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00:00:09,710 --> 00:00:12,613
[WRITING]
IT'S NOT EASY BEING
SINGLE IN NEW YORK CITY,
2
00:00:12,646 --> 00:00:16,217
ESPECIALLY WHEN YOU'RE
AN ALIEN VISITING FROM
A PARALLEL UNIVERSE.
3
00:00:20,454 --> 00:00:26,327
UH-OH. THAT'S A LITTLE
TOO MUCH INFORMATION.
4
00:00:26,360 --> 00:00:30,931
BUT THERE'S NOTHING
A LITTLE SUCCESS OR
A LOT OF SEX CAN'T FIX.
5
00:00:30,964 --> 00:00:33,434
TAKE DICK FOR EXAMPLE.
6
00:00:33,467 --> 00:00:35,803
FINDING HIS JOB SHALLOW
AND UNREWARDING,
7
00:00:35,836 --> 00:00:38,439
HE WAS READY TO LOAD
THE POCKETS OF HIS
CUSTOM-TAILORED SUIT
8
00:00:38,472 --> 00:00:40,541
WITH ROCKS AND JUMP
INTO THE EAST RIVER.
9
00:00:40,574 --> 00:00:44,112
OH MY GOD, LOOK AT
THOSE SHOES.
10
00:00:44,145 --> 00:00:47,915
THEN HE WALKED
INTO A DIVE ON 48th
11
00:00:47,948 --> 00:00:50,751
WHERE PEOPLE ORDER
DRINKS ON THE ROCKS.
12
00:00:50,784 --> 00:00:52,853
THERE HE FOUND
HIS TRUE LOVE,
13
00:00:52,886 --> 00:00:54,488
AND THAT ROCKS.
14
00:00:54,522 --> 00:00:56,290
I'M A LAWYER.
15
00:00:56,324 --> 00:00:59,327
WHILE ON
THE OTHER SIDE OF TOWN,
16
00:00:59,360 --> 00:01:02,830
TOMMY WAS A BIG SUCCESS
ON SATURDAY NIGHT LIVE.
17
00:01:02,863 --> 00:01:05,099
HIS HEAD WAS AS BIG AS
THE STATUE OF LIBERTY'S,
18
00:01:05,133 --> 00:01:09,036
ONLY THERE WEREN'T ANY
TOURISTS INSIDE HIS FACE.
19
00:01:09,069 --> 00:01:11,605
AND HARRY, EITHER THROUGH
SHEER DETERMINATION
20
00:01:11,639 --> 00:01:14,175
OR SHEER STUPIDITY,
21
00:01:14,208 --> 00:01:15,776
WAS CLIMBING TO THE TOP
OF HIS GAME
22
00:01:15,809 --> 00:01:17,478
AS A NETWORK EXECUTIVE.
23
00:01:17,511 --> 00:01:21,915
WHY DON'T WE MAKE ONE NIGHT
WILL, ONE NIGHT GRACE.
24
00:01:21,949 --> 00:01:26,420
AS FOR ME,
I'VE HEARD IT SAID YOU
CAN'T FIGHT CITY HALL.
25
00:01:26,454 --> 00:01:27,588
I DON'T KNOW IF
THAT'S TRUE OR NOT.
26
00:01:27,621 --> 00:01:31,091
I JUST NEEDED A SEGUE
INTO "I'M SLEEPING
WITH THE MAYOR."
27
00:02:09,330 --> 00:02:13,267
* ROMANCE IS MUSH
28
00:02:13,301 --> 00:02:18,506
* STIFLING
THOSE WHO STRIVE *
29
00:02:18,539 --> 00:02:21,342
* I LIVE A LUSH LIFE
30
00:02:21,375 --> 00:02:27,080
* IN SOME SMALL DIVE
31
00:02:27,114 --> 00:02:30,484
* AND THERE I'LL BE
32
00:02:30,518 --> 00:02:36,357
* WHILE I ROT
WITH THE REST *
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00:02:36,390 --> 00:02:44,498
* OF THOSE WHOSE LIVES
ARE LONELY *
34
00:02:44,532 --> 00:02:48,068
* TOO
35
00:02:51,505 --> 00:02:53,407
OH, MARY.
36
00:02:53,441 --> 00:02:56,744
OHH, THAT WAS BEAUTIFUL.
37
00:02:56,777 --> 00:03:00,481
MUCH MORE UPBEAT
THAN USUAL.
38
00:03:00,514 --> 00:03:01,915
SWEETIE, I'M HURRYING.
39
00:03:01,949 --> 00:03:03,551
THESE BOOTS
ARE SUPER HIGH,
40
00:03:03,584 --> 00:03:05,919
PLUS THEY'RE
REALLY TIGHT, YOU KNOW?
41
00:03:05,953 --> 00:03:07,054
JUST PUT IT DOWN,
WOULD YA, HONEY?
42
00:03:07,087 --> 00:03:08,422
ALL RIGHT.
43
00:03:08,456 --> 00:03:11,659
DON, I HOPE
YOU REALIZE
THAT THIS PLACE
44
00:03:11,692 --> 00:03:15,363
IS A TOTAL WASTE
OF MY OUTFIT.
45
00:03:15,396 --> 00:03:18,932
AS LONG AS I CAN SEE IT,
WHAT ELSE MATTERS?
46
00:03:18,966 --> 00:03:21,369
YOU ARE SUCH A DOLL.
47
00:03:21,402 --> 00:03:22,703
LET'S GO
SOMEPLACE ELSE.
48
00:03:22,736 --> 00:03:24,738
YOU KNOW I CAN'T.
49
00:03:24,772 --> 00:03:26,307
OF COURSE I DO.
50
00:03:32,580 --> 00:03:33,481
UM, TOMMY.
51
00:03:33,514 --> 00:03:34,448
HEY DARREL, WHAT'S UP?
52
00:03:34,482 --> 00:03:37,251
UM, NOTHING I JUST SAW ANNA
OUT IN THE HALLWAY
53
00:03:37,285 --> 00:03:39,086
SHE'S CRYING HER EYES
OUT, WHAT HAPPENED?
54
00:03:39,119 --> 00:03:40,754
YEAH, I BROKE UP WITH HER.
55
00:03:40,788 --> 00:03:43,857
OH. I'M SORRY.
56
00:03:43,891 --> 00:03:45,526
WELL, I WAS CHOMPING AT THE
BITCH
57
00:03:45,559 --> 00:03:47,127
YOU KNOW WHAT I MEAN?
