McRANEY: You know, immediately after that scene 241 00:08:50,080 --> 00:08:52,050 was done, 242 00:08:52,250 --> 00:08:56,770 the, uh, first AD called a wrap on the episode, 243 00:08:56,970 --> 00:08:58,570 a wrap on the season, 244 00:08:58,770 --> 00:09:01,430 a wrap on NCIS: Los Angeles, 245 00:09:01,630 --> 00:09:04,600 and that was that. 246 00:09:04,800 --> 00:09:07,740 FRAZIER: We were on set with Chris and Todd for their last day, 247 00:09:07,940 --> 00:09:10,400 and as you'd expect, it was emotional. 248 00:09:10,590 --> 00:09:14,050 ASSISTANT DIRECTOR: Uh, guys, um, that is a thank you, good night. 249 00:09:14,250 --> 00:09:16,260 Done in episode, done in season 250 00:09:16,460 --> 00:09:18,460 and done in show to Chris. 251 00:09:18,660 --> 00:09:21,430 [cheering] 252 00:09:21,630 --> 00:09:23,810 O'DONNELL: You kind of know it's coming, and then all of a sudden, 253 00:09:24,010 --> 00:09:25,980 like, you know, then you know they're gonna say, 254 00:09:26,180 --> 00:09:29,050 "Oh, this is the last scene for, you know, Chris 255 00:09:29,250 --> 00:09:31,080 on the set," and it-- You're just like... 256 00:09:31,280 --> 00:09:33,500 - Mm-hmm. - "Wow," it's just, you get overcome with emotions. 257 00:09:33,700 --> 00:09:34,910 Thank you, everybody. 258 00:09:35,110 --> 00:09:36,270 [choked up]: That's amazing... 259 00:09:37,510 --> 00:09:39,260 ...to say the least. 260 00:09:39,460 --> 00:09:41,570 And it was because of all you guys. 261 00:09:41,770 --> 00:09:43,740 It's so hard to get these things to work. 262 00:09:43,940 --> 00:09:47,460 And this was beyond anything I could have imagined. 263 00:09:47,660 --> 00:09:50,910 So thank you, everybody. You've worked really hard. 264 00:09:51,110 --> 00:09:53,670 And, uh, I hope everybody finds another run like this 265 00:09:53,870 --> 00:09:55,910 'cause they don't come up very often. 266 00:09:56,110 --> 00:09:58,430 And take care, everybody. 267 00:09:58,630 --> 00:10:00,270 [cheering] 268 00:10:02,060 --> 00:10:03,770 LL COOL J: We did something great. I mean, you know, 269 00:10:03,970 --> 00:10:06,810 we're the 14th longest-running show in history 270 00:10:07,010 --> 00:10:08,120 and we're, you know, 271 00:10:08,320 --> 00:10:09,740 number five, I think, on-- for CBS. 272 00:10:09,940 --> 00:10:12,400 I mean, this was a-a huge accomplishment... 273 00:10:12,590 --> 00:10:14,770 - Mm-hmm. - ...and I want the crew to be proud of that. 274 00:10:14,970 --> 00:10:17,330 Never feel like you don't have access to me in that, 275 00:10:17,530 --> 00:10:19,740 now, if you see me on TV, I'm no longer your friend, 276 00:10:19,940 --> 00:10:21,810 or now if you see me on TV, 277 00:10:22,010 --> 00:10:23,740 you can no longer reach out to me. 278 00:10:23,940 --> 00:10:25,120 You can. You know what I'm saying? 279 00:10:25,320 --> 00:10:27,770 We have a relationship. That doesn't change. 280 00:10:27,970 --> 00:10:29,980 So I love you, I appreciate you. 281 00:10:30,180 --> 00:10:31,400 - Thank you. - [cheering, applause] 282 00:10:31,590 --> 00:10:34,150 I realize now that a lot of these things, 283 00:10:34,350 --> 00:10:35,400 how important they are. 284 00:10:35,590 --> 00:10:36,980 And there's more to this than just 285 00:10:37,180 --> 00:10:39,050 money and jobs and mortgages and people. 286 00:10:39,250 --> 00:10:41,430 Yes, that's all important, I know people want to take care 287 00:10:41,630 --> 00:10:43,500 of their families, but you also have to take a moment 288 00:10:43,700 --> 00:10:46,570 and just remember that you really did something major. 289 00:10:46,770 --> 00:10:47,980 - -And-and that means something. - O'DONNELL: Yeah, and it was nice 290 00:10:48,180 --> 00:10:50,120 that you singled out how everyone contributed, you know? 291 00:10:50,320 --> 00:10:51,600 - LL COOL J: Yeah. - 'Cause there's a lot of people that, 292 00:10:51,800 --> 00:10:53,220 if you're in front of the camera, 293 00:10:53,420 --> 00:10:54,950 if you're in the vicinity of the camera, you... 294 00:10:55,150 --> 00:10:56,330 you know, everyone knows who you are and sees you, 295 00:10:56,530 --> 00:10:58,050 but there's so many people that... 296 00:10:58,250 --> 00:10:59,910 work just as hard that nobody really knows, 297 00:11:00,110 --> 00:11:02,150 and they're kind of in the background doing stuff, so... 298 00:11:02,350 --> 00:11:04,000 It's a r-- It-it is absolutely a team effort. 299 00:11:05,820 --> 00:11:08,740 RAHIMI: LL Cool J always has the music playing, 300 00:11:08,940 --> 00:11:10,670 and he doesn't just listen to hip-hop and rap. 301 00:11:10,870 --> 00:11:12,910 FRAZIER: Secrets from theNCIS: L.A. set. 302 00:11:13,110 --> 00:11:14,880 Dani's a professional dancer. 303 00:11:15,080 --> 00:11:17,150 FRAZIER: Plus, what happens when you bring your mom to work. 304 00:11:17,350 --> 00:11:18,640 I was nervous, I thought she was gonna be... 305 00:11:18,840 --> 00:11:20,000 - [babbling] - [laughs] 306 00:11:24,890 --> 00:11:26,410 ♪ 307 00:11:29,860 --> 00:11:31,400 PRODUCER: We are rolling now. 308 00:11:31,590 --> 00:11:34,150 - Well, there's no hope for me. - [laughs softly] 309 00:11:34,350 --> 00:11:35,790 What's up? [laughs] 310 00:11:37,890 --> 00:11:39,330 - Kind of looks like him, right? - Thanks. 311 00:11:39,530 --> 00:11:40,740 Thanks a lot. Thank you. 312 00:11:40,940 --> 00:11:42,600 Look at this. 313 00:11:42,800 --> 00:11:44,740 Get in the middle, get in the middle. 314 00:11:44,940 --> 00:11:47,880 You know who's the fastest lip balm putter-oner? 315 00:11:48,080 --> 00:11:49,370 BOTH: LL Cool J. 316 00:11:50,510 --> 00:11:52,270 We doing it. Enjoy. 317 00:11:54,620 --> 00:11:56,360 - Hello. - [laughter] 318 00:11:56,560 --> 00:11:58,720 Welcome to NCIS: Los Angeles. 319 00:12:05,270 --> 00:12:06,430 - Ah. - What's your favorite part of the set? 320 00:12:06,630 --> 00:12:07,460 RUAH: I think the Ops center 321 00:12:07,660 --> 00:12:08,460 is really, really cool. 322 00:12:08,660 --> 00:12:09,440 We have a bunch of technology. 323 00:12:11,370 --> 00:12:12,740 O'DONNELL: This is kind of our little 324 00:12:12,940 --> 00:12:14,050 bullpen area where we all hang out. 325 00:12:14,250 --> 00:12:15,330 This is the gadget room. 326 00:12:15,530 --> 00:12:16,960 I don't know what the hell they do in there. 327 00:12:19,440 --> 00:12:21,670 It's nice to meet you. I'm LL Cool J. 328 00:12:21,870 --> 00:12:23,570 - Nice to meet you. - [laughs] 329 00:12:23,770 --> 00:12:24,950 I-I forget he's LL Cool J, 330 00:12:25,150 --> 00:12:26,150 but then when we get out in public 331 00:12:26,350 --> 00:12:27,980 and people are, you know, yelling for him 332 00:12:28,180 --> 00:12:29,220 and the whole thing, it-it reminds you. 333 00:12:29,420 --> 00:12:30,890 [people screaming] 334 00:12:33,930 --> 00:12:35,150 FRAZIER: People always used to wonder, 335 00:12:35,350 --> 00:12:38,080 what are rappers gonna do when they grow up? 336 00:12:38,280 --> 00:12:39,430 NCIS: Los Angeles. 337 00:12:39,630 --> 00:12:41,790 [both laugh] 338 00:12:43,060 --> 00:12:44,640 FRAZIER: When the show started in 2009, 339 00:12:44,840 --> 00:12:47,840 LL Cool J was a Grammy-winning rapper and superstar. 340 00:12:48,040 --> 00:12:50,260 But to theNCIS: L.A. cast and crew, 341 00:12:50,460 --> 00:12:53,080 he just wanted to be Todd Smit. 342 00:12:53,280 --> 00:12:55,570 I just didn't want to bring that part of my life to the set. 343 00:12:55,770 --> 00:12:57,150 That's a big name, it's a big persona, 344 00:12:57,350 --> 00:12:58,740 and there's a lot that comes with that. 345 00:12:58,940 --> 00:13:00,910 - And I think it was the right decision. - And you did that. 346 00:13:01,110 --> 00:13:02,500 I was watching the-the Grammys, 347 00:13:02,700 --> 00:13:03,740 did this, you know, massive performance 348 00:13:03,940 --> 00:13:05,050 with the whole thing-- I was like, 349 00:13:05,250 --> 00:13:06,910 "I can't believe that's the same guy... 350 00:13:07,110 --> 00:13:08,950 [both laugh] 351 00:13:09,150 --> 00:13:10,460 "...that I sit and screw around with all day long, 352 00:13:10,660 --> 00:13:12,020 that that's him up there." 