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These are the user uploaded subtitles that are being translated: 1 00:00:01,500 --> 00:00:04,300 [ CLOCK TICKING ] 2 00:00:04,700 --> 00:00:06,467 Woman: GIRLS WHO LIVED ACROSS THE STREET 3 00:00:06,467 --> 00:00:10,467 WERE SMART AND PRETTY AND REALLY NICE. 4 00:00:10,467 --> 00:00:13,033 [ ALARM RINGING ] 5 00:00:13,033 --> 00:00:16,400 THEY WERE CLUB LEADERS AND STAR STUDENTS, 6 00:00:16,400 --> 00:00:20,400 AND THEY HARDLY EVER GOT INTO TROUBLE WITH CURFEW. 7 00:00:20,400 --> 00:00:21,900 SO WE NEVER HAD ANY REASON 8 00:00:21,900 --> 00:00:25,400 TO THINK THAT ON THAT JULY MORNING, 9 00:00:25,400 --> 00:00:28,167 THEY WEREN'T SLEEPING SOUNDLY IN THEIR BEDS. 10 00:00:28,167 --> 00:00:29,733 [ RINGING CONTINUES ] 11 00:00:29,733 --> 00:00:32,733 [ BREATHING HEAVILY ] 12 00:00:39,000 --> 00:00:42,433 BUT CORA AMURAO HAD NOT SLEPT AT ALL. 13 00:00:42,433 --> 00:00:44,833 SHE HAD LIVED THROUGH A NIGHT DARKER 14 00:00:44,833 --> 00:00:49,867 THAN YOU OR I WILL EVER KNOW. 15 00:00:49,867 --> 00:00:52,100 AND WHEN SHE DID GET UP THAT MORNING, 16 00:00:52,100 --> 00:00:54,067 SHE MUST HAVE BEEN PRAYING 17 00:00:54,067 --> 00:00:58,300 THAT IT HAD ALL BEEN SOME KIND OF NIGHTMARE, 18 00:00:58,300 --> 00:01:02,933 THAT WHAT SHE HAD ENDURED COULDN'T POSSIBLY BE REAL. 19 00:01:11,500 --> 00:01:13,633 [ GASPS ] 20 00:01:13,633 --> 00:01:17,300 [ CRIES ] 21 00:01:20,833 --> 00:01:24,300 HELP! SOMEONE, HELP, PLEASE! 22 00:01:24,300 --> 00:01:26,867 SOMEONE, HELP, PLEASE! 23 00:01:29,233 --> 00:01:32,333 ** 24 00:01:32,333 --> 00:01:35,333 -- Captions by VITAC -- www.vitac.com 25 00:01:35,333 --> 00:01:38,367 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 26 00:01:44,767 --> 00:01:48,667 CHICAGO IN THE SUMMER OF '66 WAS THE SORT OF HOT 27 00:01:48,667 --> 00:01:51,633 THAT CREEPS IN UNDER YOUR SKIN. 28 00:01:51,633 --> 00:01:53,933 AND IT WASN'T JUST THE WEATHER. 29 00:01:53,933 --> 00:01:57,433 THERE WAS A LOT OF TALK THAT SUMMER OF CIVIL RIGHTS. 30 00:01:57,433 --> 00:01:59,500 EVERYONE WAS PRETTY WORKED UP. 31 00:01:59,500 --> 00:02:02,167 THE MOVEMENT HAD GATHERED MOMENTUM DOWN SOUTH. 32 00:02:02,167 --> 00:02:03,433 AND WITH THE CIVIL RIGHTS ACT 33 00:02:03,433 --> 00:02:06,633 BECOMING LAW JUST 2 YEARS EARLIER, 34 00:02:06,633 --> 00:02:10,433 CHANGES WERE CLIMBING UP NORTH TO PLACES LIKE CHICAGO. 35 00:02:10,433 --> 00:02:12,867 YOU'D THINK THEY WOULD HAVE HAD AN EASIER TIME UP HERE, 36 00:02:12,867 --> 00:02:14,567 BUT YOU'D BE WRONG. 37 00:02:14,567 --> 00:02:18,700 RIOTS WERE STARTING TO BREAK OUT. 38 00:02:18,700 --> 00:02:21,100 SO IT WOULD HAVE SHOCKED ME TO NO END 39 00:02:21,100 --> 00:02:24,600 TO FIND OUT THAT THE MOST TERRIBLE VIOLENCE THAT SUMMER 40 00:02:24,600 --> 00:02:27,167 WOULD HAPPEN RIGHT IN MY OWN NEIGHBORHOOD. 41 00:02:27,167 --> 00:02:30,367 JEFFERY MANOR WAS A QUIET AREA AT THE EDGE OF THE CITY. 42 00:02:30,367 --> 00:02:32,967 YOU NEVER EXPECTED TO LOOK OUT YOUR WINDOW 43 00:02:32,967 --> 00:02:34,700 AND SEE A CRIME SCENE. 44 00:02:34,700 --> 00:02:37,833 Breo: THE FIRST HOMICIDE DETECTIVE ON THE SCENE, JACK WALLENDA, 45 00:02:37,833 --> 00:02:40,733 WALKS IN TO THE TOWN HOUSE. 46 00:02:47,200 --> 00:02:50,467 ** 47 00:02:56,067 --> 00:02:58,833 AND ALL HE CAN SEE ARE BLOOD AND GIRLS. 48 00:03:07,967 --> 00:03:11,233 HE'S NEVER SEEN ANYTHING LIKE THIS BEFORE. 49 00:03:14,600 --> 00:03:19,400 Wallenda: THERE ARE FIVE LACERATIONS, ALL WITHIN A 6-INCH AREA. 50 00:03:19,400 --> 00:03:22,400 O'Toole: YOU HAVE EIGHT VICTIMS. 51 00:03:22,400 --> 00:03:25,867 THEY'D BEEN STABBED, STRANGLED. 52 00:03:25,867 --> 00:03:30,300 AND THIS ONE IS STABBED IN THE EYE. 53 00:03:30,300 --> 00:03:34,733 Breo: IN THE LIVING ROOM IS A NUDE YOUNG WOMAN. 54 00:03:34,733 --> 00:03:39,800 IT APPEARS THAT SHE HAS BEEN SEXUALLY ASSAULTED. 55 00:03:39,800 --> 00:03:42,167 Breo: THE VICTIM'S WRISTS ARE BOUND. 56 00:03:42,167 --> 00:03:46,233 AND THEY WERE TIED VERY PROFESSIONALLY AND TIGHTLY. 57 00:03:46,233 --> 00:03:50,633 IT'S A COMPLETE SCENE OF CARNAGE AND MAYHEM. 58 00:03:53,900 --> 00:03:56,800 THIS HAD TO HAVE BEEN AT LEAST TWO OR THREE PERPS. 59 00:03:56,800 --> 00:04:00,100 Breo: THERE'S A GREAT DEAL OF SPECULATION WHO POSSIBLY 60 00:04:00,100 --> 00:04:02,067 COULD HAVE ACCOMPLISHED SUCH A GRUESOME FEAT. 61 00:04:02,067 --> 00:04:05,433 IS IT A GANG OF DRUG-CRAZED KILLERS? 62 00:04:05,433 --> 00:04:09,667 Hennigan: THERE IS A SCREEN OFF A WINDOW IN THE REAR OF THE TOWN HOUSE. 63 00:04:09,667 --> 00:04:11,900 Breo: ALSO BECAUSE OF THE RIOTS 64 00:04:11,900 --> 00:04:14,800 AND THE GENERAL SENSE OF TENSION BETWEEN BLACKS AND WHITES, 65 00:04:14,800 --> 00:04:18,633 THERE IS SOME GRUMBLING OF, "WERE THESE A GANG OF BLACKS 66 00:04:18,633 --> 00:04:20,533 WHO MIGHT'VE BROKEN INTO THIS TOWN HOUSE 67 00:04:20,533 --> 00:04:26,133 AND KILLED THESE EIGHT STUDENT NURSES?" 68 00:04:26,133 --> 00:04:27,500 THE CRIME LAB TECHNICIANS 69 00:04:27,500 --> 00:04:32,100 ARE BEGINNING THE PROCESS OF LIFTING FINGERPRINTS. 70 00:04:32,100 --> 00:04:33,900 THERE IS A BLOODY T-SHIRT, 71 00:04:33,900 --> 00:04:38,600 WHICH DOESN'T LOOK LIKE IT WOULD BELONG TO THE NURSES. 72 00:04:38,600 --> 00:04:42,467 BUT IN TERMS OF CLUES, THERE ARE VERY FEW. 73 00:04:42,467 --> 00:04:45,433 ** 74 00:04:46,100 --> 00:04:50,067 [ POLICE RADIO CHATTER ] 75 00:04:50,067 --> 00:04:51,600 WHEN YOU WORK IN A HOSPITAL, 76 00:04:51,600 --> 00:04:54,200 DEATH BECOMES A PART OF YOUR EVERYDAY LIFE. 77 00:04:54,200 --> 00:04:57,800 BUT IT'S DIFFERENT WHEN IT HAPPENS LIKE THIS, 78 00:04:57,800 --> 00:05:00,433 ESPECIALLY WHEN IT'S SOMEONE YOU KNOW. 79 00:05:00,433 --> 00:05:01,633 ALL THE TRAINING IN THE WORLD 80 00:05:01,633 --> 00:05:04,467 CAN'T PREPARE YOU FOR THAT FEELING. 81 00:05:04,467 --> 00:05:06,133 YOUR BODY GOES NUMB, 82 00:05:06,133 --> 00:05:09,867 AND YOUR MIND FLIPS THROUGH EVERYTHING 83 00:05:09,867 --> 00:05:11,133 YOU KNEW ABOUT THE PERSON, 84 00:05:11,133 --> 00:05:13,733 AS THOUGH REMEMBERING 85 00:05:13,733 --> 00:05:18,067 ALL THE LITTLE DETAILS MIGHT HELP YOU HOLD ON TO THEM. 86 00:05:21,100 --> 00:05:25,700 NINA SCHMALE WAS MAYBE THE MOST POPULAR GIRL IN OUR CLASS. 