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1
00:00:10,210 --> 00:00:13,210
♪
2
00:00:19,519 --> 00:00:22,286
(woman) ♪ WHAT IS THIS THING ♪
3
00:00:22,286 --> 00:00:25,952
♪ CALLED LOVE? ♪
4
00:00:25,952 --> 00:00:28,486
♪ THIS FUNNY THING ♪
5
00:00:28,486 --> 00:00:32,086
♪ CALLED LOVE ♪
6
00:00:32,086 --> 00:00:34,386
♪ JUST WHO CAN SOLVE ♪
7
00:00:34,386 --> 00:00:38,219
♪ ITS MYSTERY? ♪
8
00:00:38,219 --> 00:00:41,252
♪ WHY SHOULD IT MAKE ♪
9
00:00:41,252 --> 00:00:45,186
♪ A FOOL OF ME? ♪
10
00:00:45,186 --> 00:00:47,286
♪ I SAW YOU THERE ♪
11
00:00:47,286 --> 00:00:51,252
♪ THAT WONDERFUL DAY ♪
12
00:00:51,252 --> 00:00:53,319
♪ YOU TOOK MY LOVE ♪
13
00:00:53,319 --> 00:00:57,019
♪ AND THREW IT AWAY ♪
14
00:00:57,019 --> 00:00:59,985
♪ AND SO I ASK THE LORD ♪
15
00:00:59,985 --> 00:01:03,386
♪ IN HEAVEN ABOVE ♪
16
00:01:03,386 --> 00:01:06,386
♪ WHAT IS THIS THING ♪
17
00:01:06,386 --> 00:01:11,553
♪ CALLED LOVE? ♪
18
00:01:12,885 --> 00:01:18,086
♪ CALLED LOVE ♪
19
00:01:25,919 --> 00:01:28,086
(man) IT'S 105
IN THE L.A. BASIN,
20
00:01:28,086 --> 00:01:31,119
AND THOSE SUMMER TEMPERATURES
JUST KEEP KICKING ASS.
21
00:01:34,852 --> 00:01:38,486
(objects clatter)
22
00:01:38,486 --> 00:01:40,386
(sighs)
23
00:01:40,386 --> 00:01:41,985
HOT.
24
00:01:41,985 --> 00:01:43,252
A.C.'s BUSTED.
25
00:01:43,252 --> 00:01:45,219
GONNA RAISE ME?
26
00:01:45,219 --> 00:01:47,019
I'LL RAISE YOU...
27
00:01:49,352 --> 00:01:52,086
$20, AND I'LL SEE YOU.
28
00:01:52,086 --> 00:01:54,386
(moans)
29
00:01:54,386 --> 00:01:56,619
YOU WANNA SEE ME?
30
00:01:58,919 --> 00:02:01,619
OKAY.
31
00:02:02,985 --> 00:02:05,219
TWO PAIR?
32
00:02:05,219 --> 00:02:08,086
I MEAN, ALL I GOT ARE...
33
00:02:08,086 --> 00:02:09,553
(sighs)
34
00:02:09,553 --> 00:02:11,252
TRIP QUEENS.
35
00:02:11,252 --> 00:02:12,885
YOU LOSE.
36
00:02:12,885 --> 00:02:14,419
TAKE IT OFF.
37
00:02:16,186 --> 00:02:17,586
AHH.
38
00:02:19,086 --> 00:02:21,486
MMM.
39
00:02:21,486 --> 00:02:22,885
YEP.
40
00:02:22,885 --> 00:02:24,553
(whispers) ALL RIGHT.
41
00:02:26,219 --> 00:02:28,486
(normal voice)
SHALL I SHUFFLE?
42
00:02:28,486 --> 00:02:30,852
UNH-UNH.
43
00:02:41,152 --> 00:02:45,052
(both moaning)
44
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(clatter)
45
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(moans)
46
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(chuckles)
47
00:02:59,186 --> 00:03:01,052
AH.
AH!
48
00:03:01,052 --> 00:03:04,653
(both moaning)
49
00:03:07,952 --> 00:03:11,152
OH! OH! (gasps)
50
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(grunting)
51
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(gasping)
52
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(both grunting)
53
00:03:33,653 --> 00:03:35,352
OHH.
54
00:03:35,352 --> 00:03:37,086
(chuckles)
AHH.
55
00:03:37,086 --> 00:03:42,219
(panting)
56
00:03:42,219 --> 00:03:44,086
YOU WANNA DO ANOTHER ONE,
MISTER?
57
00:03:44,086 --> 00:03:47,019
(groans) I CAN'T.
58
00:03:47,019 --> 00:03:48,419
I HAVE TO GO HOME.
59
00:03:48,419 --> 00:03:50,219
I STILL HAVE TO PREP
FOR A HEARING FOR TOMORROW.
60
00:03:50,219 --> 00:03:51,486
OH.
61
00:03:51,486 --> 00:03:53,186
AH, THE LIFE OF
A RE-EMPLOYED LAWYER.
62
00:03:53,186 --> 00:03:54,553
OH.
(chips clatter)
63
00:03:54,553 --> 00:03:57,152
HEY, UH, MEET ME FOR LUNCH
ON WEDNESDAY.
64
00:03:57,152 --> 00:04:01,019
WAIT. UH, MAKE IT TUESDAY.
OLD BOYFRIEND COMING TO TOWN.
65
00:04:01,019 --> 00:04:02,386
WHAT?
66
00:04:02,386 --> 00:04:04,553
(chips clatter)
67
00:04:04,553 --> 00:04:06,319
I'M NOT THE ONLY GUY
YOU'VE EVER BEEN WITH?
68
00:04:06,319 --> 00:04:07,619
(laughs)
69
00:04:07,619 --> 00:04:09,219
HE'S HERE
FOR A COUPLE OF DAYS.
70
00:04:09,219 --> 00:04:10,519
NAME'S HIGHWAY.
71
00:04:10,519 --> 00:04:12,819
HIGHWAY?
MM-HMM.
72
00:04:12,819 --> 00:04:16,319
MUST BE ONE OF THOSE...
RESTLESS MEN.
73
00:04:16,319 --> 00:04:18,019
THAT'S HIM.
74
00:04:18,019 --> 00:04:20,952
DID YOU LOVE HIM?
75
00:04:20,952 --> 00:04:22,919
HE LOVED ME.
76
00:04:22,919 --> 00:04:25,553
THAT WAS MORE IMPORTANT.
77
00:04:25,553 --> 00:04:27,219
WELL, ANOTHER SHATTERED HEART
78
00:04:27,219 --> 00:04:29,252
ON THE LIST
OF MEN YOU'VE SET ADRIFT.
79
00:04:29,252 --> 00:04:31,519
ACTUALLY, HE WENT TO JAIL.
80
00:04:31,519 --> 00:04:34,052
DEALT DOPE TO SUPPORT
HIS SINGING CAREER.
81
00:04:34,052 --> 00:04:36,019
MM. (chuckles)
OPERA?
82
00:04:36,019 --> 00:04:39,352
COUNTRY,
BUT A LOT OF LITTLE STUFF.
83
00:04:39,352 --> 00:04:41,852
HAD A LOCAL HIT IN MEMPHIS.
84
00:04:41,852 --> 00:04:43,386
"SHOT THE MAN."
85
00:04:43,386 --> 00:04:47,586
♪ SHOT THE MAN
WHO STOLE YOUR HEART ♪
86
00:04:47,586 --> 00:04:50,885
♪ KILLED THE MAN,
NOW WE'LL NEVER BE APART ♪
87
00:04:50,885 --> 00:04:53,086
HE SOUNDS CLINGY.
