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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:33,555 --> 00:00:35,339 I THOUGHT WE'D TALK A LITTLE BIT 4 00:00:35,383 --> 00:00:38,212 ABOUT WHAT YOU'RE DOING NOW AND THE NEW RECORD, 5 00:00:38,255 --> 00:00:40,344 AND THEN OPEN IT OUT INTO A WIDER CONVERSATION 6 00:00:40,388 --> 00:00:42,085 ABOUT THE BAND. 7 00:00:42,129 --> 00:00:44,653 YEAH, YEAH, THAT'S FINE. 8 00:00:44,696 --> 00:00:47,873 - SO THIS IS YOUR FIRST SOLO TOUR, RIGHT? - -THAT'S RIGHT, YEAH. 9 00:00:47,917 --> 00:00:51,051 HOW DOES IT FEEL NOT HAVING THE REST OF THE BAND WITH YOU? 10 00:00:51,094 --> 00:00:52,748 IT'S STRANGE. 11 00:00:52,791 --> 00:00:55,098 I MEAN IT FEELS, IT FEELS FUCKING EXPOSING, BASICALLY. 12 00:00:55,142 --> 00:00:59,711 IT FEELS, UM... YOU KNOW, ULTIMATELY, 13 00:00:59,755 --> 00:01:02,105 WHEN I WAS WITH THE BAND I COULD HIDE, 14 00:01:02,149 --> 00:01:03,411 BEING PART OF THE GROUP... 15 00:01:26,608 --> 00:01:28,958 DEELEY, I HAVEN'T SEEN YOU AROUND FOR A WHILE. 16 00:01:29,001 --> 00:01:30,873 HOW HAVE... WHERE HAVE YOU BEEN? 17 00:01:30,916 --> 00:01:33,919 UH, UH, RIGHT HERE, WORKING AWAY. 18 00:01:33,963 --> 00:01:35,704 I HEAR YOU'RE BACK IN THE STUDIO. 19 00:01:35,747 --> 00:01:38,228 YEAH, WE'RE HOPING TO HAVE SOMETHING OUT NEXT YEAR. 20 00:01:38,272 --> 00:01:40,317 - HOW'S IT GOING? - IT'S HARD. 21 00:01:40,361 --> 00:01:43,755 IT'S FUCKING HARD, BUT YOU KNOW, CAN'T COMPLAIN. 22 00:01:53,025 --> 00:01:54,853 IT FEELS LIKE YOU'VE CARVED OUT 23 00:01:54,897 --> 00:01:57,856 A NEW SPACE FOR YOURSELF, IN TERMS OF THE SONIC LANDSCAPE 24 00:01:57,900 --> 00:02:00,337 YOU'VE MANAGED TO CREATE. 25 00:02:00,381 --> 00:02:04,124 HOW DID YOU GO ABOUT DEFINING THAT DYNAMIC? 26 00:02:04,167 --> 00:02:06,865 BEING SO FAR AWAY FROM WHAT FELT NORMAL 27 00:02:06,909 --> 00:02:08,911 WAS KIND OF A TRIP. 28 00:02:08,954 --> 00:02:12,001 I THINK IT... YOU KNOW, IT REALLY HELPS US 29 00:02:12,044 --> 00:02:17,398 TO GRAB SOMETHING THAT FELT, YOU KNOW... 30 00:02:32,761 --> 00:02:34,154 LOSE YOURSELF IN. 31 00:02:34,197 --> 00:02:36,330 I DIDN'T WANT IT TO BE 12 SEPARATE IDEAS 32 00:02:36,373 --> 00:02:37,959 GLUED TOGETHER WITH SOME FLASH PRODUCTION. 33 00:02:37,983 --> 00:02:39,985 I WANTED IT TO FEEL LIKE A COMPLETE JOURNEY. 34 00:02:40,029 --> 00:02:42,510 I HEARD YOU HAD SOME DIFFICULTIES WITH YOUR LABEL 35 00:02:42,553 --> 00:02:44,642 WHILE YOU WERE IN THE STUDIO. 36 00:02:44,686 --> 00:02:46,992 OH, REALLY? WHERE DID YOU HEAR THAT? 37 00:02:47,036 --> 00:02:49,734 I'M A JOURNALIST. I TALK TO PEOPLE. 38 00:02:49,778 --> 00:02:51,127 IT ISN'T ABOUT THAT! 39 00:02:51,171 --> 00:02:52,955 IT'S NOT ABOUT WHO SAID WHAT TO WHO 40 00:02:52,998 --> 00:02:54,304 OR WHAT YOU HEARD FROM WHOMEVER. 41 00:02:54,348 --> 00:02:56,001 PEOPLE CAN CHAT IF THEY WANNA CHAT. 42 00:02:56,045 --> 00:02:58,743 FOR ME, IT'S ABOUT THE MUSIC AND... 43 00:03:04,923 --> 00:03:08,057 LISTENING TO THE NEW ALBUM I WAS STRUCK BY HOW MUCH 44 00:03:08,100 --> 00:03:10,799 OF A DEPARTURE IT WAS FROM YOUR LAST COUPLE OF RECORDS. 45 00:03:10,842 --> 00:03:15,543 THERE'S DEFINITELY A MORE AGGRESSIVELY POLITICAL ANGLE TO THE CONTENT. 46 00:03:15,586 --> 00:03:20,417 WHAT WOULD YOU SAY TRIGGERED THAT CHANGE IN DIRECTION? 47 00:03:20,461 --> 00:03:23,638 EVERY RECORD IS POLITICAL. 48 00:03:23,681 --> 00:03:27,032 FOR US, THE POLITICS CAME OUT OF, WELL, 49 00:03:27,076 --> 00:03:29,165 AN INTERNAL STRUGGLE, INTERNAL CONFLICT. 50 00:03:29,209 --> 00:03:31,776 IT GOT TO THE POINT WHERE WE HAD TO SIT DOWN, 51 00:03:31,820 --> 00:03:35,084 GENERALLY DECIDE WHETHER OR NOT TO KEEP GOING OR END IT. 52 00:03:35,127 --> 00:03:36,955 IT GOT THAT SERIOUS? 53 00:03:36,999 --> 00:03:38,479 YEAH, AFTER 15 YEARS 54 00:03:38,522 --> 00:03:40,481 THERE WAS A LOT THAT NEEDED TO BE RESOLVED. 55 00:03:40,524 --> 00:03:43,135 MAINLY, WHETHER OR NOT WE COULD BE IN THE SAME ROOM 56 00:03:43,179 --> 00:03:45,268 WITHOUT IT KICKING OFF 57 00:03:45,312 --> 00:03:47,879 AND WHETHER OR NOT WE COULD STILL INSPIRE EACH OTHER. 58 00:03:47,923 --> 00:03:49,881 AND OBVIOUSLY YOU DECIDED THAT YOU COULD. 59 00:03:49,925 --> 00:03:52,580 WELL, WE DECIDED WE WANTED TO GIVE IT ANOTHER TRY, 60 00:03:52,623 --> 00:03:54,190 AND IF WE WERE GONNA GO THROUGH, 61 00:03:54,234 --> 00:03:56,105 WE WERE GONNA BE BOLD AND KICK AWAY 62 00:03:56,148 --> 00:03:57,585 FROM WHAT FELT FAMILIAR. 63 00:03:57,628 --> 00:03:59,021 WE WANTED TO REINVENT OURSELVES. 64 00:03:59,064 --> 00:04:00,849 WE WANTED TO FEEL RELEVANT AGAIN. 