353 00:13:12,220 --> 00:13:14,670 That's the bigger act, let me tell you. 354 00:13:14,870 --> 00:13:16,670 I think Sam Hanna's a lot closer to who you are 355 00:13:16,870 --> 00:13:19,330 - than-than that. - [laughs] Okay. 356 00:13:19,530 --> 00:13:20,840 RUAH: And in his own words, 357 00:13:21,040 --> 00:13:23,220 he's an introvert by nature. 358 00:13:23,420 --> 00:13:25,500 O'DONNELL: He's a little nerdy guy that reads stuff all the time. 359 00:13:25,700 --> 00:13:27,020 He'll make comments on stuff, and I'm like, 360 00:13:27,220 --> 00:13:28,710 - "Where are you coming up with this?" - [laughs] 361 00:13:28,910 --> 00:13:30,840 And then I'll kind of look it up, I go, 362 00:13:31,040 --> 00:13:32,400 - "He's actually right." - [laughs] 363 00:13:32,590 --> 00:13:35,150 And I go, "I don't... I wasn't expecting that." 364 00:13:35,350 --> 00:13:37,360 McRANEY: He's got a vast amount of knowledge. 365 00:13:37,560 --> 00:13:38,840 He's highly intelligent. 366 00:13:39,040 --> 00:13:40,740 I enjoyed the conversations 367 00:13:40,940 --> 00:13:43,640 that I would have with him between shots. 368 00:13:43,840 --> 00:13:46,220 But he does bring the good energy. 369 00:13:46,420 --> 00:13:48,360 LL COOL J: It's just like, "Let's play music, let's have fun. 370 00:13:48,560 --> 00:13:50,570 O'DONNELL: He brought more of the music than I did. 371 00:13:50,770 --> 00:13:52,330 - You knew when Todd was coming onto set. - Thankfully. 372 00:13:52,530 --> 00:13:54,330 - Thankfully. You know what I mean? - [laughs] 373 00:13:54,530 --> 00:13:56,050 ♪ Brothers and sisters...♪ 374 00:13:56,250 --> 00:13:58,500 SMITH: Oh, yeah. When Todd walks in, 375 00:13:58,700 --> 00:13:59,910 he'll be playing some sort of music. 376 00:14:00,110 --> 00:14:01,190 We're like, "What genre 377 00:14:01,390 --> 00:14:02,370 are we playing today?" 378 00:14:04,310 --> 00:14:06,220 And there were a few times when they would have 379 00:14:06,420 --> 00:14:07,290 to get his attention. 380 00:14:07,490 --> 00:14:10,430 "Todd, we're-we're ready." 381 00:14:10,630 --> 00:14:11,880 "Oh, okay." 382 00:14:12,080 --> 00:14:13,570 And he'd turn the music off, go to work. 383 00:14:13,770 --> 00:14:15,080 [hip-hop music playing] 384 00:14:15,280 --> 00:14:16,290 ASSISTANT DIRECTOR: Let's roll. 385 00:14:16,490 --> 00:14:17,770 Let's roll sound, everybody, here we go. 386 00:14:17,970 --> 00:14:20,880 It's funny, 'cause Chris O'Donnell likes a quiet set 387 00:14:21,080 --> 00:14:22,810 and Todd likes the music. 388 00:14:23,010 --> 00:14:24,570 And so when they're working together, 389 00:14:24,770 --> 00:14:26,400 they're always kind of bickerig 390 00:14:26,590 --> 00:14:28,050 and joking with each other, and... 391 00:14:28,250 --> 00:14:30,530 It's just, their dynamic is so good. 392 00:14:30,730 --> 00:14:33,360 Keep it up. I'm-a bounce you off a rock. 393 00:14:33,560 --> 00:14:35,950 From day one, the thing that's been the most enjoyable for me 394 00:14:36,150 --> 00:14:37,530 are my scenes with-with Todd, 395 00:14:37,730 --> 00:14:40,080 and just the-the banter back and forth 396 00:14:40,280 --> 00:14:42,640 and needling each other on the show, and... 397 00:14:42,840 --> 00:14:44,290 and we do that off camera as well. 398 00:14:44,490 --> 00:14:45,600 Well, he's got a fan on him right now. 399 00:14:45,800 --> 00:14:47,080 Seriously. Do you want to-- 400 00:14:47,280 --> 00:14:48,080 Take your picture with her, would you? 401 00:14:48,280 --> 00:14:49,710 Come on. She's dying. 402 00:14:49,910 --> 00:14:51,290 - We already did. - Okay. 403 00:14:51,490 --> 00:14:53,950 PRODUCER: You guys are like the odd couple. I love it. 404 00:14:54,150 --> 00:14:55,710 I remember my first scene with them together. 405 00:14:55,910 --> 00:14:58,810 We're in the boatshed, and I think I improv, 406 00:14:59,010 --> 00:15:00,500 "You two are adorable"? 407 00:15:00,700 --> 00:15:01,840 That is adorable. 408 00:15:02,040 --> 00:15:04,710 And the look on, the look on their face. 409 00:15:04,910 --> 00:15:06,640 And I remember just them being like, "What the..." 410 00:15:06,840 --> 00:15:09,120 Cuckoo. You're crazy. 411 00:15:09,320 --> 00:15:10,950 He gives me a thousand paper cuts. 412 00:15:11,150 --> 00:15:12,460 - I give him one big stab wound... - [laughs] 413 00:15:12,660 --> 00:15:14,880 ...you know, like a-- like, three months later. 414 00:15:15,080 --> 00:15:16,290 Then we go three months with the paper cuts, 415 00:15:16,490 --> 00:15:18,260 and then I give him a stab wound. 416 00:15:18,460 --> 00:15:19,810 - It's-it's perfect. [laughs] - That's so true. 417 00:15:20,010 --> 00:15:21,640 It's perfect. 418 00:15:21,840 --> 00:15:22,770 I don't even know why I try. 419 00:15:22,970 --> 00:15:25,330 I don't, either, but it's fun. 420 00:15:25,530 --> 00:15:26,530 FRAZIER: Yep. And when Chris, 421 00:15:26,730 --> 00:15:28,640 who the cast calls C.O.D., 422 00:15:28,840 --> 00:15:31,950 directed his first of three episodes back in 2013, 423 00:15:32,150 --> 00:15:33,530 Todd thought it was about time. 424 00:15:33,730 --> 00:15:35,500 Set and action. 425 00:15:35,700 --> 00:15:38,120 And he's always in my ear with a-- It's something, anyway, 426 00:15:38,320 --> 00:15:40,640 so it didn't really make a difference. [laughs] 427 00:15:40,840 --> 00:15:44,500 Gonna have to have pep talks with my actors today here. 428 00:15:44,700 --> 00:15:45,880 [laughs]: I mean, I was like, 429 00:15:46,080 --> 00:15:47,260 it was-- He's running around here 430 00:15:47,460 --> 00:15:49,290 like a soda bottle that got shook up. 431 00:15:49,490 --> 00:15:51,640 He needed to, he needed to direct, so it was great. 432 00:15:51,840 --> 00:15:52,980 I think it's-- I'm happy for him. 433 00:15:53,180 --> 00:15:54,330 - And cut. - ASSISTANT DIRECTOR: Cutting. 434 00:15:54,530 --> 00:15:55,950 Thing of beauty. 435 00:15:56,150 --> 00:15:57,360 I am gonna be directing again this season, 436 00:15:57,560 --> 00:15:58,950 so I'm looking forward to that. 437 00:15:59,150 --> 00:16:00,150 That's always kind of fun, to get behind the camera 438 00:16:00,350 --> 00:16:03,430 and get to tell LL what he has to do. 439 00:16:03,630 --> 00:16:05,260 You get up quickly because I'm like, "Sam," and then 440 00:16:05,460 --> 00:16:06,710 you get up, you're like, "I'm good, I'm going after him." 441 00:16:06,910 --> 00:16:08,190 FRAZIER: Chris wasn't the only cast member 442 00:16:08,390 --> 00:16:09,840 to sit in the director's chair. 443 00:16:10,040 --> 00:16:11,430 Daniela directed six episodes, 444 00:16:11,630 --> 00:16:14,500 including a very special one in 2022, 445 00:16:14,700 --> 00:16:16,220 which was written by Eric. 446 00:16:16,420 --> 00:16:17,770 I fell in love with it. 447 00:16:17,970 --> 00:16:18,910 And it's something that was not a-- 448 00:16:19,110 --> 00:16:20,600 it's not to replace acting, 449 00:16:20,800 --> 00:16:23,430 but it's a lateral step that I fully intend 450 00:16:23,630 --> 00:16:25,360 on continuing to pursue. 451 00:16:25,560 --> 00:16:27,980 CASTILLE: Daniela communicates in a way, as a director, 452 00:16:28,180 --> 00:16:31,360 that is so conducive, uh, 453 00:16:31,560 --> 00:16:34,950 to just pulling the performance you want as an actor. 454 00:16:35,150 --> 00:16:39,670 She has evolved into the kind of mother on the set. 455 00:16:39,870 --> 00:16:42,360 CASTILLE: Daniela is-is that-that fun mom on set. 456 00:16:42,560 --> 00:16:45,360 You know? She lets us joke around, but it's-- 457 00:16:45,560 --> 00:16:47,360 when it's time to work and it's time to get down to business, 458 00:16:47,560 --> 00:16:49,980 she's able to-to, you know, bring it in. 459 00:16:50,180 --> 00:16:52,330 FRAZIER: And speaking of moms, in 2012, 460 00:16:52,530 --> 00:16:54,330 the cast's real-life mamas made cameos 461 00:16:54,530 --> 00:16:55,950 alongside their famous kids. 462 00:16:56,150 --> 00:17:00,460 Now, that's what I call two well-mannered young men. 463 00:17:00,660 --> 00:17:02,050 LL COOL J: She did excellent. She did better 464 00:17:02,250 --> 00:17:03,330 than I thought she would do. I was nervous. 