HE'S SWEET.
88
00:04:53,086 --> 00:04:56,019
HE BOUGHT ME AN I.D. BRACELET
FROM THE MONEY HE MADE
89
00:04:56,019 --> 00:04:58,352
FROM A SHIPMENT
OF JAMAICAN WEED.
90
00:04:58,352 --> 00:05:00,119
HAD IT ENGRAVED.
91
00:05:00,119 --> 00:05:02,386
I'M WAITING.
IS THERE ANOTHER MURDER LYRIC?
92
00:05:02,386 --> 00:05:05,386
IT SAID,
93
00:05:05,386 --> 00:05:08,186
"BABY,
YOU'RE A ROCKET TO MARS."
94
00:05:08,186 --> 00:05:10,186
WELL...
95
00:05:10,186 --> 00:05:12,119
MAYBE HE GOT
INTO HIS OWN STASH.
96
00:05:12,119 --> 00:05:15,486
(chuckles)
97
00:05:15,486 --> 00:05:17,119
YOU KNOW, I HAVE
A POKER CHIP SOMEWHERE
98
00:05:17,119 --> 00:05:19,319
WHERE IT ISN'T SUPPOSED TO BE.
99
00:05:19,319 --> 00:05:21,486
AH. (whispers) OH.
100
00:05:21,486 --> 00:05:23,419
(normal voice) MAYBE...
101
00:05:23,419 --> 00:05:26,985
I CAN DO A CAVITY SEARCH.
102
00:05:26,985 --> 00:05:28,952
MM.
I THOUGHT YOU'D NEVER ASK.
103
00:05:28,952 --> 00:05:30,453
(grunts)
OKAY.
104
00:05:30,453 --> 00:05:32,052
OH, I'M GONNA FIND IT!
OH.
105
00:05:32,052 --> 00:05:34,352
WHERE IS IT? IN HERE?
MM. IS IT A $25 OR A $100?
106
00:05:34,352 --> 00:05:38,152
I DON'T KNOW. I'LL FIND IT.
HEY! NO. NO. UNH-UNH.
107
00:05:38,152 --> 00:05:40,052
(both moaning)
108
00:05:40,052 --> 00:05:42,852
OH. YOU WANNA GO BACK
TO THE BEDROOM?
(groans)
109
00:05:42,852 --> 00:05:45,019
YES, BUT I ALSO HAVE TO WORK.
110
00:05:45,019 --> 00:05:47,319
(groans)
111
00:05:47,319 --> 00:05:49,252
AH, EX-BOYFRIENDS.
112
00:05:49,252 --> 00:05:51,619
SOMETIMES YOU JUST HAVE TO SAY
TA-TA.
113
00:05:51,619 --> 00:05:53,852
LIKE WHEN I SPENT MY JUNIOR YEAR
AT BARNARD ABROAD
114
00:05:53,852 --> 00:05:55,419
AND I MET FABRICE.
115
00:05:55,419 --> 00:05:58,152
ONE EXQUISITE AFTERNOON,
WE WENT ALOFT
116
00:05:58,152 --> 00:06:00,952
IN A HOT AIR BALLOON
OVER BORDEAUX.
117
00:06:00,952 --> 00:06:03,619
SUDDENLY, THUNDER POUNDED.
IT BEGAN TO POUR.
118
00:06:03,619 --> 00:06:06,919
THE BALLOON WAS SWEPT SIDEWAYS
AND COULDN'T BE CONTROLLED.
119
00:06:06,919 --> 00:06:09,586
I'VE NEVER BEEN SO SCARED
IN MY LIFE.
120
00:06:09,586 --> 00:06:10,919
BUT HERE'S THE GOOD PART--
121
00:06:10,919 --> 00:06:13,319
THE STORM STOPPED, AS THEY DO,
122
00:06:13,319 --> 00:06:14,952
AND WE WERE SAVED.
123
00:06:14,952 --> 00:06:16,819
AND A RAINBOW APPEARED.
124
00:06:16,819 --> 00:06:18,186
THEY USUALLY DO,
125
00:06:18,186 --> 00:06:19,985
BUT AS SOON AS WE LANDED,
126
00:06:19,985 --> 00:06:23,286
I SAID, "AU REVOIR, FABRICE.
IT'S BEEN FUN,
127
00:06:23,286 --> 00:06:26,885
BUT I CAN'T FORGIVE
YOUR WEEPING IN THE STORM."
128
00:06:30,553 --> 00:06:33,486
YOU HAVE A MAGNIFICENT FOOT.
129
00:06:33,486 --> 00:06:36,419
WELL, NOT TO GO ON ABOUT IT,
BUT I WAS VOTED
130
00:06:36,419 --> 00:06:40,186
MOST LIKELY IN MY LAW CLASS
TO BECOME A FOOT MODEL.
131
00:06:40,186 --> 00:06:42,386
WELL, AT BENTON FOGG LEATHERS,
132
00:06:42,386 --> 00:06:44,453
WE DON'T OFTEN GET TO SEE
THE CALIBER OF FOOT
133
00:06:44,453 --> 00:06:46,619
THAT OUR CUSTOM SHOES DESERVE.
134
00:06:46,619 --> 00:06:49,286
TOO OFTEN, WE SEE
THE IMPOVERISHED ARCH...
135
00:06:49,286 --> 00:06:51,852
MM.
THE MISSHAPEN TOENAILS.
136
00:06:51,852 --> 00:06:53,453
HMM.
HEARTBREAKING.
137
00:06:53,453 --> 00:06:55,419
BUT YOUR FOOT...
138
00:06:55,419 --> 00:06:57,119
WELL, TO BE CANDID,
139
00:06:57,119 --> 00:06:59,252
I'VE NEVER SEEN ANYTHING LIKE IT
IN MY CAREER.
140
00:06:59,252 --> 00:07:01,252
WELL, THANK YOU, HEATHER.
141
00:07:01,252 --> 00:07:05,019
AND I APPRECIATE YOUR FLYING IN
FROM LONDON FOR THE FITTING.
142
00:07:05,019 --> 00:07:07,952
OH. I ASSURE YOU,
THE PLEASURE'S ALL MINE.
143
00:07:07,952 --> 00:07:09,252
MM.
144
00:07:09,252 --> 00:07:11,486
YOU SHOULD PICK
WHICH BOOT YOU PREFER.
145
00:07:11,486 --> 00:07:12,952
BUT I'LL TELL YOU THIS.
146
00:07:12,952 --> 00:07:14,219
YOU CAN'T GO WRONG.
147
00:07:14,219 --> 00:07:17,219
FEET LIKES YOURS ARE A GIFT.
148
00:07:17,219 --> 00:07:20,186
AHH. HEY, LUTHER, I--UH... OH.
149
00:07:20,186 --> 00:07:21,486
SORRY. I'LL COME BACK.
150
00:07:21,486 --> 00:07:23,186
OH, NO, NO.
COME IN. COME IN.
151
00:07:23,186 --> 00:07:27,386
MICHAEL, MEET HEATHER CROWLEY
152
00:07:27,386 --> 00:07:30,286
OF THE FINE
CUSTOM SHOEMAKING HOUSE
153
00:07:30,286 --> 00:07:32,119
BENTON FOGG OF LONDON.
154
00:07:32,119 --> 00:07:33,453
HELLO.
