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♪My mama said you'll
break my heart♪
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♪I should have listened♪
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00:00:22,633 --> 00:00:26,233
♪My mama told me to be smart♪
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♪And pay attention♪
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00:00:29,933 --> 00:00:33,200
♪My mama said you'll
break my heart♪
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00:00:33,200 --> 00:00:37,133
♪I should have listened♪
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♪My mama told me to be smart♪
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♪And pay attention♪
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- [Narrator 1] Uncontrolled
sexual behavior,
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00:00:47,767 --> 00:00:52,733
usually is a sign of an
immature and insecure person.
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00:00:53,367 --> 00:00:56,067
(romantic music)
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00:00:56,067 --> 00:00:57,833
All things considered,
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00:00:57,833 --> 00:01:02,400
it's the girl who sets the
level of conduct on a date.
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00:01:02,400 --> 00:01:05,100
(romantic music)
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00:01:08,400 --> 00:01:10,900
You create or prevent situations
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00:01:10,900 --> 00:01:13,800
of sexual arousal and demands,
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by your manner, your dress,
by your general behavior.
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(gentle music)
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- [Narrator 2] Sex has always
made Americans nervous,
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00:01:28,533 --> 00:01:30,667
particularly in Hollywood.
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Why today is a woman
still wearing a bra
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when she makes love in
so many American movies?
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00:01:36,000 --> 00:01:38,033
Even in the iconic
"Sex in the City",
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00:01:38,033 --> 00:01:40,400
that claims to be
addressing sexuality,
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the breast is
always bursting out,
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00:01:42,333 --> 00:01:45,267
but the heroin still
cannot get rid of her bra.
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00:01:45,267 --> 00:01:47,300
(upbeat music)
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00:01:47,300 --> 00:01:49,300
Why is sexuality still taboo,
29
00:01:49,300 --> 00:01:51,767
40 years after the
sexual revolution,
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00:01:51,767 --> 00:01:53,633
and the emancipation of women?
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00:01:56,533 --> 00:01:59,433
In the '70s, women
burn their bras.
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00:01:59,433 --> 00:02:02,167
America is ready for
a sexual revolution.
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00:02:02,167 --> 00:02:03,400
Women take to the streets
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00:02:03,400 --> 00:02:05,567
to fight for abortion
and contraception.
35
00:02:05,567 --> 00:02:09,300
They gain power and believe
that concerning their sexuality,
36
00:02:09,300 --> 00:02:12,033
this will suffice to
counter the puritanical
37
00:02:12,033 --> 00:02:14,600
and hypercritical vision
of the American mentality.
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00:02:16,933 --> 00:02:19,867
Hollywood cinema is
the main witness.
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00:02:19,867 --> 00:02:21,233
And that's nothing new.
40
00:02:24,100 --> 00:02:27,433
In the '30s in Hollywood,
sex does not shock.
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00:02:27,433 --> 00:02:29,200
In "Blonde Venus" for example,
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Marlene Dietrich and
her friends bathe naked
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00:02:31,767 --> 00:02:33,733
under the lustful
eyes of the hunters.
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00:02:34,900 --> 00:02:36,933
The "Ballets" of Busby
Berkeley show bodies
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00:02:36,933 --> 00:02:39,267
in extremely erotic postures.
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00:02:39,267 --> 00:02:40,633
Sex sells.
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00:02:41,967 --> 00:02:43,967
Tarzan and Jane
swim totally naked
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00:02:43,967 --> 00:02:47,567
in the movie "Tarzan
and His Mate", in 1934,
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00:02:47,567 --> 00:02:48,933
in an aquatic ballet,
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00:02:48,933 --> 00:02:51,467
unequivocally representing
the sexual act.
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00:02:52,900 --> 00:02:56,200
That same year, Hedy Lamarr,
the greatest vamp of the era,
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00:02:56,200 --> 00:02:58,367
has the first female
orgasm on screen
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00:02:58,367 --> 00:03:00,567
in the sulfurous "Ecstasy".
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00:03:00,567 --> 00:03:03,133
(gentle music)
55
00:03:10,833 --> 00:03:12,533
But so much sexual freedom
56
00:03:12,533 --> 00:03:15,433
finally wakes up the
American Puritan League,
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00:03:15,433 --> 00:03:16,967
and they forced
the movie industry
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00:03:16,967 --> 00:03:19,267
to establish the famous
code of censorship,
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00:03:19,267 --> 00:03:21,400
known as the Hays Code,
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00:03:21,400 --> 00:03:24,433
which has the mission
to moralize Hollywood.
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00:03:24,433 --> 00:03:26,867
No more breasts and
buttocks on screen,
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00:03:26,867 --> 00:03:29,033
no kissing for more
than 30 seconds,
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00:03:29,033 --> 00:03:31,367
no unmarried couples
in the same bed.
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00:03:31,367 --> 00:03:33,700
Sex becomes banned overnight.
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00:03:33,700 --> 00:03:36,200
And that pervades for
more than three decades.
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00:03:37,100 --> 00:03:38,600
But this can't continue.
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00:03:38,600 --> 00:03:41,133
The winds of freedom that
blow in with the '60s,
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00:03:41,133 --> 00:03:43,033
and the mutations
that accompany it,
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00:03:43,033 --> 00:03:45,700
the pill, the sexual and
cultural revolutions,
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00:03:45,700 --> 00:03:48,433
sign the end of the
code of censorship.
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00:03:48,433 --> 00:03:52,367
America wants sex, and believes
that the time has arrived.
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00:03:52,367 --> 00:03:54,967
(gentle music)
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00:03:56,933 --> 00:04:01,467
- When we think about sex
in film, in the 1950s,
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00:04:01,467 --> 00:04:03,433
it was something very chaste.
75
00:04:03,433 --> 00:04:06,967
You think of a film
like "Pillow Talk"
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00:04:06,967 --> 00:04:10,500
with Rock Hudson and Doris Day,
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00:04:10,500 --> 00:04:13,533
and they're living
separate lives.
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00:04:13,533 --> 00:04:15,567
They're just talking
on the phone,
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00:04:15,567 --> 00:04:17,800
each lying in their bathtub.
80
00:04:17,800 --> 00:04:22,500
And a split screen has them
only just their feet touching.
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00:04:23,767 --> 00:04:24,967
- You'll find that most people
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00:04:24,967 --> 00:04:26,567
are willing to meet you halfway.
83
00:04:27,733 --> 00:04:29,967
- American in the
1950s was in a sense
84
00:04:29,967 --> 00:04:34,967
still trying to keep sex from
happening both on screen,
85
00:04:36,633 --> 00:04:38,667
as well as in real life.
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00:04:38,667 --> 00:04:40,500
But as the '60s arose,
87
00:04:40,500 --> 00:04:44,100
those old social mores
started to crumble.
88
00:04:44,100 --> 00:04:45,600
Changes in society
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00:04:45,600 --> 00:04:49,300
and what people had maybe
seen in World War II
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00:04:49,300 --> 00:04:51,100
or experienced in the '50s
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00:04:51,100 --> 00:04:53,533
could no longer be
kept under wraps.
92
00:04:53,533 --> 00:04:56,933
The 1960s became a time
of great experimentation,
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00:04:56,933 --> 00:05:01,300
whether that involved sex,
drugs or rock and roll.
94
00:05:01,300 --> 00:05:04,167
(upbeat music)
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00:05:04,167 --> 00:05:05,633
- [Narrator 2] America
then seems ready
96
00:05:05,633 --> 00:05:09,167
to open Pandora's box,
and talk about sexuality,
97
00:05:09,167 --> 00:05:11,267
while still failing
to show it head-on.
98
00:05:11,267 --> 00:05:13,800
(upbeat music)
99
00:05:15,000 --> 00:05:17,433
sexuality becomes
a serious topic.
100
00:05:17,433 --> 00:05:19,433
Educational films are
made for teenagers
101
00:05:19,433 --> 00:05:21,000
in adolescent turmoil.
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00:05:21,000 --> 00:05:23,600
(upbeat music)
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00:05:25,900 --> 00:05:28,467
Finally, science can
seize the opportunity,
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00:05:28,467 --> 00:05:30,967
to be able to speak
about the unspeakable.
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00:05:30,967 --> 00:05:33,533
(upbeat music)
106
00:05:39,633 --> 00:05:43,067
- Dr. Alfred Kinsey
began as a researcher
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00:05:43,067 --> 00:05:47,300
looking into the sexual
activity of wasps,
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00:05:47,300 --> 00:05:51,633
and his research soon
expanded into humans.
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00:05:51,633 --> 00:05:54,200
(upbeat music)
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00:05:57,600 --> 00:05:59,800
So he founded the
Institute for Sex Research
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00:05:59,800 --> 00:06:02,933
at Indiana University in 1947.
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00:06:02,933 --> 00:06:05,433
And shortly thereafter,
the first Kinsey report
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00:06:05,433 --> 00:06:10,433
on sexuality in the human
male was published in 1948,
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00:06:11,667 --> 00:06:12,967
and created a bit of a scandal.
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00:06:12,967 --> 00:06:15,067
No one had ever
sort of talked about
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00:06:15,067 --> 00:06:20,067
or studied sexuality
in such a kind of plain
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00:06:21,500 --> 00:06:26,500
and clear and
daring ways before.
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(upbeat music)
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00:06:39,700 --> 00:06:41,167
Alfred Kinsey's work
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00:06:41,167 --> 00:06:43,900
was extended by William
Masters and Virginia Johnson
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at Washington
University in St. Louis.
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00:06:48,267 --> 00:06:53,200
Their research into human
sexuality, using prostitutes,
123
00:06:54,333 --> 00:06:59,100
and other people to
study everyday practices
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00:07:01,433 --> 00:07:04,733
was unparalleled at its
time, caused a great scandal.
125
00:07:04,733 --> 00:07:08,967
It was on the cover of
places like Time Magazine.
126
00:07:08,967 --> 00:07:13,167
And it gradually opened up
people into discussing things
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00:07:13,167 --> 00:07:15,300
that had previously been hidden,
128
00:07:15,300 --> 00:07:19,467
and kind of covered up
amongst the American public.
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00:07:19,467 --> 00:07:22,667
- I ran across this
idea for doing a show
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00:07:22,667 --> 00:07:26,667
about "Masters of Sex",
because my producing partner,
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00:07:26,667 --> 00:07:29,800
Sarah Timmerman read a
review of Tom Maier's book
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00:07:29,800 --> 00:07:30,767
in the New York Times.
133
00:07:30,767 --> 00:07:34,000
It was about six years ago.