465 00:17:03,530 --> 00:17:05,500 I thought she was gonna be... [babbling] 466 00:17:05,700 --> 00:17:07,570 O'DONNELL: She was rehearsing at home, though, yesterday. 467 00:17:07,770 --> 00:17:09,330 Well, yeah, 'cause I have one line. 468 00:17:09,530 --> 00:17:11,080 It was like Peter Brady running around the house saying, 469 00:17:11,280 --> 00:17:12,500 "Hark. Who goes there?" 470 00:17:12,700 --> 00:17:14,810 Hark. Who goes there? 471 00:17:15,010 --> 00:17:17,330 She was doing it all the different ways possible. 472 00:17:17,530 --> 00:17:20,430 Someone certainly taught them well. 473 00:17:20,630 --> 00:17:21,910 It was really fun to see the moms, especially when they, 474 00:17:22,110 --> 00:17:23,260 you know, they call cut, and then all the moms 475 00:17:23,460 --> 00:17:24,460 kind of turn to each other and kind of go... 476 00:17:24,660 --> 00:17:25,980 [babbling] "Oh, my God, oh, my God." 477 00:17:26,180 --> 00:17:28,220 JEANNE OLSEN: It was a once-in-a-lifetime experienc, 478 00:17:28,420 --> 00:17:30,500 and I wouldn't give it up for anything. 479 00:17:30,700 --> 00:17:32,260 ♪ 480 00:17:32,460 --> 00:17:33,580 [cheering, applause] 481 00:17:35,930 --> 00:17:37,950 Just catching bad guys in my frills. 482 00:17:38,150 --> 00:17:40,500 OLSEN: I'm not exactly sure how we end up undercover 483 00:17:40,700 --> 00:17:42,120 at this dance club. 484 00:17:42,320 --> 00:17:44,460 All I know is that, uh, Dani's doing 485 00:17:44,660 --> 00:17:46,950 a lot of fantastic dancing, and I am, uh, 486 00:17:47,150 --> 00:17:49,050 I am running the men's room attendant. 487 00:17:49,250 --> 00:17:52,840 RUAH: I forgot how happy dance makes me. 488 00:17:53,040 --> 00:17:55,120 There's, like, this "zing" that comes up in your body. 489 00:17:55,320 --> 00:17:57,570 OLSEN: She won't talk about this, but she was on 490 00:17:57,770 --> 00:17:59,330 Dancing with the Stars in Portugal, 491 00:17:59,530 --> 00:18:01,020 and I think she won. 492 00:18:01,220 --> 00:18:02,530 FRAZIER: Yeah, she did. 493 00:18:02,730 --> 00:18:04,880 And another thing Dani always gets asked about: 494 00:18:05,080 --> 00:18:07,330 - her different-colored eyes. - RUAH: I have a birthmark 495 00:18:07,530 --> 00:18:10,400 in my black eye, which makes it black. 496 00:18:10,590 --> 00:18:12,050 Otherwise, they would both be hazel. 497 00:18:12,250 --> 00:18:14,120 I was born with it. [laughs] 498 00:18:14,320 --> 00:18:15,950 It doesn't affect my vision. 499 00:18:16,150 --> 00:18:17,810 FRAZIER: And as we look back on some of the show's 500 00:18:18,010 --> 00:18:19,530 most memorable moments, 501 00:18:19,730 --> 00:18:22,330 it wasn't until season seven that G. Callen 502 00:18:22,530 --> 00:18:23,840 finally found out his name. 503 00:18:24,040 --> 00:18:25,670 I was excited myself. 504 00:18:25,870 --> 00:18:26,910 [both laugh] 505 00:18:27,110 --> 00:18:28,330 It took a little while. 506 00:18:28,530 --> 00:18:30,050 We started out, I didn't even know my name. 507 00:18:30,250 --> 00:18:32,050 - [both laugh] - Oh, my God. 508 00:18:32,250 --> 00:18:33,360 Tell them what it stands for. 509 00:18:33,560 --> 00:18:35,570 - Grisha. - Oh, yeah. [laughs] 510 00:18:35,770 --> 00:18:37,330 Grisha? 511 00:18:37,530 --> 00:18:42,050 Grisha Aleksandrovich Nikolaev Callen. 512 00:18:42,250 --> 00:18:44,120 - [laughs] - I love it. I love it. 513 00:18:44,320 --> 00:18:45,980 O'DONNELL: I didn't want to know. I-I... 514 00:18:46,180 --> 00:18:47,980 I just thought it was fun to let the writers go 515 00:18:48,180 --> 00:18:49,360 and-and take the ride with them. 516 00:18:49,560 --> 00:18:50,710 FRAZIER: Kensi and Deeks' relationship 517 00:18:50,910 --> 00:18:53,290 was also quite the ride. 518 00:18:53,490 --> 00:18:54,570 After four proposals, 519 00:18:54,770 --> 00:18:57,670 Densi said "I do" in season te. 520 00:18:57,870 --> 00:18:58,620 The wedding is here. 521 00:19:01,130 --> 00:19:02,460 O'DONNELL: They're getting married overlooking the ocean, 522 00:19:02,660 --> 00:19:04,260 in a beautiful setting here. 523 00:19:04,460 --> 00:19:06,950 Callen and I are giving Kensi away. 524 00:19:07,150 --> 00:19:10,190 [cheering, applause] 525 00:19:10,390 --> 00:19:11,950 The fans are finally getting what they've been hoping for 526 00:19:12,150 --> 00:19:13,190 all these years. 527 00:19:13,390 --> 00:19:14,600 [cheering] 528 00:19:14,800 --> 00:19:15,810 FOA: But it was really fun 529 00:19:16,010 --> 00:19:18,640 to see... [laughs] 530 00:19:18,840 --> 00:19:20,290 Barrett fail. 531 00:19:20,490 --> 00:19:22,770 FRAZIER: But one thing fans didn't get.. 532 00:19:22,970 --> 00:19:25,600 Barrett and I were always pulling for a musical episode. 533 00:19:25,800 --> 00:19:27,020 [laughs] 534 00:19:27,220 --> 00:19:28,880 FOA: We did have 535 00:19:29,080 --> 00:19:30,460 our-our candy cane dance moment. 536 00:19:30,660 --> 00:19:32,120 - Wow. - ♪ Toys♪ 537 00:19:32,320 --> 00:19:34,770 ♪ Toys, toys for tots.♪ 538 00:19:34,970 --> 00:19:36,480 FOA: Renée and I choreographed that ourself. 539 00:19:39,340 --> 00:19:40,710 Yo, a lot of pyro, lot of explosions. 540 00:19:40,910 --> 00:19:42,200 ASSISTANT DIRECTOR: Fire in the hole. 541 00:19:44,480 --> 00:19:46,120 FRAZIER: From fires to fistfights, 542 00:19:46,320 --> 00:19:47,880 the intense action. 543 00:19:48,080 --> 00:19:49,810 You wake up the next day. "What happened to me?" 544 00:19:50,010 --> 00:19:52,740 FRAZIER: Plus, set life on location. 545 00:19:52,940 --> 00:19:55,400 We shot at every L.A. sort of monument. 546 00:19:55,590 --> 00:19:57,400 OLSEN: These sea lions would come up 547 00:19:57,590 --> 00:19:59,170 and they'd be like... [imitates barking] 548 00:20:04,130 --> 00:20:06,620 ♪ 549 00:20:08,820 --> 00:20:10,960 DIRECTOR: Three, two, one, action! 550 00:20:13,440 --> 00:20:15,810 - I could use some help here! - [gunshots] 551 00:20:16,010 --> 00:20:18,930 LL COOL J: The coolest thing about the show to me is that... 552 00:20:19,960 --> 00:20:21,440 ...when you're doing it, everything is so real. 553 00:20:22,240 --> 00:20:23,530 Get down! 554 00:20:23,730 --> 00:20:24,570 When you're running from, 555 00:20:24,770 --> 00:20:25,790 you know, these explosions... 556 00:20:28,410 --> 00:20:29,190 ...when I'm jumping over cars... 557 00:20:29,390 --> 00:20:30,640 [tires screech] 558 00:20:30,840 --> 00:20:32,050 ...like, I'm really doing it. 559 00:20:32,250 --> 00:20:33,400 Where else in the world do you get paid 560 00:20:33,590 --> 00:20:35,510 to run around firing guns and driving cars? 561 00:20:39,130 --> 00:20:41,400 I've lived ten lives, you know, doing this, 562 00:20:41,590 --> 00:20:45,020 because every week is, like, a huge adventure. 563 00:20:45,220 --> 00:20:47,500 So many fights, so many shoot-outs, 564 00:20:47,700 --> 00:20:49,330 so many crazy stunts. 565 00:20:49,530 --> 00:20:50,910 Up steps, down steps, 566 00:20:51,110 --> 00:20:52,150 jumping off a balcony, 567 00:20:52,350 --> 00:20:53,670 shooting backwards, looking up. 568 00:20:53,870 --> 00:20:54,980 I still think back to that, like-- 569 00:20:55,180 --> 00:20:56,640 I think this was season one or two. 570 00:20:56,840 --> 00:20:58,670 I had one thing, I ran out of this building, 571 00:20:58,870 --> 00:21:01,030 and every ten feet, another bomb would go off. 572 00:21:03,820 --> 00:21:04,740 The explosions we had in this show, 573 00:21:04,940 --> 00:21:06,050 it was just unbelievable, 574 00:21:06,250 --> 00:21:07,050 some of the things they did. 575 00:21:07,250 --> 00:21:08,360 But it was incredible, 576 00:21:08,560 --> 00:21:09,640 because they would get it all set, 577 00:21:09,840 --> 00:21:10,880 there'd be a big safety meeting. 578 00:21:11,080 --> 00:21:12,290 They'd say, "Okay, we're going hot." 579 00:21:12,490 --> 00:21:13,600 DIRECTOR: Nine cameras are speeding. 580 00:21:13,800 --> 00:21:15,460 We're going hot on the effect. 581 00:21:15,660 --> 00:21:17,600 - And then they'd yell, "Action." - DIRECTOR: Background. Action! 582 00:21:17,800 --> 00:21:19,750 And these bombs just start going, and flames. 