All language subtitles for A.Man.a.Woman.and.a.Bank.1979

[ Electrical Humming,
Clicking ]

[ Clicking Resumes ]

[ Whirring ]

[ Clicking ]

[ Clicking ]

[ Clicking Resumes ]

[ Clicking ]

[ Man ]
IT DOES WORK, DOESN'T IT? YEAH, INGENIOUS.

THIS IS, CONCEPTUALLY,
A BRILLIANT IDEA.

[ Man #2 ]
IT'S TECHNICALLY BRILLIANT. IT WORKS.

WE CAN GET OUT OF THAT BANK
WITH $10 MILLION. IT WORKS.

NORMAN, YOU ARE A GENIUS.

[ Norman ]
HMM. I'M AFRAID, IN REAL LIFE,

YOU GET CAUGHT AND
YOU GO TO JAIL FOR 15 YEARS.

[ Man #2 ]
AW, COME ON. WHAT ARE YOU TALKING ABOUT?

YOU GOT NOTHING TO RISK.
WHAT HAVE YOU GOT TO LOSE? FIFTEEN YEARS IN JAIL.

YOU GOT 15 YEARS
WITH DORIS UPSTAIRS. YOU GOT 15 YEARS OF POVERTY.

FIFTEEN YEARS IN A JOB
THAT DOESN'T RECOGNIZE...

THAT YOU ARE THE BEST
COMPUTER BRAIN IN THE WORLD?

THIS IS A FANTASY.
THIS IS A TOY, AN ERECTOR SET.

IF YOU SAW
A LITTLE TOY POLICE FROM THE TOY JAIL--

IT'S 15 YEARS IN JAIL!

WE BUILT THIS TO PROVE
THAT NOTHING COULD GO WRONG.

LET'S ASSUME THAT
WE GET AWAY WITH IT.

THAT YOU GET THE MONEY.
WHAT DO YOU DO WITH THE MONEY?

IT HAS SERIAL NUMBERS--
I TOLD YOU. I HAVE EXPLAINED IT TO YOU A THOUSAND TIMES.

FOR SEVEN YEARS,
I KNOW VICTOR TSANG, RIGHT?

I DON'T LIKE HIS NAME,
I DON'T LIKE THE WHOLE NOTION OF VICTOR, WHATEVER.

AND I DON'T LIKE MACAO
AND ALL THAT STUFF. NORMAN, I GO TO MACAO,

I GET THE MONEY TO HIM SOMEHOW--
HE'LL FIGURE A WAY FOR ME TO GET IT THROUGH TO HIM--

SEE, IT'S NOT REAL.
IT'S NOT REAL. WAIT A SECOND, IT IS ABSOLUTELY REAL.

HE WILL PAY ME 80 CENTS
ON THE DOLLAR. THAT MONEY WILL BE ABSOLUTELY CLEAN.

IT'LL BE IN A BANK
IN SWITZERLAND. YOU GUARANTEE THAT?

NINE MONTHS FROM NOW,
YOU'LL HAVE $3 MILLION.

YOU GUARANTEE THAT?
IN SWITZERLAND. GUARANTEED.

YOU GUARANTEE THIS?
OKAY. YES, I GUARANTEE IT.

I'M CRAZY, BUT I'LL DO IT.

IT'S REALLY DANGEROUS.

[ Sighs ]
WILL YOU ANSWER ME A QUESTION?

YEAH.
OUT OF ALL THE THINGS YOU COULD HAVE PICKED,

WHY DID YOU MAKE ME
A BALLERINA?

♪ [ Asian ]

[ Beeping ]

MR. HALPERN!

[ Speaking Chinese ]

[ Speaking Chinese ]

[ Chinese ]
DEAL. DEAL.

OUR ADDRESS. CHRIST
MISSIONARY FATHERS. HMM.

[ Chinese ]
GOOD.

OKAY, UM, WHY DON'T
YOU COME IN HERE...

AND LOOK OVER HIS SHOULDER
AT THE BLUEPRINTS?

DON'T LOOK SO WORRIED,
BECAUSE... [ Chuckles ] YOU'RE NOT WORRIED.

YOU KNOW WHAT
YOU'RE DOING, RIGHT?

OKAY, NOW YOU POINT UP--
TRY POINTING UP HERE?

UM, THE OTHER HAND?
SO I CAN SEE-- YEAH.

OKAY, NOW POINT UP STRONG,
YOU KNOW? UP IN THE RAFTERS, THERE'S A PROBLEM.

YOU-YOU KEEP YOUR EYE
ON THE BLUEPRINT, THOUGH, OKAY?

COME ON. MEN OF ACTION.
YOU CAN DO IT.

COME ON. REALLY PRETEND
YOU'VE GOT A JOB HERE.

LOOK AT THE BLUEPRINTS
AND IMAGINE THAT YOU'VE REALLY GOT A JOB...

THAT YOU'RE GONNA TAKE
CARE OF UP THERE, OKAY?

[ Shutter Clicking ]
OKAY. NOW WE'RE COOKIN'.

[ Sighs ]
OKAY. GREAT.

REST FOR A SECOND.
YOU'RE DOIN' GREAT.

GINO, THESE GUYS--
WHAT'S WRONG?

WHERE'D YOU GET THEM?
THE WAX MUSEUM?

[ Honking ]

[ Machinery Banging
Rhythmically ]

[ Photographer ]
AH, PERFECT. JUST WHAT I NEED.

CAN YOU STAND RIGHT THERE?
DENISE, GET ME A CARD.

OH, BEAUTIFUL!
WHAT ARE YOU DOING? WHAT'S GOIN' ON?

SEE, DRESS 'EM RIGHT UP
INTO THOSE CRAZY EYES OF HIS. WHAT?

- DO YOU ALWAYS HAVE A HARD HAT?
- LADY, I DON'T WANT--

GINO. FUCKING FABULOUS.

SIGN THIS, PLEASE.
WHAT? OH, THIS IS GREAT.

STANDARD RELEASE IN CASE
WE USE YOUR FACE. USE MY FACE FOR WHAT?

JUST SIGN IT, PLEASE.

WONDERFUL.
OH, WONDERFUL. THANK YOU.

THAT'S WHAT
WE'RE GONNA HAVE TO DO. GO FOR THE REAL THING.

[ Photographer ]
WELL, I DON'T KNOW IF WE'LL USE THOSE SHOTS--

[ Continues, Indistinct ]

WOULD YOU PAGE NORMAN BARRIE
FOR ME, PLEASE? SURE.

[ Secretary On Intercom ]
NORMAN BARRIE ON 106.

NORMAN BARRIE, 106, PLEASE.

[ Electric Typewriter
Clicking ]

NO, LEAVE THE DOOR OPEN.

THEY GET PARANOID AROUND HERE
IF YOU CLOSE THE DOORS.

THESE ARE GOOD.
THESE ARE VERY, VERY GOOD.

GOOD, BECAUSE I GOT
MY PICTURE TAKEN COMING OUT OF THE COMMAND TRAILER...

WITH THOSE PLANS
UNDER MY ARMS.

[ Halpern ]
SHE JUST TOOK MY PHOTOGRAPH. CALM DOWN, WILL YA?

[ Norman ]
CALM DOWN, CALM DOWN. SHE TOOK YOUR PHOTOGRAPH.

WHY DON'T WE TAKE A FULL-PAGE AD
IN THE NEWSPAPERS? REESE HALPERN AND NORMAN BARRIE...

WISH TO ANNOUNCE
THE ROBBERY OF A NEW BANK?

[ Reese ] NORMAN, I WILL
GET THE PHOTOGRAPH BACK. YOU CAN COUNT ON IT.

[ Norman ] THE ONLY THING I CAN
COUNT ON IS THAT YOU'RE GONNA SCREW UP EVERY STEP OF THE WAY.

[ Knocking ]

HELLO?

HELLO?

HELLO?

- [ Man ] STACEY?
YOU LOCKED THE DOOR. - [ Knocking On Door ]

[ Knocking Continues ]

- [ Rattling Knob, Knocking ]
- WILL YOU OPEN THE GODDAMN DOOR?

[ Turns On Stereo, Loud ]

♪ [ Very Loud ]

PETER, WHY DID YOU
BREAK MY DOOR?

YOU LOCKED IT.
I DID NOT LOCK IT.

YOU PROMISED
YOU'D LEAVE IT OPEN. I DID NOT LOCK IT!

I HATE YOU,
AND IT'S NOT FUNNY! [ Switches Off ]

[ Peter ]
I'M SORRY, I'M SORRY. WILL YOU FORGIVE ME?

I BROUGHT THIS AS A TOKEN
OF MY APPRECIATION. [ Chattering ]

OH!
OH, MY. WHAT'S HE UP TO?

[ Woman #2 ]
I-I THINK HE'S GONNA JUMP!

A METAPHOR.
FOR YOU.

THANK YOU.
[ Kissing ]

IT PLUGS INTO ITSELF.

[ Woman ]
LOOK AT HIM. OH, HE'S GIVEN THIS-- OH!

- [ Laughing ]
- PUT THAT AWAY.

NOT UNTIL WE MAKE LOVE.
WE ARE NOT GOING TO MAKE LOVE.

OH, YES WE ARE.
WITH WHIPPED CREAM ALL OVER YOU.

PETER, STOP IT.
STOP IT! I'M NOT KIDDING. AH-AH!

IT'S NOT FUNNY!
PETER.

I'M NOT KIDDING.
I DON'T THINK IT'S FUNNY. AH-AH.

STOP IT! I SWEAR TO GOD,
IF YOU DO IT, I'LL-- WHAT? WHAT?

- PETER--
- I WANT YOU WHILE YOU'RE SWEATY AND ANGRY.

STRAWBERRY SUNDAE,
WITH A CHERRY. BANANA SPLIT. [ Whipped Cream Spraying ]

WITH PINEAPPLE AND FUDGE.
AND NUTS! [ Muffled ] NO-O!

- I AM NOT AMUSED, PETER.
STOP IT! - YOU WANNA PUT SOME ON ME?

NO!
BECAUSE I DON'T WANT TO! WHY?

YOU'RE NOT SEEING
ANYONE, ARE YOU? WHAT HAS THAT GOT TO DO WITH IT?