PLEASURE.
155
00:07:34,952 --> 00:07:37,852
13... D.
156
00:07:37,852 --> 00:07:39,586
UH, CORRECT.
157
00:07:39,586 --> 00:07:42,852
HMM.
YOU ARE
MENTALLY UNDRESSING MY FEET.
158
00:07:42,852 --> 00:07:44,553
SO I AM. (chuckles)
159
00:07:44,553 --> 00:07:47,219
LUTHER, WHAT'S THIS ALL ABOUT?
160
00:07:47,219 --> 00:07:49,852
I'M HAVING RIDING BOOTS MADE.
161
00:07:49,852 --> 00:07:51,119
FOR WHAT? YOU DON'T RIDE.
162
00:07:51,119 --> 00:07:52,985
SO WHAT?
163
00:07:52,985 --> 00:07:55,352
I'M PLANNING
TO WEAR THEM WITH SHORTS.
164
00:07:55,352 --> 00:07:56,985
(chuckles)
165
00:07:56,985 --> 00:07:58,985
HEATHER, WOULD YOU GIVE US
A MOMENT?
OH.
166
00:08:08,453 --> 00:08:10,486
TAINTED TUSH HAS GONE PUBLIC.
167
00:08:10,486 --> 00:08:12,852
WE ARE GOING TO BE RICH BEYOND
OUR WILDEST DREAMS.
168
00:08:12,852 --> 00:08:14,819
$50 MILLION BETWEEN US!
169
00:08:14,819 --> 00:08:16,519
$50 MILLION ON PAPER, LUTHER.
170
00:08:16,519 --> 00:08:19,152
IT'S--IT'S DATED STOCK.
WE CAN'T SELL IT FOR SIX MONTHS.
171
00:08:19,152 --> 00:08:20,386
GOOD. IT'LL BE WORTH
EVEN MORE BY THEN.
172
00:08:20,386 --> 00:08:22,019
THINK ABOUT IT, MICHAEL.
173
00:08:22,019 --> 00:08:23,985
WE NEVER HAVE TO GROW UP!
174
00:08:23,985 --> 00:08:25,919
OH! THEN THE PRESSURE'S OFF
FOR YOU.
175
00:08:25,919 --> 00:08:27,919
PEOPLE ONLY GROW UP
AND GET THEIR AT TOGETHER
176
00:08:27,919 --> 00:08:29,419
SO THEY CAN MAKE A LIVING.
177
00:08:29,419 --> 00:08:30,919
WE DON'T HAVE TO DO THAT
ANYMORE.
178
00:08:30,919 --> 00:08:32,819
WE CAN DO
WHATEVER THE FUCK WE WANT!
179
00:08:32,819 --> 00:08:35,319
LUTHER--
I AM GOING TO PROPOSE
TO SHERYL CROW.
180
00:08:35,319 --> 00:08:37,319
WHAT?
THIS IS MY TIME, MICHAEL.
181
00:08:37,319 --> 00:08:39,252
I'M GONNA JOIN
CIRQUE du SOLEIL!
182
00:08:39,252 --> 00:08:40,919
LOOK, LUTHER, YOU'RE
GETTING AHEAD OF YOURSELF.
183
00:08:40,919 --> 00:08:42,453
NO, I'M FINALLY IN SYNC
WITH MYSELF.
184
00:08:42,453 --> 00:08:44,186
I'M FREE! (laughs)
OKAY.
185
00:08:44,186 --> 00:08:46,119
FROM THIS MOMENT FORWARD,
186
00:08:46,119 --> 00:08:48,852
I DROP ALL PRETENSE,
I SHED MY FACADE.
187
00:08:48,852 --> 00:08:51,486
I AM GOING TO BE THE ME
I'VE ALWAYS WANTED TO BE!
188
00:08:51,486 --> 00:08:53,186
THE REAL ME!
189
00:08:53,186 --> 00:08:56,952
AND I'M GOING TO STOP SHAVING
MY ASS. (laughs)
190
00:08:56,952 --> 00:08:59,952
THAT IS GENUINELY REVOLTING.
191
00:08:59,952 --> 00:09:02,219
(knock on door)
(laughing)
192
00:09:02,219 --> 00:09:05,653
MICHAEL, I NEED YOU
FOR A MOMENT.
193
00:09:05,653 --> 00:09:08,985
LUTHER, WHY ARE YOU JUMPING
ON THE COUCH?
194
00:09:08,985 --> 00:09:11,519
BECAUSE I AM ALIVE!
195
00:09:11,519 --> 00:09:13,052
WHERE ARE YOUR SHOES?
196
00:09:13,052 --> 00:09:14,919
(sighs deeply)
197
00:09:14,919 --> 00:09:17,852
HOW CONVENTIONAL OF YOU TO
BE ALARMED BY MISSING FOOTWEAR
198
00:09:17,852 --> 00:09:22,252
WHEN YOUR VERY ESSENCE HAS BEEN
STOLEN BY CORPORATE INANITY.
199
00:09:22,252 --> 00:09:24,086
NEVER THOUGHT OF IT THAT WAY.
200
00:09:24,086 --> 00:09:26,486
THIS, ARTHUR,
201
00:09:26,486 --> 00:09:30,386
IS WHAT REAL TRUE FREEDOM
LOOKS LIKE.
202
00:09:30,386 --> 00:09:33,919
NO MORE SELLING OUT
FOR ME. NO.
203
00:09:33,919 --> 00:09:36,186
THIS, MY FRIEND...
204
00:09:36,186 --> 00:09:37,419
(chuckles)
205
00:09:37,419 --> 00:09:39,319
IS THE REAL ME!
206
00:09:39,319 --> 00:09:41,319
HA! (laughs)
207
00:09:41,319 --> 00:09:45,119
WELL, CARRY ON, YOU.
208
00:09:45,119 --> 00:09:46,985
A SMALL SUGGESTION--YOU MIGHT
WANT TO PULL UP YOUR TROUSERS.
209
00:09:46,985 --> 00:09:48,419
I CAN SEE YOUR CHUBBER.
210
00:09:48,419 --> 00:09:50,952
MICHAEL.
YEAH.
211
00:09:50,952 --> 00:09:53,086
(clears throat)
212
00:09:55,319 --> 00:09:57,219
(exhales deeply)
213
00:10:10,919 --> 00:10:12,852
(sighs)
214
00:10:14,852 --> 00:10:16,119
HI, MICHAEL.
215
00:10:16,119 --> 00:10:17,919
JOCE.
216
00:10:17,919 --> 00:10:21,252
WHAT A POTENTIALLY PAINFUL
SURPRISE.
217
00:10:21,252 --> 00:10:22,952
LAST TIME WE SPOKE,
218
00:10:22,952 --> 00:10:25,519
YOU WERE WITH
YOUR NEW PAL CASEY IN KAUAI.
219
00:10:25,519 --> 00:10:27,919
HOW ARE THE BEACHES,
THE WATERFALLS,
220
00:10:27,919 --> 00:10:29,186
THE CUNNILINGUS?
221
00:10:29,186 --> 00:10:32,386
I DIDN'T LEAVE YOU
FOR A WOMAN.
222
00:10:32,386 --> 00:10:34,019
SHE LOOKED LIKE A WOMAN.
223
00:10:34,019 --> 00:10:35,919
AM I MISSING SOMETHING?
224
00:10:35,919 --> 00:10:38,252
SO MUCH, MICHAEL.
