All language subtitles for The.Draughtsmans.Contract.1982.REMASTERED.1080p.BluRay.x265-RARBG

(Musician) ♪ At last
the glittering queen of night

♪ With black caress kills off

♪ Kills off the day...

Mr. Chandos was a man
who spent more time with his

gardener than with his wife.

They discussed plum trees ad nauseam.

He gave his family and tenants
cause to dread September

for they were regaled with plums
until their guts rumbled like thunder

and their backsides ached from overuse.

He built the chapel at Fovant
where the pew seats are of plum wood

so the tenants still have cause
to remember Chandos through their backsides

on account of the splinters.

♪ At last the glittering queen of night

♪ With black caress kills off

♪ Kills off the day...

Some years ago
two gentlemen went back to Amsterdam

saying that Allhevinghay
was just like home.

There was so much water,

so many ornamental ponds,
so many canals,

so many sinks and basins.

There was even a wind pump.

What they had not realised was

my father had made his land
into a pattern of reservoirs

because he was terrified of fire.

There was even a room
under the front stairs

that housed 200 buckets,

all of them filled with water.

I know because,
whenever I was taken short,

my brothers and I used
to rush in there and use them.

(Laughs)

(Sighs)

Those buckets were filled
before my mother died.

I expect them to be still there,

with the same water of 30 years ago
I shouldn't wonder,

mixed with a little of myself, of course.

I used to pee like a horse.

I still do.

(Sniggers)

♪ For those that walk

♪ That walk

♪ With hopeful step

♪ In garden

♪ In garden

♪ In garden

♪ Love to find...

At Southampton there
is a house I have admired

because from the side it looks so flat.

It is of white Portland stone

and on a cloudy day it looks
as though it might be attached to the sky,

especially in the evening.

Its owner is a Miss Anterim.

She is a lady without a husband.

From the side Miss Anterim
is also a lady without significance.

Maybe that is why, unlike her house,
the lady is unattached.

What with one flatness
and another, Mr. Neville,

as a painter and as a draughtsman...

you could be entertained, it seems.

(Both) Especially in the evening
from the side.

♪ For those that walk

♪ That walk...

It is said that the Duc de Courcy
invited his water mechanic

to the top of an elaborate cascade
he had built

and asked him if he could build
such a marvel for anyone else.

The man, after offering
various thanks and pleasantries,

finally admitted that,
with sufficient patronage,

he probably could.

The Duc de Courcy pushed him gently
in the small of the back

and the wretched man plummeted
to a watery death.

(Laughter)

♪ Their hope to find success

♪ They're sure to make...

Now, Mr. Noyes, do you have
a ribald piece of gossip for me?

Madam, I am here
to fulfill a role as entertainer

so I'm sure that sooner or later
I could find something for you.

Then you are here on merit,

a characteristic
the rest of the company does not share,

being here merely to express confidence
in one another's money.

Madam, you are one of the company.

My meretricious conduct
in the company of Mr. Seymour

has been my invitation.

I am strictly not of the company
but a part of its property.

Since that is what the company is here
to discuss and to revel in,

you should be well favoured.

I would well favour you myself

above two parterres
and a drive of orange trees.

You are not extravagant
in your compliments, Mr. Noyes.

As yet I'm not wealthy enough to offer you more but I intend to be so soon.

In the present company of 13
that owns a fair slice of England,

two parterres and a drive of orange trees
is a beginning.

And, being a lady
of the Italian fashion, madam,

you will appreciate
the value of oranges.

They smell so sweet.
They are so invigorating.

♪ The very statues breathe ♪

(Applause)

Do you think your
father will ask Mr. Neville

to draw the house?

Why not improve Mr. Neville's chances,
and yours, by inviting Mr. Neville yourself?

Oh... That is
a too imaginative stratagem for me.

Your father would find it
uncharacteristically bold.

Then you could surprise him,

and perhaps surprise Mr. Neville as well.

And if that frightens you, Mother,
we could lay the blame on Mr. Neville.

I hold the delight or despondency
of a man of property

by putting his house
in shadow or in sunlight.

Even possibly I have some control

over the jealousy or satisfaction
of a husband

by depicting his wife, sir,
dressed or undressed.

Mrs.. Clement asked me
if I had a wife,

which has a ring of impertinence.

She knows I have a garden.
How come she does not know I have a wife?

Perhaps because you boast of one
and not the other.

But I suspect a sense of modesty is

an impertinence to such
a lady as Mrs. Clement.

Your mother takes a sense of modesty
an unprecedented distance.

Why doesn't she come out more?
She frets in the shadows.

She does not fret, Father,

or if she does, you well know
the cause is your indifference.

A house, a garden, a horse, a wife.
The preferential order.

Nonsense.

I am anxious, Mr. Neville,

that you should draw
my husband's estate.

Why is that, madam?

My husband is a proud man

who is delighted to be associated
with every brick

and every tree of his property
at every moment of his waking life.

No doubt in his dreams as well,

though I have not been too well acquainted

with his dreams since--

Madam, with such an excellent relationship
as your husband has with his property,

he surely, having the real thing,
does not need a copy.

I do not take well
to young men who preen.

Their vanity usually outweighs
their prowess.

Mr. Neville has prowess enough.

Enough to charm
where he cannot impress.

And he can charm and impress
the wives of rich men.

That's not so uncommon, Mr. Seymour.

You come with me
to Southampton tomorrow.

I'll show you how to impress a lady
with a good drawing on.

My father's property, Mr. Neville,
is a little more forward than humble

and, since humility in a building
is not antithetical to you,

perhaps I can prevail on you
to draw my father's house?

Ah. The same proposition
from a different quarter.

A concerted effort
naturally intrigues me

but I feel, madam, things being
as they are, may I be bold,

I do not think that you or your mother
could afford my services.

Why not enjoy our patronage?

Come and walk
in Mr. Herbert's garden tomorrow.

Madam, I cannot say
that I would not be delighted

but I fear,
despite your persistence,

that I have work to do
up and beyond this coming apple season

and will be in the service
of Lord Charborough

until next year's apples
have all been drunk as cider.

Your mother, madam, is excessively keen
to have this house down on paper.

Or perhaps it is you that is keen

and your mother is merely
your surrogate.

I admit, Mr. Neville, to being a supplicant
on my mother's behalf,

but she does not want it for herself
but for her husband.

The supplication, then,
has a long and diverse path.

I'm flattered.

But may not Mr. Herbert himself
do his own commissioning?

The point of the exercise, Mr. Neville,
is to avoid that one thing.

You, Mr. Neville, are to be the instrument
of a hopeful reconciliation.

Mr. Neville...

how can I persuade you
to stay with us at Compton Anstey?

You cannot, madam.

But you can be bought, Mr. Neville.

How much will it cost?

More than you can afford, madam.

But I must confess,
my prime reason is indolence.

I increase my price in proportion
to my expectation of pleasure.

I do not expect
great pleasure here, madam.

- (Man) There he goes.
- (Woman laughs)

(Shrieking laughter)

Madam. I'm to leave very early
in the morning for Southampton.

I've come to take my leave of you now.

Do not order the hay to be cut.

Do not leave the estate
and do not drink my claret.

And do not expect me back until I am ready, which at the very least will be 14 days.

Good night, madam.

(Musician) ♪ She loves and she con...

I have decided that it is most important
that you stay here

to make for me 12 drawings
of my husband's estate.

My husband is to go to Southampton
for at least 12 days.

Will that be enough time for you?

First, you make a demand that suggests

we have not discussed
the proposition at all.

Second, you increase your demand
by at least 12.

Third, you add to the proposition
a time limit.

And fourth,
you expect me to start at once.

Four factors, Mr. Neville,
you have convinced us

are well within
your talents and capabilities.

Your terms are exorbitant.

So must mine be.

♪ She loves and she confesses to

♪ There's then at last no more to do

The conditions of the agreement,
Mr. Noyes, are:

my services as draughtsman for 12 days
for the manufacture of 12 drawings

of the estate and gardens,
parks and outlying buildings

of Mr. Herbert's property.

