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[ CLOCK TICKING ]
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00:00:04,700 --> 00:00:06,467
Woman: GIRLS
WHO LIVED ACROSS THE STREET
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00:00:06,467 --> 00:00:10,467
WERE SMART AND PRETTY
AND REALLY NICE.
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00:00:10,467 --> 00:00:13,033
[ ALARM RINGING ]
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00:00:13,033 --> 00:00:16,400
THEY WERE CLUB LEADERS
AND STAR STUDENTS,
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00:00:16,400 --> 00:00:20,400
AND THEY HARDLY EVER
GOT INTO TROUBLE WITH CURFEW.
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00:00:20,400 --> 00:00:21,900
SO WE NEVER HAD ANY REASON
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00:00:21,900 --> 00:00:25,400
TO THINK
THAT ON THAT JULY MORNING,
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THEY WEREN'T SLEEPING SOUNDLY
IN THEIR BEDS.
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00:00:28,167 --> 00:00:29,733
[ RINGING CONTINUES ]
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00:00:29,733 --> 00:00:32,733
[ BREATHING HEAVILY ]
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00:00:39,000 --> 00:00:42,433
BUT CORA AMURAO
HAD NOT SLEPT AT ALL.
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00:00:42,433 --> 00:00:44,833
SHE HAD LIVED
THROUGH A NIGHT DARKER
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00:00:44,833 --> 00:00:49,867
THAN YOU OR I WILL EVER KNOW.
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00:00:49,867 --> 00:00:52,100
AND WHEN SHE DID GET UP
THAT MORNING,
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00:00:52,100 --> 00:00:54,067
SHE MUST HAVE BEEN PRAYING
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00:00:54,067 --> 00:00:58,300
THAT IT HAD ALL BEEN
SOME KIND OF NIGHTMARE,
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00:00:58,300 --> 00:01:02,933
THAT WHAT SHE HAD ENDURED
COULDN'T POSSIBLY BE REAL.
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[ GASPS ]
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[ CRIES ]
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HELP!
SOMEONE, HELP, PLEASE!
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SOMEONE, HELP, PLEASE!
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**
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00:01:32,333 --> 00:01:35,333
-- Captions by VITAC --
www.vitac.com
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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CHICAGO IN THE SUMMER OF '66
WAS THE SORT OF HOT
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THAT CREEPS IN UNDER YOUR SKIN.
28
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AND IT WASN'T JUST THE WEATHER.
29
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THERE WAS A LOT OF TALK
THAT SUMMER OF CIVIL RIGHTS.
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EVERYONE WAS PRETTY WORKED UP.
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THE MOVEMENT HAD GATHERED
MOMENTUM DOWN SOUTH.
32
00:02:02,167 --> 00:02:03,433
AND WITH THE CIVIL RIGHTS ACT
33
00:02:03,433 --> 00:02:06,633
BECOMING LAW
JUST 2 YEARS EARLIER,
34
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CHANGES WERE CLIMBING UP NORTH
TO PLACES LIKE CHICAGO.
35
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YOU'D THINK THEY WOULD HAVE
HAD AN EASIER TIME UP HERE,
36
00:02:12,867 --> 00:02:14,567
BUT YOU'D BE WRONG.
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RIOTS WERE STARTING
TO BREAK OUT.
38
00:02:18,700 --> 00:02:21,100
SO IT WOULD HAVE
SHOCKED ME TO NO END
39
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TO FIND OUT THAT THE MOST
TERRIBLE VIOLENCE THAT SUMMER
40
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WOULD HAPPEN RIGHT
IN MY OWN NEIGHBORHOOD.
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JEFFERY MANOR WAS A QUIET AREA
AT THE EDGE OF THE CITY.
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YOU NEVER EXPECTED
TO LOOK OUT YOUR WINDOW
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AND SEE A CRIME SCENE.
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Breo:
THE FIRST HOMICIDE DETECTIVE ON THE SCENE, JACK WALLENDA,
45
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WALKS IN TO THE TOWN HOUSE.
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**
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AND ALL HE CAN SEE
ARE BLOOD AND GIRLS.
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HE'S NEVER SEEN
ANYTHING LIKE THIS BEFORE.
49
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Wallenda:
THERE ARE FIVE LACERATIONS, ALL WITHIN A 6-INCH AREA.
50
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O'Toole: YOU HAVE EIGHT VICTIMS.
51
00:03:22,400 --> 00:03:25,867
THEY'D BEEN STABBED, STRANGLED.
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AND THIS ONE
IS STABBED IN THE EYE.
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Breo: IN THE LIVING ROOM
IS A NUDE YOUNG WOMAN.
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IT APPEARS THAT SHE
HAS BEEN SEXUALLY ASSAULTED.
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Breo:
THE VICTIM'S WRISTS ARE BOUND.
56
00:03:42,167 --> 00:03:46,233
AND THEY WERE TIED
VERY PROFESSIONALLY AND TIGHTLY.
57
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IT'S A COMPLETE SCENE OF CARNAGE
AND MAYHEM.
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00:03:53,900 --> 00:03:56,800
THIS HAD TO HAVE BEEN
AT LEAST TWO OR THREE PERPS.
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00:03:56,800 --> 00:04:00,100
Breo: THERE'S A GREAT DEAL
OF SPECULATION WHO POSSIBLY
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00:04:00,100 --> 00:04:02,067
COULD HAVE ACCOMPLISHED
SUCH A GRUESOME FEAT.
61
00:04:02,067 --> 00:04:05,433
IS IT A GANG
OF DRUG-CRAZED KILLERS?
62
00:04:05,433 --> 00:04:09,667
Hennigan:
THERE IS A SCREEN OFF A WINDOW IN THE REAR OF THE TOWN HOUSE.
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00:04:09,667 --> 00:04:11,900
Breo: ALSO BECAUSE OF THE RIOTS
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00:04:11,900 --> 00:04:14,800
AND THE GENERAL SENSE OF TENSION
BETWEEN BLACKS AND WHITES,
65
00:04:14,800 --> 00:04:18,633
THERE IS SOME GRUMBLING OF,
"WERE THESE A GANG OF BLACKS
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00:04:18,633 --> 00:04:20,533
WHO MIGHT'VE BROKEN
INTO THIS TOWN HOUSE
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AND KILLED
THESE EIGHT STUDENT NURSES?"
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THE CRIME LAB TECHNICIANS
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ARE BEGINNING THE PROCESS
OF LIFTING FINGERPRINTS.
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00:04:32,100 --> 00:04:33,900
THERE IS A BLOODY T-SHIRT,
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00:04:33,900 --> 00:04:38,600
WHICH DOESN'T LOOK LIKE
IT WOULD BELONG TO THE NURSES.
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BUT IN TERMS OF CLUES,
THERE ARE VERY FEW.
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00:04:42,467 --> 00:04:45,433
**
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00:04:46,100 --> 00:04:50,067
[ POLICE RADIO CHATTER ]
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00:04:50,067 --> 00:04:51,600
WHEN YOU WORK IN A HOSPITAL,
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00:04:51,600 --> 00:04:54,200
DEATH BECOMES A PART
OF YOUR EVERYDAY LIFE.
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00:04:54,200 --> 00:04:57,800
BUT IT'S DIFFERENT
WHEN IT HAPPENS LIKE THIS,
78
00:04:57,800 --> 00:05:00,433
ESPECIALLY WHEN IT'S SOMEONE
YOU KNOW.
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00:05:00,433 --> 00:05:01,633
ALL THE TRAINING IN THE WORLD
80
00:05:01,633 --> 00:05:04,467
CAN'T PREPARE YOU
FOR THAT FEELING.
81
00:05:04,467 --> 00:05:06,133
YOUR BODY GOES NUMB,
82
00:05:06,133 --> 00:05:09,867
AND YOUR MIND
FLIPS THROUGH EVERYTHING
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00:05:09,867 --> 00:05:11,133
YOU KNEW ABOUT THE PERSON,
84
00:05:11,133 --> 00:05:13,733
AS THOUGH REMEMBERING
85
00:05:13,733 --> 00:05:18,067
ALL THE LITTLE DETAILS
MIGHT HELP YOU HOLD ON TO THEM.
86
00:05:21,100 --> 00:05:25,700
NINA SCHMALE WAS MAYBE THE MOST
POPULAR GIRL IN OUR CLASS.
87
00:05:25,700 --> 00:05:29,067
AND GLORIA DAVY
WAS REALLY ACCOMPLISHED.
88
00:05:29,067 --> 00:05:32,233
SHE WAS HEAD OF
THE STUDENT NURSES ASSOCIATION.
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00:05:32,233 --> 00:05:36,367
AND PAMELA WILKENING,
WE ALL CALLED HER WILLY.
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00:05:39,933 --> 00:05:43,267
I WISH I HAD GOTTEN
TO KNOW THEM BETTER.
91
00:05:43,267 --> 00:05:46,500
AND NOW ALL I HAD WAS REGRET.
92
00:05:46,500 --> 00:05:49,333
BUT THAT'S WHY
WE WERE SO THANKFUL TO HEAR
93
00:05:49,333 --> 00:05:51,800
THAT SOMEONE HAD SURVIVED.
94
00:05:51,800 --> 00:05:54,700
CORA AMURAO WAS NEW AT SCHOOL.
95
00:05:54,700 --> 00:05:56,700
SHE'D ONLY MOVED TO CHICAGO
FROM THE PHILIPPINES
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00:05:56,700 --> 00:05:59,100
2 MONTHS BEFORE.
97
00:05:59,100 --> 00:06:02,700
SHE SEEMED SWEET
AND A LITTLE SHY.
98
00:06:02,700 --> 00:06:07,400
THE ADVANTAGE OF HAVING A LIVING
EYE WITNESS CAN'T BE OVERSTATED.