58
00:03:47,160 --> 00:03:51,098
SURE. SURE
59
00:03:51,131 --> 00:03:52,232
YOU KNOW, TOMMY
60
00:03:52,266 --> 00:03:55,102
IT'S REALLY FUNNY HOW
QUICKLY YOU GUYS HIT IT OFF
61
00:03:55,135 --> 00:03:58,539
I'VE BEEN TRYING TO GET
ANNA TO GO OUT WITH ME
FOR YEARS
62
00:03:58,572 --> 00:03:59,573
AND SHE JUST NEVER WOULD
63
00:03:59,607 --> 00:04:01,742
AND SHE NEVER WILL, MAN.
64
00:04:01,775 --> 00:04:04,578
CAUSE SHE DOESN'T KNOW
WHO THE REAL DARRELL
HAMMOND IS
65
00:04:04,612 --> 00:04:06,880
WHAT DOES THAT MEAN?
66
00:04:06,914 --> 00:04:09,383
YOU HIDE BEHIND YOUR
IMPRESSIONS MAN
67
00:04:09,417 --> 00:04:12,520
WITH ALL YOUR WIGS,
FUNNY VOICES
68
00:04:12,553 --> 00:04:17,090
SHE SEES THE MASK, SHE
DOESN'T SEE THE MAN
69
00:04:17,124 --> 00:04:18,191
WOAH.
70
00:04:18,225 --> 00:04:19,126
LET ME ASK YOU A QUESTION,
71
00:04:19,159 --> 00:04:21,128
WHAT'RE YOU DOING ON
UPDATE THIS WEEK?
72
00:04:21,161 --> 00:04:23,163
I WAS GONNA DO SEAN
CONNERY TALKING ABOUT
73
00:04:23,196 --> 00:04:24,665
HOW IT FEELS TO BE A
SENIOR CITIZEN
74
00:04:24,698 --> 00:04:27,368
YEAH, WELL WHY DON'T YOU DO
DARREL HAMMOND?
75
00:04:27,401 --> 00:04:30,804
TALKING ABOUT WHAT IT
FEELS TO BE...
76
00:04:30,838 --> 00:04:33,874
TO BE DARREL HAMMOND
77
00:04:33,907 --> 00:04:35,709
I'M BLIND.
78
00:04:35,743 --> 00:04:36,877
TOMMY, I'VE BEEN BLIND
79
00:04:36,910 --> 00:04:37,645
THANKS BUDDY
80
00:04:37,678 --> 00:04:39,480
HEY.
81
00:04:39,513 --> 00:04:39,980
THANK YOU
82
00:04:40,013 --> 00:04:42,350
NO PROBLEM GUY
83
00:04:48,556 --> 00:04:50,157
YOU KNOW I DON'T THINK IT'S
SUCH A GOOD IDEA
84
00:04:50,190 --> 00:04:53,861
FOR YOU TO BE SPENDING SO
MUCH TIME IN A SCENEY BAR
LIKE THIS, MARY
85
00:04:53,894 --> 00:04:56,864
MAYBE INSTEAD YOU
SHOULD BE SINGING IN A
BROADWAY SHOW
86
00:04:56,897 --> 00:04:59,333
WHAT A GREAT IDEA.
87
00:04:59,367 --> 00:05:01,268
BUT I'M WAY AHEAD
OF YOU, HANDSOME.
88
00:05:01,301 --> 00:05:07,174
IT WON'T BE LONG
BEFORE I'LL BE JOINING
THE CAST OF CATS.
89
00:05:07,207 --> 00:05:10,811
GOT BAD NEWS FOR YOU.
MARY, CATS IS CLOSED.
90
00:05:10,844 --> 00:05:13,280
DAMN, THAT WAS FAST.
91
00:05:13,313 --> 00:05:16,016
BUT HERE. I'VE GOT
SOMETHING THAT'LL
CHEER YOU UP.
92
00:05:16,049 --> 00:05:21,154
WHOO. SAKS.
93
00:05:21,188 --> 00:05:22,756
OH, YOU SHOULDN'T
HAVE DONE THIS.
94
00:05:22,790 --> 00:05:24,725
OH, PLEASE ACCEPT IT.
95
00:05:24,758 --> 00:05:28,095
I NEVER SAID ANYTHING
ABOUT NOT ACCEPTING IT.
96
00:05:28,128 --> 00:05:29,329
IT'S BEAUTIFUL.
97
00:05:29,363 --> 00:05:31,532
THE SALESLADY CALLED IT
A COCKTAIL DRESS.
98
00:05:31,565 --> 00:05:35,202
I THOUGHT YOU'D GET A LOT
OF USE OUT OF IT
99
00:05:35,235 --> 00:05:36,236
WHY DON'T YOU PUT IT ON?
100
00:05:36,269 --> 00:05:38,472
I'VE PLANNED A WONDERFUL
EVENING FOR US
101
00:05:38,506 --> 00:05:41,108
STARTING WITH DINNER FOR TWO
AT THE RAINBOW ROOM
102
00:05:41,141 --> 00:05:43,343
WELL, WHY DON'T WE STAY HERE?
103
00:05:43,377 --> 00:05:47,314
I'LL PUT ON THE DRESS, WE CAN
SIT AT THE BAR
104
00:05:47,347 --> 00:05:49,583
AND YOU CAN WATCH ME DRINK
105
00:05:49,617 --> 00:05:51,051
Sally: OK, SO UM,
106
00:05:51,084 --> 00:05:52,753
I KNOW YOU'RE NOT SUPPOSED
TO GO ANY PLACE ELSE
107
00:05:52,786 --> 00:05:54,121
BUT BEAR
WITH ME HERE.
108
00:05:54,154 --> 00:05:55,756
WHAT IF WE DID?
109
00:05:55,789 --> 00:05:57,725
WHAT DO YOU
THINK WOULD HAPPEN?
110
00:05:57,758 --> 00:05:59,460
WELL, YOU KNOW
WHAT WOULD HAPPEN.
111
00:05:59,493 --> 00:06:03,931
OH, I KNOW,
BUT TELL ME ANYWAY.
112
00:06:03,964 --> 00:06:07,067
WELL, YOU-KNOW-WHO
WOULD HAVE MY ASS
IN A SLING.
113
00:06:07,100 --> 00:06:11,071
HO HO, OH, YEAH.
I KNOW.