583 00:21:21,510 --> 00:21:23,710 - It became second nature and... - It was amazing. 584 00:21:23,910 --> 00:21:25,360 DIRECTOR: That's how we do it on NCIS: L.A. 585 00:21:25,560 --> 00:21:26,770 [cheering, applause] 586 00:21:26,970 --> 00:21:27,950 LL COOL J: A lot of pyro, 587 00:21:28,150 --> 00:21:30,290 lot of explosions, lot of guns. 588 00:21:30,490 --> 00:21:31,740 It was, it was fun. 589 00:21:31,940 --> 00:21:34,290 FRAZIER: From the start, NCIS: Los Angeles 590 00:21:34,490 --> 00:21:36,950 came out guns a-blazing and full of action. 591 00:21:37,150 --> 00:21:40,740 In 2012, the show earned an Emmy nod for its stunts, 592 00:21:40,940 --> 00:21:43,600 and over 14 seasons, fans saw it all. 593 00:21:43,800 --> 00:21:45,770 - DIRECTOR: Action! - [grunting] 594 00:21:45,970 --> 00:21:47,770 LL COOL J: I've been sore for ten years. 595 00:21:47,970 --> 00:21:50,860 I'm always sore. [laughs] 596 00:21:55,580 --> 00:21:57,220 OLSEN: This is what I went to college for. 597 00:21:57,420 --> 00:21:58,600 [babbles] 598 00:21:58,800 --> 00:22:01,020 The best stunt that I've done is the, uh, 599 00:22:01,220 --> 00:22:02,770 is the fight scene with LL Cool J. 600 00:22:02,970 --> 00:22:03,770 That's all me. 601 00:22:03,970 --> 00:22:05,260 [cheering] 602 00:22:05,460 --> 00:22:06,950 I learned that choreography in literally, 603 00:22:07,150 --> 00:22:08,290 like, 20 minutes. 604 00:22:08,490 --> 00:22:11,840 Uh, Todd is the most professional, 605 00:22:12,040 --> 00:22:14,260 in control, total stud athlete. 606 00:22:14,460 --> 00:22:16,670 - [grunts] - LL COOL J: This is, uh, 607 00:22:16,870 --> 00:22:17,670 for me, it's like a dream come true. 608 00:22:17,870 --> 00:22:18,840 I'm like a kid in a candy store. 609 00:22:19,040 --> 00:22:20,360 [grunts] 610 00:22:20,560 --> 00:22:21,810 RUAH: During that MMA episode, 611 00:22:22,010 --> 00:22:25,330 he actually got punched by LL accidentally. 612 00:22:25,530 --> 00:22:26,600 OLSEN: We're going through the steps 613 00:22:26,800 --> 00:22:27,840 and it just all of a sudden connects, 614 00:22:28,040 --> 00:22:29,790 - and I just go... - [laughs] Just "boink." 615 00:22:33,580 --> 00:22:34,950 I'm, like, 185 pounds. 616 00:22:35,150 --> 00:22:37,710 LL Cool J is 230 pounds of muscle. 617 00:22:37,910 --> 00:22:38,980 So it hurts a little bit. 618 00:22:39,180 --> 00:22:40,020 SAM: Yeah. 619 00:22:40,220 --> 00:22:41,960 Laid him out like Sunday supper. 620 00:22:44,620 --> 00:22:45,770 OLSEN: I just ran through 621 00:22:45,970 --> 00:22:47,430 about seven alleys and, like, 622 00:22:47,630 --> 00:22:49,330 kung fu-fought a guy in that alley right there. 623 00:22:49,530 --> 00:22:51,020 RUAH: He's, like, reading the script, going, 624 00:22:51,220 --> 00:22:52,460 "Why didn't they call in my brother?" 625 00:22:52,660 --> 00:22:54,840 I can tell you what my brother's doing right now: he's surfing. 626 00:22:55,040 --> 00:22:56,330 My brother is surfing while I'm fighting people 627 00:22:56,530 --> 00:22:58,620 in an alley going, "Where is my double?" 628 00:23:00,130 --> 00:23:02,220 - DEEKS: Really? - FRAZIER: Yes, you heard it right. 629 00:23:02,420 --> 00:23:04,330 Eric's stunt double is his older brother 630 00:23:04,530 --> 00:23:06,260 and former Navy SEAL Dave. 631 00:23:06,460 --> 00:23:09,330 Dave is now married to Daniela in real life. 632 00:23:09,530 --> 00:23:10,840 But don't worry, we'll get to that love story 633 00:23:11,040 --> 00:23:12,020 a little later. 634 00:23:12,220 --> 00:23:13,600 My brother is so fun to have on set. 635 00:23:13,800 --> 00:23:15,400 He's so good at his job. 636 00:23:15,590 --> 00:23:16,950 Like, that first giant explosion, 637 00:23:17,150 --> 00:23:19,190 he jumped up, and as it did, 638 00:23:19,390 --> 00:23:21,430 the fireball just wrapped around him. 639 00:23:21,630 --> 00:23:24,500 Like, he's done some unbelievable stunts on the sho. 640 00:23:24,700 --> 00:23:26,600 Stunts that I wish that I had done. 641 00:23:26,800 --> 00:23:27,840 That's such a question that Dani would have, like, 642 00:23:28,040 --> 00:23:29,500 five answers to, 'cause she's so into, like, 643 00:23:29,700 --> 00:23:31,150 her knife fights and everything. 644 00:23:31,350 --> 00:23:33,150 God, I-I have so many things that I want to say right now, 645 00:23:33,350 --> 00:23:34,670 and it's not coming out fast enough, 646 00:23:34,870 --> 00:23:36,050 because that's how passionate I am about 647 00:23:36,250 --> 00:23:39,500 the action sequences in our, on our show. 648 00:23:39,700 --> 00:23:41,840 [grunting] 649 00:23:42,040 --> 00:23:44,670 I would literally ask writers to write me more, 650 00:23:44,870 --> 00:23:46,430 you know, fight sequences. 651 00:23:46,630 --> 00:23:47,340 This is how somebody gets hurt. 652 00:23:49,620 --> 00:23:51,190 OLSEN: She's throwing real punches every time, 653 00:23:51,390 --> 00:23:54,330 and if I don't block them, she's gonna hit me in the face. 654 00:23:54,530 --> 00:23:56,150 Those are my favorite parts of the show. 655 00:23:56,350 --> 00:23:58,500 - [shouts] - Yeah? How do you like that? 656 00:23:58,700 --> 00:24:00,980 I've had a few, um, amazing women double for me, 657 00:24:01,180 --> 00:24:02,910 but the person who's been with me the longest, 658 00:24:03,110 --> 00:24:04,400 her name is Kim. 659 00:24:04,590 --> 00:24:06,740 So, the hand-to-hand combat was mostly me, 660 00:24:06,940 --> 00:24:09,600 um, but everything else is Kim. [laughs] 661 00:24:09,800 --> 00:24:10,840 [grunts] 662 00:24:11,040 --> 00:24:12,030 [yells] 663 00:24:13,510 --> 00:24:15,330 I love every stunt that they let me do. 664 00:24:15,530 --> 00:24:17,600 Recently, we had the crossover episode, 665 00:24:17,800 --> 00:24:21,050 and we were in this crazy, like, airplane graveyard, 666 00:24:21,250 --> 00:24:22,980 and, uh, my character had 667 00:24:23,180 --> 00:24:24,770 to jump off the wing of a plane 668 00:24:24,970 --> 00:24:27,000 onto a perpetrator. 669 00:24:29,440 --> 00:24:31,810 They let me jump, but obviously, onto a big, 670 00:24:32,010 --> 00:24:33,980 cushioned, you know, surface. 671 00:24:34,180 --> 00:24:35,640 But I felt really cool doing it. 672 00:24:35,840 --> 00:24:37,000 [laughs] 673 00:24:39,060 --> 00:24:40,810 Shooting on location, I love those days. 674 00:24:41,010 --> 00:24:43,220 Literally, this job is how I learned how to get around L.A. 675 00:24:43,420 --> 00:24:46,260 L.A. is another character on this show, 676 00:24:46,460 --> 00:24:48,260 so we got to show her love. 677 00:24:48,460 --> 00:24:49,050 If you're gonna get shot at, you might as well 678 00:24:49,250 --> 00:24:50,030 do it in the sunshine. 679 00:24:54,170 --> 00:24:55,500 Being all over L.A., I mean, we w... 680 00:24:55,700 --> 00:24:56,980 we went to every part of L.A. 681 00:24:57,180 --> 00:24:59,220 I've been in alleyways. I know restaurants. 682 00:24:59,420 --> 00:25:01,400 - Water treatment plants. - You know, water treatment plants. 683 00:25:01,590 --> 00:25:03,980 I know it all. I know all the spots. 684 00:25:04,180 --> 00:25:05,460 - All the good spots. - But it was great. To shoot 685 00:25:05,660 --> 00:25:07,840 at all the iconic locations was pretty amazing. 686 00:25:08,040 --> 00:25:09,640 That's got to be near the L.A. Forum. 687 00:25:09,840 --> 00:25:10,980 That is the Forum. 688 00:25:11,180 --> 00:25:12,950 Boom. Didn't even need MapQuest. 689 00:25:13,150 --> 00:25:14,880 I mean, I remember seeing Linda 690 00:25:15,080 --> 00:25:17,670 having this amazing scene in the Hollywood Bowl. 691 00:25:17,870 --> 00:25:18,950 I was like, how did we get tha? 692 00:25:19,150 --> 00:25:19,980 Bob's Marionette Theater? 693 00:25:20,180 --> 00:25:22,050 ♪ Another opening♪ 694 00:25:22,250 --> 00:25:23,500 ♪ Another show...♪ 695 00:25:23,700 --> 00:25:26,500 We've shot in Long Beach where it was LL's birthday, 696 00:25:26,700 --> 00:25:28,710 and we were shooting at a fish market, 697 00:25:28,910 --> 00:25:30,360 and these sea lions would come up 698 00:25:30,560 --> 00:25:32,150 and they'd be like... [imitates barking] 699 00:25:32,350 --> 00:25:34,120 And so for, uh, LL's birthday, 700 00:25:34,320 --> 00:25:37,500 he was taking the fish and chucking it to the sea lios 701 00:25:37,700 --> 00:25:39,190 in the middle of Long Beach. 