87 00:05:25,700 --> 00:05:29,067 AND GLORIA DAVY WAS REALLY ACCOMPLISHED. 88 00:05:29,067 --> 00:05:32,233 SHE WAS HEAD OF THE STUDENT NURSES ASSOCIATION. 89 00:05:32,233 --> 00:05:36,367 AND PAMELA WILKENING, WE ALL CALLED HER WILLY. 90 00:05:39,933 --> 00:05:43,267 I WISH I HAD GOTTEN TO KNOW THEM BETTER. 91 00:05:43,267 --> 00:05:46,500 AND NOW ALL I HAD WAS REGRET. 92 00:05:46,500 --> 00:05:49,333 BUT THAT'S WHY WE WERE SO THANKFUL TO HEAR 93 00:05:49,333 --> 00:05:51,800 THAT SOMEONE HAD SURVIVED. 94 00:05:51,800 --> 00:05:54,700 CORA AMURAO WAS NEW AT SCHOOL. 95 00:05:54,700 --> 00:05:56,700 SHE'D ONLY MOVED TO CHICAGO FROM THE PHILIPPINES 96 00:05:56,700 --> 00:05:59,100 2 MONTHS BEFORE. 97 00:05:59,100 --> 00:06:02,700 SHE SEEMED SWEET AND A LITTLE SHY. 98 00:06:02,700 --> 00:06:07,400 THE ADVANTAGE OF HAVING A LIVING EYE WITNESS CAN'T BE OVERSTATED. 99 00:06:07,400 --> 00:06:10,733 THE INVESTIGATORS NEED TO GET AS MUCH INFORMATION FROM HER 100 00:06:10,733 --> 00:06:13,633 AS THEY CAN, AS SOON AS POSSIBLE. 101 00:06:13,633 --> 00:06:16,700 ** 102 00:06:23,367 --> 00:06:26,067 CORA. 103 00:06:26,067 --> 00:06:28,967 CORA. 104 00:06:28,967 --> 00:06:31,400 CAN YOU TELL US WHAT HAPPENED? 105 00:06:35,233 --> 00:06:38,400 [ SPEAKING TAGALOG ] 106 00:06:42,867 --> 00:06:45,267 Breo: CORA IS TERRIFIED. 107 00:06:45,267 --> 00:06:49,167 SHE STARTS TO REVERT TO HER NATIVE TAGALOG. 108 00:06:49,167 --> 00:06:53,533 O'Toole: SHE'S HORRIBLY TRAUMATIZED BY WHAT SHE HAS WITNESSED. 109 00:06:53,533 --> 00:06:55,933 SO SHE HAS TO BE SEDATED. 110 00:06:58,933 --> 00:07:02,433 Breo: FINALLY, CORA CALMS DOWN. 111 00:07:02,433 --> 00:07:03,967 AND AT THAT POINT, SHE SAYS, 112 00:07:03,967 --> 00:07:06,067 "I REALLY WANT TO HELP." 113 00:07:09,067 --> 00:07:14,067 LAST NIGHT, I WENT TO BED AT 10:30. 114 00:07:14,067 --> 00:07:20,067 HALF HOUR LATER, I HEARD A KNOCK. 115 00:07:20,067 --> 00:07:24,600 I ANSWERED THE DOOR. 116 00:07:24,600 --> 00:07:27,167 WHO WAS AT THE DOOR? 117 00:07:27,167 --> 00:07:30,600 HOW MANY MEN? 118 00:07:30,600 --> 00:07:35,567 ONE MAN. 119 00:07:35,567 --> 00:07:39,500 YOU'RE SAYING THAT ONE MAN DID THIS? 120 00:07:39,500 --> 00:07:45,300 YES, TALL, 6 FEET, BLOND HAIR. 121 00:07:47,400 --> 00:07:49,900 YES. 122 00:07:49,900 --> 00:07:53,100 O'Toole: THEY FIND THIS SHOCKING. 123 00:07:53,100 --> 00:07:57,600 A SINGLE MAN KILLED EIGHT WOMEN. 124 00:07:57,600 --> 00:08:00,767 WHAT ELSE IS HE CAPABLE OF? 125 00:08:00,767 --> 00:08:03,933 WHOEVER HAD THE ABILITY TO DO THIS 126 00:08:03,933 --> 00:08:07,300 WILL VERY LIKELY STRIKE AGAIN. 127 00:08:13,400 --> 00:08:16,700 ** 128 00:08:18,600 --> 00:08:23,067 [ ALL TALKING AT ONCE ] 129 00:08:23,067 --> 00:08:25,200 ONE -- ONE QUESTION AT A TIME. 130 00:08:25,200 --> 00:08:29,633 EIGHT NURSES HAVE BEEN KILLED IN ONE NIGHT WITH SEXUAL OVERTONES. 131 00:08:29,633 --> 00:08:31,833 RIGHT NOW, WE'RE -- WE'RE LOOKING AT A COMBINATION 132 00:08:31,833 --> 00:08:33,533 OF STABBING AND STRANGULATION. 133 00:08:33,533 --> 00:08:34,933 WHAT WAS THE MOTIVE? 134 00:08:34,933 --> 00:08:36,100 WE DON'T KNOW. 135 00:08:36,100 --> 00:08:38,467 Breo: THERE IS A SENSE OF INCOMPREHENSION. 136 00:08:38,467 --> 00:08:42,300 THE POLICE HAVE LEARNED THAT THE KILLER IS ONLY ONE MAN. 137 00:08:42,300 --> 00:08:46,367 AND EVERYBODY IS JUST TOTALLY ASTONISHED 138 00:08:46,367 --> 00:08:48,767 AT HOW HE COULD HAVE DONE THIS. 139 00:08:48,767 --> 00:08:53,367 WE DON'T KNOW EXACTLY WHAT HAS HAPPENED. 140 00:08:53,367 --> 00:08:56,733 IT'S THE CRIME OF THE CENTURY. 141 00:08:56,733 --> 00:08:58,267 ARE THERE ANY SURVIVORS? 142 00:08:58,267 --> 00:09:00,167 THERE'S ONE SURVIVOR. 143 00:09:00,167 --> 00:09:04,300 FROM CORA, THE SURVIVING NURSE, THEY DID HAVE A DESCRIPTION. 144 00:09:04,300 --> 00:09:07,367 A WHITE MALE, APPROXIMATELY 25 YEARS OF AGE, 145 00:09:07,367 --> 00:09:11,767 6 FEET TALL, BLOND HAIR, WITH A SOUTHERN DRAWL. 146 00:09:11,767 --> 00:09:17,200 THANK YOU. THANK YOU. 147 00:09:17,200 --> 00:09:19,367 ALL RIGHT, GUYS. LISTEN UP. 148 00:09:19,367 --> 00:09:21,167 I WANT YOU TO COVER THE ENTIRE AREA. 149 00:09:21,167 --> 00:09:24,233 THEY HAVE A MASS MURDERER ON THEIR HANDS WHO HAS 150 00:09:24,233 --> 00:09:26,533 A HEAD START OF SEVERAL HOURS. 151 00:09:26,533 --> 00:09:29,533 ALL RIGHT. BURGLARY, YOU'RE GONNA COVER THIS. 152 00:09:29,533 --> 00:09:31,167 THERE'S A CONSIDERABLE SENSE OF URGENCY 153 00:09:31,167 --> 00:09:33,967 TO USE AS MUCH MANPOWER AS POSSIBLE. 154 00:09:33,967 --> 00:09:37,067 SO BURGLARY DETECTIVES WERE PUT ON THE CASE 155 00:09:37,067 --> 00:09:39,933 IN ADDITION TO THE HOMICIDE DETECTIVES. 156 00:09:39,933 --> 00:09:41,600 I DON'T WANT ANY STONE LEFT UNTURNED. 157 00:09:41,600 --> 00:09:43,167 OKAY? -YOU GOT IT. 158 00:09:47,200 --> 00:09:50,567 Reppetto: THE BURGLARY DETECTIVES WERE VERY STREET WISE. 159 00:09:50,567 --> 00:09:52,433 THEY KNEW EVERY NOOK AND CRANNY. 160 00:09:52,433 --> 00:09:55,067 THEY KNEW HOW TO GET INFORMATION. 161 00:10:00,800 --> 00:10:03,367 HEY, FELLA. I'M A FRIEND OF YOUR MANAGER. 162 00:10:03,367 --> 00:10:04,967 HOW ARE YOU TODAY? 163 00:10:04,967 --> 00:10:07,700 Breo: A BURGLARY DETECTIVE NAMED EDDIE WIELOSINSKI 164 00:10:07,700 --> 00:10:08,900 LIVES IN THE NEIGHBORHOOD, 165 00:10:08,900 --> 00:10:12,067 AND HE KNOWS IT LIKE THE BACK OF HIS HANDS. 166 00:10:12,067 --> 00:10:13,800 WE'RE ACTUALLY CANVASSING THE AREA. 167 00:10:13,800 --> 00:10:15,967 Breo: HE GOES TO A GAS STATION, 168 00:10:15,967 --> 00:10:18,333 AND HE TALKS TO THE GAS STATION ATTENDANT. 169 00:10:18,333 --> 00:10:21,467 THE STATION IS A GATHERING POINT FOR TRANSIENT PEOPLE 170 00:10:21,467 --> 00:10:23,200 AND TROUBLEMAKERS IN THE NEIGHBORHOOD. 171 00:10:23,200 --> 00:10:25,800 SO WE'RE LOOKING FOR A WHITE MALE. 172 00:10:25,800 --> 00:10:29,500 Breo: AND HE GIVES CORA'S DESCRIPTION OF THE SUSPECT. 