114
00:06:11,104 --> 00:06:14,007
WHO?
115
00:06:14,041 --> 00:06:15,643
THE WIFE.
116
00:06:15,676 --> 00:06:20,848
OF COURSE.
YOUR WIFE.
117
00:06:20,881 --> 00:06:23,016
YOU'RE MARRIED?
118
00:06:23,050 --> 00:06:23,851
SIMMER DOWN.
119
00:06:23,884 --> 00:06:25,486
MY GOD.
YOU'RE MARRIED.
120
00:06:25,519 --> 00:06:28,221
THIS IS SO NOT GOOD.
121
00:06:28,255 --> 00:06:29,222
WHAT'S GOING ON?
122
00:06:29,256 --> 00:06:31,224
YOU'VE BEEN OK WITH
THIS ARRANGEMENT
FOR YEARS.
123
00:06:31,258 --> 00:06:32,760
[WHISPERS] I have?
124
00:06:32,793 --> 00:06:34,962
I CAN'T BELIEVE
I'D DO THAT.
I AM OUTTA HERE.
125
00:06:34,995 --> 00:06:38,198
COME ON.
BABY, BABY, BABY.
126
00:06:38,231 --> 00:06:40,167
YOU KNOW YOU'RE THE ONE.
127
00:06:40,200 --> 00:06:43,771
I'M GONNA DIVORCE HER.
128
00:06:43,804 --> 00:06:46,807
I JUST NEED A LITTLE TIME.
129
00:06:46,840 --> 00:06:47,908
OK.
130
00:06:50,043 --> 00:06:51,111
SALLY.
131
00:06:51,144 --> 00:06:51,845
DICK.
132
00:06:51,879 --> 00:06:52,412
DON.
133
00:06:52,446 --> 00:06:54,181
ALBRIGHT.
KIKI.
134
00:06:54,214 --> 00:06:56,049
DONNY.
135
00:06:56,083 --> 00:06:57,250
MARY.
136
00:07:06,927 --> 00:07:08,996
ISN'T THAT THE GUY
WHO NORMALLY DOES
THE IMPRESSIONS?
137
00:07:09,029 --> 00:07:10,297
DARRELL.
DARRELL HAMMOND.
138
00:07:10,330 --> 00:07:12,733
YEAH.
WHY ISN'T HE FUNNY?
139
00:07:12,766 --> 00:07:14,067
IT'S SOME SORT
OF EXPERIMENT.
140
00:07:14,101 --> 00:07:16,236
HE WANTED TO IMPRESS
ANA GASTEYER,
141
00:07:16,269 --> 00:07:18,371
SO HE WAS GONNA TRY
BEING HIMSELF.
142
00:07:18,405 --> 00:07:20,107
AH. WELL, THAT'S
A BIG MISTAKE, MAN.
143
00:07:20,140 --> 00:07:21,341
I TOLD HIM.
144
00:07:21,374 --> 00:07:23,276
MAN, THAT FELT SO GREAT.
145
00:07:23,310 --> 00:07:25,045
TOMMY, THEY WERE
REALLY LISTENING
TO ME, WEREN'T THEY?
146
00:07:25,078 --> 00:07:25,946
THEY WERE, MAN.
147
00:07:25,979 --> 00:07:28,649
YEAH. THEY
WERE LISTENING
FOR SOME JOKES,
148
00:07:28,682 --> 00:07:30,584
AND THEY WEREN'T
QUITE HEARING THEM.
149
00:07:30,618 --> 00:07:32,920
YOU KNOW WHAT?
I'VE BEEN KNOWN TO DO
AN IMPERSONATION MYSELF.
150
00:07:32,953 --> 00:07:36,123
YEAH. HERE'S YOU.
"BOO HOO HOO.
I'M DARRELL HAMMOND,
151
00:07:36,156 --> 00:07:38,158
"AND I DON'T GOT A JOB
NO MORE. BOO HOO HOO.
152
00:07:38,191 --> 00:07:40,928
I'M GONNA SELL MY CHILD.
BOO HOO HOO."
153
00:07:40,961 --> 00:07:42,896
HI, TOMMY.
HI, MR. SOLOMON.
154
00:07:42,930 --> 00:07:43,997
DID YOU SEE DARRELL?
155
00:07:44,031 --> 00:07:46,233
UM, YEAH.
YEAH, SOME OF IT.
156
00:07:46,266 --> 00:07:49,069
OH, AND THAT PART
ABOUT ME BREAKING MY FOOT
157
00:07:49,102 --> 00:07:51,972
ON MY SIXTH BIRTHDAY?
THAT REALLY HAPPENED, MAN.
158
00:07:52,005 --> 00:07:55,375
FACT IS SO MUCH STRANGER
THAN FICTION.
159
00:07:55,408 --> 00:07:58,111
STRANGER,
BUT IT'S NOT FUNNIER.
160
00:07:58,145 --> 00:08:00,147
HEY, GUYS,
CHECK THIS OUT.
161
00:08:00,180 --> 00:08:01,381
[AS SEAN CONNERY]
COULD SOMEBODY
PLEASE TELL ME
162
00:08:01,414 --> 00:08:03,951
WHERE I CAN FIND
MISS PUSSY GALORE?
163
00:08:03,984 --> 00:08:06,019
I DIDN'T KNOW THAT YOU
DID SEAN CONNERY.
164
00:08:06,053 --> 00:08:08,488
THAT'S GOOD.
YOU OUGHT TO DO THAT
ON THE SHOW.
165
00:08:15,262 --> 00:08:16,697
CAN I OPEN MY EYES NOW?
166
00:08:16,730 --> 00:08:17,831
NO, NO.
167
00:08:17,865 --> 00:08:20,200
NOW JUST A--
168
00:08:20,233 --> 00:08:21,702
JUST A FEW MORE
STEPS.
169
00:08:21,735 --> 00:08:22,870
OH, DICK,
I'VE HAD MY EYES CLOSED
170
00:08:22,903 --> 00:08:25,973
EVER SINCE THE OYSTER BAR.
171
00:08:26,006 --> 00:08:28,676
WHAT WAS THAT CRUNCHY THING
YOU MADE ME EAT?
172
00:08:28,709 --> 00:08:32,713
I DON'T KNOW.
I HAD MY EYES CLOSED, TOO.
173
00:08:32,746 --> 00:08:34,682
OK...
174
00:08:34,715 --> 00:08:37,685
YOU CAN LOOK NOW.