99
00:06:07,400 --> 00:06:10,733
THE INVESTIGATORS NEED TO GET
AS MUCH INFORMATION FROM HER
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00:06:10,733 --> 00:06:13,633
AS THEY CAN,
AS SOON AS POSSIBLE.
101
00:06:13,633 --> 00:06:16,700
**
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CORA.
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CORA.
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00:06:28,967 --> 00:06:31,400
CAN YOU TELL US
WHAT HAPPENED?
105
00:06:35,233 --> 00:06:38,400
[ SPEAKING TAGALOG ]
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00:06:42,867 --> 00:06:45,267
Breo: CORA IS TERRIFIED.
107
00:06:45,267 --> 00:06:49,167
SHE STARTS TO REVERT
TO HER NATIVE TAGALOG.
108
00:06:49,167 --> 00:06:53,533
O'Toole:
SHE'S HORRIBLY TRAUMATIZED BY WHAT SHE HAS WITNESSED.
109
00:06:53,533 --> 00:06:55,933
SO SHE HAS TO BE SEDATED.
110
00:06:58,933 --> 00:07:02,433
Breo: FINALLY, CORA CALMS DOWN.
111
00:07:02,433 --> 00:07:03,967
AND AT THAT POINT, SHE SAYS,
112
00:07:03,967 --> 00:07:06,067
"I REALLY WANT TO HELP."
113
00:07:09,067 --> 00:07:14,067
LAST NIGHT,
I WENT TO BED AT 10:30.
114
00:07:14,067 --> 00:07:20,067
HALF HOUR LATER,
I HEARD A KNOCK.
115
00:07:20,067 --> 00:07:24,600
I ANSWERED THE DOOR.
116
00:07:24,600 --> 00:07:27,167
WHO WAS AT THE DOOR?
117
00:07:27,167 --> 00:07:30,600
HOW MANY MEN?
118
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ONE MAN.
119
00:07:35,567 --> 00:07:39,500
YOU'RE SAYING
THAT ONE MAN DID THIS?
120
00:07:39,500 --> 00:07:45,300
YES, TALL,
6 FEET, BLOND HAIR.
121
00:07:47,400 --> 00:07:49,900
YES.
122
00:07:49,900 --> 00:07:53,100
O'Toole:
THEY FIND THIS SHOCKING.
123
00:07:53,100 --> 00:07:57,600
A SINGLE MAN KILLED EIGHT WOMEN.
124
00:07:57,600 --> 00:08:00,767
WHAT ELSE IS HE CAPABLE OF?
125
00:08:00,767 --> 00:08:03,933
WHOEVER HAD
THE ABILITY TO DO THIS
126
00:08:03,933 --> 00:08:07,300
WILL VERY LIKELY STRIKE AGAIN.
127
00:08:13,400 --> 00:08:16,700
**
128
00:08:18,600 --> 00:08:23,067
[ ALL TALKING AT ONCE ]
129
00:08:23,067 --> 00:08:25,200
ONE --
ONE QUESTION AT A TIME.
130
00:08:25,200 --> 00:08:29,633
EIGHT NURSES HAVE BEEN KILLED IN
ONE NIGHT WITH SEXUAL OVERTONES.
131
00:08:29,633 --> 00:08:31,833
RIGHT NOW, WE'RE --
WE'RE LOOKING AT A COMBINATION
132
00:08:31,833 --> 00:08:33,533
OF STABBING AND STRANGULATION.
133
00:08:33,533 --> 00:08:34,933
WHAT WAS THE MOTIVE?
134
00:08:34,933 --> 00:08:36,100
WE DON'T KNOW.
135
00:08:36,100 --> 00:08:38,467
Breo: THERE IS A SENSE
OF INCOMPREHENSION.
136
00:08:38,467 --> 00:08:42,300
THE POLICE HAVE LEARNED
THAT THE KILLER IS ONLY ONE MAN.
137
00:08:42,300 --> 00:08:46,367
AND EVERYBODY
IS JUST TOTALLY ASTONISHED
138
00:08:46,367 --> 00:08:48,767
AT HOW HE COULD HAVE DONE THIS.
139
00:08:48,767 --> 00:08:53,367
WE DON'T KNOW EXACTLY
WHAT HAS HAPPENED.
140
00:08:53,367 --> 00:08:56,733
IT'S THE CRIME OF THE CENTURY.
141
00:08:56,733 --> 00:08:58,267
ARE THERE ANY SURVIVORS?
142
00:08:58,267 --> 00:09:00,167
THERE'S ONE SURVIVOR.
143
00:09:00,167 --> 00:09:04,300
FROM CORA, THE SURVIVING NURSE,
THEY DID HAVE A DESCRIPTION.
144
00:09:04,300 --> 00:09:07,367
A WHITE MALE,
APPROXIMATELY 25 YEARS OF AGE,
145
00:09:07,367 --> 00:09:11,767
6 FEET TALL, BLOND HAIR,
WITH A SOUTHERN DRAWL.
146
00:09:11,767 --> 00:09:17,200
THANK YOU.
THANK YOU.
147
00:09:17,200 --> 00:09:19,367
ALL RIGHT, GUYS.
LISTEN UP.
148
00:09:19,367 --> 00:09:21,167
I WANT YOU TO COVER
THE ENTIRE AREA.
149
00:09:21,167 --> 00:09:24,233
THEY HAVE A MASS MURDERER
ON THEIR HANDS WHO HAS
150
00:09:24,233 --> 00:09:26,533
A HEAD START OF SEVERAL HOURS.
151
00:09:26,533 --> 00:09:29,533
ALL RIGHT. BURGLARY,
YOU'RE GONNA COVER THIS.
152
00:09:29,533 --> 00:09:31,167
THERE'S A CONSIDERABLE SENSE
OF URGENCY
153
00:09:31,167 --> 00:09:33,967
TO USE AS MUCH MANPOWER
AS POSSIBLE.
154
00:09:33,967 --> 00:09:37,067
SO BURGLARY DETECTIVES
WERE PUT ON THE CASE
155
00:09:37,067 --> 00:09:39,933
IN ADDITION
TO THE HOMICIDE DETECTIVES.
156
00:09:39,933 --> 00:09:41,600
I DON'T WANT
ANY STONE LEFT UNTURNED.
157
00:09:41,600 --> 00:09:43,167
OKAY?
-YOU GOT IT.
158
00:09:47,200 --> 00:09:50,567
Reppetto:
THE BURGLARY DETECTIVES WERE VERY STREET WISE.
159
00:09:50,567 --> 00:09:52,433
THEY KNEW EVERY NOOK AND CRANNY.
160
00:09:52,433 --> 00:09:55,067
THEY KNEW HOW TO GET
INFORMATION.
161
00:10:00,800 --> 00:10:03,367
HEY, FELLA.
I'M A FRIEND OF YOUR MANAGER.
162
00:10:03,367 --> 00:10:04,967
HOW ARE YOU TODAY?
163
00:10:04,967 --> 00:10:07,700
Breo: A BURGLARY DETECTIVE
NAMED EDDIE WIELOSINSKI
164
00:10:07,700 --> 00:10:08,900
LIVES IN THE NEIGHBORHOOD,
165
00:10:08,900 --> 00:10:12,067
AND HE KNOWS IT
LIKE THE BACK OF HIS HANDS.
166
00:10:12,067 --> 00:10:13,800
WE'RE ACTUALLY CANVASSING
THE AREA.
167
00:10:13,800 --> 00:10:15,967
Breo: HE GOES TO A GAS STATION,
168
00:10:15,967 --> 00:10:18,333
AND HE TALKS
TO THE GAS STATION ATTENDANT.
169
00:10:18,333 --> 00:10:21,467
THE STATION IS A GATHERING POINT
FOR TRANSIENT PEOPLE
170
00:10:21,467 --> 00:10:23,200
AND TROUBLEMAKERS
IN THE NEIGHBORHOOD.
171
00:10:23,200 --> 00:10:25,800
SO WE'RE LOOKING
FOR A WHITE MALE.
172
00:10:25,800 --> 00:10:29,500
Breo: AND HE GIVES CORA'S
DESCRIPTION OF THE SUSPECT.
173
00:10:29,500 --> 00:10:32,200
WELL, I -- I GUESS THERE WAS,
UH, ONE GUY.
174
00:10:32,200 --> 00:10:33,833
THE ATTENDANT
SAYS, "WELL, YOU KNOW,
175
00:10:33,833 --> 00:10:36,200
THERE WAS SOMEBODY
WHO SOUNDS LIKE THAT.
176
00:10:36,200 --> 00:10:39,367
HE WAS VERY AGITATED
AND A LITTLE BELLIGERENT."
177
00:10:39,367 --> 00:10:40,833
Wielosinski: ANY WAY
YOU COULD IDENTIFY HIM?
178
00:10:40,833 --> 00:10:43,500
UH, THE -- THE TATTOOS,
FOR SURE.
179
00:10:43,500 --> 00:10:45,867
HE HAD, UH -- WHAT WAS IT?
180
00:10:45,867 --> 00:10:47,933
UH, BORN TO RAISE HELL.
181
00:10:47,933 --> 00:10:51,533
IT WAS, UH, RIGHT HERE,
THE LEFT ARM.
182
00:10:51,533 --> 00:10:52,933
DO YOU REMEMBER
ANYTHING ELSE?
183
00:10:52,933 --> 00:10:54,300
MAYBE IT WAS THAT HE HAD TO BE
SOMEWHERE
184
00:10:54,300 --> 00:10:58,833
'CAUSE HE SAID HE WAS, LIKE,
SHIPPIN' OUT TO NEW ORLEANS.
185
00:10:58,833 --> 00:11:00,533
HE SAID HE WAS TAKING A SHIP
FROM SOMEWHERE?
186
00:11:00,533 --> 00:11:02,067
YEAH, YEAH.
187
00:11:02,067 --> 00:11:06,067
Reppetto: WIELOSINSKI HAD BEEN
A MERCHANT SAILOR AT ONE TIME.