65 00:04:00,892 --> 00:04:02,938 AND YOU BELIEVE THAT'S WHAT YOU'VE DONE? 66 00:04:02,981 --> 00:04:05,462 YEAH, YEAH, I DO. 67 00:04:05,506 --> 00:04:06,681 THAT WAS GREAT. 68 00:04:06,724 --> 00:04:08,857 THANKS FOR TALKING TO THE MAGAZINE. 69 00:06:18,465 --> 00:06:21,468 HOW HAVE YOU BEEN? 70 00:06:21,511 --> 00:06:23,948 YEAH, FINE. 71 00:06:23,992 --> 00:06:27,648 - YOU KNOW. - NO, I DON'T KNOW. 72 00:06:27,691 --> 00:06:30,825 YOU CAN TALK TO ME. 73 00:06:30,868 --> 00:06:34,306 - WE CAN STILL... - CAN WE? 74 00:06:34,350 --> 00:06:38,441 YOU KNOW YOU CAN. 75 00:06:38,485 --> 00:06:41,966 OR YOU COULD, IF YOU TRIED. 76 00:06:49,496 --> 00:06:51,411 DEELEY... 77 00:06:54,936 --> 00:06:56,851 I STILL CARE ABOUT YOU. 78 00:07:03,988 --> 00:07:07,383 HELLO? ARE YOU THERE? 79 00:07:49,338 --> 00:07:53,690 THIS IS A PRETTY SERIOUS COLLECTION. 80 00:07:53,734 --> 00:07:56,911 YEAH, IT'S AN OCCUPATIONAL HAZARD. 81 00:08:01,306 --> 00:08:03,395 MUSIC JOURNALIST, RIGHT? 82 00:08:05,659 --> 00:08:07,008 RIGHT. 83 00:08:11,665 --> 00:08:14,755 I DON'T THINK I'VE HEARD OF ANY OF THESE BANDS. 84 00:08:14,798 --> 00:08:17,497 OH, DON'T FEEL TOO BAD, 85 00:08:17,540 --> 00:08:21,152 NEITHER HAS 99% OF THE RECORD BUYING PUBLIC, 86 00:08:21,196 --> 00:08:22,980 SO... 87 00:08:23,024 --> 00:08:25,505 SINCE WHEN ARE THE PUBLIC STILL BUYING RECORDS? 88 00:08:34,383 --> 00:08:40,041 SO, IDEALIST, OR JUST STUBBORN? 89 00:08:43,392 --> 00:08:45,263 I DON'T KNOW. 90 00:08:45,307 --> 00:08:47,527 I THINK WE ALL WANT TO OWN SOMETHING, 91 00:08:47,570 --> 00:08:50,660 PUT TOGETHER WITH SOME CARE AND A BIT OF ARTISTRY. 92 00:08:52,488 --> 00:08:55,709 I THINK WE NEED IT, DON'T WE? 93 00:09:03,760 --> 00:09:06,067 IDEALIST IT IS. 94 00:09:09,244 --> 00:09:11,942 PUT SOMETHING ON. 95 00:09:11,986 --> 00:09:14,205 - YEAH? - YEAH. 96 00:09:14,249 --> 00:09:16,425 WHAT ARE YOU INTO? 97 00:09:16,468 --> 00:09:18,993 ANYTHING. 98 00:09:26,174 --> 00:09:28,176 I WISH I'D LEARNED TO PLAY GUITAR. 99 00:09:28,219 --> 00:09:31,179 YEAH, SO DO I EVERY TIME I PICK THAT FUCKING THING UP. 100 00:10:12,089 --> 00:10:13,917 I LIKE IT. 101 00:10:19,706 --> 00:10:21,577 SO HOW DOES THIS... 102 00:10:24,711 --> 00:10:26,800 ARE THERE ANY RULES? 103 00:11:12,889 --> 00:11:14,108 - UH-UH. - WHAT? 104 00:11:14,151 --> 00:11:16,371 UH, I'M... 105 00:11:19,156 --> 00:11:21,376 - I'M SORRY. - IT'S OKAY, IT'S OKAY. 106 00:13:06,002 --> 00:13:07,830 THAT WAS FUN. 107 00:13:07,874 --> 00:13:10,137 YEAH. 108 00:13:12,182 --> 00:13:15,055 IT WAS... 109 00:13:15,098 --> 00:13:17,927 OH, YOU HAVE JACEK RUDZKI. 110 00:13:17,971 --> 00:13:19,799 YEAH, IT'S JOHN CAGE, I THINK. 111 00:13:19,842 --> 00:13:23,063 NO, THE DESIGNER. 112 00:13:23,106 --> 00:13:24,934 YOU KNOW HIM? 113 00:13:24,978 --> 00:13:30,766 NO, WE, UM, SHOWED SOME OF HIS STUFF. 114 00:13:30,810 --> 00:13:32,115 WE? 115 00:13:34,901 --> 00:13:38,730 I WORK IN A GALLERY. 116 00:13:38,774 --> 00:13:40,428 OH, WHICH ONE? 117 00:13:46,216 --> 00:13:47,652 IT'S ALL RIGHT. 118 00:13:53,310 --> 00:13:55,399 SEEN ANYTHING GOOD? 119 00:13:59,926 --> 00:14:01,841 OH, NO, NO, NO, NOT... NOT REALLY 120 00:14:05,279 --> 00:14:09,718 - WELL. - SO DO YOU... 121 00:14:09,761 --> 00:14:12,242 HAVE YOU DONE THIS... 122 00:14:12,286 --> 00:14:15,028 DONE THIS BEFORE? 123 00:14:15,071 --> 00:14:17,552 YEAH. 124 00:14:17,595 --> 00:14:19,946 A COUPLE OF TIMES. 125 00:14:19,989 --> 00:14:21,861 WHY? 126 00:14:21,904 --> 00:14:24,646 I COULD ASK YOU THE SAME QUESTION. 127 00:14:24,689 --> 00:14:26,256 - YOU COULD. - YEAH, BUT I WON'T 128 00:14:26,300 --> 00:14:27,692 BECAUSE... 129 00:14:34,961 --> 00:14:37,920 - JESUS! - WHAT? 130 00:14:37,964 --> 00:14:40,967 - LOOK, I... - WHAT? WHAT IS IT? 131 00:14:41,010 --> 00:14:43,012 - I... - MICHELLE, WHAT IS IT? 132 00:14:43,056 --> 00:14:45,754 I THINK I... I THINK I JUST... I DON'T KNOW, I THINK... 133 00:14:45,797 --> 00:14:49,236 - WHAT AM I SUPPOSED TO BE... - I DON'T KNOW, BUT IT LOOKED LIKE A FIGHT. 134 00:14:49,279 --> 00:14:51,978 - A FIGHT? - YEAH. IT WAS OVER IN A SECOND, BUT... 135 00:14:52,021 --> 00:14:53,283 WHAT EXACTLY DID YOU SEE? 136 00:14:53,327 --> 00:14:55,329 A GIRL STRUGGLING WITH THIS GUY. 137 00:14:55,372 --> 00:14:56,547 WHAT DID HE LOOK LIKE? 138 00:14:56,591 --> 00:14:58,636 - I DON'T KNOW. ASIAN. - ASIAN? 139 00:14:58,680 --> 00:15:02,205 CHINESE, ORIENTAL, I DON'T KNOW. 140 00:15:02,249 --> 00:15:03,815 THEN WHAT DID YOU SEE? 141 00:15:03,859 --> 00:15:05,881 NOTHING. HE GRABBED HER, THEY FOUGHT, AND THEN THEY... 142 00:15:05,905 --> 00:15:07,273 - AND THEN THEY? - THEY... THEY DISAPPEARED. 143 00:15:07,297 --> 00:15:08,733 - DISAPPEARED? - OUT OF SIGHT. 