The sites for the 12 drawings
to be chosen at my discretion,

though advised by Mrs. Herbert.

For which, Thomas, I am willing
to pay eight pounds a drawing,

uh, to provide full board
for Mr. Neville and his servant.

And...

And, madam?

And to agree
to meet Mr. Neville in private

and to comply with his requests
concerning his pleasure with me.

(Uplifting instrumental music)

(Neville) Curriculum for the execution
of the drawings at Compton Anstey.

For drawing number one

from seven o'clock in the morning
until nine o'clock in the morning

the whole of the back of the house

from the stable block
to the laundry garden

will be kept clear.

(Music continues)

No person shall use
the main stable-yard gates whatsoever

and no person shall use the back door

or interfere with the windows or furniture
of the back part of the house.

(Music ends)

(Governess) A is for apricot.

M ist für Marilla.

(Fast-paced music)

C ist für Citrona. Citrona.

A ist für Ananas. An-an-as.

P is for pineapple.

(Neville) For drawing number two

from nine o'clock in the morning
until 11 o'clock

the lower lawns of the house,
including the formal garden,

will be kept clear.

No window
in the upper part of the house

will be opened, closed
or otherwise disturbed.

(Tapping)

(Music continues)

(Music fades)

(Man) Your Mr. Neville, Sarah,

has the godlike power
of emptying the landscape.

It is a wonder the birds still sing.

If they stopped, I doubt whether
Mr. Neville would appreciate the difference.

His attitude to nature
is strictly material.

Thomas, why is Mr. Neville
interested in my sheets?

(Noyes) Madam, he's to draw them wet
outside the laundry.

(Mrs. Herbert) Wet?
Why does he want them wet?

(Noyes) Madam,
I cannot answer you that.

Perhaps he has fond memories
of being a baby.

(Gentle classical music)

(Neville) For drawing number three

from 11 o'clock in the morning
until one o'clock

the back and north side of the house
will be kept clear.

This area that is used
as a place for drying linen

will be left as asked for
on an arrangement made

between the draughtsman
and the laundress

who will take full responsibility
for the disposition of the linen.

(Music ends)

Madam, I am delighted to see

that you've loosened your clothing
as I requested.

When your husband
had the pear trees grafted,

do you know if he asked for the advice
of Mr. Seymour's gardener?

We...

Sorry, madam,
you do not speak very loud.

We...

(Coughs)

We do not know
Mr. Seymour's gardener...

- I see.
- ...Mr. Neville.

The trees have been poorly cared for.

The angle between the branches
and the main trunk is too steep.

- But the original work is good.
- Oh.

And what of the pears themselves...
in season?

Are they presentable?

(Moans)

(Governess speaks German)

(Church bell rings)

(Continues in German)

(Scraping)

(Hesitant spinet playing)

(Neville) For drawing number four

from two o'clock
until four o'clock in the afternoon

the front of the house that faces west
will be kept clear.

No horses, carriages
or other vehicles

and the gravel on the drive
will be left undisturbed.

No coals are to be burned
that will issue smoke

from the front of the house.

(Bold and lively instrumental music)

(Music continues)

And hurry up!

(Neville) For drawing number five

from four o'clock in the afternoon
until six o'clock in the afternoon

the hilltop prospect of the estate
to the north of the house

will be kept clear of all members
of the household staff and farm servants.

Such animals as are presently
grazing in the fields

will be permitted to continue to do so.

- Good day, Mr. Neville.
- Mr. Talmann.

Ah. I see you have selected a fine view
for my son to inherit.

(Neville) I prefer,
for the moment at least,

to regard the view
as the property of Mr. Herbert.

Thomas, see that Clarissa does not go
to the laundry around noon.

And come to my withdrawing room
this afternoon with some ink.

I want to send to Mr. Herbert to know

by which road he intends to return.

Is it your intention to continue
to stand there, Mr. Talmann?

I can see the view very adequately
from here, Mr. Neville, thank you.

(Neville) Will you be wearing
the same clothes tomorrow?

Why?

I've not decided.

(Whistles tune)

Depends on my servants.

Is it important?

Maybe I will.

(Neville) For drawing number six

from six o'clock in the evening
until eight o'clock

the lower lawn of the garden
by the statue of Hermes

will be kept clear
of all members of the household,

staff, horses and other animals.

Philip, go and ask
those people to move.

And ask them nicely. Smile.

Don't trot.

(Laughter)

(Laughter and chatter)

(Laughter)

(Laughter and chatter continues)

(Raucous laughter)

(Laughing) Oh! Go away.

Where? In the distance?

Well, all right.

(Laughter)

(Noyes) Mr. Lucas was a man
whose enthusiasms were divided equally

between his garden and his children.

Whenever his wife conceived,
Mr. Lucas planted fruit trees.

His wife seldom came
to a successful labor

and those children she was blessed with
died before weaning.

Mr. Lucas threatened to cut his trees down
but he never did.

To date there are 11 trees
in his fruit garden

and he knows them all
by their Christian names.

The English are not blessed with the most

appropriate fecundity at the moment.

They can raise colonies
but not heirs to the throne.

Depends, Mr. Talmann,
which colonies you are speaking of.

Some of England's oldest colonies
have heirs in plenty.

Ah, Mr. Neville, do we have an indication
of Scottish sympathies?

Madam, you would be reading
far too much

into what is simply
a statement of fact.

If the best Englishmen
are foreigners, Mr. Neville,

and that seems to me
to be a simple statement of fact,

then the best English painters
are foreigners too.

There's no English painter
worthy of the name.

Would you agree, Mr. Neville,

that to be an English painter
is a contradictory term?

Then Mr. Herbert shows some sense
in encouraging Mr. Neville.

Mr. Herbert, madam, as we all know,
is full of contradictions.

Contradictory enough, sir,
to have invited you into this house

despite his being a man
without airs and graces.

But not privy to whom
his wife welcomes into his house, madam.

(Sarah) When my father is away, Louis,

my mother is at liberty
to run his house as she feels fit,

and she has seen fit
to invite Mr. Neville.

A gracious speech, Mrs. Talmann.

- To hide all manner of inconveniences.
- How's that, sir?

It is apparent, sir,
from our meeting this afternoon,

that your presumptory regime
not only extends

to confining the household
like animals in reservations

but directing us as to whether or not
we should wear a coat,

carry a walking stick or whistle.

When I met you in the garden this afternoon

you were doing all
three of those things, sir.

If you intend being there tomorrow,

I would wish you to dress
and to behave in the same way.

However, it's beyond my power
to describe a whistle pictorially,

whether it comes from an Englishman
or from a German dressed as an Englishman.

And what do you do
about the birds, Mr. Neville?

If you ignore their song
you can hardly prevent them

from flying across
the field of your vision.

Madam, the prospect
of 12 fine-weather days

with clear skies and sharp shadows

is an excellent proposition
but not to be guaranteed,

so I am naturally anxious
that time should not be wasted.

It would assist me greatly,
therefore, madam,

if my instructions, which have been
given great consideration,

should be observed.

I'm painstaking enough to notice
quite small changes in the landscape.

Once started, I make that a committal,
madam, whatsoever ensues.

And I think you can surmise
that it is an attitude

from which I obtain great satisfaction
and some entertainment.

(Uplifting instrumental music)

(Music ends)

Thomas, can you remember,
when Mr. Herbert had his clothes packed,

whether he took his French boots?

(Fast-paced instrumental music)

How is it, Mr. Neville,
that you have contrived

to make the garden so empty of people?

The authority for these drawings,
Mr. Talmann, comes from Mrs. Herbert.

Do you think that she is a woman who enjoys

having a crowd of people
kick her gravel around

or move her earth
like a pack of dogs in a herb garden?

I would seek peace and quiet
in a garden

and noise and excitement
at a carnival.

Carnem levare.

So, Mr. Neville, you would reserve
your revelries for a religious occasion.

And what of Gethsemane?

A wild sort of garden,
I shouldn't wonder.

Certainly, Mr. Talmann, there would be
no geometric paths and no Dutch bulbs.