STACE, IT HAS EVERYTHING
TO DO WITH IT.

I AM NOT KIDDING, PETER.
I DON'T WANT TO DO THIS.

IS THAT CLEAR?
NO, IT'S NOT.

OH, PLEASE! LISTEN TO ME.
YOU'RE HURTING ME! [ Spraying Continues ]

I DON'T WANT TO DO THIS!

DON'T YOU UNDERSTAND?
I DON'T WANT TO DO IT! [ Spraying ]

NO, I DON'T.
PLEASE.

WHO IS IT?
UH, STACEY BISHOP?

WHO'S THAT?
YES? HI.

[ Chuckles ]
I'M SORRY TO BOTHER YOU. I MEAN, I, UH--

NO, NO.
WE WERE JUST, UH-- NO, I MEAN, I, UH--

I-I--
YOU DON'T REMEMBER ME. I'M-- [ Laughs ]

...FROM THE
CONSTRUCTION SITE.

YOU TOOK MY PICTURE?
YELLOW HARD HAT?

OH, YES, YES, OF COURSE.
FROM THE CONSTRUCTION SHOOT. WHO IS THIS?

WELL, I WAS WONDERING
ABOUT THE PHOTOGRAPHS.

ABOUT WHAT YOU PLANNED
TO DO WITH THEM, YOU KNOW?

OH, WELL, MAYBE NOTHING.
I DON'T REALLY KNOW. COULD BE FOR PROMOTIONAL--

OH, I'M LEAVING!
[ Indistinct ] SO SHIT! NO, I'M SORRY--

NO, REALLY, I--
UH--

I CAN--
I CAN LEAVE. NEVER MIND.

NOW, WHAT ABOUT THE PHOTOS?
WELL-- HERE.

I'M AN EARTHQUAKE
INSPECTOR, AND, UM--

IT SOUNDS DUMB, BUT
MY MOTHER DOESN'T HAVE ANY IDEA WHAT I DO,

AND I JUST
THOUGHT THAT--

OH.
I THOUGHT MAYBE YOUR, UM, PICTURES, YOU KNOW?

UH, MIGHT PUT HER
IN THE PICTURE, SO TO SPEAK.

UH, WELL--
THANK YOU.

THANK YOU.
THE NEGATIVES ARE AT MacDONALD AND MUIR.

AN AD AGENCY?
OH, TH-THEY'RE NOT HERE?

NO.
UH, 21 BATTLE MOUNT? UH-HUH.

DROP BY, AND I'LL
GIVE YOU WHAT I GOT.

THAT'D BE NICE.
I MEAN THE PHOTOS.

OKAY, THANK YOU VERY MUCH.
21 BATTLE MOUNT? YEAH.

WHAT I--
WHAT IS THE FIRST SIGN OF THE FLU?

[ Laughs ]
[ Coughs ]

I DON'T FEEL TOO GOOD.

AND YOU'RE NOT HELPING.

THERE HE IS.

[ Honking ]

THERE IT IS.
MM-HMM.

OKAY, LET'S GO.

[ Clattering ]

[ Distant Siren Wailing ]

[ Whispering ]

[ Siren Gets Closer ]

ALL RIGHT.
THERE IT IS OVER THERE, RIGHT?

FIND THE STAIRWAY.

THERE.

NO, I DIDN'T GET IT THERE
AT HER HOUSE. I'LL GET IT AT HER OFFICE. IT'S EASY.

YOU SCREWED UP HERE,
AND YOU SCREWED UP IN MACAO.

I DID NOT SCREW UP IN MACAO.
DID YOU GET A CONTRACT?

NO, I DID NOT GET A CONTRACT.
WELL, HOW DO YOU KNOW YOU CAN TRUST HIM?

BECAUSE HE'S OLD,
AND HE IS STILL ALIVE.

AND IN HIS BUSINESS,
THAT MEANS THAT YOU CAN TRUST HIM.

WRONG.
GET OFF MY BACK, WILL YA?

THIS IS PERFECT.
TOLD YA.

ARMED SENSORS
ARE THERE... THERE--

AND UP THERE.

GOOD ENOUGH?

GOOD.

I'M GONNA CARRY THAT MONEY
ALL THE WAY DOWN THROUGH-- HOW MUCH IS THAT GONNA WEIGH?

A MILLION DOLLARS?
FIFTY POUNDS.

FIVE MILLION DOLLARS--
...250 POUNDS.

IT'S NOT EASY,
ROBBING A BANK.

ALARM CONDUITS.
CLEVER BASTARDS. RIGHT IN THE ELEVATOR SHAFT.

HERE.
THEY COME OUT HERE.

THERE'S YOUR COMPUTER ROOM.
THIS ONE GOES INTO THE BANK CONTROL COMPUTER.

COMES BACK OUT HERE,
THEN THE FOUR OF THEM GO OVER THERE TO THE ALARM BOX.

[ Sighs ] OKAY.
IF WE'RE GONNA CUT OFF THESE FROM THE VAULT SENSORS,

WE'RE GONNA HAVE TO GET
INTO THE ELEVATOR SHAFT,

AND MAKE OUR DIODE
CONNECTION THERE.

WE CAN TAP INTO
THE COMPUTER--

[ Breathing Heavily ]
...IN THERE.

POUND ON THAT, WILL YA?
THAT'S A WHEELER LOCK. [ Tapping ]

WE CAN PULL A WIRE
TO THE COMPUTER RIGHT ALONG THE TOILET PIPE.

PUT YOUR TERMINAL RIGHT
IN THERE. YOU CAN PLUG IN ANY TIME YOU WANT TO.

THEN IT'S ALL UP
TO THE COMPUTER, BOYO.

THAT'S ALL UP TO ME.

YEAH, WELL, I MEANT
IT'S ALL UP TO YOU. THE COMPUTER'S AN IDIOT.

COMPUTER DOESN'T KNOW
A GODDAMN THING.

THINKS IT'S WORKING
FOR THE BANK, BUT I HAVE THE DISTINCT FEELING...

THAT YOUR FRIEND,
MR. NORMAN BARRIE, WILL CONVINCE THE COMPUTER TO WORK FOR US.

WE'RE GONNA BE FAMOUS.
WE'RE GONNA BE VERY, VERY FAMOUS.

WE'RE ROBBING A BANK,
NORMAN. WE'RE NOT FINDING A CURE FOR CANCER.

[ Stacey ]
I'M AWARE IT MEANS NOTHING!

[ Man ] COME ON! DO YOU REALLY
THINK THIS IS THE BEST CHOICE? YOU'RE GODDAMN RIGHT.

IN A BANK?
YES. YES. STACEY BISHOP?

SHE'S IN A MEETING
AT THE MOMENT.

I'M PREPARED TO STAND
BEHIND MY DECISION.

AND YOUR TASTE IS IN YOUR MOUTH.
AW, COME ON, STACEY!

IF THE CLIENT DOESN'T LIKE HIM,
TELL THEM CAN SHOOT THEIR OWN-- MISS BISHOP?

MISS BISHOP?
YES. OH! YOU'RE THE ONE I WANT!

BUT THE GENIUSES AROUND HERE
DON'T AGREE WITH ME.

THEY SAY YOU'RE TOO "JAUNTY."
TOO JAUNTY FOR WHAT?

I WANT TO USE YOUR PICTURE
FOR THE BILLBOARD ABOVE THE BANK.

SERIOUSLY?
COULD HAVE BEEN A SWEET THOUSAND DOLLARS FOR YOU.

BUT THEY'RE NOT
BUYING IT, SORRY.

WELL, THAT'S TOO BAD.

DO YOU HAVE MY PICTURES?
OH, YEAH.

[ Shuffling Pictures ]

OH, THEY'RE TERRIFIC.

MY MOTHER'S GONNA LOVE THESE.
YOU DON'T HAVE ANY MORE, DO YOU?

OH, YOU REALLY LIKE THEM.
I'LL GET YOU THE NEGATIVES.

YOU CAN BLOW 'EM UP
YOURSELF.

HERE YOU GO.
THANKS A LOT.

CAN I TREAT YOU LADIES
TO A CUP OF COFFEE OR SOMETHING?

COFFEE?
[ Chuckles ]

UM, WE'RE GONNA BE
SHOOTING DOWN IN GASTOWN.

DROP AROUND LATER.
I'LL BUY YOU A DRINK-- DENISE!

[ Motor Revving ]

OOPS. I'M OUT.

OKAY.
RELAX FOR A SECOND.

[ Woman ]
STACEY, COULD WE WEAR SOMETHING KINKY JUST THIS ONCE, PLEASE?

- SOMETHING BUTCHY AND ILL.
- KINKY IS SO TIRED,

IT'LL BE NOSTALGIA
NEXT WEEK.

LISTEN, THIS LAST ONE
SHOULD HAVE MORE MUSCLE IN IT, YOU KNOW?

SOMETHING MORE FLASHY--
COMMENT DIT CA? PUISSANT?

POWERFUL.
OH. ANNE, I DON'T WANT YOU TO BE POWERFUL.

- TU ES QUÉBECOISE, TOI?
- HEY, I WANT A PAIR OF HEAVY BOOTS.

MAYBE A PAIR OF BIKER BOOTS.
WHAT HAVE YOU GOT ON? LIKE MY MASSAGE?

PUSH YOUR HAIR BACK
A LITTLE, SHARON.

THAT'S GREAT.
BORED.

REESE, YOU'RE
IN MY SHOT.

[ Scoffs ]
DO YOU WANT YOUR CLOTHES BACK? EVENTUALLY.

WHERE'D YOU LEARN
TO SPEAK FRENCH? PARIS?

[ Chuckles ]
FORT CHIMO. QUEBEC.

IS THAT WHERE YOU'RE FROM?
NO, I WAS WITH THE NORAD INSTALLATION UP THERE.

PILOT?
NO. RADAR, INTELLIGENCE.

HUH?
COMPUTERS.

YOU SURE SEEM
TO LOVE WHAT YOU DO. HMM.

SOMETIMES. [ Sighs ]
I DON'T KNOW WHAT I LOVE.

DR. PEPPER.