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00:07:34,000 --> 00:07:38,867
And Tom had written
this biography of
Masters and Johnson.
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00:07:38,867 --> 00:07:43,233
And he was the only one to
have researched their lives
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00:07:43,233 --> 00:07:45,567
as thoroughly as he did.
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00:07:45,567 --> 00:07:46,833
People knew that
they were famous
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00:07:46,833 --> 00:07:49,000
and that there were
sex researchers
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00:07:49,000 --> 00:07:53,067
back in the '60s and the
'70s and into the '80s.
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00:07:53,067 --> 00:07:56,100
But really no one
had ever explored
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00:07:56,100 --> 00:07:57,867
what their lives
were really like
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00:07:57,867 --> 00:08:01,300
and explored their work
to the depth that Tom did.
143
00:08:01,300 --> 00:08:03,867
(upbeat music)
144
00:08:07,800 --> 00:08:09,067
And when they collected,
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00:08:09,067 --> 00:08:12,467
they watched over 10,000
individual acts of sex.
146
00:08:12,467 --> 00:08:14,900
They monitored these
people, they charted it,
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00:08:14,900 --> 00:08:16,300
grafted the whole thing.
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00:08:17,967 --> 00:08:20,033
- [Narrator 2] This
scene from the TV series,
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00:08:20,033 --> 00:08:23,400
perfectly illustrates the real
work of Masters and Johnson.
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00:08:24,633 --> 00:08:27,233
(gentle music)
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00:08:30,567 --> 00:08:34,400
- When they got done with
looking at all this information,
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00:08:34,400 --> 00:08:38,967
they realized that women were
incredibly sexual creatures,
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00:08:38,967 --> 00:08:40,267
sexually robust,
154
00:08:40,267 --> 00:08:44,667
in fact much sort of a
more robust than men.
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Men can have one orgasm and
then they have to recover,
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00:08:47,767 --> 00:08:51,433
and the idea of men
keeping erections
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00:08:51,433 --> 00:08:53,933
is all very delicate
sort of mechanism
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00:08:53,933 --> 00:08:56,933
whereas women could
have multiple orgasms.
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00:08:56,933 --> 00:09:01,467
They didn't have to perform
in the same way that men did.
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00:09:01,467 --> 00:09:03,733
And what they discovered
was that women
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00:09:03,733 --> 00:09:08,267
could have incredibly fulfilling
and satisfying sex lives.
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00:09:08,267 --> 00:09:09,500
Now, this was news.
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00:09:09,500 --> 00:09:11,567
This was real news
when this came out,
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00:09:11,567 --> 00:09:12,800
when they were discovering
165
00:09:12,800 --> 00:09:14,567
in the late '50s
and into the '60s,
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00:09:14,567 --> 00:09:17,800
because the idea of men
being dominant in sex
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00:09:17,800 --> 00:09:19,367
was just prevalent.
168
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So they became, completely
without even trying to,
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00:09:24,033 --> 00:09:28,367
real feminist
spokespeople for women
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00:09:28,367 --> 00:09:29,967
and their relationship to sex,
171
00:09:29,967 --> 00:09:32,167
and its relationship with
the feminist movement,
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00:09:32,167 --> 00:09:34,100
the women's movement
that was emerging.
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It wasn't really by design,
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00:09:36,133 --> 00:09:38,867
but the science had
led them there anyway.
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00:09:38,867 --> 00:09:41,700
(people shouting)
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00:09:42,733 --> 00:09:44,700
- The sexual
revolution in America
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00:09:44,700 --> 00:09:48,467
was probably unlike
a sexual revolution
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00:09:48,467 --> 00:09:51,267
elsewhere in the world,
probably having something
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00:09:51,267 --> 00:09:55,500
to do with the rather
puritanical history and heritage
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00:09:55,500 --> 00:09:56,767
of the United States.
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00:09:56,767 --> 00:10:00,600
We had lived, sheltered,
you might say from sex.
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00:10:00,600 --> 00:10:03,200
That's a pretty long adolescence
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00:10:03,200 --> 00:10:08,200
to be sheltered from
the idea of genital,
184
00:10:09,367 --> 00:10:13,167
or anything but oral sex
in the form of kisses.
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00:10:13,167 --> 00:10:15,000
- [Narrator 1] Dating
calls for the ability
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00:10:15,000 --> 00:10:18,767
to share good times, to
learn from each other.
187
00:10:20,033 --> 00:10:23,933
And when suitable,
to show affection,
188
00:10:23,933 --> 00:10:26,233
without endangering
your wellbeing,
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00:10:26,233 --> 00:10:28,833
physical, emotional, or moral.
190
00:10:30,067 --> 00:10:33,733
- So, we Americans,
had to go to the movies
191
00:10:33,733 --> 00:10:37,533
to see foreign films
in order to see sex.
192
00:10:37,533 --> 00:10:40,733
For example, I was a kid.
193
00:10:40,733 --> 00:10:43,833
I went to the
movies in Berkeley,
194
00:10:43,833 --> 00:10:47,833
which was a town that had
movies back in those days.
195
00:10:47,833 --> 00:10:52,167
And I saw two films in
the spaces of maybe, well,
196
00:10:52,167 --> 00:10:53,667
maybe over a year.
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They were both foreign. One was
Italian and one was Swedish.
198
00:10:58,500 --> 00:11:00,933
The first one was
"The Virgin Spring".
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00:11:00,933 --> 00:11:03,767
The second one was "Two Women".
200
00:11:03,767 --> 00:11:05,500
They both had rape scenes.
201
00:11:05,500 --> 00:11:08,767
They didn't have a lot
of other sex in them,
202
00:11:08,767 --> 00:11:13,367
but these were fairly
graphic rape scenes.
203
00:11:13,367 --> 00:11:17,300
(people shouting indistinctly)
204
00:11:29,467 --> 00:11:34,133
Seeing those two films
as maybe a, I don't know,
205
00:11:34,133 --> 00:11:39,167
a 15, 16 year old, that was
the first time I ever felt,
206
00:11:40,033 --> 00:11:43,600
that there was something to sex,
207
00:11:43,600 --> 00:11:45,967
if even if you're
just watching it.
208
00:11:45,967 --> 00:11:49,533
In fact that it moved
me in some ways.
209
00:11:49,533 --> 00:11:52,867
And it moved me in ways
that I think disturbed me.
210
00:11:52,867 --> 00:11:54,567
(upbeat music)
211
00:11:54,567 --> 00:11:56,300
- [Narrator 2] Sex
Comes from Europe.
212
00:11:56,300 --> 00:11:59,433
The erotic and almost orgasmic
dance of Brigitte Bardot
213
00:11:59,433 --> 00:12:02,267
in "Bedrooms" film, and
"God Created Woman",
214
00:12:02,267 --> 00:12:04,667
excites and shocks
the American public.
215
00:12:05,900 --> 00:12:08,067
These foreign films
from the early '60s
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00:12:08,067 --> 00:12:09,967
will pave the way for Hollywood.
217
00:12:10,867 --> 00:12:13,733
- Another film of the late '60s
218
00:12:13,733 --> 00:12:18,500
that fits into the
tendency of American movies
219
00:12:18,500 --> 00:12:22,767
to talk rather than do sex,
220
00:12:22,767 --> 00:12:27,000
is "Bob & Ted & Carol & Alice".
221
00:12:27,000 --> 00:12:30,300
I don't know if I've got the
names in the right order,
222
00:12:30,300 --> 00:12:33,000
but this is that tendency
of American films
223
00:12:33,000 --> 00:12:34,533
where we were all being...
224
00:12:34,533 --> 00:12:36,633
We were able to be
frank and to use words
225
00:12:36,633 --> 00:12:38,567
like virgin and sex,
226
00:12:38,567 --> 00:12:43,600
and we were still not
up for showing sex.
227
00:12:44,800 --> 00:12:48,133
So this is a film
about couples swapping,
228
00:12:48,133 --> 00:12:51,833
that never shows you
anything exciting.
229
00:12:59,167 --> 00:13:00,467
- First, we'll have an orgy
230
00:13:00,467 --> 00:13:01,933
and then we'll go
see Tony Bennett.
231
00:13:04,233 --> 00:13:06,400
- We have to remember
that the old code
232
00:13:06,400 --> 00:13:10,033
had adultery was one of the
things that you couldn't show,
233
00:13:10,033 --> 00:13:12,667
or if you showed it, you
had to punish the people
234
00:13:12,667 --> 00:13:15,900
who committed
adultery in the end.
235
00:13:15,900 --> 00:13:19,267
But in "Bob & Ted
& Carol & Alice",
236
00:13:19,267 --> 00:13:23,600
they planned to have a
kind of four way orgy
237
00:13:23,600 --> 00:13:26,600
and you see them
undressed in bed,
238
00:13:26,600 --> 00:13:29,900
but they just don't really
have the guts to do it,
239
00:13:29,900 --> 00:13:31,700
or the desire to do it.
240
00:13:32,767 --> 00:13:35,367
(gentle music)
241
00:13:36,500 --> 00:13:39,333
And they end up
talking, some more.
242
00:13:39,333 --> 00:13:41,300
And then they go to,
243
00:13:41,300 --> 00:13:44,300
I think it's the
Tony Bennett concert
244
00:13:44,300 --> 00:13:47,867
as a very tame outcome
to the evening.
245
00:13:50,667 --> 00:13:54,867
♪What no one needs now♪
246
00:13:54,867 --> 00:13:56,667
♪Is love♪
So this was a time
247
00:13:56,667 --> 00:14:00,433
when people were talking
about encounter groups,
248
00:14:00,433 --> 00:14:03,733
and getting naked and orgies
249
00:14:03,733 --> 00:14:05,400
and all sorts of
things like that.
250
00:14:05,400 --> 00:14:08,133
But American films were
still very, very timid
251
00:14:08,133 --> 00:14:10,667
about doing much of anything.
252
00:14:10,667 --> 00:14:13,933
- Mike Nichols, who
challenged American audiences
253
00:14:13,933 --> 00:14:15,767
with "Who's Afraid
of Virginia Woolf?",
254
00:14:15,767 --> 00:14:19,500
came back a year later
with "The Graduate".
255
00:14:19,500 --> 00:14:22,067
In "The Graduate",
director, Mike Nichols
256
00:14:22,067 --> 00:14:24,167
and screenwriter, Buck Henry,
257
00:14:24,167 --> 00:14:26,900
get at the zeitgeists
of the 1960s.