Well, we have a cedar of Lebanon
and a Judas tree.

Perhaps we could cultivate
a tree of heaven.

The gardens of England
are becoming veritable jungles.

Such exotics are grossly unsuitable.

If the Garden of Eden was planned
for England, God would have seen to it.

The Garden of Eden, Mr. Talmann,
was originally intended for Ireland,

for it was there, after all,
that St Patrick eradicated the snake.

The only useful eradication
that ever happened in Ireland, Mr. Neville,

was performed by William of Orange
four years ago on my birthday.

Then happy birthday to you, Mr. Talmann.

And if you are not too old
to receive presents,

perhaps the gardener and I
can find a snake for your orangery.

What?

- Good day to you, Mr. Neville.
- Good day, madam.

(Music ends)

(Gentle classical music)

(Neville) Philip.

(Music ends)

I see the company is assembled, madam.
And what are we to be spectators of?

(Sarah) You must not be surprised,
Mr. Neville. We are here at your request.

I did not request an audience, madam,
nor a dinner on the grass.

Ah. Perhaps we are to applaud the view.

The scribbler is never satisfied.
He's as insatiable as a--

You have said that Mr. Talmann
should be here dressed as you asked

and carrying a gold-topped cane.

We have taken you at your word.

There was another instruction
but conveniently I have forgotten it.

- Whistling, Sarah.
- So much for convenience.

You do not catch me in the
best of tempers, Mr. Neville,

wearing yesterday's clothes.

And I give you 20 minutes only.
I have a horse to exercise.

(Neville) Then, sir,
please, take your place.

I will take a walk.
Come with me, Maria.

We have a dog to exercise.

(Gentle classical music)

(Neville) A little to the left, sir,
if you please.

- And puff out your cheeks.
- Why should I do that?

Because last time, sir,
you were whistling.

The tune perhaps not readily recognisable,
even by its own composer.

(Music ends)

(Neville) Look, madam.

(Chuckles)

This man has no head.
Atypical German characteristic.

Mr. Neville,
you're talking about my son-in-law.

By the grace of God, madam,
you are to have a grandson by him.

- Some day.
- (Groans)

Is that not a better thing to talk of?

And you mock my money and my person
to draw caricatures.

With my memory,
three pictures in the house

and your personal knowledge
of the subject,

I intend to place the head of Mr. Herbert
on these shoulders

as a fitting
and appropriate acknowledgement

of your husband and his property.

(Mrs. Herbert) If he should return.

Why, madam,
what a strange thing to say.

If he should return home to me.

(Melancholy classical music)

(Music ends)

(Sobs)

Mother.

So...

I am... grieving

because Mr. Herbert is away.

Yes, Mother.

(Sniffs)

(Uplifting instrumental music)

(Music ends)

(Fast-paced instrumental music)

(Music fades)

The contract is void, Mr. Neville.

I cannot meet you again.

Mrs. Herbert, sit here.
Move your head into the shade.

Do you not think the gardeners
have excelled themselves?

You should not continue
to draw, Mr. Neville.

I no longer feel able to continue
the terms of our contract.

The fee is yours,
as is the hospitality.

I was about to say
that despite all my satisfaction

at the prospect of
continuing the commission

under such delightful circumstances,

the peak of my delight, madam,

is obtained in those short minutes
when we are together.

I would regret losing them.

Besides, I do not need to remind you

that the contract was made
between two people.

It will take the consent
of both signatories to make it void.

And now, madam,
I feel that from this position

I cannot adequately see
what I am supposed to be seeing

and I must therefore request
that you find some other resting place.

At least until four o'clock

when our next meeting
is to be consummated as arranged.

Madam, who is this child
who walks the garden

with such a solemn look on his face?

That is my husband's nephew,
Mr. Neville.

He attracts servants
like a little midget king.

What is his patrimony, madam?

His father was killed at Ausbergenfeld.
His mother became a Catholic.

So my husband had him
brought to England.

To be reared as a little Protestant.

He was an orphan, Mr. Neville,
and needed to be looked after.

An orphan, madam,
because his mother became a Catholic?

(Church bell rings)

(Neville) Philip, find out
what's happening.

Mr. Neville, sir,
I'm sorry about the coat.

It was not I that put it there.

Is that so, madam?

Then who did?

- I'll ask, sir.
- No. No, don't ask. Leave it there.

Someone's getting careless.
The garden is becoming a robe room.

I wonder what they keep
in their clothes press. Plants, perhaps.

(Heavy footsteps)

Who will be
your husband's direct heir after you?

A future grandson, Mr. Neville,
though not after me.

Mr. Herbert does not believe
in a woman owning property.

And what about your daughter
and her husband?

Well, they would be guardians
on a grandson's behalf.

Do you intend to study
legal matters, Mr. Neville?

You must forgive my curiosity, madam,
and open your knees.

To have possession, sir, of my person

is not an excuse to be privy
to my husband's will.

Your loyalty is exemplary, madam.

But what will happen to the estate
if your daughter has no heirs?

I do not like to think of it.

The estate was my father's.

Mr. Herbert obtained it
through marriage to me.

(She yells)

(Talmann) It is imperative, Augustus,
that in representing me

you ask of yourself the very best

and you do not fraternise
with whomsoever you choose.

And chasing sheep is a tiresome habit
best left to shepherds.

If Mr. Neville chases sheep
he is not to be emulated.

Drawing is an attribution
worth very little

and in England worth nothing at all.

If you must scribble

I suggest that your time would be
better spent in studying mathematics.

I will engage a tutor

and, who knows,
one day you, Augustus,

may add the Talmann name
to the Royal Society.

Augustus.

Your tutor, of course,
must be German.

There are already far too many
English influences on your life as it is.

Mr. Neville
is our resident draughtsman.

He is making one or two drawings
of Mr. Herbert's house and estate.

(Guest) I've heard of your prowess,
Mr. Neville.

Indeed, I've heard more than that.
I've heard you're not a conventional man.

Mr. Neville has planned his stay here

like an officer in an hostile billet.

We have orders
to appear and disappear,

to wear cocked hats,
to eat meals in the open air

and to prepare furniture
for inspection.

And yet, Louis,
I hear that you are not averse

to exchanging exercise on a new horse

for standing to attention in the hot sun
like a halberdier.

(Guest) What control
you must exercise, Mr. Neville.

It sounds as if you might be
better employed as a military man

rather than as someone
who merely draws a landscape.

Mrs. Herbert, whatever is the price
you must pay

to capture this general
who leads the wheat by the ear?

(Neville) Gentlemen, Mrs. Herbert
pays no price she cannot afford.

And, thanks to her generosity,
I am permitted to take my pleasure

without hindrance on her property

and to enjoy the, uh, maturing delights
of her country garden.

And, gentlemen...

(Laughing)

...there is much there
to be surprised at and applauded.

(Applause)

(Uplifting instrumental music)

(Music fades)

(Clicking fingers) Board.

(Birds chirp)

(Cockerel crows)

(Hesitant spinet playing)

(Fumbled notes on spinet)

(Chuckles)

(Hesitant spinet playing resumes)

- Good afternoon, Mr. Talmann!
- Good afternoon, Mr. Neville.

You are late. I heard the clock strike four
some several minutes ago.

That is indeed true.
I met Mr. Porringer.

I'm becoming
Mr. Porringer's taster of victuals.

Does the same thing happen to you?

Today it was raspberries.

I congratulate you
on today's raspberries

but not on yesterday's damsons.

They were... tasteless.
Geschmacklos.

Like your coat, Mr. Talmann.

There is no way, Mr. Neville, that I was
going to wear that coat a third day.

We are indeed, Mr. Talmann,
losing the novelty of this situation.

First I was graced
with the presence of Mrs. Talmann,

two servants, a maid
and a meal served on silver plate.

Now what have we?
Yourself dressed in the wrong clothes.

Mr. Neville, enough.

Your enthusiasm for complaint
knows no limit.

For a fee of eight pounds
your impertinence is too expensive.

Would you have me
be impertinent for nothing, sir?

