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I THOUGHT WE'D TALK
A LITTLE BIT
4
00:00:35,383 --> 00:00:38,212
ABOUT WHAT YOU'RE DOING NOW
AND THE NEW RECORD,
5
00:00:38,255 --> 00:00:40,344
AND THEN OPEN IT OUT
INTO A WIDER CONVERSATION
6
00:00:40,388 --> 00:00:42,085
ABOUT THE BAND.
7
00:00:42,129 --> 00:00:44,653
YEAH, YEAH, THAT'S FINE.
8
00:00:44,696 --> 00:00:47,873
- SO THIS IS YOUR FIRST SOLO TOUR, RIGHT?
- -THAT'S RIGHT, YEAH.
9
00:00:47,917 --> 00:00:51,051
HOW DOES IT FEEL NOT HAVING
THE REST OF THE BAND WITH YOU?
10
00:00:51,094 --> 00:00:52,748
IT'S STRANGE.
11
00:00:52,791 --> 00:00:55,098
I MEAN IT FEELS, IT FEELS
FUCKING EXPOSING, BASICALLY.
12
00:00:55,142 --> 00:00:59,711
IT FEELS, UM...
YOU KNOW, ULTIMATELY,
13
00:00:59,755 --> 00:01:02,105
WHEN I WAS WITH THE BAND
I COULD HIDE,
14
00:01:02,149 --> 00:01:03,411
BEING PART OF THE GROUP...
15
00:01:26,608 --> 00:01:28,958
DEELEY, I HAVEN'T SEEN YOU
AROUND FOR A WHILE.
16
00:01:29,001 --> 00:01:30,873
HOW HAVE...
WHERE HAVE YOU BEEN?
17
00:01:30,916 --> 00:01:33,919
UH, UH, RIGHT HERE,
WORKING AWAY.
18
00:01:33,963 --> 00:01:35,704
I HEAR YOU'RE BACK
IN THE STUDIO.
19
00:01:35,747 --> 00:01:38,228
YEAH, WE'RE HOPING TO HAVE
SOMETHING OUT NEXT YEAR.
20
00:01:38,272 --> 00:01:40,317
- HOW'S IT GOING?
- IT'S HARD.
21
00:01:40,361 --> 00:01:43,755
IT'S FUCKING HARD,
BUT YOU KNOW, CAN'T COMPLAIN.
22
00:01:53,025 --> 00:01:54,853
IT FEELS LIKE
YOU'VE CARVED OUT
23
00:01:54,897 --> 00:01:57,856
A NEW SPACE FOR YOURSELF,
IN TERMS OF THE SONIC LANDSCAPE
24
00:01:57,900 --> 00:02:00,337
YOU'VE MANAGED TO CREATE.
25
00:02:00,381 --> 00:02:04,124
HOW DID YOU GO ABOUT DEFINING
THAT DYNAMIC?
26
00:02:04,167 --> 00:02:06,865
BEING SO FAR AWAY
FROM WHAT FELT NORMAL
27
00:02:06,909 --> 00:02:08,911
WAS KIND OF A TRIP.
28
00:02:08,954 --> 00:02:12,001
I THINK IT...
YOU KNOW, IT REALLY HELPS US
29
00:02:12,044 --> 00:02:17,398
TO GRAB SOMETHING THAT FELT,
YOU KNOW...
30
00:02:32,761 --> 00:02:34,154
LOSE YOURSELF IN.
31
00:02:34,197 --> 00:02:36,330
I DIDN'T WANT IT TO BE
12 SEPARATE IDEAS
32
00:02:36,373 --> 00:02:37,959
GLUED TOGETHER
WITH SOME FLASH PRODUCTION.
33
00:02:37,983 --> 00:02:39,985
I WANTED IT TO FEEL
LIKE A COMPLETE JOURNEY.
34
00:02:40,029 --> 00:02:42,510
I HEARD YOU HAD SOME
DIFFICULTIES WITH YOUR LABEL
35
00:02:42,553 --> 00:02:44,642
WHILE YOU WERE
IN THE STUDIO.
36
00:02:44,686 --> 00:02:46,992
OH, REALLY?
WHERE DID YOU HEAR THAT?
37
00:02:47,036 --> 00:02:49,734
I'M A JOURNALIST.
I TALK TO PEOPLE.
38
00:02:49,778 --> 00:02:51,127
IT ISN'T ABOUT THAT!
39
00:02:51,171 --> 00:02:52,955
IT'S NOT ABOUT WHO SAID
WHAT TO WHO
40
00:02:52,998 --> 00:02:54,304
OR WHAT YOU HEARD
FROM WHOMEVER.
41
00:02:54,348 --> 00:02:56,001
PEOPLE CAN CHAT
IF THEY WANNA CHAT.
42
00:02:56,045 --> 00:02:58,743
FOR ME, IT'S ABOUT
THE MUSIC AND...
43
00:03:04,923 --> 00:03:08,057
LISTENING TO THE NEW ALBUM
I WAS STRUCK BY HOW MUCH
44
00:03:08,100 --> 00:03:10,799
OF A DEPARTURE IT WAS
FROM YOUR LAST COUPLE
OF RECORDS.
45
00:03:10,842 --> 00:03:15,543
THERE'S DEFINITELY
A MORE AGGRESSIVELY POLITICAL
ANGLE TO THE CONTENT.
46
00:03:15,586 --> 00:03:20,417
WHAT WOULD YOU SAY TRIGGERED
THAT CHANGE IN DIRECTION?
47
00:03:20,461 --> 00:03:23,638
EVERY RECORD IS POLITICAL.
48
00:03:23,681 --> 00:03:27,032
FOR US, THE POLITICS
CAME OUT OF, WELL,
49
00:03:27,076 --> 00:03:29,165
AN INTERNAL STRUGGLE,
INTERNAL CONFLICT.
50
00:03:29,209 --> 00:03:31,776
IT GOT TO THE POINT
WHERE WE HAD TO SIT DOWN,
51
00:03:31,820 --> 00:03:35,084
GENERALLY DECIDE WHETHER OR NOT
TO KEEP GOING OR END IT.
52
00:03:35,127 --> 00:03:36,955
IT GOT THAT SERIOUS?
53
00:03:36,999 --> 00:03:38,479
YEAH, AFTER 15 YEARS
54
00:03:38,522 --> 00:03:40,481
THERE WAS A LOT THAT NEEDED
TO BE RESOLVED.
55
00:03:40,524 --> 00:03:43,135
MAINLY, WHETHER OR NOT
WE COULD BE IN THE SAME ROOM
56
00:03:43,179 --> 00:03:45,268
WITHOUT IT KICKING OFF
57
00:03:45,312 --> 00:03:47,879
AND WHETHER OR NOT WE COULD
STILL INSPIRE EACH OTHER.
58
00:03:47,923 --> 00:03:49,881
AND OBVIOUSLY YOU DECIDED
THAT YOU COULD.
59
00:03:49,925 --> 00:03:52,580
WELL, WE DECIDED WE WANTED
TO GIVE IT ANOTHER TRY,
60
00:03:52,623 --> 00:03:54,190
AND IF WE WERE GONNA
GO THROUGH,
61
00:03:54,234 --> 00:03:56,105
WE WERE GONNA BE BOLD
AND KICK AWAY
62
00:03:56,148 --> 00:03:57,585
FROM WHAT FELT FAMILIAR.
63
00:03:57,628 --> 00:03:59,021
WE WANTED
TO REINVENT OURSELVES.
64
00:03:59,064 --> 00:04:00,849
WE WANTED TO FEEL
RELEVANT AGAIN.
65
00:04:00,892 --> 00:04:02,938
AND YOU BELIEVE
THAT'S WHAT YOU'VE DONE?