188
00:11:06,067 --> 00:11:10,567
AND HE REMEMBERED THE KNOTS
THE GIRLS WERE TIED WITH.
189
00:11:10,567 --> 00:11:15,167
Breo: WIELOSINSKI REALIZES
THE SUSPECT COULD BE A SAILOR.
190
00:11:21,733 --> 00:11:24,700
INVESTIGATORS GO
TO THE SEAMAN'S UNION HALL,
191
00:11:24,700 --> 00:11:26,667
WHICH IS ADJACENT
TO THE TOWNHOME
192
00:11:26,667 --> 00:11:28,700
IN WHICH THE GIRLS WERE KILLED.
193
00:11:28,700 --> 00:11:32,233
SIR, WE'RE LOOKING
FOR A WHITE MALE, TATTOOS.
194
00:11:32,233 --> 00:11:36,867
HE MENTIONS THE SAILOR'S
BELLIGERENT ATTITUDE
195
00:11:36,867 --> 00:11:39,067
WITH THE COMPLAINING
ABOUT THE SHIP.
196
00:11:39,067 --> 00:11:40,933
ANYBODY LIKE THAT
COME TO MIND?
197
00:11:40,933 --> 00:11:46,300
UM, YOU KNOW,
THERE WAS ONE GUY.
198
00:11:46,300 --> 00:11:49,233
HE SAYS, "OH, WAIT A MINUTE.
199
00:11:49,233 --> 00:11:52,433
THAT SOUNDS LIKE SOMEONE
THAT WAS IN HERE
200
00:11:52,433 --> 00:11:56,600
A COUPLE OF DAYS AGO."
201
00:11:56,600 --> 00:11:59,167
Breo: AND HE REACHES DOWN
INTO THE WASTE BASKET...
202
00:12:04,100 --> 00:12:06,433
...AND PULLS OUT
THIS ASSIGNMENT SLIP,
203
00:12:06,433 --> 00:12:11,400
WHICH SENT THIS SAILOR TO A SHIP
CALLED THE SINCLAIR GREAT LAKES
204
00:12:11,400 --> 00:12:12,533
FOR A JOB.
205
00:12:12,533 --> 00:12:14,767
BUT THERE WAS ONLY ONE BERTH
FOR TWO SAILORS,
206
00:12:14,767 --> 00:12:18,667
AND THE JOB WENT TO A SAILOR
WITH MORE SENIORITY.
207
00:12:18,667 --> 00:12:24,300
SO THIS GUY CAME BACK AND RAISED
HELL AT THE UNION HALL.
208
00:12:24,300 --> 00:12:28,633
RICHARD SPECK.
209
00:12:28,633 --> 00:12:32,900
DO YOU HAVE A PHONE
THAT WE COULD USE?
210
00:12:32,900 --> 00:12:35,700
Breo: FORTUNATELY,
THE ASSIGNMENT SLIP HAS THIS GUY
211
00:12:35,700 --> 00:12:39,633
RICHARD SPECK'S NEAREST POINT
OF CONTACT, WHICH IS HIS SISTER,
212
00:12:39,633 --> 00:12:43,200
WHO LIVES IN CHICAGO.
213
00:12:43,200 --> 00:12:45,700
Ramsland: POLICE KNOW
THAT THIS RICHARD SPECK
214
00:12:45,700 --> 00:12:47,900
WANTS A JOB ABOARD A SHIP.
215
00:12:47,900 --> 00:12:51,600
SO THEY DECIDE TO ENTRAP HIM.
216
00:12:51,600 --> 00:12:56,067
THIS IS MR. OLSEN FROM
THE NATIONAL MARITIME UNION.
217
00:12:56,067 --> 00:12:57,733
YES, WE HAVE AN ASSIGNMENT
FOR RICHARD SPECK.
218
00:12:57,733 --> 00:13:01,467
IS HE THERE?
219
00:13:01,467 --> 00:13:04,600
WELL, COULD YOU ALERT HIM
AND HAVE HIM CALL US, PLEASE?
220
00:13:04,600 --> 00:13:06,133
THANK YOU.
221
00:13:08,900 --> 00:13:10,700
NOW, WE WAIT.
222
00:13:10,700 --> 00:13:12,700
THAT'S WHAT WE DO.
223
00:13:12,700 --> 00:13:14,633
PRAY TO MARY THAT HE CALLS.
224
00:13:20,333 --> 00:13:25,300
CORA, CAN YOU -- CAN YOU TELL US
WHAT HE LOOKED LIKE?
225
00:13:25,300 --> 00:13:27,900
Woman:
MEANWHILE, AT THE HOSPITAL,
226
00:13:27,900 --> 00:13:30,067
DETECTIVES
WERE WORKING WITH CORA
227
00:13:30,067 --> 00:13:34,533
TO GENTLY COAX A PORTRAIT
OF THE KILLER FROM HER.
228
00:13:34,533 --> 00:13:36,567
CORA.
229
00:13:36,567 --> 00:13:39,267
CORA, CAN YOU TELL US
ABOUT HIS EYES?
230
00:13:44,733 --> 00:13:47,967
HE HAD LIGHT EYES,
BLUE -- BLUE EYES.
231
00:13:53,700 --> 00:13:56,967
SKINNY MAN, HAIR BLOND.
232
00:13:56,967 --> 00:13:58,767
JUST A FEW HOURS IN,
233
00:13:58,767 --> 00:14:02,067
THE INVESTIGATION WAS MOVING
FORWARD ALL OVER THE CITY,
234
00:14:02,067 --> 00:14:04,200
FROM CORA'S HOSPITAL ROOM
235
00:14:04,200 --> 00:14:07,533
TO A DIVE BAR
CALLED THE SHIPYARD INN.
236
00:14:07,533 --> 00:14:10,500
AND THOUGH THEY DIDN'T KNOW IT
AT THE TIME, THE POLICE
237
00:14:10,500 --> 00:14:12,433
WERE BEGINNING TO CONVERGE...
238
00:14:12,433 --> 00:14:13,867
HEY.
239
00:14:13,867 --> 00:14:16,800
YOUR BROTHER-IN-LAW CALLED,
SAID CALL THE UNION HALL.
240
00:14:16,800 --> 00:14:20,067
THEY GOT A JOB FOR YOU.
241
00:14:20,067 --> 00:14:22,767
...COMING TO THE TRUTH
FROM TWO SIDES.
242
00:14:25,900 --> 00:14:27,800
THANK YOU.
243
00:14:36,667 --> 00:14:38,333
MARITIME UNION HALL.
244
00:14:38,333 --> 00:14:40,100
YEAH,
THIS IS RICHARD SPECK.
245
00:14:40,100 --> 00:14:41,967
Yes, Mr. Speck.
246
00:14:41,967 --> 00:14:43,933
UH, WE HAVE A SHIP FOR YOU.
247
00:14:43,933 --> 00:14:45,600
WHAT'S THE NAME
OF THE SHIP?
248
00:14:45,600 --> 00:14:48,867
IT IS
THE SINCLAIR GREAT LAKES.
249
00:14:48,867 --> 00:14:51,367
SINCLAIR GREAT LAKES?
250
00:14:51,367 --> 00:14:53,300
HIS CHEEK BONES?
251
00:14:53,300 --> 00:14:54,867
-HIGHER.
-HIGH CHEEK BONES.
252
00:14:54,867 --> 00:14:55,933
-YES.
-ALL RIGHT.
253
00:14:55,933 --> 00:14:59,067
DO YOU REMEMBER ANYTHING
ABOUT THE MOUTH?
254
00:14:59,067 --> 00:15:02,067
LIPS OUT A LITTLE,
NOT TOO MUCH.
255
00:15:02,067 --> 00:15:03,133
WHAT ABOUT THE NOSE?
256
00:15:03,133 --> 00:15:04,533
DO YOU REMEMBER ANYTHING
ABOUT HIS NOSE?
257
00:15:04,533 --> 00:15:07,733
NOSE, LONG, BIG.
258
00:15:07,733 --> 00:15:09,067
NO, NO, NO.
OKAY.
259
00:15:09,067 --> 00:15:11,467
DON'T GIVE THAT AWAY
TO ANYONE ELSE. I'LL BE THERE.
260
00:15:11,467 --> 00:15:12,767
WE'LL HOLD THE ASSIGNMENT
OPEN FOR YOU
261
00:15:12,767 --> 00:15:14,500
UNTIL YOU GET ON OVER HERE.
262
00:15:14,500 --> 00:15:16,467
BUT, UM,
WE CLOSE AT 5:00 P.M.
263
00:15:16,467 --> 00:15:20,367
YEAH, BEFORE 5:00.
YOU GOT IT.
264
00:15:20,367 --> 00:15:22,367
-WHAT DID HE SAY?
-HE'LL BE HERE.
265
00:15:22,367 --> 00:15:24,967
AND SO WILL WE.
266
00:15:24,967 --> 00:15:29,600
BUT THERE'S A REAL DANGER
IN DRAWING CLOSE TO AN ANIMAL.
267
00:15:29,600 --> 00:15:34,500
DOES THIS LOOK LIKE
THE MAN?
268
00:15:34,500 --> 00:15:36,233
IF IT KNOWS IT IS CORNERED...
269
00:15:36,233 --> 00:15:39,767
YES.
270
00:15:39,767 --> 00:15:44,067
IT MIGHT DO ANYTHING.
271
00:15:51,100 --> 00:15:52,333
Woman: THEY TOLD US AT SCHOOL
272
00:15:52,333 --> 00:15:54,767
TO TRY TO GO ABOUT OUR DAY
AS USUAL,
273
00:15:54,767 --> 00:15:56,400
THAT THE BEST THING WE COULD DO
274
00:15:56,400 --> 00:16:00,567
WAS TRY TO FIND A SENSE
OF NORMALCY.
275
00:16:00,567 --> 00:16:05,133
NORMALCY?