173 00:10:29,500 --> 00:10:32,200 WELL, I -- I GUESS THERE WAS, UH, ONE GUY. 174 00:10:32,200 --> 00:10:33,833 THE ATTENDANT SAYS, "WELL, YOU KNOW, 175 00:10:33,833 --> 00:10:36,200 THERE WAS SOMEBODY WHO SOUNDS LIKE THAT. 176 00:10:36,200 --> 00:10:39,367 HE WAS VERY AGITATED AND A LITTLE BELLIGERENT." 177 00:10:39,367 --> 00:10:40,833 Wielosinski: ANY WAY YOU COULD IDENTIFY HIM? 178 00:10:40,833 --> 00:10:43,500 UH, THE -- THE TATTOOS, FOR SURE. 179 00:10:43,500 --> 00:10:45,867 HE HAD, UH -- WHAT WAS IT? 180 00:10:45,867 --> 00:10:47,933 UH, BORN TO RAISE HELL. 181 00:10:47,933 --> 00:10:51,533 IT WAS, UH, RIGHT HERE, THE LEFT ARM. 182 00:10:51,533 --> 00:10:52,933 DO YOU REMEMBER ANYTHING ELSE? 183 00:10:52,933 --> 00:10:54,300 MAYBE IT WAS THAT HE HAD TO BE SOMEWHERE 184 00:10:54,300 --> 00:10:58,833 'CAUSE HE SAID HE WAS, LIKE, SHIPPIN' OUT TO NEW ORLEANS. 185 00:10:58,833 --> 00:11:00,533 HE SAID HE WAS TAKING A SHIP FROM SOMEWHERE? 186 00:11:00,533 --> 00:11:02,067 YEAH, YEAH. 187 00:11:02,067 --> 00:11:06,067 Reppetto: WIELOSINSKI HAD BEEN A MERCHANT SAILOR AT ONE TIME. 188 00:11:06,067 --> 00:11:10,567 AND HE REMEMBERED THE KNOTS THE GIRLS WERE TIED WITH. 189 00:11:10,567 --> 00:11:15,167 Breo: WIELOSINSKI REALIZES THE SUSPECT COULD BE A SAILOR. 190 00:11:21,733 --> 00:11:24,700 INVESTIGATORS GO TO THE SEAMAN'S UNION HALL, 191 00:11:24,700 --> 00:11:26,667 WHICH IS ADJACENT TO THE TOWNHOME 192 00:11:26,667 --> 00:11:28,700 IN WHICH THE GIRLS WERE KILLED. 193 00:11:28,700 --> 00:11:32,233 SIR, WE'RE LOOKING FOR A WHITE MALE, TATTOOS. 194 00:11:32,233 --> 00:11:36,867 HE MENTIONS THE SAILOR'S BELLIGERENT ATTITUDE 195 00:11:36,867 --> 00:11:39,067 WITH THE COMPLAINING ABOUT THE SHIP. 196 00:11:39,067 --> 00:11:40,933 ANYBODY LIKE THAT COME TO MIND? 197 00:11:40,933 --> 00:11:46,300 UM, YOU KNOW, THERE WAS ONE GUY. 198 00:11:46,300 --> 00:11:49,233 HE SAYS, "OH, WAIT A MINUTE. 199 00:11:49,233 --> 00:11:52,433 THAT SOUNDS LIKE SOMEONE THAT WAS IN HERE 200 00:11:52,433 --> 00:11:56,600 A COUPLE OF DAYS AGO." 201 00:11:56,600 --> 00:11:59,167 Breo: AND HE REACHES DOWN INTO THE WASTE BASKET... 202 00:12:04,100 --> 00:12:06,433 ...AND PULLS OUT THIS ASSIGNMENT SLIP, 203 00:12:06,433 --> 00:12:11,400 WHICH SENT THIS SAILOR TO A SHIP CALLED THE SINCLAIR GREAT LAKES 204 00:12:11,400 --> 00:12:12,533 FOR A JOB. 205 00:12:12,533 --> 00:12:14,767 BUT THERE WAS ONLY ONE BERTH FOR TWO SAILORS, 206 00:12:14,767 --> 00:12:18,667 AND THE JOB WENT TO A SAILOR WITH MORE SENIORITY. 207 00:12:18,667 --> 00:12:24,300 SO THIS GUY CAME BACK AND RAISED HELL AT THE UNION HALL. 208 00:12:24,300 --> 00:12:28,633 RICHARD SPECK. 209 00:12:28,633 --> 00:12:32,900 DO YOU HAVE A PHONE THAT WE COULD USE? 210 00:12:32,900 --> 00:12:35,700 Breo: FORTUNATELY, THE ASSIGNMENT SLIP HAS THIS GUY 211 00:12:35,700 --> 00:12:39,633 RICHARD SPECK'S NEAREST POINT OF CONTACT, WHICH IS HIS SISTER, 212 00:12:39,633 --> 00:12:43,200 WHO LIVES IN CHICAGO. 213 00:12:43,200 --> 00:12:45,700 Ramsland: POLICE KNOW THAT THIS RICHARD SPECK 214 00:12:45,700 --> 00:12:47,900 WANTS A JOB ABOARD A SHIP. 215 00:12:47,900 --> 00:12:51,600 SO THEY DECIDE TO ENTRAP HIM. 216 00:12:51,600 --> 00:12:56,067 THIS IS MR. OLSEN FROM THE NATIONAL MARITIME UNION. 217 00:12:56,067 --> 00:12:57,733 YES, WE HAVE AN ASSIGNMENT FOR RICHARD SPECK. 218 00:12:57,733 --> 00:13:01,467 IS HE THERE? 219 00:13:01,467 --> 00:13:04,600 WELL, COULD YOU ALERT HIM AND HAVE HIM CALL US, PLEASE? 220 00:13:04,600 --> 00:13:06,133 THANK YOU. 221 00:13:08,900 --> 00:13:10,700 NOW, WE WAIT. 222 00:13:10,700 --> 00:13:12,700 THAT'S WHAT WE DO. 223 00:13:12,700 --> 00:13:14,633 PRAY TO MARY THAT HE CALLS. 224 00:13:20,333 --> 00:13:25,300 CORA, CAN YOU -- CAN YOU TELL US WHAT HE LOOKED LIKE? 225 00:13:25,300 --> 00:13:27,900 Woman: MEANWHILE, AT THE HOSPITAL, 226 00:13:27,900 --> 00:13:30,067 DETECTIVES WERE WORKING WITH CORA 227 00:13:30,067 --> 00:13:34,533 TO GENTLY COAX A PORTRAIT OF THE KILLER FROM HER. 228 00:13:34,533 --> 00:13:36,567 CORA. 229 00:13:36,567 --> 00:13:39,267 CORA, CAN YOU TELL US ABOUT HIS EYES? 230 00:13:44,733 --> 00:13:47,967 HE HAD LIGHT EYES, BLUE -- BLUE EYES. 231 00:13:53,700 --> 00:13:56,967 SKINNY MAN, HAIR BLOND. 232 00:13:56,967 --> 00:13:58,767 JUST A FEW HOURS IN, 233 00:13:58,767 --> 00:14:02,067 THE INVESTIGATION WAS MOVING FORWARD ALL OVER THE CITY, 234 00:14:02,067 --> 00:14:04,200 FROM CORA'S HOSPITAL ROOM 235 00:14:04,200 --> 00:14:07,533 TO A DIVE BAR CALLED THE SHIPYARD INN. 236 00:14:07,533 --> 00:14:10,500 AND THOUGH THEY DIDN'T KNOW IT AT THE TIME, THE POLICE 237 00:14:10,500 --> 00:14:12,433 WERE BEGINNING TO CONVERGE... 238 00:14:12,433 --> 00:14:13,867 HEY. 239 00:14:13,867 --> 00:14:16,800 YOUR BROTHER-IN-LAW CALLED, SAID CALL THE UNION HALL. 240 00:14:16,800 --> 00:14:20,067 THEY GOT A JOB FOR YOU. 241 00:14:20,067 --> 00:14:22,767 ...COMING TO THE TRUTH FROM TWO SIDES. 242 00:14:25,900 --> 00:14:27,800 THANK YOU. 243 00:14:36,667 --> 00:14:38,333 MARITIME UNION HALL. 244 00:14:38,333 --> 00:14:40,100 YEAH, THIS IS RICHARD SPECK. 245 00:14:40,100 --> 00:14:41,967 Yes, Mr. Speck. 246 00:14:41,967 --> 00:14:43,933 UH, WE HAVE A SHIP FOR YOU. 247 00:14:43,933 --> 00:14:45,600 WHAT'S THE NAME OF THE SHIP? 248 00:14:45,600 --> 00:14:48,867 IT IS THE SINCLAIR GREAT LAKES. 249 00:14:48,867 --> 00:14:51,367 SINCLAIR GREAT LAKES? 250 00:14:51,367 --> 00:14:53,300 HIS CHEEK BONES? 251 00:14:53,300 --> 00:14:54,867 -HIGHER. -HIGH CHEEK BONES. 252 00:14:54,867 --> 00:14:55,933 -YES. -ALL RIGHT. 253 00:14:55,933 --> 00:14:59,067 DO YOU REMEMBER ANYTHING ABOUT THE MOUTH? 254 00:14:59,067 --> 00:15:02,067 LIPS OUT A LITTLE, NOT TOO MUCH. 255 00:15:02,067 --> 00:15:03,133 WHAT ABOUT THE NOSE? 256 00:15:03,133 --> 00:15:04,533 DO YOU REMEMBER ANYTHING ABOUT HIS NOSE? 257 00:15:04,533 --> 00:15:07,733 NOSE, LONG, BIG. 258 00:15:07,733 --> 00:15:09,067 NO, NO, NO. OKAY. 259 00:15:09,067 --> 00:15:11,467 DON'T GIVE THAT AWAY TO ANYONE ELSE. I'LL BE THERE. 260 00:15:11,467 --> 00:15:12,767 WE'LL HOLD THE ASSIGNMENT OPEN FOR YOU 261 00:15:12,767 --> 00:15:14,500 UNTIL YOU GET ON OVER HERE. 262 00:15:14,500 --> 00:15:16,467 BUT, UM, WE CLOSE AT 5:00 P.M. 263 00:15:16,467 --> 00:15:20,367 YEAH, BEFORE 5:00. YOU GOT IT. 264 00:15:20,367 --> 00:15:22,367 -WHAT DID HE SAY? -HE'LL BE HERE. 265 00:15:22,367 --> 00:15:24,967 AND SO WILL WE. 266 00:15:24,967 --> 00:15:29,600 BUT THERE'S A REAL DANGER IN DRAWING CLOSE TO AN ANIMAL. 