144 00:15:16,959 --> 00:15:17,960 WHAT ARE YOU DOING? 145 00:15:18,004 --> 00:15:19,527 CALLING THE POLICE. 146 00:15:24,401 --> 00:15:26,055 WHAT ARE YOU DOING? 147 00:15:26,099 --> 00:15:27,883 I'M LEAVING. 148 00:15:27,927 --> 00:15:30,016 WHY? 149 00:15:30,059 --> 00:15:31,495 I'M NOT TALKING TO THE POLICE. 150 00:15:31,539 --> 00:15:33,541 WELL, WHAT THE FUCK AM I SUPPOSED TO DO? 151 00:15:33,584 --> 00:15:35,717 I DIDN'T SEE ANYTHING. 152 00:15:35,760 --> 00:15:37,719 NOT MY PROBLEM. 153 00:15:37,762 --> 00:15:38,850 WAIT. 154 00:15:40,026 --> 00:15:41,114 LOOK... 155 00:15:43,203 --> 00:15:45,553 GET OUT OF MY WAY. 156 00:15:45,596 --> 00:15:47,947 - MICHELLE. - GET OUT OF MY WAY. 157 00:16:06,400 --> 00:16:08,445 METROPOLITAN POLICE, HOW CAN I HELP? 158 00:16:08,489 --> 00:16:14,321 HI. I, UH, I THINK... 159 00:16:14,364 --> 00:16:17,672 CALLER? 160 00:16:17,715 --> 00:16:19,500 THERE'S A WOMAN ACROSS FROM WHERE I LIVE. 161 00:16:19,543 --> 00:16:21,328 I THINK SHE MIGHT NEED YOUR HELP. 162 00:16:21,371 --> 00:16:23,721 OKAY. CAN YOU TELL ME WHAT'S HAPPENED? 163 00:16:27,987 --> 00:16:32,034 I THINK... SHE MIGHT... BE HURT. 164 00:16:32,078 --> 00:16:34,036 YOU THINK SHE MIGHT BE HURT? 165 00:16:34,080 --> 00:16:37,039 CAN YOU GIVE ME HER NAME? 166 00:16:37,083 --> 00:16:39,172 NO, I... I... I DON'T KNOW HER NAME, SORRY. 167 00:16:39,215 --> 00:16:42,175 THAT'S OKAY. CAN YOU TELL ME EXACTLY WHAT YOU SAW? 168 00:16:45,874 --> 00:16:48,007 CALLER? 169 00:16:48,050 --> 00:16:51,445 CAN YOU TELL ME WHAT YOU SAW? 170 00:16:51,488 --> 00:16:53,708 CAN YOU GIVE ME YOUR NAME? 171 00:16:56,232 --> 00:16:59,627 CALLER? ARE YOU STILL THERE? 172 00:16:59,670 --> 00:17:01,846 CALLER, CAN YOU GIVE ME YOUR NAME? 173 00:17:03,500 --> 00:17:06,460 I'M GOING TO NEED A LOCATION. CAN YOU GIVE ME YOUR... 174 00:19:18,679 --> 00:19:21,203 SO, WHAT EXACTLY DID YOU SEE? 175 00:19:21,247 --> 00:19:22,726 A FIGHT, MAYBE. 176 00:19:22,770 --> 00:19:24,163 I DON'T KNOW, A SCUFFLE. 177 00:19:24,206 --> 00:19:26,077 A FIGHT, MAYBE A SCUFFLE. 178 00:19:26,121 --> 00:19:29,211 - AND YOU'RE SURE SHE WASN'T INTO IT? - -WHAT? 179 00:19:29,255 --> 00:19:32,214 YOU KNOW, HOLD ME DOWN, TIE ME UP, SLAP ME ABOUT. 180 00:19:32,258 --> 00:19:34,260 SOME GIRLS LOVE THAT SHIT. 181 00:19:34,303 --> 00:19:36,479 YEAH, WELL, NOT THIS GIRL. 182 00:19:36,523 --> 00:19:38,089 HOW DO YOU KNOW? 183 00:19:38,133 --> 00:19:39,787 I JUST KNOW. 184 00:19:39,830 --> 00:19:42,355 YOU JUST KNOW. 185 00:19:42,398 --> 00:19:43,660 BUT I WOULD KNOW. 186 00:19:43,704 --> 00:19:45,880 HOW WOULD YOU KNOW? 187 00:19:45,923 --> 00:19:48,839 - I SEE HER EVERY NIGHT, PETE. - WHAT DO YOU MEAN? 188 00:19:48,883 --> 00:19:51,277 WHAT DO YOU MEAN YOU SEE HER EVERY NIGHT? 189 00:19:54,715 --> 00:19:56,499 I CAN SEE HER FLAT FROM MY WINDOW, 190 00:19:56,543 --> 00:20:00,547 SO I... I WOULD KNOW IF SHE WAS INTO ANYTHING WEIRD. 191 00:20:00,590 --> 00:20:05,204 RIGHT, UM, HAVE YOU CALLED THE POLICE? 192 00:20:08,511 --> 00:20:10,687 YEAH. 193 00:20:10,731 --> 00:20:11,775 NO. 194 00:20:11,819 --> 00:20:13,299 WELL, WHICH IS IT? 195 00:20:16,606 --> 00:20:18,782 - DEELEY? - NOT YET. 196 00:20:18,826 --> 00:20:20,654 OH, FOR FUCK'S SAKE. 197 00:20:24,266 --> 00:20:27,226 DEELEY, JUST TELL THEM WHAT YOU SAW, 198 00:20:27,269 --> 00:20:28,879 LET THEM DEAL WITH IT. 199 00:20:30,881 --> 00:20:35,582 - MATE, HOW'VE YOU BEEN? - FINE. 200 00:20:35,625 --> 00:20:38,498 I'VE BEEN... AM FINE. 201 00:20:38,541 --> 00:20:39,977 COME INTO THE OFFICE. 202 00:20:40,021 --> 00:20:42,893 - WHY? - WHY NOT? 203 00:20:42,937 --> 00:20:44,591 I'VE GOT... I'VE GOT TOO MUCH ON. 204 00:20:47,246 --> 00:20:50,901 YOU, UH, READY TO START COVERING GIGS AGAIN? 205 00:20:50,945 --> 00:20:53,991 I NEED YOU OUT THERE, MAN, FIGHTING THE GOOD FIGHT. 206 00:20:54,035 --> 00:20:57,430 IT'S BEEN EIGHT MONTHS. EIGHT MONTHS, MAN. 207 00:20:57,473 --> 00:21:00,215 I KNOW HOW LONG IT'S BEEN. 208 00:21:00,259 --> 00:21:02,435 LOOK, A FUCKED UP THING HAPPENED TO YOU, 209 00:21:02,478 --> 00:21:04,175 NOBODY DOUBTS IT, 210 00:21:04,219 --> 00:21:06,482 BUT YOU'VE GOT TO GET BACK OUT INTO THE WORLD. 211 00:21:09,877 --> 00:21:12,401 JUST GET ME THOSE REVIEWS BY THE END OF THE DAY. 212 00:21:12,445 --> 00:21:14,316 SURE. 213 00:21:14,360 --> 00:21:17,145 OKAY. 214 00:21:17,188 --> 00:21:20,322 OH, I LIKE THE ELECTRONS PIECE, BY THE WAY. 215 00:21:20,366 --> 00:21:21,497 THANKS. 216 00:21:44,955 --> 00:21:47,567 THE BUSINESS JUST SORT OF 217 00:21:47,610 --> 00:21:50,613 SUCKED THE LIFE OUT OF ME. 218 00:21:50,657 --> 00:21:55,096 I FELT I... I WAS BECOMING THIS REALLY JADED PERSON. 