225
00:10:38,252 --> 00:10:41,919
CASEY IS ONLY PART OF IT.
226
00:10:41,919 --> 00:10:44,286
THERE'S...
227
00:10:44,286 --> 00:10:46,286
ALSO HAL.
228
00:10:46,286 --> 00:10:49,086
HAL?
229
00:10:49,086 --> 00:10:50,486
THAT SOUNDS LIKE A MAN'S NAME.
230
00:10:50,486 --> 00:10:52,619
YOU KNOW, SOMEONE WHO OWNS
AND OPERATES A PENIS.
231
00:10:52,619 --> 00:10:54,219
(sighs) YOU'D LIKE HIM.
232
00:10:54,219 --> 00:10:56,386
I ALREADY DON'T.
HE LIKES YOU.
233
00:10:56,386 --> 00:10:58,119
I TOLD HIM ALL ABOUT YOU.
234
00:10:58,119 --> 00:10:59,319
NO, YOU DIDN'T.
TELL ME YOU DIDN'T DO THAT.
235
00:10:59,319 --> 00:11:01,152
I TOLD HIM I LOVE YOU,
236
00:11:01,152 --> 00:11:04,453
AND NOW HE LOVES YOU.
237
00:11:04,453 --> 00:11:07,386
I DON'T WANT HAL TO LOVE ME.
MAKE HIM STOP.
238
00:11:07,386 --> 00:11:08,952
(chuckles)
239
00:11:08,952 --> 00:11:11,352
YOU CAN'T STOP LOVE, MICHAEL.
240
00:11:11,352 --> 00:11:15,619
HAVE YOU EVER HEARD OF...
241
00:11:15,619 --> 00:11:17,419
POLYAMORY?
242
00:11:17,419 --> 00:11:19,619
IT THAT THE LESBO RESORT YOU
STAYED WHEN YOU WERE IN HAWAII?
243
00:11:19,619 --> 00:11:22,419
IT'S THE NEW INTIMACY.
244
00:11:22,419 --> 00:11:27,352
OPENING YOURSELF UP TO LOVING
MORE THAN JUST ONE PERSON.
245
00:11:27,352 --> 00:11:29,152
AS DAVID CROSBY SANG
246
00:11:29,152 --> 00:11:32,885
IN HIS POIGNANT BALLAD
"TRIAD,"
247
00:11:32,885 --> 00:11:36,119
"WHY CAN'T WE GO ON AS THREE?"
248
00:11:36,119 --> 00:11:37,352
MM.
249
00:11:37,352 --> 00:11:40,553
OR MAYBE EVEN...
250
00:11:40,553 --> 00:11:42,919
FOUR?
251
00:11:42,919 --> 00:11:45,286
(clears throat) DOES HAL LOOK
A LOT LIKE DAVID CROSBY?
252
00:11:45,286 --> 00:11:47,286
NO.
253
00:11:47,286 --> 00:11:50,019
AH. DAVID CROSBY DONATES SPERM
TO LESBIANS.
254
00:11:50,019 --> 00:11:51,319
IS THAT HOW YOU KNOW HIM?
255
00:11:51,319 --> 00:11:53,219
I DON'T KNOW HIM, MICHAEL.
256
00:11:53,219 --> 00:11:55,985
I'M JUST REFERENCING
AN OLD SONG.
257
00:11:55,985 --> 00:11:58,453
LOOK...
258
00:11:58,453 --> 00:11:59,885
I WANT YOU TO MEET THEM.
259
00:11:59,885 --> 00:12:01,919
NO.
260
00:12:01,919 --> 00:12:05,619
IT WOULD REPRESENT COMPLETION
OF THE CIRCLE FOR ME, MICHAEL.
261
00:12:05,619 --> 00:12:07,119
THINK OF IT.
262
00:12:07,119 --> 00:12:09,586
MY NEW LIFE WITH CASEY AND HAL,
263
00:12:09,586 --> 00:12:11,419
MY WORK ON THE CANTONI ACCOUNT.
264
00:12:11,419 --> 00:12:14,985
IT'S ALL COMING MY WAY.
265
00:12:14,985 --> 00:12:17,985
(sighs)
266
00:12:17,985 --> 00:12:19,885
CAN WE COME OVER
FOR ONE DRINK?
267
00:12:19,885 --> 00:12:21,885
NO!
268
00:12:21,885 --> 00:12:23,486
PLEASE?
269
00:12:23,486 --> 00:12:26,186
FINE. I'VE RETHOUGHT IT.
270
00:12:26,186 --> 00:12:27,419
NO.
271
00:12:28,985 --> 00:12:31,419
I LOVE YOU, MICHAEL.
272
00:12:31,419 --> 00:12:33,985
YOU ARE IMPORTANT TO ME,
273
00:12:33,985 --> 00:12:38,219
AND NOW SO IS CASEY AND HAL.
274
00:12:38,219 --> 00:12:40,985
THEY'VE CHANGED ME,
275
00:12:40,985 --> 00:12:44,019
AND I NEED YOU TO MEET THEM.
276
00:12:44,019 --> 00:12:46,186
NO STRINGS ATTACHED.
277
00:12:46,186 --> 00:12:49,952
WHAT ABOUT ROPES? YOU DIDN'T
SAY ANYTHING ABOUT ROPES.
278
00:12:49,952 --> 00:12:51,453
IS HAL
ONE OF THOSE BONDAGE KINGS?
279
00:12:51,453 --> 00:12:54,519
IS HE GONNA STRING ME UP
AND DRIP HOT WAX ON MY NUTS?
280
00:12:54,519 --> 00:12:55,919
YOU'VE GOT IT ALL WRONG,
MICHAEL.
281
00:12:55,919 --> 00:12:59,119
THIS IS ABOUT EMOTIONS,
NOT SEX.
282
00:13:00,386 --> 00:13:02,219
PLEASE DO THIS FOR ME.
283
00:13:02,219 --> 00:13:05,086
(scoffs) HMM.
284
00:13:05,086 --> 00:13:07,486
DO I HAVE TO HUG HIM?
NO.
285
00:13:07,486 --> 00:13:08,919
IS HE GONNA TRY AND BLOW ME?
286
00:13:08,919 --> 00:13:10,952
(chuckles) NO.
287
00:13:10,952 --> 00:13:13,919
IS HE EXPECTING ME
TO BLOW HIM?
NO.
288
00:13:13,919 --> 00:13:16,119
ONE DRINK. ONE.
289
00:13:24,086 --> 00:13:26,019
(laughs) WHAT IS THIS,
LUTHER?
290
00:13:26,019 --> 00:13:28,352
I TOLD YOU, IT'S A SURPRISE.
291
00:13:28,352 --> 00:13:31,186
COME ON! TELL ME!
BE PATIENT.
292
00:13:31,186 --> 00:13:35,019
(giggling)
293
00:13:36,086 --> 00:13:37,453
VOILA.
294
00:13:37,453 --> 00:13:39,052
WELL...
295
00:13:39,052 --> 00:13:41,885
WHO IS HE AND WHAT IS HE DOING
IN MY BED?
296
00:13:41,885 --> 00:13:43,519
IT'S MARCELLO.
297
00:13:43,519 --> 00:13:46,352
SAY HELLO, MARCELLO. (chuckles)
298
00:13:46,352 --> 00:13:48,052
(male voice)
BUON SERA, PEMMIE.
299
00:13:48,052 --> 00:13:49,386
(laughs)
300
00:13:49,386 --> 00:13:51,885
DITTO, MARCELLO.