175
00:08:37,718 --> 00:08:40,053
THE MANHATTAN SKYLINE.
176
00:08:40,087 --> 00:08:44,191
HMM. GOT ANYTHING
TO DRINK?
177
00:08:44,224 --> 00:08:45,559
CHAMPAGNE?
178
00:08:45,593 --> 00:08:48,195
I OPENED IT THIS MORNING
SO THOSE ANNOYING
LITTLE BUBBLES
179
00:08:48,228 --> 00:08:50,831
WOULD HAVE A CHANCE
TO DISPERSE.
180
00:08:50,864 --> 00:08:52,566
GOOD THINKING.
181
00:08:55,736 --> 00:08:58,138
CHEERS.
182
00:08:58,171 --> 00:08:59,039
WOULD YOU, UH...
183
00:08:59,072 --> 00:09:01,842
WOULD YOU CARE FOR
AN HORS D'OEUVRE?
184
00:09:01,875 --> 00:09:03,677
DUCK EGGS...
185
00:09:03,711 --> 00:09:04,812
SALMON EGGS...
186
00:09:04,845 --> 00:09:06,179
QUAIL EGGS...
187
00:09:06,213 --> 00:09:06,647
EGGS...
188
00:09:06,680 --> 00:09:08,381
ANYTHING YOU WANT.
189
00:09:08,415 --> 00:09:09,983
THE SKY'S THE LIMIT.
190
00:09:10,017 --> 00:09:12,119
DICK, IF YOU'RE INTENT
ON SPENDING MONEY ON ME,
191
00:09:12,152 --> 00:09:13,887
I CAN THINK OF
OTHER WAYS OF DOING IT.
192
00:09:13,921 --> 00:09:14,788
WELL, LIKE HOW?
193
00:09:14,822 --> 00:09:17,424
LIKE GIVING ME MONEY.
194
00:09:17,457 --> 00:09:20,527
I'M SORRY.
WAS THAT TOO BLUNT?
195
00:09:20,560 --> 00:09:23,096
YES, BUT MONEY'S
NOT IMPORTANT.
196
00:09:23,130 --> 00:09:25,633
WHAT'S IMPORTANT IS THAT
WE LOVE EACH OTHER.
197
00:09:25,666 --> 00:09:27,735
WHAT WE HAVE
IS TRUE LOVE.
198
00:09:27,768 --> 00:09:29,369
I CAN'T DO IT.
199
00:09:29,402 --> 00:09:32,039
I CAN'T TAKE ADVANTAGE
OF ANOTHER DELUDED GUY.
200
00:09:32,072 --> 00:09:34,174
OH, NO.
YOU'RE WRONG, MARY.
201
00:09:34,207 --> 00:09:36,043
YOU'RE THE ONE
WHO'S DELUDED.
202
00:09:36,076 --> 00:09:37,444
BECAUSE WHETHER
YOU KNOW IT OR NOT,
203
00:09:37,477 --> 00:09:39,512
WE WERE MEANT TO BE
TOGETHER.
204
00:09:39,546 --> 00:09:40,413
OH, GOD!
205
00:09:40,447 --> 00:09:41,849
I LOVE YOU, MARY.
206
00:09:41,882 --> 00:09:43,550
OH, STOP TALKING ABOUT LOVE.
207
00:09:43,583 --> 00:09:44,918
TRUE LOVE DOESN'T EXIST.
208
00:09:44,952 --> 00:09:46,820
TRUE LOVE IS REAL...
209
00:09:46,854 --> 00:09:49,022
AND POWERFUL
AND WONDERFUL!
210
00:09:49,056 --> 00:09:52,860
OH, DON'T YOU THINK
I'D LIKE TO BELIEVE
IN LOVE?!
211
00:09:52,893 --> 00:09:56,797
LIFE WOULD BE
A LOT SIMPLER
IF I COULD.
212
00:09:56,830 --> 00:09:58,331
THEN PRETEND.
213
00:09:58,365 --> 00:09:59,900
HOW?
214
00:09:59,933 --> 00:10:02,035
IT'S EASY.
215
00:10:02,069 --> 00:10:04,672
[EMBRACEABLE YOU PLAYS]
216
00:10:04,705 --> 00:10:06,506
COME HERE.
217
00:10:29,129 --> 00:10:30,630
[DEEP BREATH]
218
00:10:30,664 --> 00:10:32,332
WHAT'S THAT SMELL?
219
00:10:32,365 --> 00:10:34,034
[SNIFFING]
220
00:10:34,067 --> 00:10:37,170
IS THAT PLATINUM?
221
00:10:37,204 --> 00:10:38,772
OH!
222
00:10:38,806 --> 00:10:42,743
OH, DONNY,
THANK YOU, BABY.
223
00:10:42,776 --> 00:10:44,611
WHAT ARE YOU DOING HERE?
224
00:10:44,644 --> 00:10:48,248
ISN'T THERE SOME SORT
OF RIOT IN THE BRONX?
225
00:10:48,281 --> 00:10:49,649
YEAH.
226
00:10:49,683 --> 00:10:51,584
GOOD THING
WE DON'T LIVE UP THERE.
227
00:10:53,620 --> 00:10:55,956
SALLY, WHAT WOULD YOU SAY
IF I TOLD YOU
228
00:10:55,989 --> 00:10:59,727
THAT WHEN MY WIFE ASKED ME
WHY I WAS GONNA BE LATE
AGAIN TONIGHT,
229
00:10:59,760 --> 00:11:01,795
I DIDN'T LIE?
230
00:11:01,829 --> 00:11:03,396
OH, MY GOD.
231
00:11:03,430 --> 00:11:05,766
YOU TOLD HER
YOU WANTED A DIVORCE?
232
00:11:05,799 --> 00:11:09,069
NO, I TOLD HER
TO SHUT UP.
233
00:11:09,102 --> 00:11:10,637
UH, OK, YOU KNOW,
234
00:11:10,670 --> 00:11:11,438
[CLEARS THROAT]
235
00:11:11,471 --> 00:11:13,306
I'M STARTING TO FEEL
REAL BAD.
236
00:11:13,340 --> 00:11:16,143
I DON'T KNOW
HOW MUCH LONGER
I CAN DO THIS.
237
00:11:16,176 --> 00:11:17,444
WELL, HANG IN THERE.
238
00:11:17,477 --> 00:11:19,479
I'LL TELL MY WIFE
AS SOON AS I'M OUT OF OFFICE.