276
00:16:05,133 --> 00:16:07,200
THE NIGHT BEFORE,
EIGHT OF MY CLASSMATES
277
00:16:07,200 --> 00:16:08,900
HAD BEEN TORTURED AND MURDERED
278
00:16:08,900 --> 00:16:14,767
RIGHT ACROSS THE STREET
FROM ME.
279
00:16:14,767 --> 00:16:19,500
HOW COULD ANYTHING BE NORMAL
AGAIN?
280
00:16:19,500 --> 00:16:23,933
PAT MATUSEK WOULD NEVER WIN
ANOTHER SWIM CHAMPIONSHIP.
281
00:16:23,933 --> 00:16:26,467
I WOULD NEVER SMELL
MERLITA'S COOKING WAFTING
282
00:16:26,467 --> 00:16:29,467
IN THROUGH THE WINDOW.
283
00:16:29,467 --> 00:16:35,133
SUZANNE FARRIS
WOULD NEVER CRACK ANOTHER JOKE.
284
00:16:35,133 --> 00:16:36,733
AND CORA...
285
00:16:36,733 --> 00:16:40,367
WOULD WE EVER
SEE THAT SMILE AGAIN?
286
00:16:42,433 --> 00:16:44,467
WHO COULD DO THIS TO THEM?
287
00:16:44,467 --> 00:16:46,267
EVERY HOUR,
I LOOKED AT THE CLOCK,
288
00:16:46,267 --> 00:16:52,100
WONDERING,
HAD THEY FOUND HIM YET?
289
00:16:52,100 --> 00:16:54,500
WELL,
I DIDN'T KNOW IT RIGHT THEN,
290
00:16:54,500 --> 00:16:57,067
BUT JUST A FEW BLOCKS
FROM THE HOSPITAL,
291
00:16:57,067 --> 00:17:00,067
RIGHT ACROSS THE STREET
FROM WHERE WE LIVED,
292
00:17:00,067 --> 00:17:02,167
THE POLICE WERE SETTING A TRAP
293
00:17:02,167 --> 00:17:05,433
FOR A SAILOR
NAMED RICHARD SPECK.
294
00:17:05,433 --> 00:17:08,067
THEY HAVE MANAGED
TO MAKE CONTACT WITH HIM.
295
00:17:08,067 --> 00:17:11,967
THEY'RE VERY HOPEFUL
THAT HE'S GOING TO SHOW UP.
296
00:17:11,967 --> 00:17:13,567
-BRUIN?
-HE'S RIGHT OVER THERE,
297
00:17:13,567 --> 00:17:14,767
FLANKING THAT DOOR.
298
00:17:14,767 --> 00:17:16,600
ALEX,
STAND RIGHT ON OVER HERE.
299
00:17:16,600 --> 00:17:17,667
YOU'RE GONNA BE
RIGHT ACROSS FROM ME.
300
00:17:17,667 --> 00:17:19,867
STEVE, RIGHT OVER THERE
BY THE RADIATOR.
301
00:17:19,867 --> 00:17:23,067
THIS IS WHAT WOULD NOW
BE CALLED A STING OPERATION.
302
00:17:29,067 --> 00:17:31,200
PROTOCOL IS, IF YOU CAN GET
HIM TO COME THERE,
303
00:17:31,200 --> 00:17:32,633
YOU TAKE UP A POSITION.
304
00:17:32,633 --> 00:17:36,133
AND WHEN HE COMES IN, YOU GRAB
HIM BEFORE HE CAN WHIP OUT A GUN
305
00:17:36,133 --> 00:17:38,633
OR A KNIFE.
306
00:17:38,633 --> 00:17:41,667
Breo:
THE STING IS ONE ASPECT OF IT.
307
00:17:41,667 --> 00:17:43,100
IN THE MEANTIME,
308
00:17:43,100 --> 00:17:48,133
THEY ALSO HAD TWO-MAN TEAMS
WHO WERE FANNING OUT.
309
00:17:48,133 --> 00:17:52,367
THEY'RE HITTING LOCAL HOTELS
AND BARS AND RESTAURANTS.
310
00:17:52,367 --> 00:17:55,200
EVERYTHING WAS HAPPENING
REALLY QUICKLY THAT DAY.
311
00:17:55,200 --> 00:17:56,800
POLICE WERE EVERYWHERE.
312
00:17:56,800 --> 00:18:00,800
AND THESE POLICEMEN HAD ONLY
RECENTLY LEFT THE CRIME SCENE.
313
00:18:00,800 --> 00:18:02,433
HEY, MAC?
314
00:18:02,433 --> 00:18:04,800
Mac: YEAH?
315
00:18:04,800 --> 00:18:06,467
WE'RE LOOKIN' FOR A GUY.
316
00:18:06,467 --> 00:18:08,533
THEY DIDN'T HAVE A PICTURE
OF THE SUSPECT.
317
00:18:08,533 --> 00:18:13,800
HE'S A SAILOR,
BLOND HAIR, 24 OR 25 YEARS OLD.
318
00:18:13,800 --> 00:18:16,300
ALL THEY HAD
WAS A VAGUE DESCRIPTION.
319
00:18:16,300 --> 00:18:22,067
THEY DIDN'T EVEN KNOW
THE NAME, RICHARD SPECK.
320
00:18:22,067 --> 00:18:26,067
BUT HE WAS CLOSER
THAN THEY COULD'VE IMAGINED.
321
00:18:26,067 --> 00:18:30,067
DON'T RING A BELL.
322
00:18:30,067 --> 00:18:32,833
Breo: RICHARD SPECK
IS STANDING 10 FEET AWAY.
323
00:18:42,133 --> 00:18:45,800
HEY, MAC? LET'S HEAR YOUR STORY.
WHERE DO YOU WORK?
324
00:18:45,800 --> 00:18:51,300
DOWN THE SHIPYARD.
325
00:18:51,300 --> 00:18:52,567
HOW 'BOUT YOU?
326
00:18:52,567 --> 00:18:55,867
SHIPYARD.
327
00:18:55,867 --> 00:19:01,067
SPECK SLINKS AWAY
AND GOES OUT THE BACK DOOR.
328
00:19:04,067 --> 00:19:06,367
Breo: IN THE MEANTIME,
AT THE UNION HALL,
329
00:19:06,367 --> 00:19:08,200
THE DAY DRAGS ON,
330
00:19:08,200 --> 00:19:10,667
AND RICHARD SPECK
DOES NOT SHOW UP.
331
00:19:17,500 --> 00:19:19,967
YOU TOLD HIM THAT THE NAME
OF THE SHIP
332
00:19:19,967 --> 00:19:22,900
HE WAS GOIN' ON WAS
THE SINCLAIR GREAT LAKES, YEAH?
333
00:19:22,900 --> 00:19:24,633
YES.
334
00:19:24,633 --> 00:19:30,100
THAT WAS THE SHIP
THAT ALREADY LEFT.
335
00:19:30,100 --> 00:19:35,400
SPECK MUST HAVE KNOWN
HE WAS BEING SET UP.
336
00:19:35,400 --> 00:19:37,633
HE'S NOT COMING.
337
00:19:37,633 --> 00:19:39,667
THE DRAGNET MISSED HIM.
338
00:19:39,667 --> 00:19:42,767
THEY'RE AFRAID
RICHARD SPECK MAY GET AWAY.
339
00:19:45,167 --> 00:19:47,733
[ TELEPHONE RINGS ]
340
00:19:47,733 --> 00:19:50,800
YEAH? WHAT'S THE STATUS
WITH THE PRINTS?
341
00:19:50,800 --> 00:19:54,367
AT THE SAME TIME, THE POLICE
THINK THE THREE FINGERPRINTS
342
00:19:54,367 --> 00:19:55,667
FROM THE CRIME SCENE...
343
00:19:55,667 --> 00:19:57,633
-BEAUTIFUL.
-...BELONG TO THE KILLER.
344
00:19:59,600 --> 00:20:02,000
IF THIS RICHARD SPECK'S
FINGERPRINTS
345
00:20:02,000 --> 00:20:05,300
MATCHED THE PRINTS
FROM THE CRIME SCENE,
346
00:20:05,300 --> 00:20:07,400
THEY HAD THEIR MAN.
347
00:20:07,400 --> 00:20:10,800
THEY RUN A CHECK OF CHICAGO
POLICE DEPARTMENT RECORDS.
348
00:20:10,800 --> 00:20:14,000
AND RICHARD SPECK
IS NOWHERE TO BE FOUND.
349
00:20:14,000 --> 00:20:17,400
O'Toole: SO THEY CALL THE FBI
IN WASHINGTON D.C.
350
00:20:17,400 --> 00:20:21,100
TO CHECK IF THEY HAD ANYTHING
ON FILE.
351
00:20:29,033 --> 00:20:33,167
AND THEY PULL OUT RICHARD
SPECK'S FINGERPRINT CARDS.
352
00:20:33,167 --> 00:20:37,200
FROM HIS ARREST RECORD IN TEXAS.
353
00:20:37,200 --> 00:20:41,333
BUT YOU HAVE TO REMEMBER,
THIS WAS 1966.
354
00:20:41,333 --> 00:20:46,433
THIS WAS LONG BEFORE E-MAIL
OR FAX MACHINES.
355
00:20:46,433 --> 00:20:49,233
THE FINGERPRINT FILE
FROM THE FBI
356
00:20:49,233 --> 00:20:50,933
HAD TO BE PHYSICALLY
TRANSPORTED
357
00:20:50,933 --> 00:20:53,100
FROM D.C. TO CHICAGO.
358
00:20:53,100 --> 00:20:55,100
AND AS IF THAT WASN'T
HARD ENOUGH...
359
00:20:55,100 --> 00:20:57,267
AMONG THE MANY CHALLENGES
THE DEPARTMENT FACED,
360
00:20:57,267 --> 00:21:00,833
THERE WAS AN AIRLINE STRIKE
GOING ON ACROSS THE NATION.
