All language subtitles for Fleetwood Mac - A Musical History - Vol 2
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200
00:16:31,040 --> 00:16:34,320
# No, ohh. #
201
00:16:49,480 --> 00:16:53,160
Lindsey Buckingham's guitar-playing
is so extraordinary,
202
00:16:53,160 --> 00:16:55,120
so ahead of its time.
203
00:16:55,120 --> 00:17:00,640
Creating those sounds without
a pick - he was a finger player -
204
00:17:00,640 --> 00:17:02,640
but also strums.
205
00:17:02,640 --> 00:17:04,440
It's just mind-blowing.
206
00:17:19,280 --> 00:17:22,280
John's like, you know, he just
stands in the background there
207
00:17:22,280 --> 00:17:26,240
and does his thing brilliantly
and is so intrinsically important
208
00:17:26,240 --> 00:17:28,560
to the sound of that band.
209
00:17:28,560 --> 00:17:32,640
John and Mick, you know, those
two are the... They're the roots
210
00:17:32,640 --> 00:17:35,720
of Fleetwood Mac,
they're the foundations, really,
211
00:17:35,720 --> 00:17:37,480
and the quiet foundations.
212
00:17:37,480 --> 00:17:39,600
Just get on with
what they're doing.
213
00:17:50,600 --> 00:17:52,480
The notion of something beautiful
214
00:17:52,480 --> 00:17:56,720
coming out of something
so horrendous is Rumours.
215
00:17:56,720 --> 00:18:01,160
This was a band who,
the success of the Mac was growing,
216
00:18:01,160 --> 00:18:03,080
they were a hugely popular band.
217
00:18:03,080 --> 00:18:06,280
But as they were becoming
more and more successful,
218
00:18:06,280 --> 00:18:08,520
the band were imploding, really.
219
00:18:08,520 --> 00:18:10,920
You know, relationships
were breaking down.
220
00:18:10,920 --> 00:18:16,200
Rumours is really a break-up album
between Buckingham and Nicks
221
00:18:16,200 --> 00:18:19,400
and also John and Christine,
222
00:18:19,400 --> 00:18:23,880
and Mick Fleetwood was breaking up
with his wife in England.
223
00:18:23,880 --> 00:18:29,240
Almost every song
is about someone in the band.
224
00:18:29,240 --> 00:18:33,120
And they are playing on, and
singing on, songs about each other,
225
00:18:33,120 --> 00:18:35,800
bringing lyrics in at the
last minute because they know
226
00:18:35,800 --> 00:18:37,840
the person in the room
will know it's about them,
227
00:18:37,840 --> 00:18:39,680
and obviously it's complete chaos
228
00:18:39,680 --> 00:18:42,640
and yet those tensions
are the things that make it.
229
00:18:42,640 --> 00:18:44,520
And some of those songs
are quite mellifluous
230
00:18:44,520 --> 00:18:47,400
and they're quite soothing and then
you realise what they're about -
231
00:18:47,400 --> 00:18:49,160
they're about a band
hating each other.
232
00:18:49,160 --> 00:18:52,360
And then to just air that
about each other, it's...
233
00:18:52,360 --> 00:18:56,600
It's a lot of tolerance on each side
to allow it, you know,
234
00:18:56,600 --> 00:18:59,000
and not throw around tools
and just walk out.
235
00:19:02,080 --> 00:19:06,920
# Loving you isn't
the right thing to do
236
00:19:08,840 --> 00:19:13,680
# How can I ever change things
that I feel?
237
00:19:15,640 --> 00:19:20,680
# If I could, baby
I'd give you my world
238
00:19:22,400 --> 00:19:27,160
# How can I
when you won't take it from me?
239
00:19:29,840 --> 00:19:33,800
# You can go your own way
240
00:19:33,800 --> 00:19:36,520
# Go your own way
241
00:19:36,520 --> 00:19:40,400
# You can call it
another lonely day. #
242
00:19:40,400 --> 00:19:44,640
Stevie Nicks is looking daggers
at Lindsey Buckingham because
243
00:19:44,640 --> 00:19:48,800
she wanted a line removed -
"packing up, shacking up" -
244
00:19:48,800 --> 00:19:53,480
which is Lindsey Buckingham
responding to the shock
245
00:19:53,480 --> 00:19:55,280
of Stevie Nicks leaving him.