66
00:04:02,981 --> 00:04:05,462
YEAH, YEAH, I DO.
67
00:04:05,506 --> 00:04:06,681
THAT WAS GREAT.
68
00:04:06,724 --> 00:04:08,857
THANKS FOR TALKING
TO THE MAGAZINE.
69
00:06:18,465 --> 00:06:21,468
HOW HAVE YOU BEEN?
70
00:06:21,511 --> 00:06:23,948
YEAH, FINE.
71
00:06:23,992 --> 00:06:27,648
- YOU KNOW.
- NO, I DON'T KNOW.
72
00:06:27,691 --> 00:06:30,825
YOU CAN TALK TO ME.
73
00:06:30,868 --> 00:06:34,306
- WE CAN STILL...
- CAN WE?
74
00:06:34,350 --> 00:06:38,441
YOU KNOW YOU CAN.
75
00:06:38,485 --> 00:06:41,966
OR YOU COULD,
IF YOU TRIED.
76
00:06:49,496 --> 00:06:51,411
DEELEY...
77
00:06:54,936 --> 00:06:56,851
I STILL CARE ABOUT YOU.
78
00:07:03,988 --> 00:07:07,383
HELLO? ARE YOU THERE?
79
00:07:49,338 --> 00:07:53,690
THIS IS A PRETTY
SERIOUS COLLECTION.
80
00:07:53,734 --> 00:07:56,911
YEAH, IT'S
AN OCCUPATIONAL HAZARD.
81
00:08:01,306 --> 00:08:03,395
MUSIC JOURNALIST, RIGHT?
82
00:08:05,659 --> 00:08:07,008
RIGHT.
83
00:08:11,665 --> 00:08:14,755
I DON'T THINK I'VE HEARD
OF ANY OF THESE BANDS.
84
00:08:14,798 --> 00:08:17,497
OH, DON'T FEEL TOO BAD,
85
00:08:17,540 --> 00:08:21,152
NEITHER HAS 99%
OF THE RECORD BUYING PUBLIC,
86
00:08:21,196 --> 00:08:22,980
SO...
87
00:08:23,024 --> 00:08:25,505
SINCE WHEN ARE THE PUBLIC
STILL BUYING RECORDS?
88
00:08:34,383 --> 00:08:40,041
SO, IDEALIST,
OR JUST STUBBORN?
89
00:08:43,392 --> 00:08:45,263
I DON'T KNOW.
90
00:08:45,307 --> 00:08:47,527
I THINK WE ALL WANT
TO OWN SOMETHING,
91
00:08:47,570 --> 00:08:50,660
PUT TOGETHER WITH SOME CARE
AND A BIT OF ARTISTRY.
92
00:08:52,488 --> 00:08:55,709
I THINK WE NEED IT,
DON'T WE?
93
00:09:03,760 --> 00:09:06,067
IDEALIST IT IS.
94
00:09:09,244 --> 00:09:11,942
PUT SOMETHING ON.
95
00:09:11,986 --> 00:09:14,205
- YEAH?
- YEAH.
96
00:09:14,249 --> 00:09:16,425
WHAT ARE YOU INTO?
97
00:09:16,468 --> 00:09:18,993
ANYTHING.
98
00:09:26,174 --> 00:09:28,176
I WISH I'D LEARNED
TO PLAY GUITAR.
99
00:09:28,219 --> 00:09:31,179
YEAH, SO DO I EVERY TIME I PICK
THAT FUCKING THING UP.
100
00:10:12,089 --> 00:10:13,917
I LIKE IT.
101
00:10:19,706 --> 00:10:21,577
SO HOW DOES THIS...
102
00:10:24,711 --> 00:10:26,800
ARE THERE ANY RULES?
103
00:11:12,889 --> 00:11:14,108
- UH-UH.
- WHAT?
104
00:11:14,151 --> 00:11:16,371
UH, I'M...
105
00:11:19,156 --> 00:11:21,376
- I'M SORRY.
- IT'S OKAY, IT'S OKAY.
106
00:13:06,002 --> 00:13:07,830
THAT WAS FUN.
107
00:13:07,874 --> 00:13:10,137
YEAH.
108
00:13:12,182 --> 00:13:15,055
IT WAS...
109
00:13:15,098 --> 00:13:17,927
OH, YOU HAVE JACEK RUDZKI.
110
00:13:17,971 --> 00:13:19,799
YEAH, IT'S JOHN CAGE, I THINK.
111
00:13:19,842 --> 00:13:23,063
NO, THE DESIGNER.
112
00:13:23,106 --> 00:13:24,934
YOU KNOW HIM?
113
00:13:24,978 --> 00:13:30,766
NO, WE, UM, SHOWED
SOME OF HIS STUFF.
114
00:13:30,810 --> 00:13:32,115
WE?
115
00:13:34,901 --> 00:13:38,730
I WORK IN A GALLERY.
116
00:13:38,774 --> 00:13:40,428
OH, WHICH ONE?
117
00:13:46,216 --> 00:13:47,652
IT'S ALL RIGHT.
118
00:13:53,310 --> 00:13:55,399
SEEN ANYTHING GOOD?
119
00:13:59,926 --> 00:14:01,841
OH, NO, NO, NO,
NOT... NOT REALLY
120
00:14:05,279 --> 00:14:09,718
- WELL.
- SO DO YOU...
121
00:14:09,761 --> 00:14:12,242
HAVE YOU DONE THIS...
122
00:14:12,286 --> 00:14:15,028
DONE THIS BEFORE?
123
00:14:15,071 --> 00:14:17,552
YEAH.
124
00:14:17,595 --> 00:14:19,946
A COUPLE OF TIMES.
125
00:14:19,989 --> 00:14:21,861
WHY?
126
00:14:21,904 --> 00:14:24,646
I COULD ASK YOU
THE SAME QUESTION.
127
00:14:24,689 --> 00:14:26,256
- YOU COULD.
- YEAH, BUT I WON'T
128
00:14:26,300 --> 00:14:27,692
BECAUSE...
129
00:14:34,961 --> 00:14:37,920
- JESUS!
- WHAT?
130
00:14:37,964 --> 00:14:40,967
- LOOK, I...
- WHAT? WHAT IS IT?
131
00:14:41,010 --> 00:14:43,012
- I...
- MICHELLE, WHAT IS IT?
132
00:14:43,056 --> 00:14:45,754
I THINK I... I THINK I JUST...
I DON'T KNOW, I THINK...
133
00:14:45,797 --> 00:14:49,236
- WHAT AM I SUPPOSED TO BE...
- I DON'T KNOW, BUT IT
LOOKED LIKE A FIGHT.
134
00:14:49,279 --> 00:14:51,978
- A FIGHT?
- YEAH. IT WAS OVER
IN A SECOND, BUT...
135
00:14:52,021 --> 00:14:53,283
WHAT EXACTLY DID YOU SEE?
136
00:14:53,327 --> 00:14:55,329
A GIRL STRUGGLING
WITH THIS GUY.
137
00:14:55,372 --> 00:14:56,547
WHAT DID HE LOOK LIKE?
138
00:14:56,591 --> 00:14:58,636
- I DON'T KNOW. ASIAN.
- ASIAN?
139
00:14:58,680 --> 00:15:02,205
CHINESE, ORIENTAL,
I DON'T KNOW.
140
00:15:02,249 --> 00:15:03,815
THEN WHAT DID YOU SEE?
141
00:15:03,859 --> 00:15:05,881
NOTHING. HE GRABBED HER,
THEY FOUGHT, AND THEN THEY...
142
00:15:05,905 --> 00:15:07,273
- AND THEN THEY?
- THEY... THEY DISAPPEARED.
143
00:15:07,297 --> 00:15:08,733
- DISAPPEARED?
- OUT OF SIGHT.