361
00:21:00,833 --> 00:21:02,700
THE ENTIRE CHICAGO POLICE
DEPARTMENT
362
00:21:02,700 --> 00:21:05,967
IS FEELING TREMENDOUS PRESSURE
TO FIND THEIR MAN
363
00:21:05,967 --> 00:21:09,567
AND TO NAIL THIS THING DOWN.
364
00:21:09,567 --> 00:21:12,800
A SUSPECT
ON THE LOOSE FOR 12 HOURS --
365
00:21:12,800 --> 00:21:14,167
THAT'S A PROBLEM.
366
00:21:14,167 --> 00:21:16,767
EVERY SECOND THAT TICKED
BY TOOK THE POLICE FURTHER
367
00:21:16,767 --> 00:21:18,933
AWAY FROM CATCHING THE MONSTER.
368
00:21:18,933 --> 00:21:23,867
AND A MANHUNT IN A CITY
AS BIG AS CHICAGO IS NO JOKE.
369
00:21:23,867 --> 00:21:26,333
BUT THAT WEEK, FORGET ABOUT IT.
370
00:21:26,333 --> 00:21:28,600
THE RIOTS HAD SPIRALED
OUT OF CONTROL.
371
00:21:28,600 --> 00:21:30,433
SIX POLICEMEN WERE SHOT.
372
00:21:30,433 --> 00:21:33,400
OVER 100 PEOPLE WERE ARRESTED.
373
00:21:33,400 --> 00:21:37,233
WE COULD BARELY HANDLE THE
PATIENTS IN OUR EMERGENCY ROOM.
374
00:21:37,233 --> 00:21:39,800
OF COURSE, IT WAS ALMOST
IMPOSSIBLE TO FIND THE GUY
375
00:21:39,800 --> 00:21:42,567
OUT THERE IN ALL THAT CHAOS.
376
00:21:42,567 --> 00:21:44,267
AND BETWEEN THE TWO OF THEM,
377
00:21:44,267 --> 00:21:50,067
THE CHICAGO POLICE DEPARTMENT
IS BEING STRETCHED VERY THIN.
378
00:21:50,067 --> 00:21:52,200
AT THE SAME TIME,
ON THE NORTH SIDE,
379
00:21:52,200 --> 00:21:55,633
NEAR THE OLD TOWN SECTION
OF CHICAGO, THESE BEAT COPS
380
00:21:55,633 --> 00:22:01,133
ARE CALLED TO THE RALEIGH HOTEL
ON A ROUTINE CASE.
381
00:22:01,133 --> 00:22:07,467
THEY HAVE THIS TIP THAT A MAN
IN ROOM 806 HAS A GUN.
382
00:22:10,433 --> 00:22:14,133
THEY KNOW THE ROOM IS REGISTERED
TO A MAN NAMED DAVID STATEN.
383
00:22:14,133 --> 00:22:16,067
HEY, BUDDY. WAKE UP.
384
00:22:24,100 --> 00:22:25,633
GOOD MORNING, OFFICERS.
385
00:22:25,633 --> 00:22:27,067
LET'S SEE YOUR I.D.
386
00:22:27,067 --> 00:22:28,900
YEAH.
387
00:22:36,967 --> 00:22:39,200
RICHARD SPECK?
388
00:22:51,267 --> 00:22:53,633
RICHARD SPECK?
389
00:22:59,800 --> 00:23:01,200
LOOK, BUDDY.
390
00:23:01,200 --> 00:23:03,100
WANT TO EXPLAIN
WHY YOU'RE REGISTERED DOWNSTAIRS
391
00:23:03,100 --> 00:23:04,767
WITH ONE NAME,
392
00:23:04,767 --> 00:23:07,867
AND THE NAME
ON YOUR I.D. HERE IS DIFFERENT?
393
00:23:07,867 --> 00:23:09,833
Woman: ALL RIGHT.
BEAR WITH ME, NOW.
394
00:23:09,833 --> 00:23:12,367
I KNOW THIS SEEMS IMPOSSIBLE
TODAY.
395
00:23:12,367 --> 00:23:14,700
SO MANY THINGS
WERE HAPPENING AT ONCE,
396
00:23:14,700 --> 00:23:16,367
AND THE RIOTS DIDN'T HELP.
397
00:23:16,367 --> 00:23:18,433
THESE WERE JUST REGULAR
BEAT COPS.
398
00:23:18,433 --> 00:23:20,700
THEY WEREN'T EVEN A PART
OF THE MANHUNT.
399
00:23:20,700 --> 00:23:23,600
SO THEY JUST DIDN'T KNOW
THEY SHOULD BE ON THE LOOKOUT
400
00:23:23,600 --> 00:23:28,567
FOR SOMEONE
NAMED RICHARD SPECK.
401
00:23:28,567 --> 00:23:31,133
THAT'S -- THAT'S NOT MINE.
402
00:23:31,133 --> 00:23:34,900
THAT'S THIS -- THAT'S THIS
LADY'S I PICKED UP LAST NIGHT.
403
00:23:34,900 --> 00:23:37,167
I'LL BE HONEST.
SHE WAS -- SHE WAS A PROSTITUTE.
404
00:23:37,167 --> 00:23:41,233
AND I THINK SHE SAID
IT WAS FOR PROTECTION.
405
00:23:41,233 --> 00:23:43,667
BUT THAT'S HER GUN.
SHE LEFT IT HERE.
406
00:23:43,667 --> 00:23:47,133
I WANT NO PART OF IT.
407
00:23:47,133 --> 00:23:51,067
ALL RIGHT. WELL,
WE'RE CONFISCATING IT ANYWAY.
408
00:23:51,067 --> 00:23:52,133
KEEP YOUR NOSE CLEAN.
409
00:23:52,133 --> 00:23:58,667
YES, SIR.
THANK YOU, SIR.
410
00:23:58,667 --> 00:24:01,200
IF THEY'D HAVE BROUGHT HIM IN
AND CHARGED HIM
411
00:24:01,200 --> 00:24:07,600
WITH HAVING THE GUN,
THEY'D HAVE HAD HIM IN CUSTODY.
412
00:24:07,600 --> 00:24:09,967
HINDSIGHT IS 20/20, RIGHT?
413
00:24:09,967 --> 00:24:13,100
INSTEAD OF NABBING
THE MOST WANTED MAN IN AMERICA,
414
00:24:13,100 --> 00:24:15,067
THEY JUST LEFT HIM THERE.
415
00:24:15,067 --> 00:24:17,800
AFTER THAT CLOSE CALL,
HE MUST HAVE WISENED UP
416
00:24:17,800 --> 00:24:20,533
BECAUSE BY THE TIME
THE MANHUNT REACHED THE HOTEL,
417
00:24:20,533 --> 00:24:23,433
THERE WAS NO ONE
LEFT FOR THEM TO FIND.
418
00:24:23,433 --> 00:24:26,700
SPECK REALIZES THAT THE WOLVES
ARE CLOSING IN
419
00:24:26,700 --> 00:24:28,067
AND THAT HE SHOULD FLEE.
420
00:24:28,067 --> 00:24:33,533
THE POLICE NOW RUN THE RISK
OF LOSING HIM FOREVER.
421
00:24:33,533 --> 00:24:36,833
THIS RICHARD SPECK
HAD SKIPPED OUT ON A JOB OFFER
422
00:24:36,833 --> 00:24:37,967
AT THE UNION HALL
423
00:24:37,967 --> 00:24:40,467
AND VANISHED IMMEDIATELY
FROM THE HOTEL.
424
00:24:40,467 --> 00:24:43,067
THAT SURE SOUNDS
LIKE GUILTY BEHAVIOR TO ME.
425
00:24:43,067 --> 00:24:44,567
AND THE POLICE THOUGHT SO, TOO.
426
00:24:44,567 --> 00:24:48,233
BUT WITHOUT ANY HARD EVIDENCE,
THEY WERE IN A REAL BIND.
427
00:24:48,233 --> 00:24:50,167
Man: LOOK, JUST PUT HIS PHOTO
IN THE PAPER
428
00:24:50,167 --> 00:24:52,333
SO PEOPLE CAN SEE HIS FACE.
429
00:24:52,333 --> 00:24:54,467
WE PUT A PICTURE
OF SPECK IN THE PAPER,
430
00:24:54,467 --> 00:24:56,733
AND WE RISK BLOWING
THIS WHOLE TRIAL.
431
00:24:56,733 --> 00:24:59,167
JACK, THE PRESS IS GONNA LINE UP
TO HELP US CATCH THIS GUY.
432
00:24:59,167 --> 00:25:00,400
FORGET THE LAWYERS.
433
00:25:00,400 --> 00:25:02,633
WE CAN'T GO PUBLIC
WITH A PHOTO NOW.
434
00:25:02,633 --> 00:25:05,467
SOME FANCY DEFENSE
ATTORNEY'LL SAY THE JURY POOL
435
00:25:05,467 --> 00:25:08,467
WAS POISONED, BLAH, BLAH, BLAH,
AND THIS GUY WALKS.
436
00:25:08,467 --> 00:25:10,333
YOU WANT THAT?
437
00:25:10,333 --> 00:25:12,500
Breo: SINCE THEY DON'T YET
HAVE POSITIVE PROOF
438
00:25:12,500 --> 00:25:14,433
THAT SPECK IS THE KILLER,
439
00:25:14,433 --> 00:25:17,367
IF THEY WERE TO GIVE
HIS PHOTOGRAPH TO THE NEWSPAPERS
440
00:25:17,367 --> 00:25:19,267
AND NAME HIM AS THE MURDERER,
441
00:25:19,267 --> 00:25:23,067
THEN SPECK MIGHT VERY WELL
GET OFF ON A TECHNICALITY.