246
00:19:57,280 --> 00:20:02,160
# Packing up, shacking up
is all you wanna do
247
00:20:04,040 --> 00:20:09,440
# If I could, baby
I'd give you my world
248
00:20:11,040 --> 00:20:16,240
# Open up
Everything's waiting for you
249
00:20:18,440 --> 00:20:22,640
# You can go your own way
250
00:20:22,640 --> 00:20:25,520
# Go your own way
251
00:20:25,520 --> 00:20:30,920
# You can call it another lonely day
252
00:20:32,600 --> 00:20:36,440
# You can go your own way
253
00:20:36,440 --> 00:20:38,480
# Go your own way
254
00:21:07,200 --> 00:21:11,320
# You can go your own way
255
00:21:11,320 --> 00:21:14,160
# Go your own way
256
00:21:14,160 --> 00:21:18,560
# You can call it another lonely day
257
00:21:18,560 --> 00:21:21,080
# Another lonely day
258
00:21:21,080 --> 00:21:24,960
# You can go your own way
259
00:21:24,960 --> 00:21:28,240
# Go your own way
260
00:21:28,240 --> 00:21:30,400
# You can call it another... #
261
00:21:30,400 --> 00:21:33,320
It's a really brilliantly
arranged song.
262
00:21:33,320 --> 00:21:36,280
Backing vocals, for me,
are one of the most magical parts
263
00:21:36,280 --> 00:21:40,680
of making a record and Fleetwood Mac
are an absolute flag in the sand
264
00:21:40,680 --> 00:21:45,160
for how to do backing vocals and
how to sing together as a group.
265
00:21:45,160 --> 00:21:47,840
And the song's got such
a beautiful example of those.
266
00:21:48,920 --> 00:21:53,840
# You can call it another lonely day
267
00:21:53,840 --> 00:21:55,880
# Oh, yeah, oh, yeah
268
00:21:55,880 --> 00:22:00,280
# You can call it
another lonely day. #
269
00:22:25,560 --> 00:22:30,320
Fleetwood Mac have found their way
into my songs.
270
00:22:30,320 --> 00:22:35,360
There's one particular song, Dreams,
which was...
271
00:22:35,360 --> 00:22:39,480
A friend of mine had put on
a mix tape and the tape got stuck
272
00:22:39,480 --> 00:22:41,840
in the tape player in my first car.
273
00:22:41,840 --> 00:22:44,720
It was the first song
on the first side,
274
00:22:44,720 --> 00:22:47,920
so when it went round,
when it clicked both sides,
275
00:22:47,920 --> 00:22:49,640
it came back to that again.
276
00:22:49,640 --> 00:22:54,440
And I must have heard that song
hundreds and hundreds of times.
277
00:22:54,440 --> 00:23:00,480
I went from loving this song
to absolutely hating it,
278
00:23:00,480 --> 00:23:05,000
like really getting on my nerves,
to loving it again.
279
00:23:05,000 --> 00:23:06,400
That's never happened before.
280
00:23:06,400 --> 00:23:09,320
It's always - you love it,
then you hate it,
281
00:23:09,320 --> 00:23:12,440
then it's, "I'm never going to
hear that again."
282
00:23:12,440 --> 00:23:14,440
"Thunder only happens
when it's raining,
283
00:23:14,440 --> 00:23:18,200
"raining, raining, raining," and
it's probably somehow eked out
284
00:23:18,200 --> 00:23:20,120
Why Does It Always Rain On Me?
285
00:23:20,120 --> 00:23:22,560
Maybe. Who knows?!
286
00:23:26,040 --> 00:23:30,240
# Now there you go again, you say
287
00:23:30,240 --> 00:23:34,000
# You want your freedom
288
00:23:34,000 --> 00:23:38,000
# Well, who am I to keep you down?
289
00:23:41,840 --> 00:23:48,680
# It's only right that you should
play the way you feel it
290
00:23:48,680 --> 00:23:53,960
# But listen carefully to the sound
291
00:23:53,960 --> 00:23:56,040
# Of your loneliness
292
00:23:56,040 --> 00:23:59,920
# Like a heartbeat drives you mad
293
00:23:59,920 --> 00:24:05,240
# In the stillness of remembering
what you had
294
00:24:06,800 --> 00:24:10,640
# And what you lost
295
00:24:10,640 --> 00:24:14,360
# And what you had
296
00:24:14,360 --> 00:24:16,920
# Ooh, what you lost
297
00:24:19,480 --> 00:24:25,360
# Thunder only happens
when it's raining
298
00:24:27,200 --> 00:24:32,800
# Players only love you
when they're playing
299
00:24:34,440 --> 00:24:39,920
# Say women they will come
and they go
300
00:24:42,800 --> 00:24:48,440
# When the rain washes you clean
you'll know. #
301
00:24:51,040 --> 00:24:53,800
Dreams is a really fascinating song
to me because I don't
302
00:24:53,800 --> 00:24:57,600
really understand why
I love it so much.