702 00:25:39,390 --> 00:25:42,290 He and I were laughing so hard, like two eight-year-olds 703 00:25:42,490 --> 00:25:44,740 just so excited to feed fish to sea lions. 704 00:25:44,940 --> 00:25:45,930 That was a great day. 705 00:25:47,580 --> 00:25:49,880 Got hit by a car today. That was a lot of fun. 706 00:25:50,080 --> 00:25:51,880 FRAZIER: We're throwing it back to when the cast made 707 00:25:52,080 --> 00:25:53,360 their prime time debut. 708 00:25:53,560 --> 00:25:55,570 We were lucky we jumped in to NCIS'sshow. 709 00:25:55,770 --> 00:25:58,740 I'm definitely hoping that the spin-off, uh, goes ahead. 710 00:25:58,940 --> 00:26:02,600 FRAZIER: Plus, the real story behind Dani and Dave's romance. 711 00:26:02,800 --> 00:26:04,460 RUAH: I looked down, I was like, "Wow, that guy's attractive." 712 00:26:04,660 --> 00:26:05,930 [laughs] The rest is history. 713 00:26:12,240 --> 00:26:13,840 FRAZIER: A Salute to NCIS: Los Angeles: 714 00:26:14,040 --> 00:26:14,960 An Entertainment Tonight Special will continue. This is CBS. 715 00:26:19,620 --> 00:26:21,130 ♪ 716 00:26:24,550 --> 00:26:29,050 Chris, Dani, Eric, Todd. 717 00:26:29,250 --> 00:26:31,260 You guys killed it, man. 14 years. 718 00:26:31,460 --> 00:26:34,550 And, uh, just, well done. Well done, guys. 719 00:26:37,550 --> 00:26:39,460 VALDERRAMA: To all my brothers, uh, and sisters over there 720 00:26:39,660 --> 00:26:42,770 at, uh,NCIS: L.A., um, I love you guys. 721 00:26:42,970 --> 00:26:44,020 And you guys know how I feel about you. 722 00:26:44,220 --> 00:26:45,810 So good luck, break a leg. 723 00:26:46,010 --> 00:26:48,600 COLE: To everyone atNCIS: L.A., 724 00:26:48,800 --> 00:26:50,020 best of luck. 725 00:26:50,220 --> 00:26:51,950 Cheers. 726 00:26:52,150 --> 00:26:54,020 LAW: Thank you for holding down theNCIS fort 727 00:26:54,220 --> 00:26:56,950 and, uh, representing, and then, uh, 728 00:26:57,150 --> 00:26:59,400 who knows, maybe you pop over to our show every now and then. 729 00:26:59,590 --> 00:27:00,620 Hmm. 730 00:27:01,860 --> 00:27:03,950 FRAZIER: Oh, yeah, you see, that's some love right there 731 00:27:04,150 --> 00:27:05,710 from theNCIS flagship. 732 00:27:05,910 --> 00:27:07,950 You know,NCIS: L.A. was the first of three spin-offs 733 00:27:08,150 --> 00:27:11,530 from the show, making its debut back in 2009. 734 00:27:11,730 --> 00:27:14,260 But get this: the O.G., starring Mark Harmon, 735 00:27:14,460 --> 00:27:15,460 actually branched off 736 00:27:15,660 --> 00:27:18,600 from the hit seriesJAG in 2003. 737 00:27:18,800 --> 00:27:22,640 Now, we first met Callen, Sam, Kensi and Beale 738 00:27:22,840 --> 00:27:25,190 in a two-partNCIS episode that served 739 00:27:25,390 --> 00:27:27,150 as a backdoor pilot for L.A. 740 00:27:27,350 --> 00:27:30,980 So what was it like on set for that very first scene? 741 00:27:31,180 --> 00:27:32,950 - ASSISTANT DIRECTOR: A mark! - DIRECTOR: Action! 742 00:27:33,150 --> 00:27:34,820 [tires screech] 743 00:27:37,270 --> 00:27:40,440 Yes, I got hit by a car today. That was a lot of fun. 744 00:27:45,060 --> 00:27:48,770 It's my first, uh, I s-- yeah, big American job, 745 00:27:48,970 --> 00:27:51,120 so, uh, I'm pretty excited. 746 00:27:51,320 --> 00:27:53,710 - Are you trying to get under my skin? - Is it working? 747 00:27:53,910 --> 00:27:56,500 O'DONNELL: I'm at the table read onNCIS, 748 00:27:56,700 --> 00:27:58,290 and, uh, I remember we walked in that room, 749 00:27:58,490 --> 00:28:00,400 and I'm just meeting everybody. 750 00:28:00,590 --> 00:28:02,080 I'm like, "I remember watching him 751 00:28:02,280 --> 00:28:03,670 - onFriday Night Videos, you know?" - Yeah. 752 00:28:03,870 --> 00:28:05,400 ♪ Don't call it a comeback♪ 753 00:28:05,590 --> 00:28:07,080 ♪ I been here for years...♪ 754 00:28:07,280 --> 00:28:08,710 O'DONNELL: You got my man here, and... 755 00:28:08,910 --> 00:28:10,050 and, uh, and then, the cast came in 756 00:28:10,250 --> 00:28:12,430 from the original show, and they were like a family. 757 00:28:12,630 --> 00:28:14,430 We're like-- I'm looking around, going, uh, 758 00:28:14,630 --> 00:28:16,910 "Is this group gonna be close like that group?" 759 00:28:17,110 --> 00:28:18,430 - And you just don't know. - Oh, wow. 760 00:28:18,630 --> 00:28:20,530 O'DONNELL: If you look back, the journey 761 00:28:20,730 --> 00:28:23,020 and the friendships and the bonds, it's incredible. 762 00:28:23,220 --> 00:28:24,360 And we absolutely do have that relationship 763 00:28:24,560 --> 00:28:27,220 that we saw the other cast had. 764 00:28:27,420 --> 00:28:29,530 FRAZIER: And just like the original, 765 00:28:29,730 --> 00:28:31,400 NCIS: L.A. has been at the forefront 766 00:28:31,590 --> 00:28:33,080 of telling stories that matter. 767 00:28:33,280 --> 00:28:34,330 O'DONNELL: What Sam went throuh with his wife dying, 768 00:28:34,530 --> 00:28:36,190 and stuff like that. 769 00:28:36,390 --> 00:28:39,190 And-and my character was searching for his parents 770 00:28:39,390 --> 00:28:40,770 and-and their relationships with Hetty. 771 00:28:40,970 --> 00:28:42,430 And there-there are certain episodes 772 00:28:42,630 --> 00:28:44,330 where it's-it's action and fun, 773 00:28:44,530 --> 00:28:45,710 and then there's some where you're kind of digging deep. 774 00:28:45,910 --> 00:28:47,740 FRAZIER: Honoring the military is another mission 775 00:28:47,940 --> 00:28:50,150 that's highly personal to this team. 776 00:28:50,350 --> 00:28:51,570 LL COOL J: My-my grandfather was in the Army, 777 00:28:51,770 --> 00:28:53,770 um, my dad was in the Navy. 778 00:28:53,970 --> 00:28:55,020 So I believe in this country, 779 00:28:55,220 --> 00:28:56,840 I believe in what the military does 780 00:28:57,040 --> 00:28:58,530 and I believe in supporting the troops. 781 00:28:58,730 --> 00:29:01,080 And, uh, as-- My character's a former Navy SEAL, 782 00:29:01,280 --> 00:29:03,770 so it-it just, it's a lot of fun to-to... 783 00:29:03,970 --> 00:29:06,220 - to be able to represent! - [cheering] 784 00:29:06,420 --> 00:29:07,670 I think you got to celebrate the people 785 00:29:07,870 --> 00:29:09,400 that put their lives on the line. 786 00:29:09,590 --> 00:29:11,570 You know, I-I do believe, as, uh, as somebody 787 00:29:11,770 --> 00:29:12,840 that has a brother-in-law 788 00:29:13,040 --> 00:29:15,330 that's done seven tours as an E.O.D. 789 00:29:15,530 --> 00:29:17,400 and a brother that is a former Navy SEAL, 790 00:29:17,590 --> 00:29:19,460 that you got to celebrate the people 791 00:29:19,660 --> 00:29:21,430 that are willing to go out thee and put their lives 792 00:29:21,630 --> 00:29:24,670 on the line every single day to-to give us this opportunity. 793 00:29:24,870 --> 00:29:26,430 McRANEY: They have touched on some 794 00:29:26,630 --> 00:29:30,330 controversial subjects from time to time. 795 00:29:30,530 --> 00:29:32,840 But their overall emphasis is on entertainment. 796 00:29:33,040 --> 00:29:35,080 They never preached. 797 00:29:35,280 --> 00:29:36,810 They would take a point of vie, but they didn't preach. 798 00:29:37,010 --> 00:29:38,220 They entertained with it. 799 00:29:38,420 --> 00:29:39,950 FRAZIER: Entertaining with a message 800 00:29:40,150 --> 00:29:42,950 is what madeNCIS: L.A. so compelling. 801 00:29:43,150 --> 00:29:45,980 Consider this: it's one of the first American TV shows 802 00:29:46,180 --> 00:29:48,740 to feature a series regular wearing a hijab. 803 00:29:48,940 --> 00:29:50,950 Special Agent Fatima Namazi. 804 00:29:51,150 --> 00:29:51,950 RAHIMI: It was always a character with a hijab. 