301
00:13:51,885 --> 00:13:53,885
HMM. A THREE-WAY.
302
00:13:53,885 --> 00:13:57,086
YOU ARE A BAD BOY, LUTHER.
303
00:13:57,086 --> 00:13:58,419
WELL, I TRY.
304
00:13:58,419 --> 00:14:00,186
AHH.
COME TO ME, PEMMIE.
305
00:14:00,186 --> 00:14:03,219
(laughs) OH, GOD.
306
00:14:03,219 --> 00:14:05,453
THANK GOD JOCE IS IN LISBON.
307
00:14:05,453 --> 00:14:06,985
(chuckles)
308
00:14:06,985 --> 00:14:09,152
OH, GOD. YOU ARE CRAZY.
309
00:14:09,152 --> 00:14:10,885
MMM.
310
00:14:10,885 --> 00:14:12,985
(gasping) OH, MY GOD!
311
00:14:12,985 --> 00:14:15,086
THIS THING'S SO FUCKING SICK!
312
00:14:15,086 --> 00:14:17,152
IT GETS BETTER.
PULL THE COVERS DOWN.
313
00:14:17,152 --> 00:14:18,419
(laughing)
314
00:14:18,419 --> 00:14:21,486
OH! HOLY SHIT.
315
00:14:21,486 --> 00:14:24,919
(laughing) OH, MY GOD!
316
00:14:24,919 --> 00:14:27,619
MARCELLO IS A STATE-OF-THE-ART
REAL DOLL.
317
00:14:27,619 --> 00:14:29,052
IT WAS A GIFT GIVEN TO ME
318
00:14:29,052 --> 00:14:31,019
BY MY GOOD FRIENDS...
MMM!
319
00:14:31,019 --> 00:14:33,919
AT ABYSS CREATIONS.
CARE TO TAKE IT FOR A SPIN?
320
00:14:33,919 --> 00:14:36,553
OHH, GOD,
THAT IS ONE AMAZING COCK.
321
00:14:36,553 --> 00:14:38,352
OH, I ALMOST FORGOT.
322
00:14:40,319 --> 00:14:44,052
(imitates rifle click
and rapid gunfire)
323
00:14:44,052 --> 00:14:46,019
(laughing)
HA HA! (blows air)
324
00:14:46,019 --> 00:14:47,319
OH!
TASTER'S CHOICE.
325
00:14:47,319 --> 00:14:48,919
HOLY SHIT.
326
00:14:48,919 --> 00:14:50,553
ALL RIGHT, I'LL TAKE IT
FROM HERE, LUTHER.
327
00:14:50,553 --> 00:14:53,553
AHH.
328
00:14:53,553 --> 00:14:55,186
HELLO, MARCELLO.
329
00:14:55,186 --> 00:14:56,885
(speaks indistinctly)
330
00:14:56,885 --> 00:14:58,453
THIS IS KIND OF WEIRD,
YOU LITTLE NAUGHTY BOY.
331
00:14:58,453 --> 00:15:01,885
YES, YOU LIKE THAT, MARCELLO,
YOU LITTLE BITCH?
332
00:15:01,885 --> 00:15:04,019
(gasps) BOING!
333
00:15:04,019 --> 00:15:05,553
YES, MARCELLO!
334
00:15:05,553 --> 00:15:07,653
OH, YEAH, YOU LIKE IT LIKE THAT,
YOU LITTLE BITCH?
335
00:15:07,653 --> 00:15:11,019
(moaning)
336
00:15:13,419 --> 00:15:16,219
WHAT IS THAT SMELL, LUTHER?
I CAN SMELL YOU FROM HERE.
337
00:15:16,219 --> 00:15:18,486
(inhales deeply)
THAT, MY DEAREST PEMBERG,
338
00:15:18,486 --> 00:15:20,919
IS THE SMELL OF FREEDOM!
339
00:15:20,919 --> 00:15:22,119
(laughs)
340
00:15:22,119 --> 00:15:24,086
YOU REEK LIKE AN ANIMAL.
341
00:15:24,086 --> 00:15:27,386
YES.
GET IN HERE WITH US AND GRAB
THAT BIG DICK ON THE WAY.
342
00:15:27,386 --> 00:15:28,852
OH, YES, BABY.
343
00:15:28,852 --> 00:15:30,219
(grunting)
344
00:15:30,219 --> 00:15:32,519
HA HA!
AAH!
345
00:15:32,519 --> 00:15:37,052
YES! MARCELLO, YOU KNOW YOU WANT
THIS ONE ON YOU, RIGHT?
346
00:15:37,052 --> 00:15:38,985
OH! (laughs)
347
00:15:38,985 --> 00:15:42,419
♪
348
00:15:42,419 --> 00:15:44,052
(door opens)
349
00:15:44,052 --> 00:15:45,453
(stops playing)
350
00:15:45,453 --> 00:15:47,186
AH.
(closes door)
351
00:15:48,919 --> 00:15:50,419
HOWDY.
352
00:15:50,419 --> 00:15:53,052
HIGHWAY, RIGHT?
353
00:15:55,619 --> 00:15:58,252
WELL... (chuckles)
354
00:15:58,252 --> 00:16:00,319
YOU GOTTA BE MICHAEL.
355
00:16:00,319 --> 00:16:02,885
RIGHT? (grunts)
356
00:16:02,885 --> 00:16:04,219
(laughs)
357
00:16:04,219 --> 00:16:05,985
LIZ'S FRIEND, RIGHT?
358
00:16:05,985 --> 00:16:08,453
YEAH, LIZ'S... FRIEND.
359
00:16:08,453 --> 00:16:10,352
HEY, NO OFFENSE.
360
00:16:10,352 --> 00:16:13,019
NO, NONE TAKEN. IT'S JUST THAT
WE'VE GONE WAY PAST FRIENDSHIP.
361
00:16:13,019 --> 00:16:16,286
HARD NOT TO WITH LIZZIE.
362
00:16:16,286 --> 00:16:20,119
LIZ TELLS ME YOU'RE SOME KIND
OF A COWBOY... TROUBADOUR.
363
00:16:20,119 --> 00:16:22,852
YEAH, SOME COWBOY.
I'M FROM PITTSBURGH. (laughs)
364
00:16:22,852 --> 00:16:25,319
OH, PITTSBURGH.
I SPENT A WEEK THERE ONE NIGHT.
365
00:16:25,319 --> 00:16:27,619
OH, YEAH?
(chuckles)
366
00:16:27,619 --> 00:16:29,553
I DON'T KNOW WHY I DID THAT
367
00:16:29,553 --> 00:16:31,486
WHEN I DON'T THINK WHITE GUYS
SHOULD BE HIGH-FIVING ANYBODY.
368
00:16:31,486 --> 00:16:33,319
OR CALLING EACH OTHER
"BROTHER."
369
00:16:33,319 --> 00:16:35,519
EXACTLY.
370
00:16:35,519 --> 00:16:37,486
HIGH FIVE, MY BROTHER.
371
00:16:37,486 --> 00:16:40,619
(laughing)
(chuckles)
372
00:16:43,386 --> 00:16:44,919
(chuckles)
373
00:16:46,386 --> 00:16:49,119
SO, UH...
HOW'D YOU GET THAT NAME?
374
00:16:49,119 --> 00:16:52,186
HIGHWAY? OH, I GOT THAT
IN THE CLUB SCENE.