144
00:15:16,959 --> 00:15:17,960
WHAT ARE YOU DOING?
145
00:15:18,004 --> 00:15:19,527
CALLING THE POLICE.
146
00:15:24,401 --> 00:15:26,055
WHAT ARE YOU DOING?
147
00:15:26,099 --> 00:15:27,883
I'M LEAVING.
148
00:15:27,927 --> 00:15:30,016
WHY?
149
00:15:30,059 --> 00:15:31,495
I'M NOT TALKING
TO THE POLICE.
150
00:15:31,539 --> 00:15:33,541
WELL, WHAT THE FUCK
AM I SUPPOSED TO DO?
151
00:15:33,584 --> 00:15:35,717
I DIDN'T SEE ANYTHING.
152
00:15:35,760 --> 00:15:37,719
NOT MY PROBLEM.
153
00:15:37,762 --> 00:15:38,850
WAIT.
154
00:15:40,026 --> 00:15:41,114
LOOK...
155
00:15:43,203 --> 00:15:45,553
GET OUT OF MY WAY.
156
00:15:45,596 --> 00:15:47,947
- MICHELLE.
- GET OUT OF MY WAY.
157
00:16:06,400 --> 00:16:08,445
METROPOLITAN POLICE,
HOW CAN I HELP?
158
00:16:08,489 --> 00:16:14,321
HI. I, UH, I THINK...
159
00:16:14,364 --> 00:16:17,672
CALLER?
160
00:16:17,715 --> 00:16:19,500
THERE'S A WOMAN
ACROSS FROM WHERE I LIVE.
161
00:16:19,543 --> 00:16:21,328
I THINK SHE MIGHT
NEED YOUR HELP.
162
00:16:21,371 --> 00:16:23,721
OKAY. CAN YOU TELL ME
WHAT'S HAPPENED?
163
00:16:27,987 --> 00:16:32,034
I THINK...
SHE MIGHT... BE HURT.
164
00:16:32,078 --> 00:16:34,036
YOU THINK SHE MIGHT BE HURT?
165
00:16:34,080 --> 00:16:37,039
CAN YOU GIVE ME HER NAME?
166
00:16:37,083 --> 00:16:39,172
NO, I... I... I DON'T KNOW
HER NAME, SORRY.
167
00:16:39,215 --> 00:16:42,175
THAT'S OKAY. CAN YOU TELL ME
EXACTLY WHAT YOU SAW?
168
00:16:45,874 --> 00:16:48,007
CALLER?
169
00:16:48,050 --> 00:16:51,445
CAN YOU TELL ME
WHAT YOU SAW?
170
00:16:51,488 --> 00:16:53,708
CAN YOU GIVE ME YOUR NAME?
171
00:16:56,232 --> 00:16:59,627
CALLER?
ARE YOU STILL THERE?
172
00:16:59,670 --> 00:17:01,846
CALLER, CAN YOU
GIVE ME YOUR NAME?
173
00:17:03,500 --> 00:17:06,460
I'M GOING TO NEED A LOCATION.
CAN YOU GIVE ME YOUR...
174
00:19:18,679 --> 00:19:21,203
SO, WHAT EXACTLY
DID YOU SEE?
175
00:19:21,247 --> 00:19:22,726
A FIGHT, MAYBE.
176
00:19:22,770 --> 00:19:24,163
I DON'T KNOW,
A SCUFFLE.
177
00:19:24,206 --> 00:19:26,077
A FIGHT, MAYBE A SCUFFLE.
178
00:19:26,121 --> 00:19:29,211
- AND YOU'RE SURE SHE WASN'T INTO IT?
- -WHAT?
179
00:19:29,255 --> 00:19:32,214
YOU KNOW, HOLD ME DOWN,
TIE ME UP, SLAP ME ABOUT.
180
00:19:32,258 --> 00:19:34,260
SOME GIRLS LOVE THAT SHIT.
181
00:19:34,303 --> 00:19:36,479
YEAH, WELL, NOT THIS GIRL.
182
00:19:36,523 --> 00:19:38,089
HOW DO YOU KNOW?
183
00:19:38,133 --> 00:19:39,787
I JUST KNOW.
184
00:19:39,830 --> 00:19:42,355
YOU JUST KNOW.
185
00:19:42,398 --> 00:19:43,660
BUT I WOULD KNOW.
186
00:19:43,704 --> 00:19:45,880
HOW WOULD YOU KNOW?
187
00:19:45,923 --> 00:19:48,839
- I SEE HER EVERY NIGHT, PETE.
- WHAT DO YOU MEAN?
188
00:19:48,883 --> 00:19:51,277
WHAT DO YOU MEAN YOU
SEE HER EVERY NIGHT?
189
00:19:54,715 --> 00:19:56,499
I CAN SEE HER FLAT
FROM MY WINDOW,
190
00:19:56,543 --> 00:20:00,547
SO I... I WOULD KNOW
IF SHE WAS INTO ANYTHING WEIRD.
191
00:20:00,590 --> 00:20:05,204
RIGHT, UM, HAVE YOU
CALLED THE POLICE?
192
00:20:08,511 --> 00:20:10,687
YEAH.
193
00:20:10,731 --> 00:20:11,775
NO.
194
00:20:11,819 --> 00:20:13,299
WELL, WHICH IS IT?
195
00:20:16,606 --> 00:20:18,782
- DEELEY?
- NOT YET.
196
00:20:18,826 --> 00:20:20,654
OH, FOR FUCK'S SAKE.
197
00:20:24,266 --> 00:20:27,226
DEELEY, JUST TELL THEM
WHAT YOU SAW,
198
00:20:27,269 --> 00:20:28,879
LET THEM DEAL WITH IT.
199
00:20:30,881 --> 00:20:35,582
- MATE, HOW'VE YOU BEEN?
- FINE.
200
00:20:35,625 --> 00:20:38,498
I'VE BEEN... AM FINE.
201
00:20:38,541 --> 00:20:39,977
COME INTO THE OFFICE.
202
00:20:40,021 --> 00:20:42,893
- WHY?
- WHY NOT?
203
00:20:42,937 --> 00:20:44,591
I'VE GOT...
I'VE GOT TOO MUCH ON.
204
00:20:47,246 --> 00:20:50,901
YOU, UH, READY TO START
COVERING GIGS AGAIN?
205
00:20:50,945 --> 00:20:53,991
I NEED YOU OUT THERE, MAN,
FIGHTING THE GOOD FIGHT.
206
00:20:54,035 --> 00:20:57,430
IT'S BEEN EIGHT MONTHS.
EIGHT MONTHS, MAN.
207
00:20:57,473 --> 00:21:00,215
I KNOW HOW LONG IT'S BEEN.
208
00:21:00,259 --> 00:21:02,435
LOOK, A FUCKED UP THING
HAPPENED TO YOU,
209
00:21:02,478 --> 00:21:04,175
NOBODY DOUBTS IT,
210
00:21:04,219 --> 00:21:06,482
BUT YOU'VE GOT TO GET BACK
OUT INTO THE WORLD.
211
00:21:09,877 --> 00:21:12,401
JUST GET ME THOSE REVIEWS
BY THE END OF THE DAY.
212
00:21:12,445 --> 00:21:14,316
SURE.
213
00:21:14,360 --> 00:21:17,145
OKAY.
214
00:21:17,188 --> 00:21:20,322
OH, I LIKE THE ELECTRONS PIECE,
BY THE WAY.
215
00:21:20,366 --> 00:21:21,497
THANKS.
216
00:21:44,955 --> 00:21:47,567
THE BUSINESS JUST SORT OF
217
00:21:47,610 --> 00:21:50,613
SUCKED THE LIFE OUT OF ME.