NOW, SOME OF THE STUFF
WE SHOT TONIGHT-- THAT'S FOR MY OWN BOOK.

I THINK IT'S GONNA BE GOOD.
I LOVE THAT.

RIGHT NOW, I'M INTO RAIN.
THIS SECTION'S CALLED, WET DREAMS.

"WET DREAMS?"
TOO CUTE, HUH?

NO, IT'S P-- [ Sneezes ]
NOW, SEE, YOU ARE GONNA CATCH COLD.

COME ON BACK
TO MY PLACE.

I'LL FIX YOU SOME SOUP.
WHO AM I KIDDING? I'LL GIVE YOU SOME VITAMIN "C".

I NEVER CATCH COLD. [ Sniffs ]
DON'T WORRY. I'LL KEEP MY HANDS TO MYSELF.

I NEVER CATCH COLD!

ALL RIGHT!
A WISH BONE. NO.

LET'S DO IT.
CAN'T DO IT. NOT UNTIL IT'S DRY.

PLEASE. IF WE DON'T
DO IT NOW, WE WON'T DO IT.

NO, IF YOU DO IT NOW,
IT'D BE BAD LUCK.

SO, HOW DOES SOMEBODY
GET IN TOUCH WITH YOU?

I'LL CALL YOU.
[ Chuckles ] I DON'T GIVE OUT MY NUMBER, EITHER.

I GOT YOUR NUMBER.
438-2245.

GOT IT OFF
YOUR CAMERA CASE.

I NEVER FORGET A NUMBER.
[ Ship's Horn Blasting ]

I WISH I COULD
SAY THE SAME.

SEE YOU LATER.
SEE YA.

[ Bell Ringing ]
BROUGHT YOU A COUPLE OF ITEMS DESIGNED TO RELIEVE AND RESTORE.

[ Bell Continues ]

REALLY GOT TO GET YOU
OUT OF THIS PIGSTY. COME ON. ROLL OVER.

COME ON. HERE YOU GO.
WON'T KILL YA.

UGH! WHAT IS IT?

BOY, YOU REALLY LOOK BAD.

ONE MORE. I DON'T THINK
THERE'S ROOM FOR BOTH OF US IN HERE, ANYWAY.

DORIS THINKS THAT
WE SHOULD BE SEPARATED FOR A WHILE.

IT'S NOT FUNNY. SHE WANTS
TO FIND HER OWN SPACE.

THAT'S A NEW WORD IN
HER LANGUAGE NOW, "SPACE."

"I'D LIKE TO FIND
MY OWN SPACE, NORMAN."

SHE KICKED YOU OUT
AGAIN, DID SHE?

AH, WHAT THE HELL.
GET YOU INTO A NICE MOTEL.

MAGIC FINGERS IN
THE MATTRESS. DIRTY MOVIES. ALL THE COMFORTS OF HOME.

ME? YOU CAN'T
MOVE ME OUT OF HERE!

I'LL DIE.
I'LL CATCH PNEUMONIA.

- I CAN'T LEAVE HERE.
- LET'S GO, REESE. COME ON.

[ Hoarsely ]
I'LL CATCH PNEUMONIA IF I GO OUT OF HERE.

[ Coughing ]

[ Glass Clinking ]
I'M GONNA CHECK INTO A MOTEL.

IF YOU WANT TO STAY HERE,
YOU CAN STAY HERE.

ALL RIGHT?

[ Reese ]
CAN'T SMOKE IN THE ROOM.

[ Norman ] JUST DO ME A FAVOR.
LET'S JUST MOVE IN FIRST, BEFORE WE ARGUE.

- ANY CONDAMINTS?
- WHY DON'T YOU TAKE YOUR SCARF OFF, AND TAKE YOUR SHOES OFF,

AND TAKE YOUR JACKET OFF,
AND SIT LIKE A NORMAL HUMAN? [ Coughing ]

- YOU'RE ONLY GONNA
MAKE THE COLD WORSE. - [ Coughs ]

I THINK I'M CATCHING YOUR COLD.
TAKE THREE CONDAMINTS-- [ Mumbling ]

YOU SEE, I DON'T FEEL GOOD.

I DON'T FEEL GOOD.
I FEEL-- FEEL A LITTLE-- [ Coughs ]

I THINK I'M CATCHING--

[ Reese Mumbling ]
DO YOU FEEL NAUSEOUS?

I GOT A PAIN NOW.
I REALLY DO.

I'M NOT KIDDING.
I FEEL LIKE--

I DON'T FEEL.
I FEEL VERY--

IT'S PROBABLY PSYCHOSOMATIC ON
MY PART. I'M PROBABLY AFRAID OF THE WHOLE THING WITH THE BANK.

I JUST DON'T FEEL GOOD.

I THINK I'M GETTING
CHILLS OR SOMETHING. I GOT A PAIN IN THE--

I'M NOT GOIN' IN THERE ALONE.
YOU GOT ME OUT OF A BED.

YOU SAID IT HAD TO BE
DONE TONIGHT. NOW, COME ON.

I'M REALLY SORRY.
I FEEL JUST--

I-I'VE JUST GOT KIND OF A--

[ Chuckling Softly ]

OH, BOY.
[ Coughs ]

[ Norman Coughing ]

HANG ON A SEC. OKAY.
I THINK I'M GONNA GET A FEVER!

ALL RIGHT.
YOU GOT IT?

OKAY. WAIT A SECOND.
YOU GOT THE BAG?

DO YOU HAVE IT?
TAKE IT.

[ Coughs ]
I FEEL LIKE SHIT. HANG ON A SECOND.

ALL RIGHT, HELP ME.
PULL ME.

[ Straining ]
ALL RIGHT. ALL RIGHT? OH! GOD--

YOU'RE COMIN' UP THE WRONG WAY.
YOU GOT YOUR HEAD STUCK.

MY HEAD, HUH?
JUST PULL! PULL ME!

- AH! GOD!
- [ Coughs, Groans ]

OH, CHRIST!

PULL ME! PULL ME,
FOR CHRIST'S SAKE!

PUT YOUR FEET AGAINST
THE WALL, FOR GOD'S SAKES!

HERE.
REACH OVER THERE.

JESUS CHRIST,
YOU'RE ATHLETIC, AREN'T YA?

OKAY. LET ME
GET BY YOU.

HOLD ON.

[ Whirring ]

[ Coughing ]
YOU DON'T HAVE ANY VALIUM, DO YOU?

OKAY.

I GET VERTIGO
IN PLACES LIKE THIS.

[ Coughing ]
IN FACT, I'VE GOT VERTIGO RIGHT NOW.

[ Mumbling ]

CAREFUL WITH THE SCREWS.
OH, SHIT!

[ Clanging ]

THAT'S A $6.00 SCREWDRIVER.
LET'S HOPE THIS WORKS. NORMAN--

ALL RIGHT.
RIGHT THERE.

[ Both Coughing ]

OKAY.

WAIT FOR THE BOAT.
[ Girl Laughing ]

[ Chattering ]

WELL, WE'LL GO HERE.
[ Girl Giggles ]

[ Elevator Squeaking,
Voices Echoing ]

[ Laughing ]

[ Laughing Continues ]

I THINK WE SHOULD
GET OUT OF HERE.

[ Laughing, Chattering ]

[ Teens Laughing ]

WHAT WAS THAT?

WISH I HAD A SMOKE.

- BOTH THE ELEVATORS HAVE GONE.
- [ Coughing Softly ]

[ Whispering ]
LET'S GET OUT OF HERE. COME ON.

[ Motor Whirs ]
JESUS CHRIST!

[ Doors Open,
Kids Laughing ]

SOUNDS LIKE THEY'RE ON
THE TENTH FLOOR.

[ Doors Closing ]

[ Motor Whirring ]

WHAT IF THEY GOT GUNS?
WE GOT GUNS.

MINE DOESN'T WORK.
IT'S A DUMMY. THEY DON'T KNOW THAT.

WHAT ABOUT YOUR GUN?
WELL, IT'S MY OWN. .357 MAGNUM.

MOST POWERFUL HANDGUN MADE.
BLOW A MAN'S HEAD CLEAN OFF.

- [ Sneezes ]
- WHAT WAS THAT?

WHAT? WHAT?
I DIDN'T HEAR ANYTHING.

HEY, UH, LET'S SPLIT.
COME ON. YEAH.

GET GOIN'!

I REALLY THINK
WE SHOULD CALL THE POLICE. NO, NO.

THEY'LL LAUGH AT US.
YOU'RE PART TIME, AREN'T YOU?

SO WHAT?

[ Elevator Hits Bottom,
Doors Slide Open ]

[ Sniffing ]

DO YOU SMELL ANYTHING?
[ Sniffs ] NO.

YOU WILL.
WHY?

I JUST SHIT MY PANTS!
[ Both Laughing ]

[ Chattering ]

YES, FATHER.
CAN I HELP YOU?

YES, I WANT TO SEND
SOME BOXES TO MACAO.

SURE THING. UM, WHAT
HAVE YOU GOT TO SEND?

CLOTHING. USED CLOTHING.
FOR OUR MISSION IN MACAO. MACAO?

OKAY.
WE GOT A SHIP GOING OUT OF HERE ON FRIDAY,

STRAIGHT TO
THE PHILIPPINES, MANILLA--

AND THEN ON TO HONG KONG,
TRANSSHIPPED TO MACAO.

THAT'S THE ONE.
YOU HAVE SOMETHING TO SEND IT IN?

YES, IT'S OUTSIDE.

[ Sighs ]
OKAY, FATHER,

THAT'S GONNA...
COST YOU...

$181 FOR THE FOUR.

THAT'S IF YOU SHIP
ON A REGULAR BASIS.

REMEMBER, YOU'VE GOTTA GET
THIS STUFF HERE THE DAY BEFORE.

SO, THAT'S EVERY FRIDAY
BEFORE 10:00.

OKAY?

I CAN JUST SEE DORIS.
SHE'S LOOKIN' AT ME NOW, I'M BEHIND BARS--

THE ODDS ABOUT YOU GOING
BEHIND BARS ARE SO SLIM-- ...AND SHE'S LAUGHIN' AT ME.

NO CHANCE.
YEAH. THE ODDS.

[ Sighs ]
OH, BOY.