442
00:25:23,067 --> 00:25:24,900
UNTIL WE CAN MATCH
HIS FINGERPRINTS
443
00:25:24,900 --> 00:25:26,367
FROM THE CRIME SCENE
WITH THE PRINTS
444
00:25:26,367 --> 00:25:29,267
THAT THE FBI IS SENDING US,
WE GOT TO WAIT.
445
00:25:36,200 --> 00:25:39,067
AIR TRAVEL WAS A LITTLE
EXOTIC BACK THEN.
446
00:25:39,067 --> 00:25:41,300
I'D NEVER EVEN BEEN
ON AN AIRPLANE.
447
00:25:41,300 --> 00:25:43,400
IT STILL SEEMED A LITTLE BIT
LIKE MAGIC.
448
00:25:43,400 --> 00:25:44,767
SO IT MADE A KIND OF SENSE
449
00:25:44,767 --> 00:25:47,433
WHEN THE BREAK THE POLICE
NEEDED CAME FROM ABOVE.
450
00:25:47,433 --> 00:25:50,700
STRIKE OR NO STRIKE,
AN AMERICAN AIRLINES PILOT
451
00:25:50,700 --> 00:25:52,900
VOLUNTEERED TO FLY
RICHARD SPECK'S FINGERPRINTS
452
00:25:52,900 --> 00:25:56,700
TO CHICAGO ON THE JUMP SEAT.
453
00:25:56,700 --> 00:26:00,367
**
454
00:26:12,800 --> 00:26:17,167
Breo: SO THE FINGERPRINTS
HAD TO BE MATCHED,
455
00:26:17,167 --> 00:26:20,067
BUT IT WAS A VERY METICULOUS
PROCESS.
456
00:26:20,067 --> 00:26:21,533
ANYBODY COME THROUGH HERE
LIKE THAT?
457
00:26:21,533 --> 00:26:23,467
I DON'T KNOW.
458
00:26:23,467 --> 00:26:25,600
YOU COULDN'T GO
ANYWHERE IN CHICAGO THAT DAY
459
00:26:25,600 --> 00:26:27,167
WITHOUT SEEING POLICE,
460
00:26:27,167 --> 00:26:30,833
ESPECIALLY ON THE NORTH SIDE
WHERE THE MANHUNT HAD SPREAD.
461
00:26:30,833 --> 00:26:32,333
WE DIDN'T KNOW IT,
462
00:26:32,333 --> 00:26:35,333
BUT THEY WERE JUST
SPINNING THEIR WHEELS.
463
00:26:35,333 --> 00:26:37,300
RICHARD SPECK MADE SURE
TO BLEND IN
464
00:26:37,300 --> 00:26:39,667
WITH THE VAGRANTS ON SKID ROW
465
00:26:39,667 --> 00:26:43,200
WHILE HE FIGURED OUT
HOW TO SKIP TOWN.
466
00:26:43,200 --> 00:26:45,167
Breo:
AND SPECK HAS GOTTEN THE IDEA,
467
00:26:45,167 --> 00:26:49,833
HE'S GOING TO GET ON A FREIGHT
AND GO DOWN TO DALLAS.
468
00:26:49,833 --> 00:26:51,400
I CAN REMEMBER THINKING,
469
00:26:51,400 --> 00:26:53,400
"IF ONLY THERE WAS SOME WAY
I COULD HELP."
470
00:26:53,400 --> 00:26:54,900
THE FUNNY THING WAS,
471
00:26:54,900 --> 00:26:57,067
THAT'S WHAT THE POLICE
WERE THINKING TOO.
472
00:26:57,067 --> 00:26:59,100
IF THEY COULD JUST
MATCH SPECK'S PRINTS
473
00:26:59,100 --> 00:27:01,100
AND PUT HIS PICTURE
IN THE PAPER,
474
00:27:01,100 --> 00:27:03,767
THEN ALL OF CHICAGO
COULD BE ON THE LOOKOUT.
475
00:27:03,767 --> 00:27:07,300
AND THE DAY WEARS ON.
476
00:27:12,067 --> 00:27:15,833
EVENTUALLY,
IT GETS TO BE ABOUT 5:00 A.M.
477
00:27:20,067 --> 00:27:22,800
THEY'RE BLURRY EYED.
478
00:27:26,600 --> 00:27:30,767
HUGHEY,
THIS ONE LOOKS VERY GOOD.
479
00:27:34,667 --> 00:27:37,300
YEAH.
THAT'S RIGHT.
480
00:27:43,800 --> 00:27:46,633
-Yeah?
-I THINK WE HAVE A MATCH.
481
00:27:47,900 --> 00:27:49,167
GENTLEMEN,
482
00:27:49,167 --> 00:27:52,400
WE HAVE AN ALL-POINT ALERT
OUT FOR RICHARD SPECK.
483
00:27:52,400 --> 00:27:54,833
Hennigan: NEWSPAPERS WERE
PROVIDED WITH THE MUGSHOTS
484
00:27:54,833 --> 00:27:56,500
AND THE DESCRIPTION.
485
00:27:56,500 --> 00:27:59,167
Breo:
INCLUDING THE EMBLEMATIC TATTOO,
486
00:27:59,167 --> 00:28:02,733
"BORN TO RAISE HELL,"
ON THE LEFT ARM.
487
00:28:02,733 --> 00:28:03,900
LET'S GET THE WORD OUT, FOLKS.
488
00:28:03,900 --> 00:28:08,200
WE'RE GONNA CATCH
THIS SON OF A GUN.
489
00:28:08,200 --> 00:28:10,400
Anchorman: POLICE ARE SEEKING
THE PUBLIC'S HELP IN THE CASE
490
00:28:10,400 --> 00:28:11,633
OF THE EIGHT STUDENT NURSES
491
00:28:11,633 --> 00:28:14,067
BRUTALLY MURDERED
ON CHICAGO'S SOUTH SIDE.
492
00:28:14,067 --> 00:28:16,567
THE KILLER HAS BEEN IDENTIFIED
AS ONE RICHARD SPECK,
493
00:28:16,567 --> 00:28:17,867
A TEXAS NATIVE.
494
00:28:17,867 --> 00:28:20,433
MR. SPECK'S WHEREABOUTS
ARE CURRENTLY UNKNOWN.
495
00:28:20,433 --> 00:28:24,933
RICHARD SPECK MIGHT BE
DISCOVERED BY SOME CITIZEN
496
00:28:24,933 --> 00:28:26,633
AND THE INFORMATION RELATING
497
00:28:26,633 --> 00:28:32,067
TO HIS ACTIVITIES
REPORTED TO US.
498
00:28:32,067 --> 00:28:34,267
HEY, BUDDY.
SEEN THIS GUY?
499
00:28:34,267 --> 00:28:35,700
Breo:
THERE ARE POLICE EVERYWHERE.
500
00:28:35,700 --> 00:28:38,300
THEY'RE HITTING EVERY BAR,
EVERY PLACE THEY CAN FIND.
501
00:28:38,300 --> 00:28:40,733
THEY'RE SHOWING SPECK'S PHOTO.
502
00:28:40,733 --> 00:28:44,533
THEY KNOW THEY'RE CLOSING IN.
503
00:28:44,533 --> 00:28:47,500
IN THE MEANTIME,
504
00:28:47,500 --> 00:28:52,600
SPECK RENTS A CUBICLE
FOR 90 CENTS IN THE STARR HOTEL.
505
00:28:52,600 --> 00:28:53,767
Woman:
I KNOW WHAT YOU'RE THINKING,
506
00:28:53,767 --> 00:28:55,633
"WHY DIDN'T THE GUY SKIP TOWN?"
507
00:28:55,633 --> 00:28:58,600
THE POLICE WERE WATCHING
THE TRAINS TOO CLOSELY.
508
00:28:58,600 --> 00:29:00,600
Hennigan: SPECK HAD NO MONEY.
509
00:29:00,600 --> 00:29:03,533
THE INVESTIGATORS WERE CLOSING
IN ON HIM.
510
00:29:03,533 --> 00:29:06,200
HE WAS CORNERED.
511
00:29:13,700 --> 00:29:17,200
Breo:
THAT AFTERNOON ACROSS CHICAGO,
512
00:29:17,200 --> 00:29:21,533
DR. LEROY SMITH IS TOWARD
THE END OF A 36-HOUR SHIFT
513
00:29:21,533 --> 00:29:23,567
IN THE SAME HOSPITAL WHERE,
514
00:29:23,567 --> 00:29:27,100
BELOW, IN THE MORGUE,
THE NURSES HAD BEEN TAKEN.
515
00:29:27,100 --> 00:29:30,100
DOCTOR, WE HAVE A WRIST-CUTTER
IN, CURTAIN THREE.
516
00:29:30,100 --> 00:29:32,267
THANK YOU, CATHY.
517
00:29:32,267 --> 00:29:39,400
Hennigan: DR. SMITH IS ASSIGNED
A CASE OF AN ATTEMPTED SUICIDE.
518
00:29:39,400 --> 00:29:42,167
BUT IT WAS A WEAK ATTEMPT
AT SUICIDE.
519
00:29:42,167 --> 00:29:45,267
LET'S GO AHEAD
AND CLEAN HIM UP.
520
00:29:47,133 --> 00:29:50,567
**
521
00:30:01,867 --> 00:30:06,433
Hennigan: HE REALIZES
THIS IS RICHARD SPECK.
522
00:30:06,433 --> 00:30:13,233
WATER. WATER.
523
00:30:13,233 --> 00:30:16,433
DID YOU GIVE
THE NURSES WATER?
524
00:30:23,000 --> 00:30:25,367
WATER.
525
00:30:25,367 --> 00:30:28,967
Woman: IT FELT, TO MANY OF US
IN CHICAGO, LIKE AN ETERNITY.
526
00:30:28,967 --> 00:30:32,033
BUT IT TOOK ONLY 72 HOURS
AFTER THE MURDERS
527
00:30:32,033 --> 00:30:35,033
FOR THE POLICE TO CAPTURE
RICHARD SPECK.
