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1
00:00:01,958 --> 00:00:02,959
COVER LETTER?
2
00:00:02,959 --> 00:00:03,960
TYPO FREE.
3
00:00:03,960 --> 00:00:05,135
RESUME?
4
00:00:05,135 --> 00:00:06,789
TYPO FREE.
5
00:00:06,789 --> 00:00:08,791
OK, LET'S STUFF 'EM.
6
00:00:08,791 --> 00:00:09,835
WELL, YOU KNOW,
7
00:00:09,835 --> 00:00:10,967
I COULD FAX
FROM MY HOUSE.
8
00:00:10,967 --> 00:00:11,968
WE HAVE ONE.
9
00:00:11,968 --> 00:00:13,230
ISN'T HE THE BEST?
10
00:00:13,230 --> 00:00:14,971
NO, YOU ARE THE BEST.
11
00:00:23,762 --> 00:00:24,894
WELL, I'D BETTER
GO FAX THESE.
12
00:00:27,636 --> 00:00:28,550
I LOVE YOU.
13
00:00:30,508 --> 00:00:31,379
YEAH.
14
00:00:32,902 --> 00:00:33,816
BYE.
15
00:00:36,601 --> 00:00:39,474
HI. BYE.
16
00:00:39,474 --> 00:00:41,345
HI.
17
00:00:42,477 --> 00:00:43,956
UH, WHAT'S GOING ON?
18
00:00:43,956 --> 00:00:45,958
JAMIE LOVES HER.
19
00:00:45,958 --> 00:00:47,960
OH, IS IT
THE FIRST TIME
20
00:00:47,960 --> 00:00:49,832
FOR THOSE
3 LITTLE WORDS?
21
00:00:49,832 --> 00:00:51,094
APPARENTLY SO.
22
00:00:51,094 --> 00:00:53,183
THEY DO WONDERS.
23
00:00:53,183 --> 00:00:55,055
HEY, I COULDN'T DECIDE
WHICH BLUE TO GET.
24
00:00:55,055 --> 00:00:56,317
FOR THE SKY.
FOR THE BACKDROPS.
25
00:00:56,317 --> 00:00:57,709
TOO MANY CHOICES.
26
00:00:57,709 --> 00:00:59,624
HMM. I WAS JUST
SAYING THAT.
27
00:00:59,624 --> 00:01:01,844
HEY, DID HE TELL YOU?
28
00:01:01,844 --> 00:01:03,019
I'M STARRING AND DIRECTING
29
00:01:03,019 --> 00:01:05,543
IN THE MUSICAL VERSION
OF PYGMALION.
30
00:01:05,543 --> 00:01:06,892
WOULDN'T THAT
BE MY FAIR LADY?
31
00:01:06,892 --> 00:01:09,939
UH, IT WOULD BE IF WE
COULD AFFORD THE RIGHTS.
32
00:01:09,939 --> 00:01:11,027
BUT THE WHOLE THING
IS FOR CHARITY.
33
00:01:11,027 --> 00:01:12,202
WE DONATE THE TICKET SALES
34
00:01:12,202 --> 00:01:13,638
TO STRIPPERS WHO DON'T HAVE
HEALTH INSURANCE.
35
00:01:13,638 --> 00:01:15,031
AND ME AND MY FRIEND
36
00:01:15,031 --> 00:01:16,641
HAD TO WRITE OUR OWN SONGS.
37
00:01:16,641 --> 00:01:18,774
♪ I'VE GOT IT
BAD FOR A GIRL ♪
38
00:01:18,774 --> 00:01:20,167
♪ WHO DOESN'T
TALK SO GOOD ♪
39
00:01:21,298 --> 00:01:22,908
WOW.
AND HERE I THOUGHT
40
00:01:22,908 --> 00:01:24,780
YOU WEREN'T PAYING
ANY ATTENTION.
41
00:01:24,780 --> 00:01:26,086
FOOLED YOU.
42
00:01:26,086 --> 00:01:27,130
COME ON.
LET'S GET GOING
43
00:01:27,130 --> 00:01:28,218
BEFORE THE PAINT
PLACE CLOSES.
44
00:01:28,218 --> 00:01:29,219
OH, RIGHT.
45
00:01:29,219 --> 00:01:30,699
HEY, CLAUDIA.
46
00:01:30,699 --> 00:01:33,397
CONGRATULATIONS ON
THE HIM LOVING YOU THING.
47
00:01:37,967 --> 00:01:39,055
WHERE IS SHE?
48
00:01:39,055 --> 00:01:40,361
HOW COME SHE'S
NOT OUT YET?
49
00:01:40,361 --> 00:01:42,319
SHE'S PROBABLY
STILL SAYING GOOD-BYE
50
00:01:42,319 --> 00:01:43,320
TO SOME OF HER
NEW FRIENDS.
51
00:01:43,320 --> 00:01:44,974
WHAT IF IT'S
THE WRONG DAY?
52
00:01:44,974 --> 00:01:46,062
IT'S NOT.
53
00:01:46,062 --> 00:01:47,411
IT'S NOT THE WRONG DAY.
I PROMISE.
54
00:01:47,411 --> 00:01:48,543
WHAT IF IT IS?
55
00:01:48,543 --> 00:01:50,719
SHE'S GONNA BE OUT
IN A SECOND. OK?
56
00:01:51,850 --> 00:01:54,331
MOMMY, MOMMY,
MOMMY!
57
00:01:54,331 --> 00:01:56,594
OH. OH, NATTIE.
58
00:01:58,074 --> 00:01:59,380
YOU KNOW WHAT?
59
00:01:59,380 --> 00:02:01,033
I OWE YOU
A MILLION KISSES.
60
00:02:01,033 --> 00:02:02,992
I MISSED YOU
SO MUCH.
61
00:02:02,992 --> 00:02:05,168
I KNOW.
I KNOW, SWEETIE.
62
00:02:05,168 --> 00:02:06,996
ME, TOO.
63
00:02:06,996 --> 00:02:08,824
EVERY SECOND.
64
00:02:11,000 --> 00:02:12,915
HEY.
65
00:02:18,138 --> 00:02:19,139
YOU LOOK--
66
00:02:19,139 --> 00:02:20,488
YOU LOOK BEAUTIFUL.
67
00:02:20,488 --> 00:02:21,793
YOU LOOK
REALLY GOOD.
68
00:02:21,793 --> 00:02:22,794
YEAH?
69
00:02:22,794 --> 00:02:23,795
YEAH.
70
00:02:23,795 --> 00:02:24,709
THANKS.
71
00:02:26,320 --> 00:02:28,060
IT'S GOOD
TO SEE YOU, ANNIE.
72
00:02:28,060 --> 00:02:30,150
IS IT?
73
00:02:30,150 --> 00:02:31,151
YEAH.
74
00:02:31,151 --> 00:02:32,804
IT IS.
75
00:02:32,804 --> 00:02:34,371
SO, UH,
76
00:02:34,371 --> 00:02:35,938
WE OUGHT TO...
77
00:02:35,938 --> 00:02:36,852
OH.
78
00:02:40,725 --> 00:02:43,467
WOW. LOOK HOW LONG
YOUR HAIR'S GOTTEN.
79
00:02:43,467 --> 00:02:44,990
YOU'RE GONNA BE ABLE TO
SIT ON IT, AREN'T YOU?
80
00:02:49,473 --> 00:02:50,344
OH, MAN.
81
00:02:52,520 --> 00:02:53,608
MAN, THAT--
82
00:02:53,608 --> 00:02:54,609
THAT'LL TEACH YOU
83
00:02:54,609 --> 00:02:57,351
NOT TO ASK ME
WHAT'S NEW.
84
00:02:57,351 --> 00:02:59,483
IS IT ALL RIGHT
FOR ME TO HATE HIM?
85
00:02:59,483 --> 00:03:01,093
I MEAN,
IS THAT ACCEPTABLE?
86
00:03:01,093 --> 00:03:02,921
NO, DON'T HATE HIM.
87
00:03:02,921 --> 00:03:03,835
I DON'T HATE HIM.
88
00:03:05,141 --> 00:03:07,143
LOOK, YOU WEREN'T HERE.
89
00:03:07,143 --> 00:03:09,232
SO THEY LET YOU OUT
WITHOUT ANY FINALS?
90
00:03:09,232 --> 00:03:11,060
YOU JUST HAVE 2 MORE
PAPERS TO WRITE?
91
00:03:11,060 --> 00:03:12,366
NO, NO.
WAIT A MINUTE.
92
00:03:12,366 --> 00:03:13,367
THAT'S--
93
00:03:13,367 --> 00:03:15,238
FORGET ABOUT
THAT STUFF.
94
00:03:15,238 --> 00:03:16,021
WE'RE TALKING
ABOUT YOU.
95
00:03:16,021 --> 00:03:18,589
I MEAN,
WHY IS THIS OK?
96
00:03:18,589 --> 00:03:20,417
WHY IS WHAT HE DID
ACCEPTABLE?
97
00:03:20,417 --> 00:03:22,114
IT'S NOT.
98
00:03:22,114 --> 00:03:24,595
I DIDN'T SAY THAT.
99
00:03:24,595 --> 00:03:27,032
BUT I DID STUFF
TO HIM, TOO.
100
00:03:27,032 --> 00:03:28,033
YEAH.
101
00:03:29,165 --> 00:03:31,123
LOOK, WE'RE TRYING.
102
00:03:31,123 --> 00:03:32,603
I LOVE HIM,
103
00:03:32,603 --> 00:03:34,518
AND I THINK HE
STILL LOVES ME,
104
00:03:34,518 --> 00:03:35,954
AND WE'RE TRYING
TO FIND SOME WAY
105
00:03:35,954 --> 00:03:37,129
TO MAKE THINGS
NORMAL AGAIN.
106
00:03:38,392 --> 00:03:40,742
BUT I CAN'T, UH,
107
00:03:40,742 --> 00:03:42,309
I CAN'T LISTEN TO YOU
108
00:03:42,309 --> 00:03:44,049
SAY BAD THINGS
ABOUT HIM, OK?
109
00:03:44,049 --> 00:03:46,008
YEAH. OK.
110
00:03:46,008 --> 00:03:46,922
UM...
111
00:03:48,837 --> 00:03:49,838
I HAVE AN IDEA.
112
00:03:49,838 --> 00:03:50,882
MM-HMM?
113
00:03:50,882 --> 00:03:51,883
IT DOESN'T INVOLVE
114
00:03:51,883 --> 00:03:53,494
EITHER OF US TALKING.
115
00:03:53,494 --> 00:03:54,799
NOT THAT MUCH.
116
00:03:54,799 --> 00:03:56,279
UM...
117
00:03:56,279 --> 00:03:58,063
WHY DON'T WE
SLEEP TOGETHER?
118
00:04:00,762 --> 00:04:01,806
WHAT?
119
00:04:01,806 --> 00:04:03,852
YEAH. THAT WAY
BOTH OF YOU
120
00:04:03,852 --> 00:04:05,984
WILL HAVE BEEN WITH
ONE OTHER PERSON.
121
00:04:11,120 --> 00:04:13,035
YOU ARE
SUCH A BRAT!
122
00:04:13,035 --> 00:04:15,080
WELL, IT'S JUST
A THOUGHT.
123
00:04:22,044 --> 00:04:24,829
♪ EVERYBODY WANTS TO LIVE ♪
124
00:04:24,829 --> 00:04:26,178
♪ LIKE THEY WANNA LIVE ♪
125
00:04:26,178 --> 00:04:30,313
♪ AND EVERYBODY WANTS TO LOVE ♪
126
00:04:30,313 --> 00:04:31,923
♪ LIKE THEY WANNA LOVE ♪
127
00:04:31,923 --> 00:04:35,536
♪ AND EVERYBODY WANTS TO BE ♪
128
00:04:35,536 --> 00:04:42,804
♪ CLOSER TO FREE ♪
129
00:04:54,206 --> 00:04:55,817
THERE WAS
SOMEBODY FAMOUS
130
00:04:55,817 --> 00:04:57,514
IN MY GROUP THERAPY.
131
00:04:57,514 --> 00:04:59,473
OH, YEAH?
132
00:04:59,473 --> 00:05:00,561
WHO?
133
00:05:00,561 --> 00:05:02,432
OH, UM...
134
00:05:02,432 --> 00:05:03,433
YOU KNOW WHAT?
135
00:05:03,433 --> 00:05:04,782
I PROBABLY
SHOULDN'T TELL.
136
00:05:07,437 --> 00:05:08,482
SO.
137
00:05:09,787 --> 00:05:10,875
SO.
138
00:05:14,792 --> 00:05:15,880
YOU KNOW WHAT?