THE THINGS YOU FANTASIZE
ABOUT WHAT'S GOING TO HAPPEN TO US ABOUT THIS...

TRULY, DEEPLY
DEPRESSES ME.

I THOUGHT YOU SAID THIS WAS
GOING TO BE A VICTIMLESS CRIME.

IT IS GOING TO BE
A VICTIMLESS CRIME. NO, THERE'S GONNA BE A VICTIM.

WHO'S GONNA BE THE VICTIM?
I'M THE VICTIM.

HEY, WHAT DID YOU DO
TO MY CLOTHES? WHERE ARE MY CLOTHES?

COME ON, YOU PACKED MY--
OH. SORRY.

[ Chuckles ]
BEHIND THE COLLAR.

I KNOW I'M CRAZY.
I DON'T FEEL--

I DON'T KNOW,
I FEEL WEIRD.

I'LL BE VERY HONEST WITH YOU.
I WOULD LIKE TO GET OUT OF THE WHOLE THING.

I'D LIKE TO NOT DO IT.
YOU WANT TO GET OUT OF IT?

I-I DON'T KNOW.
I'M REALLY AFRAID.

[ Exhales ]
I'VE LED YOU UP A WHOLE...

ROUTINE, AND...
I APOLOGIZE.

I'M SORRY ABOUT IT.
I JUST CAN'T DO IT.

I CANNOT DO IT!
IT'S OKAY. IT'S ALL RIGHT.

WELL, ARE YOU ANGRY, OR--
NO, YOU'RE OFF IT. FINISHED.

YOU GO BACK AND HELP DORIS
FIND HER SPACE.

YOU KNOW THE MAGIC WORD,
DON'T YOU?

[ Crowd Chattering ]

[ Giggling ]

[ Shrieking ]

OH... OH, GOD!

OH, THERE'S RICHARD
AND PETER AND GENE-- [ Gasps ]

OH, PETER--
[ Indistinct ]

OH, I THINK I'M GONNA
WET MY PANTS.

OH, NORMAN--
YOU WANT BOTH OF THESE?

- I WANT THEM ALL.
- FINE. ALL RIGHT.

UH, WE'LL TAKE FOUR.
YOU KNOW, YOU'D MAKE A GREAT GAME SHOW HOST.

YOU REALLY WOULD.
YOU'RE SO CUTE AND CUDDLY.

UH--
HAVE YOU THOUGHT ABOUT GOING ON TV?

- YOU WANT ONE TOO?
- NO, THANKS. - I WANT ONE. NO, I DON'T.

YOU WANT ONE?
JUST TELL ME.

[ Woman Squeals ]
OH, I CAN'T BELIEVE IT!

[ Moans ]

[ Auctioneer Chattering ]

IS SHE FANTASTIC?
THAT'S WHERE YOU'VE BEEN THE LAST THREE DAYS.

YEAH. THE GRIP OF A GRIZZLY.
DOESN'T WEAR ANY UNDERWEAR.

WHERE DID YOU FIND HER?
SHE CLEANS THE POOL AT THE MOTEL.

I THINK SHE'S
A GAME SHOW GROUPIE.

SAYS I LOOK LIKE
PETER MARSHALL. WHO'S PETER MARSHALL?

YEAH, "HOLLYWOOD SQUARES,"
YOU KNOW?

I'M IN LOVE.
WELL, IT SHOULD LAST FOREVER, I FIGURE.

I AM DOING THINGS
THAT DORIS WOULD BE EMBARRASSED TO READ ABOUT.

IN FACT, SHE'S
PROMISED ME ONE THING, THAT EVEN I PERSONALLY--

I'M ALER--

YOU THINK I'M MAKING
A FOOL OUT OF MYSELF.

HAVING A GOOD TIME?

AHH! IT'S THE BEST TIME
I'VE HAD IN 11 YEARS.

WELL, LIVE IT UP, 'CAUSE
YOU KNOW WHERE YOU COULD BE SPENDING THE NEXT ELEVEN.

[ Laughing ]
HELLO, HOW ARE YOU? HI, BABE.

STACEY'S DOWN THERE.
I'LL GO GET HER.

I'M HUNGRY.
WHAT WOULD YOU LIKE TO EAT?

EVERYTHING.

WELL, LET'S GET OUT
OF THIS JOINT.

♪ [ Country ]

♪ [ Ends, Applauding ]

I THINK WE SHOULD COME BACK
TO THIS FAIR EVERY YEAR,

TO COMMEMORATE
THE WONDERFUL EXPERIENCES WE HAD.

♪ [ Singing Nonsense ]
♪ BOO-BOOP-BE-DO ♪

STACE! STACE, HOLD ON.
I WANT TO TALK TO YOU.

COME ON. COME.
WHO IS THAT GUY?

STACEY'S EX.
HE'S SOME KINDA ARTIST.

I WANT TO TAKE YOU HOME.

PETER, CAN YOU SEE
THAT I'M WITH PEOPLE?

YOU'RE SCREWING HIM.
[ Sighs ] OH, PETER.

PLEASE, DON'T MAKE
A SCENE NOW, OKAY?

DOES HE TOUCH YOU,
LIKE I DO?

PETER, I'LL TALK TO YOU,
BUT NOT NOW. I'VE GOTTA GO.

STACEY, LISTEN TO ME.

STAY AWAY, FELLA.

- I'LL BE SEEING MORE OF YOU.
- I'M SURE YOU WILL.

COME ON. GO AWAY.

[ Stacey ]
NO, HE IS NOT NEUROTIC. OKAY.

HE IS UNIQUE. I LIKE IT
THAT HE THROWS HIMSELF AT THINGS WITH ABANDON.

[ Sniffling ]
EVEN IF PEOPLE THINK HE'S A FOOL.

[ Sighs ]
WELL, I DON'T THINK HE'S A FOOL...

FOR THROWING HIMSELF
AT YOU WITH ABANDON.

THANK YOU.

I'M SORRY. I JUST
HAVE FEELINGS FOR HIM.

TAKE ONE.

WAIT A SECOND,
UNTIL I CLOSE MY EYES.

OKAY? OKAY?
MM. READY.

WHAT GOES UP THE CHIMNEY?
SMOKE.

I DON'T REMEMBER
THE REST OF IT. WHAT COMES DOWN?

WHAT COMES DOWN?
SANTA CLAUS.

MAY YOUR WISH AND MY WISH
NEVER BE BROKE.

STOP!
[ Laughing ]

♪ ALL THE YEARS
HAVE WASHED THROUGH ME ♪

♪ LIKE THE TIDE
SWEEPS THROUGH THE SEA ♪

♪ SO BLUE ♪

♪ YET I SOMETIMES ♪

♪ FEEL HARDENED, GIRL ♪

♪ IT ALL FADES TO MIST ♪

♪ WHEN I LOOK AT YOU ♪

♪ WHEN YOU SMILE AT ME
I FEEL MY FEET ♪

♪ LIFT GENTLY OFF THE FLOOR ♪

♪ YOU BRING OUT
THE CHILD IN ME ♪

♪ YOU MAKE ME FEEL LIKE ♪

♪ I BELONG ONCE MORE ♪

♪ OH, BABY, WHOO-HOO ♪

♪ WHOO-HOO, HOO ♪

♪ IF YOU COULD SEE
INTO MY SOUL ♪

♪ YOU'D SEE A SPACE THERE ♪

♪ OPEN JUST FOR YOU ♪

♪ AND LIKE THE SUN ♪

♪ SHININ' THROUGH A STORM ♪

♪ I FEEL YOU SLOWLY ♪

♪ BREAKIN' THROUGH ♪

♪ WHEN YOU SMILE AT ME
I FEEL MY FEET LIFT ♪

♪ GENTLY OFF THE FLOOR ♪

♪ YOU BRING OUT THE CHILD IN ME
YOU MAKE ME FEEL LIKE ♪

♪ I BELONG ONCE MORE ♪

♪ OH, BABY ♪

MM, I LOVE IT.

SO. HOW COME
YOU'RE NOT A SAILOR? I DON'T HAVE A BOAT.

THAT'S WHY I'VE GOT
THIS OUTLANDISH JOB,

SO I CAN MAKE ENOUGH
TO SAIL AGAIN.

AAH!
RUM, EH?

MM.
NO.

SO, TELL ME.
SAIL WHERE? SAIL WHAT?

TALK TO ME. WHAT AM I DOING
ON A BOAT WITH AN EARTHQUAKE-- WHATEVER THE HELL YOU ARE?

INSPECTOR.
I GOT MY EYE ON A DREAMBOAT.

FORTY FOOT. CAT. KETCH.

TWO UNSTAYED MASTS.
FISHBONE BOOMS.

GOT AN AFTERCABIN.

IT'S IN NEW ZEALAND.

MAYBE I'LL BE
PICKING IT UP PRETTY SOON.

YOU ARE A SAILOR. HMM.
MM-HMM.

BETTER WATCH
YOURSELF WITH THAT. IT'LL CREEP UP ON YOU.

[ Swallows ]
GOOD. THEN MAYBE I'LL CREEP UP ON YOU.

♪ ALL THAT I NEED IS
THE AIR THAT I BREATHE ♪

♪ AND A BREAKFAST IN BED
IN THE MORNING ♪

♪ OH, THE NIGHT AFTER
I LAND IN JAIL ♪

♪ SO I CROSS MY HEART
AND I JUMP MY BAIL ♪

WATCH IT!
I'M DRUNK.

AS IF I'D HAVE KNOWN.
AM I OBNOXIOUS?

NO.

I KNOW I'M CRAZY.

I'M WILD.
AND I LOOK DIFFERENT. MM-HMM.

YOU'RE SO GOOD!
[ Groaning ]

SO KIND.
AND STRAIGHT.

AND SWEET.

I KNOW I'M LOUD.
I HATE IT.

SOMETIMES.
MOSTLY WHEN I AM.

I LIKE YOU.

OH, REESE?
MM-HMM?

EVEN IF WE SLEEP TOGETHER,
LET'S STILL BE FRIENDS.

YOU KNOW?

MM-HMM.
WHAT DID YOUR FATHER SAY?

"BEWARE--"
BEWARE OF WHAT?