805 00:29:52,150 --> 00:29:53,840 That was always the plan. 806 00:29:54,040 --> 00:29:56,260 Went into the audition with a headscarf on. 807 00:29:56,460 --> 00:29:58,290 Um, yeah, I think that they-they really wanted 808 00:29:58,490 --> 00:30:00,290 to represent that, um, 809 00:30:00,490 --> 00:30:03,740 so they wanted to find someone who-who emulated that. 810 00:30:03,940 --> 00:30:06,120 We've made a point of sort of 811 00:30:06,320 --> 00:30:07,950 shining a light on certain issues, 812 00:30:08,150 --> 00:30:09,400 whether it was Asian American hate, 813 00:30:09,590 --> 00:30:13,330 whether it was LGBTQ in the military, 814 00:30:13,530 --> 00:30:15,460 whether it was police brutality against African Americans. 815 00:30:15,660 --> 00:30:16,950 - Out of the car. - Hey, w-whoa! 816 00:30:17,150 --> 00:30:18,950 Whoa, whoa, whoa, whoa, whoa, whoa, whoa. 817 00:30:19,150 --> 00:30:21,290 It was very, very important for me to tackle that 818 00:30:21,490 --> 00:30:23,400 and tell that story in a way that also 819 00:30:23,590 --> 00:30:25,810 reflected, like, my life. 820 00:30:26,010 --> 00:30:28,050 Super important for me as a young Black male. 821 00:30:28,250 --> 00:30:29,910 Unless Rountree murdered somebody this morning, 822 00:30:30,110 --> 00:30:31,950 there's no explanation for this. 823 00:30:32,150 --> 00:30:34,770 FRAZIER: And then there are the fierce women ofNCIS: L.A., 824 00:30:34,970 --> 00:30:36,770 giving us strong, independent 825 00:30:36,970 --> 00:30:38,950 and empowered role models for generations to come. 826 00:30:39,150 --> 00:30:40,750 Out of the car. 827 00:30:42,550 --> 00:30:43,550 [over radio]: Weapon. 828 00:30:45,790 --> 00:30:47,500 RUAH: I presumed, 829 00:30:47,700 --> 00:30:49,980 in my 24 years of age, 830 00:30:50,180 --> 00:30:51,980 that if I'm going to be strong and intelligent 831 00:30:52,180 --> 00:30:54,120 and a go-getter and all this stuff, 832 00:30:54,320 --> 00:30:56,050 that I had to perform, like, kind of stiff 833 00:30:56,250 --> 00:30:58,150 and very poised 834 00:30:58,350 --> 00:31:00,710 and-and once I fell into being more at ease 835 00:31:00,910 --> 00:31:02,530 with the character and knowing that I could be strong 836 00:31:02,730 --> 00:31:06,880 and tough and capable and smar, 837 00:31:07,080 --> 00:31:09,290 but also a goofball, it kind of changed everything. 838 00:31:09,490 --> 00:31:10,840 And that was the empowering thing. 839 00:31:11,040 --> 00:31:13,360 To be an example for other young women... 840 00:31:13,560 --> 00:31:15,810 Actually, I have a great story. 841 00:31:16,010 --> 00:31:17,570 I went home to New York for the summer, 842 00:31:17,770 --> 00:31:19,220 and this person, she said, 843 00:31:19,420 --> 00:31:22,120 "I just want to tell you that Nell Jones 844 00:31:22,320 --> 00:31:24,980 "makes all that tech stuff look cool. 845 00:31:25,180 --> 00:31:27,840 "And my daughter sees that, and she sees you, 846 00:31:28,040 --> 00:31:30,640 and you've helped her see herself." 847 00:31:30,840 --> 00:31:32,360 OLSEN: It is the difference of entertainment 848 00:31:32,560 --> 00:31:33,810 from when I was a kid, like, 849 00:31:34,010 --> 00:31:35,980 what an '80s hero looks like versus now. 850 00:31:36,180 --> 00:31:38,020 Like, the fact that my two daughters, 851 00:31:38,220 --> 00:31:39,910 when they get to watch their aunt, 852 00:31:40,110 --> 00:31:42,360 like, as the toughest person in the room, 853 00:31:42,560 --> 00:31:46,050 I think it's, whether it's conscious or subconscious, 854 00:31:46,250 --> 00:31:47,640 I think it's an absolute necessity 855 00:31:47,840 --> 00:31:50,750 for-for us to have, you know... 856 00:31:52,060 --> 00:31:54,190 ...those-those heroes. 857 00:31:54,390 --> 00:31:56,460 FRAZIER: Coming up in our Salute to NCIS: L.A., 858 00:31:56,660 --> 00:31:59,050 the family behind the scenes. 859 00:31:59,250 --> 00:32:02,050 McRANEY: She's married to her on-screen husband's brother. 860 00:32:02,250 --> 00:32:03,030 So, it's... 861 00:32:04,410 --> 00:32:06,640 FRAZIER: And remembering a fallen legen. 862 00:32:06,840 --> 00:32:07,820 Miguel was special, man. 863 00:32:10,000 --> 00:32:12,930 Even in his last weeks of life, he never missed a table read. 864 00:32:18,100 --> 00:32:19,720 ♪ 865 00:32:23,790 --> 00:32:26,150 That guy there-- the really cute one-- 866 00:32:26,350 --> 00:32:28,150 so you think it's Deeks? It's not Deeks. 867 00:32:28,350 --> 00:32:29,670 That's my husband. 868 00:32:29,870 --> 00:32:31,400 RUAH [with British accent]: Right in the back there. 869 00:32:31,590 --> 00:32:33,050 They're interacting in a very interesting way. 870 00:32:33,250 --> 00:32:37,750 Perhaps we can get closer and observe them... in the wild. 871 00:32:38,930 --> 00:32:41,600 That's my husband right there! 872 00:32:41,800 --> 00:32:46,220 McRANEY: She's married to her on-screen husband's brother. 873 00:32:46,420 --> 00:32:48,460 So, it's... 874 00:32:48,660 --> 00:32:50,080 a strange family dynamic. 875 00:32:50,280 --> 00:32:51,670 You are so not my type. 876 00:32:51,870 --> 00:32:53,640 RAHIMI: Oh, boy. 877 00:32:53,840 --> 00:32:55,430 Talk about family drama. No, I'm just kidding. 878 00:32:55,630 --> 00:32:57,400 [laughs] They're so great. 879 00:32:57,590 --> 00:32:58,910 [laughs] 880 00:32:59,110 --> 00:33:00,020 CASTILLE: I'm like, "You guys are 881 00:33:00,220 --> 00:33:01,530 like brother and sister." 882 00:33:01,730 --> 00:33:03,220 Like, the conversations, the... 883 00:33:03,420 --> 00:33:04,810 you know, the little bickering back and forth. 884 00:33:05,010 --> 00:33:07,570 God. Now they're gonna air this. 885 00:33:07,770 --> 00:33:09,790 This is the worst part about your bad decisions. 886 00:33:10,930 --> 00:33:11,980 How does it...? 887 00:33:12,180 --> 00:33:13,950 God, no. 888 00:33:14,150 --> 00:33:15,330 - Yes. - Do you know how much time we spend...? 889 00:33:15,530 --> 00:33:17,050 - We do, actually, don't we? - Yes. 890 00:33:17,250 --> 00:33:18,570 - [beeps] - [both making retching sound] 891 00:33:18,770 --> 00:33:20,500 - [beep] - Now. Bam. Done. Cut. 892 00:33:20,700 --> 00:33:22,000 - [laughter] - You got it. It was great. 893 00:33:23,620 --> 00:33:25,400 RUAH: Eric joined us, uh, end of season one, 894 00:33:25,590 --> 00:33:27,290 and he said, "You need to meet my brother." 895 00:33:27,490 --> 00:33:30,570 And then I met Eric's now-wife- at the time, girlfriend-- Sara. 896 00:33:30,770 --> 00:33:31,880 And she was like, "You need to meet Dave. 897 00:33:32,080 --> 00:33:33,500 You need to meet Dave." 898 00:33:33,700 --> 00:33:35,840 Eric and Sarah invited me to go to a friend's house. 899 00:33:36,040 --> 00:33:38,360 Dave was there, and he... 900 00:33:38,560 --> 00:33:40,150 They were playing, uh, 901 00:33:40,350 --> 00:33:41,710 touch football or something like that. 902 00:33:41,910 --> 00:33:43,120 And the ball came flying in my direction, 903 00:33:43,320 --> 00:33:44,640 and he kind of, like, flew and caught the ball 904 00:33:44,840 --> 00:33:46,120 and fell at my feet. 905 00:33:46,320 --> 00:33:47,710 And I looked down, and I said, "What's up?" 906 00:33:47,910 --> 00:33:49,740 And I didn't know that was Eric's brother at the time. 907 00:33:49,940 --> 00:33:52,460 I looked down, and I was like, "Wow, that guy's attractive." 908 00:33:52,660 --> 00:33:54,740 Turns out it was Dave, turns out the attraction was mutual, 909 00:33:54,940 --> 00:33:57,640 and turns out we got married and had two kids. 910 00:33:57,840 --> 00:34:00,740 [laughing]: The rest is history. 911 00:34:00,940 --> 00:34:03,910 FRAZIER: In 2013, Dave and Dani had their first son, River, 912 00:34:04,110 --> 00:34:07,810 just four months after Eric and Sarah welcomed his cousin Wyat. 913 00:34:08,010 --> 00:34:11,290 Then, in 2016, both women gave birth to girls 914 00:34:11,490 --> 00:34:13,220 just three weeks apart. 915 00:34:13,420 --> 00:34:15,050 - Eric definitely got the brunt of it. - Comes home, 916 00:34:15,250 --> 00:34:17,530 and he's like, "Man, phew, Dani today." And I'm like, 917 00:34:17,730 --> 00:34:18,910 "What are you talking about? What do you mean?" 918 00:34:19,110 --> 00:34:20,600 - [laughing] Just like... - [laughing] 919 00:34:20,800 --> 00:34:22,080 RUAH: I remember the first time 920 00:34:22,280 --> 00:34:23,510 the cast ever went out to dinner together. 