218
00:21:50,657 --> 00:21:55,096
I FELT I... I WAS BECOMING
THIS REALLY JADED PERSON.
219
00:21:55,139 --> 00:22:00,014
WHAT WOULD SAY BROUGHT YOU
THROUGH THAT MOMENT OF...
220
00:22:00,057 --> 00:22:02,712
DARKNESS?
221
00:22:02,756 --> 00:22:04,801
IS THAT THE RIGHT WORD, IS IT?
222
00:22:04,845 --> 00:22:07,630
- DARKNESS?
- YEAH.
223
00:22:07,674 --> 00:22:10,241
DARKNESS SOUNDS
FAIRLY ACCURATE.
224
00:22:10,285 --> 00:22:14,681
I THINK LETTING CERTAIN THINGS
GO WAS WHAT DID IT.
225
00:22:14,724 --> 00:22:16,596
NOT WORRYING ABOUT THE STATE
OF MY CAREER
226
00:22:16,639 --> 00:22:18,989
OR THE STATE OF THE INDUSTRY.
227
00:22:19,033 --> 00:22:21,122
A MILLION OTHER THINGS
THAT FUCK WITH YOUR HEAD
228
00:22:21,165 --> 00:22:23,298
WHEN YOU GET SOME SUCCESS.
229
00:22:23,342 --> 00:22:26,736
JUST CONCENTRATING ON THE MUSIC
WAS INCREDIBLY LIBERATING,
230
00:22:26,780 --> 00:22:29,609
AND I THINK IT GAVE
SOMETHING TO MY SOUND,
231
00:22:29,652 --> 00:22:32,046
A SENSE OF FREEDOM...
232
00:22:40,576 --> 00:22:42,578
HELLO?
233
00:22:42,622 --> 00:22:44,711
ARE YOU STILL THERE?
234
00:22:44,754 --> 00:22:46,321
YEAH, SORRY.
235
00:22:46,365 --> 00:22:51,587
UH, SO...
SO THE ALBUM...
236
00:22:51,631 --> 00:22:53,633
WE WORKED REALLY HARD
TO MAKE THE ALBUM
237
00:22:53,676 --> 00:22:56,418
FEEL ORGANIC
AND CONNECTED.
238
00:22:56,462 --> 00:22:58,768
I WANTED THE PRODUCTION
TO HAVE A SIMPLICITY
239
00:22:58,812 --> 00:23:02,381
THAT ALLOWED YOU TO READ
THE SENTENCES OUT.
240
00:23:02,424 --> 00:23:04,513
I THINK THAT'S WHAT PEOPLE
ARE RESPONDING TO.
241
00:23:04,557 --> 00:23:09,083
AND I THINK THAT'S WHERE
THE SINGLE IS COMING.
242
00:23:09,126 --> 00:23:11,868
EVERYONE IS CONSTANTLY
TRYING TO DO MORE WITH LESS.
243
00:23:11,912 --> 00:23:15,437
STRIP IT BACK
TO THE CORE ESSENTIALS
244
00:23:15,481 --> 00:23:20,529
THERE'S A REAL CHARM
TO THOSE KINDS OF RECORDS.
245
00:23:20,573 --> 00:23:24,664
AND I NOTICED THAT
THEY REALLY MOVE YOU.
246
00:23:24,707 --> 00:23:27,971
AND IF I'M TRYING
TO DO ANYTHING,
247
00:23:28,015 --> 00:23:32,019
IT'S JUST THAT,
I SUPPOSE.
248
00:23:32,062 --> 00:23:33,281
MOVE YOU.
249
00:23:36,719 --> 00:23:38,504
DOES THAT MAKE SENSE?
250
00:23:38,547 --> 00:23:42,029
GREAT. WELL, I THINK THAT'S
A GOOD PLACE TO END IT.
251
00:23:42,072 --> 00:23:45,380
- YOU GOT EVERYTHING YOU NEED?
- -I THINK SO.
252
00:23:45,424 --> 00:23:46,686
THANKS FOR YOUR TIME.
253
00:31:53,520 --> 00:31:56,915
JESUS, DEELEY, I'M PRETTY SURE
ONE OF THE REASONS WE PAY TAXES
254
00:31:56,958 --> 00:31:59,961
HAS SOMETHING TO DO
WITH LAW ENFORCEMENT.
255
00:32:00,005 --> 00:32:01,963
HER PLACE WAS A MESS.
256
00:32:02,007 --> 00:32:05,488
WHEREVER SHE WENT SHE DIDN'T
GO THERE VOLUNTARILY.
257
00:32:05,532 --> 00:32:07,969
THEN CALL THE FUCKING POLICE.
258
00:32:08,013 --> 00:32:11,407
THEY'D TAKE A VERY DIM VIEW
OF BREAKING AND ENTERING, PETE.
259
00:32:11,451 --> 00:32:13,888
- LOOK,
IF THIS BIRD...
- KEM.
260
00:32:13,932 --> 00:32:15,455
WHAT?
261
00:32:15,498 --> 00:32:19,807
HER NAME'S KEM.
I THINK SHE'S CHINESE.
262
00:32:19,850 --> 00:32:22,897
OKAY, FINE, IF THIS KEM
REALLY IS IN TROUBLE,
263
00:32:22,941 --> 00:32:24,986
I THINK THEY'LL FORGIVE
A BIT OF OVERZEALOUS
264
00:32:25,030 --> 00:32:27,467
DETECTIVE WORK ON YOUR PART.
265
00:32:30,165 --> 00:32:31,558
ARE YOU LISTENING?
266
00:32:32,863 --> 00:32:34,691
- DEELEY?
- YEAH, YEAH.
267
00:32:34,735 --> 00:32:37,651
JESUS CHRIST,
FOR THE SECOND TIME
I'M ASKING REVIEWS.
268
00:32:37,694 --> 00:32:40,523
THIS AFTERNOON, PLEASE.
269
00:32:40,567 --> 00:32:42,134
HELLO?
270
00:32:44,136 --> 00:32:45,876
HELLO?
271
00:32:45,920 --> 00:32:47,922
YOU'RE KIDDING ME HERE, MAN,
WHAT IS GOING ON?
272
00:32:47,966 --> 00:32:49,271
YEAH, YEAH, THIS AFTERNOON.
273
00:34:07,219 --> 00:34:11,049
HEY, UM, I'M LOOKING FOR...
274
00:34:15,140 --> 00:34:18,099
I THINK HER NAME'S KEM,
DO YOU KNOW THAT NAME?
275
00:34:21,320 --> 00:34:25,759
PLEASE. PLEASE.
I REALLY NEED TO FIND HER.
276
00:34:25,802 --> 00:34:27,587
I THINK SHE MIGHT
BE IN TROUBLE.
277
00:38:31,439 --> 00:38:35,138
- ANDREW DEELEY.
- MMM?
278
00:38:35,182 --> 00:38:36,357
WHO ARE YOU?
279
00:38:36,401 --> 00:38:38,577
WHY ARE YOU BLEEDING
ON MY FLOOR?
280
00:38:41,841 --> 00:38:43,408
HOW DID YOU GET HERE?
281
00:39:02,122 --> 00:39:05,125
LONDON'S A BIG PLACE, BROTHER,
282
00:39:05,168 --> 00:39:09,216
AND I DON'T ADVERTISE.
283
00:39:09,259 --> 00:39:12,698
NOW, HOW THE FUCK
DID YOU GET HERE?
284
00:39:12,741 --> 00:39:14,787
I'M JUST TRYING TO FIND...
285
00:39:17,442 --> 00:39:19,095
A FRIEND.
286
00:39:21,968 --> 00:39:24,362
HER?
287
00:39:24,405 --> 00:39:26,581
SHE'S YOUR FRIEND?
288
00:39:28,322 --> 00:39:30,890
I OBVIOUSLY RECOGNIZE HER.