"TAKE WARNING, TRIESTE,
AND HAVE A CARE."

ARE YOU LEAVING?
MM-HMM.

DON'T LEAVE, REESE.
PLEASE!

TAKE WARNING, TRIESTE.
AND HAVE A CARE.

[ Starts Engine ]

YOU MISSED
A GREAT DOUBLE BILL. OH, YEAH?

JACK NICHOLSON.
GOD, ROBERT REDFORD!

DID YOU EVER NOTICE
HOW THEY KISS?

HUH?
[ Chuckling ]

COMPLETELY DIFFERENT.

REDFORD TURNS HIS FACE
TO THE SIDE LIKE THIS--

LEADS WITH THIS EYE--

HIS MOUTH JUST
A LITTLE OPEN.

AND AS HE COMES TOWARDS YOU,

HE PUTS ONE ARM AROUND YOU,

AND THE OTHER
BEHIND YOUR HEAD.

AS HE PULLS AWAY,
HIS EYES ARE KINDA LOW.

[ Laughs ]
OH, AND THEN YOU KNOW YOU'VE BEEN KISSED.

THEN NICHOLSON
IS COMPLETELY DIFFERENT.

HE'S GOT THAT SMILE,
AND ALL THOSE TEETH,

AND HIS EYES ARE LEVEL,
AND HE USES HIS TONGUE MORE.

WHEN YOU THINK
YOU CAN'T BREATHE ANYMORE,

HE KISSES YOU.

[ Chuckling ]

ARE THEY TOO INTO LIGHTING
TO BE ALONE?

HE PULLS AWAY
SLOWER THAN REDFORD.

AND LICKS HIS LIPS,
LIKE HE'S TASTING YOU FOR A SECOND TIME.

AND WHEN HE DOES THAT,

THERE ISN'T ANYTHING
ON GOD'S--

[ Exhales ]
WELL, NOT REALLY ANYTHING.

I WOULDN'T DO ANYTHING
REAL RAUNCHY OR ANYTHING LIKE THAT, BUT--

[ Laughing ]
WELL, YOU'RE ONLY YOUNG ONCE.

WHEN THE BODY GOES,
IT'S KINDA SAD.

MM-HMM.

[ Lewd Chuckling ]

OH, I LOVE YOU GUYS.
[ Giggling ]

[ Norman ]
I REALLY DON'T WANT TO ARGUE. NO.

HOW ARE THE CHILDREN?

AND THAT WAS NOT
MY IDEA, DORIS.

COME ON.
LET'S BE FAIR.

I'D LIKE TO SEE THE CHILDREN
SUNDAY AT 10:00.

I JUST WOULD LIKE
TO COME AT 10:00...

AND SPEND A COUPLE OF HOURS
AND SEE THEM.

[ Exhales ]

ALL RIGHT. GOOD-BYE.
[ Puts Receiver In Cradle ]

YOU GOT A COOKIE?

THANK YOU.

[ Sighs Deeply ]
I THINK MY MARRIAGE IS FINISHED.

[ Scoffs ] I WOULDN'T KNOW
WHAT TO DO WITH THE MONEY WHEN WE GET IT, ANYWAY.

[ Norman ]
DID YOU EVER GET A PAIN IN YOUR CHEST?

WHAT KIND OF PAIN?
VERY SHARP PAIN.

NEAR THE SHOULDER.
NO.

[ Sighs ]
I'M BEGINNING TO FALL APART.

WHY IS HE INSISTING
YOU FLY BACK THERE? I DON'T KNOW. WHY WORRY?

REESE, HE'S NOT ASKING FOR THIS
MEETING TO DO US ANY FAVORS.

HE PROBABLY WANTS TO SCREW US.

IF WE DON'T LIKE HIS DEAL,
WE'LL DO OUR LAUNDRY SOMEWHERE ELSE.

[ Engine Of Muscle Car
Revving ]

I WISH WE DIDN'T
HAVE TO DO THIS TONIGHT. I'M EXHAUSTED.

WE HAVE TO RIG THE LIGHTS,
TAKE CARE OF THE DIMMERS.

AHH, BOY!
GOTTA HANDLE THE GATE.

WE'VE GOT TO DO IT TONIGHT,
BECAUSE I DON'T WANT TO MISS ANY WORK.

WHY NOT?
THEY'RE BEGINNING TO LOOK AT ME IN A STRANGE WAY, YOU KNOW.

THAT'S LIKE THE PAIN
IN YOUR CHEST. I KNOW. I UNDERSTAND.

THEY KNOW NOTHING.
BUT I'M BEGINNING TO FEEL LIKE EVERYTHING I DO,

THAT THEY--
THAT THEY'RE THINKING, HE'S A BANK ROBBER.

COME ON.
I GUESS I'M GETTING INTELLECTUAL.

I'M JUST ASSOCIATING
THE ROBBING OF BANKS WITH SEX.

MAYBE I'M ROBBING A BANK
BECAUSE MY SEX LIFE IS NO GOOD.

I'VE NEVER HAD ANYTHING
IN MY LIFE HAPPEN TO ME LIKE WITH THIS GIRL.

REALLY. I MEAN,
I-I-- I DON'T THINK YOU COULD SAY...

THAT I WAS
AFRAID OF WOMEN.

I WASN'T AFRAID OF DORIS.
NOT WHEN WE MET.

BUT I WAS--

YOU KNOW, THIS
IS MY FIRST AFFAIR IN ELEVEN YEARS?

REALLY? THE FIRST?
IT'LL PROBABLY DROP OFF. REALLY. THE FIRST TIME.

[ Tires Screeching ]

[ Yawns ]
THERE SHE IS.

THE MOST BEAUTIFUL
GIRL IN THE WORLD. UH-HUH.

THIS IS GOOD. I WANT TO BE ABLE
TO SEE THE GUARD STATION... OKAY.

AND THE GARAGE ENTRANCE
AT THE SAME TIME.

AND WE'VE GOT A PRETTY GOOD
LINE OF SIGHT ON THE VAULT. THERE.

HUH?
THAT'S ABOUT IT. THAT'S A GOOD SPOT, HUH?

WE SHOULD BE FAR FORWARD.
JUST A SECOND.

NOW I SUDDENLY AM NERVOUS.
[ Engine Revving ]

NOW, LOOK.
YOU SEE THE GARAGE? SEE IT.

CAN YOU SEE THE GUARD?
LOOKIT. LOOK. SEE HIM.

I THINK WE'RE
BEING FOLLOWED. HANG ON.

[ Engines Revving ]

WHO IS THAT?
I THINK IT'S THAT GUY STACEY KNOWS FROM THE FAIR.

[ Reese ]
HOLD TIGHT.

- SLOW DOWN, REESE.
COME ON! JESUS! - [ Tires Screeching ]

[ Siren Wailing ]

UGH!
YOU'VE DONE IT.

DO YOU GET
PLEASURE OUT OF THAT?

[ Siren Stops ]

[ Norman ]
I WAS POSITIVE THAT THAT COP WAS GONNA SAY TO US,

"ROBBING A BANK, ARE YOU?"
OR SOMETHING LIKE THAT.

WELL, HE COULD HAVE GOT ME
FOR RECKLESS DRIVING, IF I HADN'T SAID I SLIPPED.

DO ME A FAVOR
AND PAY THE TICKET FIRST THING IN THE MORNING.

JUST GO RIGHT DOWN THERE
AND PAY IT SO THERE'S NO PROBLEM WHATSOEVER.

DO YOU WANT A PERRIER?
NO. I'LL HAVE A SCOTCH.

I CAN'T FIGURE OUT
WHAT SHE EVER SAW IN HIM.

WHAT THE HELL'S THE DIFFERENCE
TO YOU WHAT SHE SAW IN HIM?

HOW MANY CIGARETTES
IS THAT TODAY?

SEVENTEEN.
OH, BOY.

TURN OUT THE LIGHT
AND START PACKING.

WHY?
BECAUSE THE FREAK IN THE CAR IS THERE.

[ Light Switch Clicks ]

THE MAN'S A NUT.
HE'S A PSYCHOPATH.

[ Man ]
HOW LONG ARE YOU STAYING? [ Reese ] HOW MUCH FOR A WEEK?

A HUNDRED AND FORTY.
WE'LL TAKE IT.

205.
[ Rings Bell ]

HERE.
IT'S ALL WE GOT.

[ Norman ] OKAY?
[ Clerk ] RIGHT.

[ Norman ]
OKAY, THANK YOU.

[ Traffic Sounds ]

YOU'LL HAVE TO TELL HER
TONIGHT, BEFORE THAT WEIRDO SHOWS UP AGAIN.

I'M NOT GOING
TO LIE TO HER! IT'S NOT A LIE.

JUST TELL HERE YOU'RE GOING
TO MACAO FOR A COUPLE OF MONTHS.

THAT'S A LIE!
I'M ONLY GOING FOR THREE DAYS.

[ Norman ]
THAT'S NOT A LIE. IT'S AN EXAGGERATION.

[ Clock Ticking ]

STACEY?

REESE?

MM. SMELLS GOOD.

FORMIDABLE.
YEAH?

DOUBLE FORMIDABLE.
YOU'RE LOOKING RATHER SPIFFY.

WELL, IT WAS THE LEAST
I COULD DO, SO I DID IT.

BUT SERIOUSLY, FOLKS--
[ Whispering ] CHAMPAGNE!

[ Chuckles ]
OH! A CELEBRATION?

OF COURSE. I HAVE
SOME NEWS FOR YOU.

MY PEREGRINATIONS LEAD ME
TO THAT MAELSTROM OF INSCRUTABLE FECUNDITY--

[ Sighs ]
THE ORIENT.

HOW LONG?
TWO MONTHS.

WHEN?
TOMORROW.

IT MEANS WE'RE GOING TO BE
APART FOR A WHILE, BUT--

[ Sighs Deeply ]

WELL. IT'S BEEN GRAND.

SCREW YOU, REESE.

DOM PÉRIGNON, 1969.
WHAT DO YOU MEAN, YOU'RE GOING TO THE ORIENT?

TWO MONTHS.
WHAT THE HELL FOR?

I'M NOT PERMITTED
TO TELL YOU. STUFF IT!