921 00:34:24,750 --> 00:34:26,190 And it was season one, so at the time, 922 00:34:26,390 --> 00:34:28,290 I was like, "Oh, my God, I'm having dinner 923 00:34:28,490 --> 00:34:31,400 with Chris O'Donnell and LL Cool J. Oh, my God." 924 00:34:31,590 --> 00:34:33,020 And now I'm just like, "Yeah, what's up, bro?" 925 00:34:33,220 --> 00:34:35,570 They're my brothers. [laughs] 926 00:34:35,770 --> 00:34:37,220 I love them so much. 927 00:34:37,420 --> 00:34:38,950 LL COOL J: I think when you work 928 00:34:39,150 --> 00:34:41,950 this closely with people for so long, we have a real rapport 929 00:34:42,150 --> 00:34:44,080 and a real relationship with them. 930 00:34:44,280 --> 00:34:45,710 We're going to always know each other and always be friends. 931 00:34:45,910 --> 00:34:47,580 I mean, it's just, this is what it is. 932 00:34:48,890 --> 00:34:51,910 CASTILLE: The relationships that you see on camera, 933 00:34:52,110 --> 00:34:54,530 the chemistry that you see there, is-is due to the fact 934 00:34:54,730 --> 00:34:57,020 that we all have great relationships outside of work. 935 00:34:57,220 --> 00:34:57,950 RAHIMI: It is like a family. 936 00:34:58,150 --> 00:34:59,460 That's what was so beautiful 937 00:34:59,660 --> 00:35:00,980 about the show, is it really was a family. 938 00:35:01,180 --> 00:35:03,360 FRAZIER: And just like any family, 939 00:35:03,560 --> 00:35:06,080 the cast faced some heartbreaking losses. 940 00:35:06,280 --> 00:35:08,950 In January 2017, their beloved costar, 941 00:35:09,150 --> 00:35:12,880 Miguel Ferrer, passed away after battling throat cancer. 942 00:35:13,080 --> 00:35:16,330 His final episode as NCIS Assistant Director Owen Granger 943 00:35:16,530 --> 00:35:18,950 aired February 19, 2017. 944 00:35:19,150 --> 00:35:21,530 His loss is still felt. 945 00:35:21,730 --> 00:35:23,500 Yeah, it's tough. Miguel was tough. 946 00:35:23,700 --> 00:35:26,550 You can watch his last couple episodes. He was... 947 00:35:29,790 --> 00:35:31,880 He was really struggling. 948 00:35:32,080 --> 00:35:33,360 RUAH: And the fact that 949 00:35:33,560 --> 00:35:35,480 even though he was... 950 00:35:40,060 --> 00:35:41,810 Even in his last weeks of life, 951 00:35:42,010 --> 00:35:44,190 he never missed a table read. He came 952 00:35:44,390 --> 00:35:46,120 to every table read. 953 00:35:46,320 --> 00:35:47,500 OLSEN: I just assumed that 954 00:35:47,700 --> 00:35:49,670 he was going to get better like he did the time before. 955 00:35:49,870 --> 00:35:51,620 And then when he passed away, like... 956 00:35:57,960 --> 00:36:00,100 Didn't get a chance to... 957 00:36:02,510 --> 00:36:04,550 Uh, we didn't get a chance to say goodbye to him. 958 00:36:08,060 --> 00:36:09,220 RUAH: After he passed, his wife 959 00:36:09,420 --> 00:36:11,740 came up to me, and, 960 00:36:11,940 --> 00:36:14,670 um... she said, "You know, 961 00:36:14,870 --> 00:36:19,150 Miguel was always really shy on the red carpets and stuff." 962 00:36:19,350 --> 00:36:21,710 She said, "He would wait for you to arrive." 963 00:36:21,910 --> 00:36:23,770 'Cause I'm obviously, like, big and loud and whatever. 964 00:36:23,970 --> 00:36:25,260 And she's like, "He would wait for you to arrive 965 00:36:25,460 --> 00:36:27,600 so he could walk down the carpet with you." 966 00:36:27,800 --> 00:36:31,400 His last red carpet, I was super pregnant with my daughte, 967 00:36:31,590 --> 00:36:34,840 and I kept yelling out that it was his baby. [laughs] 968 00:36:35,040 --> 00:36:36,860 You know, and he laughed, and we laughed together. 969 00:36:38,510 --> 00:36:39,890 He was... 970 00:36:40,860 --> 00:36:43,220 ...a big storyteller. 971 00:36:43,420 --> 00:36:46,360 I mean, he was the epitome of a Hollywood baby, right? 972 00:36:46,560 --> 00:36:47,770 SMITH: He grew up 973 00:36:47,970 --> 00:36:51,050 in old Hollywood, and he was 974 00:36:51,250 --> 00:36:53,500 just a wealth of information. 975 00:36:53,700 --> 00:36:57,400 Frank Sinatra was in his living room when he was a kid 976 00:36:57,590 --> 00:36:58,600 because his mom was Rosemary Clooney, 977 00:36:58,800 --> 00:37:00,260 and I mean, just... 978 00:37:00,460 --> 00:37:02,770 You know, and his cousin George Clooney. 979 00:37:02,970 --> 00:37:03,950 We got inside tips about George's wedding. 980 00:37:04,150 --> 00:37:06,080 SMITH: You know, 981 00:37:06,280 --> 00:37:09,120 that's not normal life. [laughs] 982 00:37:09,320 --> 00:37:10,910 LL COOL J: Miguel was special, man. 983 00:37:11,110 --> 00:37:12,430 Uh, you know, 984 00:37:12,630 --> 00:37:14,460 he was Miguel Bond to me. He was the coolest dude. 985 00:37:14,660 --> 00:37:16,080 And I saw him-- He rolled up on a horse one day, 986 00:37:16,280 --> 00:37:18,500 one of these seasons. He, like, rolled up so cool. 987 00:37:18,700 --> 00:37:20,290 Like, yo, Miguel was 988 00:37:20,490 --> 00:37:21,640 the coolest dude on the planet. 989 00:37:21,840 --> 00:37:23,770 Yo, he was hilarious. He was amazing. 990 00:37:23,970 --> 00:37:24,960 Good memories. 991 00:37:29,960 --> 00:37:31,640 It's hard for me to even put into words. 992 00:37:31,840 --> 00:37:34,910 14 years is one-third of my life. 993 00:37:35,110 --> 00:37:37,080 FRAZIER: The cast reflects on their journey, but if you think 994 00:37:37,280 --> 00:37:40,740 they left the set empty-handed, oh, think again. 995 00:37:40,940 --> 00:37:41,460 LL COOL J: I was thinking about putting the boatshed 996 00:37:41,660 --> 00:37:42,440 - in my backyard. - [laughing] 997 00:37:49,060 --> 00:37:50,580 ♪ 998 00:37:52,790 --> 00:37:55,530 - What am I doing? Praying? - RUAH: Not so much here. 999 00:37:55,730 --> 00:37:57,360 Okay, this is going to be on national television. 1000 00:37:57,560 --> 00:37:59,150 [laughs] Okay. 1001 00:37:59,350 --> 00:38:01,430 REPORTER: Can you describe NCIS 1002 00:38:01,630 --> 00:38:04,020 only using the letters N,C, I and S? 1003 00:38:04,220 --> 00:38:05,170 Wow. 1004 00:38:06,370 --> 00:38:08,400 New. 1005 00:38:08,590 --> 00:38:10,220 Classic. 1006 00:38:10,420 --> 00:38:12,880 Uh, NCIS.Hmm, geez. 1007 00:38:13,080 --> 00:38:15,570 Inspiring, did you say? Yes. 1008 00:38:15,770 --> 00:38:17,080 Sexy. 1009 00:38:17,280 --> 00:38:18,570 Really? 1010 00:38:18,770 --> 00:38:20,080 - Okay. You ready? - [laughing] 1011 00:38:20,280 --> 00:38:21,260 Yeah. What was the question? 1012 00:38:21,460 --> 00:38:23,440 "Never ceases..." 1013 00:38:24,480 --> 00:38:26,360 "...to interrupt... 1014 00:38:26,560 --> 00:38:28,600 the sexy." [laughs] 1015 00:38:28,800 --> 00:38:30,600 That's the worst thing I've ever said on camera. 1016 00:38:30,800 --> 00:38:32,260 - What did Chris say? - Sexy. 1017 00:38:32,460 --> 00:38:34,260 Same thing? Oh, my God. 1018 00:38:34,460 --> 00:38:36,600 [laughter] 1019 00:38:36,800 --> 00:38:38,500 I'm on the catwalk with... 1020 00:38:38,700 --> 00:38:41,330 ♪ I'm too sexy for this uniform.♪ 1021 00:38:41,530 --> 00:38:43,400 FRAZIER: You know, it wasn't always hard work and chasing 1022 00:38:43,590 --> 00:38:45,980 bad guys for theNCIS: L.A. cast. 1023 00:38:46,180 --> 00:38:47,440 [laughs] 1024 00:38:49,000 --> 00:38:51,330 FRAZIER: And after 14 years on a set, 1025 00:38:51,530 --> 00:38:54,330 it starts to feel like a second home. 1026 00:38:54,530 --> 00:38:56,360 So, what do you do when it's time to say goodbye? 1027 00:38:56,560 --> 00:38:58,840 You take some keepsakes. 1028 00:38:59,040 --> 00:39:00,400 I got all the goodies. 1029 00:39:00,590 --> 00:39:02,910 [both laughing] 1030 00:39:03,110 --> 00:39:05,290 LL COOL J: I got all the goodies. 1031 00:39:05,490 --> 00:39:07,460 Nah, I just wanted my, um... 1032 00:39:07,660 --> 00:39:09,570 - O'DONNELL: I got my vest. - LL COOL J: I got my vest. 1033 00:39:09,770 --> 00:39:10,840 - Um, I got my badge. - Oh, you did? 1034 00:39:11,040 --> 00:39:12,400 - Yeah, I got the badge. - I need to... 1035 00:39:12,590 --> 00:39:13,740 - I need to get my badge. - You like that? You like that, huh? 1036 00:39:13,940 --> 00:39:15,260 Yeah, you kind of one-upped me there. 