219 00:21:55,139 --> 00:22:00,014 WHAT WOULD SAY BROUGHT YOU THROUGH THAT MOMENT OF... 220 00:22:00,057 --> 00:22:02,712 DARKNESS? 221 00:22:02,756 --> 00:22:04,801 IS THAT THE RIGHT WORD, IS IT? 222 00:22:04,845 --> 00:22:07,630 - DARKNESS? - YEAH. 223 00:22:07,674 --> 00:22:10,241 DARKNESS SOUNDS FAIRLY ACCURATE. 224 00:22:10,285 --> 00:22:14,681 I THINK LETTING CERTAIN THINGS GO WAS WHAT DID IT. 225 00:22:14,724 --> 00:22:16,596 NOT WORRYING ABOUT THE STATE OF MY CAREER 226 00:22:16,639 --> 00:22:18,989 OR THE STATE OF THE INDUSTRY. 227 00:22:19,033 --> 00:22:21,122 A MILLION OTHER THINGS THAT FUCK WITH YOUR HEAD 228 00:22:21,165 --> 00:22:23,298 WHEN YOU GET SOME SUCCESS. 229 00:22:23,342 --> 00:22:26,736 JUST CONCENTRATING ON THE MUSIC WAS INCREDIBLY LIBERATING, 230 00:22:26,780 --> 00:22:29,609 AND I THINK IT GAVE SOMETHING TO MY SOUND, 231 00:22:29,652 --> 00:22:32,046 A SENSE OF FREEDOM... 232 00:22:40,576 --> 00:22:42,578 HELLO? 233 00:22:42,622 --> 00:22:44,711 ARE YOU STILL THERE? 234 00:22:44,754 --> 00:22:46,321 YEAH, SORRY. 235 00:22:46,365 --> 00:22:51,587 UH, SO... SO THE ALBUM... 236 00:22:51,631 --> 00:22:53,633 WE WORKED REALLY HARD TO MAKE THE ALBUM 237 00:22:53,676 --> 00:22:56,418 FEEL ORGANIC AND CONNECTED. 238 00:22:56,462 --> 00:22:58,768 I WANTED THE PRODUCTION TO HAVE A SIMPLICITY 239 00:22:58,812 --> 00:23:02,381 THAT ALLOWED YOU TO READ THE SENTENCES OUT. 240 00:23:02,424 --> 00:23:04,513 I THINK THAT'S WHAT PEOPLE ARE RESPONDING TO. 241 00:23:04,557 --> 00:23:09,083 AND I THINK THAT'S WHERE THE SINGLE IS COMING. 242 00:23:09,126 --> 00:23:11,868 EVERYONE IS CONSTANTLY TRYING TO DO MORE WITH LESS. 243 00:23:11,912 --> 00:23:15,437 STRIP IT BACK TO THE CORE ESSENTIALS 244 00:23:15,481 --> 00:23:20,529 THERE'S A REAL CHARM TO THOSE KINDS OF RECORDS. 245 00:23:20,573 --> 00:23:24,664 AND I NOTICED THAT THEY REALLY MOVE YOU. 246 00:23:24,707 --> 00:23:27,971 AND IF I'M TRYING TO DO ANYTHING, 247 00:23:28,015 --> 00:23:32,019 IT'S JUST THAT, I SUPPOSE. 248 00:23:32,062 --> 00:23:33,281 MOVE YOU. 249 00:23:36,719 --> 00:23:38,504 DOES THAT MAKE SENSE? 250 00:23:38,547 --> 00:23:42,029 GREAT. WELL, I THINK THAT'S A GOOD PLACE TO END IT. 251 00:23:42,072 --> 00:23:45,380 - YOU GOT EVERYTHING YOU NEED? - -I THINK SO. 252 00:23:45,424 --> 00:23:46,686 THANKS FOR YOUR TIME. 253 00:31:53,520 --> 00:31:56,915 JESUS, DEELEY, I'M PRETTY SURE ONE OF THE REASONS WE PAY TAXES 254 00:31:56,958 --> 00:31:59,961 HAS SOMETHING TO DO WITH LAW ENFORCEMENT. 255 00:32:00,005 --> 00:32:01,963 HER PLACE WAS A MESS. 256 00:32:02,007 --> 00:32:05,488 WHEREVER SHE WENT SHE DIDN'T GO THERE VOLUNTARILY. 257 00:32:05,532 --> 00:32:07,969 THEN CALL THE FUCKING POLICE. 258 00:32:08,013 --> 00:32:11,407 THEY'D TAKE A VERY DIM VIEW OF BREAKING AND ENTERING, PETE. 259 00:32:11,451 --> 00:32:13,888 - LOOK, IF THIS BIRD... - KEM. 260 00:32:13,932 --> 00:32:15,455 WHAT? 261 00:32:15,498 --> 00:32:19,807 HER NAME'S KEM. I THINK SHE'S CHINESE. 262 00:32:19,850 --> 00:32:22,897 OKAY, FINE, IF THIS KEM REALLY IS IN TROUBLE, 263 00:32:22,941 --> 00:32:24,986 I THINK THEY'LL FORGIVE A BIT OF OVERZEALOUS 264 00:32:25,030 --> 00:32:27,467 DETECTIVE WORK ON YOUR PART. 265 00:32:30,165 --> 00:32:31,558 ARE YOU LISTENING? 266 00:32:32,863 --> 00:32:34,691 - DEELEY? - YEAH, YEAH. 267 00:32:34,735 --> 00:32:37,651 JESUS CHRIST, FOR THE SECOND TIME I'M ASKING REVIEWS. 268 00:32:37,694 --> 00:32:40,523 THIS AFTERNOON, PLEASE. 269 00:32:40,567 --> 00:32:42,134 HELLO? 270 00:32:44,136 --> 00:32:45,876 HELLO? 271 00:32:45,920 --> 00:32:47,922 YOU'RE KIDDING ME HERE, MAN, WHAT IS GOING ON? 272 00:32:47,966 --> 00:32:49,271 YEAH, YEAH, THIS AFTERNOON. 273 00:34:07,219 --> 00:34:11,049 HEY, UM, I'M LOOKING FOR... 274 00:34:15,140 --> 00:34:18,099 I THINK HER NAME'S KEM, DO YOU KNOW THAT NAME? 275 00:34:21,320 --> 00:34:25,759 PLEASE. PLEASE. I REALLY NEED TO FIND HER. 276 00:34:25,802 --> 00:34:27,587 I THINK SHE MIGHT BE IN TROUBLE. 277 00:38:31,439 --> 00:38:35,138 - ANDREW DEELEY. - MMM? 278 00:38:35,182 --> 00:38:36,357 WHO ARE YOU? 279 00:38:36,401 --> 00:38:38,577 WHY ARE YOU BLEEDING ON MY FLOOR? 280 00:38:41,841 --> 00:38:43,408 HOW DID YOU GET HERE? 281 00:39:02,122 --> 00:39:05,125 LONDON'S A BIG PLACE, BROTHER, 282 00:39:05,168 --> 00:39:09,216 AND I DON'T ADVERTISE. 283 00:39:09,259 --> 00:39:12,698 NOW, HOW THE FUCK DID YOU GET HERE? 284 00:39:12,741 --> 00:39:14,787 I'M JUST TRYING TO FIND... 285 00:39:17,442 --> 00:39:19,095 A FRIEND. 286 00:39:21,968 --> 00:39:24,362 HER? 287 00:39:24,405 --> 00:39:26,581 SHE'S YOUR FRIEND? 