139
00:05:15,880 --> 00:05:18,840
UM, WE CH-CHANGED
THE TYPEFACE
140
00:05:18,840 --> 00:05:20,232
ON THE FRONT
OF THE MENU.
141
00:05:20,232 --> 00:05:21,233
REALLY?
142
00:05:21,233 --> 00:05:22,234
YEAH.
TO WHAT?
143
00:05:22,234 --> 00:05:23,888
UH, IT'S
SOME KIND OF...
144
00:05:23,888 --> 00:05:24,976
SCRIPT THING.
145
00:05:24,976 --> 00:05:26,282
I DON'T KNOW.
146
00:05:30,330 --> 00:05:32,462
IS THIS CONVERSATION
AS DUMB AS IT SOUNDS?
147
00:05:33,985 --> 00:05:36,161
I JUST--
I DON'T KNOW IF I SHOULD
148
00:05:36,161 --> 00:05:39,164
ASK YOU ABOUT STUFF
THAT WENT ON THERE,
149
00:05:39,164 --> 00:05:41,732
OR IF YOU WANT
TO TALK ABOUT THAT?
150
00:05:41,732 --> 00:05:42,777
NOT YET.
151
00:05:42,777 --> 00:05:46,041
IT--IT'S JUST...
152
00:05:46,041 --> 00:05:48,304
I WANT TO TAKE
THINGS SLOW.
153
00:05:48,304 --> 00:05:49,958
RIGHT NOW.
154
00:05:55,093 --> 00:05:56,573
BUT, UM...
155
00:05:58,140 --> 00:06:00,534
YOU COULD KISS ME.
156
00:06:00,534 --> 00:06:01,622
YEAH?
157
00:06:04,886 --> 00:06:06,322
'CAUSE I'D LIKE THAT.
158
00:06:25,297 --> 00:06:26,690
GOD...
159
00:06:26,690 --> 00:06:28,953
I MISSED THIS.
160
00:06:28,953 --> 00:06:31,129
I MISSED YOU.
161
00:06:31,129 --> 00:06:32,043
ME, TOO.
162
00:06:33,958 --> 00:06:37,266
YOU HAVE TO.
YOU HAVE TO DO THIS.
163
00:06:37,266 --> 00:06:39,181
ALL I SAID I'D DO
IS PAINT SETS.
164
00:06:39,181 --> 00:06:40,356
DO YOU NOT
UNDERSTAND?
165
00:06:40,356 --> 00:06:41,357
WE GO UP IN 2 DAYS,
166
00:06:41,357 --> 00:06:43,011
AND I JUST LOST
MY LEAD.
167
00:06:43,011 --> 00:06:44,665
I'M SORRY, DAPHNE.
168
00:06:44,665 --> 00:06:45,927
I'M DOING
SMURFS ON ICE.
169
00:06:45,927 --> 00:06:47,407
I'M PAPA SMURF.
170
00:06:47,407 --> 00:06:49,191
YOU SHOULD HAVE HAD
AN UNDERSTUDY.
171
00:06:49,191 --> 00:06:51,106
I'M AN OPTIMIST, CHARLIE.
172
00:06:51,106 --> 00:06:53,848
COME ON!
YOU KNOW THE PLAY.
173
00:06:53,848 --> 00:06:54,892
I KNOW YOU KNOW IT.
174
00:06:54,892 --> 00:06:57,112
I'M DOING
ALL THIS JOB STUFF NOW.
175
00:06:57,112 --> 00:06:58,156
I HAVE TO FOCUS ON THAT.
176
00:06:58,156 --> 00:06:59,288
I DON'T HAVE TIME
TO REHEARSE.
177
00:06:59,288 --> 00:07:00,507
OH, YEAH, YEAH.
178
00:07:00,507 --> 00:07:02,509
TAP-DANCING FOR SOME
HEADS OF PERSONNEL.
179
00:07:02,509 --> 00:07:04,032
BOY, THAT'S FUN.
180
00:07:04,032 --> 00:07:05,294
THAT'S HOW
TO LIVE IT UP.
181
00:07:09,820 --> 00:07:11,039
DAPHNE.
182
00:07:11,039 --> 00:07:12,040
GREAT.
183
00:07:12,040 --> 00:07:13,084
THEN I'LL JUST--
184
00:07:13,084 --> 00:07:15,870
I'LL JUST CALL
THE FOUNDATION
185
00:07:15,870 --> 00:07:18,350
AND TELL THEM THAT WE
WON'T BE CONTRIBUTING ANYTHING
186
00:07:18,350 --> 00:07:20,004
BECAUSE
WE HAD TO CANCEL,
187
00:07:20,004 --> 00:07:21,484
BECAUSE OUR
HENRY HIGGINS
188
00:07:21,484 --> 00:07:23,312
IS SKATING AROUND
THE COW PALACE
189
00:07:23,312 --> 00:07:25,009
IN A ROYAL BLUE ONESIE.
190
00:07:26,054 --> 00:07:27,577
YOU DON'T HAVE
ANYBODY ELSE?
191
00:07:27,577 --> 00:07:29,492
I MEAN, MAYBE SOMEBODY
THAT'S DONE THIS BEFORE,
192
00:07:29,492 --> 00:07:31,668
ONE OF THE GUYS
IN THE CHORUS?
193
00:07:34,628 --> 00:07:35,759
WHY...
194
00:07:35,759 --> 00:07:37,979
WOULD I SETTLE
195
00:07:37,979 --> 00:07:41,722
FOR A CUBIC ZIRCONIUM...
196
00:07:41,722 --> 00:07:45,116
WHEN THERE IS
A BIG, SHINY,
197
00:07:45,116 --> 00:07:49,381
SEXY DIAMOND
STANDING RIGHT
IN FRONT OF ME?
198
00:07:49,381 --> 00:07:51,427
MAN, IS IT SNOWING
IN HERE, OR WHAT?
199
00:07:51,427 --> 00:07:53,342
PLEASE?
200
00:07:54,996 --> 00:07:56,084
PLEEEASE?
201
00:08:01,742 --> 00:08:03,004
NO, THAT SOUNDS GOOD.
202
00:08:03,004 --> 00:08:04,571
JUST MAKE SURE THAT
"WALK TO THE BEACH"
203
00:08:04,571 --> 00:08:07,138
ISN'T, LIKE, 18 MILES
OR UPHILL OR ANYTHING.
204
00:08:07,138 --> 00:08:08,183
OK, GOOD.
205
00:08:08,183 --> 00:08:09,053
LET ME KNOW. BYE.
206
00:08:11,012 --> 00:08:12,187
WHO WAS THAT?
207
00:08:12,187 --> 00:08:13,928
DANA. WE'RE THINKING
ABOUT GETTING
208
00:08:13,928 --> 00:08:14,972
A BEACH HOUSE
THIS SUMMER.
209
00:08:14,972 --> 00:08:16,800
DANA AND ME AND JANET
AND OTHER JANET.
210
00:08:16,800 --> 00:08:18,976
SANTA CRUZ MAYBE.
211
00:08:18,976 --> 00:08:20,021
YOU KNOW, HANG OUT.
212
00:08:20,021 --> 00:08:21,109
GET SOME WAITRESSING JOBS.
213
00:08:21,109 --> 00:08:22,458
I CAN USE YOU
AS A REFERENCE, RIGHT?
214
00:08:22,458 --> 00:08:24,112
WOULD YOU BE GONE
ALL SUMMER?
215
00:08:25,592 --> 00:08:26,854
MAYBE.
216
00:08:26,854 --> 00:08:28,116
YOU KNOW,
IF WE DECIDE TO DO IT,
217
00:08:28,116 --> 00:08:29,160
THEN, YEAH.
218
00:08:29,160 --> 00:08:31,032
HUH.
THAT'D BE WEIRD.
219
00:08:31,032 --> 00:08:31,989
NOT HAVING YOU
AROUND HERE.
220
00:08:33,600 --> 00:08:35,253
HAVE YOU SEEN
MY BLUE TIE,
221
00:08:35,253 --> 00:08:37,125
THE ONE WITH
THE LITTLE SQUARES
ALL OVER IT?
222
00:08:39,170 --> 00:08:40,650
THANK YOU.
223
00:08:40,650 --> 00:08:42,609
WELL, YOU'LL
PROBABLY BE TOO BUSY
224
00:08:42,609 --> 00:08:43,784
TO EVEN NOTICE.
225
00:08:43,784 --> 00:08:47,135
I MEAN, YOU AND ANNIE
ARE OBVIOUSLY...
226
00:08:47,135 --> 00:08:49,441
I DON'T KNOW WHAT
ANNIE AND I ARE.
227
00:08:49,441 --> 00:08:51,705
OR AREN'T.
228
00:08:51,705 --> 00:08:53,402
I MEAN, EVERYTHING
I THOUGHT OF
229
00:08:53,402 --> 00:08:55,143
TO SAY TO HER
WAS LIKE,
230
00:08:55,143 --> 00:08:58,102
WHAT LAND MINE IS
THIS GONNA SET OFF?
231
00:08:58,102 --> 00:09:00,409
IT WAS WEIRD,
BECAUSE ONE SECOND
232
00:09:00,409 --> 00:09:01,889
SHE WAS SAYING HOW
SHE WANTED TO TAKE
233
00:09:01,889 --> 00:09:02,890
EVERYTHING SLOW,
234
00:09:02,890 --> 00:09:04,239
AND THE NEXT MINUTE
235
00:09:04,239 --> 00:09:05,414
WE'RE RIPPING EACH
OTHER'S CLOTHES OFF.
236
00:09:05,414 --> 00:09:07,372
IT'S LIKE
WE JUMPED INTO BED
237
00:09:07,372 --> 00:09:08,678
SO WE WOULDN'T
HAVE TO TALK.
238
00:09:08,678 --> 00:09:09,549
YOU KNOW?
239
00:09:12,073 --> 00:09:13,944
I'LL TAKE
YOUR WORD FOR IT.
240
00:09:23,127 --> 00:09:25,173
I'VE BEEN READING
THE SAME PAGE OVER AND OVER
241
00:09:25,173 --> 00:09:27,262
FOR THE LAST HALF HOUR.
242
00:09:27,262 --> 00:09:28,176
UH-HUH.
243
00:09:30,831 --> 00:09:32,093
LISTEN, UH,
244
00:09:32,093 --> 00:09:33,224
I'M GONNA
GET OUT OF HERE
245
00:09:33,224 --> 00:09:34,530
FOR A FEW DAYS.
246
00:09:34,530 --> 00:09:36,358
WHAT?
247
00:09:36,358 --> 00:09:39,840
THIS FRIEND OF MINE,
LONNY, FROM
THE MERCHANT MARINES,
248
00:09:39,840 --> 00:09:41,363
HE'S GOT A LITTLE CABIN
OUTSIDE OF TAOS.
249
00:09:41,363 --> 00:09:43,321
WAIT. TAOS?
250
00:09:43,321 --> 00:09:44,322
WHY ARE YOU--
251
00:09:44,322 --> 00:09:46,020
BECAUSE...
252
00:09:46,020 --> 00:09:47,282
EVERY TIME I WALK
BACK IN THIS PLACE,
253
00:09:47,282 --> 00:09:48,718
IT GETS SMALLER.
254
00:09:48,718 --> 00:09:51,199
EVERY TIME
I GO INSIDE,
YOUR FAMILY,
255
00:09:51,199 --> 00:09:52,200
THEY JUST GIVE ME
THE EVIL EYE.
256
00:09:52,200 --> 00:09:54,115
NO, THEY DON'T.
257
00:09:54,115 --> 00:09:55,377
YOU DON'T HAVE TO--
258
00:09:55,377 --> 00:09:57,509
I'M LEAVING FRIDAY,
ALL RIGHT?
259
00:09:57,509 --> 00:10:00,251
THE AIRLINE'S RUNNING
SOME SPECIAL
WEEKEND DEAL.
260
00:10:02,514 --> 00:10:04,691
I WISH YOU WOULDN'T
DO THIS.
261
00:10:04,691 --> 00:10:08,216
I MEAN,
I KNOW THAT THINGS
FEEL MESSY RIGHT NOW,
262
00:10:08,216 --> 00:10:10,566
BUT IF YOU STAY, GRIFFIN,
263
00:10:10,566 --> 00:10:13,482
IF YOU JUST HANG IN THERE,
AND WE KEEP WORKING
ON THIS, THEN...
264
00:10:14,483 --> 00:10:16,528
PLEASE DON'T RUN AWAY.
265
00:10:16,528 --> 00:10:18,487
I'M NOT RUNNING AWAY.
266
00:10:20,315 --> 00:10:23,231
I JUST--I NEED LIKE,
2 DAYS OF NO FIGHTING
267
00:10:23,231 --> 00:10:25,494
OR BLAMING
OR FEELING THIS...