1037 00:39:15,460 --> 00:39:16,840 RUAH: I took a lot of Kensi clothes because, 1038 00:39:17,040 --> 00:39:19,050 come on, those boots, those jeans, 1039 00:39:19,250 --> 00:39:22,740 those sweaters, those plaid shirts. [laughs] 1040 00:39:22,940 --> 00:39:24,950 So we always had two badges in case 1041 00:39:25,150 --> 00:39:25,950 one got lost. We had two badges. 1042 00:39:26,150 --> 00:39:27,670 And I asked for both badges 1043 00:39:27,870 --> 00:39:29,050 so I could eventually give one to each kid. 1044 00:39:29,250 --> 00:39:31,080 I'd be like, "Look." 1045 00:39:31,280 --> 00:39:33,430 And on the badges is still my photograph from season one. 1046 00:39:33,630 --> 00:39:35,740 So... [laughing] 1047 00:39:35,940 --> 00:39:37,120 OLSEN: If you, uh, watch the finale, 1048 00:39:37,320 --> 00:39:38,840 I'm wearing a pink blazer to the wedding. 1049 00:39:39,040 --> 00:39:40,260 And I literally took that, 1050 00:39:40,460 --> 00:39:41,600 uh, and then wore it to the wrap party. 1051 00:39:41,800 --> 00:39:44,030 And a bunch of Jordans. 1052 00:39:46,060 --> 00:39:48,220 Wearing them right now. Just go like that. Yup. 1053 00:39:48,420 --> 00:39:51,460 I got to snag a few clothes and some shoes. 1054 00:39:51,660 --> 00:39:53,050 I just took my chair back, 1055 00:39:53,250 --> 00:39:55,840 and I took a lot of wardrobe. [laughs] I... 1056 00:39:56,040 --> 00:39:58,150 Rountree's got a good wardrobe. 1057 00:39:58,350 --> 00:39:59,950 LL COOL J: I want to make sure I get a Sam Hanna outfit 1058 00:40:00,150 --> 00:40:01,150 and a Callen outfit. 1059 00:40:01,350 --> 00:40:02,570 I want that, as well, so I can put it 1060 00:40:02,770 --> 00:40:03,980 in one of those shadow boxes. 1061 00:40:04,180 --> 00:40:05,640 I'm trying to pack up 1062 00:40:05,840 --> 00:40:07,740 the rental house that we've had in Encino 1063 00:40:07,940 --> 00:40:09,980 and move all of that stuff to Florida. 1064 00:40:10,180 --> 00:40:11,500 And when I thought about taking something 1065 00:40:11,700 --> 00:40:13,500 from the set, it was like, 1066 00:40:13,700 --> 00:40:15,570 "What are you thinking of? 1067 00:40:15,770 --> 00:40:18,740 "You got enough crap to haul to the other side of the country. 1068 00:40:18,940 --> 00:40:19,960 Get over it." 1069 00:40:21,720 --> 00:40:24,220 FRAZIER: But it's not really goodbye for this cast, 'cause 1070 00:40:24,420 --> 00:40:26,570 once you're family, you're always family. 1071 00:40:26,770 --> 00:40:28,290 And let's not forget about the group text. 1072 00:40:28,490 --> 00:40:29,950 I'll text him dumb stuff, and he will me, 1073 00:40:30,150 --> 00:40:31,220 as much as I would my best friends 1074 00:40:31,420 --> 00:40:32,910 from college or high school. 1075 00:40:33,110 --> 00:40:34,290 There's a couple of different ones, which is interesting. 1076 00:40:34,490 --> 00:40:36,570 You got LL Cool J on a text thread, 1077 00:40:36,770 --> 00:40:38,050 you don't want to just be hitting it every day. 1078 00:40:38,250 --> 00:40:39,500 That's LL. 1079 00:40:39,700 --> 00:40:41,500 So that one's... You-you save the special stuff 1080 00:40:41,700 --> 00:40:43,910 for-for the one with everybody on it. 1081 00:40:44,110 --> 00:40:46,770 Just pick up the damn phone and talk to me. 1082 00:40:46,970 --> 00:40:48,670 McRANEY: Everybody in that cast I want to see again. 1083 00:40:48,870 --> 00:40:50,980 I've given everybody my number. 1084 00:40:51,180 --> 00:40:54,600 They know where I'm moving. It's, uh.... yeah, you know. 1085 00:40:54,800 --> 00:40:55,950 - O'DONNELL: I will see him more... - LL COOL J: Yeah. 1086 00:40:56,150 --> 00:40:57,220 O'DONNELL: ...now that we're not working. 1087 00:40:57,420 --> 00:40:58,810 It's my man. Like, we... 1088 00:40:59,010 --> 00:41:00,120 Look, we worked together for 14 years. 1089 00:41:00,320 --> 00:41:01,360 He's got a little BabyBjoörn. 1090 00:41:01,560 --> 00:41:02,950 He's going to carry me around town. 1091 00:41:03,150 --> 00:41:04,150 - [laughing] - Just kind of cozy in there. 1092 00:41:04,350 --> 00:41:05,810 It's gonna be great. It's gonna be great. 1093 00:41:06,010 --> 00:41:07,400 Chris needs some milk. 1094 00:41:07,590 --> 00:41:08,950 [both laughing] 1095 00:41:09,150 --> 00:41:13,530 Here's to happy endings and new beginnings. 1096 00:41:13,730 --> 00:41:15,400 OLSEN: What is the thing that I will miss the most? 1097 00:41:15,590 --> 00:41:17,290 And when you have a kid 1098 00:41:17,490 --> 00:41:19,710 that moves out here from Iowa with $500 1099 00:41:19,910 --> 00:41:21,360 in his pocket with, like, the hopes and dreams 1100 00:41:21,560 --> 00:41:24,810 of doing something special, you can't ask for more than that, 1101 00:41:25,010 --> 00:41:27,330 which is to go to work with people you love 1102 00:41:27,530 --> 00:41:29,150 and get to do something that-that you care about 1103 00:41:29,350 --> 00:41:31,570 and to tell stories that sometimes, 1104 00:41:31,770 --> 00:41:34,150 much to my surprise, like, mattered to people. 1105 00:41:34,350 --> 00:41:37,530 I-I mean, I don't understand how you can't miss that. 1106 00:41:37,730 --> 00:41:39,570 I'm going to miss this. 1107 00:41:39,770 --> 00:41:41,120 And I think we did good work here. 1108 00:41:41,320 --> 00:41:42,840 We did great work. 1109 00:41:43,040 --> 00:41:44,880 I look around, and these are the people 1110 00:41:45,080 --> 00:41:46,980 who I'll remember for the rest of my life. 1111 00:41:47,180 --> 00:41:49,360 FOA: You hear from other cast members, 1112 00:41:49,560 --> 00:41:51,500 you hear from other crew members 1113 00:41:51,700 --> 00:41:55,810 how these other shows... They're like, "Nothing is like this." 1114 00:41:56,010 --> 00:41:57,980 We are on something very special. 1115 00:41:58,180 --> 00:41:59,670 You really have to remember to cherish it, 1116 00:41:59,870 --> 00:42:02,570 um, and I think we did. 1117 00:42:02,770 --> 00:42:04,290 Now that it's all over, how do I feel? 1118 00:42:04,490 --> 00:42:06,400 I feel super grateful. 1119 00:42:06,590 --> 00:42:09,080 I'm... so grateful 1120 00:42:09,280 --> 00:42:10,570 to have been a part of something, 1121 00:42:10,770 --> 00:42:11,810 to be a part of history, reall. 1122 00:42:12,010 --> 00:42:14,950 RUAH: I got to be a part of it 1123 00:42:15,150 --> 00:42:17,770 with those particular people, that particular cast, 1124 00:42:17,970 --> 00:42:21,570 that particular crew, those particular directors. 1125 00:42:21,770 --> 00:42:23,710 This particular network. 1126 00:42:23,910 --> 00:42:26,190 My God. 1127 00:42:26,390 --> 00:42:27,740 Pinch me. 1128 00:42:27,940 --> 00:42:29,190 It's time, and we're good. 1129 00:42:29,390 --> 00:42:31,020 I think we're fine with it. 1130 00:42:31,220 --> 00:42:33,950 I think, at the end of the day, would we have continued? Sure. 1131 00:42:34,150 --> 00:42:35,570 But if this is... But the time is right. 1132 00:42:35,770 --> 00:42:37,290 - We ended on top. - Yeah. 1133 00:42:37,490 --> 00:42:38,770 You know, we ended on top, 1134 00:42:38,970 --> 00:42:40,640 and-and that's a beautiful thing. 1135 00:42:40,840 --> 00:42:43,710 - That was a pretty sweet moment. - Yeah. 1136 00:42:43,910 --> 00:42:45,880 I've had a lot of those over the years. 1137 00:42:46,080 --> 00:42:47,260 FRAZER: You know, this empty soundstage 1138 00:42:47,460 --> 00:42:48,880 holds a lot of memories. 1139 00:42:49,080 --> 00:42:51,430 Lifelong friendships were forged here. 1140 00:42:51,630 --> 00:42:53,910 Great television was created. 1141 00:42:54,110 --> 00:42:56,770 Here's one last salute to the cast and crew 1142 00:42:56,970 --> 00:42:58,530 ofNCIS: Los Angeles. 1143 00:42:58,730 --> 00:43:00,950 Keep believing in the beauty of your dreams. 1144 00:43:01,150 --> 00:43:02,670 Thank you for sharing this journey with us. 1145 00:43:02,870 --> 00:43:04,330 Thank you for riding with us. 1146 00:43:04,530 --> 00:43:06,840 And, uh, you know, the best is yet to come. 1147 00:43:07,040 --> 00:43:08,600 Amen. 1148 00:43:08,800 --> 00:43:10,290 I'll leave it to my preacher. 1149 00:43:10,490 --> 00:43:12,820 ♪ 1150 00:43:20,620 --> 00:43:22,770 Captioning sponsored by CBS 1151 00:43:22,970 --> 00:43:23,890 Captioned by Media Access Group at WGBH access.wgbh.org 94903

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