COME ON, STACEY.
I'M NOT ALLOWED TO TELL YOU.

BULLSHIT. AND DON'T USE
THOSE $20 WORDS ON ME.

COME ON, FOR--
HAVE I BEEN ANYTHING BUT STRAIGHT WITH YOU?

OH, MAYBE--
I'M NOT ALLOWED TO TELL YOU.

I'M NOT ALLOWED TO
REVEAL TO YOU THE NATURE OF MY ACTIVITIES.

MY IMAGINATION MAY BE
A LITTLE WORN,

BUT HOW, EXACTLY, DOES
AN EARTHQUAKE INSPECTOR MAKE A FORTUNE IN THE ORIENT?

- SELLING SHORT?
- OKAY, I AM PERMITTED TO REVEAL TO YOU THE FACT...

THAT I AM NOT, IN FACT,
AN EARTHQUAKE INSPECTOR.

ARE YOU MARRIED?
NO, I'M NOT MARRIED! WHAT DO YOU MEAN, AM I MARRIED?

WELL, YOU LIED TO ME!
NO, LOOK, STACEY! I WOULDN'T LIE TO YOU!

I HAVEN'T LIED TO YOU
SINCE I'VE KNOWN YOU!

STACEY, I'D DO
ANYTHING TO PROVE TO YOU THAT I WOULDN'T LIE TO YOU.

[ Reese, Sighing ]
BAD MISTAKE.

THINK SO?
SHOULDN'T HAVE HAPPENED.

I DON'T THINK
A RAPE CHARGE'LL STICK.

NO, IT WAS MY FAULT.

OH. DON'T TAKE
ALL THE BLAME.

WHAT'D I SAY?

NOTHING WAS REVEALED.

WELL, NOT NOTHING.

[ Sighing ]
YOU KNOW, WHERE DOES ALL THIS LEAD TO?

[ Chuckles, Sighs ]

WELL, WHY DON'T WE START
WITH COFFEE AND GO FROM THERE?

IF YOU'RE GOING TO MACAO,
BETTER PUT YOUR PANTS ON.

RIGHT. MACAO.

I WOULD RATHER PAY
FOR YOU TO GO SEE A PSYCHIATRIST RIGHT NOW.

IT WILL NOT CURE PAIN.
CURE A SEXUAL OBSESSION.

IT'S NOT SEXUAL.
I DON'T KNOW WHAT IT IS. IT WILL NOT ENDANGER ANYTHING.

SHE THINKS I'M IN
THE FAR EAST. THE TICKET WILL COME FROM THE FAR EAST.

SHE'LL JUST SEE ME
IN THE FAR EAST. IF YOU COULD GUARANTEE ME...

THAT I WOULD BE ON A
DESERT ISLAND WITH ALL THE MONEY IN A FEW MONTHS, FINE.

BUT YOU WILL NOT
BE ABLE TO DO THAT. I GUARANTEE IT.

I PROMISED YOU
THAT ABSOLUTELY THERE WOULD BE NO PROBLEM. OKAY?

REALLY?
YOU'LL BE ON A DESERT ISLAND.

I CAN'T GUARANTEE
HOW MUCH MONEY.

I'LL BE ON DEVIL'S ISLAND.
THAT'S WHERE I'LL BE. OH, BOY.

I'VE SENT A TELEX.
SHE'LL THINK IT CAME FROM CHINA.

THE PLANE GOES
IN AN HOUR.

IS SHE GONNA MEET YOU THERE?

I HOPE SO.
I'LL FIND OUT WHEN I GET THERE.

GOOD. I SAW
DORIS'S LAWYER TODAY. SHE GOT A LAWYER?

YEAH. VERY NICE CHAP,
$250 A DAY.

DORIS WANTS A DIVORCE--
WANTS THE CHILDREN, OF COURSE.

OH, BOY.
WANTS TO GIVE NORMAN SATURDAYS BETWEEN 9:00 AND 11:00.

VISITATION RIGHTS.
ONE OTHER PIECE OF GOOD NEWS:

MARIE-- DO YOU REMEMBER
THE BEAUTIFUL MARIE?

WON A PRIZE ON A GAME SHOW.
TRIP THROUGH THE PANAMA CANAL ON A BOAT.

LUXURY CRUISER.
ONE TICKET. OH, BOY.

SO, NORMAN DOESN'T GO.
HE'S TOO BUSY ROBBING A BANK. HE COULDN'T GO.

NORMAN'S BEST FRIEND REESE
TAKES NINE MONTHS' WORK AND THROWS IT DOWN THE DRAIN.

[ Laughs ]

[ Scoffs ]
DO YOU REALLY THINK IT'S THE SMART THING?

IT'S THE SMARTEST THING
I EVER DID IN MY LIFE.

OKAY. BRING ME BACK
A NICE CAMERA,

SOME DUTY-FREE
CIGARETTES, AND SOME BOOZE.

GOOD LUCK.

SEE YA.
OKAY.

[ Chattering ]
♪ [ Western Classical ]

♪ [ Continues ]

[ Speaking Chinese ]

[ Speaking Chinese ]

♪ [ Humming ]

[ Speaking Chinese ]

OKAY, THANK YOU.
UH, THERE.

HIDE IN THE BATHROOM
AND COME OUT WHEN SHE COMES IN.

THANK YOU.
PLAY AS YOU COME OUT. OKAY?

THANK YOU. BYE.

[ Children Singing
In Distance ]

[ Sighs ]

AH, DOM PÉRIGNON, 1969.
♪ [ Orchestra ]

[ Cork Pops ]

[ Glass Clinks ]

THAT'S THE MOST
ROMANTIC THING.

[ Reese ]
HOW'S YOUR FRIEND PETER? [ Stacey ] HE CALLS A LOT.

THAT'S ALL. I THINK
HE'S FINALLY ACCEPTED THE REALITY OF US.

TERRIFIC.
[ Slapping ]

OH, I HAVE
A LITTLE PRESENT FOR YOU.

[ Chuckles ]
WHAT? A THOUSAND DOLLARS.

[ Chuckles ]
WHAT DO YOU MEAN?

THE BANK NOW THINKS
YOU'RE PERFECT FOR THE PROMOTION ART.

YOUR PICTURE'S
GONNA BE ON THE BILLBOARD.

YOU'RE THE BILLBOARD MAN.

[ Groans ]
YOU GAVE ME THE NEGATIVES.

JUST THE DUPES.
EXCITING, HUH?

[ Groans ]

OH.

THAT'S TO
BRING YOU BACK.

YOU SPENT THE WHOLE THOUSAND.
WELL, NOW THAT I'M A BIG-TIME MODEL.

OCTOBER 12. THAT'S--
THREE WEEKS. CAN YOU MAKE IT?

I'LL BE HERE.

HEY. MR. TSANG.
THIS IS MY FRIEND, STACEY BISHOP.

GLAD TO
MEET YOU HERE. NICE TO MEET YOU.

[ Both Speaking Chinese ]

IT'S A PLEASURE.

WHO'S HE? PART OF
A CONSPIRACY?

HE MAKES BLUE JEANS.

HOW DID YOU LEARN
TO SPEAK CHINESE?

WITH DIFFICULTY.
[ Both Chuckle ]

NO, I WAS HERE
IN '65, '66.

C.I.A. YOU WERE
PART OF THE C.I.A. DURING VIETNAM.

EVERYBODY WAS
PART OF THE C.I.A.

THEY JUST DIDN'T
KNOW IT AT THE TIME.

DRUGS.
YOU SMUGGLED DRUGS. ABSOLUTELY NOT.

NOT DRUGS, NOT C.I.A.,
NOT WHITE SLAVERY-- NONE OF THOSE.

I DON'T EVEN CARE,
YOU KNOW THAT?

IT DOESN'T MATTER.
I TRUST YOU.

I TRUST YOU.
NOT ENOUGH TO TELL ME.

I TRUST YOU.
I DON'T KNOW WHY, BUT I DO.

I KNOW WHY.

I'M IN LOVE
WITH YOU.

IS THAT OKAY?
WONDERFUL. JUST WONDERFUL.

[ Man On P.A.
Speaking Chinese ]

I LOVE YOU.

I WILL ALWAYS
LOVE YOU.

THREE WEEKS.

[ Motor Chugging ]

[ Speaking Chinese ]
FIFTY CENTS?

[ In Chinese ]

I DON'T PLAY THAT GAME.

JESUS CHRIST.
JIMMY CARTER.

THANKS A LOT.

AT LEAST YOU HAD TIME
FOR SOME BUSINESS. THERE'S THE VAN.

TWO-WAY MIRRORS.
BEST I COULD DO IN TERMS OF COLOR.

I THINK IT'S FINE. HUH?
YEAH, DYNAMITE.

LIKE IT?
YEAH.

PLENTY OF ROOM INSIDE.
ALL MY EQUIPMENT.

WHAT DO YOU THINK?
CLOSE IT UP.

YEAH, TERRIFIC.
IT'LL WORK.

EXCELLENT. HOW MUCH DID
YOU HAVE TO PAY? I TRADED IN YOUR CAR.

MY CAR WOULDN'T COVER THIS.
I TOOK A SECOND MORTGAGE ON MY HOUSE.

[ Norman ]
THAT'S NOT WHO I THINK IT IS, IS IT?

LOOKS GOOD, DOESN'T IT?
LOOKS LIKE 20 YEARS TO LIFE TO ME.

COME ON. NOBODY
WILL EVER RECOGNIZE ME. I GUARANTEE IT.

I'LL RECOGNIZE YOU.

TO MY DYING DAY,
I'LL RECOGNIZE YOU.

[ Door Closes ]
DISTRACTION MEASURE.

[ Motor Whirring ]

WHAT'S GOING ON?
HE'S SHAVING, I GUESS.

- WHAT'S HE SHAVING?
- [ Whirring ]

[ Whirring Continues ]

♪ [ Humming ]

[ Reese ]
OKAY. WHO WAS THAT?

HE DIDN'T RECOGNIZE ME.

WE GOT IT.
OKAY.

SHE CONFESSED EVERYTHING.

[ Man ] THE BANK COMPUTER
SYSTEM, WHICH UNITED SECURITY BANK IS INTRODUCING...