375
00:16:52,186 --> 00:16:54,086
A DRUMMER BUDDY OF MINE
GAVE IT TO ME
376
00:16:54,086 --> 00:16:57,019
'CAUSE I COULDN'T STAY ANYWHERE
FOR TOO LONG.
377
00:16:57,019 --> 00:16:59,486
THAT'S HOW I LANDED IN JOLIET
FOR TWO YEARS, ANYWAY.
378
00:16:59,486 --> 00:17:01,252
OH, YEAH.
LIZ TOLD ME ABOUT THAT.
379
00:17:01,252 --> 00:17:03,019
ANYWAY...
380
00:17:03,019 --> 00:17:05,519
GAVE ME AN OPPORTUNITY
TO WRITE A COUPLE COUNTRY HITS
381
00:17:05,519 --> 00:17:09,119
WHEN I WAS ON THE INSIDE.
I SOCKED SOME MONEY AWAY, TOO.
382
00:17:09,119 --> 00:17:11,819
WHO WAS YOUR INSPIRATION?
383
00:17:11,819 --> 00:17:13,419
HANK WILLIAMS? MERLE HAGGARD?
384
00:17:13,419 --> 00:17:15,219
WILLIAM BLAKE.
385
00:17:15,219 --> 00:17:18,152
THE ENGLISH POET?
NOT JUST "THE ENGLISH POET."
386
00:17:18,152 --> 00:17:20,219
HE WAS
THE MAJOR POET AND PAINTER
387
00:17:20,219 --> 00:17:22,885
OF THE ROMANTIC MOVEMENT.
A REVOLUTIONARY.
388
00:17:22,885 --> 00:17:24,852
SUPPORTER OF WOMEN'S RIGHTS.
389
00:17:24,852 --> 00:17:28,186
DID YOU KNOW
THAT ON HIS DEATHBED,
390
00:17:28,186 --> 00:17:32,219
HE TURNS TO HIS WIFE,
TAKES HER HAND, AND HE SAYS,
391
00:17:32,219 --> 00:17:34,952
"STAY, KATE!
392
00:17:34,952 --> 00:17:36,286
"KEEP JUST AS YOU ARE.
393
00:17:36,286 --> 00:17:37,586
"I WILL DRAW YOUR PORTRAIT,
394
00:17:37,586 --> 00:17:40,052
FOR YOU HAVE EVER BEEN
AN ANGEL TO ME"?
395
00:17:40,052 --> 00:17:41,819
HE DRAWS HER PORTRAIT,
396
00:17:41,819 --> 00:17:44,386
STARTS TO SING...
397
00:17:44,386 --> 00:17:46,219
BOOM.
398
00:17:46,219 --> 00:17:47,619
AND DIES.
399
00:17:47,619 --> 00:17:49,619
(laughs)
400
00:17:49,619 --> 00:17:51,219
NOW THAT'S MY INSPIRATION.
401
00:17:51,219 --> 00:17:53,486
AH. THAT'S A PRETTY TOUGH ACT
TO FOLLOW.
402
00:17:53,486 --> 00:17:56,086
YEAH, NO DOUBT. HE MADE IT HARD
FOR THE REST OF US.
403
00:17:56,086 --> 00:17:59,586
OH. ARE YOU DOING
THAT WILLIAM BLAKE SHIT AGAIN?
404
00:17:59,586 --> 00:18:02,219
(laughs) HEY.
405
00:18:02,219 --> 00:18:04,386
(laughs) HEY, IT'S THE MAN!
406
00:18:04,386 --> 00:18:06,319
(chuckles)
407
00:18:06,319 --> 00:18:08,152
(growls)
(giggles) MM.
408
00:18:08,152 --> 00:18:10,386
NEVER THOUGHT I'D BE HAPPY
TO SEE A COP AGAIN.
409
00:18:10,386 --> 00:18:11,885
(laughs) OH, YEAH?
410
00:18:11,885 --> 00:18:15,453
OF COURSE, I MISS SEEING YOU
IN THAT OUTFIT. MMM.
411
00:18:15,453 --> 00:18:17,052
I GOT A PRESENT FOR YOU.
412
00:18:17,052 --> 00:18:19,119
OH, YEAH?
MM-HMM.
413
00:18:24,052 --> 00:18:26,885
LITTLE SOMETHING I WROTE
ON THE INSIDE.
414
00:18:28,519 --> 00:18:36,453
♪ I'VE BEEN LOOKING FOR YOU
FOR SO DAMN LONG ♪
415
00:18:36,453 --> 00:18:39,219
♪ SEARCHING UNTIL I... ♪
416
00:18:39,219 --> 00:18:45,985
♪ I DON'T KNOW IF COULD LIVE
ANOTHER DAY WITHOUT YOU ♪
417
00:18:48,352 --> 00:18:52,919
♪ NOT A DAY GOES BY... ♪
(sings indistinctly)
418
00:18:52,919 --> 00:18:57,252
♪ WHEN I LOOK INTO YOUR EYES ♪
419
00:18:59,352 --> 00:19:01,086
IT'S BEAUTIFUL.
420
00:19:03,286 --> 00:19:05,453
IT'S CALLED
"NOT A DAY GOES BY."
421
00:19:05,453 --> 00:19:07,019
(chuckles)
422
00:19:07,019 --> 00:19:08,386
YOU KNOW WHY?
WHY?
423
00:19:08,386 --> 00:19:10,186
'CAUSE NOT A DAY GOES BY
424
00:19:10,186 --> 00:19:11,785
I HAVEN'T THOUGHT
ABOUT YOU, HONEY.
425
00:19:11,785 --> 00:19:13,419
OH.
426
00:19:13,419 --> 00:19:16,519
THOUGHT ABOUT US,
427
00:19:16,519 --> 00:19:18,019
ABOUT OUR FUTURE.
428
00:19:18,019 --> 00:19:20,086
YOUR WHAT?
429
00:19:20,086 --> 00:19:21,352
OUR FUTURE.
430
00:19:22,952 --> 00:19:25,186
(chuckles) AHEM.
431
00:19:25,186 --> 00:19:27,985
YOU'RE ALL I THOUGHT ABOUT
EVERY MINUTE I WAS IN PRISON.
432
00:19:27,985 --> 00:19:31,486
AND I VOWED,
AS SOON AS I GOT OUT,
433
00:19:31,486 --> 00:19:34,219
I WAS GONNA TRACK YOU DOWN,
HONEY.
434
00:19:34,219 --> 00:19:36,019
AND I WAS GONNA COME HERE
435
00:19:36,019 --> 00:19:38,885
AND I WAS GONNA TELL YOU
THAT ONE LITTLE THING.
436
00:19:38,885 --> 00:19:42,186
I WANT YOU TO BE WITH ME.
437
00:19:42,186 --> 00:19:43,852
(chuckles)
438
00:19:43,852 --> 00:19:45,152
FOREVER.
439
00:19:47,086 --> 00:19:49,086
(sighs)
440
00:19:49,086 --> 00:19:51,186
AND I KNOW THAT'S A LOT
TO TAKE IN.
441
00:19:51,186 --> 00:19:52,919
(chuckles) NO KIDDING.
442
00:19:52,919 --> 00:19:54,453
LOOK, I'M NOT ASKING
443
00:19:54,453 --> 00:19:57,319
FOR YOU TO GIVE ME AN ANSWER
RIGHT THIS SECOND.
444
00:19:57,319 --> 00:19:59,186
(whispers) I WANT YOU
TO THINK ABOUT IT, OKAY?