528
00:30:39,567 --> 00:30:43,633
THE WHOLE COUNTRY WAITED FOR
THE TRIAL FOR 7 ANXIOUS MONTHS.
529
00:30:43,633 --> 00:30:45,500
WE NEEDED ANSWERS.
530
00:30:45,500 --> 00:30:49,300
WHAT REALLY HAPPENED
IN THE TOWN HOUSE THAT NIGHT?
531
00:30:49,300 --> 00:30:53,133
HOW WAS A SINGLE MAN
ABLE TO KILL EIGHT WOMEN,
532
00:30:53,133 --> 00:30:54,400
ONE BY ONE,
533
00:30:54,400 --> 00:30:59,067
SO SILENTLY THAT NO ONE
EVER HEARD THEM SCREAM?
534
00:30:59,067 --> 00:31:01,333
Breo:
CORA, THE SURVIVING NURSE,
535
00:31:01,333 --> 00:31:03,667
HASN'T BEEN SEEN
FOR 7 MONTHS NOW.
536
00:31:03,667 --> 00:31:06,767
THERE WERE RUMORS THAT SHE'D
GONE BACK TO THE PHILIPPINES,
537
00:31:06,767 --> 00:31:09,067
THAT SHE'D BEEN
THROUGH ENOUGH ALREADY,
538
00:31:09,067 --> 00:31:11,833
AND HAD NO INTENTION
OF TESTIFYING.
539
00:31:11,833 --> 00:31:13,900
NOBODY KNOWS WHERE CORA IS.
540
00:31:13,900 --> 00:31:17,267
NOBODY KNOWS EXACTLY
HOW THE MURDERS OCCURRED.
541
00:31:17,267 --> 00:31:20,833
BUT AT 11:00 A.M.
ON THE THIRD DAY OF THE TRIAL,
542
00:31:20,833 --> 00:31:24,600
CORA WAS USHERED PAST THE PRESS
THROUGH THE SIDE DOOR.
543
00:31:29,167 --> 00:31:31,567
Man: CORAZON AMURAO.
544
00:31:31,567 --> 00:31:34,633
**
545
00:31:49,167 --> 00:31:50,500
Breo: AS IT TURNS OUT,
546
00:31:50,500 --> 00:31:54,067
THEY HAD PUT HER IN THE WITNESS
PROTECTION PROGRAM.
547
00:32:02,300 --> 00:32:05,633
WOULD YOU PLEASE STATE
YOUR NAME?
548
00:32:05,633 --> 00:32:08,133
CORAZON AMURAO.
549
00:32:08,133 --> 00:32:11,133
THE PROSECUTION WAS AFRAID
THAT SHE WAS SO FRAGILE,
550
00:32:11,133 --> 00:32:13,933
PSYCHOLOGICALLY,
THAT SHE MIGHT JUST BREAK DOWN
551
00:32:13,933 --> 00:32:17,433
AND MIGHT NOT BE ABLE
TO TESTIFY.
552
00:32:17,433 --> 00:32:21,400
CORA, CAN YOU CONFIRM THIS IS
A REPLICA OF THE TOWN HOUSE
553
00:32:21,400 --> 00:32:25,533
AT 2319 EAST 100th STREET?
554
00:32:25,533 --> 00:32:27,200
THAT IS THE SAME.
555
00:32:27,200 --> 00:32:30,100
WHAT TIME DID YOU GO
TO SLEEP ON JULY 13th?
556
00:32:30,100 --> 00:32:32,800
AT 10:30 P.M.
557
00:32:32,800 --> 00:32:35,433
DID YOU WAKE UP
AT ANY TIME LATER THAT NIGHT?
558
00:32:35,433 --> 00:32:39,900
YES.
559
00:32:39,900 --> 00:32:46,233
I HEARD A KNOCK IN OUR BEDROOM
AT ABOUT 11:00.
560
00:32:46,233 --> 00:32:49,700
I GOT UP,
AND I ANSWERED THE DOOR.
561
00:32:54,533 --> 00:32:59,633
AND I SAW A MAN
WITH A GUN IN HIS RIGHT HAND.
562
00:33:05,533 --> 00:33:08,567
HE TOOK US
TO THE REAR BEDROOM.
563
00:33:12,533 --> 00:33:14,967
Breo: HE LEADS THEM TO A BACK,
LARGE BEDROOM,
564
00:33:14,967 --> 00:33:18,433
WHERE OTHER NURSES ARE SLEEPING.
565
00:33:18,433 --> 00:33:20,933
AND HE TOLD US TO SIT DOWN.
566
00:33:20,933 --> 00:33:24,067
THAT'S RIGHT.
NO ONE'S GOING TO GET HURT.
567
00:33:24,067 --> 00:33:26,867
JUST DO WHAT I SAY.
568
00:33:26,867 --> 00:33:29,433
OKAY. GOOD.
569
00:33:37,567 --> 00:33:40,067
HERE'S THE DEAL.
570
00:33:40,067 --> 00:33:42,467
I NEED MONEY
TO GET TO NEW ORLEANS.
571
00:33:42,467 --> 00:33:44,267
WHO'S GOT MONEY IN THEIR ROOM?
572
00:33:44,267 --> 00:33:48,133
RAISE YOUR HANDS.
OKAY. OKAY.
573
00:33:50,900 --> 00:33:54,367
THE AMERICAN GIRLS
SEEMED TO THINK WE SHOULD DO
574
00:33:54,367 --> 00:33:58,967
WHAT HE SAYS
AND THAT HE WILL GO AWAY.
575
00:33:58,967 --> 00:34:01,167
THANK YOU VERY MUCH.
576
00:34:01,167 --> 00:34:05,133
WHAT ABOUT YOU TWO?
577
00:34:05,133 --> 00:34:10,833
BUT THE FILIPINO GIRLS
WANTED TO TACKLE THIS MAN
578
00:34:10,833 --> 00:34:13,233
RIGHT FROM THE START.
579
00:34:13,233 --> 00:34:17,067
CORAZON SAID SHE HAD SEEN
THIS TYPE OF PERSON
580
00:34:17,067 --> 00:34:20,233
IN THE BACKCOUNTRY OF THE
PHILIPPINES WHERE SHE GREW UP.
581
00:34:24,400 --> 00:34:29,067
THANK YOU. OKAY.
ALL RIGHT.
582
00:34:29,067 --> 00:34:32,633
Ramsland: THEY EMPTY THEIR
PURSES, GIVE HIM EVERYTHING,
583
00:34:36,867 --> 00:34:38,933
YET HE DOESN'T LEAVE.
584
00:34:38,933 --> 00:34:41,200
WHAT HAPPENED THEN?
585
00:34:41,200 --> 00:34:46,100
HE STOOD AND TOOK BEDSHEETS
FROM MISS MATUSEK'S BED.
586
00:34:50,067 --> 00:34:52,700
IN THE MONTHS
LEADING UP TO THE TRIAL,
587
00:34:52,700 --> 00:34:55,433
I LAY AWAKE AT NIGHT WONDERING,
588
00:34:55,433 --> 00:34:58,467
"COULDN'T THEY SENSE
WHAT HE WANTED TO DO TO THEM?
589
00:34:58,467 --> 00:35:01,867
WHY DIDN'T THEY RUN
OR SCREAM FOR HELP?
590
00:35:01,867 --> 00:35:06,233
HOW COULD HE OVERPOWER
EIGHT PEOPLE?"
591
00:35:06,233 --> 00:35:11,367
THE ANSWER CORA GAVE HAS
HAUNTED ME FOR 50 YEARS.
592
00:35:11,367 --> 00:35:16,700
WOULD YOU PLEASE TURN AROUND
FOR ME?
593
00:35:16,700 --> 00:35:20,933
HE SIMPLY ASKED
FOR THEIR PERMISSION.
594
00:35:20,933 --> 00:35:26,267
HE BEGINS TO TIE THE NURSES UP,
ONE BY ONE.
595
00:35:34,067 --> 00:35:36,067
WE HAVE TO DO SOMETHING.
WE HAVE TO DO SOMETHING.
596
00:35:36,067 --> 00:35:41,400
THERE'S SIX OF US.
597
00:35:41,400 --> 00:35:43,333
WILL YOU PLEASE TURN AROUND?
598
00:35:43,333 --> 00:35:47,600
MM-HMM.
599
00:35:47,600 --> 00:35:51,533
Breo: THIS IS THEIR FINAL
CHANCE, REALLY, TO MAKE A MOVE.
600
00:36:02,833 --> 00:36:08,533
DID YOU TRY TO STOP HIM
AT ANY TIME?
601
00:36:08,533 --> 00:36:10,067
NO.
602
00:36:13,067 --> 00:36:16,267
Reppetto: IF THEY'D ATTACK HIM
OR SCATTERED,
603
00:36:16,267 --> 00:36:17,967
THEY'D RUN OUT THE DOORS
AND BEGIN SCREAMING,
604
00:36:17,967 --> 00:36:23,533
MOST OF THEM WOULD BE ALIVE
TODAY.
605
00:36:23,533 --> 00:36:25,400
YOU KNOW HOW IT
IS IN THE MOMENT,
606
00:36:25,400 --> 00:36:28,967
WHEN DEEP IN YOUR GUT
YOU KNOW SOMETHING IS WRONG,
607
00:36:28,967 --> 00:36:34,233
BUT DOING SOMETHING ABOUT IT
WOULD MAKE THE SITUATION REAL.
608
00:36:34,233 --> 00:36:38,067
I THINK THEY THOUGHT, IF THEY
IGNORED THAT GUT INSTINCT,
609
00:36:38,067 --> 00:36:43,067
MAYBE IT WOULD
ALL JUST GO AWAY.
610
00:36:43,067 --> 00:36:45,600
HE TIED ALL OF US.
611
00:36:45,600 --> 00:36:51,600
AND HE WAS SMILING
DURING THIS TIME.