258
00:14:26,900 --> 00:14:31,300
You have a young graduate
played by Dustin Hoffman,
259
00:14:31,300 --> 00:14:32,767
who's disaffected
from the world,
260
00:14:32,767 --> 00:14:35,500
doesn't really know
what to do with himself.
261
00:14:35,500 --> 00:14:38,767
He lingers in the
pool, and is not sure
262
00:14:38,767 --> 00:14:41,133
what direction to
pursue in life.
263
00:14:41,133 --> 00:14:44,667
♪(indistinct)♪
264
00:14:44,667 --> 00:14:49,667
Until Mrs. Robinson corners
him in her own bedroom.
265
00:14:52,067 --> 00:14:57,100
This famous scene where Mrs.
Robinson seduces Benjamin,
266
00:14:58,233 --> 00:15:00,333
may be disturbing to
contemporary audiences.
267
00:15:00,333 --> 00:15:03,267
We're not used to seeing a
woman take such authority,
268
00:15:03,267 --> 00:15:05,000
and literally guard the door.
269
00:15:05,000 --> 00:15:06,933
Benjamin cannot leave.
270
00:15:06,933 --> 00:15:10,533
- Oh God! Huh! Let me out.
271
00:15:10,533 --> 00:15:11,600
- Don't be nervous.
272
00:15:11,600 --> 00:15:12,767
- Get away from that door.
273
00:15:12,767 --> 00:15:14,633
- Say something first.
- Jesus Christ!
274
00:15:14,633 --> 00:15:16,667
- Benjamin, I want you to know
that I'm available to you.
275
00:15:16,667 --> 00:15:18,133
And if you won't sleep
with me this time-
276
00:15:18,133 --> 00:15:19,367
- Oh my Christ!
277
00:15:19,367 --> 00:15:20,833
- If you won't sleep
with me this time,
278
00:15:20,833 --> 00:15:22,033
I want you to know that you
can call me up anytime you want
279
00:15:22,033 --> 00:15:24,000
and we'll make some
kind of an arrangement.
280
00:15:24,000 --> 00:15:26,233
Do you understand what I-
- Let me out.
281
00:15:26,233 --> 00:15:31,267
- In the 1960s, young people
were disaffected in many ways.
282
00:15:32,433 --> 00:15:35,500
They're dealing with the
struggle of the draft.
283
00:15:35,500 --> 00:15:37,067
They don't want to
serve in Vietnam.
284
00:15:37,067 --> 00:15:41,033
They're not sure what
lies ahead for them,
285
00:15:42,933 --> 00:15:45,433
outside of war in Vietnam.
286
00:15:45,433 --> 00:15:48,000
(upbeat music)
287
00:15:53,300 --> 00:15:56,433
And so some turn to
drugs, others turn to sex,
288
00:15:56,433 --> 00:15:58,067
some turn to rock and roll.
289
00:16:00,067 --> 00:16:03,167
In "The Graduate",
we see a merger
290
00:16:03,167 --> 00:16:06,433
of the '60s sounds
of Simon & Garfunkel,
291
00:16:06,433 --> 00:16:08,967
singing a song
about Mrs. Robinson.
292
00:16:08,967 --> 00:16:11,067
And then when we
arrive at the theater,
293
00:16:11,067 --> 00:16:13,467
we see Mrs. Robinson
engaging in activities
294
00:16:13,467 --> 00:16:17,167
that we didn't know that
housewives would ever dare,
295
00:16:17,167 --> 00:16:19,867
to attempt.
296
00:16:19,867 --> 00:16:21,067
Mrs. Robinson represents
297
00:16:21,067 --> 00:16:24,200
a certain kind of maybe
now 1950s housewife,
298
00:16:24,200 --> 00:16:26,367
who is bold, who is indifferent,
299
00:16:28,000 --> 00:16:31,700
who is just struggling to
feel anything for anyone.
300
00:16:31,700 --> 00:16:35,600
And she targets Benjamin,
this young college graduate,
301
00:16:35,600 --> 00:16:36,967
as her prey.
302
00:16:36,967 --> 00:16:39,400
And he becomes her way
303
00:16:39,400 --> 00:16:44,333
of trying to awaken feeling in
herself, once again, via sex.
304
00:16:44,333 --> 00:16:47,400
The sex in "The Graduate"
could be seen as comic,
305
00:16:47,400 --> 00:16:52,400
but it also has a tragic side,
as Benjamin takes Elaine,
306
00:16:54,400 --> 00:16:56,733
Mrs. Robinson's
daughter on a date,
307
00:16:56,733 --> 00:16:58,667
and takes her to a strip club,
308
00:16:58,667 --> 00:17:01,400
and in a sense, almost
embarrasses her,
309
00:17:01,400 --> 00:17:04,033
shames her, and has to apologize
310
00:17:04,033 --> 00:17:08,400
for his own kind of twisted
notions of sexuality.
311
00:17:08,400 --> 00:17:10,300
- [Benjamin] Why don't
you watch the show?
312
00:17:10,300 --> 00:17:12,800
(upbeat music)
313
00:17:14,167 --> 00:17:16,733
- Benjamin, do you dislike
me for some reason?
314
00:17:16,733 --> 00:17:18,767
- [Benjamin] No, why should I?
315
00:17:20,633 --> 00:17:21,967
- I don't know.
316
00:17:21,967 --> 00:17:24,533
(upbeat music)
317
00:17:31,000 --> 00:17:33,900
- We begin to see the '50s
and the '60s merged together,
318
00:17:33,900 --> 00:17:37,767
into this messy
sexual conundrum,
319
00:17:37,767 --> 00:17:41,700
that becomes a revolution that
everybody gets wrapped up in.
320
00:17:41,700 --> 00:17:43,200
(upbeat music)
321
00:17:43,200 --> 00:17:44,967
- [Narrator 2] Certainly,
America is talking about sex,
322
00:17:44,967 --> 00:17:47,567
but it mustn't
enjoy it too much.
323
00:17:47,567 --> 00:17:49,333
The failed sexual orgy,
324
00:17:49,333 --> 00:17:51,533
the disenchanted marriage
in "The Graduate",
325
00:17:51,533 --> 00:17:53,800
or the impotence of
Hollywood sexiest man,
326
00:17:53,800 --> 00:17:56,433
in Bonnie and Clyde
illustrate this.
327
00:17:56,433 --> 00:17:59,567
Sex, yes, but no
pleasure, please.
328
00:17:59,567 --> 00:18:00,900
- As Bonnie and Clyde
329
00:18:00,900 --> 00:18:05,200
go on their bank robbing
escapades together,
330
00:18:05,200 --> 00:18:06,900
it's revealed that Clyde really
331
00:18:06,900 --> 00:18:08,600
cannot perform in the bedroom.
332
00:18:15,733 --> 00:18:18,500
(Bonnie panting)
333
00:18:21,133 --> 00:18:23,400
And his impotence in the bedroom
334
00:18:23,400 --> 00:18:27,433
manifests itself in
his violence on screen.
335
00:18:27,433 --> 00:18:31,300
What he cannot do himself,
he carries out via the gun.
336
00:18:31,300 --> 00:18:36,033
And so America, this pattern
of a sexual frustration
337
00:18:36,033 --> 00:18:39,533
manifesting itself
in violent acts,
338
00:18:39,533 --> 00:18:42,833
becomes a pattern that will
be repeated over and over,
339
00:18:42,833 --> 00:18:45,833
throughout the 1960s and 1970s.
340
00:18:45,833 --> 00:18:48,833
(upbeat music)
341
00:18:48,833 --> 00:18:51,367
- [Narrator 1] Rapists like
dark and lonely streets
342
00:18:51,367 --> 00:18:54,567
where they can search
out an unwary victim.
343
00:18:54,567 --> 00:18:56,900
- [Narrator 2] From
now on sexuality
344
00:18:56,900 --> 00:18:59,633
is going to be
associated with violence.
345
00:18:59,633 --> 00:19:01,600
Sex becomes a national subject,
346
00:19:01,600 --> 00:19:03,167
to the point that
the American Army
347
00:19:03,167 --> 00:19:06,600
produces a series of educational
films, (indistinct) women,
348
00:19:06,600 --> 00:19:08,733
warning them against
sexual violence.
349
00:19:10,733 --> 00:19:13,333
(woman screams)
350
00:19:19,433 --> 00:19:23,700
- Sexuality is now coming out
into the open in the 1960s,
351
00:19:23,700 --> 00:19:27,333
as experimentation
comes forward.
352
00:19:27,333 --> 00:19:29,867
The sexual revolution
in America was unleashed
353
00:19:29,867 --> 00:19:32,567
through a series of
landmark court cases,
354
00:19:32,567 --> 00:19:34,800
as well as scientific
breakthroughs.
355
00:19:34,800 --> 00:19:38,033
You had the invention
of the pill,
356
00:19:38,033 --> 00:19:42,233
a contraceptive device that
could just be ingested orally.
357
00:19:42,233 --> 00:19:46,933
It happened in 1960, but it
took a court case in 1965
358
00:19:46,933 --> 00:19:51,533
before the pill was widely
available to married couples.
359
00:19:51,533 --> 00:19:56,567
The possibilities of taking
chances in the bedroom arise
360
00:19:58,967 --> 00:19:59,967
like never before.
361
00:20:01,367 --> 00:20:03,967
(upbeat music)
362
00:20:10,733 --> 00:20:14,067
Unmarried women didn't have
access to the birth control pill
363
00:20:14,067 --> 00:20:18,133
until a court case,
landmark court case in 1972.
364
00:20:18,133 --> 00:20:23,133
But removing the
fear of complications
from sexual activity
365
00:20:24,300 --> 00:20:28,667
was a big leap forward
in terms of encouraging
366
00:20:28,667 --> 00:20:31,633
what we now call the
sexual revolution.
367
00:20:31,633 --> 00:20:33,367
- So the sexual
revolution, I think,
368
00:20:33,367 --> 00:20:38,100
could probably be seen as
being reflected in movies
369
00:20:38,100 --> 00:20:40,167
through the career
of Jane Fonda,
370
00:20:41,500 --> 00:20:45,333
which I find very
emblematic of the period,
371
00:20:45,333 --> 00:20:47,567
because there were
three films she made
372
00:20:47,567 --> 00:20:51,500
in which her orgasms mattered,
373
00:20:51,500 --> 00:20:56,467
and challenged that male
model of sexual excitement
374
00:20:57,800 --> 00:20:59,167
and release.