288 00:39:28,322 --> 00:39:30,890 I OBVIOUSLY RECOGNIZE HER. 289 00:39:34,197 --> 00:39:35,982 HOW DO YOU KNOW HER? 290 00:39:39,464 --> 00:39:40,987 HMM? 291 00:39:58,657 --> 00:40:00,876 WHAT ARE YOU DOING? 292 00:40:00,920 --> 00:40:02,400 WHAT ARE YOU DOING? 293 00:40:02,443 --> 00:40:03,531 WHAT ARE YOU... 294 00:40:05,794 --> 00:40:09,407 GET THE FUCK OFF ME! GET THE... 295 00:40:11,365 --> 00:40:12,671 GET OFF ME! 296 00:40:12,714 --> 00:40:16,283 NO, GET THE... GET THE FUCK OFF ME! 297 00:40:16,326 --> 00:40:18,111 GET OFF! 298 00:40:18,154 --> 00:40:20,722 GET... ALL RIGHT, OKAY! 299 00:40:20,766 --> 00:40:23,638 SHE... SHE LIVES NEAR ME AND WE'RE NEIGHBORS AND... 300 00:40:23,682 --> 00:40:27,250 - NEIGHBORS? - YEAH. 301 00:40:27,294 --> 00:40:29,296 I'D SEE HER. 302 00:40:29,339 --> 00:40:30,471 YOU SEE HER? 303 00:40:30,515 --> 00:40:32,473 SOMETIMES... 304 00:40:35,215 --> 00:40:37,043 FROM MY WINDOW. 305 00:40:37,086 --> 00:40:38,827 YOU SEE HER FROM YOUR WINDOW? 306 00:40:38,871 --> 00:40:42,222 LOOK, SOMETHING HAPPENED. SOMEONE TOOK HER. 307 00:40:42,265 --> 00:40:43,658 WHO? 308 00:40:43,702 --> 00:40:46,487 KIDNAPPED. SHE... SHE GOT KIDNAPPED TWO DAYS AGO. 309 00:40:46,531 --> 00:40:48,489 I SAW THE CAR, THE... THE PORSCHE, 310 00:40:48,533 --> 00:40:52,145 I SAW HER OUTSIDE THE FLAT LAST NIGHT AND I... I... 311 00:40:52,188 --> 00:40:54,800 YOU THOUGHT WHAT? HMM? 312 00:40:54,843 --> 00:40:57,629 I DON'T KNOW... I DON'T KNOW WHAT I THOUGHT. 313 00:41:00,283 --> 00:41:03,025 LOOK, I BROKE INTO HER FLAT, FOUND AN ADDRESS. 314 00:41:03,069 --> 00:41:05,245 I... I FOLLOWED SOMEONE FROM THERE HERE... 315 00:41:05,288 --> 00:41:06,507 - WHO? - A GIRL. 316 00:41:06,551 --> 00:41:08,901 I DON'T KNOW HER NAME. I DON'T. PLEASE! 317 00:41:08,944 --> 00:41:10,772 I DON'T KNOW HER NAME. 318 00:41:58,994 --> 00:42:00,692 YOU WANT A LIFT HOME? 319 00:42:06,828 --> 00:42:08,526 RELAX. 320 00:42:10,310 --> 00:42:11,790 WE ALREADY KNOW WHERE YOU LIVE. 321 00:42:48,609 --> 00:42:51,917 HI, YOU'VE REACHED MICHELLE, LEAVE ME A MESSAGE. 322 00:42:54,006 --> 00:42:59,838 HEY, MICHELLE, IT'S DEELEY AGAIN. 323 00:42:59,881 --> 00:43:02,101 LOOK, I REALLY NEED TO SPEAK TO YOU, OKAY? 324 00:43:02,144 --> 00:43:05,321 SO, GIVE ME A CALL, PLEASE. 325 00:43:05,365 --> 00:43:07,672 ANYTIME. IT'S IMPORTANT. 326 00:45:22,284 --> 00:45:23,808 HOW THE FUCK DID YOU FIND ME? 327 00:45:23,851 --> 00:45:26,245 I'M A JOURNALIST, REMEMBER? 328 00:45:28,377 --> 00:45:30,466 YOU SAID YOU WORKED IN A GALLERY. 329 00:45:30,510 --> 00:45:31,859 YOU DIDN'T SAY YOU OWNED IT. 330 00:45:31,903 --> 00:45:34,688 I DIDN'T SAY A LOT OF THINGS. 331 00:45:34,732 --> 00:45:35,994 WHAT DO YOU WANT? 332 00:45:36,037 --> 00:45:38,344 WE HAVE TO GO TO THE POLICE. 333 00:45:38,387 --> 00:45:40,520 - WE? - YOU. 334 00:45:41,826 --> 00:45:46,395 YOU'VE GOT TO TELL THEM WHAT YOU SAW. 335 00:45:46,439 --> 00:45:47,701 NO. 336 00:45:51,923 --> 00:45:55,883 THIS IS MY LIFE, DO YOU UNDERSTAND THAT? 337 00:45:55,927 --> 00:45:58,756 I'VE GOT A LOT TO LOSE. 338 00:45:58,799 --> 00:46:00,888 SO DOES KEM. 339 00:46:00,932 --> 00:46:02,237 KEM? 340 00:46:02,281 --> 00:46:03,891 THE GIRL YOU SAW. 341 00:46:08,766 --> 00:46:12,160 DON'T COME BACK HERE. 342 00:46:12,204 --> 00:46:15,947 I COULD MAKE THINGS REALLY DIFFICULT FOR YOU, AMY. 343 00:46:18,427 --> 00:46:21,126 THAT'S YOUR REAL NAME, ISN'T IT? 344 00:46:24,346 --> 00:46:26,827 IT IS. 345 00:46:26,871 --> 00:46:30,091 AND YOU COULD. 346 00:46:30,135 --> 00:46:31,963 BUT YOU WON'T. 347 00:46:34,356 --> 00:46:38,186 WHY'S THAT? 348 00:46:38,230 --> 00:46:41,755 BECAUSE EVIDENTLY, YOU'RE A NICE GUY. 349 00:46:47,239 --> 00:46:50,285 GO HOME AND FORGET ABOUT HER. 350 00:46:50,329 --> 00:46:52,200 FORGET ABOUT THAT NIGHT. FORGET ABOUT ME. 351 00:46:52,244 --> 00:46:55,029 AND WHAT IF I CAN'T? 352 00:46:55,073 --> 00:46:57,815 TRY HARDER. 353 00:47:00,208 --> 00:47:02,515 SHE'S GONE. THE PLACE WAS TRASHED 354 00:47:02,558 --> 00:47:06,040 AND THERE WAS BLOOD. 355 00:47:06,084 --> 00:47:08,042 TRY FORGETTING THAT. 356 00:48:43,050 --> 00:48:46,532 I GIVE TO HER MY HOURS NEXT WEEK. 357 00:48:48,751 --> 00:48:51,754 KEM COMES WHEN I WORK. 358 00:48:55,019 --> 00:48:56,803 I GIVE HER FOOD. 359 00:48:56,846 --> 00:48:58,239 HOW DO YOU KNOW HER? 360 00:48:58,283 --> 00:49:01,416 WE LIVED TOGETHER BEFORE. 361 00:49:01,460 --> 00:49:02,940 THE PLACE IN TOTTENHAM? 362 00:49:02,983 --> 00:49:04,854 FOREST GATE. 363 00:49:04,898 --> 00:49:07,988 THE LANDLORD HE... 364 00:49:08,032 --> 00:49:09,859 WHAT? 365 00:49:11,905 --> 00:49:14,516 THE LANDLORD WHAT? 366 00:49:16,692 --> 00:49:21,045 HE TOOK OUR MONEY, 367 00:49:21,088 --> 00:49:22,916 THEN HE CALLED POLICE. 