239
00:11:19,512 --> 00:11:22,916
I CAN'T WAIT TILL YOU
STEP DOWN AS MAYOR!
240
00:11:22,950 --> 00:11:24,451
NOT MAYOR...
241
00:11:24,484 --> 00:11:27,154
PRESIDENT.
242
00:11:27,187 --> 00:11:28,822
I'M GOING FOR THE BIG ONE,
243
00:11:28,856 --> 00:11:31,691
AND I WANT YOU
RIGHT THERE BESIDE ME...
244
00:11:31,725 --> 00:11:35,863
BEHIND THE SCENES...
245
00:11:35,896 --> 00:11:37,965
OUT OF SIGHT.
246
00:11:37,998 --> 00:11:39,566
THAT IS NOT GOOD ENOUGH
FOR ME, DON.
247
00:11:39,599 --> 00:11:41,969
I MEAN, I WANT TO BE
INVOLVED IN YOUR LIFE
248
00:11:42,002 --> 00:11:44,171
AND SHARE
TENDER MOMENTS.
249
00:11:44,204 --> 00:11:48,675
I WANT TO BE YOUR
SECRETARY OF DEFENSE.
250
00:11:48,708 --> 00:11:51,244
WELL, LET'S SLOW DOWN
AND RECONSIDER THIS
IN THE SHOWER.
251
00:11:51,278 --> 00:11:53,380
YOU KNOW WHAT?
FORGET IT.
252
00:11:53,413 --> 00:11:54,281
AH, SALLY.
253
00:11:54,314 --> 00:11:58,551
NO, NO, NO, SERIOUSLY.
IT'S OVER. GET OUT.
254
00:12:05,292 --> 00:12:07,194
ONE LAST THING...
255
00:12:07,227 --> 00:12:11,264
CAN I STILL COUNT
ON YOUR VOTE?
256
00:12:11,298 --> 00:12:13,767
OF COURSE.
WE STILL AGREE
ON THE ISSUES.
257
00:12:17,504 --> 00:12:19,672
[KNOCK ON DOOR]
258
00:12:19,706 --> 00:12:21,574
JUST A MINUTE!
259
00:12:28,548 --> 00:12:31,251
COME IN!
260
00:12:31,284 --> 00:12:33,553
HEY, LOOK AT THAT PUTT
I JUST MADE.
261
00:12:33,586 --> 00:12:36,990
LOVELY. VERY NICE.
YEAH.
262
00:12:37,024 --> 00:12:39,592
MR. SOLOMON,
YOUR NEPHEW IS HERE
TO SEE YOU.
263
00:12:39,626 --> 00:12:43,864
TOMMY!
GOOD TO SEE YOU! YEAH.
264
00:12:43,897 --> 00:12:46,099
GOOD TO SEE YOU,
TOO, MAN.
265
00:12:46,133 --> 00:12:47,634
IT'S FUNNY. WE WORK
IN THE SAME BUILDING.
266
00:12:47,667 --> 00:12:50,337
I'VE NEVER BEEN
UP TO YOUR OFFICE.
267
00:12:50,370 --> 00:12:51,238
IT'S VERY NICE.
268
00:12:51,271 --> 00:12:53,706
YEAH, WELL,
LOTS OF ROOM
TO PUTT IN.
269
00:12:53,740 --> 00:12:55,242
SO, HEY, CAN I SIT
IN YOUR CHAIR?
270
00:12:55,275 --> 00:12:56,576
OH, PLEASE.
271
00:12:56,609 --> 00:12:58,912
I THINK YOU'LL FIND IT
STILL WARM.
272
00:12:58,946 --> 00:13:00,747
AHH.
273
00:13:00,780 --> 00:13:01,982
HEY, LOOK AT ME.
274
00:13:02,015 --> 00:13:05,618
I'M HARRY SOLOMON,
BIG PRESIDENT OF THE NETWORK.
275
00:13:05,652 --> 00:13:08,188
LOOK AT ME.
I'M TOMMY SOLOMON,
276
00:13:08,221 --> 00:13:11,591
AND I'M A BIG STAR
ON SATURDAY NIGHT LIV.
277
00:13:11,624 --> 00:13:13,160
I MAKE IMPORTANT DECISIONS
278
00:13:13,193 --> 00:13:16,964
LIKE WHERE TO PUTT
IN MY OFFICE.
279
00:13:16,997 --> 00:13:18,398
I GET PAID
THE BIG BUCKS
280
00:13:18,431 --> 00:13:22,735
JUST FOR GOING
"WHOO, WHOO, WHOO."
281
00:13:22,769 --> 00:13:24,804
WELL, I'VE GOT SOME NEWS
FOR YOU, TOMMY SOLOMON.
282
00:13:24,838 --> 00:13:26,073
YOUR EGO
HAS GOTTEN TOO BIG.
283
00:13:26,106 --> 00:13:27,474
YOU'RE DEMANDING
TOO MUCH MONEY.
284
00:13:27,507 --> 00:13:28,976
YOU'RE FIRED!
285
00:13:29,009 --> 00:13:30,310
I A OUT OF CONTROL,
286
00:13:30,343 --> 00:13:31,845
AND I DO WANT
TOO MUCH MONEY.
287
00:13:31,879 --> 00:13:32,579
YOU'RE FIRED!
288
00:13:32,612 --> 00:13:34,247
YOU CAN'T FIRE ME,
YOU PEON.
289
00:13:34,281 --> 00:13:36,583
YOU'RE A LOWLY
CAST MEMBER ON SNL.
290
00:13:36,616 --> 00:13:38,685
NO, I'M HARRY NOW.
291
00:13:38,718 --> 00:13:40,587
YOU'RE FIRED!
292
00:13:40,620 --> 00:13:41,621
WHAT?
YEAH. I MEAN IT.
293
00:13:41,654 --> 00:13:43,490
YOU'RE REALLY FIRED.
WHAT FOR?
294
00:13:43,523 --> 00:13:45,893
WELL, FOR THE SAME REASONS
THAT YOU JUST FIRED ME.
295
00:13:45,926 --> 00:13:47,127
YOUR EGO'S TOO HUGE,
296
00:13:47,160 --> 00:13:48,761
AND YOU WANT
TOO MUCH MONEY.
297
00:13:48,795 --> 00:13:50,163
WELL, I'M NOT TAKING IT
ANYMORE.