375
00:20:59,167 --> 00:21:03,367
It's very prescient
that Jane Fonda
376
00:21:03,367 --> 00:21:08,333
has sex in a Sci-Fi fantasy
in which she's an earthling,
377
00:21:10,033 --> 00:21:14,933
and earthlings have long
ago transcended sex.
378
00:21:16,400 --> 00:21:19,900
They just do something like
take a pill and touch palms.
379
00:21:19,900 --> 00:21:22,733
And so they have
very unmessy sex.
380
00:21:24,100 --> 00:21:26,033
- Five years, I've waited
for this experience.
381
00:21:30,100 --> 00:21:31,233
- My group must...
382
00:21:41,833 --> 00:21:46,267
- And then finally, she's
captured by the villain,
383
00:21:46,267 --> 00:21:49,567
and is going to be
tortured to death
384
00:21:49,567 --> 00:21:53,300
in a particularly sexual
way in his machine
385
00:21:53,300 --> 00:21:57,567
that he calls the
"exsexive machine".
386
00:21:57,567 --> 00:22:01,133
And the "exsexive machine"
looks like a kind of steam bath.
387
00:22:01,133 --> 00:22:03,267
So you don't really
see a lot of flesh.
388
00:22:04,767 --> 00:22:09,767
So she gets into this steam
bath and he turns on the power,
389
00:22:11,067 --> 00:22:13,167
and she says, "Oh,
that feels nice."
390
00:22:13,167 --> 00:22:14,900
And we don't know
what's happening,
391
00:22:14,900 --> 00:22:19,367
but pretty soon she
has an orgasmic kind
of look on her face
392
00:22:19,367 --> 00:22:24,367
and then more and more
powerful orgasmic expressions.
393
00:22:25,600 --> 00:22:28,433
And finally the machine
starts to go haywire,
394
00:22:29,833 --> 00:22:34,300
and to blow fuses, and
she outlasts the machine.
395
00:22:35,667 --> 00:22:37,067
- I don't believe it.
396
00:22:37,067 --> 00:22:39,533
I don't believe it.
- Therefore approving,
397
00:22:39,533 --> 00:22:42,667
I think Masters'
and Johnson's point
398
00:22:42,667 --> 00:22:47,667
that women could potentially
have many, many orgasms.
399
00:22:48,533 --> 00:22:50,933
And it's not really until 1978,
400
00:22:52,700 --> 00:22:55,133
I believe it is,
with "Coming Home",
401
00:22:55,133 --> 00:23:00,133
which is interestingly
enough, an antiwar film.
402
00:23:01,367 --> 00:23:04,167
And in that film,
she plays a figure
403
00:23:04,167 --> 00:23:06,400
who is not very much
like Jane Fonda.
404
00:23:06,400 --> 00:23:11,367
She's a good housewife to a
soldier who goes off to Vietnam.
405
00:23:12,600 --> 00:23:15,033
And we see them having bad sex.
406
00:23:15,933 --> 00:23:18,433
(man panting)
407
00:23:28,833 --> 00:23:32,333
And he comes back from
Vietnam, a wreck, but she,
408
00:23:32,333 --> 00:23:36,867
in the meantime has
become something of
an antiwar activist,
409
00:23:36,867 --> 00:23:40,800
through her relations
to a Vietnam vet,
410
00:23:40,800 --> 00:23:45,800
played by Jon Voight, who
has become a paraplegic
411
00:23:47,067 --> 00:23:50,067
and therefore has no
sensitivity from his waist down.
412
00:23:50,067 --> 00:23:53,467
And the sex that
she has in that film
413
00:23:53,467 --> 00:23:56,167
with the paraplegic vet,
414
00:23:56,167 --> 00:24:01,167
is I would argue the most
important sex of American movies
415
00:24:02,067 --> 00:24:04,867
up until that point in the sense
416
00:24:04,867 --> 00:24:09,833
that it pays attention to
the pleasure of the woman,
417
00:24:09,833 --> 00:24:14,733
precisely because the man
is unable to have orgasm.
418
00:24:16,500 --> 00:24:19,000
(man panting)
419
00:24:20,133 --> 00:24:22,000
- [Jane Fonda] Can
you feel that at all?
420
00:24:22,000 --> 00:24:23,600
- [Jon Voight] I can't
feel it, but I can see it.
421
00:24:24,967 --> 00:24:27,633
- But it's very interesting
because in this film,
422
00:24:27,633 --> 00:24:31,933
Jane Fonda and Jon
Voight, her costar,
423
00:24:31,933 --> 00:24:35,267
decided that there was
going to be no erection
424
00:24:35,267 --> 00:24:37,400
on the part of the man,
425
00:24:37,400 --> 00:24:39,933
that they were going
to play it that way.
426
00:24:39,933 --> 00:24:44,100
But the director, Hal Ashby,
had interviewed some vets
427
00:24:44,100 --> 00:24:45,467
and it is true that sometimes
428
00:24:45,467 --> 00:24:47,567
they can sort of get
random erections.
429
00:24:47,567 --> 00:24:50,500
And so he wanted to
make it a sex scene
430
00:24:50,500 --> 00:24:53,667
in which the vet
achieves orgasm,
431
00:24:53,667 --> 00:24:56,833
and Fonda and Voight wanted
to make it a sex scene
432
00:24:56,833 --> 00:25:01,833
in which the man enjoys
her sensually and visually,
433
00:25:02,567 --> 00:25:03,600
and wants the light on.
434
00:25:05,000 --> 00:25:07,033
- [Jon Voight] Turn the
light on! I want to see you.
435
00:25:08,500 --> 00:25:12,767
- So the sex that they
have is a bit of a war,
436
00:25:12,767 --> 00:25:14,900
because there was a body double,
437
00:25:14,900 --> 00:25:18,533
who was obeying the director
for the longer shots.
438
00:25:18,533 --> 00:25:23,267
And then there was Voight and
Fonda for the closer shots
439
00:25:23,267 --> 00:25:28,167
who were presuming that
there was no penetration
440
00:25:28,167 --> 00:25:30,333
and that it was
a sort of overall
441
00:25:30,333 --> 00:25:34,200
and that she achieves
multiple orgasms.
442
00:25:34,200 --> 00:25:38,800
And even at one point
says, "Oh, softly,"
443
00:25:38,800 --> 00:25:41,900
rather than the way
sex had been portrayed
444
00:25:41,900 --> 00:25:46,200
in all American
movies, harder, faster,
445
00:25:47,600 --> 00:25:52,467
what Pauline Kael called a
"jabbing thrusting eroticism".
446
00:25:53,400 --> 00:25:56,500
(Jane Fonda panting)
447
00:26:02,200 --> 00:26:04,733
So that film is really
interesting to look at
448
00:26:04,733 --> 00:26:09,733
because you do see a little
bit of jabbing thrusting,
449
00:26:11,133 --> 00:26:14,867
but you could also imagine that
she's just riding his thigh
450
00:26:16,667 --> 00:26:19,300
or something rather
than his penis.
451
00:26:19,300 --> 00:26:24,300
And it was that's the direction
that the director gave,
452
00:26:25,733 --> 00:26:30,733
"Ride him, ride him," because
it was two different ideas
453
00:26:33,200 --> 00:26:36,833
of what sex was played
out in that movie.
454
00:26:36,833 --> 00:26:39,667
But I think that
Fonda and Voight won.
455
00:26:41,700 --> 00:26:44,767
- [Narrator 2] America of
the '70s is disillusioned.
456
00:26:44,767 --> 00:26:46,767
The war in Vietnam drags on.
457
00:26:49,267 --> 00:26:51,500
Protest movements are growing,
458
00:26:53,067 --> 00:26:56,500
and anti-war riots are springing
up all over the country.
459
00:27:00,100 --> 00:27:03,167
The icons, Robert Kennedy
and Martin Luther King,
460
00:27:03,167 --> 00:27:06,933
are assassinated in
the same year, in 1968.
461
00:27:06,933 --> 00:27:08,600
America is in mourning.
462
00:27:11,767 --> 00:27:15,533
In 1971, the oil and
economic crisis erupts,
463
00:27:15,533 --> 00:27:17,667
and pushes the country
towards recession.
464
00:27:18,967 --> 00:27:21,067
The Watergate Scandal
the following year,
465
00:27:21,067 --> 00:27:23,500
forces President
Nixon's resignation,
466
00:27:23,500 --> 00:27:26,167
and marks a series of
traumas for a country
467
00:27:26,167 --> 00:27:28,600
that believed that the sexual
and cultural revolutions
468
00:27:28,600 --> 00:27:31,100
of the '60s would bring
a wind of freedom.
469
00:27:33,067 --> 00:27:35,367
(people shouting)
470
00:27:35,367 --> 00:27:37,667
At the same time,
America is agonizing
471
00:27:37,667 --> 00:27:41,300
about the legalization of
abortion in the United States.
472
00:27:41,300 --> 00:27:45,233
In 1973, the Supreme
Court recognizes abortion
473
00:27:45,233 --> 00:27:47,300
as a constitutional
right for women.
474
00:27:49,033 --> 00:27:52,467
Only a year later,
homosexuality is finally removed
475
00:27:52,467 --> 00:27:54,600
from the list of
mental illnesses,
476
00:27:54,600 --> 00:27:58,067
and the US Government lifts
the ban on hiring homosexuals
477
00:27:58,067 --> 00:27:59,600
in public service jobs.
478
00:28:00,700 --> 00:28:02,700
America is confronted
from all sides,
479
00:28:02,700 --> 00:28:05,700
and forcibly pulled out
of its puritan shackles.
480
00:28:07,000 --> 00:28:09,400
It's in this
inflammatory context,
481
00:28:09,400 --> 00:28:12,800
that cinema once again, reflects
the violence of society.
482
00:28:12,800 --> 00:28:14,767
Sex then becomes an outlet.
483
00:28:14,767 --> 00:28:17,833
Films, such as
"Deliverance", "Straw Dogs",
484
00:28:17,833 --> 00:28:20,567
"High Plains Drifter",
and "A Clockwork Orange",
485
00:28:20,567 --> 00:28:23,867
all have the means to sexualize
the violence of the time.
486
00:28:23,867 --> 00:28:26,467
(upbeat music)
487
00:28:28,567 --> 00:28:32,533
- American films have a
very twisted relationship
488
00:28:32,533 --> 00:28:34,367
between sex and violence.
489
00:28:34,367 --> 00:28:38,967
With Sam Peckinpah's "Straw
Dogs", you see Dustin Hoffman
490
00:28:38,967 --> 00:28:42,667
playing a mathematician with
this attractive young wife
491
00:28:42,667 --> 00:28:44,567
played by Susan George.