For nothing, Mr. Neville,
I would have you run off my property!

Good day!

Your property, Mr. Talmann?

(Chuckles)

Mr. Talmann...
you've forgotten your riding boots.

They are not mine, Mr. Neville.

I felt sure that they were yours.

(Melancholy classical music)

Why doesn't your husband
have the moat cleaned out?

He doesn't like to see the fish.
Carp live too long.

They remind him of Catholics.

Besides, from his window the duckweed
could be mistaken for a lawn.

(Neville) Can he swim?

(Mrs. Herbert) I've never seen him swim.

(Sighs)

(Snores gently)

(Gentle snoring continues)

(Uplifting instrumental music)

Ah, good morning, Mrs. Herbert.

This morning I'm progressing well.

I am beginning to enjoy myself.

Madam, would you be so good as to sit?

It's a little chilly perhaps
but I think you tremble too much.

It is not easy for me this way
to use your person as I would like to.

Madam, would you stand?

The ladder, madam, as you can see,
has now become...

a meretricious vertical.

But I forgive you
for standing it there.

(Mrs. Herbert) What use have
I for the ladder, Mr. Neville?

It does not go anywhere.

Madam, would you be so good
as to kneel?

Kneel, madam.

If you have any influence
over your son-in-law,

can I suggest that he travel
over to Mr. Seymour's

to see what can be done with limes

by doing as little as possible.

Limes, madam, can smell so sweet.

Especially when they are allowed
to bloom without hindrance.

And it will shortly be time to bloom.

Is it true, Mr. Noyes, that you would

wish to see Mr. Herbert dead?

I've no great love for Mr. Herbert.

Goodness, Mr. Neville.
A provocative question.

(Neville) Then why stay?

Mr. Noyes has a great attachment
to my mother, Mr. Neville.

(Noyes) I'm employed by Mr. Herbert
as estate manager.

Mr. Herbert is very often away

and I believe I can make myself useful
to Mrs. Herbert.

(Neville) In more ways than one,
I presume.

But is it not that way
which is most important?

Your questions are far too imprudent
and provocative in this company.

(Neville) You would rather
I asked them behind your back?

Mr. Noyes' position in this house
is well known to us all, Mr. Neville.

(Neville) It is a...
a difficult position.

I'm surprised
that you all concur in it.

(Noyes) The organization of this house
is Mr. Herbert's affair.

My father and Mr. Noyes
were once great friends.

(Neville) And then?

My mother was at one time
promised to Mr. Noyes.

(Neville) Ah.

Your position, Mr. Noyes,
is then a consolation.

You overstep your privileges
in being a guest in Mrs. Herbert's house.

Sit down, Mr. Noyes.
I merely pursue an inquiry.

It may help me to understand
what is happening in the garden.

(Gentle classical music)

(Sarah) That shirt, Mr. Neville,
is prominent enough in your drawing.

Would it be possible, do you think,
to disguise its presence?

(Neville) Madam, I try very hard
never to distort or to dissemble.

(Sarah) Would that always be
your method of working, Mr. Neville?

(Neville) It would.

Well... let me make a little speech.

In your drawing
of the north side of the house

my father's cloak lies wrapped
around the feet of a figure of Bacchus.

In the drawing of the prospect over which
my husband turns an appreciative gaze

you will have noticed that there is,
unclaimed, a pair of riding boots.

In the drawing of the park
from the east side

it is possible to see,
leaning against my father's wardroom,

a ladder usually put to use
for the collecting of apples.

And in the drawing of the laundry

there is a jacket of my father's
slit across the chest.

Do you not think that before long
you might find the body

that inhabited all those clothes?

I am thinking very hard, madam,
about the drawing you've left out.

- And you, madam, were in that drawing.
- Are you sure, Mr. Neville?

Well, the sound of you
was in the drawing.

You were playing the spinet.

I thought, Mr. Neville,
that we had discussed

the pictorial equivalents of noise
without conclusion.

Perhaps it was not me playing the spinet.
Have you thought of that?

- Then who, madam, was it?
- You see, Mr. Neville?

You are already beginning
to play the game rather skilfully.

Four garments and a ladder
do not lead us to a corpse.

Mr. Neville, I said nothing
about a corpse.

Madam, you are ingenious.

It is as if you had planned it.

Your father is in Southampton.

He would not miss his clothes
or notice the ladder.

Is my father in Southampton,
Mr. Neville?

My mother told you that.

And you must realise
that she is a lady of few words

and not incapable
of a few stratagems.

Have you not thought how hard
she persuaded you to be her draughtsman,

to draw her husband's house
while her husband was away?

Her explanation for that
can be supported.

Perhaps, Mr. Neville,
you have taken a great deal on trust.

I look forward to the eventual purpose
and outcome of this ingenuity.

My last six drawings
will be redolent of the mystery.

I will proceed step by step
to the heart of the matter.

Perhaps to the heart
of my father, Mr. Neville.

Lying crimson
on a piece of green grass?

What a pity, Mr. Neville,
that your drawings are in black and white.

You rush ahead, Mrs. Talmann.

The items are innocent.

Taken one by one,
they could so be construed.

Taken together, you could be regarded
as a witness to misadventure.

Misadventure, madam?

What misadventure?
There is no misadventure.

And more than a witness, Mr. Neville.

An accessory to misadventure.

Madam, you are fanciful.

Mr. Neville, I have grown to believe

that a really intelligent man
makes an indifferent painter.

For painting requires
a certain blindness.

A partial refusal
to be aware of all the options.

An intelligent man will know more
about what he is drawing than he will see.

And in the space
between knowing and seeing

he will become constrained,

unable to pursue an idea strongly,

fearing that the discerning,
those who he is eager to please,

will find him wanting
if he does not put in

not only what he knows
but what they know as well.

You, Mr. Neville,
if you are an intelligent man

and thus an indifferent painter,

will perceive that a construction
such as I have suggested

could well be placed on the evidence
contained in your drawing.

If you are, as I have heard tell,
a talented draughtsman,

then I could imagine
that you could suppose

that the objects
I have drawn your attention to

form no plan, stratagem
or indictment.

Indictment, madam?

You are ingenious.

I am allowed to be
neither of the two things

that I wish to be at the same time.

I propose, since I am in a position
to throw a connecting plot

over the inconsequential items
in your drawing,

an interpretative plot
that I could explain to others

to account
for my father's disappearance.

And there is no word now from my father,
having arrived in Southampton.

I propose that we could come
to some arrangement

that might protect you
and humor me.

I suggest that we come
to a similar arrangement

as you have struck with my mother.

I would like you now
to accompany me to the library

where I know
that Mr. Noyes is waiting for us.

(Sarah) And for each remaining drawing
to agree...

(Neville) And for each remaining drawing
to agree...

(Sarah) ...to meet Mrs. Talmann
in private...

(Neville) ...to agree
to meet Mrs. Talmann in private...

...and to comply with her requests
concerning her pleasure with me.

...and to comply with her requests
concerning her pleasure with me.

(Uplifting instrumental music)

(Neville) Drawing number seven.

From seven o'clock in the morning
until nine

the whole of the front prospect
of the house will be kept clear

of members of the household,
household servants,

horses and carriages.

Drawing number eight.

From nine o'clock in the morning until 11

the gardens in front of the bathhouse
building will be kept clear.

No coals will be burnt to cause smoke
to issue from the bathhouse chimneys.

(Music continues)

From 11 o'clock in the morning
until 1

the yew-tree walk
in the centre of the lower garden

will be kept completely clear

of all members
of Mr. Herbert's family,

members of his household staff
and animals.

(Music ends)

It is time, Mr. Neville.

(Neville) From two o'clock
in the afternoon until four

the back of the house
and the sheep pasture on the eastern side

will be kept free of all members
of the household and farm servants.

(Gentle classical music)

(Music ends)

The reason I suggested
you come here

is because I have borrowed this painting
from the house.

Madam, would you stand?

Are you not intrigued by it?

I confess
I have paid it little attention.

Your husband surprises me
with his eccentric and eclectic taste.