368 00:49:22,960 --> 00:49:27,616 YOU'RE ILLEGAL, 369 00:49:27,660 --> 00:49:28,617 YOU AND KEM. 370 00:49:28,661 --> 00:49:31,969 I NEED THIS JOB. 371 00:49:32,012 --> 00:49:33,971 TAKE THIS, IT'S OKAY. 372 00:49:38,627 --> 00:49:40,368 WHAT DOES IT SAY? 373 00:49:43,676 --> 00:49:47,985 IT'S FROM HER PARENTS. 374 00:49:48,028 --> 00:49:50,378 THEY SAY THEY MISS HER. 375 00:49:51,945 --> 00:49:54,121 THEY HEARD SHE IS OKAY. 376 00:49:58,691 --> 00:50:01,563 THEY WAIT FOR HER RETURN. 377 00:50:07,613 --> 00:50:09,702 PLEASE HELP HER. 378 00:50:30,288 --> 00:50:34,553 -PETE. -CONGRATULATIONS. YOU'RE FIRED. 379 00:50:34,596 --> 00:50:38,470 - AGAIN? - -WHERE IS THE FUCKING COPY? 380 00:50:38,513 --> 00:50:39,732 I HAD TO DO SOMETHING. 381 00:50:39,775 --> 00:50:41,603 YOU HAD TO DO SOMETHING. 382 00:50:41,647 --> 00:50:44,563 DO YOU NOT THINK THIS IS GETTING A BIT OUT OF HAND, MATE? 383 00:50:44,606 --> 00:50:47,609 - THIS? - -CHASING SOME GIRL HALF WAY ACROSS LONDON. 384 00:50:47,653 --> 00:50:51,874 I MEAN, I'M ASSUMING THIS IS THE THING YOU HAD TO DO. 385 00:50:51,918 --> 00:50:54,660 - IT IS. -WHY? WHY ARE YOU DOING THIS? 386 00:50:54,703 --> 00:50:56,879 HEY, I, UM, I'M JUST, UH... 387 00:50:56,923 --> 00:50:59,099 WHERE'S... WHERE'S KEM? 388 00:50:59,143 --> 00:51:01,971 - GET OUT! - LOOK, I'M NOT GOING TO CAUSE YOU ANY TROUBLE, 389 00:51:02,015 --> 00:51:03,190 OKAY? I JUST NEED TO... 390 00:51:03,234 --> 00:51:04,844 GET THE FUCK OUT! 391 00:51:04,887 --> 00:51:05,975 WHAT THE FUCK. 392 00:51:06,019 --> 00:51:07,151 WHO ARE THESE PEOPLE? 393 00:51:07,194 --> 00:51:09,544 THEY WORK. THEY'RE LEGAL. 394 00:51:09,588 --> 00:51:10,980 I'M JUST LOOKING FOR KEM. 395 00:51:11,024 --> 00:51:12,982 - I DON'T KNOW KEM. - YOU DO KNOW KEM. 396 00:51:13,026 --> 00:51:14,506 I DON'T KNOW KEM! 397 00:51:14,549 --> 00:51:16,421 YOU TELL ME. YOU TELL THE POLICE. 398 00:51:16,464 --> 00:51:17,857 YOU CAN RUN. THEY CAN RUN, 399 00:51:17,900 --> 00:51:19,815 AS LONG AS YOU'VE GOT SOMEWHERE TO GO. 400 00:51:24,081 --> 00:51:26,431 I DON'T KNOW WHERE KEM IS. 401 00:51:26,474 --> 00:51:28,259 I LAST SAW HER A FEW MONTHS AGO. 402 00:51:28,302 --> 00:51:29,956 WHERE? 403 00:51:33,394 --> 00:51:35,614 WHERE? 404 00:51:35,657 --> 00:51:39,139 SHE USED TO HAVE BOYFRIEND. 405 00:51:39,183 --> 00:51:41,576 HERE? 406 00:51:41,620 --> 00:51:43,274 IN LONDON? 407 00:51:44,623 --> 00:51:46,668 TAKE ME THERE. 408 00:51:46,712 --> 00:51:48,801 NO, I CANNOT. 409 00:51:52,805 --> 00:51:55,634 WE TRAVEL A LONG TIME TO GET HERE. 410 00:51:55,677 --> 00:51:58,767 ONLY CERTAIN ROUTE AVAILABLE WHERE SHE TOU HAVE CONNECTIONS. 411 00:51:58,811 --> 00:52:02,771 -SAY... -SHE TOU, SNAKEHEAD. THAT'S WHAT THEY'RE CALLED. 412 00:52:02,815 --> 00:52:06,688 WE GO THROUGH RUSSIA, SPAIN, FRANCE, MANY COUNTRIES. 413 00:52:06,732 --> 00:52:08,342 WHAT HAPPENED TO KEM? 414 00:52:08,386 --> 00:52:10,605 JOURNEY EXPENSIVE. WE GET HERE WE HAVE TO BORROW 415 00:52:10,649 --> 00:52:12,172 FROM LOAN SHARK FOR BALANCE OF PAYMENT. 416 00:52:12,216 --> 00:52:16,829 - DANGEROUS PEOPLE! - WHAT HAPPENED TO KEM? 417 00:52:16,872 --> 00:52:21,312 ALL I KNOW, KEM ARRIVED IN MANCHESTER. 418 00:52:21,355 --> 00:52:23,270 - WHAT HAPPENED THERE? - I DON'T KNOW. 419 00:52:23,314 --> 00:52:25,968 - DON'T FUCKING LIE TO ME. - I'M NOT. 420 00:52:26,012 --> 00:52:28,145 KEM IS MY FRIEND. 421 00:52:29,363 --> 00:52:30,799 THEN HELP HER. 422 00:52:47,251 --> 00:52:49,209 HAN. 423 00:53:30,076 --> 00:53:31,599 HELLO. 424 00:53:55,362 --> 00:53:56,972 WHAT'S HE SAYING? 425 00:53:57,016 --> 00:53:58,800 HE SAID HE DON'T KNOW WHERE KEM IS. 426 00:53:58,844 --> 00:54:01,368 WELL, ASK HIM ABOUT MANCHESTER. 427 00:54:18,690 --> 00:54:20,822 SHE WAS REPAYING HER DEBT. 428 00:54:26,306 --> 00:54:28,134 THE GANG PUT HER IN THE GHOST APARTMENT. 429 00:54:28,177 --> 00:54:30,615 GHOST APARTMENT? WHAT'S A GHOST APARTMENT? 430 00:54:34,358 --> 00:54:36,751 THEY MAKE HER PRETEND TO BE RICH STUDENT. 431 00:54:36,795 --> 00:54:39,841 ADVERTISE FOR OTHER RICH CHINESE STUDENT TO SHARE WITH HER, 432 00:54:39,885 --> 00:54:42,017 AND THEY BEAT HER. TORTURED FOR MONEY. 433 00:54:42,061 --> 00:54:43,889 THEIR PARENTS BLACKMAILED. 434 00:54:43,932 --> 00:54:45,325 KEM RAN FROM THEM. 435 00:54:45,369 --> 00:54:48,720 SHE CAME HERE WITH DEBTS STILL OWING. 436 00:54:51,984 --> 00:54:53,464 WHO TOLD THEM WHERE... 437 00:54:53,507 --> 00:54:54,856 WAIT, YOU TOLD THEM WHERE SHE... 438 00:54:54,900 --> 00:54:57,206 WAIT! 439 00:54:57,250 --> 00:55:00,122 DON'T FUCKING TOUCH ME. 440 00:55:42,382 --> 00:55:44,341 ALL RIGHT. 