IS THE MOST SOPHISTICATED
SYSTEM IN BANKING TODAY.

THIS COMPUTER CONTROL
IS ACTIVATED BY MY FINGERS...

PASSING ACROSS THIS SURFACE.

[ Beeping ]

REGISTERING MY FINGERPRINTS.

MY ASSOCIATE,
EUGENE HALIBURTON, VICE PRESIDENT,

PERFORMS THE SAME
PRINT READOUT,

[ Beeping ]

AND ONLY OUR FINGERPRINTS
WILL ACTIVATE THE CODE BOARD.

IT'S FOOLPROOF.
I ASSURE YOU.

IT'S GOING TO BE
A NICE OPERATION.

LISTEN. THEY'RE
OPENING THE BANK.

I THINK IT'S
BETTER WE DON'T.

GIVE ME THE GLASSES.
[ Man ] ...WEATHER INFORMATION READOUTS.

RECOGNIZE ME?
NO, I DON'T.

...PIECE OF ELECTRONICS VISIBLE
IN THE ENTIRE BUILDING...

IS THIS INSTRUMENT HERE.
[ Water Rushing ]

THE CODE BOARD OPENS
AT 9:15 A.M., FIVE DAYS A WEEK.

OUR FINGERPRINTS
ARE DELIVERED...

TO A MASTER
PRINTOUT COMPUTER IN NEW YORK CITY.

NOW, THEN. THIS
MASTER COMPUTER...

IS PROGRAMMED, UPON
RECEIVING THESE PRINTS,

TO SEND INFORMATION BACK TO
OUR CONTROLLER COMPUTER...

AND FROM THERE,
BACK TO THIS BANK,

YOU WANT SOME PUNCH?
NO, I'D RATHER NOT.

INCLUDING DEPOSITS,
WITHDRAWALS-- MMM, WE'LL MAKE A WITHDRAWAL.

THE BIGGEST WITHDRAWAL
THEY'VE EVER SEEN IN THEIR LIVES.

[ Crickets Chirping ]

[ Typing ]

I THINK
I'LL THROW MYSELF AT HIS MERCY.

"HELP"?
[ Chuckles ]

DO YOU THINK THERE'S
A LITTLE PERSON IN THERE, GONNA HELP YOU?

SOMETIMES THIS IDIOT
GIVES INFORMATION, HONEST TO GOD.

[ Reese ]
"INVALID ENTRY. PLEASE TRY AGAIN."

SOUNDS LIKE DORIS.

EXCEPT SHE WOULDN'T SAY,
"PLEASE TRY AGAIN."

REESE.

BINGO.

BINGO.

[ Bell Dings ]

[ Stacey ] PETER, WHAT
HAVE YOU DONE? WAKE UP. [ Phone Ringing ]

HOW MANY DID YOU TAKE?
WAKE UP! I WANT TO GO TO SLEEP.

[ Stacey ]
YOU CAN'T DIE. I WON'T ALLOW IT.

PLEASE, PETER.
WHY HAVE YOU DONE THIS TO YOURSELF?

I JUST WANNA
GO AWAY. NO. NO.

YOU ARE NOT GOING FAR AWAY.
YOU ARE STAYING WITH ME. TALK TO ME.

TELL ME ABOUT
WHAT YOU'VE BEEN DOING.

WHAT ABOUT YOUR MURAL?
THAT WAS SO GREAT FOR UNDER THE BRIDGE.

TALK TO ME.

[ Stacey ]
PETER, I LOVE YOU.

I'VE ALWAYS LOVED YOU.
I WILL ALWAYS LOVE YOU.

I WILL ALWAYS LOVE YOU.
COME ON.

I BETTER GET UNDER
THE BEDSHEETS. NO, YOU CAN'T GO TO SLEEP.

PETER. PETER,
YOU CAN'T GET INTO BED.

PETER.
[ Sighs ]

PETER.

YOU HAVE SO MUCH
TO LIVE FOR.

WHAT?

[ Sighs ]
JUST WAKE UP. COME ON.

YOU'RE JUST SAYING YOU LOVE ME
'CAUSE I TOOK THE PILLS. NO.

NO. THAT IS NOT TRUE.

I MEAN IT.

I LOVE YOU.
SHOW ME.

COME ON, PETER.
CAN YOU MAKE LOVE TO ME?

OH, PETER,
DON'T BE SILLY.

COME ON. PETER.
PLEASE. PETER.

I DIDN'T TAKE
ANY PILLS.

I WASN'T SURE
HOW YOU FELT.

[ Gasps ]

I'LL KILL YOU.

I'LL KILL YOU.
IS THAT YOUR IDEA OF A JOKE?

HUH.

YOU THINK THIS IS FUNNY?
YOU ARE VERY SICK.

YOU ARE A VERY SICK HUMAN BEING.
GET OUT OF MY BED. GET OUT OF MY LIFE.

IF YOU WANNA KILL YOURSELF,
DON'T DO IT IN MY... HOUSE.

NOW GET OUT!
OUT!

YOU'RE DEAD.
YOU ARE DEAD.

I THOUGHT YOU WERE
JUST GOOD FRIENDS WITH THIS GIRL.

YOU'RE NOT
BEHAVING LIKE YOU'RE GOOD FRIENDS.

YOU'RE BEHAVING
MORE LIKE YOU DID WHEN YOU FELL FOR THAT--

WHOA! SHIT.

WHY DOES IT ALWAYS
HAVE TO HAPPEN TO ME?

-I'M NEVER GONNA LOOK AT ANOTHER
WOMAN AS LONG AS I LIVE. -DON'T LOSE YOUR SENSE OF HUMOR.

HELLO, OPERATOR? HI.

YEAH. WILL YOU JUST
GIVE ME 242-4268?

HI, RICHIE.
HOW ARE YOU, SWEETHEART?

DADDY. YEAH.

NO. I'M IN A HOTEL
WITH UNCLE REESE.

SHE LEFT YOU ALONE?
HOW DO YOU LIKE THAT? SHE LEFT THE KIDS ALONE.

OKAY, RICHIE.
DON'T BE AFRAID, HONEY.

I'M SURE MUMMY
WILL COME BACK SOON.

NO. I CAN'T COME HOME NOW.

I'M SORRY. I'LL CALL YOU
IN A LITTLE WHILE TO MAKE SURE YOU'RE OKAY.

ALL RIGHT. BYE.
GOOD-BYE, SWEETHEART. [ Phone Clatters In Cradle ]

WELL, WHAT DO YOU SAY
WE GO ROB A BANK?

COME ON, REESE.
IT HURTS ME TOO. FORGET IT.

TOMORROW AT THIS TIME
WE'LL BE ON A PLANE LAUGHING ABOUT THE WHOLE THING.

OR NOT.

[ Car Approaching ]

ALL RIGHT, REESE.
COME AHEAD.

COME AHEAD.

[ Crash ]

♪ [ Muzak ]

♪ [ Muzak Continues ]

THERE'S A CHUBBY WEIRDNESS...

DOING SLIGHT MOVEMENTS
THAT I DON'T THINK WE REALLY QUITE NEED AT THIS POINT.

[ Puffing ]

COME ON, YA FAT WART.

[ Puffing Continues ]

[ Panting ]

ALL RIGHT. YOU CAN COME.

[ Door Opens ]

♪ [ Muzak Continues ]

SORRY. STAY WHERE YOU ARE.

[ Motor Whirring ]

CLOSE IT UP.

[ Motor Whirring ]

[ Exhales ]

LEAVE ME ABOUT
FOUR INCHES, OKAY?

[ Exhales ]

[ Motor Whirring ]

WHAT ARE YOU DOING?

NORMAN.

[ Woman On Radio, Indistinct ]

[ Reese On Walkie-Talkie ]
NORMAN.

THE DOOR OF THE VAULT
HAS CLOSED.

NORMAN.

NORMAN.

NORMAN.

[ Blowing Into Mike ]

NORMAN, ANSWER ME, PLEASE.

NORMAN.

NORMAN.

NORMAN!

SORRY, OLD BUDDY. WE HAD
SOME VISITORS FROM ANOTHER PLANET, DRESSED IN BLUE.

JUST PACK YOUR SUITCASE
AND PACK IT TIGHT. THIS IS GOING TO TAKE A MINUTE.

[ Motor Whirring ]

[ Siren Blaring ]

[ Siren Continues ]
♪ [ Muzak ]

[ Siren Continues ]

♪ [ Muzak ]

♪ [ Muzak Continues ]

[ Elevator Door Closes ]

♪ [ Ends ]

[ Engine Starts ]

OKAY.

PLEASE.
DRIVE VERY CAREFULLY.

DON'T GET A TICKET.

[ Tires Skid ]

EXCUSE ME.

[ Chuckles ]

UM--

I--

[ Sobbing ]

IT'S JUST TOO MUCH.
[ Sobbing ]

JESUS CHRIST.

WE DID IT.

IT'S JUST
TOO GODDAMN MUCH.

WHAT THE--
CHRIST.

[ Sobbing ]
JESUS CHRIST.

I CAN'T--
[ Sobbing ]

[ Laughing ]

THIS IS FOUR MILLION--
[ Laughing ]

FOUR HUNDRED AND FORTY
DOLLARS COULD-- [ Laughing ]

[ Rollers Squeaking ]

[ Norman ]
SURE YOU DON'T WANT ME TO COME WITH YOU?

MEET AT THE AIRPORT.

GOOD-BYE, FATHER.
[ Reese ] BLESS YOU, MY SON.

STRAIGHT TO THE AIRPORT.

WHAT CAN I DO FOR YOU, OFFICER?
YOUR RIGHT TAILLIGHT'S OUT, FATHER.

CAN I SEE YOUR LICENSE?
SURE. I'LL GET THAT FIXED RIGHT AWAY.

NO. TAKE IT OUT, PLEASE.

WELL, ALASKA. HOW LONG
HAVE YOU BEEN DOWN HERE? JUST A COUPLE OF WEEKS.

IF YOU'RE PLANNING
ON STAYING DOWN HERE,

YOU'VE GOTTA GET
A LOCAL LICENSE. YES. I KNOW.

- WHAT HAVE YOU GOT IN THE BACK?
- CLOTHING.