Whilst his peers are content
to collect portraits,

mostly of an edifying family connection,

Mr. Herbert seems to collect anything.

Perhaps he has an eye
for optical theory.

Or the plight of lovers.

Or the passing of time.

What do you think?

Perhaps, madam, he has,
and I would stand by him in this,

an interest in the pictorial conceit.

Can you see why your husband
had reason to buy it?

It is of a garden.
That is probably reason enough.

True, true, but what of the events
that are happening within it, hm?

Shall we peruse it together?

Do you see, madam, a narrative

in these apparently
unrelated episodes?

There is drama, is there not,
in this overpopulated garden?

What intrigue is here?

Do you think the characters
have something to tell us?

Would you know, madam,
if your daughter

had any particular interest
in this painting?

Madam, could you put a season to it?

Madam? Do you have an opinion?

What infidelities are portrayed here?

Do you think
that murder is being prepared?

(Wistful music)

(Sarah) Did you hear that
a horse had been found at Strides?

Which is about three miles from here

on the road that, if followed long enough,
could lead you to Southampton.

I will stay dressed, Mr. Neville.
You will not.

Mr. Clarke says
the horse has been badly treated.

(Neville) It could be said
that all roads can lead to Southampton

if the traveller on horse
is ingenious enough.

I've heard of a horse
that found its way to Dover

and boarded a ship
taking hay to Calais.

The French, madam,
do not treat horses kindly.

They eat them.

Was your horse partly eaten, madam?

May I leave my hat on?

(Sarah) Your chair looks insignificant
out there, Mr. Neville.

(Neville) What significant assumption
are we to make, madam,

of a wounded horse
belonging to your father

found on the road to Southampton?

The first assumption is

that the horse has no business
being there without my father,

and why is it wounded
and what does that imply for my father?

And the second assumption
will no doubt implicate me

since a saddleless horse has now
found its way into this morning's drawing.

Mrs. Talmann, why don't you
now leave the window

and come to the basin?

Don't worry, your position of superiority
will not be diminished.

I will still have to look up to you.

(Water splashes)

Since I have taken valuable time
to fill this basin with a little water,

why not share it with me?

(Gentle classical music)

(Dog whines)

(Music continues)

(Neville) You have a curious mole,
Mrs. Herbert,

and it is ideally placed.

Does your gardener catch moles,
Mrs. Herbert?

No, he says
they are to be encouraged

for good luck
and the destruction of one's enemies.

They trip up horses, Mrs. Herbert.

You will not persuade Mr. Porringer
to persecute them.

A curious man, and ideally placed.

Ideally placed for what?

Why, for persuading
a fine white horse from Southampton

to go lame in the leg.

(Mrs. Herbert) You have nothing to fear
from Mr. Porringer, Mr. Neville.

He watches you for his own amusement.

As I do you, madam.

You seem nonetheless to be curiously keen
to protect your gardener.

It is not you, madam, but his breeches
that are his best defense.

A man in red breeches
could scarcely be considered

a inconspicuous conspirator, madam.

Unlike that other fool who behaves
like a statue when you least expect.

(Flies buzz)

Away from the house, Mr. Neville, I...

I feel I grow smaller in significance.

Madam, what signifies
does not grow smaller for me.

Your significance,
Mr. Neville, is attributable

to both innocence and arrogance
in equal parts.

You can handle both
with impunity, Mrs. Talmann.

But you will find
that they are not symmetrical.

You will find that one weighs heavier
than the other.

Which do you think is the heavier,
Mrs. Talmann?

Your innocence, Mr. Neville,
is always sinister.

So I will say that the right one
is the heaviest.

(Neville) Madam,
your dexterity is admirable.

You spend too much time
with Mr. Neville.

How is that?

The man is a pariah.

He eats like a vagrant
and dresses like a barber.

(Chuckles)

What compliments.
I think he would be amused.

As for his servant,
he looks like a fleece with a foot disease.

(Laughs)

Do you not think
Mr. Neville is knowledgeable?

About what?

About what, madam?

Madam, I could take your silence
as provocation.

And why, sir,
should I wish to provoke you?

To excite me to think that
you might wish to compliment Mr. Neville

with more than praise
for his knowledgeability.

The complexity of your speech
does you credit, Louis,

but it far exceeds the complexity
of any relationship

I might have with Mr. Neville,

which is indeed very simple.

He's a paid servant of my mother's
bound by a contract, that is all.

I'm encouraged by my mother
to see him honor it.

Is his pleasure in your encouragement
so necessary?

Although Mr. Neville has qualities,

he is neither as intelligent nor,
for that matter, as talented as he thinks.

Both characteristics
you have observed from the start, Louis,

though I admit more by prejudice
than by observation.

(Fast-paced music)

I understand that you will be
leaving us tonight, Mr. Neville.

With Mrs. Herbert's
permission, I will be leaving

after the arrival of Mr. Herbert

and after he has passed an opinion
on the drawings of his house.

If my servant has obtained a vehicle

I will be leaving in the morning.

And of course, Mr. Neville,
the sooner the better,

as you no doubt expected me to say.

You, sir, have acquainted me with your

opinion on drawing, on horticulture,

the Roman Church, childbearing,
the place of women in English life,

the history and politics of Lübeck
and the training of dogs,

so I am in a fair position to anticipate
your opinion as to my departure.

And is Radstock to greet you
with such devoted hospitality?

Mr. Talmann, sir, I have been treated
with as great hospitality

as I could wish for
in Mrs. Herbert's house.

(Fast-paced music)

(Man) Your drawings are full of the most
unexpected observation, Mr. Neville.

Looking at them is akin
to pursuing a complicated allegory.

- Are you sure this ladder was there?
- indisputably.

- And what is this? It looks like--
- Whatever it is, it was there.

Mrs. Talmann will confirm it.

How is that?
How will my wife confirm it?

Mr. Neville is probably
too encompassing in his statement.

I can, however, confirm
the sighting of a ladder.

It is propped against
my father's withdrawing room.

It is indeed, madam.
You have an exact knowledge.

As exact a knowledge
as though, madam,

you had placed it there yourself,
would you say?

(Sarah) Mr. Neville,
if ever I had such a mind to,

I would have found it impossible
to have lifted it.

It would have taken... two men.

Oh!

- Away!
- (Groans)

(Talmann)
What do you want, Mr. Clarke?

Can you come with me, sir?
It's important.

(Dramatic music)

(Music continues)

(Music ends)

Madam, it is most important
that I speak with you.

- I cannot now, Thomas.
- I'm in a position to insist.

Thomas, after what has happened,
I refuse to speak to you just now.

You must take care of affairs yourself,
or in the last resort ask Mr. Talmann.

Telling Mr. Talmann what is on my mind
will not help you.

What do you mean?

I mean, madam, that I'm sure I'm shortly
to be accused of the murder of your husband

and I am determined to confront

that eventuality well protected.

And who will accuse you?

Firstly, I think,
will be your son-in-law,

abetted and witnessed
probably by his servants.

- How can that be?
- I need your assistance.

To what end

if my son-in-law believes that
you are guilty of the murder of Mr. Herbert?

Leave me.

Maria!

Calling your servants
is not going to help.

What do you mean? Maria!

I mean the draughtsman's contract.

What of it? Maria, call Mr. Talmann.

I mean your contractual obligations
to Mr. Neville.

What of them?

Madam, you are disingenuous
beyond words.

Maria, don't bother to call Mr. Talmann.
Fetch me instead a...

Fetch me nothing.
I'm not thirsty just at present.

(Sighs)

Now, Mr. Noyes,
what are you inferring?

I am to be unjustly
and unscrupulously accused

of the murder of your husband.

On what grounds?

That I was the most likely person
to have done it,

the only person,
with the exception of your servants,

to know of Mr. Herbert's return
on Friday.

That I am culpable because of
my known feelings towards your husband.

That is ridiculous. There was--

And madam, I am the
only person in the group

of people you are about to mention

who was not at home
awaiting the arrival of Mr. Herbert.

And further, madam, because of
my known feelings towards you.

Is all that sufficient reason?