298
00:13:50,197 --> 00:13:51,999
YOU'RE OFF THE SHOW!
299
00:13:52,032 --> 00:13:54,134
I A THAT SHOW.
300
00:13:54,167 --> 00:13:58,038
WAIT A SECOND.
WHO ARE YOU NOW?
301
00:13:58,071 --> 00:13:58,805
I'M ME.
302
00:13:58,838 --> 00:14:00,373
WELL, THEN GET AWAY
FROM MY DESK!
303
00:14:00,407 --> 00:14:01,474
YOU'RE CONFUSING ME!
304
00:14:01,508 --> 00:14:03,343
YOU LISTEN TO ME!
LORNE MICHAELS IS MY BOSS!
305
00:14:03,376 --> 00:14:04,377
HE CAN FIRE ME!
YOU CAN'T!
306
00:14:04,411 --> 00:14:07,881
OH? WELL, I'LL FIRE
HIS SAD CANADIAN ASS, TOO!
307
00:14:18,091 --> 00:14:20,793
GOOD MORNING.
308
00:14:20,827 --> 00:14:22,329
GOOD MORNING.
309
00:14:22,362 --> 00:14:24,797
BOY...
310
00:14:24,831 --> 00:14:25,966
THIS IS DIFFERENT.
311
00:14:25,999 --> 00:14:28,168
WELL, WHAT DO
YOU MEAN?
312
00:14:28,201 --> 00:14:30,103
BEING HERE WITH ME?
313
00:14:30,137 --> 00:14:31,238
NO. I MEAN,
314
00:14:31,271 --> 00:14:34,507
I CAN ACTUALLY
REMEMBER EVERYTHING
I DID LAST NIGHT.
315
00:14:36,809 --> 00:14:38,878
SO DO I.
I FEEL WONDERFUL.
316
00:14:38,912 --> 00:14:41,814
IN FACT, THERE'S
SOMETHING IMPORTANT
I HAVE TO ASK YOU.
317
00:14:41,848 --> 00:14:42,482
HMM?
318
00:14:42,515 --> 00:14:44,784
WILL YOU--
319
00:14:44,817 --> 00:14:47,154
WILL YOU MOVE IN
WITH ME?
320
00:14:47,187 --> 00:14:48,888
MOVE INTO THIS
BEAUTIFUL LOFT?
321
00:14:48,922 --> 00:14:50,023
YES.
322
00:14:50,057 --> 00:14:52,492
WE CAN HAVE MOVERS
BRING OVER ALL OF YOUR THINGS,
323
00:14:52,525 --> 00:14:55,195
OR WE CAN JUST
BURN THEM.
324
00:14:55,228 --> 00:14:57,297
OK. WHAT THE HELL?
325
00:14:57,330 --> 00:14:59,799
OH, YES!
326
00:14:59,832 --> 00:15:03,103
YOU SEE, MARY, YOU SEE?
HOW DOES IT FEEL NOW?
327
00:15:03,136 --> 00:15:05,438
WHAT?
TO KNOW THAT YOU'RE
IN LOVE WITH ME?
328
00:15:05,472 --> 00:15:06,739
OH, LOOK.
329
00:15:06,773 --> 00:15:10,978
I LIKE THE GERSHWIN
AND THE EAGER-TO-PLEASE
LOVEMAKING.
330
00:15:11,011 --> 00:15:12,879
OH, WE WERE
SO PASSIONATE.
331
00:15:12,912 --> 00:15:15,682
YOU CALLED OUT
MY NAME 3 TIMES.
332
00:15:15,715 --> 00:15:19,252
"LARRY, LARRY,
LARRY!"
333
00:15:19,286 --> 00:15:22,455
OK, MAYBE
IT'S NOT MY NAME,
BUT THE PASSION!
334
00:15:22,489 --> 00:15:24,057
I WAS PRETENDING.
335
00:15:24,091 --> 00:15:26,393
YOU TOLD ME TO PRETEND,
SO I PRETENDED.
336
00:15:26,426 --> 00:15:28,828
BUT IT'LL TURN REAL.
I KNOW IT WILL.
337
00:15:28,861 --> 00:15:31,965
SORRY, DICK.
THAT WILL NEVER HAPPEN.
338
00:15:31,999 --> 00:15:34,001
LOVE, HAH!
339
00:15:34,034 --> 00:15:37,537
MARY ALBRIGHT CAN'T
FEEL LOVE ANYMORE.
340
00:15:37,570 --> 00:15:39,672
YOU'RE SO DAMAGED!
341
00:15:39,706 --> 00:15:42,409
THIS LIFE HAS BEEN
SO HARD ON YOU.
342
00:15:42,442 --> 00:15:44,344
ISN'T THERE ANYTHING
I CAN DO TO MAKE YOU SEE
343
00:15:44,377 --> 00:15:46,613
THAT WE WOULD BE
PERFECT TOGETHER?
344
00:15:46,646 --> 00:15:48,915
NO, DICK.
345
00:15:48,948 --> 00:15:53,886
MAYBE IT WOULD'VE WORKED
IN SOME OTHER TIME
OR SOME OTHER PLACE.
346
00:15:53,920 --> 00:15:56,189
WAIT.
347
00:15:56,223 --> 00:15:57,857
WHAT DID YOU
JUST SAY?
348
00:16:00,893 --> 00:16:02,462
NO, DICK.
349
00:16:02,495 --> 00:16:04,897
MAYBE IT WOULD'VE WORKED
IN SOME OTHER TIME--
350
00:16:04,931 --> 00:16:07,034
OR SOME OTHER PLACE!
I CAN DO THAT!
351
00:16:07,067 --> 00:16:08,368
HERE. QUICK.
352
00:16:08,401 --> 00:16:09,902
HERE, MARY,
TAKE THIS.
353
00:16:09,936 --> 00:16:12,039
COME ON,
COME ON WITH ME.
354
00:16:12,072 --> 00:16:14,007
WELL, YOU'RE JUST
LIKE ALL THE REST--
355
00:16:14,041 --> 00:16:15,375
TOSSING ME OUT.
356
00:16:15,408 --> 00:16:17,110
YOU DIDN'T EVEN
LET ME GET DRESSED.
357
00:16:17,144 --> 00:16:19,246
NO, NO, I STILL WANT YOU
TO LIVE HERE, MARY.
358
00:16:19,279 --> 00:16:21,381
GO BACK TO YOUR PLACE
AND GET YOUR THINGS
RIGHT NOW.