267 00:15:29,600 --> 00:15:34,500 DOES THIS LOOK LIKE THE MAN? 268 00:15:34,500 --> 00:15:36,233 IF IT KNOWS IT IS CORNERED... 269 00:15:36,233 --> 00:15:39,767 YES. 270 00:15:39,767 --> 00:15:44,067 IT MIGHT DO ANYTHING. 271 00:15:51,100 --> 00:15:52,333 Woman: THEY TOLD US AT SCHOOL 272 00:15:52,333 --> 00:15:54,767 TO TRY TO GO ABOUT OUR DAY AS USUAL, 273 00:15:54,767 --> 00:15:56,400 THAT THE BEST THING WE COULD DO 274 00:15:56,400 --> 00:16:00,567 WAS TRY TO FIND A SENSE OF NORMALCY. 275 00:16:00,567 --> 00:16:05,133 NORMALCY? 276 00:16:05,133 --> 00:16:07,200 THE NIGHT BEFORE, EIGHT OF MY CLASSMATES 277 00:16:07,200 --> 00:16:08,900 HAD BEEN TORTURED AND MURDERED 278 00:16:08,900 --> 00:16:14,767 RIGHT ACROSS THE STREET FROM ME. 279 00:16:14,767 --> 00:16:19,500 HOW COULD ANYTHING BE NORMAL AGAIN? 280 00:16:19,500 --> 00:16:23,933 PAT MATUSEK WOULD NEVER WIN ANOTHER SWIM CHAMPIONSHIP. 281 00:16:23,933 --> 00:16:26,467 I WOULD NEVER SMELL MERLITA'S COOKING WAFTING 282 00:16:26,467 --> 00:16:29,467 IN THROUGH THE WINDOW. 283 00:16:29,467 --> 00:16:35,133 SUZANNE FARRIS WOULD NEVER CRACK ANOTHER JOKE. 284 00:16:35,133 --> 00:16:36,733 AND CORA... 285 00:16:36,733 --> 00:16:40,367 WOULD WE EVER SEE THAT SMILE AGAIN? 286 00:16:42,433 --> 00:16:44,467 WHO COULD DO THIS TO THEM? 287 00:16:44,467 --> 00:16:46,267 EVERY HOUR, I LOOKED AT THE CLOCK, 288 00:16:46,267 --> 00:16:52,100 WONDERING, HAD THEY FOUND HIM YET? 289 00:16:52,100 --> 00:16:54,500 WELL, I DIDN'T KNOW IT RIGHT THEN, 290 00:16:54,500 --> 00:16:57,067 BUT JUST A FEW BLOCKS FROM THE HOSPITAL, 291 00:16:57,067 --> 00:17:00,067 RIGHT ACROSS THE STREET FROM WHERE WE LIVED, 292 00:17:00,067 --> 00:17:02,167 THE POLICE WERE SETTING A TRAP 293 00:17:02,167 --> 00:17:05,433 FOR A SAILOR NAMED RICHARD SPECK. 294 00:17:05,433 --> 00:17:08,067 THEY HAVE MANAGED TO MAKE CONTACT WITH HIM. 295 00:17:08,067 --> 00:17:11,967 THEY'RE VERY HOPEFUL THAT HE'S GOING TO SHOW UP. 296 00:17:11,967 --> 00:17:13,567 -BRUIN? -HE'S RIGHT OVER THERE, 297 00:17:13,567 --> 00:17:14,767 FLANKING THAT DOOR. 298 00:17:14,767 --> 00:17:16,600 ALEX, STAND RIGHT ON OVER HERE. 299 00:17:16,600 --> 00:17:17,667 YOU'RE GONNA BE RIGHT ACROSS FROM ME. 300 00:17:17,667 --> 00:17:19,867 STEVE, RIGHT OVER THERE BY THE RADIATOR. 301 00:17:19,867 --> 00:17:23,067 THIS IS WHAT WOULD NOW BE CALLED A STING OPERATION. 302 00:17:29,067 --> 00:17:31,200 PROTOCOL IS, IF YOU CAN GET HIM TO COME THERE, 303 00:17:31,200 --> 00:17:32,633 YOU TAKE UP A POSITION. 304 00:17:32,633 --> 00:17:36,133 AND WHEN HE COMES IN, YOU GRAB HIM BEFORE HE CAN WHIP OUT A GUN 305 00:17:36,133 --> 00:17:38,633 OR A KNIFE. 306 00:17:38,633 --> 00:17:41,667 Breo: THE STING IS ONE ASPECT OF IT. 307 00:17:41,667 --> 00:17:43,100 IN THE MEANTIME, 308 00:17:43,100 --> 00:17:48,133 THEY ALSO HAD TWO-MAN TEAMS WHO WERE FANNING OUT. 309 00:17:48,133 --> 00:17:52,367 THEY'RE HITTING LOCAL HOTELS AND BARS AND RESTAURANTS. 310 00:17:52,367 --> 00:17:55,200 EVERYTHING WAS HAPPENING REALLY QUICKLY THAT DAY. 311 00:17:55,200 --> 00:17:56,800 POLICE WERE EVERYWHERE. 312 00:17:56,800 --> 00:18:00,800 AND THESE POLICEMEN HAD ONLY RECENTLY LEFT THE CRIME SCENE. 313 00:18:00,800 --> 00:18:02,433 HEY, MAC? 314 00:18:02,433 --> 00:18:04,800 Mac: YEAH? 315 00:18:04,800 --> 00:18:06,467 WE'RE LOOKIN' FOR A GUY. 316 00:18:06,467 --> 00:18:08,533 THEY DIDN'T HAVE A PICTURE OF THE SUSPECT. 317 00:18:08,533 --> 00:18:13,800 HE'S A SAILOR, BLOND HAIR, 24 OR 25 YEARS OLD. 318 00:18:13,800 --> 00:18:16,300 ALL THEY HAD WAS A VAGUE DESCRIPTION. 319 00:18:16,300 --> 00:18:22,067 THEY DIDN'T EVEN KNOW THE NAME, RICHARD SPECK. 320 00:18:22,067 --> 00:18:26,067 BUT HE WAS CLOSER THAN THEY COULD'VE IMAGINED. 321 00:18:26,067 --> 00:18:30,067 DON'T RING A BELL. 322 00:18:30,067 --> 00:18:32,833 Breo: RICHARD SPECK IS STANDING 10 FEET AWAY. 323 00:18:42,133 --> 00:18:45,800 HEY, MAC? LET'S HEAR YOUR STORY. WHERE DO YOU WORK? 324 00:18:45,800 --> 00:18:51,300 DOWN THE SHIPYARD. 325 00:18:51,300 --> 00:18:52,567 HOW 'BOUT YOU? 326 00:18:52,567 --> 00:18:55,867 SHIPYARD. 327 00:18:55,867 --> 00:19:01,067 SPECK SLINKS AWAY AND GOES OUT THE BACK DOOR. 328 00:19:04,067 --> 00:19:06,367 Breo: IN THE MEANTIME, AT THE UNION HALL, 329 00:19:06,367 --> 00:19:08,200 THE DAY DRAGS ON, 330 00:19:08,200 --> 00:19:10,667 AND RICHARD SPECK DOES NOT SHOW UP. 331 00:19:17,500 --> 00:19:19,967 YOU TOLD HIM THAT THE NAME OF THE SHIP 332 00:19:19,967 --> 00:19:22,900 HE WAS GOIN' ON WAS THE SINCLAIR GREAT LAKES, YEAH? 333 00:19:22,900 --> 00:19:24,633 YES. 334 00:19:24,633 --> 00:19:30,100 THAT WAS THE SHIP THAT ALREADY LEFT. 335 00:19:30,100 --> 00:19:35,400 SPECK MUST HAVE KNOWN HE WAS BEING SET UP. 336 00:19:35,400 --> 00:19:37,633 HE'S NOT COMING. 337 00:19:37,633 --> 00:19:39,667 THE DRAGNET MISSED HIM. 338 00:19:39,667 --> 00:19:42,767 THEY'RE AFRAID RICHARD SPECK MAY GET AWAY. 339 00:19:45,167 --> 00:19:47,733 [ TELEPHONE RINGS ] 340 00:19:47,733 --> 00:19:50,800 YEAH? WHAT'S THE STATUS WITH THE PRINTS? 341 00:19:50,800 --> 00:19:54,367 AT THE SAME TIME, THE POLICE THINK THE THREE FINGERPRINTS 342 00:19:54,367 --> 00:19:55,667 FROM THE CRIME SCENE... 343 00:19:55,667 --> 00:19:57,633 -BEAUTIFUL. -...BELONG TO THE KILLER. 344 00:19:59,600 --> 00:20:02,000 IF THIS RICHARD SPECK'S FINGERPRINTS 345 00:20:02,000 --> 00:20:05,300 MATCHED THE PRINTS FROM THE CRIME SCENE, 346 00:20:05,300 --> 00:20:07,400 THEY HAD THEIR MAN. 347 00:20:07,400 --> 00:20:10,800 THEY RUN A CHECK OF CHICAGO POLICE DEPARTMENT RECORDS. 348 00:20:10,800 --> 00:20:14,000 AND RICHARD SPECK IS NOWHERE TO BE FOUND. 349 00:20:14,000 --> 00:20:17,400 O'Toole: SO THEY CALL THE FBI IN WASHINGTON D.C. 350 00:20:17,400 --> 00:20:21,100 TO CHECK IF THEY HAD ANYTHING ON FILE. 351 00:20:29,033 --> 00:20:33,167 AND THEY PULL OUT RICHARD SPECK'S FINGERPRINT CARDS. 352 00:20:33,167 --> 00:20:37,200 FROM HIS ARREST RECORD IN TEXAS. 