268
00:10:25,494 --> 00:10:26,626
WHATEVER IT IS.
269
00:10:27,975 --> 00:10:29,237
I--I NEED
TO GET OUT OF HERE.
270
00:10:29,237 --> 00:10:32,806
OK. OK, SO THEN
WHAT IF WE GO TOGETHER?
271
00:10:32,806 --> 00:10:34,982
SOMEPLACE. ANYPLACE.
YOU PICK.
272
00:10:34,982 --> 00:10:36,287
JULIA--
273
00:10:36,287 --> 00:10:37,332
NO, YOU'RE RIGHT.
YOU'RE COMPLETELY RIGHT.
274
00:10:37,332 --> 00:10:38,812
IT WOULD BE GOOD FOR US
TO GET AWAY.
275
00:10:38,812 --> 00:10:40,117
YOU DON'T GET--
276
00:10:42,642 --> 00:10:44,426
I NEED TIME AWAY
FROM YOU.
277
00:10:56,699 --> 00:10:58,614
A, B, C, D--
278
00:10:58,614 --> 00:11:00,398
STOP!
279
00:11:00,398 --> 00:11:01,225
LISTEN TO THIS, PICKERING.
280
00:11:01,225 --> 00:11:03,184
THIS POOR,
UNFORTUNATE ANIMAL
281
00:11:03,184 --> 00:11:05,273
HAS BEEN LOCKED UP FOR...
282
00:11:05,273 --> 00:11:06,796
UH, LINE.
283
00:11:06,796 --> 00:11:07,797
"9 YEARS."
284
00:11:07,797 --> 00:11:09,973
FOR 9 YEARS IN...
285
00:11:09,973 --> 00:11:11,583
IN SCHOOL AT OUR EXPENSE
286
00:11:11,583 --> 00:11:15,892
TO LEARN TO SPEAK
AND READ THE LANGUAGE
OF, UH...
287
00:11:15,892 --> 00:11:16,893
LINE.
288
00:11:16,893 --> 00:11:18,025
"SHAKESPEARE
AND MILTON."
289
00:11:18,025 --> 00:11:19,591
RIGHT.
290
00:11:19,591 --> 00:11:22,682
WELL, CHARLIE,
I HOPE YOU'RE BETTER
AT YOUR JOB INTERVIEW
291
00:11:22,682 --> 00:11:24,684
THAN YOU ARE
WITH THESE SPEECHES.
292
00:11:24,684 --> 00:11:26,511
HEY, I THINK I'M
DOING OK, CONSIDERING.
293
00:11:26,511 --> 00:11:28,252
GIVE ME A BREAK.
294
00:11:28,252 --> 00:11:32,126
MAN, IF ANYBODY EVER
TOLD ME THAT YOU WOULD
END UP IN A MUSICAL WITH...
295
00:11:32,126 --> 00:11:35,129
LIKE, THIS
COMPLETE LUNATIC FROM,
LIKE, THE PLANET ZORK...
296
00:11:35,129 --> 00:11:37,784
NOT IN A MILLION YEARS.
297
00:11:37,784 --> 00:11:39,481
THAT'S WHAT HAPPENS.
298
00:11:39,481 --> 00:11:42,353
MEET ONE PERSON,
AND IT CHANGES YOUR
WHOLE LIFE LIKE THAT.
299
00:11:42,353 --> 00:11:44,921
MAN, I HAVEN'T
WORN THESE THINGS
IN MONTHS.
300
00:11:44,921 --> 00:11:45,922
THEY'RE ALL SCUFFED.
301
00:11:45,922 --> 00:11:47,097
HERE, GIMME.
302
00:11:47,097 --> 00:11:49,230
THERE'S, UH, THERE'S
POLISH DOWNSTAIRS.
303
00:11:50,579 --> 00:11:51,711
I'LL MISS YOU.
304
00:11:53,538 --> 00:11:54,801
YOU, TOO.
305
00:12:00,328 --> 00:12:02,417
UM, OK, FINE,
WE COULD, UH...
306
00:12:02,417 --> 00:12:04,767
WE COULD HAVE
A MOVIE MARATHON
ALL WEEKEND.
307
00:12:04,767 --> 00:12:06,421
HOW ABOUT THAT?
NO. I KNOW.
308
00:12:06,421 --> 00:12:08,989
I KNOW. I KNOW.
WE'LL GO TO, UH,
PEOPLE'S PARK,
309
00:12:08,989 --> 00:12:10,425
AND WE'LL
CATCH SQUIRRELS,
310
00:12:10,425 --> 00:12:12,383
AND WE'LL TRAIN
THEM AS OUR PETS.
311
00:12:12,383 --> 00:12:13,428
HOW'S THAT, HUH?
312
00:12:13,428 --> 00:12:14,995
SEE?
YOU LIKE THAT, HUH?
313
00:12:14,995 --> 00:12:17,562
OR WE COULD, UH,
WE COULD TEACH THEM
314
00:12:17,562 --> 00:12:20,174
TO BE OUR LITTLE
RODENT HELPERS.
315
00:12:22,263 --> 00:12:23,830
WHEN DID YOU GET BACK?
316
00:12:23,830 --> 00:12:25,919
COUPLE DAYS AGO.
317
00:12:25,919 --> 00:12:27,398
OH.
318
00:12:27,398 --> 00:12:28,660
NO ONE SAID.
319
00:12:28,660 --> 00:12:29,836
REALLY?
I THOUGHT I--
320
00:12:29,836 --> 00:12:33,317
NO. NO.
NO, YOU DIDN'T.
321
00:12:33,317 --> 00:12:36,538
SO--SO SHE TELL YOU
WHAT'S GOING ON WITH US?
322
00:12:37,931 --> 00:12:40,324
YOU KNOW, I HEAR
THAT THEY HAVE, UH,
323
00:12:40,324 --> 00:12:43,197
SOME REALLY NICE
ART GALLERIES
UP IN TAOS.
324
00:12:48,506 --> 00:12:51,074
I DON'T KNOW IF
I'M GOING ANYMORE.
325
00:12:51,074 --> 00:12:54,556
I DON'T THINK RIGHT NOW
WOULD BE THE BEST TIME.
326
00:13:00,910 --> 00:13:04,958
IT IS SO NOTHING
COMPARED TO WHAT YOU DID
FOR ME AND NATALIE.
327
00:13:04,958 --> 00:13:06,960
I ACTUALLY FEEL
A LITTLE SILLY.
328
00:13:06,960 --> 00:13:08,004
NO, IT'S SWEET.
329
00:13:08,004 --> 00:13:09,963
BAILEY, LOOK
WHAT ANNIE MADE ME.
330
00:13:09,963 --> 00:13:12,052
YEAH, I KNOW.
I GOT A LANYARD.
331
00:13:12,052 --> 00:13:14,271
WHICH MEETING ARE YOU
GOING TO TONIGHT?
332
00:13:14,271 --> 00:13:17,231
1:30. THEN
I CAN PICK NAT UP
FROM SCHOOL AFTER.
333
00:13:17,231 --> 00:13:19,146
HUH. 1:30.
334
00:13:19,146 --> 00:13:21,670
WELL, MAYBE IF I CAN
GET THE CHICKEN GUY
TO COME A HALF HOUR EARLY,
335
00:13:21,670 --> 00:13:23,672
I CAN SWING BY AFTER
AND GET YOU.
336
00:13:23,672 --> 00:13:26,240
IF I HAD HIS NUMBER HERE,
I'D GIVE HIM A CALL.
337
00:13:26,240 --> 00:13:27,981
UM...
338
00:13:27,981 --> 00:13:30,113
OR...
339
00:13:30,113 --> 00:13:33,247
NO. ACTUALLY, WE COULD
JUST--WE'LL CATCH UP
LATER ON TONIGHT,
340
00:13:33,247 --> 00:13:34,596
DEPENDING ON--
341
00:13:34,596 --> 00:13:37,120
NO, NO.
TONIGHT'S GOOD.
342
00:13:37,120 --> 00:13:38,295
CAN WE DO DINNER?
343
00:13:38,295 --> 00:13:39,688
YEAH, DINNER.
344
00:13:39,688 --> 00:13:41,124
YEAH, I--I'LL
BRING BY SOME...
345
00:13:41,124 --> 00:13:43,692
UM...
346
00:13:43,692 --> 00:13:45,912
YOU KNOW, WE'LL
FIGURE IT OUT LATER.
347
00:13:47,914 --> 00:13:49,916
OK. SO I GOTTA
GET GOING.
348
00:13:49,916 --> 00:13:51,091
I'LL SEE YOU LATER.
349
00:13:51,091 --> 00:13:51,961
BYE.
350
00:13:53,963 --> 00:13:55,182
YIKES.
351
00:13:55,182 --> 00:13:57,053
SOMEBODY SHOULD
DEFINITELY SWITCH TO DECAF.
352
00:13:57,053 --> 00:14:00,056
HE'S TERRIFIED...
353
00:14:00,056 --> 00:14:04,669
YOU KNOW, OF, UH, OF
DOING THE WRONG THING OR
SAYING THE WRONG THING.
354
00:14:04,669 --> 00:14:06,628
AND IT'S NOT JUST HIM.
355
00:14:06,628 --> 00:14:08,151
IT'S ME, TOO.
356
00:14:08,151 --> 00:14:09,892
I'M SCARED, TOO,
357
00:14:09,892 --> 00:14:11,894
'CAUSE IT WOULD BE
SO EASY TO...
358
00:14:14,854 --> 00:14:16,203
YOU KNOW, I'M SORRY.
359
00:14:16,203 --> 00:14:19,989
IS THIS AWKWARD
FOR ME TO BE TALKING
ABOUT THIS TO YOU?
360
00:14:21,730 --> 00:14:22,992
NO.
361
00:14:22,992 --> 00:14:24,864
IT'S, UH...
362
00:14:24,864 --> 00:14:25,777
NO.
363
00:14:27,997 --> 00:14:31,218
UGH. THIS IS SO HARD.
364
00:14:31,218 --> 00:14:35,352
YOU KNOW,
IF ONLY WE COULD STAY
IN BED ALL THE TIME.
365
00:14:35,352 --> 00:14:37,920
YOU KNOW WHAT?
WE'D BE FINE.
366
00:14:37,920 --> 00:14:39,574
WE WOULD BE PERFECT,
367
00:14:39,574 --> 00:14:42,838
BECAUSE THERE,
WE'RE LIKE 100%
COMPLETELY IN SYNC.
368
00:14:42,838 --> 00:14:45,145
UH-HUH.
369
00:14:45,145 --> 00:14:46,276
AND WHEN WE'RE...
370
00:14:46,276 --> 00:14:49,062
WELL, IT'S NOT LIKE
HE'S JUST DOING FOR ME.
371
00:14:49,062 --> 00:14:50,672
IT'S--IT'S MUTUAL.
372
00:14:53,718 --> 00:14:56,112
WOW. AHEM.
373
00:14:56,112 --> 00:14:59,028
YOU KNOW WHAT?
IT REALLY HELPS
TO TALK TO YOU.
374
00:15:02,075 --> 00:15:04,686
HERE.
DON'T FORGET THIS.
375
00:15:05,992 --> 00:15:07,515
LOOK...JUSTIN,
376
00:15:07,515 --> 00:15:11,127
YOU DON'T HAVE TO--YOU DON'T
HAVE TO BABY-SIT ME ALL DAY.
377
00:15:11,127 --> 00:15:13,477
YOU CAN GO HOME.
I'M NOT DEPRESSED
OR ANYTHING.
378
00:15:13,477 --> 00:15:14,522
YOU SURE?
379
00:15:14,522 --> 00:15:15,523
'CAUSE I'D BE.
380
00:15:15,523 --> 00:15:16,872
I MEAN,
I CAN'T BELIEVE
381
00:15:16,872 --> 00:15:18,482
WHAT A JERK HE WAS
TO YOU BEFORE.
382
00:15:18,482 --> 00:15:20,963
ACTUALLY, NO,
THAT'S NOT TRUE.
I CAN BELIEVE IT.
383
00:15:20,963 --> 00:15:23,270
OK, FOR THE LAST TIME,
THAT DOESN'T HELP ME.
384
00:15:23,270 --> 00:15:25,750
YOU SAYING STUFF
LIKE THAT DOESN'T HELP ME.
385
00:15:25,750 --> 00:15:28,144
I'M TRYING TO SAVE
MY MARRIAGE, JUSTIN.
I DON'T NEED--
386
00:15:28,144 --> 00:15:30,842
WHY? WHY ARE YOU
TRYING TO SAVE IT?
387
00:15:30,842 --> 00:15:32,061
I TOLD YOU ALREADY.
388
00:15:32,061 --> 00:15:34,063
I STILL LOVE HIM.