There is more.

Mr. Herbert's study is mysteriously littered
with papers and my gloves are there.

Now, against this conspiracy,

I need your protection... and more.

(Mrs. Herbert) If you're guilty
you shall have neither.

(Noyes) With Mr. Neville's contract
I shall have them both.

For your protection
and for 700 guineas

I will trade you
the contract of your infidelities.

I have no money.

Seven hundred is a calculated sum.

I will trade you the contract
for the drawings.

You have 12 drawings,
and Mr. Neville has a reputation.

What, for 12 drawings
executed privately?

Consider, madam, the drawings can
be construed as an embarrassment to you

and the original purpose and significance
of the drawings as a gift to your husband

is absolved.

Those drawings, Mr. Noyes,
have cost me too much already.

They may cost you a great deal more.

They may cost you possibly everything.

An adulteress with a dead husband
is no reputation to relish.

- And Mr. Neville?
- What of Mr. Neville? He's gone to Radcote.

- What part is he in this stratagem?
- He is not a part of my stratagem.

He could be party to a future arrangement
of the same intent.

You paid him a fee, madam.

And you offered him full board
on your property during the commission.

To the prying eye
that is as much as he is usually worth.

With the contract in your hand
and destroyed,

why should the world think
you've offered him more?

Where is that contract now?

I have it here, madam.
Where are the drawings?

What would be said
if I no longer have the drawings?

That you destroyed them,

for without your husband
they were valueless to you.

What would happen if it were known that
they were for sale? Your stratagem is weak.

That you sold them in order to afford
a memorial to your husband,

or alternatively that you sold them
in order to rid the house

of something which pains you
each time you look upon them.

You once asked me, Mrs. Pierpoint,

if I could supply you
with a ribald piece of gossip.

And I remember
your friendly gesture at the time.

Well, madam, you Romans know
how to be charitable.

I can supply you
with a little more than gossip.

I am in a position to invite you

to help me elaborate and decorate
such an item, an entertaining item.

We need not work too hard,

for the rump of the matter
has been well laid.

And what real benefit do you think
I might gain from this exercise?

Amusement, and a certain delight
in a symmetrical stratagem.

And the satisfaction that our betters
might be seriously discomforted.

And, who knows, perhaps two parterres
and a grove of orange trees,

if Mrs. Herbert is generous.

And why Mrs. Herbert?

Because I think you will find
she is mistress of strategy.

And if you do not
benefit from her directly,

I think that if you wait a few years,

then you will achieve them from me
as a token of my esteem.

From the same source?

Madam, I think
you have understood me.

(Talmann) A monument
would need a designer.

Would a certain pecuniary draughtsman
be eager to sign another contract?

As far as I am aware, sir,
the idea is Mrs. Herbert's,

though the expenses might be laid
at Mr. Neville's door.

An about-face.

It is his drawings
that are to be sold,

not more of his talent.

By Mr. Neville's growing reputation
12 drawings could be profitably sold

to furnish a more solid
and enduring monument.

It is said that Mr. Neville
is to be invited to The Hague.

Ah-ha!

If I had the wherewithal

I would advance Mrs. Herbert
100 guineas straightaway

for capital audacity,
for bravura in the face of grief.

Mr. Herbert is no especial excuse
for such generosity

but how publicly directed
is the gesture.

How could posterity
doubt her affection?

- Just so.
- I shall offer 300 guineas.

Not my own money, you understand.
My father-in-law's. He can afford it.

He collects, has no perspicacity,
no knowledge.

I shall tell him
that they are Italian.

Guido Reni. Uh, Modesta.

(Laughs)

He shall hang them in
the darkroom somewhere

and they shall never be seen again.

That is a great pity,
for they are full of illuminating details.

Mr. Neville moves forward
in Mrs. Herbert's susceptibilities

like a man pressing a life work
by slow stages.

Would there perhaps be an idea
in Mr. Neville's imagination

for a certain contract
to cap them all?

On horseback, a dashing St George
looking like a Jacobite with...

With a palette for a shield
and a quiver full of brushes

and a pen held crosswise
in his teeth.

With ink-stained fingers.

- What is in his fingers?
- (Gasps) Unmentionable.

Another pen?

It's like a pen.

Is it a pen?

A little pen.

The pen is mightier than the sword.

We will forward 400 guineas
to this scabrous monument to a pen.

And our receipt will be
Mr. Neville's drawing in the bathhouse.

- The one with the little dog.
- Hm. Wagging its tail.

Mrs. Herbert does well to sell them.
How much will they bring?

They are worth
what those who buy them wish to pay.

Mr. Seymour has tentatively offered
400 guineas.

Huh!

I am inclined to think that he makes
his offer generous to Mrs. Herbert

in order to interest her
in a larger and a... a grander sale.

What other sale?

Why, of course, of the house.

Well, that was very forward of him.

I tested his ambition by suggesting

that he might buy
a set of distinguished drawings of it.

Either way is a useful
way to help Mrs. Herbert

to a more profitable bargain

and thereby to help her
demonstrate her loss

in the knowledge that a larger sum

would make for a larger monument
for her husband.

Mr. Herbert, one way or another,
stands to benefit by Mr. Neville's industry,

as do we all, sir.

I fail to see, for a start, my benefit,
or, for that matter, yours.

Mr. Talmann, you are disingenuous.

You, sir, as, by your leave,
your future son's future guardian,

stand in an enviable position.

And consider the neatness of it, sir.

The estate would have an endurable memorial

which is part of the landscape

instead of 12 perishable items
which are mere representations of it.

I fail to see
why Mr. Seymour's presumption

should gain him
a part of my son's inheritance.

Maybe there again Mr. Seymour will
be doing you a favour, sir.

What do you mean?

By taking away the possibility of your son
ever seeing them, when you have one,

as I'm sure you will.

Why should he not see them?

Because, sir, he might perceive
the allegorical evidence in them

which you might, sir,
be stubborn enough to deny.

Mr. Neville had no use for allegory,

and I am unlikely to miss
what my son would appreciate.

An allegorical meaning, sir,
that might involve his mother.

What? My wife? How is that?

It is fancifully imputed, sir,

that Mr. Neville saw you
as a deceived husband.

How was I deceived?

I've been convinced, Sarah,
that you have been deceiving me!

What is the matter with your voice?

Damn my voice!

If you did
it would scare me less.

What is the matter with your face?
Your face, Louis, is very red.

No redder than your backside, madam,
when Mr. Neville had finished with it!

When your speech
is as coarse as your face, Louis,

you sound as impotent by day
as you perform by night.

Night and day, madam,
your behaviour has been coarse

and is now down
in corresponding black and white

for all the world to peer at,

whether the sun shines
or the wind blows hot or cold!

Your speech, Louis,
is becoming meteorological.

You must explain your conceit.

It is no conceit, madam,
but Mr. Neville's drawings.

I was sure you believed Mr. Neville
incapable of complicated meaning.

What has he done now?

It is mostly what he has undone!

It seems to be your person.

I have no control
over Mr. Neville's drawings.

He draws what he pleases.

He is not paid to draw
for his own pleasure,

nor, madam, for yours.

- What makes you think he has done that?
- The way it looks.

- How does it look?
- The way the world sees it.

The world?

There cannot be that many people
who have seen these drawings.

Who are these people
that represent the world?

- Seymour, Noyes, the Poulencs.
- Ah. And what do they see?

Enough, madam, to delight them,

to exercise their tongues,
to discuss patrimony.

Or the lack of it.

They see, then, what they have long
been searching for. Do you think?

And that means?

An opportunity to abrade you
for not producing an heir.

Woman, it takes two.

It does indeed, sir.

You amaze me.

- And what has that to do with Mr. Neville?
- I could ask you that.

- You did not. You asked Mr. Noyes.
- It was he who pointed it out to me!

With his long nose
he could point you in any way he wishes.

Madam, you will look at those drawings

and you will explain to me
why a pleaching ladder

is conveniently placed
under your window

and why your revolting little dog
is outside the bathhouse

and why your walking clothes casually

decorate the bushes of the yew walk!