353 00:20:37,200 --> 00:20:41,333 BUT YOU HAVE TO REMEMBER, THIS WAS 1966. 354 00:20:41,333 --> 00:20:46,433 THIS WAS LONG BEFORE E-MAIL OR FAX MACHINES. 355 00:20:46,433 --> 00:20:49,233 THE FINGERPRINT FILE FROM THE FBI 356 00:20:49,233 --> 00:20:50,933 HAD TO BE PHYSICALLY TRANSPORTED 357 00:20:50,933 --> 00:20:53,100 FROM D.C. TO CHICAGO. 358 00:20:53,100 --> 00:20:55,100 AND AS IF THAT WASN'T HARD ENOUGH... 359 00:20:55,100 --> 00:20:57,267 AMONG THE MANY CHALLENGES THE DEPARTMENT FACED, 360 00:20:57,267 --> 00:21:00,833 THERE WAS AN AIRLINE STRIKE GOING ON ACROSS THE NATION. 361 00:21:00,833 --> 00:21:02,700 THE ENTIRE CHICAGO POLICE DEPARTMENT 362 00:21:02,700 --> 00:21:05,967 IS FEELING TREMENDOUS PRESSURE TO FIND THEIR MAN 363 00:21:05,967 --> 00:21:09,567 AND TO NAIL THIS THING DOWN. 364 00:21:09,567 --> 00:21:12,800 A SUSPECT ON THE LOOSE FOR 12 HOURS -- 365 00:21:12,800 --> 00:21:14,167 THAT'S A PROBLEM. 366 00:21:14,167 --> 00:21:16,767 EVERY SECOND THAT TICKED BY TOOK THE POLICE FURTHER 367 00:21:16,767 --> 00:21:18,933 AWAY FROM CATCHING THE MONSTER. 368 00:21:18,933 --> 00:21:23,867 AND A MANHUNT IN A CITY AS BIG AS CHICAGO IS NO JOKE. 369 00:21:23,867 --> 00:21:26,333 BUT THAT WEEK, FORGET ABOUT IT. 370 00:21:26,333 --> 00:21:28,600 THE RIOTS HAD SPIRALED OUT OF CONTROL. 371 00:21:28,600 --> 00:21:30,433 SIX POLICEMEN WERE SHOT. 372 00:21:30,433 --> 00:21:33,400 OVER 100 PEOPLE WERE ARRESTED. 373 00:21:33,400 --> 00:21:37,233 WE COULD BARELY HANDLE THE PATIENTS IN OUR EMERGENCY ROOM. 374 00:21:37,233 --> 00:21:39,800 OF COURSE, IT WAS ALMOST IMPOSSIBLE TO FIND THE GUY 375 00:21:39,800 --> 00:21:42,567 OUT THERE IN ALL THAT CHAOS. 376 00:21:42,567 --> 00:21:44,267 AND BETWEEN THE TWO OF THEM, 377 00:21:44,267 --> 00:21:50,067 THE CHICAGO POLICE DEPARTMENT IS BEING STRETCHED VERY THIN. 378 00:21:50,067 --> 00:21:52,200 AT THE SAME TIME, ON THE NORTH SIDE, 379 00:21:52,200 --> 00:21:55,633 NEAR THE OLD TOWN SECTION OF CHICAGO, THESE BEAT COPS 380 00:21:55,633 --> 00:22:01,133 ARE CALLED TO THE RALEIGH HOTEL ON A ROUTINE CASE. 381 00:22:01,133 --> 00:22:07,467 THEY HAVE THIS TIP THAT A MAN IN ROOM 806 HAS A GUN. 382 00:22:10,433 --> 00:22:14,133 THEY KNOW THE ROOM IS REGISTERED TO A MAN NAMED DAVID STATEN. 383 00:22:14,133 --> 00:22:16,067 HEY, BUDDY. WAKE UP. 384 00:22:24,100 --> 00:22:25,633 GOOD MORNING, OFFICERS. 385 00:22:25,633 --> 00:22:27,067 LET'S SEE YOUR I.D. 386 00:22:27,067 --> 00:22:28,900 YEAH. 387 00:22:36,967 --> 00:22:39,200 RICHARD SPECK? 388 00:22:51,267 --> 00:22:53,633 RICHARD SPECK? 389 00:22:59,800 --> 00:23:01,200 LOOK, BUDDY. 390 00:23:01,200 --> 00:23:03,100 WANT TO EXPLAIN WHY YOU'RE REGISTERED DOWNSTAIRS 391 00:23:03,100 --> 00:23:04,767 WITH ONE NAME, 392 00:23:04,767 --> 00:23:07,867 AND THE NAME ON YOUR I.D. HERE IS DIFFERENT? 393 00:23:07,867 --> 00:23:09,833 Woman: ALL RIGHT. BEAR WITH ME, NOW. 394 00:23:09,833 --> 00:23:12,367 I KNOW THIS SEEMS IMPOSSIBLE TODAY. 395 00:23:12,367 --> 00:23:14,700 SO MANY THINGS WERE HAPPENING AT ONCE, 396 00:23:14,700 --> 00:23:16,367 AND THE RIOTS DIDN'T HELP. 397 00:23:16,367 --> 00:23:18,433 THESE WERE JUST REGULAR BEAT COPS. 398 00:23:18,433 --> 00:23:20,700 THEY WEREN'T EVEN A PART OF THE MANHUNT. 399 00:23:20,700 --> 00:23:23,600 SO THEY JUST DIDN'T KNOW THEY SHOULD BE ON THE LOOKOUT 400 00:23:23,600 --> 00:23:28,567 FOR SOMEONE NAMED RICHARD SPECK. 401 00:23:28,567 --> 00:23:31,133 THAT'S -- THAT'S NOT MINE. 402 00:23:31,133 --> 00:23:34,900 THAT'S THIS -- THAT'S THIS LADY'S I PICKED UP LAST NIGHT. 403 00:23:34,900 --> 00:23:37,167 I'LL BE HONEST. SHE WAS -- SHE WAS A PROSTITUTE. 404 00:23:37,167 --> 00:23:41,233 AND I THINK SHE SAID IT WAS FOR PROTECTION. 405 00:23:41,233 --> 00:23:43,667 BUT THAT'S HER GUN. SHE LEFT IT HERE. 406 00:23:43,667 --> 00:23:47,133 I WANT NO PART OF IT. 407 00:23:47,133 --> 00:23:51,067 ALL RIGHT. WELL, WE'RE CONFISCATING IT ANYWAY. 408 00:23:51,067 --> 00:23:52,133 KEEP YOUR NOSE CLEAN. 409 00:23:52,133 --> 00:23:58,667 YES, SIR. THANK YOU, SIR. 410 00:23:58,667 --> 00:24:01,200 IF THEY'D HAVE BROUGHT HIM IN AND CHARGED HIM 411 00:24:01,200 --> 00:24:07,600 WITH HAVING THE GUN, THEY'D HAVE HAD HIM IN CUSTODY. 412 00:24:07,600 --> 00:24:09,967 HINDSIGHT IS 20/20, RIGHT? 413 00:24:09,967 --> 00:24:13,100 INSTEAD OF NABBING THE MOST WANTED MAN IN AMERICA, 414 00:24:13,100 --> 00:24:15,067 THEY JUST LEFT HIM THERE. 415 00:24:15,067 --> 00:24:17,800 AFTER THAT CLOSE CALL, HE MUST HAVE WISENED UP 416 00:24:17,800 --> 00:24:20,533 BECAUSE BY THE TIME THE MANHUNT REACHED THE HOTEL, 417 00:24:20,533 --> 00:24:23,433 THERE WAS NO ONE LEFT FOR THEM TO FIND. 418 00:24:23,433 --> 00:24:26,700 SPECK REALIZES THAT THE WOLVES ARE CLOSING IN 419 00:24:26,700 --> 00:24:28,067 AND THAT HE SHOULD FLEE. 420 00:24:28,067 --> 00:24:33,533 THE POLICE NOW RUN THE RISK OF LOSING HIM FOREVER. 421 00:24:33,533 --> 00:24:36,833 THIS RICHARD SPECK HAD SKIPPED OUT ON A JOB OFFER 422 00:24:36,833 --> 00:24:37,967 AT THE UNION HALL 423 00:24:37,967 --> 00:24:40,467 AND VANISHED IMMEDIATELY FROM THE HOTEL. 424 00:24:40,467 --> 00:24:43,067 THAT SURE SOUNDS LIKE GUILTY BEHAVIOR TO ME. 425 00:24:43,067 --> 00:24:44,567 AND THE POLICE THOUGHT SO, TOO. 426 00:24:44,567 --> 00:24:48,233 BUT WITHOUT ANY HARD EVIDENCE, THEY WERE IN A REAL BIND. 427 00:24:48,233 --> 00:24:50,167 Man: LOOK, JUST PUT HIS PHOTO IN THE PAPER 428 00:24:50,167 --> 00:24:52,333 SO PEOPLE CAN SEE HIS FACE. 429 00:24:52,333 --> 00:24:54,467 WE PUT A PICTURE OF SPECK IN THE PAPER, 430 00:24:54,467 --> 00:24:56,733 AND WE RISK BLOWING THIS WHOLE TRIAL. 431 00:24:56,733 --> 00:24:59,167 JACK, THE PRESS IS GONNA LINE UP TO HELP US CATCH THIS GUY. 432 00:24:59,167 --> 00:25:00,400 FORGET THE LAWYERS. 433 00:25:00,400 --> 00:25:02,633 WE CAN'T GO PUBLIC WITH A PHOTO NOW. 434 00:25:02,633 --> 00:25:05,467 SOME FANCY DEFENSE ATTORNEY'LL SAY THE JURY POOL 435 00:25:05,467 --> 00:25:08,467 WAS POISONED, BLAH, BLAH, BLAH, AND THIS GUY WALKS. 