359
00:16:21,414 --> 00:16:23,050
HERE, HERE'S
SOME EXTRA CASH.
360
00:16:23,083 --> 00:16:25,118
YOU CAN GET DRESSED
IN THE CAB.
361
00:16:25,152 --> 00:16:26,686
ARE YOU SURE
YOU WANT TO DO THIS?
362
00:16:26,719 --> 00:16:27,887
ABSOLUTELY.
363
00:16:27,920 --> 00:16:29,756
THIS IS YOUR HOME
NOW.
364
00:16:29,789 --> 00:16:31,358
I HOPE IT'LL
MAKE YOU HAPPY.
365
00:16:34,761 --> 00:16:36,996
GOOD-BYE, KIKI.
366
00:16:37,030 --> 00:16:38,698
BYE.
367
00:16:40,900 --> 00:16:42,769
SALLY.
368
00:16:42,802 --> 00:16:44,537
SALLY! WAKE UP!
369
00:16:44,571 --> 00:16:47,240
WHAA? AAH.
WHAT?
370
00:16:47,274 --> 00:16:50,243
WE'RE LEAVING.
I'M GOING HOME
TO MARY.
371
00:16:50,277 --> 00:16:51,844
WAIT A MINUTE,
BUT SHE'S HERE--
372
00:16:51,878 --> 00:16:55,048
NO. THIS MARY
IS COLD AND SOULLESS,
373
00:16:55,082 --> 00:17:00,320
AND ONLY WILLING TO DO
ONE OR 2 MORE THINGS IN BED
THAN THE OTHER ONE.
374
00:17:00,353 --> 00:17:02,489
THE TRADE-OFF
JUST ISN'T WORTH IT.
375
00:17:02,522 --> 00:17:03,590
ALL RIGHT, LOOK,
376
00:17:03,623 --> 00:17:06,693
MAYBE YOU ARE
WILLING TO GIVE UP
ALL THIS NICE STUFF,
377
00:17:06,726 --> 00:17:08,161
BUT I SURE AM NOT.
378
00:17:08,195 --> 00:17:12,299
I MEAN, WHOEVER SAID
THAT DIAMONDS ARE
A GIRL'S BEST FRIEND
379
00:17:12,332 --> 00:17:15,802
NEVER SAW THOSE
BLACK PEARLS AT TIFFANY.
380
00:17:15,835 --> 00:17:17,370
HEY, THAT SOUNDED GREAT.
381
00:17:17,404 --> 00:17:19,139
WHERE'S MY LAPTOP?
382
00:17:19,172 --> 00:17:20,907
FORGET THE LAPTOP!
383
00:17:20,940 --> 00:17:22,275
I WOULD THINK THAT
GIVEN WHAT'S HAPPENED,
384
00:17:22,309 --> 00:17:24,411
YOU'D BE DYING
TO SEE DON AGAIN.
385
00:17:24,444 --> 00:17:26,946
I DON'T KNOW.
I MEAN, AFTER MAYOR DON,
386
00:17:26,979 --> 00:17:30,183
I JUST FEEL LIKE
I'D SEEN A SIDE OF HIM
I REALLY CAN'T TRUST.
387
00:17:30,217 --> 00:17:32,785
BUT THAT'S NOT
THE DON YOU LOVE--
388
00:17:32,819 --> 00:17:34,654
THE ONE WHO WENT
TO COMMUNITY COLLEGE
389
00:17:34,687 --> 00:17:38,791
AND--AND WENT
TO NIGHT SCHOOL
TO BECOME A COP.
390
00:17:38,825 --> 00:17:40,727
AND WHO WENT TO
ANOTHER NIGHT SCHOOL
391
00:17:40,760 --> 00:17:43,430
AFTER THAT ONE
DIDN'T WORK OUT.
392
00:17:43,463 --> 00:17:45,565
THE DON WHO WOULDN'T
HURT A FLY
393
00:17:45,598 --> 00:17:49,136
AND...THE DON
WHO LOVES YOU.
394
00:17:49,169 --> 00:17:51,838
I WISH THAT DON WAS HERE
IN THIS APARTMENT.
395
00:17:51,871 --> 00:17:54,141
MMM, NO KIDDING.
396
00:17:54,174 --> 00:17:56,109
I'D ALMOST BE
WILLING
TO SHACK UP HERE
397
00:17:56,143 --> 00:17:57,477
WITH NEW YORK MARY
IF SHE WASN'T
398
00:17:57,510 --> 00:18:01,348
SUCH A BIG BALL
OF EMOTIONAL
SCAR TISSUE.
399
00:18:01,381 --> 00:18:02,315
WOW.
400
00:18:02,349 --> 00:18:05,252
WE ARE GONNA SACRIFICE
MONEY FOR LOVE.
401
00:18:05,285 --> 00:18:06,453
WE'RE SO NOBLE!
402
00:18:06,486 --> 00:18:08,555
I KNOW, I KNOW!
403
00:18:08,588 --> 00:18:10,022
HOW MANY SHOES
DO YOU THINK I CAN GET
404
00:18:10,056 --> 00:18:11,724
THROUGH THAT PORTAL, HUH?
405
00:18:11,758 --> 00:18:13,860
WELL, I'M OFF TO WORK.
IS MY CAR HERE YET?
406
00:18:13,893 --> 00:18:15,395
HARRY...
407
00:18:15,428 --> 00:18:16,763
WE'RE GOING BACK
TO RUTHERFORD.
408
00:18:16,796 --> 00:18:18,598
WELL, HAVE A NICE TRIP.
I THINK I LEFT
THE IRON ON,
409
00:18:18,631 --> 00:18:20,533
SO YOU MIGHT WANNA CHECK.
410
00:18:20,567 --> 00:18:23,170
NO, NO, NO.
HARRY, UM...
411
00:18:23,203 --> 00:18:24,737
YOU'RE COMING
WITH US.
412
00:18:24,771 --> 00:18:26,606
I DON'T THINK
YOU UNDERSTAND.
413
00:18:26,639 --> 00:18:31,944
I HAVE GOT
A NETWORK TO RUN!
414
00:18:31,978 --> 00:18:34,381
LOOK, WE'RE NOT
LEAVING YOU HERE ALONE.
415
00:18:34,414 --> 00:18:35,748
I'M NOT ALONE.
TOMMY'S HERE.