Your inventory, Louis, is unlimited,

like your long, clean,
white breeches.

But there is nothing of substance
in either of them.

Let me ask you.

Perhaps you can explain what your
boots were doing in the sheep field.

They were not my boots.

And why was your undershirt idling
on a hedge near the statue of Hermes?

It was not my shirt!

Can you not see the drift
of this domestic inquisition?

You are answering me
as I could answer you.

- You cannot deny it is your dog!
- (Groans)

And whereas,
with your final accusation,

you pursue the ambiguity
of an abandoned sunshade,

you, sir, are complete on paper

in a borrowed hat
and a borrowed coat

and a borrowed shadow,
I shouldn't wonder.

Posing, sir, with your knees tucked in
and your arse tucked out

and a face like a Dutch fig

and a supercilious Protestant whistle,
I shouldn't wonder,

on your supercilious smug lips.

And, Louis, you have always said
that Mr. Neville has no imagination.

He draws what he sees.

Whose patrimony were you aping then?

My father's?

The world knows that he is dead
and is not certain who killed him.

The world might peer
at those drawings

and ask what conspiracy
of inheritance

did Mr. Neville have for you?

You are disreputable, madam.

And you side with a tenant farmer's son
against your husband.

You have married the granddaughter
of an army victualler.

And there is nothing that I have said
that suggests I side with Mr. Neville.

But I hope you will agree
that he has been useful to us all.

What have you done with his drawings?

I bought them for 600 guineas
and plan to destroy them.

- Oh, it would be a pity to destroy them.
- Ah!

You are concerned that
posterity will know of your duplicity!

Louis, they contain evidence
of another kind,

a kind more valuable
than that seized upon

by those titillated by a scandal
that smears your honor.

Evidence that Mr. Neville may be cognisant
to the death of my father.

(Uplifting instrumental music)

(Bird squawking)

(Neville) Good morning, madam.

(Sarah) Mr. Neville.

Good morning, sir.

(Sarah) Good morning.

Though the summer suddenly seems past
and the weather less than good.

What has brought you back
to Anstey so soon?

I thought our humble estate
had seen the last of you.

I am staying, madam, at Radstock
with the Duke of Lauderdale

and have come
at the invitation of Mr. Seymour

to find that curiously he is out
and most of his house is shut up.

Mr. Seymour, I understand,
is in Southampton with my husband.

The funeral was three days ago
and they are discussing property.

It would seem, then,
that my visit is poorly timed.

Madam, may I ask
after the health of your mother?

Although my mother was understandably
disturbed by my father's death,

she is now,

from the knowledge that her affection
for my father can never be reciprocated,

at ease.

And what of yourself, madam?

I'm very well, Mr. Neville.

And we are thriving.

Mr. Van Hoyten is to consider for us
a new management of the grounds

in an entirely fresh approach.

He has come at our request
to soften the geometry

that my father found to his taste

and to introduce a new ease
and complexion to the garden.

Mr. Van Hoyten has worked
in The Hague

and he has presented Mr. Talmann
with some novel introductions

which we will commence next spring.

He is a draughtsman too.

(Speaks Dutch)

(Continues in Dutch)

(Uplifting instrumental music)

Mr. Neville has come, Mother,
as we both believed he might.

And he has brought with him
a rare gift from Radstock.

Three pomegranates
from Lauderdale's gardener

reared in English soil
under an English sun.

But with the help, madam,
of 100 panes of glass

and half a year's supply
of artificial heat.

Thank you, Mr. Neville.

We must see
what we can do for you in return.

I was about to take Mr. Van Hoyten
to the river.

He has plans to make a dam
and flood the lower field.

I will no doubt see you later,
Mr. Neville.

Flooded fields, madam?

Do you intend
to join Anstey to the sea?

(Mrs. Herbert) We are to have
an ornamental lake.

My son-in-law has ambitions
for his countrymen.

It is probably you, Mr. Neville,
that has opened his eyes

to the possibilities
of our landscape.

Why is this Dutchman
wagging his arms about?

Is he homesick for windmills?

(Laughs)

Who knows?
He's a man with new ideas.

New ideas demand
new methods, perhaps.

How was Radstock?

Fine enough, madam,
but dull after the excitements of Anstey.

Ah. And have you now come here
to renew those excitements?

Madam, that would be presumptuous.

It would indeed, sir.

All contracts have, after all,
been honoured

and the body has been buried.

Madam, that was blunt.

I remember, sir, that you were blunt
in your dealings with me.

I was glad to see Mrs. Talmann

and, in all truth,
put as much a possibility as I could

to see that a meeting with yourself
might occur.

I confess that I was curious
to see the house and gardens again,

to see what appearance they'd put on
after this week of changing weather.

But I admit, madam,
that it was out of curiosity to see you

that was behind the reason for my wishing
to be invited to Mr. Seymour's house.

Curiosity does not sound
a very respectful reason to visit a lady,

even one you've had the pleasure of.

And is it really myself that is the centre
of your interest and not my daughter?

Yes, madam.

Ah. How's that?

My former contractual obligations, madam,
tied us together to my advantage

and, at your husband's death, it was

again I who gained and you who lost.

You're very confident of that,
Mr. Neville.

I must confess that in losing
you have excited my curiosity further.

(Sighs)

How do you imagine my losses,
Mr. Neville?

Humiliations, madam,
each one exceeding the other.

Is losing a husband a humiliation,
Mr. Neville?

(Whistles)

Madam, in making
my arrangements here,

I concluded with the
possibility of 13 sites,

one of which had to be rejected

to comply with the 12 drawings
as commissioned.

The site that was rejected was,
as you will recall,

to the south of the house
and included the monument to the horse.

It is the site
where your husband's body was found.

It was that irony, Mr. Neville,
that was uppermost in inquiring minds

at the discovery
of Mr. Herbert's body.

The 13th site, madam, was rejected
for no clear reason.

It contained no view of the house.

Then that was true
of several other of the drawings.

Possibly it was the least characteristic
of the garden's viewpoints

and was most powerful
at the least advantageous times of day.

And that is why, madam,
with your permission,

I would like, if I may,

to attempt to accomplish that drawing
this afternoon.

That is, if you have no objection.

Mr. Neville, your approach
is full of hesitant pleasantries.

Madam, that is because
I am still unable to fully judge

your present feelings
as to past events.

Mr. Neville, suffice it to say
that the object of my life has changed.

I am a widow
whereas I was a wife.

It could be construed
that I was a widow whilst being a wife.

I have only exchanged a false position
that made me unhappy

for a true position
that has left me without any emotion.

Mr. Neville, I propose to eat.

And, uh, I propose
that you should eat with me.

And, when we are ready, I will show,

along with my gardener, Mr. Porringer,

what we at Anstey
are capable of cultivating.

It will be my way of returning
your gift in kind.

And, who knows, it may be
that we could revive one more time

a liaison outside of a contract

to our mutual satisfaction.

And then you must accomplish
your 13th drawing.

Is all that acceptable to you?

Madam, it is
as if you had planned it.

I'm surprised, delighted.

Madam, I am overwhelmed.

Mr. Neville, I will take all three states
of your satisfaction into consideration.

I have, quite legitimately,
a freedom to exploit,

and I might as well
exploit it with you,

considering our past experience.

(Groans)

Pomegranate, Mr. Neville.

Gift of Hades to Persephone.

Madam, my scholarship
is not profound.

Unusual of you, Mr. Neville,
to profess to an ignorance of a subject

which before you would be anxious
to have us believe

was an essential prerequisite
to an artist's vocabulary.

Maybe, madam, I am hesitating
to acknowledge an unintended allusion.

By eating the fruit
of the pomegranate, Mr. Neville,

Pluto kept Persephone
in the Underworld.

Oh, a symbolic fruit, Mrs. Herbert.

And you've brought me three.

That was all, madam,
that Mr. Clancy would spare me.

Maybe Mr. Clancy
is a contriver of allusions.

How... How is that, Mrs. Herbert?
Are you acquainted with the man?