436 00:25:08,467 --> 00:25:10,333 YOU WANT THAT? 437 00:25:10,333 --> 00:25:12,500 Breo: SINCE THEY DON'T YET HAVE POSITIVE PROOF 438 00:25:12,500 --> 00:25:14,433 THAT SPECK IS THE KILLER, 439 00:25:14,433 --> 00:25:17,367 IF THEY WERE TO GIVE HIS PHOTOGRAPH TO THE NEWSPAPERS 440 00:25:17,367 --> 00:25:19,267 AND NAME HIM AS THE MURDERER, 441 00:25:19,267 --> 00:25:23,067 THEN SPECK MIGHT VERY WELL GET OFF ON A TECHNICALITY. 442 00:25:23,067 --> 00:25:24,900 UNTIL WE CAN MATCH HIS FINGERPRINTS 443 00:25:24,900 --> 00:25:26,367 FROM THE CRIME SCENE WITH THE PRINTS 444 00:25:26,367 --> 00:25:29,267 THAT THE FBI IS SENDING US, WE GOT TO WAIT. 445 00:25:36,200 --> 00:25:39,067 AIR TRAVEL WAS A LITTLE EXOTIC BACK THEN. 446 00:25:39,067 --> 00:25:41,300 I'D NEVER EVEN BEEN ON AN AIRPLANE. 447 00:25:41,300 --> 00:25:43,400 IT STILL SEEMED A LITTLE BIT LIKE MAGIC. 448 00:25:43,400 --> 00:25:44,767 SO IT MADE A KIND OF SENSE 449 00:25:44,767 --> 00:25:47,433 WHEN THE BREAK THE POLICE NEEDED CAME FROM ABOVE. 450 00:25:47,433 --> 00:25:50,700 STRIKE OR NO STRIKE, AN AMERICAN AIRLINES PILOT 451 00:25:50,700 --> 00:25:52,900 VOLUNTEERED TO FLY RICHARD SPECK'S FINGERPRINTS 452 00:25:52,900 --> 00:25:56,700 TO CHICAGO ON THE JUMP SEAT. 453 00:25:56,700 --> 00:26:00,367 ** 454 00:26:12,800 --> 00:26:17,167 Breo: SO THE FINGERPRINTS HAD TO BE MATCHED, 455 00:26:17,167 --> 00:26:20,067 BUT IT WAS A VERY METICULOUS PROCESS. 456 00:26:20,067 --> 00:26:21,533 ANYBODY COME THROUGH HERE LIKE THAT? 457 00:26:21,533 --> 00:26:23,467 I DON'T KNOW. 458 00:26:23,467 --> 00:26:25,600 YOU COULDN'T GO ANYWHERE IN CHICAGO THAT DAY 459 00:26:25,600 --> 00:26:27,167 WITHOUT SEEING POLICE, 460 00:26:27,167 --> 00:26:30,833 ESPECIALLY ON THE NORTH SIDE WHERE THE MANHUNT HAD SPREAD. 461 00:26:30,833 --> 00:26:32,333 WE DIDN'T KNOW IT, 462 00:26:32,333 --> 00:26:35,333 BUT THEY WERE JUST SPINNING THEIR WHEELS. 463 00:26:35,333 --> 00:26:37,300 RICHARD SPECK MADE SURE TO BLEND IN 464 00:26:37,300 --> 00:26:39,667 WITH THE VAGRANTS ON SKID ROW 465 00:26:39,667 --> 00:26:43,200 WHILE HE FIGURED OUT HOW TO SKIP TOWN. 466 00:26:43,200 --> 00:26:45,167 Breo: AND SPECK HAS GOTTEN THE IDEA, 467 00:26:45,167 --> 00:26:49,833 HE'S GOING TO GET ON A FREIGHT AND GO DOWN TO DALLAS. 468 00:26:49,833 --> 00:26:51,400 I CAN REMEMBER THINKING, 469 00:26:51,400 --> 00:26:53,400 "IF ONLY THERE WAS SOME WAY I COULD HELP." 470 00:26:53,400 --> 00:26:54,900 THE FUNNY THING WAS, 471 00:26:54,900 --> 00:26:57,067 THAT'S WHAT THE POLICE WERE THINKING TOO. 472 00:26:57,067 --> 00:26:59,100 IF THEY COULD JUST MATCH SPECK'S PRINTS 473 00:26:59,100 --> 00:27:01,100 AND PUT HIS PICTURE IN THE PAPER, 474 00:27:01,100 --> 00:27:03,767 THEN ALL OF CHICAGO COULD BE ON THE LOOKOUT. 475 00:27:03,767 --> 00:27:07,300 AND THE DAY WEARS ON. 476 00:27:12,067 --> 00:27:15,833 EVENTUALLY, IT GETS TO BE ABOUT 5:00 A.M. 477 00:27:20,067 --> 00:27:22,800 THEY'RE BLURRY EYED. 478 00:27:26,600 --> 00:27:30,767 HUGHEY, THIS ONE LOOKS VERY GOOD. 479 00:27:34,667 --> 00:27:37,300 YEAH. THAT'S RIGHT. 480 00:27:43,800 --> 00:27:46,633 -Yeah? -I THINK WE HAVE A MATCH. 481 00:27:47,900 --> 00:27:49,167 GENTLEMEN, 482 00:27:49,167 --> 00:27:52,400 WE HAVE AN ALL-POINT ALERT OUT FOR RICHARD SPECK. 483 00:27:52,400 --> 00:27:54,833 Hennigan: NEWSPAPERS WERE PROVIDED WITH THE MUGSHOTS 484 00:27:54,833 --> 00:27:56,500 AND THE DESCRIPTION. 485 00:27:56,500 --> 00:27:59,167 Breo: INCLUDING THE EMBLEMATIC TATTOO, 486 00:27:59,167 --> 00:28:02,733 "BORN TO RAISE HELL," ON THE LEFT ARM. 487 00:28:02,733 --> 00:28:03,900 LET'S GET THE WORD OUT, FOLKS. 488 00:28:03,900 --> 00:28:08,200 WE'RE GONNA CATCH THIS SON OF A GUN. 489 00:28:08,200 --> 00:28:10,400 Anchorman: POLICE ARE SEEKING THE PUBLIC'S HELP IN THE CASE 490 00:28:10,400 --> 00:28:11,633 OF THE EIGHT STUDENT NURSES 491 00:28:11,633 --> 00:28:14,067 BRUTALLY MURDERED ON CHICAGO'S SOUTH SIDE. 492 00:28:14,067 --> 00:28:16,567 THE KILLER HAS BEEN IDENTIFIED AS ONE RICHARD SPECK, 493 00:28:16,567 --> 00:28:17,867 A TEXAS NATIVE. 494 00:28:17,867 --> 00:28:20,433 MR. SPECK'S WHEREABOUTS ARE CURRENTLY UNKNOWN. 495 00:28:20,433 --> 00:28:24,933 RICHARD SPECK MIGHT BE DISCOVERED BY SOME CITIZEN 496 00:28:24,933 --> 00:28:26,633 AND THE INFORMATION RELATING 497 00:28:26,633 --> 00:28:32,067 TO HIS ACTIVITIES REPORTED TO US. 498 00:28:32,067 --> 00:28:34,267 HEY, BUDDY. SEEN THIS GUY? 499 00:28:34,267 --> 00:28:35,700 Breo: THERE ARE POLICE EVERYWHERE. 500 00:28:35,700 --> 00:28:38,300 THEY'RE HITTING EVERY BAR, EVERY PLACE THEY CAN FIND. 501 00:28:38,300 --> 00:28:40,733 THEY'RE SHOWING SPECK'S PHOTO. 502 00:28:40,733 --> 00:28:44,533 THEY KNOW THEY'RE CLOSING IN. 503 00:28:44,533 --> 00:28:47,500 IN THE MEANTIME, 504 00:28:47,500 --> 00:28:52,600 SPECK RENTS A CUBICLE FOR 90 CENTS IN THE STARR HOTEL. 505 00:28:52,600 --> 00:28:53,767 Woman: I KNOW WHAT YOU'RE THINKING, 506 00:28:53,767 --> 00:28:55,633 "WHY DIDN'T THE GUY SKIP TOWN?" 507 00:28:55,633 --> 00:28:58,600 THE POLICE WERE WATCHING THE TRAINS TOO CLOSELY. 508 00:28:58,600 --> 00:29:00,600 Hennigan: SPECK HAD NO MONEY. 509 00:29:00,600 --> 00:29:03,533 THE INVESTIGATORS WERE CLOSING IN ON HIM. 510 00:29:03,533 --> 00:29:06,200 HE WAS CORNERED. 511 00:29:13,700 --> 00:29:17,200 Breo: THAT AFTERNOON ACROSS CHICAGO, 512 00:29:17,200 --> 00:29:21,533 DR. LEROY SMITH IS TOWARD THE END OF A 36-HOUR SHIFT 513 00:29:21,533 --> 00:29:23,567 IN THE SAME HOSPITAL WHERE, 514 00:29:23,567 --> 00:29:27,100 BELOW, IN THE MORGUE, THE NURSES HAD BEEN TAKEN. 515 00:29:27,100 --> 00:29:30,100 DOCTOR, WE HAVE A WRIST-CUTTER IN, CURTAIN THREE. 516 00:29:30,100 --> 00:29:32,267 THANK YOU, CATHY. 517 00:29:32,267 --> 00:29:39,400 Hennigan: DR. SMITH IS ASSIGNED A CASE OF AN ATTEMPTED SUICIDE. 518 00:29:39,400 --> 00:29:42,167 BUT IT WAS A WEAK ATTEMPT AT SUICIDE. 519 00:29:42,167 --> 00:29:45,267 LET'S GO AHEAD AND CLEAN HIM UP. 520 00:29:47,133 --> 00:29:50,567 ** 521 00:30:01,867 --> 00:30:06,433 Hennigan: HE REALIZES THIS IS RICHARD SPECK. 522 00:30:06,433 --> 00:30:13,233 WATER. WATER. 523 00:30:13,233 --> 00:30:16,433 DID YOU GIVE THE NURSES WATER? 524 00:30:23,000 --> 00:30:25,367 WATER. 