389
00:15:34,063 --> 00:15:36,239
I'M NOT READY
TO GIVE UP YET.
390
00:15:36,239 --> 00:15:38,198
GOD.
391
00:15:38,198 --> 00:15:41,070
I DON'T WANT TO BE 19
AND HAVE TO CHECK "DIVORCED"
392
00:15:41,070 --> 00:15:43,116
WHEN I'M FILLING OUT
A FORM FOR A CREDIT CARD
393
00:15:43,116 --> 00:15:44,813
OR--OR A DRIVER'S LICENSE RENEWAL.
394
00:15:44,813 --> 00:15:48,121
YEAH, KIND OF MESSES UP
YOUR PERMANENT RECORD,
RIGHT?
395
00:15:48,121 --> 00:15:49,818
SOMETHING LIKE THAT.
396
00:15:49,818 --> 00:15:51,733
THAT'S SO YOU.
397
00:15:51,733 --> 00:15:54,127
"I CAN'T FAIL
MY ROAD TEST."
398
00:15:54,127 --> 00:15:55,737
"I CAN'T FAIL
MY MIDTERMS."
399
00:15:55,737 --> 00:15:57,565
"I CAN'T FAIL
MY MARRIAGE."
400
00:15:57,565 --> 00:15:59,697
WELL, IT'S TRUE.
401
00:15:59,697 --> 00:16:01,482
IF I...
402
00:16:01,482 --> 00:16:05,486
IF WE SPLIT UP,
NO MATTER WHAT I DO
FOR THE REST OF MY LIFE,
403
00:16:05,486 --> 00:16:06,704
I'M GONNA HAVE THAT.
404
00:16:06,704 --> 00:16:08,706
I'M GONNA HAVE
THAT MARK AGAINST ME.
405
00:16:08,706 --> 00:16:10,273
I WOULD HAVE AN EX-HUSBAND.
406
00:16:10,273 --> 00:16:11,709
I'D BE AN EX-WIFE.
407
00:16:11,709 --> 00:16:14,190
YEAH, WELL, SO WHAT?
408
00:16:14,190 --> 00:16:16,801
YOU KNOW, PEOPLE
FAIL THINGS, JULIA.
409
00:16:16,801 --> 00:16:17,759
PEOPLE MAKE MISTAKES.
410
00:16:17,759 --> 00:16:19,761
IT HAPPENS.
411
00:16:19,761 --> 00:16:23,721
NOBODY'S GONNA
JUDGE YOU FOR IT.
412
00:16:23,721 --> 00:16:26,811
NOBODY THAT YOU LOVE
IS GONNA LOVE YOU
ANY LESS.
413
00:16:31,991 --> 00:16:35,559
YOU KNOW, YOU SPEND
A HELL OF A LOT OF TIME
414
00:16:35,559 --> 00:16:37,170
TRYING TO PROVE
TO EVERYBODY
415
00:16:37,170 --> 00:16:39,563
THAT YOU AND GRIFFIN
AREN'T A MISTAKE.
416
00:16:39,563 --> 00:16:40,564
NO, I DON'T.
417
00:16:40,564 --> 00:16:41,783
YEAH, YOU DO.
418
00:16:43,393 --> 00:16:45,178
LOOK...
419
00:16:45,178 --> 00:16:47,136
IF YOU'RE
GONNA STAY WITH HIM,
420
00:16:47,136 --> 00:16:49,008
JUST DO ME A FAVOR.
421
00:16:49,008 --> 00:16:51,793
MAKE SURE IT'S
FOR A GOOD REASON
422
00:16:51,793 --> 00:16:54,665
AND NOT BECAUSE
YOU THINK IT
LOOKS BAD TO LEAVE.
423
00:16:57,233 --> 00:16:58,234
CHARLIE. HEY, MAN.
424
00:16:58,234 --> 00:16:59,757
JOE ALREADY SIGNED THESE.
425
00:16:59,757 --> 00:17:01,890
THEY'RE THE TRANSFER DOCUMENTS
FOR THE LIQUOR LICENSE.
426
00:17:01,890 --> 00:17:03,457
SO, WHENEVER
YOU GET A CHANCE.
427
00:17:03,457 --> 00:17:05,285
AS SOON AS WE'RE
DONE HERE. COOL.
428
00:17:05,285 --> 00:17:07,722
WHAT IS THIS GUY BRIAN,
A GORILLA?
429
00:17:07,722 --> 00:17:09,332
OH, THE HELL WITH HIM.
430
00:17:09,332 --> 00:17:12,292
YOU'RE MY 'ENRY 'IGGINS
NOW, LOVEY.
431
00:17:12,292 --> 00:17:13,380
HEY.
432
00:17:13,380 --> 00:17:14,903
HOW'D THE INTERVIEW
GO, CHARLIE?
433
00:17:14,903 --> 00:17:17,166
OH, RIGHT.
I FORGOT ABOUT THAT.
434
00:17:17,166 --> 00:17:18,385
SO?
435
00:17:18,385 --> 00:17:20,256
UM, IT'S AN
INTERESTING PLACE.
436
00:17:20,256 --> 00:17:22,998
I MIGHT GO BACK THERE
NEXT WEEK. WE'LL SEE.
437
00:17:22,998 --> 00:17:24,043
YOU KNOW
WHAT I HATE?
438
00:17:24,043 --> 00:17:25,740
WHEN YOU GO
INTO SOME OFFICES
439
00:17:25,740 --> 00:17:27,220
AND YOU LOOK
AT THOSE CHAIRS
440
00:17:27,220 --> 00:17:28,917
WITH THOSE
BUTT IMPRINTS
ON THEM.
441
00:17:28,917 --> 00:17:32,051
IT'S, LIKE,
10, 20 YEARS
442
00:17:32,051 --> 00:17:34,009
OF SITTING,
SITTING, SITTING.
443
00:17:34,009 --> 00:17:35,402
GOD, I KNOW.
444
00:17:35,402 --> 00:17:37,273
IT'S TO BE AVOIDED
AT ALL COSTS.
445
00:17:37,273 --> 00:17:40,711
RIGHT, 'CAUSE
IT'S NOT LIKE HE HAS
A FAMILY TO SUPPORT
446
00:17:40,711 --> 00:17:42,931
OR BILLS TO PAY
OR ANYTHING.
447
00:17:42,931 --> 00:17:46,717
WELL, I'VE GOT A HOT DATE
WITH THE SEWING MACHINE.
448
00:17:46,717 --> 00:17:50,591
OH, AND WE CHANGED REHEARSAL
TO, UM, 2:30, OK?
449
00:17:50,591 --> 00:17:51,592
LATER.
450
00:17:51,592 --> 00:17:52,810
BYE.
451
00:17:52,810 --> 00:17:55,422
JULIA, YOU HAVE
SOMETHING TO SAY?
452
00:17:56,945 --> 00:17:58,729
NOT PARTICULARLY, NO.
453
00:17:58,729 --> 00:18:01,906
YEAH? 'CAUSE YOU
WERE KIND OF PISSY
WITH DAPHNE JUST NOW.
454
00:18:01,906 --> 00:18:04,300
WELL, DOES SHE HAVE
A SAY IN YOUR LIFE NOW?
455
00:18:04,300 --> 00:18:06,650
I MEAN, THAT'S
WHO YOU'RE GOING TO
FOR CAREER ADVICE,
456
00:18:06,650 --> 00:18:09,000
SOMEONE WHOSE MAIN
SOURCE OF INCOME IS
TAKING THEIR CLOTHES OFF?
457
00:18:09,000 --> 00:18:11,786
EXCUSE ME.
SHE HAPPENS TO BE
MY FRIEND.
458
00:18:11,786 --> 00:18:13,744
WELL, IS SHE
MORE THAN A FRIEND?
459
00:18:13,744 --> 00:18:14,919
HEH. WHAT IF SHE IS?
460
00:18:14,919 --> 00:18:16,921
DO YOU HAVE A PROBLEM
WITH THAT?
461
00:18:16,921 --> 00:18:18,271
JULIA, COME ON.
462
00:18:18,271 --> 00:18:20,360
SO WHAT IF SHE'S
A LITTLE...WACKY.
463
00:18:20,360 --> 00:18:22,275
THERE'S--THERE'S
A LOT OF PEOPLE,
464
00:18:22,275 --> 00:18:23,798
IT'S NOT OBVIOUS WHY
THEY'RE TOGETHER,
465
00:18:23,798 --> 00:18:24,929
BUT THEY
MAKE IT WORK.
466
00:18:24,929 --> 00:18:26,105
WACKY?
467
00:18:26,105 --> 00:18:28,150
NO. NO, YOU'RE WRONG.
468
00:18:28,150 --> 00:18:31,022
'CAUSE IF IT'S NOT OBVIOUS
WHY 2 PEOPLE ARE TOGETHER,
BAY, LIKE YOU SAID,
469
00:18:31,022 --> 00:18:33,851
AND PRETTY MUCH EVERYBODY
THINKS IT'S WRONG THAT
THEY'RE TOGETHER,
470
00:18:33,851 --> 00:18:36,593
AND YOU HAVE
THIS VOICE THAT YOU KEEP
TRYING TO DROWN OUT,
471
00:18:36,593 --> 00:18:38,900
BUT IT'S SAYING
THE SAME THING, TOO,
YOU KNOW WHAT?
472
00:18:38,900 --> 00:18:40,597
MAYBE YOU ARE WRONG
FOR EACH OTHER.
473
00:18:48,475 --> 00:18:50,738
I THINK I'M ALLERGIC
TO YOUR AFTERSHAVE.
474
00:18:51,913 --> 00:18:53,219
REALLY?
475
00:18:53,219 --> 00:18:54,394
I'M SORRY.
476
00:18:54,394 --> 00:18:57,048
NO. NO, NO, IT'S OK.
477
00:18:57,048 --> 00:19:00,095
IT'S--IT'S GOOD, ACTUALLY.
478
00:19:00,095 --> 00:19:01,923
AT LEAST WE'RE TALKING.
479
00:19:01,923 --> 00:19:04,665
YOU'RE RIGHT.
IT IS GOOD.
480
00:19:04,665 --> 00:19:06,971
SO...
481
00:19:06,971 --> 00:19:10,888
WHAT WERE YOU
THINKING JUST NOW?
482
00:19:10,888 --> 00:19:14,936
ACTUALLY, I WAS THINKING
THAT THE THING
THAT YOU DID BEFORE
483
00:19:14,936 --> 00:19:16,894
WITH YOUR TONGUE
IN MY EAR...
484
00:19:16,894 --> 00:19:18,592
YEAH?
485
00:19:18,592 --> 00:19:21,029
I KIND OF
DIDN'T LIKE THAT.
486
00:19:21,029 --> 00:19:25,033
IT MADE ME FEEL LIKE
I SHOULD GO GET A Q-TIP
OR SOMETHING.
487
00:19:27,818 --> 00:19:32,040
ALL RIGHT.
488
00:19:32,040 --> 00:19:33,737
I--I...
489
00:19:33,737 --> 00:19:34,956
THAT WAS HONEST.
490
00:19:34,956 --> 00:19:36,044
I CAN ACCEPT THAT.
491
00:19:39,090 --> 00:19:40,657
ONE OTHER THING,
492
00:19:40,657 --> 00:19:43,094
BESIDES
THAT AFTERSHAVE...
493
00:19:43,094 --> 00:19:46,185
I WAS...
494
00:19:46,185 --> 00:19:49,971
I WAS THINKING, UM,
I'M SURPRISED
THAT YOU'RE HERE.
495
00:19:49,971 --> 00:19:50,972
WITH ME.
496
00:19:50,972 --> 00:19:51,886
NOW.
497
00:19:53,583 --> 00:19:55,194
I...
498
00:19:55,194 --> 00:19:57,370
WELL, I--
YOU KNOW, I DIDN'T
NECESSARILY EXPECT
499
00:19:57,370 --> 00:20:00,764
THAT YOU WOULD
BE HERE FOR ME
WHEN I GOT BACK.
500
00:20:03,245 --> 00:20:05,116
REALLY?
501
00:20:05,116 --> 00:20:06,292
YOU REALLY THOUGHT THAT?
502
00:20:06,292 --> 00:20:09,033
BAILEY, YOU DID
LEAVE BEFORE.
503
00:20:10,600 --> 00:20:13,255
WELL, YEAH, I DID,
BUT--BUT...
504
00:20:13,255 --> 00:20:17,651
WHEN YOU LOOK AT IT NOW,
IT'S LIKE I DID YOU A FAVOR.
505
00:20:17,651 --> 00:20:19,566
WELL, HOW DO
YOU FIGURE THAT?
506
00:20:19,566 --> 00:20:22,046
WELL, I MEAN...
507
00:20:22,046 --> 00:20:25,093
I LEFT, AND YOU GOT HELP.