492
00:28:44,567 --> 00:28:49,167
She just robes and in front
of some construction workers.
493
00:28:49,167 --> 00:28:52,967
Is she toying with
them, playing with them?
494
00:28:52,967 --> 00:28:57,967
When she eventually is raped
by these construction workers,
495
00:28:59,333 --> 00:29:02,233
it turns very violent,
very sick and very twisted.
496
00:29:04,200 --> 00:29:05,033
- No, no.
497
00:29:06,300 --> 00:29:08,967
(woman panting)
498
00:29:11,800 --> 00:29:12,867
No.
499
00:29:12,867 --> 00:29:17,867
(woman panting)
(romantic music)
500
00:29:18,967 --> 00:29:20,400
No.
501
00:29:20,400 --> 00:29:21,633
- The implication in the film
502
00:29:21,633 --> 00:29:25,167
is perhaps that Dustin
Hoffman's impotence
503
00:29:25,167 --> 00:29:28,000
is answered by these
construction workers'
504
00:29:28,000 --> 00:29:31,167
virulent and violent sexuality.
505
00:29:31,167 --> 00:29:32,700
But in American film,
506
00:29:32,700 --> 00:29:36,433
it seems to always
be getting confused.
507
00:29:37,533 --> 00:29:40,900
1972 in a film
like "Deliverance",
508
00:29:40,900 --> 00:29:44,767
you have four
businessmen from Atlanta,
509
00:29:44,767 --> 00:29:46,200
going to the outdoors,
510
00:29:46,200 --> 00:29:48,867
wanting to do sort of
a rugged canoe trip
511
00:29:48,867 --> 00:29:50,700
and sort of prove their manhood.
512
00:29:50,700 --> 00:29:55,700
And yet what happens,
Ned Beatty, one of
the four, is raped,
513
00:29:56,933 --> 00:29:59,633
made to squeal like a
pig by a back woodsman
514
00:29:59,633 --> 00:30:03,500
who interrupts
these businessmen.
515
00:30:03,500 --> 00:30:05,200
- You can do better
than that boy.
516
00:30:05,200 --> 00:30:08,167
You can do better than that.
Come on, squeal, squeal!
517
00:30:08,167 --> 00:30:10,100
(man squeals)
518
00:30:10,100 --> 00:30:12,500
- So it doesn't matter
whether it's heterosexual
519
00:30:12,500 --> 00:30:13,633
or homosexual.
520
00:30:13,633 --> 00:30:15,900
The relationship
between sex and violence
521
00:30:15,900 --> 00:30:20,400
is intermingled in really
messy ways in American cinema.
522
00:30:20,400 --> 00:30:25,333
In 1969, "Midnight Cowboy"
comes to the screen.
523
00:30:25,333 --> 00:30:27,200
It's one of the first
major films from Hollywood
524
00:30:27,200 --> 00:30:28,633
to earn an X rating.
525
00:30:29,600 --> 00:30:32,200
It stars Jon Voight as Joe Buck,
526
00:30:32,200 --> 00:30:37,200
a hustler from Texas
who comes to New York,
527
00:30:38,400 --> 00:30:41,000
wearing cowboy hat
and cowboy boots.
528
00:30:41,000 --> 00:30:42,400
He is the American cowboy,
529
00:30:42,400 --> 00:30:45,867
and yet he is here to
make love for a price.
530
00:30:45,867 --> 00:30:49,733
How shocking for audiences
to see an American cowboy,
531
00:30:49,733 --> 00:30:54,133
now being paid to have
sex with men, with women,
532
00:30:54,133 --> 00:30:57,033
with older women,
like Sylvia Miles,
533
00:30:57,033 --> 00:31:00,300
with maybe Jesus' Loving Men,
534
00:31:00,300 --> 00:31:04,533
with scenes that Americans
had never considered,
535
00:31:04,533 --> 00:31:09,500
that a Texas cowboy would be
paid for his sexual services
536
00:31:11,367 --> 00:31:12,267
in New York city.
537
00:31:13,633 --> 00:31:14,867
- You know who cares?
538
00:31:14,867 --> 00:31:16,600
That's a funny thing
you mentioning money,
539
00:31:16,600 --> 00:31:18,800
'cause I was just about
to ask you for some.
540
00:31:20,033 --> 00:31:22,567
- You were gonna ask
me for money, huh?
541
00:31:23,600 --> 00:31:24,800
- Hey, why you think
542
00:31:24,800 --> 00:31:26,267
I'd come all the way
up here from Texas for?
543
00:31:26,267 --> 00:31:28,767
- You were gonna
ask me for money?
544
00:31:30,133 --> 00:31:32,200
Who the hell do you think
you're dealing with,
545
00:31:32,200 --> 00:31:35,200
some old slot on 42nd street?
546
00:31:35,200 --> 00:31:40,067
- The intertwining of sex and
sin and guilt and salvation,
547
00:31:40,067 --> 00:31:43,300
becomes a potent dramatic mix.
548
00:31:43,300 --> 00:31:47,200
In 1969, "Midnight
Cowboy", an X-rated film,
549
00:31:47,200 --> 00:31:50,833
was awarded the Oscar
for best picture.
550
00:31:50,833 --> 00:31:54,400
What a groundbreaking
moment in Hollywood history!
551
00:31:55,367 --> 00:31:57,933
(gentle music)
552
00:32:02,533 --> 00:32:06,700
With Harold and Maude, 1971,
553
00:32:06,700 --> 00:32:09,500
American audiences see a romance
554
00:32:09,500 --> 00:32:12,733
they'd never imagined
on screen before.
555
00:32:12,733 --> 00:32:16,567
Harold is a 19 year old,
obsessed with death.
556
00:32:20,800 --> 00:32:25,033
- You'll be furious, but
I've had such a tragic day.
557
00:32:25,033 --> 00:32:28,633
And with guests coming to see
me, oh, I will do that soon.
558
00:32:29,567 --> 00:32:30,833
(Harold chocking)
559
00:32:30,833 --> 00:32:32,667
Tell him, I promise
to be in on Tuesday.
560
00:32:34,333 --> 00:32:39,333
- Maude is 79 years old, and
defiantly obsessed with life.
561
00:32:40,533 --> 00:32:43,800
There may be a case of
opposites attracting.
562
00:32:43,800 --> 00:32:46,533
We've never seen such
intergenerational romance,
563
00:32:46,533 --> 00:32:48,233
or such a divide before.
564
00:32:49,633 --> 00:32:53,333
Harold and Maude inverts some
of the Hollywood tendency
565
00:32:53,333 --> 00:32:56,600
for the older man to fall
for the younger woman.
566
00:32:58,067 --> 00:33:01,400
How strange for audiences
to now see an older woman,
567
00:33:01,400 --> 00:33:05,767
who is enjoying sexuality
with a younger man!
568
00:33:05,767 --> 00:33:08,333
(gentle music)
569
00:33:11,067 --> 00:33:14,467
Harold and Maude pushes
Hollywood to extremes
570
00:33:14,467 --> 00:33:16,667
that it had never
imagined before.
571
00:33:16,667 --> 00:33:21,667
- 1972 was an amazing
year for American movies
572
00:33:22,533 --> 00:33:24,533
because in that same year,
573
00:33:24,533 --> 00:33:26,767
one had the emergence
"Deep Throat"
574
00:33:26,767 --> 00:33:31,600
which was the first popular
hardcore pornography
575
00:33:31,600 --> 00:33:36,533
to go into theaters and to
be seen by normal audiences,
576
00:33:36,533 --> 00:33:40,500
which is to say male
and female, together.
577
00:33:40,500 --> 00:33:44,633
And it was a huge hit,
made a lot of money.
578
00:33:45,833 --> 00:33:50,267
And in that same year,
"Last Tango in Paris"
579
00:33:50,267 --> 00:33:55,267
by Bernardo Bertolucci was
maybe not quite as popular,
580
00:33:56,600 --> 00:33:58,833
didn't get as many
people rushing to see it,
581
00:33:58,833 --> 00:34:03,700
but critically, very, very
important in the United States.
582
00:34:03,700 --> 00:34:06,300
(upbeat music)
583
00:34:08,267 --> 00:34:11,400
"Deep Throat" was a
kind of a crude affair,
584
00:34:11,400 --> 00:34:15,500
but what it did was
locate the clitoris
585
00:34:15,500 --> 00:34:20,500
in a place other than where
it was expected to be.
586
00:34:21,967 --> 00:34:25,233
That is to say in the throat
of the female protagonists.
587
00:34:25,233 --> 00:34:27,567
- Open your mouth wider, wider!
588
00:34:27,567 --> 00:34:32,567
Uh! Uh! Uh! Uh!
- Uh! Uh! Uh! Uh!
589
00:34:34,233 --> 00:34:37,567
- Well, there it is, you
little bugger, there it is.
590
00:34:37,567 --> 00:34:39,667
- What?
- Your clitoris.
591
00:34:39,667 --> 00:34:42,067
It's deep down in the
bottom of your throat.
592
00:34:42,067 --> 00:34:45,067
- That allowed a
kind of visibility,
593
00:34:45,067 --> 00:34:49,633
especially visibility to
the sexual act of fellatio,
594
00:34:49,633 --> 00:34:52,233
but it became a popular act.
595
00:34:52,233 --> 00:34:57,267
And in novels at the same time,
John Updike, Phillip Roth,
596
00:34:58,533 --> 00:35:02,733
novels were having
sex in their pages.
597
00:35:02,733 --> 00:35:05,733
And I think it was Jane...
598
00:35:05,733 --> 00:35:07,633
No, I think it was Phillip Roth
599
00:35:07,633 --> 00:35:12,567
who said something like
they were amazing fellators,
600
00:35:14,800 --> 00:35:19,800
women were amazing fellators,
or became amazing fellators.
601
00:35:20,400 --> 00:35:21,867
(upbeat music)
602
00:35:21,867 --> 00:35:23,367
- [Narrator 2] "Deep Throat"
soon becomes a cult film
603
00:35:23,367 --> 00:35:25,000
for popular culture.
604
00:35:25,000 --> 00:35:28,133
The representative of what is
described as chic pornography
605
00:35:28,133 --> 00:35:29,667
from then on.
606
00:35:29,667 --> 00:35:31,467
Although the film is
sued for obscenity
607
00:35:31,467 --> 00:35:33,433
by judges declaring
it more dangerous
608
00:35:33,433 --> 00:35:36,767
than the worst nightmares
found in Sodom and Gomorrah,
609
00:35:36,767 --> 00:35:39,600
psychiatrist called into
support the defense,
610
00:35:39,600 --> 00:35:41,600
declare the film quite
within the limits
611
00:35:41,600 --> 00:35:43,467
of normal sexual behavior.