Having been tricked into eating
the fruit of the pomegranate, Mr. Neville,

Persephone was forced to spend
a period of each year underground.

During which time,
as even Mr. Porringer will tell you,

Persephone's mother,

the goddess of fields,
of gardens and of orchards,

was distraught, heartbroken.

She sulks,

and she refuses,
adamantly refuses,

to bless the world
with fruitfulness.

Now, my Mr. Porringer
and your Mr. Clancy

try hard to defeat the influence
of the pomegranate

by building places like these.

Don't you think?

And having built them and stocked them
and patiently tended them,

what do they grow?

Why, the pomegranate.

And we are turned full circle again.

Certainly a cautionary tale
for gardeners, madam.

And for mothers with daughters,
Mr. Neville.

But, who knows, madam,
pomegranates grown in England

might not have
such unhappy allegorical significance.

(Door bangs)

Plants from the hothouse, according to
Mr. Porringer, are seldom fertile.

Fertile enough, Mrs. Talmann,

to engender felicitous allusions
if not their own offspring.

And of course there are more.

More of what, madam?

Mr. Neville, we well know
your delight in the visual conceit.

The juice of the pomegranate

may be taken for...

blood,

and in particular
the blood of the newborn.

And of murder.

Then, thanks
to your botanical scholarship,

you must find it cruelly apt
that I was persuaded to bring such fruit.

Oh, Mr. Neville, I suspect
that you were innocent of the insight,

as you have been innocent
of much else.

(Chuckles)

Innocent, madam?

By impute I was convinced
you thought me guilty.

Certainly of opportunism.

Probably of murder.

What I do think you guilty of

I do not at all reproach you for.

In our need of an heir,

you may very likely
have served us well.

Madam?

We had a contract, did we not?

You do not think I would have signed
so much for pleasure alone?

Madam, that was ingenious.

Since when has adultery
been ingenious?

Mr. Neville, you are ridiculous.

(Sarah) And why should you have
murdered Mr. Herbert? For what reason?

Mr. Talmann believes
I had reason enough.

(Sarah) Yes, Mr. Talmann is in
Southampton still trying to find or invent

some responsibility for you
in the matter.

(Mrs. Herbert) He will not forgive
your indiscretion with Sarah.

But he will not disown his wife,
for then, you see, he would lose Anstey.

lam sure that Mr. Talmann
is not in Southampton,

for did I not see him
on the carriage drive here this afternoon?

(Sarah) Why, I think not.

He is in Southampton,
with Mr. Seymour.

I do not think that
Mr. Seymour can be in Southampton,

for he stopped my servant this morning
at Radstock to ask after me

and, on the understanding
that I had some hope of seeing you,

was, according to my servant,
more than pleased.

I am convinced
that we will see him this afternoon.

I confess I am surprised,
Mr. Neville, if that is the case.

I will inquire.

Sarah, ask Mr. Porringer
to get Mr. Neville a chair.

He intends to make a drawing for me
in the garden by that horse.

And, Sarah, ask Mr. Porringer
to bring Mr. Neville a pineapple.

A small one. They're sweeter.

You would care to try a pineapple,
would you not, Mr. Neville?

Madam, I would be delighted.

(Door closes)

(Church bell rings)

(Talmann) Good evening, Mr. Neville.

Good evening, sir.

And why, Mr. Neville,
do we find you here so late?

Surely the light is now too poor
to see adequately.

That is true. I am finished.

Good.

Perhaps I could see it.

If we had light
that might be possible.

I'm sure we can find some light.

(Talmann)
But it is not finished, Mr. Neville.

No, Mr. Talmann, it is not.

You may successfully
hide your face in the dark

but, in England at least, it is not easy
for you, surely, sir, to hide your accent.

I did not think to hide my identity
for long, Mr. Neville,

which, even in the eyes of the English,
is no especial crime

compared with the identity
you care to assume with such ease.

And what identity might that be,
Mr. Talmann?

The identity of a man
of some little talent,

some dubious honor,
a proper dealer in contracts.

The identity of a man
with an eye to the improper pursuit

of dishonour to others.

You talk, Mr. Talmann,
like one who has learnt abroad

an archaic way of speaking

that became unfashionable in England
when my grandfather was a young man.

My speech is in no way dependable
on your view of fashion, Mr. Neville.

We all know that in the field
of deeds and of talent

you in your field are an innovator.

That must be
some sort of flattery, Mr. Talmann.

Have your companions
also come to flatter?

We have come merely
as curious observers, Mr. Neville.

To wonder why,
after so much has happened,

you return to continue
to fix Mr. Herbert's property on paper

and chose to draw
this particular site.

I might be inclined to answer
those questions, Mr. Seymour,

if I did not feel that
the truthful answers I would give

would in no way
be of interest to you.

It is our belief, Mr. Neville,
that in returning here

you are seeking a codicil
to your original contract,

a codicil of a more permanent nature
than the last one,

a lasting contract with a widow.

You speak, of course, Mr. Talmann,
like a disinherited man,

uninterested in painting
or draughtsmanship,

uninterested even in the prospect
of the estate you covet from this position.

An ideal site
for a memorial, perhaps.

Do you think Mr. Herbert would have
appreciated the prospect of his estate?

As a landowner yourself, Mr. Seymour,
I leave you to judge.

For a man of property
it is a view that might be enviable.

Though I think you are wrong
to ascribe those enviable thoughts to me.

Perhaps, I would suggest, they should
be ascribed to my friend Mr. Noyes

who is, I think, standing beside me.

A custodian of contracts.

A man who was given custody
of private agreements in black and white.

(Noyes) And how do you feel,
Mr. Neville, that Mr. Herbert felt

about these
black and white contracts?

As his agent, his bailiff,
his notary, his one-time friend,

the close-though-not-close-enough
confidant of his wife,

I would have thought you would be
the best person to answer that.

It is curious, gentlemen,
that you persist in asking me questions

which you are
the most suitably situated to answer.

It has occurred to me
that you, Mr. Noyes,

might have advanced
Mr. Herbert the information

that was so discretionably set down
in black and white.

Whether he could have appreciated
what it stood for is another matter.

He was blind to so much.

Certainly blind
to considerable unhappiness.

Your understanding
of Mrs. Herbert's unhappiness

could in no possible way
be considered profound or relevant.

I had access to some considerable
observation of her state of mind.

And you will not forget,
sir, that I was helped

in that respect by her daughter, your wife,

and was persuaded

and was persistently
persuaded by both ladies

to undertake the commission
in the first place.

(Seymour) And they persuaded you, sir,
with a view

that you might reconcile differences, sir,
and not plunder them.

I am in no way responsible
for Mr. Herbert's death.

The affair is a mystery to me,

though I have strong suspicions,
Mr. Talmann, Mr. Seymour, Mr. Noyes,

and, if they were here, indeed
of Mrs. Herbert herself and Mrs. Talmann,

ladies who both, after all,
entered willingly into their contracts.

Is that why, Mr. Neville,
you have just abused Mrs. Herbert further?

Ah.

What a pity.

That was clever.

We now have a contract
with you, Mr. Neville,

and under conditions
of our choosing.

The contract concerning
our present pleasure,

Mr. Neville, has three conditions.

It will be best served, sir,
when you have removed your finery.

Take off your hat, sir.

(Chuckles)

My hat, gentlemen, has
no contractual obligations with anyone.

(Noyes) The contract's
first condition, Mr. Neville,

and there is no need to write it down
for you will never see it,

is to cancel your eyes.

(Neville screams)

(Talmann) Since we have now deprived you of

your access to a living,

the shirt on your back
will be of no value to you.

(Noyes) It may well dress a scarecrow
to frighten the crows.

(Seymour)
Or be scattered about an estate

as ambiguous evidence
of an obscure allegory.

(Both) And the third
condition of your contract,

concomitant to the other two...

- and legally binding...
- and efficiently undertaken...

- for what is a man without property...
- and foresight...

(In unison) is your death.

(Dramatic music)

(Music continues)

(Water splashes)

(Music ends)

(Water splashes)

(Squelches)

(Uplifting music)