612
00:36:51,600 --> 00:36:54,533
THEN HE UNTIED
MISS WILKENING'S ANKLES,
613
00:36:54,533 --> 00:37:01,100
AND HE TOOK HER
OUT OF THE ROOM.
614
00:37:01,100 --> 00:37:04,767
THEN, SUZANNE AND MARY ANN
CAME HOME.
615
00:37:04,767 --> 00:37:07,333
Breo:
THESE TWO NURSES CAME IN LATE.
616
00:37:07,333 --> 00:37:10,300
AND HE WAS STARTLED.
617
00:37:10,300 --> 00:37:12,967
[ MUFFLED SCREAMING ]
618
00:37:12,967 --> 00:37:19,433
WE COULDN'T SEE THEM,
BUT WE HEARD A STRUGGLE.
619
00:37:19,433 --> 00:37:21,933
THEN IT WAS QUIET AGAIN.
620
00:37:31,067 --> 00:37:33,567
ONCE HE'D KILLED SUZANNE FARRIS
AND MARY ANN JORDAN,
621
00:37:33,567 --> 00:37:37,067
HE WAS IN A FRENZY.
622
00:37:37,067 --> 00:37:38,200
AND IT WAS JUST A MATTER
623
00:37:38,200 --> 00:37:43,133
OF SYSTEMATICALLY ELIMINATING
WITNESSES.
624
00:37:43,133 --> 00:37:45,533
Hennigan:
WHILE SPECK IS OUT OF THE ROOM,
625
00:37:45,533 --> 00:37:46,967
CORA UNDERTAKES AN EFFORT
626
00:37:46,967 --> 00:37:51,900
TO CONCEAL HERSELF
UNDER ONE OF THE BEDS.
627
00:37:51,900 --> 00:37:56,233
O'Toole: CORA IS WATCHING...
628
00:37:56,233 --> 00:37:57,967
[ GASPS ]
629
00:37:57,967 --> 00:38:01,400
...AS HE COMES BACK AND FORTH.
630
00:38:04,900 --> 00:38:07,367
HER FEAR IS JUST GROWING
AND GROWING.
631
00:38:18,333 --> 00:38:22,567
Breo: HE'S NOW GOING TO TAKE
HIS EIGHTH VICTIM, GLORIA DAVY.
632
00:38:27,067 --> 00:38:29,300
PLEASE.
633
00:38:31,933 --> 00:38:36,333
AND HE PROCEEDS TO RAPE HER.
634
00:38:41,767 --> 00:38:46,367
AND THEN, HE TOOK MISS DAVY
OUT OF THE ROOM, TOO.
635
00:38:47,367 --> 00:38:51,900
Ramsland: AND THEN
CORA IS THE ONLY ONE LEFT.
636
00:38:54,267 --> 00:38:57,267
[ FOOTSTEPS APPROACHING ]
637
00:39:14,633 --> 00:39:17,967
[ CHANGE JINGLING ]
638
00:39:43,100 --> 00:39:47,100
Breo: SPECK HAS LOST COUNT
OF THE BODIES.
639
00:39:56,800 --> 00:39:58,333
NO ONE WOULD HAVE BLAMED HER
640
00:39:58,333 --> 00:40:01,867
IF SHE HAD ONLY GIVEN A WRITTEN
STATEMENT AND STAYED AWAY.
641
00:40:01,867 --> 00:40:04,733
IF IT HAD BEEN ME,
642
00:40:04,733 --> 00:40:07,600
I DON'T THINK I WOULD HAVE
BEEN BRAVE ENOUGH TO FACE HIM.
643
00:40:07,600 --> 00:40:12,167
BUT CORA AMURAO WAS
A STRONG WOMAN, AN IMMIGRANT
644
00:40:12,167 --> 00:40:14,533
AND A SURVIVOR.
645
00:40:14,533 --> 00:40:16,833
IF YOU SEE THE MAN
IN THE COURTROOM TODAY,
646
00:40:16,833 --> 00:40:20,533
WOULD YOU PLEASE
POINT HIM OUT?
647
00:40:20,533 --> 00:40:23,733
AND I THINK SHE WENT THERE
FOR TWO REASONS,
648
00:40:23,733 --> 00:40:26,400
BOTH FOR HER FALLEN FRIENDS
649
00:40:26,400 --> 00:40:28,600
AND BECAUSE SHE WANTED
TO WALK UP TO SPECK
650
00:40:28,600 --> 00:40:31,533
AND LET HIM KNOW...
651
00:40:34,667 --> 00:40:39,433
..."YOU DON'T SCARE ME
ANYMORE."
652
00:40:39,433 --> 00:40:42,300
THIS IS THE MAN.
653
00:40:42,300 --> 00:40:45,233
[ ALL MURMURING ]
654
00:40:46,100 --> 00:40:47,833
[ GAVEL BANGS ]
655
00:40:47,833 --> 00:40:50,467
Breo:
CORA HAS SHOWED TOTAL COURAGE...
656
00:40:50,467 --> 00:40:54,133
[ BANGING CONTINUES ]
657
00:40:54,133 --> 00:40:58,467
...THAT SHE COULD SEE SPECK
AGAIN
658
00:40:58,467 --> 00:41:01,633
AND NAME HIM AS THE KILLER.
659
00:41:05,567 --> 00:41:09,467
THE JURY REQUIRED ONLY
45 MINUTES TO RETURN A VERDICT
660
00:41:09,467 --> 00:41:11,300
OF GUILTY, DESERVING OF DEATH.
661
00:41:11,300 --> 00:41:15,633
[ PEOPLE SHOUTING INDISTINCTLY ]
662
00:41:15,633 --> 00:41:19,233
Ramsland: 1966 WAS SORT
OF A THRESHOLD MOMENT
663
00:41:19,233 --> 00:41:23,067
WITH RICHARD SPECK
INVADING PEOPLE'S SPACE
664
00:41:23,067 --> 00:41:25,500
TO COMMIT MASS MURDER.
665
00:41:25,500 --> 00:41:27,733
Breo: PEOPLE WERE SCRUTINIZING
THEIR NEIGHBORS
666
00:41:27,733 --> 00:41:30,667
AND LOCKING THEIR DOORS.
667
00:41:30,667 --> 00:41:32,400
IT WAS KIND
OF THE MURDER OF INNOCENCE.
668
00:41:32,400 --> 00:41:33,800
HE NOT ONLY KILLED
THE EIGHT NURSES.
669
00:41:33,800 --> 00:41:35,533
HE KILLED A LITTLE BIT
OF ALL OF US.
670
00:41:35,533 --> 00:41:37,067
FORGIVE OUR TRESPASSES
671
00:41:37,067 --> 00:41:39,133
AS WE FORGIVE THOSE WHO TRESPASS
AGAINST US.
672
00:41:39,133 --> 00:41:43,133
AND MAYBE THE SADDEST PART
OF ALL WAS THE THING
673
00:41:43,133 --> 00:41:45,967
THESE YOUNG WOMEN
WOULD BE REMEMBERED FOR.
674
00:41:45,967 --> 00:41:48,500
THE THING
I WOULD REMEMBER THEM FOR
675
00:41:48,500 --> 00:41:54,367
WAS AS A REMINDER THAT THE
ONCE-GOOD WORLD HAD GONE BAD.
676
00:41:56,067 --> 00:42:02,967
* WILL THE CIRCLE BE UNBROKEN *
677
00:42:02,967 --> 00:42:05,933
* BY AND BY, LORD *
678
00:42:05,933 --> 00:42:08,300
* BY AND BY *
AND THAT WAS ITS OWN TRAGEDY.
679
00:42:08,300 --> 00:42:11,500
WHAT CAN YOU LEARN
ABOUT A PERSON IN THE 500 WORDS
680
00:42:11,500 --> 00:42:13,067
OF A NEWSPAPER ARTICLE
681
00:42:13,067 --> 00:42:16,467
OR IN THE 60 MINUTES
OF A TELEVISION SPECIAL?
682
00:42:16,467 --> 00:42:19,800
IN A MASS MURDER LIKE THIS ONE,
683
00:42:19,800 --> 00:42:22,833
THE VICTIMS AREN'T JUST ROBBED
OF THEIR LIVES.
684
00:42:22,833 --> 00:42:25,367
THEY'RE ROBBED OF THEIR MEMORY.
685
00:42:25,367 --> 00:42:29,200
BUT WE NEED TO REMEMBER
ALL OF THEM,
686
00:42:29,200 --> 00:42:31,733
EACH AND EVERY ONE.
687
00:42:34,233 --> 00:42:38,200
Breo: GLORIA DAVY.
688
00:42:38,200 --> 00:42:41,600
PAMELA WILKENING.
689
00:42:41,600 --> 00:42:45,433
O'Toole: PATRICIA MATUSEK.
690
00:42:45,433 --> 00:42:49,167
Breo: MERLITA GARGULLO.
691
00:42:49,167 --> 00:42:52,567
Hennigan: SUZANNE FARRIS.
692
00:42:52,567 --> 00:42:55,933
Breo: NINA SCHMALE.
693
00:42:55,933 --> 00:42:59,900
VALENTINA PASION.
694
00:42:59,900 --> 00:43:02,167
Hennigan: AND MARY ANN JORDAN.
695
00:43:03,200 --> 00:43:09,833
* WILL THE CIRCLE BE UNBROKEN *
696
00:43:09,833 --> 00:43:13,200
* BY AND BY, LORD *
697
00:43:13,200 --> 00:43:16,867
* BY AND BY *
698
00:43:16,867 --> 00:43:20,167
* THERE'S A BETTER *
699
00:43:20,167 --> 00:43:23,567
* HOME AWAITIN' *
700
00:43:23,567 --> 00:43:26,333
* IN THE SKY, LORD *
701
00:43:26,333 --> 00:43:30,567
* IN THE SKY *
702
00:43:30,617 --> 00:43:35,167
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