525 00:30:25,367 --> 00:30:28,967 Woman: IT FELT, TO MANY OF US IN CHICAGO, LIKE AN ETERNITY. 526 00:30:28,967 --> 00:30:32,033 BUT IT TOOK ONLY 72 HOURS AFTER THE MURDERS 527 00:30:32,033 --> 00:30:35,033 FOR THE POLICE TO CAPTURE RICHARD SPECK. 528 00:30:39,567 --> 00:30:43,633 THE WHOLE COUNTRY WAITED FOR THE TRIAL FOR 7 ANXIOUS MONTHS. 529 00:30:43,633 --> 00:30:45,500 WE NEEDED ANSWERS. 530 00:30:45,500 --> 00:30:49,300 WHAT REALLY HAPPENED IN THE TOWN HOUSE THAT NIGHT? 531 00:30:49,300 --> 00:30:53,133 HOW WAS A SINGLE MAN ABLE TO KILL EIGHT WOMEN, 532 00:30:53,133 --> 00:30:54,400 ONE BY ONE, 533 00:30:54,400 --> 00:30:59,067 SO SILENTLY THAT NO ONE EVER HEARD THEM SCREAM? 534 00:30:59,067 --> 00:31:01,333 Breo: CORA, THE SURVIVING NURSE, 535 00:31:01,333 --> 00:31:03,667 HASN'T BEEN SEEN FOR 7 MONTHS NOW. 536 00:31:03,667 --> 00:31:06,767 THERE WERE RUMORS THAT SHE'D GONE BACK TO THE PHILIPPINES, 537 00:31:06,767 --> 00:31:09,067 THAT SHE'D BEEN THROUGH ENOUGH ALREADY, 538 00:31:09,067 --> 00:31:11,833 AND HAD NO INTENTION OF TESTIFYING. 539 00:31:11,833 --> 00:31:13,900 NOBODY KNOWS WHERE CORA IS. 540 00:31:13,900 --> 00:31:17,267 NOBODY KNOWS EXACTLY HOW THE MURDERS OCCURRED. 541 00:31:17,267 --> 00:31:20,833 BUT AT 11:00 A.M. ON THE THIRD DAY OF THE TRIAL, 542 00:31:20,833 --> 00:31:24,600 CORA WAS USHERED PAST THE PRESS THROUGH THE SIDE DOOR. 543 00:31:29,167 --> 00:31:31,567 Man: CORAZON AMURAO. 544 00:31:31,567 --> 00:31:34,633 ** 545 00:31:49,167 --> 00:31:50,500 Breo: AS IT TURNS OUT, 546 00:31:50,500 --> 00:31:54,067 THEY HAD PUT HER IN THE WITNESS PROTECTION PROGRAM. 547 00:32:02,300 --> 00:32:05,633 WOULD YOU PLEASE STATE YOUR NAME? 548 00:32:05,633 --> 00:32:08,133 CORAZON AMURAO. 549 00:32:08,133 --> 00:32:11,133 THE PROSECUTION WAS AFRAID THAT SHE WAS SO FRAGILE, 550 00:32:11,133 --> 00:32:13,933 PSYCHOLOGICALLY, THAT SHE MIGHT JUST BREAK DOWN 551 00:32:13,933 --> 00:32:17,433 AND MIGHT NOT BE ABLE TO TESTIFY. 552 00:32:17,433 --> 00:32:21,400 CORA, CAN YOU CONFIRM THIS IS A REPLICA OF THE TOWN HOUSE 553 00:32:21,400 --> 00:32:25,533 AT 2319 EAST 100th STREET? 554 00:32:25,533 --> 00:32:27,200 THAT IS THE SAME. 555 00:32:27,200 --> 00:32:30,100 WHAT TIME DID YOU GO TO SLEEP ON JULY 13th? 556 00:32:30,100 --> 00:32:32,800 AT 10:30 P.M. 557 00:32:32,800 --> 00:32:35,433 DID YOU WAKE UP AT ANY TIME LATER THAT NIGHT? 558 00:32:35,433 --> 00:32:39,900 YES. 559 00:32:39,900 --> 00:32:46,233 I HEARD A KNOCK IN OUR BEDROOM AT ABOUT 11:00. 560 00:32:46,233 --> 00:32:49,700 I GOT UP, AND I ANSWERED THE DOOR. 561 00:32:54,533 --> 00:32:59,633 AND I SAW A MAN WITH A GUN IN HIS RIGHT HAND. 562 00:33:05,533 --> 00:33:08,567 HE TOOK US TO THE REAR BEDROOM. 563 00:33:12,533 --> 00:33:14,967 Breo: HE LEADS THEM TO A BACK, LARGE BEDROOM, 564 00:33:14,967 --> 00:33:18,433 WHERE OTHER NURSES ARE SLEEPING. 565 00:33:18,433 --> 00:33:20,933 AND HE TOLD US TO SIT DOWN. 566 00:33:20,933 --> 00:33:24,067 THAT'S RIGHT. NO ONE'S GOING TO GET HURT. 567 00:33:24,067 --> 00:33:26,867 JUST DO WHAT I SAY. 568 00:33:26,867 --> 00:33:29,433 OKAY. GOOD. 569 00:33:37,567 --> 00:33:40,067 HERE'S THE DEAL. 570 00:33:40,067 --> 00:33:42,467 I NEED MONEY TO GET TO NEW ORLEANS. 571 00:33:42,467 --> 00:33:44,267 WHO'S GOT MONEY IN THEIR ROOM? 572 00:33:44,267 --> 00:33:48,133 RAISE YOUR HANDS. OKAY. OKAY. 573 00:33:50,900 --> 00:33:54,367 THE AMERICAN GIRLS SEEMED TO THINK WE SHOULD DO 574 00:33:54,367 --> 00:33:58,967 WHAT HE SAYS AND THAT HE WILL GO AWAY. 575 00:33:58,967 --> 00:34:01,167 THANK YOU VERY MUCH. 576 00:34:01,167 --> 00:34:05,133 WHAT ABOUT YOU TWO? 577 00:34:05,133 --> 00:34:10,833 BUT THE FILIPINO GIRLS WANTED TO TACKLE THIS MAN 578 00:34:10,833 --> 00:34:13,233 RIGHT FROM THE START. 579 00:34:13,233 --> 00:34:17,067 CORAZON SAID SHE HAD SEEN THIS TYPE OF PERSON 580 00:34:17,067 --> 00:34:20,233 IN THE BACKCOUNTRY OF THE PHILIPPINES WHERE SHE GREW UP. 581 00:34:24,400 --> 00:34:29,067 THANK YOU. OKAY. ALL RIGHT. 582 00:34:29,067 --> 00:34:32,633 Ramsland: THEY EMPTY THEIR PURSES, GIVE HIM EVERYTHING, 583 00:34:36,867 --> 00:34:38,933 YET HE DOESN'T LEAVE. 584 00:34:38,933 --> 00:34:41,200 WHAT HAPPENED THEN? 585 00:34:41,200 --> 00:34:46,100 HE STOOD AND TOOK BEDSHEETS FROM MISS MATUSEK'S BED. 586 00:34:50,067 --> 00:34:52,700 IN THE MONTHS LEADING UP TO THE TRIAL, 587 00:34:52,700 --> 00:34:55,433 I LAY AWAKE AT NIGHT WONDERING, 588 00:34:55,433 --> 00:34:58,467 "COULDN'T THEY SENSE WHAT HE WANTED TO DO TO THEM? 589 00:34:58,467 --> 00:35:01,867 WHY DIDN'T THEY RUN OR SCREAM FOR HELP? 590 00:35:01,867 --> 00:35:06,233 HOW COULD HE OVERPOWER EIGHT PEOPLE?" 591 00:35:06,233 --> 00:35:11,367 THE ANSWER CORA GAVE HAS HAUNTED ME FOR 50 YEARS. 592 00:35:11,367 --> 00:35:16,700 WOULD YOU PLEASE TURN AROUND FOR ME? 593 00:35:16,700 --> 00:35:20,933 HE SIMPLY ASKED FOR THEIR PERMISSION. 594 00:35:20,933 --> 00:35:26,267 HE BEGINS TO TIE THE NURSES UP, ONE BY ONE. 595 00:35:34,067 --> 00:35:36,067 WE HAVE TO DO SOMETHING. WE HAVE TO DO SOMETHING. 596 00:35:36,067 --> 00:35:41,400 THERE'S SIX OF US. 597 00:35:41,400 --> 00:35:43,333 WILL YOU PLEASE TURN AROUND? 598 00:35:43,333 --> 00:35:47,600 MM-HMM. 599 00:35:47,600 --> 00:35:51,533 Breo: THIS IS THEIR FINAL CHANCE, REALLY, TO MAKE A MOVE. 600 00:36:02,833 --> 00:36:08,533 DID YOU TRY TO STOP HIM AT ANY TIME? 601 00:36:08,533 --> 00:36:10,067 NO. 602 00:36:13,067 --> 00:36:16,267 Reppetto: IF THEY'D ATTACK HIM OR SCATTERED, 603 00:36:16,267 --> 00:36:17,967 THEY'D RUN OUT THE DOORS AND BEGIN SCREAMING, 604 00:36:17,967 --> 00:36:23,533 MOST OF THEM WOULD BE ALIVE TODAY. 605 00:36:23,533 --> 00:36:25,400 YOU KNOW HOW IT IS IN THE MOMENT, 606 00:36:25,400 --> 00:36:28,967 WHEN DEEP IN YOUR GUT YOU KNOW SOMETHING IS WRONG, 607 00:36:28,967 --> 00:36:34,233 BUT DOING SOMETHING ABOUT IT WOULD MAKE THE SITUATION REAL. 608 00:36:34,233 --> 00:36:38,067 I THINK THEY THOUGHT, IF THEY IGNORED THAT GUT INSTINCT, 609 00:36:38,067 --> 00:36:43,067 MAYBE IT WOULD ALL JUST GO AWAY. 610 00:36:43,067 --> 00:36:45,600 HE TIED ALL OF US. 611 00:36:45,600 --> 00:36:51,600 AND HE WAS SMILING DURING THIS TIME. 612 00:36:51,600 --> 00:36:54,533 THEN HE UNTIED MISS WILKENING'S ANKLES, 613 00:36:54,533 --> 00:37:01,100 AND HE TOOK HER OUT OF THE ROOM. 614 00:37:01,100 --> 00:37:04,767 THEN, SUZANNE AND MARY ANN CAME HOME. 615 00:37:04,767 --> 00:37:07,333 Breo: THESE TWO NURSES CAME IN LATE. 616 00:37:07,333 --> 00:37:10,300 AND HE WAS STARTLED. 