612
00:35:43,467 --> 00:35:47,633
And in fact, exhibiting
empathy for feminine desires.
613
00:35:47,633 --> 00:35:50,800
Pornography opens the
doors to a sexualization,
614
00:35:50,800 --> 00:35:53,167
that is from now on
displayed everywhere,
615
00:35:53,167 --> 00:35:54,933
especially in popular culture.
616
00:35:56,100 --> 00:35:59,267
- Americans will
think that sex...
617
00:35:59,267 --> 00:36:01,233
I think we still
think that it's dirty,
618
00:36:01,233 --> 00:36:05,533
especially for the woman,
although, officially,
619
00:36:05,533 --> 00:36:07,067
I don't think we believe that
620
00:36:07,067 --> 00:36:11,833
in most of our
standard discourses and
ideologies about sex,
621
00:36:15,033 --> 00:36:18,100
the fact that there has
been this double standard
622
00:36:18,100 --> 00:36:20,400
for so long, and
that double standard
623
00:36:20,400 --> 00:36:25,233
is by the way so much in
evidence in "Last Tango"
624
00:36:25,233 --> 00:36:27,900
where you have
full frontal nudity
625
00:36:27,900 --> 00:36:30,233
on the part of Maria Schneider,
626
00:36:30,233 --> 00:36:32,933
and then Brando
probably would be partly
627
00:36:32,933 --> 00:36:34,600
because he's a little overweight
628
00:36:34,600 --> 00:36:38,767
and partly because he's
maybe the most important icon
629
00:36:38,767 --> 00:36:43,233
of masculinity of a
slightly earlier period,
630
00:36:43,233 --> 00:36:45,367
hardly takes off his clothes.
631
00:36:45,367 --> 00:36:48,633
There's one scene where
you see him from the side,
632
00:36:48,633 --> 00:36:52,300
where he's supposedly naked,
but it's from the waist up.
633
00:36:52,300 --> 00:36:56,500
So in American movies, I
think that there often is,
634
00:36:56,500 --> 00:36:59,633
women often don't
feel good about sex.
635
00:36:59,633 --> 00:37:03,367
And I think of "Psycho"
as the good example.
636
00:37:03,367 --> 00:37:08,167
Janet Lee, she
clearly has had sex.
637
00:37:08,167 --> 00:37:11,133
She's having an
affair with this guy,
638
00:37:11,133 --> 00:37:16,067
but she keeps her bra on the
entire aftermath of sex scene,
639
00:37:18,200 --> 00:37:23,167
and then very soon after,
she gets brutally stabbed
640
00:37:23,167 --> 00:37:26,333
in a shower, as
if being punished.
641
00:37:26,333 --> 00:37:29,500
(woman screaming)
642
00:37:29,500 --> 00:37:30,600
And this is one of the reasons
643
00:37:30,600 --> 00:37:32,667
why I think pornography
is interesting
644
00:37:32,667 --> 00:37:37,667
because pornography is at
least one genre that shows sex,
645
00:37:39,067 --> 00:37:41,700
and does not believe in
punishing women for the sex.
646
00:37:41,700 --> 00:37:43,533
(gentle music)
647
00:37:43,533 --> 00:37:45,800
- [Narrator 2] But these
years of sexual liberation
648
00:37:45,800 --> 00:37:48,800
come to a halt in the
beginning of the '80s.
649
00:37:48,800 --> 00:37:52,000
On July 3rd, 1981,
the New York Times
650
00:37:52,000 --> 00:37:56,300
describes a rare cancer
seen in 41 homosexuals.
651
00:37:56,300 --> 00:38:00,300
For the ultra conservatives,
sexual liberation brings death.
652
00:38:00,300 --> 00:38:03,467
Ronald Reagan's head of
communications talks about AIDS
653
00:38:03,467 --> 00:38:07,567
as the revenge of nature
against homosexuals.
654
00:38:07,567 --> 00:38:10,200
It is deemed necessary
to bring back morality,
655
00:38:10,200 --> 00:38:12,433
and pull the country out of sin.
656
00:38:12,433 --> 00:38:14,533
Reagan promises to ban abortion,
657
00:38:14,533 --> 00:38:16,400
to bring prayer back to schools,
658
00:38:16,400 --> 00:38:19,167
and condemn pornography
and homosexuality,
659
00:38:19,167 --> 00:38:22,233
promises he will have
trouble keeping once elected,
660
00:38:22,233 --> 00:38:24,300
but the puritans are back.
661
00:38:24,300 --> 00:38:26,867
(gentle music)
662
00:38:28,333 --> 00:38:31,833
1980, it's also the year
of Brian De Palma's movie
663
00:38:31,833 --> 00:38:33,300
"Dressed to Kill",
664
00:38:33,300 --> 00:38:35,567
which marks a turning
point in Hollywood cinema.
665
00:38:35,567 --> 00:38:38,133
The beginning of the film
shows us Angie Dickinson
666
00:38:38,133 --> 00:38:40,867
in the middle of a full
frontal masturbation scene,
667
00:38:40,867 --> 00:38:42,367
mingled with a rape fantasy.
668
00:38:50,733 --> 00:38:52,233
She then has an organism
669
00:38:52,233 --> 00:38:54,833
from the hand of a perfect
stranger in a New York taxi.
670
00:38:56,433 --> 00:38:57,833
De Palma shows here pleasure
671
00:38:57,833 --> 00:38:59,767
purely from a feminine
point of view.
672
00:39:00,800 --> 00:39:03,467
(woman moaning)
673
00:39:04,633 --> 00:39:06,933
But once the adultery
has consummated,
674
00:39:06,933 --> 00:39:08,667
she discovers that
the man in question
675
00:39:08,667 --> 00:39:11,067
is suffering from
a sexual disease.
676
00:39:11,067 --> 00:39:13,200
And as if this punishment
were not enough,
677
00:39:13,200 --> 00:39:15,767
she's brutally murdered
in the elevator.
678
00:39:15,767 --> 00:39:18,700
The enjoyment of sin
now has a fatal price.
679
00:39:18,700 --> 00:39:20,700
(woman screams)
680
00:39:20,700 --> 00:39:22,333
- The films of Brian De Palma,
681
00:39:22,333 --> 00:39:26,267
I think are kind of twisted
and cautionary tales
682
00:39:26,267 --> 00:39:30,033
that reflect a lot of the fears
regarding sex in the 1980s.
683
00:39:30,033 --> 00:39:32,700
In films like "Dressed to
Kill" or "Body Double",
684
00:39:32,700 --> 00:39:35,300
We see that anyone
toying with sexuality
685
00:39:35,300 --> 00:39:37,967
is also maybe risking death.
686
00:39:37,967 --> 00:39:40,400
And so murder, violent murder,
687
00:39:40,400 --> 00:39:43,633
bloody murder becomes
a kind of a subplot,
688
00:39:44,967 --> 00:39:49,433
or a result of sexual
experimentation in the 1980s.
689
00:39:50,833 --> 00:39:55,800
Cinematic sex in the '80s
became risky business.
690
00:39:57,233 --> 00:40:01,100
The dangers and fears
created by the AIDS crisis
691
00:40:02,400 --> 00:40:03,867
were reflected in film.
692
00:40:05,033 --> 00:40:07,933
The sexuality that you
see in "Risky Business"
693
00:40:07,933 --> 00:40:11,633
almost makes sex
look transactional.
694
00:40:11,633 --> 00:40:14,400
It becomes a
business proposition.
695
00:40:14,400 --> 00:40:18,567
Tom Cruise may slide in to
the scene in his boxers,
696
00:40:18,567 --> 00:40:21,067
but what he's really doing is
trying to pay for the damage
697
00:40:21,067 --> 00:40:24,267
that he caused to
his dad's Porsche.
698
00:40:24,267 --> 00:40:28,800
So, profit becomes maybe
more important than pleasure,
699
00:40:28,800 --> 00:40:32,733
when it comes to
sexuality in the '80s.
700
00:40:32,733 --> 00:40:34,667
- [Narrator 2] Indeed,
in "Risky Business",
701
00:40:34,667 --> 00:40:36,867
Tom Cruise, a boy
from a good family,
702
00:40:36,867 --> 00:40:39,467
turns into a pimp when
to make some money.
703
00:40:39,467 --> 00:40:42,067
He organizes a prostitute's
evening with his friends,
704
00:40:42,067 --> 00:40:43,300
at his parents' house.
705
00:40:45,167 --> 00:40:46,700
- (indistinct) here?
706
00:40:46,700 --> 00:40:48,933
- Yeah.
- You're on, honey.
707
00:40:50,367 --> 00:40:52,333
- The 1980s, it's
very interesting
708
00:40:52,333 --> 00:40:54,533
to think that maybe one
of the biggest sex symbols
709
00:40:54,533 --> 00:40:57,133
of the 1980s was Jessica Rabbit,
710
00:40:57,133 --> 00:41:02,100
an animated character from
"Who Framed Roger Rabbit".
711
00:41:03,633 --> 00:41:05,400
It seemed that maybe people
preferred an animated woman,
712
00:41:05,400 --> 00:41:09,600
than a real woman because
of so much tension and fears
713
00:41:09,600 --> 00:41:11,867
regarding sexuality,
714
00:41:11,867 --> 00:41:14,900
that arose from the AIDS
crisis in the 1980s.
715
00:41:14,900 --> 00:41:18,600
- I think in the '80s, what
happens is that sex gets kinky.
716
00:41:20,833 --> 00:41:23,833
That's the word
we use in English.
717
00:41:23,833 --> 00:41:28,633
It gets sadistic, masochistic.
718
00:41:30,067 --> 00:41:34,767
Anal people begin
to get the idea
719
00:41:36,167 --> 00:41:41,067
of individuals who
enjoy being beaten.
720
00:41:41,067 --> 00:41:44,100
Dorothy, in "Blue Velvet"
enjoys being beaten,
721
00:41:44,100 --> 00:41:47,733
and wants this young man to
beat her when they have sex.
722
00:41:47,733 --> 00:41:51,900
And he doesn't want to do
that, but he finally does it.
723
00:41:51,900 --> 00:41:53,033
- [Dorothy] Beat me!
724
00:41:53,033 --> 00:41:54,400
- No, no!
725
00:41:54,400 --> 00:41:57,133
- Go away! Go away
from my bed! Go away!