508
00:20:25,093 --> 00:20:27,661
IT'S LIKE
YOU WAITED UNTIL I WAS
OUT OF HERE AND THEN--
509
00:20:27,661 --> 00:20:30,577
WAIT. I GOT HELP
WHEN I COULD FACE THAT
I REALLY NEEDED IT.
510
00:20:30,577 --> 00:20:34,102
I MEAN, ISN'T THAT
WHAT YOU WANTED?
511
00:20:34,102 --> 00:20:36,104
O-OK. OK, FINE.
512
00:20:38,628 --> 00:20:41,109
OH.
513
00:20:41,109 --> 00:20:43,720
YOU KNOW WHAT?
I SEE.
514
00:20:43,720 --> 00:20:45,113
WHAT?
515
00:20:45,113 --> 00:20:48,116
ARE YOU MAD
'CAUSE I DIDN'T
LET YOU RESCUE ME?
516
00:20:48,116 --> 00:20:49,335
NO. NO.
IS THAT IT?
517
00:20:49,335 --> 00:20:51,206
THAT'S NOT IT.
I'M NOT MAD.
518
00:20:51,206 --> 00:20:53,513
I'M--I'M...
519
00:20:53,513 --> 00:20:55,471
I'M NOT MAD AT YOU. LOOK...
520
00:20:57,473 --> 00:20:59,780
THIS WAS A BAD IDEA.
LET'S JUST--
521
00:20:59,780 --> 00:21:02,173
WHAT? WHAT, ANOTHER
ROLL IN THE HAY?
522
00:21:02,173 --> 00:21:04,219
WE CAN KEEP
OUR MOUTHS BUSY
523
00:21:04,219 --> 00:21:05,829
SO WE DON'T HAVE
TO SAY ANYTHING?
524
00:21:05,829 --> 00:21:07,570
NO, THAT IS NOT...
525
00:21:11,052 --> 00:21:11,966
LOOK...
526
00:21:15,230 --> 00:21:16,492
MAYBE I SHOULD GO.
527
00:21:17,624 --> 00:21:19,190
WHY DON'T YOU?
528
00:21:31,855 --> 00:21:34,510
WE HAVE THERAPY
IN THE MORNING.
529
00:21:34,510 --> 00:21:36,730
AT 11:00, I THINK.
530
00:21:36,730 --> 00:21:38,297
SINCE YOU'RE
NOT GOING AWAY.
531
00:21:38,297 --> 00:21:39,298
UH-UH.
532
00:21:39,298 --> 00:21:41,212
I'LL PASS.
533
00:21:41,212 --> 00:21:43,258
YOU'RE NOT GONNA COME?
534
00:21:43,258 --> 00:21:45,434
THAT'S WHAT I SAID.
535
00:21:45,434 --> 00:21:47,567
WE CAN'T GET OUR MONEY BACK
FOR THE APPOINTMENT.
536
00:21:47,567 --> 00:21:48,959
IT'S TOO LATE.
537
00:21:48,959 --> 00:21:50,047
YEAH. WHATEVER.
538
00:21:53,834 --> 00:21:57,141
GRIFFIN, DO--DO YOU CARE ABOUT
THIS RELATIONSHIP OR NOT?
539
00:21:57,141 --> 00:22:00,667
'CAUSE EVERY DAY
THAT GOES BY THAT
YOU'RE LIKE THIS,
540
00:22:00,667 --> 00:22:03,234
COLD AND--AND DISTANT
LIKE YOU ARE NOW,
541
00:22:03,234 --> 00:22:06,281
IT'S ONLY GONNA MAKE IT
HARDER TO EVER BE OK AGAIN.
542
00:22:06,281 --> 00:22:07,848
I MEAN,
YOU KNOW THAT, RIGHT?
543
00:22:07,848 --> 00:22:10,154
IS THAT YOUR THEORY
OR JUSTIN'S?
544
00:22:10,154 --> 00:22:12,069
WHAT?
545
00:22:12,069 --> 00:22:14,245
YOU JUST HAD
TO GO TELL HIM, HUH?
546
00:22:14,245 --> 00:22:17,074
YOU JUST HAD TO RUN
AND TELL HIM EVERYTHING.
547
00:22:17,074 --> 00:22:19,120
HE'S ONE
OF MY BEST FRIENDS.
548
00:22:19,120 --> 00:22:21,209
WHAT WAS I SUPPOSED
TO DO, LIE?
549
00:22:21,209 --> 00:22:24,299
MAN, JUST THE IDEA
OF THIS SMART-ASS GUY
THAT YOU SLEPT WITH
550
00:22:24,299 --> 00:22:26,040
KNOWING WHAT'S
GOING ON WITH US...
551
00:22:26,040 --> 00:22:29,217
AND HAVING
AN OPINION ABOUT IT.
I HATE THAT.
552
00:22:29,217 --> 00:22:31,262
WHAT IS THIS?
553
00:22:31,262 --> 00:22:33,700
EVERYTHING IS A FIGHT
ALL THE TIME--
554
00:22:33,700 --> 00:22:38,313
MY FRIEND. YOUR TRIP.
DO WE GO TO THERAPY?
DON'T WE GO TO THERAPY?
555
00:22:38,313 --> 00:22:42,665
I MEAN, WE CAN'T HAVE
ONE CONVERSATION WITHOUT IT
TURNING INTO AN ARGUMENT.
556
00:22:42,665 --> 00:22:43,536
WHY IS THAT?
557
00:22:45,015 --> 00:22:47,322
WHY IS THAT, GRIFFIN?
558
00:22:47,322 --> 00:22:49,455
I DON'T KNOW.
559
00:22:49,455 --> 00:22:51,370
WHY DON'T YOU GO
ASK JUSTIN?
560
00:22:56,853 --> 00:22:58,855
I'M GOING TO SLEEP.
561
00:23:04,252 --> 00:23:06,297
♪ I'VE GOT IT BAD ♪
562
00:23:06,297 --> 00:23:08,822
♪ FOR A GIRL WHO
DOESN'T TALK SO GOOD ♪
563
00:23:08,822 --> 00:23:13,217
♪ SHE FILLS MY SOUL
WITH HER YAMMERING,
STAMMERING ♪
564
00:23:13,217 --> 00:23:16,264
♪ MY HEART
IS CLAMORING ♪
565
00:23:17,874 --> 00:23:19,528
♪ 'E THINKS I'M LOW ♪
566
00:23:19,528 --> 00:23:22,226
♪ SHE DOESN'T KNOW ♪
567
00:23:22,226 --> 00:23:24,446
♪ PITIFUL AND SLOW ♪
568
00:23:24,446 --> 00:23:26,927
♪ NO, NO, NO ♪
569
00:23:26,927 --> 00:23:31,235
♪ COMMON AS THE DIRT
THAT IS UNDER 'IS SHOE ♪
570
00:23:31,235 --> 00:23:36,676
♪ OH, BUT HOW CAN YOU THINK
THAT I THINK THAT OF YOU? ♪
571
00:23:36,676 --> 00:23:40,157
WAIT, WAIT, WAIT, WAIT.
CAN WE STOP?
572
00:23:40,157 --> 00:23:42,203
WHAT'S THE MATTER?
IT WAS GOING GREAT.
573
00:23:42,203 --> 00:23:43,422
IT DOESN'T MAKE SENSE.
574
00:23:43,422 --> 00:23:45,424
THE SONG
DOESN'T MAKE SENSE.
575
00:23:45,424 --> 00:23:46,729
SURE IT DOES.
576
00:23:46,729 --> 00:23:48,557
HOW COME HE CAN HEAR
WHAT SHE'S SAYING,
577
00:23:48,557 --> 00:23:50,385
AND SHE CAN'T HEAR
WHAT HE IS?
578
00:23:50,385 --> 00:23:52,213
IT'S A SONG, CHARLIE.
579
00:23:52,213 --> 00:23:54,215
IT DOESN'T
HAVE TO BE LOGICAL.
580
00:23:54,215 --> 00:23:56,609
WELL, I DON'T GET IT.
581
00:23:56,609 --> 00:23:58,480
OK, YOU'RE JUST NERVOUS,
582
00:23:58,480 --> 00:24:00,308
WHICH IS OK.
IT'S OK.
583
00:24:00,308 --> 00:24:03,659
I MEAN, GOD,
I REMEMBER THE NIGHT BEFORE
MY FIRST BACHELOR PARTY,
584
00:24:03,659 --> 00:24:05,705
I THREW UP,
LIKE, 6 TIMES.
585
00:24:05,705 --> 00:24:09,317
WHICH IS GREAT, ACTUALLY,
'CAUSE I LOOKED REALLY
SKINNY IN MY G-STRING.
586
00:24:09,317 --> 00:24:12,233
I DIDN'T SAY
THAT I WAS NERVOUS.
587
00:24:12,233 --> 00:24:13,887
OK. FINE.
588
00:24:13,887 --> 00:24:14,888
YOU'RE NOT NERVOUS.
589
00:24:14,888 --> 00:24:16,455
CAN WE KEEP GOING THEN?
590
00:24:16,455 --> 00:24:18,021
NO. NO,
591
00:24:18,021 --> 00:24:19,936
'CAUSE IT WOULD BE
THIS GIANT HELP
592
00:24:19,936 --> 00:24:22,199
IF I KNEW WHAT WE
WERE SINGING ABOUT.
593
00:24:22,199 --> 00:24:25,855
YOU ARE SINGING
ABOUT A MAN WHO
IS SUCH A PAIN IN THE ASS
594
00:24:25,855 --> 00:24:28,249
THAT WHEN HE'S WITH
THE WOMAN THAT HE LOVES,
595
00:24:28,249 --> 00:24:31,470
HE ACTS LIKE SUCH A JERK
THAT SHE THINKS HE HATES HER.
596
00:24:31,470 --> 00:24:36,039
YEAH. LIKE THOSE
2 PEOPLE ARE EVER GONNA
END UP TOGETHER.
597
00:24:36,039 --> 00:24:39,173
WELL, HONEY,
THAT'S KIND OF THE POINT
OF THE ENTIRE PLAY.
598
00:24:39,173 --> 00:24:41,175
SO EITHER YOU BUY IT
OR YOU DON'T.
599
00:24:41,175 --> 00:24:43,351
CAN WE TAKE IT
FROM THE TOP, PLEASE?
600
00:24:49,009 --> 00:24:50,184
DO YOU LIKE IT?
601
00:24:50,184 --> 00:24:52,012
YES. YOU LOOK
VERY PRETTY.
602
00:24:52,012 --> 00:24:54,014
YOU HAVE A DRESS
THIS COLOR.
603
00:24:54,014 --> 00:24:55,015
YES, I DO.
604
00:24:55,015 --> 00:24:56,799
GO TRY ON
THE OTHER ONE.
605
00:24:59,236 --> 00:25:01,978
SHE INSISTED THAT
YOU COME WITH US,
606
00:25:01,978 --> 00:25:04,024
SO THERE'S
NO GETTING AROUND IT.
607
00:25:04,024 --> 00:25:06,026
YOU NOW HAVE
A LITTLE SISTER.
608
00:25:06,026 --> 00:25:07,897
WELL, I'VE ALWAYS
WANTED ONE.
609
00:25:07,897 --> 00:25:10,204
UM...
610
00:25:10,204 --> 00:25:12,206
DID HE SAY ANYTHING TO YOU,
611
00:25:12,206 --> 00:25:13,337
UH, ABOUT LAST NIGHT?
612
00:25:13,337 --> 00:25:16,123
HE BAILEY?
613
00:25:16,123 --> 00:25:17,080
NO.
614
00:25:17,080 --> 00:25:19,387
YOU KNOW, I'M SORRY.
I SHOULDN'T.
615
00:25:19,387 --> 00:25:21,171
IT'S NOT JUNIOR HIGH SCHOOL.
616
00:25:21,171 --> 00:25:22,085
NEVER MIND.
617
00:25:24,044 --> 00:25:26,481
DID SOMETHING...
618
00:25:26,481 --> 00:25:27,482
DID SOMETHING HAPPEN?
619
00:25:29,266 --> 00:25:31,138
WELL, WE'RE IN BED,
620
00:25:31,138 --> 00:25:32,618
NEEDLESS TO SAY,
621
00:25:32,618 --> 00:25:35,577
AND WE TRY,
YOU KNOW, WE ATTEMPT
622
00:25:35,577 --> 00:25:39,363
TO HAVE A CONVERSATION
THAT'S MORE THAN JUST,
"OOH, OOH, YES, RIGHT THERE."
623
00:25:39,363 --> 00:25:40,408
YOU KNOW?