617 00:37:10,300 --> 00:37:12,967 [ MUFFLED SCREAMING ] 618 00:37:12,967 --> 00:37:19,433 WE COULDN'T SEE THEM, BUT WE HEARD A STRUGGLE. 619 00:37:19,433 --> 00:37:21,933 THEN IT WAS QUIET AGAIN. 620 00:37:31,067 --> 00:37:33,567 ONCE HE'D KILLED SUZANNE FARRIS AND MARY ANN JORDAN, 621 00:37:33,567 --> 00:37:37,067 HE WAS IN A FRENZY. 622 00:37:37,067 --> 00:37:38,200 AND IT WAS JUST A MATTER 623 00:37:38,200 --> 00:37:43,133 OF SYSTEMATICALLY ELIMINATING WITNESSES. 624 00:37:43,133 --> 00:37:45,533 Hennigan: WHILE SPECK IS OUT OF THE ROOM, 625 00:37:45,533 --> 00:37:46,967 CORA UNDERTAKES AN EFFORT 626 00:37:46,967 --> 00:37:51,900 TO CONCEAL HERSELF UNDER ONE OF THE BEDS. 627 00:37:51,900 --> 00:37:56,233 O'Toole: CORA IS WATCHING... 628 00:37:56,233 --> 00:37:57,967 [ GASPS ] 629 00:37:57,967 --> 00:38:01,400 ...AS HE COMES BACK AND FORTH. 630 00:38:04,900 --> 00:38:07,367 HER FEAR IS JUST GROWING AND GROWING. 631 00:38:18,333 --> 00:38:22,567 Breo: HE'S NOW GOING TO TAKE HIS EIGHTH VICTIM, GLORIA DAVY. 632 00:38:27,067 --> 00:38:29,300 PLEASE. 633 00:38:31,933 --> 00:38:36,333 AND HE PROCEEDS TO RAPE HER. 634 00:38:41,767 --> 00:38:46,367 AND THEN, HE TOOK MISS DAVY OUT OF THE ROOM, TOO. 635 00:38:47,367 --> 00:38:51,900 Ramsland: AND THEN CORA IS THE ONLY ONE LEFT. 636 00:38:54,267 --> 00:38:57,267 [ FOOTSTEPS APPROACHING ] 637 00:39:14,633 --> 00:39:17,967 [ CHANGE JINGLING ] 638 00:39:43,100 --> 00:39:47,100 Breo: SPECK HAS LOST COUNT OF THE BODIES. 639 00:39:56,800 --> 00:39:58,333 NO ONE WOULD HAVE BLAMED HER 640 00:39:58,333 --> 00:40:01,867 IF SHE HAD ONLY GIVEN A WRITTEN STATEMENT AND STAYED AWAY. 641 00:40:01,867 --> 00:40:04,733 IF IT HAD BEEN ME, 642 00:40:04,733 --> 00:40:07,600 I DON'T THINK I WOULD HAVE BEEN BRAVE ENOUGH TO FACE HIM. 643 00:40:07,600 --> 00:40:12,167 BUT CORA AMURAO WAS A STRONG WOMAN, AN IMMIGRANT 644 00:40:12,167 --> 00:40:14,533 AND A SURVIVOR. 645 00:40:14,533 --> 00:40:16,833 IF YOU SEE THE MAN IN THE COURTROOM TODAY, 646 00:40:16,833 --> 00:40:20,533 WOULD YOU PLEASE POINT HIM OUT? 647 00:40:20,533 --> 00:40:23,733 AND I THINK SHE WENT THERE FOR TWO REASONS, 648 00:40:23,733 --> 00:40:26,400 BOTH FOR HER FALLEN FRIENDS 649 00:40:26,400 --> 00:40:28,600 AND BECAUSE SHE WANTED TO WALK UP TO SPECK 650 00:40:28,600 --> 00:40:31,533 AND LET HIM KNOW... 651 00:40:34,667 --> 00:40:39,433 ..."YOU DON'T SCARE ME ANYMORE." 652 00:40:39,433 --> 00:40:42,300 THIS IS THE MAN. 653 00:40:42,300 --> 00:40:45,233 [ ALL MURMURING ] 654 00:40:46,100 --> 00:40:47,833 [ GAVEL BANGS ] 655 00:40:47,833 --> 00:40:50,467 Breo: CORA HAS SHOWED TOTAL COURAGE... 656 00:40:50,467 --> 00:40:54,133 [ BANGING CONTINUES ] 657 00:40:54,133 --> 00:40:58,467 ...THAT SHE COULD SEE SPECK AGAIN 658 00:40:58,467 --> 00:41:01,633 AND NAME HIM AS THE KILLER. 659 00:41:05,567 --> 00:41:09,467 THE JURY REQUIRED ONLY 45 MINUTES TO RETURN A VERDICT 660 00:41:09,467 --> 00:41:11,300 OF GUILTY, DESERVING OF DEATH. 661 00:41:11,300 --> 00:41:15,633 [ PEOPLE SHOUTING INDISTINCTLY ] 662 00:41:15,633 --> 00:41:19,233 Ramsland: 1966 WAS SORT OF A THRESHOLD MOMENT 663 00:41:19,233 --> 00:41:23,067 WITH RICHARD SPECK INVADING PEOPLE'S SPACE 664 00:41:23,067 --> 00:41:25,500 TO COMMIT MASS MURDER. 665 00:41:25,500 --> 00:41:27,733 Breo: PEOPLE WERE SCRUTINIZING THEIR NEIGHBORS 666 00:41:27,733 --> 00:41:30,667 AND LOCKING THEIR DOORS. 667 00:41:30,667 --> 00:41:32,400 IT WAS KIND OF THE MURDER OF INNOCENCE. 668 00:41:32,400 --> 00:41:33,800 HE NOT ONLY KILLED THE EIGHT NURSES. 669 00:41:33,800 --> 00:41:35,533 HE KILLED A LITTLE BIT OF ALL OF US. 670 00:41:35,533 --> 00:41:37,067 FORGIVE OUR TRESPASSES 671 00:41:37,067 --> 00:41:39,133 AS WE FORGIVE THOSE WHO TRESPASS AGAINST US. 672 00:41:39,133 --> 00:41:43,133 AND MAYBE THE SADDEST PART OF ALL WAS THE THING 673 00:41:43,133 --> 00:41:45,967 THESE YOUNG WOMEN WOULD BE REMEMBERED FOR. 674 00:41:45,967 --> 00:41:48,500 THE THING I WOULD REMEMBER THEM FOR 675 00:41:48,500 --> 00:41:54,367 WAS AS A REMINDER THAT THE ONCE-GOOD WORLD HAD GONE BAD. 676 00:41:56,067 --> 00:42:02,967 * WILL THE CIRCLE BE UNBROKEN * 677 00:42:02,967 --> 00:42:05,933 * BY AND BY, LORD * 678 00:42:05,933 --> 00:42:08,300 * BY AND BY * AND THAT WAS ITS OWN TRAGEDY. 679 00:42:08,300 --> 00:42:11,500 WHAT CAN YOU LEARN ABOUT A PERSON IN THE 500 WORDS 680 00:42:11,500 --> 00:42:13,067 OF A NEWSPAPER ARTICLE 681 00:42:13,067 --> 00:42:16,467 OR IN THE 60 MINUTES OF A TELEVISION SPECIAL? 682 00:42:16,467 --> 00:42:19,800 IN A MASS MURDER LIKE THIS ONE, 683 00:42:19,800 --> 00:42:22,833 THE VICTIMS AREN'T JUST ROBBED OF THEIR LIVES. 684 00:42:22,833 --> 00:42:25,367 THEY'RE ROBBED OF THEIR MEMORY. 685 00:42:25,367 --> 00:42:29,200 BUT WE NEED TO REMEMBER ALL OF THEM, 686 00:42:29,200 --> 00:42:31,733 EACH AND EVERY ONE. 687 00:42:34,233 --> 00:42:38,200 Breo: GLORIA DAVY. 688 00:42:38,200 --> 00:42:41,600 PAMELA WILKENING. 689 00:42:41,600 --> 00:42:45,433 O'Toole: PATRICIA MATUSEK. 690 00:42:45,433 --> 00:42:49,167 Breo: MERLITA GARGULLO. 691 00:42:49,167 --> 00:42:52,567 Hennigan: SUZANNE FARRIS. 692 00:42:52,567 --> 00:42:55,933 Breo: NINA SCHMALE. 693 00:42:55,933 --> 00:42:59,900 VALENTINA PASION. 694 00:42:59,900 --> 00:43:02,167 Hennigan: AND MARY ANN JORDAN. 695 00:43:03,200 --> 00:43:09,833 * WILL THE CIRCLE BE UNBROKEN * 696 00:43:09,833 --> 00:43:13,200 * BY AND BY, LORD * 697 00:43:13,200 --> 00:43:16,867 * BY AND BY * 698 00:43:16,867 --> 00:43:20,167 * THERE'S A BETTER * 699 00:43:20,167 --> 00:43:23,567 * HOME AWAITIN' * 700 00:43:23,567 --> 00:43:26,333 * IN THE SKY, LORD * 701 00:43:26,333 --> 00:43:30,567 * IN THE SKY * 702 00:43:30,617 --> 00:43:35,167 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 52750

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