726
00:41:57,133 --> 00:41:59,700
(gentle music)
727
00:42:06,133 --> 00:42:10,500
- So, he's seduced into
a lot of very adult
728
00:42:10,500 --> 00:42:13,833
and scary things,
especially given the fact
729
00:42:13,833 --> 00:42:18,833
that for American, sex is
dirty rather than pleasurable.
730
00:42:20,033 --> 00:42:22,333
I think "Blue Velvet" is
a really important film
731
00:42:22,333 --> 00:42:27,333
in America's new found
ability in the '80s to,
732
00:42:28,200 --> 00:42:30,400
shall we say, witness sex.
733
00:42:30,400 --> 00:42:34,167
This young man finds
himself multiple times
734
00:42:34,167 --> 00:42:39,167
hiding in the closet of the
woman he is curious about,
735
00:42:40,333 --> 00:42:44,133
as a voyeur, watching
her have very kinky sex
736
00:42:44,133 --> 00:42:48,600
with Dennis Hopper, who is
the villain of the piece.
737
00:42:48,600 --> 00:42:49,867
But in this case,
738
00:42:49,867 --> 00:42:52,700
the sexual act has to
do with Dennis Hopper,
739
00:42:52,700 --> 00:42:55,367
looking at the woman's genitals
740
00:42:55,367 --> 00:43:00,367
and breathing through some
kind of mask that excites him.
741
00:43:01,867 --> 00:43:04,233
So it's very, very kinky.
742
00:43:04,233 --> 00:43:05,667
- [Narrator 2] With
the Reagan years,
743
00:43:05,667 --> 00:43:08,800
comes the explosion of
blockbusters and teen movies.
744
00:43:08,800 --> 00:43:11,100
But at the same time,
films are also made
745
00:43:11,100 --> 00:43:14,267
where sexuality and feminine
pleasure are more accepted,
746
00:43:14,267 --> 00:43:17,100
such as "Nine and a Half
Weeks", and "Flashdance",
747
00:43:17,100 --> 00:43:20,333
which makes the director of
these films, Adrian Lynn,
748
00:43:20,333 --> 00:43:21,933
a symbol of the '80s.
749
00:43:21,933 --> 00:43:24,433
(upbeat music)
750
00:43:24,433 --> 00:43:28,533
- "Flashdance", it begins
with this amazing shot
751
00:43:28,533 --> 00:43:31,800
of Jennifer Beals onstage.
752
00:43:31,800 --> 00:43:34,333
And really the film could
have been called splash dance
753
00:43:34,333 --> 00:43:36,800
with this moment where the water
754
00:43:36,800 --> 00:43:40,000
just comes barreling
down on top of her.
755
00:43:40,000 --> 00:43:42,833
When you look back
at "Flashdance" now,
756
00:43:42,833 --> 00:43:46,133
and just look at the
story of a welder by day,
757
00:43:46,133 --> 00:43:49,533
exotic dancer by night, who
aspires to be a ballerina,
758
00:43:49,533 --> 00:43:52,333
you say like, "How did
this become a hit?"
759
00:43:53,767 --> 00:43:58,433
But it appealed to maybe the
fantasy side of filmmaking
760
00:43:58,433 --> 00:44:00,233
that characterized the '80s.
761
00:44:00,233 --> 00:44:04,167
- Before the movie,
before we shot the movie,
762
00:44:04,167 --> 00:44:07,833
I just knew I wanted
to do a "wet" dance
763
00:44:07,833 --> 00:44:11,700
'cause I knew that the water
would look nice on skin,
764
00:44:11,700 --> 00:44:14,100
that it'd be interesting
it flew around,
765
00:44:14,100 --> 00:44:17,667
like sweat or
whatever, you know?
766
00:44:19,033 --> 00:44:21,200
And so, but I didn't
really know how to do it.
767
00:44:21,200 --> 00:44:24,400
I just knew that I was
gonna do a wet dance.
768
00:44:24,400 --> 00:44:27,133
And so I remember
the studio was very,
769
00:44:27,133 --> 00:44:31,033
very sort of
pessimistic about it,
770
00:44:31,033 --> 00:44:36,033
and they just didn't
believe in me really.
771
00:44:37,167 --> 00:44:40,700
And so I remember I got
a dancer and a hose.
772
00:44:40,700 --> 00:44:41,967
I remember I had a hose
773
00:44:41,967 --> 00:44:45,567
that I sort of wound
round this poor girl,
774
00:44:45,567 --> 00:44:49,267
and tried to make
the studio understand
775
00:44:49,267 --> 00:44:51,133
that I was going
to do a wet dance.
776
00:44:51,133 --> 00:44:54,767
And I just remember their
faces or their skepticism,
777
00:44:56,267 --> 00:44:58,633
that it was going
to be a disaster.
778
00:44:58,633 --> 00:45:00,500
- [Narrator 2] Far
from being a disaster,
779
00:45:00,500 --> 00:45:02,833
the film was a
phenomenal success.
780
00:45:02,833 --> 00:45:05,967
This sexy dance of Jennifer
Beals in her wet body suit,
781
00:45:05,967 --> 00:45:09,633
is still a cult scene,
almost 30 years later.
782
00:45:09,633 --> 00:45:13,233
- People said, I
remember when I...
783
00:45:13,233 --> 00:45:15,200
'Cause I had just done
"Flashdance" before it,
784
00:45:15,200 --> 00:45:16,867
which was a huge success,
785
00:45:16,867 --> 00:45:20,300
and people said that
"If you do this film,
786
00:45:20,300 --> 00:45:21,767
"Nine and a Half Weeks",
787
00:45:21,767 --> 00:45:25,867
it'd be like
committing professional
suicide," they said.
788
00:45:25,867 --> 00:45:27,967
And in a way it was in America
789
00:45:27,967 --> 00:45:31,433
'cause the version that
they showed in America
790
00:45:31,433 --> 00:45:32,700
didn't make any sense.
791
00:45:32,700 --> 00:45:36,533
There was none of the
sadomasochism at all.
792
00:45:36,533 --> 00:45:41,133
There was a scene for example,
where Kim plays a whore,
793
00:45:41,133 --> 00:45:44,933
a prostitute, and she's
picking up dollar bills
794
00:45:44,933 --> 00:45:48,333
and she doesn't want to do
it and he makes her do it.
795
00:45:48,333 --> 00:45:52,167
And then they make
out afterwards.
796
00:45:52,167 --> 00:45:56,433
But there's elements of
say to masochism in that.
797
00:45:56,433 --> 00:45:59,833
And the Americans
were terrified of it,
798
00:45:59,833 --> 00:46:01,667
and they made me take
it out of the movie.
799
00:46:01,667 --> 00:46:04,700
So the movie didn't make
any sense in America,
800
00:46:04,700 --> 00:46:07,933
but it did very well in
the rest of the world.
801
00:46:09,267 --> 00:46:10,933
It played forever.
802
00:46:10,933 --> 00:46:14,467
In Paris it played for
six years or seven years
803
00:46:14,467 --> 00:46:15,633
or something.
804
00:46:15,633 --> 00:46:16,900
- Pick up the money.
805
00:46:16,900 --> 00:46:19,867
- I don't wanna pick up
the money. (indistinct)!
806
00:46:19,867 --> 00:46:21,533
- Pick up the money!
807
00:46:26,467 --> 00:46:27,967
(woman crying)
808
00:46:27,967 --> 00:46:32,700
- What I think Americans and
English come to Anglo-Saxons,
809
00:46:33,900 --> 00:46:37,900
I guess, are embarrassed
to sit with their wife,
810
00:46:39,333 --> 00:46:43,300
and be aroused sexually,
looking at a movie.
811
00:46:45,200 --> 00:46:50,200
They're embarrassed by it.
Now, French don't give a shit.
812
00:46:53,000 --> 00:46:54,433
- [Narrator 2] It's the same
813
00:46:54,433 --> 00:46:57,467
for Paul Verhoeven's
"Basic Instinct" in 1992,
814
00:46:57,467 --> 00:47:00,467
for which the studio decided
to release two versions,
815
00:47:00,467 --> 00:47:02,567
a soft one for the
American market
816
00:47:02,567 --> 00:47:04,500
and an unabridged
version for Europe.
817
00:47:06,167 --> 00:47:09,067
Because sex and violence
always work well together,
818
00:47:09,067 --> 00:47:11,300
the film is a perfect example.
819
00:47:11,300 --> 00:47:13,867
Right at the beginning,
Verhoeven films two lovers
820
00:47:13,867 --> 00:47:16,067
in full sexual
congress, on a bed,
821
00:47:16,067 --> 00:47:19,367
in the center of a
room full of mirrors.
822
00:47:19,367 --> 00:47:21,600
The woman, whose lower
back and blonde hair
823
00:47:21,600 --> 00:47:23,167
are all that can be seen,
824
00:47:23,167 --> 00:47:26,167
has a white scarf to
tie her partner up with.
825
00:47:26,167 --> 00:47:28,767
(gentle music)
826
00:47:40,200 --> 00:47:45,233
(man groaning)
(woman moaning)
827
00:47:50,800 --> 00:47:53,433
During orgasm, she
pulls an icepick
828
00:47:53,433 --> 00:47:56,267
and stabs her victim
in the throat and face.
829
00:47:58,100 --> 00:47:59,900
Only five minutes have elapsed.
830
00:47:59,900 --> 00:48:02,500
And the audience is already
electrified by a scene
831
00:48:02,500 --> 00:48:05,433
mixing sexuality,
and extreme violence.
832
00:48:06,833 --> 00:48:09,200
- "Basic Instinct" is amazing
because it offended women.
833
00:48:09,200 --> 00:48:12,033
It offended gay rights groups,
834
00:48:12,033 --> 00:48:14,133
and offended maybe everything,
835
00:48:14,133 --> 00:48:18,167
but audiences who
turned out in droves.
836
00:48:19,833 --> 00:48:24,833
"Basic Instinct"
involves a bisexual woman
837
00:48:25,700 --> 00:48:27,567
who likes to live dangerously
838
00:48:27,567 --> 00:48:31,133
when it comes to both sex
and her relationships.
839
00:48:31,133 --> 00:48:34,767
Michael Douglas engages
in this cat and mouse
840
00:48:34,767 --> 00:48:37,433
kind of interaction
with Sharon Stone,
841
00:48:37,433 --> 00:48:39,967
involving this famous
interrogation scene
842
00:48:39,967 --> 00:48:41,700
where she is torturing him
843
00:48:41,700 --> 00:48:45,133
by crossing her legs back
and forth, back and forth.