624
00:25:40,408 --> 00:25:42,236
AND THEN,
2 SECONDS LATER,
625
00:25:42,236 --> 00:25:45,892
WE ARE HAVING
THIS INSANE FIGHT,
AND HE'S LEAVING.
626
00:25:45,892 --> 00:25:48,155
GOD.
627
00:25:48,155 --> 00:25:50,200
YOU KNOW,
AND ON TOP OF THAT,
628
00:25:50,200 --> 00:25:54,074
HE TELLS ME THAT HE
DOESN'T LIKE THIS THING
I DO WITH MY TONGUE.
629
00:25:54,074 --> 00:25:55,336
OH, YOU KNOW WHAT?
630
00:25:55,336 --> 00:25:58,469
I'M GONNA SEE
IF THEY HAVE THIS
IN LONG SLEEVES.
631
00:26:13,528 --> 00:26:16,139
I NEED YOU
TO GET THE HELL
OUT OF OUR LIVES,
632
00:26:16,139 --> 00:26:18,402
ALL RIGHT?
YOU NEED TO BUTT OUT,
633
00:26:18,402 --> 00:26:20,840
'CAUSE, UH,
YOU DON'T HAVE A VOTE
WITH US, ALL RIGHT?
634
00:26:20,840 --> 00:26:23,843
YOU DON'T HAVE A VOTE
ON WHETHER JULIA AND I
635
00:26:23,843 --> 00:26:25,322
GET TO STAY TOGETHER
OR NOT.
636
00:26:25,322 --> 00:26:26,715
MMM.
637
00:26:26,715 --> 00:26:28,325
YOU LOVE THIS,
DON'T YOU?
638
00:26:28,325 --> 00:26:30,327
YOU LOVE THAT WE'RE
HAVING PROBLEMS.
639
00:26:30,327 --> 00:26:33,330
NOW YOU GET TO BE
THE BIG SUPPORTIVE FRIEND.
640
00:26:33,330 --> 00:26:36,290
"DON'T WORRY, JULIA.
I'LL TAKE CARE OF YOU."
641
00:26:36,290 --> 00:26:39,206
YOU'RE JUST
WAITING FOR YOUR CHANCE
TO GET BACK WITH HER.
642
00:26:39,206 --> 00:26:42,296
EXCUSE ME,
BUT NONE OF THIS
WOULD BE GOING ON
643
00:26:42,296 --> 00:26:45,342
IF YOU HADN'T
GONE AND DONE IT
WITH SOMEONE ELSE.
644
00:26:45,342 --> 00:26:47,170
HEY.
645
00:26:47,170 --> 00:26:48,650
"HEY"?
646
00:26:48,650 --> 00:26:52,045
YOU KNOW,
JULIA'S WALKING AROUND
LIKE THIS IS HER FAULT.
647
00:26:52,045 --> 00:26:55,048
YOU GO AND YOU--
YOU SLEEP WITH SOME BIMBO,
648
00:26:55,048 --> 00:26:57,528
AND YOUR WIFE
IS FEELING GUILTY.
649
00:26:57,528 --> 00:26:58,965
HOW'D YOU MANAGE THAT, HUH?
650
00:26:58,965 --> 00:27:00,662
DID SHE TELL YOU THIS,
651
00:27:00,662 --> 00:27:02,795
OR IS THIS YOUR
PERSONAL INTERPRETATION?
652
00:27:02,795 --> 00:27:07,234
WHY DON'T YOU TELL ME
ONE THING THAT YOU HAVE DONE
TO DESERVE HER?
653
00:27:07,234 --> 00:27:08,278
WHAT?
654
00:27:08,278 --> 00:27:10,106
WHAT DOES SHE GET FROM YOU?
655
00:27:10,106 --> 00:27:13,109
I MEAN, WHAT DO--
WHAT DO YOU GIVE HER?
656
00:27:13,109 --> 00:27:14,197
LOYALTY? NO.
657
00:27:14,197 --> 00:27:16,460
SUPPORT? NO.
658
00:27:18,288 --> 00:27:19,246
INTELLECTUAL
STIMULATION--
659
00:27:19,246 --> 00:27:21,770
SHUT UP!
660
00:27:21,770 --> 00:27:25,208
YOU KNOW, SHE IS SAD
ALL THE TIME.
661
00:27:25,208 --> 00:27:29,169
YOU KNOW WHAT
THE ONE THING YOU COULD
DO FOR HER IS?
662
00:27:29,169 --> 00:27:31,737
THE BIGGEST FAVOR
YOU COULD GIVE HER...
663
00:27:31,737 --> 00:27:34,609
IS GO ON YOUR TRIP
AND DON'T COME BACK.
664
00:27:41,181 --> 00:27:42,791
OH. HEY.
665
00:27:42,791 --> 00:27:43,836
HI.
666
00:27:43,836 --> 00:27:45,315
CHARLIE FORGOT THESE.
667
00:27:45,315 --> 00:27:46,926
IS HE AROUND ANYWHERE?
668
00:27:46,926 --> 00:27:49,058
UH, HE TOOK A WALK.
669
00:27:49,058 --> 00:27:50,233
UH-OH.
670
00:27:50,233 --> 00:27:52,627
UH-OH, I BET
HE'S GOT STAGE FRIGHT.
671
00:27:52,627 --> 00:27:53,628
HMM.
672
00:27:53,628 --> 00:27:55,369
PROBABLY.
673
00:27:55,369 --> 00:27:57,719
IS YOUR BOYFRIEND HERE?
674
00:27:57,719 --> 00:28:01,027
OH, YEAH.
HE'S SAVING US SEATS.
675
00:28:01,027 --> 00:28:03,594
HE'S A CUTIE.
676
00:28:03,594 --> 00:28:04,726
YEAH.
677
00:28:04,726 --> 00:28:06,946
A LITTLE INTENSE, BUT...YEAH.
678
00:28:06,946 --> 00:28:11,124
WELL, I THINK YOU GUYS
ARE REALLY SWEET TOGETHER.
679
00:28:11,124 --> 00:28:15,258
THANKS. YOU KNOW,
SO ARE YOU AND CHARLIE.
680
00:28:15,258 --> 00:28:17,565
I KNOW NOT
EVERYBODY GETS IT,
681
00:28:17,565 --> 00:28:21,177
'CAUSE HE'S SO HIM,
AND WELL, YOU'RE SO...
682
00:28:21,177 --> 00:28:25,138
YOU, AND IT'S JUST
NOT LIKE YOU'RE EXACTLY
THE GIRL NEXT DOOR,
683
00:28:25,138 --> 00:28:27,227
BUT HEY,
I'M ROOTING FOR YOU.
684
00:28:27,227 --> 00:28:29,446
I SHOULD, UM, AHEM,
685
00:28:29,446 --> 00:28:30,404
FINISH GETTING READY.
686
00:28:30,404 --> 00:28:32,145
ALL RIGHT.
687
00:28:32,145 --> 00:28:33,407
WELL, GOOD LUCK.
688
00:28:33,407 --> 00:28:36,323
YOU'RE NOT SUPPOSED
TO SAY THAT
TO AN ACTOR.
689
00:28:36,323 --> 00:28:37,237
SORRY.
690
00:28:41,241 --> 00:28:43,634
TOO LATE.
691
00:28:43,634 --> 00:28:45,245
PUT OUT THE LIGHTS, ELIZA,
692
00:28:45,245 --> 00:28:48,857
AND TELL MRS. PEARCE
NOT TO MAKE ME COFFEE
IN THE MORNING.
693
00:28:48,857 --> 00:28:49,728
I'LL TAKE TEA.
694
00:29:02,349 --> 00:29:05,178
WHAT THE DEVIL
HAVE I DONE
WITH MY SLIPPERS?
695
00:29:07,267 --> 00:29:08,964
HERE ARE
YOUR SLIPPERS!
696
00:29:08,964 --> 00:29:12,838
AND THERE,
TAKE YOUR SLIPPERS,
697
00:29:12,838 --> 00:29:15,841
AND MAY YOU NEVER
HAVE A DAY'S LUCK
WITH THEM!
698
00:29:15,841 --> 00:29:17,407
WHAT ON EARTH?
699
00:29:17,407 --> 00:29:19,975
WHAT DID YOU THROW
THOSE SLIPPERS AT ME FOR?
700
00:29:19,975 --> 00:29:23,500
BECAUSE I WANTED
TO SMASH YOUR FACE!
701
00:29:23,500 --> 00:29:24,937
WHAT'S THE MATTER?
702
00:29:24,937 --> 00:29:26,895
Jamie, we're not
at the movies.
703
00:29:26,895 --> 00:29:29,506
...WHERE YOU
PICKED ME OUT OF,
IN THE GUTTER?!
704
00:29:29,506 --> 00:29:31,944
YOU THANK GOD
THAT IT'S ALL OVER
705
00:29:31,944 --> 00:29:35,164
AND YOU CAN JUST
THROW ME BACK AGAIN
THERE, DO YOU?
706
00:29:43,999 --> 00:29:47,873
ARE YOU FINDING THIS
REALLY SAD?
707
00:29:47,873 --> 00:29:49,657
YOU MEAN
CHARLIE'S ACTING?
708
00:29:52,486 --> 00:29:54,314
NICE SHOT
WITH THE SLIPPERS.
709
00:29:59,014 --> 00:30:02,931
♪ YOU TAUGHT ME
HOW TO SPEAK ♪
710
00:30:02,931 --> 00:30:06,630
♪ YOU TAUGHT ME
HOW TO FEEL ♪
711
00:30:06,630 --> 00:30:07,718
♪ I OWE ♪
712
00:30:07,718 --> 00:30:08,894
♪ MY LIFE ♪
713
00:30:08,894 --> 00:30:11,548
♪ MY LOVE,
MY LIFE ♪
714
00:30:11,548 --> 00:30:18,512
♪ I OWE MY LIFE TO YOU ♪
715
00:30:23,560 --> 00:30:24,953
WHAT ARE YOU
SO PISSED OFF ABOUT?
716
00:30:24,953 --> 00:30:27,086
YOU DON'T THINK
HENRY AND ELIZA
SHOULD BE TOGETHER.
717
00:30:27,086 --> 00:30:29,131
CHARLIE, WHO ARE
YOU TALKING ABOUT?
CHANGE THE NAMES.
718
00:30:29,131 --> 00:30:30,002
WHAT, YOU MEAN US?
719
00:30:35,094 --> 00:30:37,226
PROBABLY YOU THINK,
"HEY, WHEN I'M DONE,
720
00:30:37,226 --> 00:30:39,663
I'LL JUST TOSS HER
AND MOVE ON."
721
00:30:39,663 --> 00:30:42,101
WOULD YOU STOP
PUTTING WORDS IN MY MOUTH?
722
00:30:44,973 --> 00:30:46,845
TALK ABOUT TYPECAST!
723
00:30:50,239 --> 00:30:52,502
DID SHE REMIND YOU
OF ANYONE...
724
00:30:52,502 --> 00:30:54,765
THAT CHARACTER, THE GIRL?
725
00:30:54,765 --> 00:30:56,767
LIKE ANNIE MAYBE?
726
00:30:56,767 --> 00:30:57,899
NO.
727
00:30:57,899 --> 00:30:59,509
HUH.
728
00:30:59,509 --> 00:31:01,816
'CAUSE SHE HAD
THAT WHOLE...
729
00:31:01,816 --> 00:31:04,732
TOUGH-YET-VULNERABLE THING,
YOU KNOW,
730
00:31:04,732 --> 00:31:09,084
LIKE HER LIFE
WAS REALLY HARD, BUT SHE
DIDN'T LET IT RUIN HER.
731
00:31:09,084 --> 00:31:11,130
KIND OF REMINDED ME
OF ANNIE.
732
00:31:11,130 --> 00:31:13,306
BAILEY, YOUR SOCKS
REMIND YOU OF ANNIE.
733
00:31:13,306 --> 00:31:15,961
WELL, YEAH, THAT'S
BECAUSE SHE GOT ME THESE.
734
00:31:15,961 --> 00:31:17,919
YOU KNOW WHAT?
THAT'S IT, OK?
735
00:31:17,919 --> 00:31:19,529
WHAT--WHAT ARE YOU DOING?
736
00:31:19,529 --> 00:31:21,488
YOU'RE DRIVING ME CRAZY.
THAT'S WHAT I'M DOING.
737
00:31:21,488 --> 00:31:23,403
WAIT A SECOND. SARAH.
738
00:31:23,403 --> 00:31:25,013
SARAH,
WHY ARE WE--
HEY.
739
00:31:25,013 --> 00:31:29,409
YOU KNOW, WHEN YOU
ASKED ME IF I MINDED YOU
TALKING TO ME ABOUT HIM,
740
00:31:29,409 --> 00:31:31,019
WELL, I LIED. I MIND.