USED CLOTHING. I'M A MISSIONARY.
I'M ON MY WAY TO THE DOCKS...

WITH A SHIPMENT OF CLOTHES
FOR OUR MISSION IN MACAO.

MACAO? WHERE'S THAT?
IT'S ON THE COAST OF CHINA.

WE DO VERY GOOD WORK THERE.

I'LL BE RIGHT BACK,
FATHER. YES, SIR.

[ Boat Horn Blowing ]

CAR 87 CALLING IN.
I WANT A D.L. ON ALASKA...

NINE, THREE, NINE,
FOUR, NINE, NINE.

IT'S HALPERN.
"P," "E," "R," "N." FIRST NAME IS REESE. I'LL WAIT.

[ Woman On Radio ]
UNIT 87-- [ Indistinct ]

OKAY. GOT IT.

FATHER, WOULD YOU TAKE
YOUR VAN AND PULL IT INTO THE PARKING LOT RIGHT THERE?

W-W-WHAT'S THE TROUBLE, OFFICER?
I'M GONNA HAVE TO TAKE YOU IN.

YOU'VE GOT AN OUTSTANDING
MOVING VIOLATION. THAT'S IMPOSSIBLE.

THAT'S IMPOSSIBLE.
I PAID IT MYSELF.

I PAID IT TWO OR THREE
MONTHS AGO. I PAID IT.

BUT YOU'VE
ONLY BEEN HERE TWO WEEKS. THAT'S THIS TIME. I COME AND GO.

OFFICER, I'VE GOT TO GET
THOSE CLOTHES TO THE DOCKS BY 10:00, OTHERWISE--

FATHER, TAKE THE VAN, PULL IT
IN THERE. YOU CAN LOCK IT IN A COUPLE OF MINUTES. NOW.

I WILL MISS THE SHIP,
OFFICER, IF I DO--

YEAH, A 48-HOUR
TACTICAL ALERT. I'LL BE AT THE BUS STATION.

IT'S RIDICULOUS.
I CAN GIVE YOU A CHECK, CREDIT CARD--

CASH ONLY, FATHER.
IT'S AN AWFUL MISTAKE, MY SON. I'VE PAID THIS TICKET.

WE'RE ON A COMPUTER HERE,
FATHER. IT DOESN'T MAKE MISTAKES.

ONLY GOD
DOESN'T MAKE MISTAKES.

YOU BETTER PRAY
FOR US ALL THEN, FATHER. I NEED YOUR BELT.

[ Man On Radio, Indistinct ]

[ Norman ]
I DON'T HAVE TIME TO TALK, DORIS, IN DETAIL.

MR. NORMAN BARRIE.
I WANT YOU TO COME.

PLEASE COME TO THE WHITE
COURTESY TELEPHONE. YOU CAN.

[ Chattering ]

SORRY, SIR.
HE'S NOT ANSWERING. WHAT?

[ Chattering ]
WHAT? SHUT UP!

I CAN'T HEAR YOU.
I'M SORRY, SIR.

HE'S NOT ANSWERING
THE PAGE. HE IS THERE!

NORMAN BARRIE, PLEASE GO
TO THE WHITE COURTESY TELEPHONE. WE CAN START AGAIN.

WE HAD 11 WONDERFUL YEARS.

OKAY.
THAT'S ALL, FATHER.

ONE MORE, MY SON.
PLEASE, I BEG YOU.

IN THE NAME OF EVERYTHING
YOU HOLD SACRED, PLEASE, JUST ONE MORE CALL.

OKAY.
THANK YOU, MY SON.

[ Line Ringing ]

[ Stacey ]
HELLO? IT'S ME.

REESE! WHERE HAVE YOU BEEN?
I THOUGHT WE WERE LEAVING TODAY.

I'M IN THE TYSON STREET
POLICE STATION. I NEED TO BE BAILED OUT OF JAIL.

[ Typing ]
REESE!

WOW, A PRIEST.

HAVE YOU TAKEN
A VOW OF SILENCE? SHUT UP.

FATHER,
MY CAR IS THIS WAY.

I'M SORRY I HAD TO IMPOSE.
I'LL MAKE SURE YOU GET YOUR MONEY BACK. I'M GOING THAT WAY.

THANK YOU FOR EVERYTHING.
IT WAS REAL. WHAT?

REESE.

IS THIS PART OF
THIS WHOLE PRIEST ROUTINE, OR ARE YOU REALLY--

YOU'RE NOT REALLY A PRIEST?
LET'S DROP THE WHOLE THING. IT WAS MY MISTAKE.

JUST TAKE CARE
OF YOURSELF. GOOD LUCK.

HEY.
WHAT IS YOUR PROBLEM?

YOU. AND I'M
GETTING RID OF IT.

RIGHT NOW.

WHAT IS GOING ON?

TAXI.
WE WERE SUPPOSED TO GO TO MACAO TODAY. REMEMBER?

I'M ALREADY PACKED.
YOU'RE REALLY TWISTED, AREN'T YOU?

WHAT IS WRONG?
WHAT HAPPENED? FORGET ABOUT IT, WILL YA?

JUST DROP IT.
YOU GO YOUR WAY. I'LL GO MY WAY.

HEY, MAN, I DON'T KNOW
WHAT YOUR GAME IS, BUT YOU ARE BLOWING IT BAD.

GOOD.
YOU ARE PISSING ME OFF.

JUST LEAVE ME ALONE,
WILL YA?

TAXI.
WHAT IS GOING ON? JUST TELL ME THAT.

AND TAKE OFF THIS
GODDAMN COLLAR. TAXI, I'M COMING.

TELL ME WHAT IN GOD'S NAME
YOU ARE TALKING ABOUT. GO TO HELL, WILL YA?

GO TO HELL.
I AM SUPPOSED TO GO WITH YOU.

YOU SHIT.
"I LOVE YOU, STACEY.

"I LOVE YOU. I WILL NOT
LEAVE YOU. WE'LL GO AWAY ON A 40-FOOT SAILBOAT.

I NEVER LET GO BEFORE."
UNBELIEVABLE.

TO THINK THAT
I TRUSTED YOU.

TRUST? I HAVE GIVEN YOU
NO REASON TO DISTRUST ME.

TRUST? I HAVE NEVER ASKED
YOU ONE QUESTION ABOUT YOUR WHOLE COSTUME PARADE.

NOW YOU'RE A PRIEST.
I HAVE TO BAIL YOU OUT OF JAIL.

THAT'S RIGHT.
YOU GO TO HELL.

GODDAMN IT.
WHAT ABOUT PETER?

WHAT ABOUT: "I LOVE YOU.
PLEASE DON'T EVER LEAVE ME.

PLEASE STAY HERE TONIGHT"?
WHAT ABOUT THAT? DRIVE ON.

WHAT ABOUT THAT, HUH?
JUST GO.

[ Man On Radio ]
...HEADQUARTERS OF UNITED SECURITY BANK.

I'M GONNA SWITCH YOU NOW
TO DAVE BANEK. THANK YOU, PAUL.

[ Dave ]
UNITED SECURITY BANK BUILDING...

AT WHAT APPEARS TO BE
THE BIGGEST BANK HEIST IN--

FOUR MILLION DOLLARS.

THIS MORNING THE VAULT
WAS CLEAN AS MOTHER HUBBARD'S PROVERBIAL--

ANYWHERE ON THE BANK PREMISES
AND NO EYEWIT--

THE BANK WAS REPORTED
TO HAVE INSTALLED...

THE MOST ADVANCED FAIL-SAFE
ELECTRONIC SECURITY SYSTEM IN THE INDUSTRY.

BANK OFFICIALS ARE STRESSING
THAT NO CUSTOMER SAFETY DEPOSIT BOXES WERE TOUCHED,

AND ANY MONEY TAKEN
WOULD HAVE BEEN INSURED.

I REPEAT: BANK OFFICIALS...

ARE STRESSING
THAT THE BANK IS--

SON OF A BITCH.

JESUS.
FATHER.

SISTER.

YOU MOTHER.
OH, BROTHER.

NICE COMEBACK.
YOU'RE AN IDIOT AND A FOOL.

AND YOU
DON'T DESERVE ME. ME AND PETER.

IF YOU EVER
DOUBT ME AGAIN,

I'LL TURN YOU IN
TO THE FUZZ, N'EST-CE PAS?

I'M VERY HAPPY
TO SEE YOU.

WHY DID YOU COME?

I WAS TAKEN
BY A PHOTOGRAPH OF YOU.

[ Laughing ]

OH.

OH, GOD.

♪ [ Synthesizer ]

♪ ALL THE YEARS
HAVE WASHED THROUGH ME ♪

♪ LIKE THE TIDE
SWEEPS THROUGH THE SEA ♪

♪ SO BLUE ♪

♪ YET I SOMETIMES ♪

♪ FEEL HARDENED, GIRL ♪

♪ IT ALL FADES TO MIST ♪

♪ WHEN I LOOK AT YOU ♪

♪ WHEN YOU SMILE AT ME ♪

♪ I FEEL MY FEET
LIFT GENTLY OFF THE FLOOR ♪

♪ YOU BRING OUT
THE CHILD IN ME ♪

♪ YOU MAKE ME FEEL LIKE
I BELONG ONCE MORE ♪

♪ WHOA, BABY ♪

♪ OOOH, OOOH ♪

♪ IF YOU COULD SEE
INTO MY SOUL ♪

♪ YOU'D SEE A SPACE THERE ♪

♪ OPEN JUST FOR YOU ♪

♪ AND LIKE THE SUN ♪

♪ SHINING THROUGH A STORM ♪

♪ I FEEL YOU SLOWLY ♪

♪ BREAKING THROUGH ♪

♪ WHEN YOU SMILE AT ME ♪

♪ I FEEL MY FEET
LIFT GENTLY OFF THE FLOOR ♪

♪ YOU BRING OUT
THE CHILD IN ME ♪

♪ YOU MAKE ME FEEL LIKE
I BELONG ONCE MORE ♪

♪ BABY ♪

♪ WHOA ♪

♪ WHOO-OO-OO ♪

♪ WHOO-OO-OO-OO-OO ♪

♪ OHHH ♪