289
00:39:34,197 --> 00:39:35,982
HOW DO YOU KNOW HER?
290
00:39:39,464 --> 00:39:40,987
HMM?
291
00:39:58,657 --> 00:40:00,876
WHAT ARE YOU DOING?
292
00:40:00,920 --> 00:40:02,400
WHAT ARE YOU DOING?
293
00:40:02,443 --> 00:40:03,531
WHAT ARE YOU...
294
00:40:05,794 --> 00:40:09,407
GET THE FUCK OFF ME!
GET THE...
295
00:40:11,365 --> 00:40:12,671
GET OFF ME!
296
00:40:12,714 --> 00:40:16,283
NO, GET THE...
GET THE FUCK OFF ME!
297
00:40:16,326 --> 00:40:18,111
GET OFF!
298
00:40:18,154 --> 00:40:20,722
GET... ALL RIGHT, OKAY!
299
00:40:20,766 --> 00:40:23,638
SHE... SHE LIVES NEAR ME
AND WE'RE NEIGHBORS AND...
300
00:40:23,682 --> 00:40:27,250
- NEIGHBORS?
- YEAH.
301
00:40:27,294 --> 00:40:29,296
I'D SEE HER.
302
00:40:29,339 --> 00:40:30,471
YOU SEE HER?
303
00:40:30,515 --> 00:40:32,473
SOMETIMES...
304
00:40:35,215 --> 00:40:37,043
FROM MY WINDOW.
305
00:40:37,086 --> 00:40:38,827
YOU SEE HER
FROM YOUR WINDOW?
306
00:40:38,871 --> 00:40:42,222
LOOK, SOMETHING HAPPENED.
SOMEONE TOOK HER.
307
00:40:42,265 --> 00:40:43,658
WHO?
308
00:40:43,702 --> 00:40:46,487
KIDNAPPED. SHE... SHE GOT
KIDNAPPED TWO DAYS AGO.
309
00:40:46,531 --> 00:40:48,489
I SAW THE CAR,
THE... THE PORSCHE,
310
00:40:48,533 --> 00:40:52,145
I SAW HER OUTSIDE THE FLAT
LAST NIGHT AND I... I...
311
00:40:52,188 --> 00:40:54,800
YOU THOUGHT WHAT?
HMM?
312
00:40:54,843 --> 00:40:57,629
I DON'T KNOW...
I DON'T KNOW WHAT I THOUGHT.
313
00:41:00,283 --> 00:41:03,025
LOOK, I BROKE INTO HER FLAT,
FOUND AN ADDRESS.
314
00:41:03,069 --> 00:41:05,245
I... I FOLLOWED SOMEONE
FROM THERE HERE...
315
00:41:05,288 --> 00:41:06,507
- WHO?
- A GIRL.
316
00:41:06,551 --> 00:41:08,901
I DON'T KNOW HER NAME.
I DON'T. PLEASE!
317
00:41:08,944 --> 00:41:10,772
I DON'T KNOW HER NAME.
318
00:41:58,994 --> 00:42:00,692
YOU WANT A LIFT HOME?
319
00:42:06,828 --> 00:42:08,526
RELAX.
320
00:42:10,310 --> 00:42:11,790
WE ALREADY KNOW
WHERE YOU LIVE.
321
00:42:48,609 --> 00:42:51,917
HI, YOU'VE REACHED MICHELLE,
LEAVE ME A MESSAGE.
322
00:42:54,006 --> 00:42:59,838
HEY, MICHELLE,
IT'S DEELEY AGAIN.
323
00:42:59,881 --> 00:43:02,101
LOOK, I REALLY NEED
TO SPEAK TO YOU, OKAY?
324
00:43:02,144 --> 00:43:05,321
SO, GIVE ME A CALL, PLEASE.
325
00:43:05,365 --> 00:43:07,672
ANYTIME.
IT'S IMPORTANT.
326
00:45:22,284 --> 00:45:23,808
HOW THE FUCK
DID YOU FIND ME?
327
00:45:23,851 --> 00:45:26,245
I'M A JOURNALIST,
REMEMBER?
328
00:45:28,377 --> 00:45:30,466
YOU SAID YOU WORKED
IN A GALLERY.
329
00:45:30,510 --> 00:45:31,859
YOU DIDN'T SAY
YOU OWNED IT.
330
00:45:31,903 --> 00:45:34,688
I DIDN'T SAY
A LOT OF THINGS.
331
00:45:34,732 --> 00:45:35,994
WHAT DO YOU WANT?
332
00:45:36,037 --> 00:45:38,344
WE HAVE TO GO
TO THE POLICE.
333
00:45:38,387 --> 00:45:40,520
- WE?
- YOU.
334
00:45:41,826 --> 00:45:46,395
YOU'VE GOT TO TELL THEM
WHAT YOU SAW.
335
00:45:46,439 --> 00:45:47,701
NO.
336
00:45:51,923 --> 00:45:55,883
THIS IS MY LIFE,
DO YOU UNDERSTAND THAT?
337
00:45:55,927 --> 00:45:58,756
I'VE GOT A LOT TO LOSE.
338
00:45:58,799 --> 00:46:00,888
SO DOES KEM.
339
00:46:00,932 --> 00:46:02,237
KEM?
340
00:46:02,281 --> 00:46:03,891
THE GIRL YOU SAW.
341
00:46:08,766 --> 00:46:12,160
DON'T COME BACK HERE.
342
00:46:12,204 --> 00:46:15,947
I COULD MAKE THINGS REALLY
DIFFICULT FOR YOU, AMY.
343
00:46:18,427 --> 00:46:21,126
THAT'S YOUR REAL NAME,
ISN'T IT?
344
00:46:24,346 --> 00:46:26,827
IT IS.
345
00:46:26,871 --> 00:46:30,091
AND YOU COULD.
346
00:46:30,135 --> 00:46:31,963
BUT YOU WON'T.
347
00:46:34,356 --> 00:46:38,186
WHY'S THAT?
348
00:46:38,230 --> 00:46:41,755
BECAUSE EVIDENTLY,
YOU'RE A NICE GUY.
349
00:46:47,239 --> 00:46:50,285
GO HOME AND FORGET ABOUT HER.
350
00:46:50,329 --> 00:46:52,200
FORGET ABOUT THAT NIGHT.
FORGET ABOUT ME.
351
00:46:52,244 --> 00:46:55,029
AND WHAT IF I CAN'T?
352
00:46:55,073 --> 00:46:57,815
TRY HARDER.
353
00:47:00,208 --> 00:47:02,515
SHE'S GONE.
THE PLACE WAS TRASHED
354
00:47:02,558 --> 00:47:06,040
AND THERE WAS BLOOD.
355
00:47:06,084 --> 00:47:08,042
TRY FORGETTING THAT.
356
00:48:43,050 --> 00:48:46,532
I GIVE TO HER
MY HOURS NEXT WEEK.
357
00:48:48,751 --> 00:48:51,754
KEM COMES WHEN I WORK.
358
00:48:55,019 --> 00:48:56,803
I GIVE HER FOOD.
359
00:48:56,846 --> 00:48:58,239
HOW DO YOU KNOW HER?
360
00:48:58,283 --> 00:49:01,416
WE LIVED TOGETHER BEFORE.
361
00:49:01,460 --> 00:49:02,940
THE PLACE IN TOTTENHAM?
362
00:49:02,983 --> 00:49:04,854
FOREST GATE.
363
00:49:04,898 --> 00:49:07,988
THE LANDLORD HE...
364
00:49:08,032 --> 00:49:09,859
WHAT?
365
00:49:11,905 --> 00:49:14,516
THE LANDLORD WHAT?