303
00:24:57,600 --> 00:24:59,840
Because it's a groove.
304
00:24:59,840 --> 00:25:03,680
It really comes down to the
testament of Stevie Nicks' voice.
305
00:25:03,680 --> 00:25:06,680
And someone else doing it,
it could've been really dull.
306
00:25:06,680 --> 00:25:09,160
# Well, here I go again
307
00:25:09,160 --> 00:25:13,240
# I see crystal visions
308
00:25:14,520 --> 00:25:18,600
# I keep my visions to myself
309
00:25:21,960 --> 00:25:29,240
# It's only me who wants to wrap
around your dreams and
310
00:25:29,240 --> 00:25:33,400
# Have you any dreams
you'd like to sell? #
311
00:25:33,400 --> 00:25:37,200
Great songs come from below
the neck, they come from your gut,
312
00:25:37,200 --> 00:25:39,800
where all these memories and
emotional memories are trapped,
313
00:25:39,800 --> 00:25:42,400
and this is where
your emotional life is.
314
00:25:42,400 --> 00:25:44,880
It's not up here, it's down here.
315
00:25:44,880 --> 00:25:49,880
And if you're going through
really harsh emotional stuff,
316
00:25:49,880 --> 00:25:51,680
it's very easy to go down.
317
00:25:53,040 --> 00:25:56,240
Them going through
these crazy relationships
318
00:25:56,240 --> 00:25:59,720
in the making of that record
is exactly what makes that record.
319
00:26:00,720 --> 00:26:06,040
# Thunder only happens
when it's raining
320
00:26:08,480 --> 00:26:14,040
# Players only love you
when they're playing
321
00:26:15,600 --> 00:26:21,920
# Say women they will come
and they will go, oh, oh
322
00:26:23,960 --> 00:26:30,320
# When the rain washes you clean
you'll know
323
00:26:30,320 --> 00:26:32,000
# Ohh
324
00:26:32,000 --> 00:26:37,320
# Thunder only happens
when it's raining
325
00:26:39,280 --> 00:26:44,960
# Players only love you
when they're playing
326
00:26:45,960 --> 00:26:47,320
# Well
327
00:26:47,320 --> 00:26:52,320
# Women they will come
and they will go
328
00:26:55,000 --> 00:27:01,480
# When the rain washes you clean
you'll know. #
329
00:27:01,480 --> 00:27:04,360
So you've got these kind of
call and response songs going on
330
00:27:04,360 --> 00:27:08,080
between Stevie and Lindsey,
and then on the other side
331
00:27:08,080 --> 00:27:12,120
with John and Christine, Christine's
off doing her, you know,
332
00:27:12,120 --> 00:27:15,720
I guess therapy
of getting it all out through song.
333
00:27:15,720 --> 00:27:18,760
And she comes back with
this brilliantly, kind of bouncy,
334
00:27:18,760 --> 00:27:22,480
breezy song about, you know,
tomorrow's just another day.
335
00:27:22,480 --> 00:27:25,760
It's amazing to think that
these songs came out of that.
336
00:27:25,760 --> 00:27:28,080
The thing for me is like,
is she saying it to herself
337
00:27:28,080 --> 00:27:30,520
or is she saying it to John?
338
00:27:30,520 --> 00:27:32,560
You know, "Don't stop thinking
about tomorrow,"
339
00:27:32,560 --> 00:27:34,720
to herself or to John?
340
00:27:34,720 --> 00:27:37,040
Or to the entire band?
Let's be fair!
341
00:27:46,400 --> 00:27:49,880
# If you wake up
and don't want to smile
342
00:27:49,880 --> 00:27:52,480
# If it takes just a little while
343
00:27:53,960 --> 00:27:57,160
# Open your eyes and look at the day
344
00:27:57,160 --> 00:28:01,120
# You'll see things
in a different way
345
00:28:01,120 --> 00:28:05,240
# Don't stop thinking
about tomorrow
346
00:28:05,240 --> 00:28:09,000
# Don't stop, it'll soon be here
347
00:28:09,000 --> 00:28:12,480
# It'll be better than before
348
00:28:12,480 --> 00:28:16,360
# Yesterday's gone, yesterday's gone
349
00:28:24,520 --> 00:28:27,880
# Why not think about the times
to come?