445
00:19:59,186 --> 00:20:01,453
I WILL.
446
00:20:01,453 --> 00:20:03,186
MMM.
447
00:20:03,186 --> 00:20:04,486
(kissing)
448
00:20:04,486 --> 00:20:06,286
MM.
449
00:20:06,286 --> 00:20:07,852
MMM.
450
00:20:09,852 --> 00:20:12,252
I'LL BE BACK.
451
00:20:14,985 --> 00:20:17,586
AND YOU...
452
00:20:19,553 --> 00:20:21,586
YOU ARE MY WITNESS, BROTHER.
453
00:20:21,586 --> 00:20:23,052
(laughs)
454
00:20:24,286 --> 00:20:26,119
YOU'RE GOOD PEOPLE.
455
00:20:26,119 --> 00:20:29,052
(laughs)
456
00:20:37,519 --> 00:20:39,486
WHAT WAS THAT?
457
00:20:39,486 --> 00:20:42,386
THAT WAS HIGHWAY
BEING HIGHWAY.
458
00:20:46,553 --> 00:20:49,052
AND WHY DIDN'T YOU TELL HIM
I WAS YOUR BOYFRIEND?
459
00:20:49,052 --> 00:20:53,086
BECAUSE I DIDN'T THINK
THAT'S WHAT YOU ARE.
460
00:20:53,086 --> 00:20:54,952
AND ANYWAY,
IT WOULDN'T MATTER TO HIGHWAY.
461
00:20:54,952 --> 00:20:58,052
HIGHWAY DOES
WHAT HIGHWAY WANTS.
462
00:20:58,052 --> 00:21:01,119
AND WHAT THE FUCK
DO YOU THINK I WANT?
463
00:21:01,119 --> 00:21:04,553
HELP ME UNDERSTAND WHAT'S
GOING ON BETWEEN YOU AND ME.
464
00:21:04,553 --> 00:21:06,486
WHERE IS THIS COMING FROM?
465
00:21:06,486 --> 00:21:09,386
IS IT BECAUSE YOUR GIRLFRIEND
LEFT YOU?
HER NAME IS JOCELYN.
466
00:21:09,386 --> 00:21:11,453
I DON'T GIVE A FUCK
WHAT HER NAME IS! SHE'S GONE!
467
00:21:11,453 --> 00:21:13,453
WELL, THANK YOU.
THANK YOU FOR THAT.
468
00:21:13,453 --> 00:21:14,919
YOU JUST--YOU DON'T GET ME.
469
00:21:14,919 --> 00:21:16,919
OH. OH, NO, YOU'RE WRONG.
470
00:21:16,919 --> 00:21:19,319
HERE'S HOW YOU AND I GET
EACH OTHER.
471
00:21:19,319 --> 00:21:20,553
LET'S FUCK.
472
00:21:20,553 --> 00:21:22,619
JUST LIKE THAT?
JUST LIKE THAT!
473
00:21:22,619 --> 00:21:24,086
AND SUDDENLY
YOU JUST WANNA FUCK?
YES!
474
00:21:24,086 --> 00:21:25,419
IS THAT WHAT YOU WANT?
YOU WANT THIS?
475
00:21:25,419 --> 00:21:27,019
(grunts)
HMM? HMM?
476
00:21:27,019 --> 00:21:30,019
(moaning)
HMM? HMM? HMM?
477
00:21:30,019 --> 00:21:33,019
HMM? IS IT WHAT YOU WANT?
(panting)
478
00:21:33,019 --> 00:21:34,919
YOU WANNA FUCK? HUH?
MM-HMM. (grunts)
479
00:21:34,919 --> 00:21:38,553
(gasping)
480
00:21:38,553 --> 00:21:40,186
GET THOSE PANTS OFF.
481
00:21:44,952 --> 00:21:47,152
(gasps) FUCK ME.
482
00:21:47,152 --> 00:21:50,952
(both moaning and grunting)
483
00:21:52,653 --> 00:21:54,219
YOU WANNA FUCK?
484
00:21:54,219 --> 00:21:57,352
(grunting)
YES! AH!
485
00:22:04,219 --> 00:22:06,586
OH!
486
00:22:10,919 --> 00:22:15,553
(grunting)
487
00:22:15,553 --> 00:22:18,052
(panting)
488
00:22:18,052 --> 00:22:20,219
(moans)
(gasps)
489
00:22:20,219 --> 00:22:24,019
(both panting)
490
00:22:43,286 --> 00:22:48,386
THE PRACTICE OF LAW
IS OFTEN FULL-FRONTAL WARFARE.
491
00:22:48,386 --> 00:22:50,553
EVERY MAN NEEDS AN ADVANTAGE,
492
00:22:50,553 --> 00:22:52,653
AND YOU, LADIES,
ARE OBVIOUSLY AWARE
493
00:22:52,653 --> 00:22:56,553
THAT ANATOMY IS
THAT ADVANTAGE.
494
00:22:56,553 --> 00:22:58,653
THE POINT IS, THOUGH SMALL,
495
00:22:58,653 --> 00:23:01,952
I AM A LARGE MAN.
496
00:23:01,952 --> 00:23:03,985
I'M AVAILABLE
FOR LATE-NIGHT CONSULTATIONS,
497
00:23:03,985 --> 00:23:07,219
CASUAL WEEKENDS,
AND SUPERFICIAL DINNERS.
498
00:23:07,219 --> 00:23:09,453
HEY, EVERYONE.
499
00:23:09,453 --> 00:23:12,486
UH, LUTHER, WHAT'S GOING ON?
YOU LOOK TERRIBLE.
500
00:23:12,486 --> 00:23:14,086
I'M EXPRESSING MYSELF.
501
00:23:14,086 --> 00:23:15,885
YOU'RE... EXUDING YOURSELF.
502
00:23:15,885 --> 00:23:17,119
YOU NEED TO BE FUMIGATED.
503
00:23:17,119 --> 00:23:18,419
NONSENSE. I'M IN THE MOMENT.
504
00:23:18,419 --> 00:23:20,453
I'M SO RICH,
I MAY NEVER BATHE AGAIN.
505
00:23:20,453 --> 00:23:22,086
I TOLD YOU
WE'RE NOT THERE YET.
506
00:23:22,086 --> 00:23:23,453
WE HAVE NUMBERED STOCK,
NOT CASH IN HAND.
507
00:23:23,453 --> 00:23:25,052
(sighs) PISH POSH.
508
00:23:25,052 --> 00:23:27,086
(mouth full) SO, GUYS,
509
00:23:27,086 --> 00:23:29,486
LET'S CUT TO THE CHASE,
OKAY?
510
00:23:29,486 --> 00:23:31,219
(normal voice)
YOU'RE BUSY. I'M BUSY.
511
00:23:31,219 --> 00:23:33,619
BLAH, BLAH, BLAH, WHATEVER.
WHO GIVES A FUCK?
512
00:23:33,619 --> 00:23:35,352
I'M ONLY INTERESTED
IN BUYING YOU OUT.
513
00:23:36,952 --> 00:23:39,386
OKAY, $5 MILLION
FOR YOUR SHARES IN TAINTED TUSH.
514
00:23:39,386 --> 00:23:42,519
THAT'S $5 MILLION GUARANTEED
515
00:23:42,519 --> 00:23:44,419
FROM ME, DEZ BAMMER.
516
00:23:44,419 --> 00:23:47,019
TODAY. WHAT SAY YOU?
517
00:23:47,019 --> 00:23:48,386
INTERESTING, DEZ.