366
00:49:16,692 --> 00:49:21,045
HE TOOK OUR MONEY,
367
00:49:21,088 --> 00:49:22,916
THEN HE CALLED POLICE.
368
00:49:22,960 --> 00:49:27,616
YOU'RE ILLEGAL,
369
00:49:27,660 --> 00:49:28,617
YOU AND KEM.
370
00:49:28,661 --> 00:49:31,969
I NEED THIS JOB.
371
00:49:32,012 --> 00:49:33,971
TAKE THIS, IT'S OKAY.
372
00:49:38,627 --> 00:49:40,368
WHAT DOES IT SAY?
373
00:49:43,676 --> 00:49:47,985
IT'S FROM HER PARENTS.
374
00:49:48,028 --> 00:49:50,378
THEY SAY THEY MISS HER.
375
00:49:51,945 --> 00:49:54,121
THEY HEARD SHE IS OKAY.
376
00:49:58,691 --> 00:50:01,563
THEY WAIT FOR HER RETURN.
377
00:50:07,613 --> 00:50:09,702
PLEASE HELP HER.
378
00:50:30,288 --> 00:50:34,553
-PETE.
-CONGRATULATIONS.
YOU'RE FIRED.
379
00:50:34,596 --> 00:50:38,470
- AGAIN?
- -WHERE IS THE FUCKING COPY?
380
00:50:38,513 --> 00:50:39,732
I HAD TO DO SOMETHING.
381
00:50:39,775 --> 00:50:41,603
YOU HAD TO DO SOMETHING.
382
00:50:41,647 --> 00:50:44,563
DO YOU NOT THINK THIS IS GETTING
A BIT OUT OF HAND, MATE?
383
00:50:44,606 --> 00:50:47,609
- THIS?
- -CHASING SOME GIRL HALF WAY ACROSS LONDON.
384
00:50:47,653 --> 00:50:51,874
I MEAN, I'M ASSUMING THIS
IS THE THING YOU HAD TO DO.
385
00:50:51,918 --> 00:50:54,660
- IT IS.
-WHY?
WHY ARE YOU DOING THIS?
386
00:50:54,703 --> 00:50:56,879
HEY, I, UM,
I'M JUST, UH...
387
00:50:56,923 --> 00:50:59,099
WHERE'S... WHERE'S KEM?
388
00:50:59,143 --> 00:51:01,971
- GET OUT!
- LOOK, I'M NOT GOING TO CAUSE YOU ANY TROUBLE,
389
00:51:02,015 --> 00:51:03,190
OKAY? I JUST NEED TO...
390
00:51:03,234 --> 00:51:04,844
GET THE FUCK OUT!
391
00:51:04,887 --> 00:51:05,975
WHAT THE FUCK.
392
00:51:06,019 --> 00:51:07,151
WHO ARE THESE PEOPLE?
393
00:51:07,194 --> 00:51:09,544
THEY WORK.
THEY'RE LEGAL.
394
00:51:09,588 --> 00:51:10,980
I'M JUST LOOKING FOR KEM.
395
00:51:11,024 --> 00:51:12,982
- I DON'T KNOW KEM.
- YOU DO KNOW KEM.
396
00:51:13,026 --> 00:51:14,506
I DON'T KNOW KEM!
397
00:51:14,549 --> 00:51:16,421
YOU TELL ME.
YOU TELL THE POLICE.
398
00:51:16,464 --> 00:51:17,857
YOU CAN RUN.
THEY CAN RUN,
399
00:51:17,900 --> 00:51:19,815
AS LONG AS YOU'VE GOT
SOMEWHERE TO GO.
400
00:51:24,081 --> 00:51:26,431
I DON'T KNOW
WHERE KEM IS.
401
00:51:26,474 --> 00:51:28,259
I LAST SAW HER
A FEW MONTHS AGO.
402
00:51:28,302 --> 00:51:29,956
WHERE?
403
00:51:33,394 --> 00:51:35,614
WHERE?
404
00:51:35,657 --> 00:51:39,139
SHE USED
TO HAVE BOYFRIEND.
405
00:51:39,183 --> 00:51:41,576
HERE?
406
00:51:41,620 --> 00:51:43,274
IN LONDON?
407
00:51:44,623 --> 00:51:46,668
TAKE ME THERE.
408
00:51:46,712 --> 00:51:48,801
NO, I CANNOT.
409
00:51:52,805 --> 00:51:55,634
WE TRAVEL A LONG TIME
TO GET HERE.
410
00:51:55,677 --> 00:51:58,767
ONLY CERTAIN ROUTE AVAILABLE
WHERE SHE TOU HAVE CONNECTIONS.
411
00:51:58,811 --> 00:52:02,771
-SAY...
-SHE TOU, SNAKEHEAD.
THAT'S WHAT THEY'RE CALLED.
412
00:52:02,815 --> 00:52:06,688
WE GO THROUGH RUSSIA, SPAIN,
FRANCE, MANY COUNTRIES.
413
00:52:06,732 --> 00:52:08,342
WHAT HAPPENED TO KEM?
414
00:52:08,386 --> 00:52:10,605
JOURNEY EXPENSIVE.
WE GET HERE WE HAVE TO BORROW
415
00:52:10,649 --> 00:52:12,172
FROM LOAN SHARK
FOR BALANCE OF PAYMENT.
416
00:52:12,216 --> 00:52:16,829
- DANGEROUS PEOPLE!
- WHAT HAPPENED TO KEM?
417
00:52:16,872 --> 00:52:21,312
ALL I KNOW, KEM ARRIVED
IN MANCHESTER.
418
00:52:21,355 --> 00:52:23,270
- WHAT HAPPENED THERE?
- I DON'T KNOW.
419
00:52:23,314 --> 00:52:25,968
- DON'T FUCKING LIE TO ME.
- I'M NOT.
420
00:52:26,012 --> 00:52:28,145
KEM IS MY FRIEND.
421
00:52:29,363 --> 00:52:30,799
THEN HELP HER.
422
00:52:47,251 --> 00:52:49,209
HAN.
423
00:53:30,076 --> 00:53:31,599
HELLO.
424
00:53:55,362 --> 00:53:56,972
WHAT'S HE SAYING?
425
00:53:57,016 --> 00:53:58,800
HE SAID HE DON'T KNOW
WHERE KEM IS.
426
00:53:58,844 --> 00:54:01,368
WELL, ASK HIM
ABOUT MANCHESTER.
427
00:54:18,690 --> 00:54:20,822
SHE WAS REPAYING HER DEBT.
428
00:54:26,306 --> 00:54:28,134
THE GANG PUT HER
IN THE GHOST APARTMENT.
429
00:54:28,177 --> 00:54:30,615
GHOST APARTMENT?
WHAT'S A GHOST APARTMENT?
430
00:54:34,358 --> 00:54:36,751
THEY MAKE HER PRETEND
TO BE RICH STUDENT.
431
00:54:36,795 --> 00:54:39,841
ADVERTISE FOR OTHER RICH CHINESE
STUDENT TO SHARE WITH HER,
432
00:54:39,885 --> 00:54:42,017
AND THEY BEAT HER.
TORTURED FOR MONEY.
433
00:54:42,061 --> 00:54:43,889
THEIR PARENTS BLACKMAILED.
434
00:54:43,932 --> 00:54:45,325
KEM RAN FROM THEM.
435
00:54:45,369 --> 00:54:48,720
SHE CAME HERE
WITH DEBTS STILL OWING.
436
00:54:51,984 --> 00:54:53,464
WHO TOLD THEM WHERE...
437
00:54:53,507 --> 00:54:54,856
WAIT, YOU TOLD THEM
WHERE SHE...
438
00:54:54,900 --> 00:54:57,206
WAIT!
439
00:54:57,250 --> 00:55:00,122
DON'T FUCKING TOUCH ME.