350
00:28:27,880 --> 00:28:31,680
# And not about the things
that you've done
351
00:28:31,680 --> 00:28:35,600
# If your life was bad to you
352
00:28:35,600 --> 00:28:39,320
# Just think what tomorrow will do
353
00:28:39,320 --> 00:28:42,840
# Don't stop thinking about tomorrow
354
00:28:42,840 --> 00:28:47,200
# Don't stop, it'll soon be here
355
00:28:47,200 --> 00:28:50,400
# It'll be better than before
356
00:28:50,400 --> 00:28:54,040
# Yesterday's gone,
yesterday's gone. #
357
00:28:56,200 --> 00:29:00,320
Lyrically, it's just a masterclass
in really saying
358
00:29:00,320 --> 00:29:05,720
exactly what you're talking about,
you're not being that veiled.
359
00:29:05,720 --> 00:29:08,840
But you're saying sometimes
quite cliched things
360
00:29:08,840 --> 00:29:12,960
in a way that speaks of
something new, that speaks of
361
00:29:12,960 --> 00:29:16,040
something rawer than just
a regular cliche.
362
00:29:17,040 --> 00:29:21,080
# All I want is to see you smile
363
00:29:21,080 --> 00:29:24,400
# If it takes just a little while
364
00:29:24,400 --> 00:29:28,360
# I know you don't believe
that it's true
365
00:29:28,360 --> 00:29:31,800
# I never meant any harm to you
366
00:29:31,800 --> 00:29:35,480
# Don't stop thinking about tomorrow
367
00:29:35,480 --> 00:29:37,160
# Don't stop
368
00:29:37,160 --> 00:29:39,360
# It'll soon be here
369
00:29:39,360 --> 00:29:43,040
# It'll be better than before
370
00:29:43,040 --> 00:29:46,800
# Yesterday's gone, yesterday's gone
371
00:29:46,800 --> 00:29:50,520
# Don't stop thinking about tomorrow
372
00:29:50,520 --> 00:29:54,480
# Don't stop, it'll soon be here
373
00:29:54,480 --> 00:29:57,960
# It'll be better than before
374
00:29:57,960 --> 00:30:01,960
# Yesterday's gone, yesterday's gone
375
00:30:01,960 --> 00:30:04,520
# Ooh
376
00:30:04,520 --> 00:30:08,240
# Don't you look back. #
377
00:30:10,160 --> 00:30:14,960
Before I knew what The Chain was
as a song, that bass riff I knew
378
00:30:14,960 --> 00:30:18,880
from watching Formula 1,
or my dad watching Formula 1.
379
00:30:18,880 --> 00:30:23,160
And then it was only years later
discovering that it was part of
380
00:30:23,160 --> 00:30:26,640
this epic kind of almost opera,
from Rumours, The Chain.
381
00:30:26,640 --> 00:30:30,400
It's my favourite Fleetwood Mac song
because it's so...
382
00:30:30,400 --> 00:30:32,000
When you hear it for the first time,
383
00:30:32,000 --> 00:30:34,400
it takes you here, there
and everywhere,
384
00:30:34,400 --> 00:30:36,720
it's so unexpected
as to where it goes.
385
00:30:36,720 --> 00:30:40,960
For me, I think it's one of
the best songs ever made.
386
00:30:46,200 --> 00:30:48,960
# Listen to the wind blow
387
00:30:48,960 --> 00:30:53,360
# Watch the sun rise
388
00:30:58,240 --> 00:31:00,680
# Running in the shadows
389
00:31:00,680 --> 00:31:04,920
# Damn your love, damn your lies
390
00:31:07,920 --> 00:31:10,960
# And if you don't love me now
391
00:31:10,960 --> 00:31:13,960
# You will never love me again
392
00:31:13,960 --> 00:31:17,280
# I can still hear you saying
393
00:31:17,280 --> 00:31:19,680
# You would never break the chain
394
00:31:19,680 --> 00:31:21,160
# Never break the chain
395
00:31:21,160 --> 00:31:22,680
# And if you don't love me now
396
00:31:22,680 --> 00:31:24,120
# If you don't love me now
397
00:31:24,120 --> 00:31:26,480
# You will never love me again
398
00:31:26,480 --> 00:31:29,680
# I can still hear you saying
399
00:31:29,680 --> 00:31:32,200
# You would never break the chain
24979
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