518
00:23:48,386 --> 00:23:51,653
WOULD YOU...
CARE TO HEAR MY THOUGHTS?
519
00:23:51,653 --> 00:23:53,119
ABSOLUTELY, LUTHER.
520
00:23:53,119 --> 00:23:56,985
FUCK OFF, YOU FAT FUCK.
521
00:23:56,985 --> 00:23:58,653
UH...
522
00:23:58,653 --> 00:24:01,553
I'M SURE LUTHER DID NOT MEAN
TO SAY IT QUITE THAT WAY.
523
00:24:01,553 --> 00:24:03,252
YOU THINK I'M FAT?
524
00:24:03,252 --> 00:24:05,619
I THINK
YOU'RE A REPUGNANT BLIMP.
525
00:24:05,619 --> 00:24:07,653
OKAY. $6 MILLION.
526
00:24:07,653 --> 00:24:09,219
$6 MILLION?!
BLOW ME.
527
00:24:09,219 --> 00:24:12,019
ALL RIGHT. $6.5 MILLION.
528
00:24:12,019 --> 00:24:15,086
(mouth full) HERE, WIRED TODAY.
529
00:24:15,086 --> 00:24:17,519
(normal voice) OKAY, YOU GOT
30 SECONDS TO RESPOND
530
00:24:17,519 --> 00:24:19,186
OR THE DEAL GOES BYE-BYE.
531
00:24:19,186 --> 00:24:21,052
THE STOCK IS WORTH
$50 MILLION.
532
00:24:21,052 --> 00:24:24,319
(laughs) ON PAPER.
YOU CAN WIPE YOUR ASS WITH THAT.
533
00:24:24,319 --> 00:24:25,952
PASS, ELEPHANT MAN.
534
00:24:25,952 --> 00:24:28,186
WELL, YOUR TIME'S UP ANYWAY.
535
00:24:28,186 --> 00:24:30,386
ALL RIGHT,
LET'S MOVE IT OUT, GIRLS.
536
00:24:30,386 --> 00:24:33,352
APPARENTLY NO ONE HERE
WANTS TO GET RICH TODAY.
537
00:24:33,352 --> 00:24:34,852
OH, BY THE WAY,
I LIKE YOUR STYLE.
538
00:24:34,852 --> 00:24:38,152
MM. (chuckles)
HE LIKES MY STYLE.
539
00:24:40,352 --> 00:24:42,286
THAT'S BECAUSE
YOU DON'T HAVE ANY, LUTHER.
540
00:24:42,286 --> 00:24:45,519
CONGRATULATIONS. I THINK
YOU JUST MADE A HUGE MISTAKE.
541
00:24:48,519 --> 00:24:50,086
MM.
542
00:24:53,086 --> 00:24:55,919
(mutters) $6.5 MILLION.
543
00:24:55,919 --> 00:24:58,019
FUCK.
(telephone rings)
544
00:24:58,019 --> 00:25:00,352
(sighs)
(ring)
545
00:25:00,352 --> 00:25:01,586
(ring)
546
00:25:01,586 --> 00:25:03,453
(beep)
YEAH?
547
00:25:03,453 --> 00:25:04,919
WHAT, HERE?
548
00:25:04,919 --> 00:25:07,152
UH, SURE.
549
00:25:12,985 --> 00:25:14,453
HEY.
550
00:25:14,453 --> 00:25:15,985
HEY.
551
00:25:18,086 --> 00:25:20,352
YOU COME BY
NOT TO TALK AGAIN?
552
00:25:20,352 --> 00:25:22,152
DON'T MAKE A JOKE.
553
00:25:22,152 --> 00:25:24,352
I'M NOT.
554
00:25:29,819 --> 00:25:31,919
MICHAEL,
555
00:25:31,919 --> 00:25:35,086
I'VE BEEN PUTTING THINGS OFF
FOR TOO LONG.
556
00:25:35,086 --> 00:25:36,619
I'M NOT GONNA LIKE THIS,
AM I?
557
00:25:36,619 --> 00:25:38,352
YOU AND ME,
558
00:25:38,352 --> 00:25:39,919
WE'RE GREAT AT RUBBING UP
AGAINST EACH OTHER
559
00:25:39,919 --> 00:25:41,553
AND STARTING BIG FIRES,
560
00:25:41,553 --> 00:25:45,885
BUT THERE'S NEVER SIMPLE
AND EASY WITH US, MICHAEL.
561
00:25:45,885 --> 00:25:47,952
I THOUGHT THAT WAS THE APPEAL.
562
00:25:47,952 --> 00:25:49,219
THAT WAS THEN.
563
00:25:49,219 --> 00:25:51,919
THEN?
564
00:25:51,919 --> 00:25:54,052
AT WHAT POINT
DID WE BECOME "THEN?"
565
00:25:54,052 --> 00:25:56,486
THE NIGHT WE MET.
566
00:25:56,486 --> 00:25:58,852
IT'S A LOT OF THINGS.
567
00:25:58,852 --> 00:26:02,386
CAPTAIN DECKER IS TALKING
ABOUT PROMOTING ME.
568
00:26:02,386 --> 00:26:04,486
HEY! YOU KIDDING?
569
00:26:04,486 --> 00:26:07,919
WELL, YOU KNOW,
YOU'RE RECKLESS AND...
570
00:26:07,919 --> 00:26:10,885
YOU NEVER KNOW WHEN TO STOP,
AND YOUR ATTITUDE SUCKS.
571
00:26:12,486 --> 00:26:16,286
YEAN, HE SAYS
I'M PERFECT DETECTIVE MATERIAL.
572
00:26:16,286 --> 00:26:18,486
(chuckles)
THERE'S A LOT OF THINGS.
573
00:26:18,486 --> 00:26:21,386
MY FOLKS--THEY HAD
THIS CRAZY THING,
574
00:26:21,386 --> 00:26:24,286
AND IT RIPPED THEM APART.
575
00:26:24,286 --> 00:26:27,219
I SWORE I'D NEVER DO THAT.
576
00:26:27,219 --> 00:26:28,852
WELL, YOU'RE NOT THEM.
577
00:26:28,852 --> 00:26:31,819
(scoffs) CLOSE ENOUGH.
578
00:26:31,819 --> 00:26:34,386
YOU KNOW WHAT I THINK?
579
00:26:34,386 --> 00:26:37,052
JOCE HAS MOVED ON,
580
00:26:37,052 --> 00:26:38,852
AND I'M AVAILABLE NOW,
581
00:26:38,852 --> 00:26:41,219
AND THAT SCARES THE SHIT
OUT OF YOU.
582
00:26:41,219 --> 00:26:44,553
YEAH, YOU'RE RIGHT.
583
00:26:44,553 --> 00:26:46,486
IT DOES.
584
00:26:46,486 --> 00:26:50,352
JUST--IT'S JUST TOO MUCH
OF US, MICHAEL.
585
00:26:51,985 --> 00:26:55,985
NEITHER OF US HAS EVER HAD
WHAT WE HAVE TOGETHER.
586
00:26:55,985 --> 00:26:58,919
CHEMISTRY'S NOT ENOUGH.
587
00:26:58,919 --> 00:27:02,586
YOU CAN'T BUILD A LIFE ON THAT,
AND I WANT ONE.
588
00:27:12,519 --> 00:27:14,519
I'M MOVING IN WITH HIGHWAY.
589
00:27:20,819 --> 00:27:39,885
(door closes)
36427
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