440
00:55:42,382 --> 00:55:44,341
ALL RIGHT.
441
00:56:47,491 --> 00:56:50,798
- HELLO?
- GUESS WHO?
442
00:56:50,842 --> 00:56:55,107
SO YOU WENT TO SEE HAN.
443
00:56:55,150 --> 00:56:58,284
HE TOLD ME WHAT HAPPENED.
444
00:56:58,327 --> 00:56:59,653
IT SEEMS LIKE
YOU'RE HAVING TROUBLE
445
00:56:59,677 --> 00:57:02,419
STAYING ON YOUR FEET
AROUND MY PEOPLE.
446
00:57:02,462 --> 00:57:06,510
- YOUR PEOPLE?
- YEAH.
447
00:57:06,553 --> 00:57:08,425
HE WORKS FOR ME
FROM TIME TO TIME.
448
00:57:13,473 --> 00:57:15,823
THAT'S HOW YOU MET KEM?
449
00:57:15,867 --> 00:57:17,434
CORRECT.
450
00:57:17,477 --> 00:57:19,697
AND THAT'S YOUR PLACE, RIGHT?
451
00:57:19,740 --> 00:57:24,397
IT'S A DROPBOX.
SHE WAS CARETAKING.
452
00:57:24,441 --> 00:57:28,575
KEM OWES A SNAKEHEAD,
CALLED MAMA LAU 12 GRAND.
453
00:57:28,619 --> 00:57:32,144
THAT'S WHO SHE WAS
WORKING FOR IN MANCHESTER.
454
00:57:32,187 --> 00:57:35,495
THIS IS WHERE YOU'LL FIND
THE GUY WHO TOOK HER.
455
00:57:35,539 --> 00:57:39,368
ZHANG,
ONE OF MAMA LAU'S CREW.
456
00:57:47,115 --> 00:57:49,248
WHY ARE YOU DOING THIS?
457
00:57:51,598 --> 00:57:54,558
CAUTION.
AT LAST.
458
00:57:56,647 --> 00:57:58,953
WHAT DO YOU KNOW
ABOUT HOW SHE GOT HERE?
459
00:58:10,138 --> 00:58:13,402
DESPERATION
IS A POWERFUL THING.
460
00:58:13,446 --> 00:58:16,536
IT MAKES PEOPLE DO
SOME RECKLESS SHIT.
461
00:58:19,278 --> 00:58:22,542
THAT'S WHY WE FIND DEAD BODIES
IN THE BACK OF LORRIES,
462
00:58:22,586 --> 00:58:26,546
CARGO SHIPS, FISHING BOATS.
463
00:58:26,590 --> 00:58:27,982
DESPERATION MAKES
THE WRONG PEOPLE
464
00:58:28,026 --> 00:58:31,725
START ASKING
THE RIGHT QUESTIONS.
465
00:58:31,769 --> 00:58:34,859
UNFORTUNATELY MY NORTHERN
COMPETITORS DISAGREE
466
00:58:34,902 --> 00:58:36,991
WITH MY TAKE
ON THE SITUATION,
467
00:58:37,035 --> 00:58:39,907
THEY'RE STILL RUNNING AROUND
LIKE IT'S THE 80'S.
468
00:58:39,951 --> 00:58:41,474
ALL THAT OLD SCHOOL SHIT.
469
00:58:44,390 --> 00:58:46,740
FROM WHAT I REMEMBER,
YOU'RE PRETTY GOOD
470
00:58:46,784 --> 00:58:49,482
AT MAKING A POINT.
471
00:58:49,526 --> 00:58:52,006
IT'S A QUESTION OF MANPOWER.
472
00:58:52,050 --> 00:58:55,401
I DON'T HAVE
THE NUMBERS FOR A WAR.
473
00:58:55,444 --> 00:58:57,185
NOT YET.
474
00:58:59,623 --> 00:59:01,059
I LIKE KEM.
475
00:59:02,713 --> 00:59:05,498
BUT I CAN'T BE SEEN
MAKING MOVES AGAINST THEM.
476
00:59:05,542 --> 00:59:07,369
WHAT, AND I CAN?
477
00:59:12,549 --> 00:59:16,944
YOU SAID YOU WANTED
TO HELP HER.
478
00:59:16,988 --> 00:59:18,685
NOW YOU KNOW HOW.
479
01:00:41,159 --> 01:00:43,291
THAT'S HIM.
480
01:00:43,335 --> 01:00:44,945
THAT'S THE GUY.
481
01:00:46,860 --> 01:00:48,122
YOU SURE?
482
01:00:58,263 --> 01:00:59,830
WHAT ARE YOU GONNA DO?
483
01:01:08,969 --> 01:01:11,493
I GOT HIM.
ARE YOU STILL THERE?
484
01:01:11,537 --> 01:01:13,278
WHAT WAS I DOING?
485
01:01:57,626 --> 01:01:59,280
OH, YEAH.
486
01:02:16,167 --> 01:02:18,125
EXCUSE ME.
487
01:03:46,953 --> 01:03:48,476
WHAT HAPPENED BACK THERE?
488
01:03:56,267 --> 01:03:57,964
I FOUND OUT WHERE SHE IS.
489
01:04:02,447 --> 01:04:04,101
YOU'RE MARRIED.
490
01:04:06,668 --> 01:04:08,932
- DOES IT MATTER?
- A BIT.
491
01:04:10,585 --> 01:04:13,632
DOES HE KNOW?
492
01:04:13,675 --> 01:04:15,068
WHAT DO YOU THINK?
493
01:04:15,112 --> 01:04:16,896
SO, WHAT, YOU JUST
HOOK UP WITH GUYS
494
01:04:16,940 --> 01:04:20,334
ON THE INTERNET FOR FUN?
495
01:04:20,378 --> 01:04:22,946
TO PASS THE TIME?
496
01:04:22,989 --> 01:04:26,123
WE BOTH HAVE OUR REASONS
FOR LIVING THE WAY THAT WE DO.
497
01:04:26,166 --> 01:04:30,475
LIVING THE WAY THAT WE DO.
498
01:04:30,518 --> 01:04:32,781
WHY DON'T WE JUST
LET IT BE WHAT IT WAS.
499
01:04:32,825 --> 01:04:35,697
AND WHAT WAS THAT EXACTLY?
500
01:04:37,830 --> 01:04:40,877
PLEASURE.
501
01:04:40,920 --> 01:04:43,749
NO QUESTIONS,
NO BULLSHIT.
502
01:04:45,620 --> 01:04:50,756
JUST A FEW MOMENTS OF PURE
UNCOMPLICATED PLEASURE.
503
01:04:50,799 --> 01:04:52,714
THAT'S WHAT IT WAS.
504
01:04:55,369 --> 01:04:58,111
NOW WHY DON'T YOU START
GIVING ME SOME ANSWERS,
505
01:04:58,155 --> 01:05:01,854
'CAUSE I'M NOT THE ONLY ONE
HERE WITH A FEW SECRETS.
506
01:05:01,898 --> 01:05:04,857
THE ANTIDEPRESSANTS?
507
01:05:04,901 --> 01:05:07,686
THE FACT THAT YOU'RE CLEARLY NOT
COMFORTABLE IN YOUR OWN SKIN,
508
01:05:07,729 --> 01:05:08,881
AND OBVIOUSLY INVOLVED
IN SOMETHING
509
01:05:08,905 --> 01:05:10,776
PRETTY FUCKING SCARY.
510
01:05:15,650 --> 01:05:19,872
A WHILE BACK
I WAS REVIEWING A GIG,
511
01:05:19,916 --> 01:05:22,179
A GIRL WAS GETTING
SOME HASSLE OFF A FEW GUYS
512
01:05:22,222 --> 01:05:24,355
AND I STEPPED IN.