844
00:48:45,133 --> 00:48:47,733
(gentle music)
845
00:48:52,133 --> 00:48:53,133
- It's nice.
846
00:48:54,800 --> 00:48:57,800
(gentle music)
847
00:48:57,800 --> 00:48:59,633
- And this is a throwback
848
00:48:59,633 --> 00:49:02,300
to the film, "Fatale"
of the 1940s,
849
00:49:02,300 --> 00:49:07,200
the dangerous female who if
you dare to have sex with her,
850
00:49:07,200 --> 00:49:10,100
you may die in the process.
851
00:49:10,100 --> 00:49:11,367
(gentle music)
852
00:49:11,367 --> 00:49:13,633
- [Narrator 2] Yes, sex
is dangerous in America,
853
00:49:13,633 --> 00:49:14,800
and the country is going
854
00:49:14,800 --> 00:49:17,533
to experience its
biggest sexual scandal,
855
00:49:17,533 --> 00:49:19,967
one that even Hollywood
doesn't dare dream of,
856
00:49:19,967 --> 00:49:23,367
with the affair of Bill
Clinton and Monica Lewinsky,
857
00:49:23,367 --> 00:49:27,033
which will push American
puritanism to its limit.
858
00:49:27,033 --> 00:49:29,467
No democracy had
ever gone so far,
859
00:49:29,467 --> 00:49:32,900
forcing a president in office
to submit to a DNA test,
860
00:49:32,900 --> 00:49:34,967
and testify before
the grand jury
861
00:49:34,967 --> 00:49:37,533
live on television in
front of the whole world,
862
00:49:37,533 --> 00:49:40,533
to justify a sexual
relationship out of wedlock.
863
00:49:43,033 --> 00:49:45,067
- I did have a relationship
with Miss Lewinsky
864
00:49:45,067 --> 00:49:47,067
that was not appropriate.
865
00:49:47,067 --> 00:49:49,600
In fact, it was wrong.
866
00:49:49,600 --> 00:49:52,067
It constituted a critical
lapse in judgment,
867
00:49:52,067 --> 00:49:54,367
and a personal
failure on my part,
868
00:49:54,367 --> 00:49:57,733
for which I am solely and
completely responsible.
869
00:49:59,400 --> 00:50:02,433
- [Narrator 2] Bill Clinton was
asked an essential question.
870
00:50:02,433 --> 00:50:05,300
"Did you touch Ms.
Lewinsky's breasts?"
871
00:50:05,300 --> 00:50:07,433
The act of having
touched her breasts
872
00:50:07,433 --> 00:50:11,333
constituted for America,
a sexual relationship.
873
00:50:11,333 --> 00:50:12,900
This case is not trivial.
874
00:50:12,900 --> 00:50:15,467
It shows the obsession
with transparency and truth
875
00:50:15,467 --> 00:50:18,733
at all costs, and
especially, the fear of sex.
876
00:50:20,800 --> 00:50:23,100
It is also this fear
that pushes America
877
00:50:23,100 --> 00:50:26,800
to encode its love
relationships, in sports terms.
878
00:50:26,800 --> 00:50:28,300
When it comes to dating,
879
00:50:28,300 --> 00:50:32,100
the American guy advances in
the art of seduction by bases,
880
00:50:32,100 --> 00:50:33,400
like in a baseball game.
881
00:50:35,233 --> 00:50:39,200
- If you go on a first
date, you might kiss,
882
00:50:39,200 --> 00:50:41,767
and that might be first base.
883
00:50:41,767 --> 00:50:43,800
The baseball is the illusion.
884
00:50:43,800 --> 00:50:47,367
So, you progress around
the bases in baseball.
885
00:50:48,767 --> 00:50:51,600
So you might get to second
base on another date
886
00:50:51,600 --> 00:50:54,033
where you might
feel her breasts.
887
00:50:54,033 --> 00:50:56,067
Third base, you're
getting closer.
888
00:50:56,067 --> 00:51:00,767
And of course the whole
model is genital penetration.
889
00:51:00,767 --> 00:51:05,767
Home run, score, would
be to go all the way.
890
00:51:07,233 --> 00:51:10,667
- We've always talked about
sex in maybe baseball language
891
00:51:10,667 --> 00:51:13,667
or sports language, all
these strange metaphors.
892
00:51:13,667 --> 00:51:15,300
And it's maybe a way
893
00:51:15,300 --> 00:51:17,700
of kind of getting
around our discomfort
894
00:51:17,700 --> 00:51:20,333
in terms of the
sexuality in the body.
895
00:51:20,333 --> 00:51:21,800
We're comfortable
talking about sports.
896
00:51:21,800 --> 00:51:24,167
We're comfortable
talking about baseball,
897
00:51:25,600 --> 00:51:28,033
but maybe not, still not so
comfortable talking about sex,
898
00:51:28,033 --> 00:51:32,600
even when it comes to things
involving our own president.
899
00:51:32,600 --> 00:51:34,667
(upbeat music)
900
00:51:34,667 --> 00:51:37,467
- [Narrator 2] With the
new millennium, 911,
901
00:51:37,467 --> 00:51:40,033
the war in Iraq and the
new economic crisis,
902
00:51:40,033 --> 00:51:41,667
America has changed.
903
00:51:43,433 --> 00:51:46,400
Since the Bush years,
America has regressed
904
00:51:46,400 --> 00:51:48,900
to its strictest
form of puritanism.
905
00:51:48,900 --> 00:51:53,133
For example, in 2000, 13 states
were hostile to abortion.
906
00:51:53,133 --> 00:51:58,133
In 2014, 43 have adopted
restrictions against it.
907
00:51:59,367 --> 00:52:01,467
Today in the Trump era,
the Governor of Arkansas
908
00:52:01,467 --> 00:52:03,700
wants to remove from
women who are raped,
909
00:52:03,700 --> 00:52:05,100
the right to an abortion,
910
00:52:05,100 --> 00:52:07,867
without the consent of
the man who raped her.
911
00:52:07,867 --> 00:52:11,267
(upbeat music)
912
00:52:11,267 --> 00:52:14,000
And the movie industry
follows this conservative,
913
00:52:14,000 --> 00:52:15,367
senseless movement.
914
00:52:17,100 --> 00:52:19,333
Because it is
primarily an industry,
915
00:52:19,333 --> 00:52:22,433
it must be acceptable to the
four corners of the world,
916
00:52:22,433 --> 00:52:25,700
and be visible by a 13 year
old teenager in Russia,
917
00:52:25,700 --> 00:52:28,133
as well as by a 50 year
old woman in India.
918
00:52:29,600 --> 00:52:31,867
The film adaptation of
the scandalous novel,
919
00:52:31,867 --> 00:52:34,800
"Fifty Shades of Gray",
is the perfect example.
920
00:52:36,167 --> 00:52:38,567
We are far from the torrid
scenes of the novel,
921
00:52:38,567 --> 00:52:40,533
because the film
can not be X-rated.
922
00:52:42,933 --> 00:52:47,167
- Somewhat symptomatically,
the American film version
923
00:52:47,167 --> 00:52:52,167
of that novel was
incredibly tame, and boring.
924
00:52:54,433 --> 00:52:58,733
I would say that we see
more sex at the movies,
925
00:52:58,733 --> 00:53:01,267
but we see it in categories
926
00:53:02,667 --> 00:53:06,667
where you can't be surprised
because first of all,
927
00:53:06,667 --> 00:53:09,467
there's the ratings that
will tell you in advance
928
00:53:09,467 --> 00:53:11,233
what you're likely to see,
929
00:53:11,233 --> 00:53:15,067
so you don't have
the unpredictability
930
00:53:15,067 --> 00:53:18,567
of sex suddenly erupting.
931
00:53:18,567 --> 00:53:21,233
And that's one of the
interesting things about sex
932
00:53:21,233 --> 00:53:23,833
is that it can just erupt.
933
00:53:23,833 --> 00:53:25,800
- [Narrator 2]
Ironically, television
934
00:53:25,800 --> 00:53:28,733
has never been so
daring in terms of sex.
935
00:53:28,733 --> 00:53:32,133
TV series such as "Masters
of Sex", "Game of Thrones",
936
00:53:32,133 --> 00:53:34,633
"Mad Men",
"Californication", "Girls",
937
00:53:34,633 --> 00:53:36,733
or most recently the
"Handmaid's Tale",
938
00:53:36,733 --> 00:53:38,933
are mainly based
on sexual dynamics,
939
00:53:38,933 --> 00:53:40,900
and even sexual violence.
940
00:53:40,900 --> 00:53:43,500
(gentle music)
941
00:53:44,933 --> 00:53:48,233
We no longer count the number
of rapes, incest and orgies
942
00:53:48,233 --> 00:53:51,133
on HBO, Showtime, or Netflix.
943
00:53:52,900 --> 00:53:54,800
Mainstream cinema
and television,
944
00:53:54,800 --> 00:53:58,433
thus reveal a very specific
American approach to sex.
945
00:53:59,600 --> 00:54:01,100
- Americans have always
been more comfortable
946
00:54:01,100 --> 00:54:03,700
with violence than sex.
947
00:54:03,700 --> 00:54:06,167
Perhaps it goes back
to our frontier roots.
948
00:54:06,167 --> 00:54:07,867
We're comfortable with cowboys.
949
00:54:07,867 --> 00:54:11,733
We're comfortable with
settling the wild west.
950
00:54:11,733 --> 00:54:14,167
But when it comes
to bringing women
951
00:54:14,167 --> 00:54:18,933
onto that pioneering stage,
we get a little bit nervous.
952
00:54:18,933 --> 00:54:23,300
America's puritan forefathers
had very strong ideas
953
00:54:23,300 --> 00:54:26,267
about what is
appropriate and when.
954
00:54:26,267 --> 00:54:31,267
And those puritan roots, I think
are reflected in our films.
955
00:54:32,633 --> 00:54:37,533
And I think those Biblical
roots of kind of blaming women,
956
00:54:38,733 --> 00:54:41,233
as the source of sin, as
the root of temptation,
957
00:54:41,233 --> 00:54:43,433
I think carry over into film.
958
00:54:43,433 --> 00:54:46,333
So women are often
punished on screen
959
00:54:46,333 --> 00:54:49,800
for sexual feelings
or sexual activities.
960
00:54:49,800 --> 00:54:54,800
And I think that's rooted in
the American puritan ideals
961
00:54:55,933 --> 00:54:57,000
that are still
very much with us.
962
00:54:58,033 --> 00:55:01,433
(gentle uplifting music)
72710
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