741
00:31:31,019 --> 00:31:32,847
AND YOU, YOU ARE
OBSESSED WITH HER.
742
00:31:32,847 --> 00:31:33,935
AND YOU'RE OBSESSED
WITH HIM,
743
00:31:33,935 --> 00:31:36,155
SO YOU KNOW WHAT?
TALK TO EACH OTHER, OK,
744
00:31:36,155 --> 00:31:38,026
AND IF THAT DOESN'T
WORK, TRY AGAIN.
745
00:31:38,026 --> 00:31:39,985
AND IF THAT DOESN'T
WORK, THEN GET OVER IT,
746
00:31:39,985 --> 00:31:41,334
BECAUSE I RESIGN.
I'M DONE,
747
00:31:41,334 --> 00:31:43,814
AND I'M NOT GONNA BE
IN THE MIDDLE ANYMORE.
748
00:31:48,254 --> 00:31:49,255
HMM.
749
00:31:55,000 --> 00:31:56,827
WOW.
750
00:31:56,827 --> 00:31:59,091
HIS STUFF IS GONE.
751
00:31:59,091 --> 00:32:00,614
HE MUST HAVE GONE.
752
00:32:01,963 --> 00:32:04,487
IT FEELS WEIRD.
753
00:32:04,487 --> 00:32:07,534
IT FEELS BAD COMING HOME
TO AN EMPTY HOUSE.
754
00:32:09,666 --> 00:32:12,278
EXCEPT IT FEELS EMPTY
EVEN WHEN HE'S HERE.
755
00:32:12,278 --> 00:32:16,151
WELL, I GUESS
YOU GOTTA...DECIDE
756
00:32:16,151 --> 00:32:17,936
WHICH FEELS LESS BAD.
757
00:32:19,415 --> 00:32:21,722
I HAVE TO LEAVE HIM,
DON'T I?
758
00:32:22,810 --> 00:32:23,942
I, UH...
759
00:32:25,987 --> 00:32:27,902
I KIND OF THINK
YOU DO.
760
00:32:37,042 --> 00:32:39,522
6 MONTHS AGO...
761
00:32:39,522 --> 00:32:42,743
6 MONTHS AGO,
WE DID THAT...
762
00:32:42,743 --> 00:32:45,006
THAT WEDDING
CHARLIE MADE FOR US.
763
00:32:45,006 --> 00:32:47,878
WE--WE RENEWED OUR VOWS
IN FRONT OF EVERYBODY.
764
00:32:50,142 --> 00:32:52,013
HOW DID THIS HAPPEN
SO FAST?
765
00:32:54,320 --> 00:32:56,365
I DON'T KNOW.
766
00:32:56,365 --> 00:32:57,801
STUFF HAPPENS.
767
00:32:59,629 --> 00:33:02,067
I DON'T KNOW
HOW TO DO THIS.
768
00:33:02,067 --> 00:33:05,418
HOW DO YOU STOP
BEING MARRIED?
769
00:33:05,418 --> 00:33:07,289
YOU, UH...
770
00:33:07,289 --> 00:33:11,990
YOU KNOW, I THINK
IT PROBABLY DOESN'T
HURT FOREVER.
771
00:33:15,994 --> 00:33:17,256
YOU'LL HELP ME?
772
00:33:19,214 --> 00:33:21,912
YEAH.
OF COURSE I WILL.
773
00:33:21,912 --> 00:33:23,784
YOU WON'T THINK
I'M A LOSER?
774
00:33:27,135 --> 00:33:28,223
NO.
775
00:33:31,009 --> 00:33:32,053
NEVER.
776
00:33:32,053 --> 00:33:34,055
I COULDN'T THINK
YOU'RE A LOSER.
777
00:33:37,102 --> 00:33:40,018
I MEANT THEM,
YOU KNOW...
778
00:33:40,018 --> 00:33:41,932
MY VOWS,
WHEN I SAID THEM.
779
00:33:53,292 --> 00:33:55,946
HEY, HOW YOU DOING, EH?
780
00:33:55,946 --> 00:33:58,949
GIVE US A BOTTLE
OF CHAMPAGNE,
THE BEST YOU GOT.
781
00:34:00,038 --> 00:34:03,084
HEY, YOU.
782
00:34:03,084 --> 00:34:04,085
QUIT HOGGING
THE PRETZELS.
783
00:34:05,217 --> 00:34:06,479
THEY'RE ALL YOURS.
784
00:34:06,479 --> 00:34:08,524
COME ON, GRAB A GLASS.
TOAST WITH US HERE.
785
00:34:08,524 --> 00:34:09,917
I CAN'T DO THAT. THANKS.
786
00:34:09,917 --> 00:34:13,007
COME ON.
YOU, TOO. WANT SOME?
POUR HIM A GLASS.
787
00:34:13,007 --> 00:34:14,182
SURE.
WHAT THE HELL?
788
00:34:14,182 --> 00:34:16,663
MY FLIGHT'S
DELAYED ANYWAY.
DAMN FOG.
789
00:34:16,663 --> 00:34:18,186
SO WHAT ARE
WE TOASTING?
790
00:34:18,186 --> 00:34:20,841
WELL, PAM AND ME,
WE GOT MARRIED
2 WEEKS AGO.
791
00:34:20,841 --> 00:34:22,799
YEAH, AND WE'RE
JUST COMING BACK
FROM HAWAII.
792
00:34:22,799 --> 00:34:24,366
YEAH. NO KIDDING.
793
00:34:24,366 --> 00:34:26,107
WELL, HERE'S
TO YOU, BABE.
794
00:34:26,107 --> 00:34:27,282
MMM. TO YOU, BABY.
795
00:34:27,282 --> 00:34:30,068
GOOD LUCK.
I GIVE IT A YEAR.
796
00:34:31,591 --> 00:34:33,027
W-WHAT'D YOU SAY?
797
00:34:33,027 --> 00:34:35,682
I SAID I GIVE IT
A YEAR UNTIL SHE
GETS SICK OF YOU.
798
00:34:35,682 --> 00:34:37,118
HEY.
ANDY, PLEASE.
799
00:34:37,118 --> 00:34:38,163
NO, NO, NO. WHOA, WHOA.
800
00:34:38,163 --> 00:34:40,165
DO YOU LOVE HIM?
DO YOU LOVE HIM?
801
00:34:40,165 --> 00:34:42,123
YEAH, YOU LOVE HIM
UNTIL HE, UH...
802
00:34:42,123 --> 00:34:44,952
MESSES UP
A COUPLE OF TIMES
OR BLOWS SOME BUCKS,
803
00:34:44,952 --> 00:34:46,910
DOESN'T LIVE UP TO YOUR
DAMN EXPECTATIONS.
804
00:34:46,910 --> 00:34:48,173
YOU KNOW WHAT?
805
00:34:48,173 --> 00:34:50,000
WHY DON'T YOU GET
OUT OF HERE, HUH?
806
00:34:50,000 --> 00:34:51,741
HEY, COME ON.
TELL THE TRUTH
THERE, MISS...
807
00:34:51,741 --> 00:34:52,786
BIG HAIR.
808
00:34:52,786 --> 00:34:54,962
OH, EXCUSE ME, MRS.
809
00:34:54,962 --> 00:34:56,311
YOU KNOW IT,
AND I KNOW IT.
810
00:34:56,311 --> 00:34:57,878
AS SOON AS THIS JERK
MESSES UP ONCE,
811
00:34:57,878 --> 00:34:59,184
YOU'RE GONNA DUMP HIM
IN A SECOND.
812
00:34:59,184 --> 00:35:01,534
HEY!
ANDY,
STOP IT!
813
00:35:01,534 --> 00:35:02,709
NO!
814
00:35:02,709 --> 00:35:03,797
ANDY,
PLEASE!
815
00:35:03,797 --> 00:35:05,233
WHAT'S THE MATTER
WITH YOU, MAN?
816
00:35:05,233 --> 00:35:07,192
GET OFF.
817
00:35:07,192 --> 00:35:08,932
AAH! AAH!
818
00:35:08,932 --> 00:35:10,151
YOU'RE AN IDIOT,
YOU KNOW THAT?
819
00:35:10,151 --> 00:35:11,892
YOU'RE A REAL IDIOT.
820
00:35:16,549 --> 00:35:19,334
YOU WANT TO TELL ME
WHAT THIS WAS ABOUT?
821
00:35:19,334 --> 00:35:20,509
NO.
822
00:35:28,126 --> 00:35:29,736
YOU WANT ME
TO, UH...
823
00:35:29,736 --> 00:35:30,911
I GOT IT.
824
00:36:12,082 --> 00:36:13,171
MORNING.
825
00:36:15,303 --> 00:36:17,305
HI.
826
00:36:17,305 --> 00:36:19,525
WHAT'S IN THERE?
827
00:36:19,525 --> 00:36:21,962
NOTHING.
828
00:36:21,962 --> 00:36:23,964
CLAUD,
WHAT'S IN THERE?
829
00:36:23,964 --> 00:36:27,315
A REVIEW OF THE PLAY.
830
00:36:27,315 --> 00:36:28,403
GOD.
831
00:36:28,403 --> 00:36:31,232
I HOPE THEY DIDN'T
SLAM DAPHNE.
832
00:36:31,232 --> 00:36:32,886
OH, THEY DIDN'T.
833
00:36:32,886 --> 00:36:35,236
YADDA, YADDA, YADDA...
834
00:36:35,236 --> 00:36:37,934
"HER ELIZA DOOLITTLE
WAS A GEM."
835
00:36:37,934 --> 00:36:39,414
GOOD.
836
00:36:39,414 --> 00:36:42,243
"BUT WHAT IN THE WORLD
DID SHE SEE IN THAT
HENRY HIGGINS?
837
00:36:42,243 --> 00:36:43,940
"A WORD
TO CHARLIE SALINGER,
838
00:36:43,940 --> 00:36:45,986
"WHO, ACCORDING TO
THE PROGRAM, WAS MAKING
839
00:36:45,986 --> 00:36:47,988
"IF YOU HAVE
A DAY JOB, SIR,
840
00:36:47,988 --> 00:36:50,164
"I BEG YOU NOT
TO QUIT IT.
841
00:36:50,164 --> 00:36:54,386
AND IF YOU DON'T
HAVE ONE, PLEASE
GET ONE IMMEDIATELY."
842
00:36:54,386 --> 00:36:55,735
I, UH...
843
00:36:55,735 --> 00:36:58,172
DIDN'T WANT
TO SHOW IT TO YOU.
844
00:37:04,352 --> 00:37:06,224
HERE.
THESE ARE FOR YOU.
845
00:37:08,095 --> 00:37:09,531
YOU MIGHT WANT
TO STAY AWAY
846
00:37:09,531 --> 00:37:11,229
FROM YOUR NEIGHBOR
ACROSS THE STREET
FOR A LITTLE WHILE.
847
00:37:12,969 --> 00:37:13,970
JAMIE, WE...
848
00:37:13,970 --> 00:37:16,059
WE HAVE TO TALK.
849
00:37:22,762 --> 00:37:24,329
HOW LONG
HAVE YOU KNOWN ME?
850
00:37:24,329 --> 00:37:26,505
2 INCREDIBLE WEEKS.
851
00:37:26,505 --> 00:37:28,028
AND IN THAT 2 WEEKS,
852
00:37:28,028 --> 00:37:30,944
HOW MANY TIMES
HAVE WE SEEN EACH OTHER?
853
00:37:30,944 --> 00:37:33,033
I DON'T KNOW.
854
00:37:33,033 --> 00:37:36,384
14 TIMES IN 2 WEEKS.
855
00:37:36,384 --> 00:37:38,647
YOU KNOW WHAT THAT IS?
856
00:37:38,647 --> 00:37:40,258
EVERY DAY?
857
00:37:40,258 --> 00:37:41,998
IT'S A LOT.
858
00:37:41,998 --> 00:37:43,086
IT'S...
859
00:37:44,610 --> 00:37:47,221
IT'S TOO MUCH.
860
00:37:47,221 --> 00:37:50,093
LOOK, I LIKE YOU. I...
861
00:37:50,093 --> 00:37:52,444
I MEAN,
I REALLY LIKE YOU.
862
00:37:52,444 --> 00:37:57,057
ALL I'M SAYING IS SOMETHING
ABOUT A RELATIONSHIP
THAT'S FUN IS...
863
00:37:57,057 --> 00:37:59,538
IT'S FUN
TO MISS SOMEBODY SOMETIMES.
864
00:37:59,538 --> 00:38:01,148
YOU KNOW?
865
00:38:03,411 --> 00:38:05,283
I WANT TO MISS YOU.
866
00:38:07,415 --> 00:38:09,548
GO AWAY
SO I CAN MISS YOU.
867
00:38:14,030 --> 00:38:15,031
AND...