513
01:05:26,139 --> 01:05:28,881
THINGS GOT HEATED.
514
01:05:28,925 --> 01:05:30,970
HEATED?
515
01:05:32,885 --> 01:05:34,931
A BROKEN BOTTLE,
FOUR CRACKED RIBS,
516
01:05:34,974 --> 01:05:39,848
22 STITCHES,
AND A PUNCTURED LUNG.
517
01:05:39,892 --> 01:05:41,328
HEATED.
518
01:05:48,901 --> 01:05:50,947
SO HOW DOES KEM
FIT INTO THIS?
519
01:06:00,043 --> 01:06:03,046
I'VE BEEN WATCHING HER.
520
01:06:03,089 --> 01:06:06,179
WHAT DO YOU MEAN
WATCHING HER?
521
01:06:06,223 --> 01:06:08,268
FROM MY FRONT ROOM.
522
01:06:12,490 --> 01:06:14,709
THE BINOCULARS?
523
01:06:17,321 --> 01:06:19,018
HOW LONG?
524
01:06:21,412 --> 01:06:22,935
A WHILE.
525
01:06:22,979 --> 01:06:25,111
- A WHILE?
- A FEW MONTHS.
526
01:06:32,989 --> 01:06:35,861
THAT'S AWFUL.
527
01:06:35,904 --> 01:06:37,558
WHAT, YOU'VE BEEN
SPYING ON THIS GIRL,
528
01:06:37,602 --> 01:06:39,908
NOW YOU WANT TO SAVE HER?
529
01:06:42,215 --> 01:06:45,088
I FOUND A STACK OF THESE
IN HIS CAR.
530
01:06:45,131 --> 01:06:47,307
I THINK THAT'S
WHERE SHE IS.
531
01:06:50,441 --> 01:06:52,660
I DON'T KNOW
ABOUT SAVING HER,
532
01:06:52,704 --> 01:06:54,836
BUT I KNOW SHE NEEDS
SOMEONE TO FIND HER.
533
01:06:59,537 --> 01:07:01,800
IT'S 60 POUNDS
FOR HALF AN HOUR.
534
01:07:01,843 --> 01:07:04,324
90 POUNDS FOR ONE HOUR.
535
01:07:04,368 --> 01:07:06,457
YOU ARRANGE WHATEVER
YOU WANT WITH THE GIRL.
536
01:07:22,516 --> 01:07:24,910
IS THIS EVERYONE?
537
01:07:24,953 --> 01:07:26,825
THESE ARE ALL
THE GIRLS YOU HAVE?
538
01:07:26,868 --> 01:07:28,522
THE OTHER GIRLS
ARE WORKING.
539
01:07:28,566 --> 01:07:31,221
ARE YOU LOOKING FOR ANYTHING
PARTICULAR, DARLING?
540
01:08:02,904 --> 01:08:04,819
YOU HELP ME.
541
01:08:04,863 --> 01:08:06,299
HELP YOU?
542
01:08:08,388 --> 01:08:11,087
I'M TRYING TO FIND SOMEONE.
543
01:08:11,130 --> 01:08:14,742
WHO YOU LOOK FOR?
544
01:08:14,786 --> 01:08:16,004
KEM.
545
01:08:21,053 --> 01:08:23,403
DO YOU KNOW HER?
546
01:08:23,447 --> 01:08:26,058
- IS SHE HERE?
- NO.
547
01:08:26,102 --> 01:08:29,148
- I'M NOT GOING
TO HURT YOU, OKAY?
- I DON'T KNOW.
548
01:08:29,192 --> 01:08:30,541
JUST... JUST TELL ME
THE TRUTH.
549
01:08:30,584 --> 01:08:32,804
- IS SHE HERE?
- BAD FOR US TO TALK.
550
01:08:32,847 --> 01:08:34,414
- YOU'VE SEEN HER?
- I DON'T KNOW.
551
01:08:34,458 --> 01:08:36,373
NO, PLEASE.
552
01:08:36,416 --> 01:08:38,070
PLEASE.
553
01:08:40,594 --> 01:08:42,161
SORRY.
554
01:09:26,988 --> 01:09:28,555
WHAT'S GOING ON?
555
01:10:06,027 --> 01:10:10,336
I'M NEARLY FINISHED, MATE.
JUST GIVE ME A SECOND.
556
01:10:10,380 --> 01:10:12,599
- GET OUT.
- -I SAID I'M NEARLY FINISHED.
557
01:10:12,643 --> 01:10:15,080
GET THE FUCK OUT!
558
01:10:15,123 --> 01:10:16,516
GET OUT!
559
01:10:21,304 --> 01:10:24,220
IT'S OKAY.
560
01:10:24,263 --> 01:10:26,526
OH, NO. NO, NO.
561
01:10:31,009 --> 01:10:33,446
IT'S OKAY.
IT'S... IT'S OKAY.
562
01:10:35,622 --> 01:10:37,581
KEM, RIGHT?
563
01:10:42,194 --> 01:10:44,109
WHO ARE YOU?
564
01:10:46,720 --> 01:10:48,244
A FRIEND.
565
01:11:42,341 --> 01:11:44,387
MOVE.
566
01:11:44,430 --> 01:11:47,825
WHAT THE FUCK DO YOU
THINK YOU'RE DOING?
567
01:11:47,868 --> 01:11:51,176
ARE YOU HERE FOR BUSINESS?
568
01:11:51,219 --> 01:11:56,007
- ARE YOU HERE FOR BUSINESS?
- I'M HERE FOR HER.
569
01:11:56,050 --> 01:11:57,878
WELL, THEN WHY DIDN'T YOU
SAY SO DOWNSTAIRS
570
01:11:57,922 --> 01:12:01,404
INSTEAD OF CAUSING ALL THIS
FUCKING COMMOTION?
571
01:12:01,447 --> 01:12:03,449
WE'RE LEAVING.
572
01:12:03,493 --> 01:12:05,408
EXCUSE ME?
573
01:12:05,451 --> 01:12:07,497
I SAID WE'RE LEAVING.
574
01:12:19,247 --> 01:12:23,034
EASY, BOSS, WHAT ANYBODY WANTS
IS A GOOD TIME HERE.
575
01:12:44,447 --> 01:12:46,797
GIVE ME THE FUCKING GUN!
576
01:12:54,457 --> 01:12:56,154
KEM?
577
01:12:58,112 --> 01:12:59,375
WAIT!
578
01:13:39,327 --> 01:13:41,025
PUT IT DOWN.
579
01:13:42,069 --> 01:13:44,811
PUT IT DOWN.
580
01:13:46,030 --> 01:13:49,250
DEELEY? DEELEY?
GET UP.
581
01:14:22,632 --> 01:14:23,807
DEELEY.
582
01:14:31,684 --> 01:14:33,730
DEELEY.
583
01:14:38,169 --> 01:14:39,736
KEM.
584
01:15:01,540 --> 01:15:03,934
THEY'RE GETTING AWAY!
585
01:15:05,892 --> 01:15:10,157
REM! REM!
586
01:15:15,511 --> 01:15:16,686
DEELEY!
587
01:15:16,729 --> 01:15:19,645
REM!
588
01:15:19,689 --> 01:15:23,301
DEELEY!
589
01:15:23,344 --> 01:15:24,781
DEELEY!
590
01:15:25,825 --> 01:15:26,870
DEELEY!
591
01:15:26,913 --> 01:15:28,480
SHE'S GONE.
592
01:15:29,612 --> 01:15:31,614
SHE'S GONE.
593
01:15:33,920 --> 01:15:35,531
SHE'S GONE.
594
01:17:50,883 --> 01:17:53,190
I NEED TO SEE YOU AGAIN.
37644
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