416
00:18:35,782 --> 00:18:38,985
NO. HE WENT
THROUGH THE PORTAL
AFTER YOU FIRED HIM.
417
00:18:39,018 --> 00:18:41,288
HARRY, YOU CAN'T BE
A NETWORK PRESIDENT
418
00:18:41,321 --> 00:18:46,159
ALONE IN MANHATTAN
WITHOUT ADULT
SUPERVISION.
419
00:18:46,193 --> 00:18:47,494
STOP IT!
YOU'RE TREATING ME
420
00:18:47,527 --> 00:18:49,162
THE WAY YOU ALWAYS
TREAT ME.
421
00:18:49,196 --> 00:18:50,563
WELL, WE'RE
IN NEW YORK NOW,
422
00:18:50,597 --> 00:18:52,432
AND I'M RESPECTED HERE.
423
00:18:52,465 --> 00:18:55,802
YOU GET HIS ARMS,
I'LL GET HIS LEGS.
424
00:18:55,835 --> 00:18:57,637
DUBCEK! I'VE GOT
A SITUATION HERE.
425
00:18:57,670 --> 00:19:00,540
SEND SECURITY
TO THE LOFT!
426
00:19:00,573 --> 00:19:02,675
[GRUNTS] W-WHAT?
427
00:19:02,709 --> 00:19:05,712
WELL, THAT'S A SHOCKER.
428
00:19:05,745 --> 00:19:08,281
MM-HMM. I SEE.
429
00:19:08,315 --> 00:19:10,517
YEAH.
WELL, GOOD LUCK.
430
00:19:11,984 --> 00:19:13,085
I DON'T BELIEVE IT!
431
00:19:13,119 --> 00:19:16,756
WHAT?
I'VE BEEN REPLACED
BY DUBCEK!
432
00:19:16,789 --> 00:19:18,858
I'M SO SORRY,
HARRY.
OH, NO.
433
00:19:18,891 --> 00:19:20,227
THEY SAID THAT
SHE WAS REALLY IN TOUCH
434
00:19:20,260 --> 00:19:23,563
WITH WHAT MEN BETWEEN
18 AND 49 REALLY WANT.
435
00:19:25,432 --> 00:19:26,899
THERE, YOU SEE?
436
00:19:26,933 --> 00:19:29,302
LAST ONE IN THE SHOWER'S
A DIRTY DOG!
437
00:19:31,338 --> 00:19:33,206
OH, UH, SHOES!
438
00:19:37,076 --> 00:19:40,513
[WHOOSH]
439
00:19:40,547 --> 00:19:41,714
Sally: OH.
440
00:19:41,748 --> 00:19:42,782
AH, THAT WAS GREAT.
441
00:19:42,815 --> 00:19:46,653
OHH! HOME AT LAST!
442
00:19:46,686 --> 00:19:50,523
AWW, THE DAMN SHOES
DON'T TRANSFER.
443
00:19:56,162 --> 00:19:57,764
AH, GOOD OLD
RUTHERFORD.
444
00:19:57,797 --> 00:19:58,998
WHAT AN
INSPIRING VIEW.
445
00:19:59,031 --> 00:20:01,268
YEAH, THE TAILLIGHTS
ON THE CARS
446
00:20:01,301 --> 00:20:05,772
AND THE FLAME BURNING
OVER AT THE REFINERY.
447
00:20:05,805 --> 00:20:07,707
YOU CAN EVEN SEE
THE FAST FOOD SIGNS
448
00:20:07,740 --> 00:20:10,176
OUT AT THE INTERSTATE
OFF-RAMP.
449
00:20:10,209 --> 00:20:12,345
SIMPLY BREATHTAKING.
450
00:20:12,379 --> 00:20:15,382
I FIND IT DUMPY
AND DEPRESSING.
451
00:20:15,415 --> 00:20:18,318
YEAH, WELL, NOT
THE PANCAKE HOUSE.
452
00:20:19,852 --> 00:20:21,321
YOU KNOW, ALBRIGHT,
YOU WANT TO SEE DEPRESSING,
453
00:20:21,354 --> 00:20:22,589
YOU SHOULD SEE
ALL THE GARBAGE
454
00:20:22,622 --> 00:20:26,025
THEY HAVE STACKED UP
ALONG CENTRAL PARK WEST.
455
00:20:26,058 --> 00:20:27,460
WERE YOU IN NEW YORK
RECENTLY?
456
00:20:27,494 --> 00:20:28,160
UH, NO, NO.
457
00:20:28,194 --> 00:20:30,096
SALLY WAS, UH,
JUST, UH,
458
00:20:30,129 --> 00:20:34,701
LOOKING AT
A TRAVEL BROCHURE.
459
00:20:34,734 --> 00:20:38,170
WAS I A MAN
WHO DREAMED HE WAS
A NETWORK EXECUTIVE,
460
00:20:38,204 --> 00:20:41,708
OR A NETWORK EXECUTIVE
WHO DREAMED
HE WAS A MAN?
461
00:20:43,676 --> 00:20:49,282
HUMAN BEINGS--
THAT IS, WE HUMAN BEINGS,
ARE SO STRANGE.
462
00:20:49,316 --> 00:20:52,652
[SIGHS] WE BLINDLY
GO ABOUT OUR
DAILY ACTIVITIES
463
00:20:52,685 --> 00:20:54,587
UNAWARE THAT
IF WE ONLY MADE A FEW
464
00:20:54,621 --> 00:20:56,323
SLIGHTLY DIFFERENT
CHOICES,
465
00:20:56,356 --> 00:20:58,591
WE'D TURN OUT TO BE
COMPLETELY DIFFERENT PEOPLE.
466
00:20:58,625 --> 00:21:02,929
YEAH, DIFFERENT LYING,
CHEATING, WEASLY,
467
00:21:02,962 --> 00:21:04,697
HORRIBLE PEOPLE!
468
00:21:07,099 --> 00:21:08,034
DID I DO SOMETHING?
469
00:21:08,067 --> 00:21:08,835
OH, NO, BABE.
470
00:21:08,868 --> 00:21:10,803
YOU'RE PERFECT
JUST THE WAY YOU ARE.
471
00:21:10,837 --> 00:21:12,439
AND SO ARE YOU,
MARY.
472
00:21:12,472 --> 00:21:15,375
WELL, I'M GONNA
GO WATCH TV.
473
00:21:15,408 --> 00:21:17,544
MY SHOWS ARE ON.
32647
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