868
00:38:15,031 --> 00:38:16,250
LAST NIGHT,
869
00:38:16,250 --> 00:38:18,383
THERE WAS THIS MOMENT
IN THE SECOND ACT
870
00:38:18,383 --> 00:38:20,472
WHEN I THOUGHT
I WAS GONNA GO UP.
871
00:38:20,472 --> 00:38:24,432
BUT THEN...I FELT
EVERYBODY'S ENERGY
872
00:38:24,432 --> 00:38:26,434
AND GOOD VIBES...
873
00:38:26,434 --> 00:38:28,567
AND ALL OF A SUDDEN,
874
00:38:28,567 --> 00:38:30,395
I REMEMBERED MY LINES.
875
00:38:32,048 --> 00:38:33,093
SO...
876
00:38:33,093 --> 00:38:34,442
THANKS.
877
00:38:34,442 --> 00:38:35,878
I LOVE YOU GUYS.
878
00:38:42,232 --> 00:38:45,235
UH,
BEFORE WE GO, UM...
879
00:38:45,235 --> 00:38:48,108
I, UH...
880
00:38:48,108 --> 00:38:51,329
I'M SURE SOME OF YOU
READ THE REVIEW
IN THE PAPER TODAY,
881
00:38:51,329 --> 00:38:54,288
ALTHOUGH EVERYONE
WAS KIND ENOUGH
NOT TO MENTION IT.
882
00:38:55,463 --> 00:38:58,423
AND I JUST HOPE
THAT, UH...
883
00:38:58,423 --> 00:39:00,729
WHAT I HOPE
IS THAT PEOPLE
WHO READ IT
884
00:39:00,729 --> 00:39:03,123
DON'T GET SWAYED BY IT
AND NOT COME HERE.
885
00:39:03,123 --> 00:39:07,127
BECAUSE, YOU KNOW,
SOMEBODY SAYS SOMETHING
A LITTLE NEGATIVE
886
00:39:07,127 --> 00:39:08,694
AND IT KIND OF GROWS
IN YOUR MIND
887
00:39:08,694 --> 00:39:11,436
UNTIL YOU START TO THINK
MAYBE IT'S YOUR OPINION, TOO.
888
00:39:11,436 --> 00:39:16,310
AND YOU DO THAT,
AND YOU START TO
CLOSE OFF TO THINGS,
889
00:39:16,310 --> 00:39:18,965
YOU START TO MISS OUT
ON THINGS...
890
00:39:18,965 --> 00:39:22,925
THINGS THAT COULD BRING
SOMETHING REALLY GOOD
INTO YOUR LIFE,
891
00:39:22,925 --> 00:39:25,101
THINGS THAT COULD
MAKE YOU REALLY HAPPY...
892
00:39:27,974 --> 00:39:31,281
IF YOU'RE NOT SO DUMB
THAT YOU WALK AWAY
FROM THEM.
893
00:39:36,286 --> 00:39:37,462
ANYWAY...
894
00:39:39,420 --> 00:39:41,204
I WASN'T THAT HORRIBLE,
WAS I?
895
00:39:42,249 --> 00:39:43,598
NO, YOU WEREN'T.
896
00:39:43,598 --> 00:39:46,732
JUST NOW, YOU WEREN'T.
897
00:39:52,041 --> 00:39:55,393
I DON'T THINK THIS IS
GONNA COME OUT.
898
00:39:55,393 --> 00:39:57,438
TOSS IT.
899
00:39:57,438 --> 00:39:59,397
I DON'T CARE. WHATEVER.
900
00:40:02,225 --> 00:40:04,053
I'M GONNA...
901
00:40:04,053 --> 00:40:07,100
I'M GONNA CALL
MY OLD MAN.
902
00:40:07,100 --> 00:40:11,757
I'M GONNA GO CRASH
OVER THERE.
I'LL STAY WITH HIM.
903
00:40:11,757 --> 00:40:14,063
THIS REALLY MUST BE
THE LAST PLACE ON EARTH
YOU WANT TO BE
904
00:40:14,063 --> 00:40:16,109
IF YOU'RE THINKING ABOUT
GOING THERE.
905
00:40:16,109 --> 00:40:17,937
JUST LOOK AT ME.
906
00:40:20,069 --> 00:40:21,419
I CAN'T WORK.
907
00:40:21,419 --> 00:40:23,246
I...CAN'T EVEN MOVE.
908
00:40:25,074 --> 00:40:27,076
I JUST DON'T WANT YOU
DOING ALL THIS STUFF FOR ME.
909
00:40:32,081 --> 00:40:33,909
I'M DOING IT, GRIFFIN.
910
00:40:45,704 --> 00:40:49,098
HEY. HOW WAS
THE MATINEE?
911
00:40:49,098 --> 00:40:53,102
WELL, I THINK I STUNK
A LITTLE BIT LESS,
SO THAT WAS GOOD.
912
00:40:55,365 --> 00:40:57,106
HOW'S HE DOING?
913
00:40:57,106 --> 00:40:58,151
IS HE DOING ALL RIGHT?
914
00:40:58,151 --> 00:41:00,327
I GUESS.
915
00:41:00,327 --> 00:41:02,503
WELL, LISTEN, UM...
916
00:41:02,503 --> 00:41:04,287
I KNOW YOU'RE GONNA THINK
THIS IS NUTS,
917
00:41:04,287 --> 00:41:09,075
AND IF IT WERE YOU,
YOU'D DO IT DIFFERENTLY, BUT...
918
00:41:09,075 --> 00:41:10,250
THAT JOB...
919
00:41:10,250 --> 00:41:13,427
THEY WANTED ME
TO GUARANTEE THEM
2 YEARS...
920
00:41:13,427 --> 00:41:16,517
AND...I'M NOT READY
FOR THAT.
921
00:41:16,517 --> 00:41:19,128
I DON'T KNOW IF I'M READY
FOR ANY FULL-TIME THING
RIGHT NOW.
922
00:41:19,128 --> 00:41:20,826
I DON'T WANT
TO BE TIED DOWN YET.
923
00:41:20,826 --> 00:41:23,916
I DON'T WANT
TO GET STUCK, YOU KNOW?
924
00:41:23,916 --> 00:41:25,439
YEAH.
925
00:41:25,439 --> 00:41:28,442
I FEEL LIKE I'VE GOT
THIS BIG SECOND CHANCE,
926
00:41:28,442 --> 00:41:33,142
LIKE ME GETTING SICK
AND THEN GETTING BETTER
WAS GOD'S WAY OF SAYING,
927
00:41:33,142 --> 00:41:36,406
"HEY, CHARLIE,
THERE'S OTHER STUFF
OUT THERE.
928
00:41:36,406 --> 00:41:38,104
OTHER PEOPLE."
929
00:41:39,714 --> 00:41:41,499
LIKE DAPHNE?
930
00:41:41,499 --> 00:41:44,327
YEAH.
931
00:41:44,327 --> 00:41:48,157
AND...I DON'T KNOW
WHERE THINGS ARE GOING
WITH US,
932
00:41:48,157 --> 00:41:49,811
BUT I LIKE HER...
933
00:41:49,811 --> 00:41:51,509
A LOT.
934
00:41:51,509 --> 00:41:53,206
I FEEL GOOD
WITH HER.
935
00:41:53,206 --> 00:41:56,514
AND I'M NOT SAYING
YOU HAVE TO LIKE HER, JULE.
936
00:41:56,514 --> 00:41:58,385
I MEAN, I THINK YOU MIGHT
IF YOU GAVE HER A CHANCE.
937
00:41:58,385 --> 00:42:02,171
BUT, IN ANY CASE,
DO ME A FAVOR.
938
00:42:02,171 --> 00:42:04,783
DON'T DISLIKE HER
OUT LOUD, OK?
939
00:42:07,525 --> 00:42:09,570
OK.
940
00:42:09,570 --> 00:42:12,442
THANKS.
941
00:42:12,442 --> 00:42:14,706
AND I BET CHARLIE
COULD GET US
A GOOD DEAL ON THAT.
942
00:42:16,142 --> 00:42:17,491
HEY.
943
00:42:17,491 --> 00:42:20,146
HI.
944
00:42:20,146 --> 00:42:21,451
SO...
945
00:42:21,451 --> 00:42:22,540
NO DEAD BODIES.
946
00:42:22,540 --> 00:42:23,453
UH-UH.
947
00:42:25,499 --> 00:42:27,327
TURNS YOU OUT YOU KNEW US
BETTER THAN WE KNEW OURSELVES,
948
00:42:27,327 --> 00:42:29,503
BECAUSE WHAT YOU DID
949
00:42:29,503 --> 00:42:31,549
WAS EXACTLY
WHAT WE NEEDED.
950
00:42:31,549 --> 00:42:32,550
YEAH?
951
00:42:32,550 --> 00:42:33,725
YEAH.
952
00:42:33,725 --> 00:42:35,814
WE TALKED...
953
00:42:35,814 --> 00:42:39,121
ALL NIGHT TILL, LIKE,
7:00 IN THE MORNING.
954
00:42:39,121 --> 00:42:41,471
WELL, IT WAS
A LITTLE HAIRY THERE
FOR A WHILE, BUT...
955
00:42:43,430 --> 00:42:45,650
WHATEVER.
YOU KNOW WHAT?
956
00:42:45,650 --> 00:42:48,609
WE PROMISED THAT WE WERE
NOT GONNA BORE YOU WITH
ALL OF OUR STUFF ANYMORE.
957
00:42:48,609 --> 00:42:50,568
RIGHT. RIGHT, RIGHT,
RIGHT. THAT WAS...
958
00:42:50,568 --> 00:42:52,308
RULE NUMBER 12?
959
00:42:54,441 --> 00:42:57,966
ANYWAY, UH,
I GOTTA PICK UP NAT
FROM MELISSA'S.
960
00:42:57,966 --> 00:42:59,838
I'LL SEE YOU LATER.
961
00:42:59,838 --> 00:43:01,274
THANK YOU.
962
00:43:02,710 --> 00:43:03,711
SEE YA.
963
00:43:03,711 --> 00:43:05,147
BYE.
964
00:43:10,588 --> 00:43:12,241
OH, GOD,
I'M BEAT.
965
00:43:12,241 --> 00:43:14,592
I'M GONNA
HOP IN THE SHOWER
AND GET TO WORK.
966
00:43:14,592 --> 00:43:16,202
BAILEY...
967
00:43:16,202 --> 00:43:17,682
I WAS, UM...
968
00:43:17,682 --> 00:43:19,814
I WAS JUST AT DANA'S,
969
00:43:19,814 --> 00:43:21,860
AND I TOLD HER
TO GO AHEAD
970
00:43:21,860 --> 00:43:24,645
AND PUT A DOWN PAYMENT
ON THIS BEACH HOUSE
THAT SHE FOUND.
971
00:43:24,645 --> 00:43:28,083
SO I'M GONNA--
I'M GONNA GO AHEAD
AND DO THAT.
972
00:43:28,083 --> 00:43:30,259
THAT IS GREAT.
973
00:43:30,259 --> 00:43:31,739
THAT IS REALLY GREAT.
974
00:43:31,739 --> 00:43:33,262
REALLY?
975
00:43:33,262 --> 00:43:36,396
I WAS GOING
TO TALK TO YOU
ABOUT THIS.
976
00:43:36,396 --> 00:43:38,659
UM...
977
00:43:38,659 --> 00:43:42,794
ANNIE AND ME
ARE TALKING ABOUT
ME MOVING UPSTAIRS.
978
00:43:42,794 --> 00:43:46,841
I'M GONNA MOVE IN
WITH HER AND NAT.
979
00:43:46,841 --> 00:43:48,234
WOW.
980
00:43:48,234 --> 00:43:49,452
YEAH.
981
00:43:49,452 --> 00:43:50,671
AND SO IF YOU'RE
NOT GONNA BE HERE,
982
00:43:50,671 --> 00:43:52,804
WE MIGHT AS WELL
JUST LET THIS PLACE GO.
983
00:43:52,804 --> 00:43:56,634
AND THEN YOU CAN FIGURE OUT
WHAT YOU WANT TO DO
IN THE FALL.
984
00:43:56,634 --> 00:43:57,635
UNLESS...
985
00:43:57,635 --> 00:43:59,811
DOES THAT WORK FOR YOU?
986
00:43:59,811 --> 00:44:01,508
YEAH.
987
00:44:01,508 --> 00:44:04,250
YEAH, SURE.
THAT'S, UM...
988
00:44:04,250 --> 00:44:05,381
OK.
989
00:44:07,470 --> 00:44:08,863
GOOD.
990
00:44:08,863 --> 00:44:10,343
YEAH.
991
00:44:10,343 --> 00:44:12,214
GOOD.
66413
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