441 00:56:47,491 --> 00:56:50,798 - HELLO? - GUESS WHO? 442 00:56:50,842 --> 00:56:55,107 SO YOU WENT TO SEE HAN. 443 00:56:55,150 --> 00:56:58,284 HE TOLD ME WHAT HAPPENED. 444 00:56:58,327 --> 00:56:59,653 IT SEEMS LIKE YOU'RE HAVING TROUBLE 445 00:56:59,677 --> 00:57:02,419 STAYING ON YOUR FEET AROUND MY PEOPLE. 446 00:57:02,462 --> 00:57:06,510 - YOUR PEOPLE? - YEAH. 447 00:57:06,553 --> 00:57:08,425 HE WORKS FOR ME FROM TIME TO TIME. 448 00:57:13,473 --> 00:57:15,823 THAT'S HOW YOU MET KEM? 449 00:57:15,867 --> 00:57:17,434 CORRECT. 450 00:57:17,477 --> 00:57:19,697 AND THAT'S YOUR PLACE, RIGHT? 451 00:57:19,740 --> 00:57:24,397 IT'S A DROPBOX. SHE WAS CARETAKING. 452 00:57:24,441 --> 00:57:28,575 KEM OWES A SNAKEHEAD, CALLED MAMA LAU 12 GRAND. 453 00:57:28,619 --> 00:57:32,144 THAT'S WHO SHE WAS WORKING FOR IN MANCHESTER. 454 00:57:32,187 --> 00:57:35,495 THIS IS WHERE YOU'LL FIND THE GUY WHO TOOK HER. 455 00:57:35,539 --> 00:57:39,368 ZHANG, ONE OF MAMA LAU'S CREW. 456 00:57:47,115 --> 00:57:49,248 WHY ARE YOU DOING THIS? 457 00:57:51,598 --> 00:57:54,558 CAUTION. AT LAST. 458 00:57:56,647 --> 00:57:58,953 WHAT DO YOU KNOW ABOUT HOW SHE GOT HERE? 459 00:58:10,138 --> 00:58:13,402 DESPERATION IS A POWERFUL THING. 460 00:58:13,446 --> 00:58:16,536 IT MAKES PEOPLE DO SOME RECKLESS SHIT. 461 00:58:19,278 --> 00:58:22,542 THAT'S WHY WE FIND DEAD BODIES IN THE BACK OF LORRIES, 462 00:58:22,586 --> 00:58:26,546 CARGO SHIPS, FISHING BOATS. 463 00:58:26,590 --> 00:58:27,982 DESPERATION MAKES THE WRONG PEOPLE 464 00:58:28,026 --> 00:58:31,725 START ASKING THE RIGHT QUESTIONS. 465 00:58:31,769 --> 00:58:34,859 UNFORTUNATELY MY NORTHERN COMPETITORS DISAGREE 466 00:58:34,902 --> 00:58:36,991 WITH MY TAKE ON THE SITUATION, 467 00:58:37,035 --> 00:58:39,907 THEY'RE STILL RUNNING AROUND LIKE IT'S THE 80'S. 468 00:58:39,951 --> 00:58:41,474 ALL THAT OLD SCHOOL SHIT. 469 00:58:44,390 --> 00:58:46,740 FROM WHAT I REMEMBER, YOU'RE PRETTY GOOD 470 00:58:46,784 --> 00:58:49,482 AT MAKING A POINT. 471 00:58:49,526 --> 00:58:52,006 IT'S A QUESTION OF MANPOWER. 472 00:58:52,050 --> 00:58:55,401 I DON'T HAVE THE NUMBERS FOR A WAR. 473 00:58:55,444 --> 00:58:57,185 NOT YET. 474 00:58:59,623 --> 00:59:01,059 I LIKE KEM. 475 00:59:02,713 --> 00:59:05,498 BUT I CAN'T BE SEEN MAKING MOVES AGAINST THEM. 476 00:59:05,542 --> 00:59:07,369 WHAT, AND I CAN? 477 00:59:12,549 --> 00:59:16,944 YOU SAID YOU WANTED TO HELP HER. 478 00:59:16,988 --> 00:59:18,685 NOW YOU KNOW HOW. 479 01:00:41,159 --> 01:00:43,291 THAT'S HIM. 480 01:00:43,335 --> 01:00:44,945 THAT'S THE GUY. 481 01:00:46,860 --> 01:00:48,122 YOU SURE? 482 01:00:58,263 --> 01:00:59,830 WHAT ARE YOU GONNA DO? 483 01:01:08,969 --> 01:01:11,493 I GOT HIM. ARE YOU STILL THERE? 484 01:01:11,537 --> 01:01:13,278 WHAT WAS I DOING? 485 01:01:57,626 --> 01:01:59,280 OH, YEAH. 486 01:02:16,167 --> 01:02:18,125 EXCUSE ME. 487 01:03:46,953 --> 01:03:48,476 WHAT HAPPENED BACK THERE? 488 01:03:56,267 --> 01:03:57,964 I FOUND OUT WHERE SHE IS. 489 01:04:02,447 --> 01:04:04,101 YOU'RE MARRIED. 490 01:04:06,668 --> 01:04:08,932 - DOES IT MATTER? - A BIT. 491 01:04:10,585 --> 01:04:13,632 DOES HE KNOW? 492 01:04:13,675 --> 01:04:15,068 WHAT DO YOU THINK? 493 01:04:15,112 --> 01:04:16,896 SO, WHAT, YOU JUST HOOK UP WITH GUYS 494 01:04:16,940 --> 01:04:20,334 ON THE INTERNET FOR FUN? 495 01:04:20,378 --> 01:04:22,946 TO PASS THE TIME? 496 01:04:22,989 --> 01:04:26,123 WE BOTH HAVE OUR REASONS FOR LIVING THE WAY THAT WE DO. 497 01:04:26,166 --> 01:04:30,475 LIVING THE WAY THAT WE DO. 498 01:04:30,518 --> 01:04:32,781 WHY DON'T WE JUST LET IT BE WHAT IT WAS. 499 01:04:32,825 --> 01:04:35,697 AND WHAT WAS THAT EXACTLY? 500 01:04:37,830 --> 01:04:40,877 PLEASURE. 501 01:04:40,920 --> 01:04:43,749 NO QUESTIONS, NO BULLSHIT. 502 01:04:45,620 --> 01:04:50,756 JUST A FEW MOMENTS OF PURE UNCOMPLICATED PLEASURE. 503 01:04:50,799 --> 01:04:52,714 THAT'S WHAT IT WAS. 504 01:04:55,369 --> 01:04:58,111 NOW WHY DON'T YOU START GIVING ME SOME ANSWERS, 505 01:04:58,155 --> 01:05:01,854 'CAUSE I'M NOT THE ONLY ONE HERE WITH A FEW SECRETS. 506 01:05:01,898 --> 01:05:04,857 THE ANTIDEPRESSANTS? 507 01:05:04,901 --> 01:05:07,686 THE FACT THAT YOU'RE CLEARLY NOT COMFORTABLE IN YOUR OWN SKIN, 508 01:05:07,729 --> 01:05:08,881 AND OBVIOUSLY INVOLVED IN SOMETHING 509 01:05:08,905 --> 01:05:10,776 PRETTY FUCKING SCARY. 510 01:05:15,650 --> 01:05:19,872 A WHILE BACK I WAS REVIEWING A GIG, 511 01:05:19,916 --> 01:05:22,179 A GIRL WAS GETTING SOME HASSLE OFF A FEW GUYS 512 01:05:22,222 --> 01:05:24,355 AND I STEPPED IN. 513 01:05:26,139 --> 01:05:28,881 THINGS GOT HEATED. 514 01:05:28,925 --> 01:05:30,970 HEATED? 515 01:05:32,885 --> 01:05:34,931 A BROKEN BOTTLE, FOUR CRACKED RIBS, 516 01:05:34,974 --> 01:05:39,848 22 STITCHES, AND A PUNCTURED LUNG. 517 01:05:39,892 --> 01:05:41,328 HEATED. 518 01:05:48,901 --> 01:05:50,947 SO HOW DOES KEM FIT INTO THIS? 519 01:06:00,043 --> 01:06:03,046 I'VE BEEN WATCHING HER. 520 01:06:03,089 --> 01:06:06,179 WHAT DO YOU MEAN WATCHING HER? 521 01:06:06,223 --> 01:06:08,268 FROM MY FRONT ROOM. 522 01:06:12,490 --> 01:06:14,709 THE BINOCULARS? 523 01:06:17,321 --> 01:06:19,018 HOW LONG? 524 01:06:21,412 --> 01:06:22,935 A WHILE. 525 01:06:22,979 --> 01:06:25,111 - A WHILE? - A FEW MONTHS. 526 01:06:32,989 --> 01:06:35,861 THAT'S AWFUL. 527 01:06:35,904 --> 01:06:37,558 WHAT, YOU'VE BEEN SPYING ON THIS GIRL, 528 01:06:37,602 --> 01:06:39,908 NOW YOU WANT TO SAVE HER? 529 01:06:42,215 --> 01:06:45,088 I FOUND A STACK OF THESE IN HIS CAR. 530 01:06:45,131 --> 01:06:47,307 I THINK THAT'S WHERE SHE IS. 531 01:06:50,441 --> 01:06:52,660 I DON'T KNOW ABOUT SAVING HER, 532 01:06:52,704 --> 01:06:54,836 BUT I KNOW SHE NEEDS SOMEONE TO FIND HER. 533 01:06:59,537 --> 01:07:01,800 IT'S 60 POUNDS FOR HALF AN HOUR. 534 01:07:01,843 --> 01:07:04,324 90 POUNDS FOR ONE HOUR. 535 01:07:04,368 --> 01:07:06,457 YOU ARRANGE WHATEVER YOU WANT WITH THE GIRL. 536 01:07:22,516 --> 01:07:24,910 IS THIS EVERYONE? 537 01:07:24,953 --> 01:07:26,825 THESE ARE ALL THE GIRLS YOU HAVE? 538 01:07:26,868 --> 01:07:28,522 THE OTHER GIRLS ARE WORKING. 539 01:07:28,566 --> 01:07:31,221 ARE YOU LOOKING FOR ANYTHING PARTICULAR, DARLING? 540 01:08:02,904 --> 01:08:04,819 YOU HELP ME. 541 01:08:04,863 --> 01:08:06,299 HELP YOU? 542 01:08:08,388 --> 01:08:11,087 I'M TRYING TO FIND SOMEONE. 543 01:08:11,130 --> 01:08:14,742 WHO YOU LOOK FOR? 544 01:08:14,786 --> 01:08:16,004 KEM. 545 01:08:21,053 --> 01:08:23,403 DO YOU KNOW HER? 546 01:08:23,447 --> 01:08:26,058 - IS SHE HERE? - NO. 547 01:08:26,102 --> 01:08:29,148 - I'M NOT GOING TO HURT YOU, OKAY? - I DON'T KNOW. 548 01:08:29,192 --> 01:08:30,541 JUST... JUST TELL ME THE TRUTH. 549 01:08:30,584 --> 01:08:32,804 - IS SHE HERE? - BAD FOR US TO TALK. 550 01:08:32,847 --> 01:08:34,414 - YOU'VE SEEN HER? - I DON'T KNOW. 551 01:08:34,458 --> 01:08:36,373 NO, PLEASE. 552 01:08:36,416 --> 01:08:38,070 PLEASE. 553 01:08:40,594 --> 01:08:42,161 SORRY. 554 01:09:26,988 --> 01:09:28,555 WHAT'S GOING ON? 555 01:10:06,027 --> 01:10:10,336 I'M NEARLY FINISHED, MATE. JUST GIVE ME A SECOND. 556 01:10:10,380 --> 01:10:12,599 - GET OUT. - -I SAID I'M NEARLY FINISHED. 557 01:10:12,643 --> 01:10:15,080 GET THE FUCK OUT! 558 01:10:15,123 --> 01:10:16,516 GET OUT! 559 01:10:21,304 --> 01:10:24,220 IT'S OKAY. 560 01:10:24,263 --> 01:10:26,526 OH, NO. NO, NO. 561 01:10:31,009 --> 01:10:33,446 IT'S OKAY. IT'S... IT'S OKAY. 562 01:10:35,622 --> 01:10:37,581 KEM, RIGHT? 563 01:10:42,194 --> 01:10:44,109 WHO ARE YOU? 564 01:10:46,720 --> 01:10:48,244 A FRIEND. 565 01:11:42,341 --> 01:11:44,387 MOVE. 566 01:11:44,430 --> 01:11:47,825 WHAT THE FUCK DO YOU THINK YOU'RE DOING? 567 01:11:47,868 --> 01:11:51,176 ARE YOU HERE FOR BUSINESS? 568 01:11:51,219 --> 01:11:56,007 - ARE YOU HERE FOR BUSINESS? - I'M HERE FOR HER. 569 01:11:56,050 --> 01:11:57,878 WELL, THEN WHY DIDN'T YOU SAY SO DOWNSTAIRS 570 01:11:57,922 --> 01:12:01,404 INSTEAD OF CAUSING ALL THIS FUCKING COMMOTION? 571 01:12:01,447 --> 01:12:03,449 WE'RE LEAVING. 572 01:12:03,493 --> 01:12:05,408 EXCUSE ME? 573 01:12:05,451 --> 01:12:07,497 I SAID WE'RE LEAVING. 574 01:12:19,247 --> 01:12:23,034 EASY, BOSS, WHAT ANYBODY WANTS IS A GOOD TIME HERE. 575 01:12:44,447 --> 01:12:46,797 GIVE ME THE FUCKING GUN! 576 01:12:54,457 --> 01:12:56,154 KEM? 577 01:12:58,112 --> 01:12:59,375 WAIT! 578 01:13:39,327 --> 01:13:41,025 PUT IT DOWN. 579 01:13:42,069 --> 01:13:44,811 PUT IT DOWN. 580 01:13:46,030 --> 01:13:49,250 DEELEY? DEELEY? GET UP. 581 01:14:22,632 --> 01:14:23,807 DEELEY. 582 01:14:31,684 --> 01:14:33,730 DEELEY. 583 01:14:38,169 --> 01:14:39,736 KEM. 584 01:15:01,540 --> 01:15:03,934 THEY'RE GETTING AWAY! 585 01:15:05,892 --> 01:15:10,157 REM! REM! 586 01:15:15,511 --> 01:15:16,686 DEELEY! 587 01:15:16,729 --> 01:15:19,645 REM! 588 01:15:19,689 --> 01:15:23,301 DEELEY! 589 01:15:23,344 --> 01:15:24,781 DEELEY! 590 01:15:25,825 --> 01:15:26,870 DEELEY! 591 01:15:26,913 --> 01:15:28,480 SHE'S GONE. 592 01:15:29,612 --> 01:15:31,614 SHE'S GONE. 593 01:15:33,920 --> 01:15:35,531 SHE'S GONE. 594 01:17:50,883 --> 01:17:53,190 I NEED TO SEE YOU AGAIN. 37644

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