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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:42,876 --> 00:00:45,513 [MUSIC BEGINS] 2 00:01:03,764 --> 00:01:06,534 [DIALOG INAUDIBLE] 3 00:06:28,221 --> 00:06:29,790 [SIGHS] 4 00:06:29,823 --> 00:06:31,859 I'M SORRY. 5 00:06:33,026 --> 00:06:34,161 YOU STOLE MY DEATH. 6 00:06:36,864 --> 00:06:39,467 I COULDN'T BELIEVE IT. I THOUGHT... 7 00:06:39,500 --> 00:06:40,601 WHY IS HE DYING? 8 00:06:42,736 --> 00:06:44,472 I DIE. 9 00:06:44,505 --> 00:06:46,239 TODAY IS MY DAY TO DIE. 10 00:06:46,273 --> 00:06:50,077 I WAS REALLY, REALLY CONFUSED. 11 00:06:50,110 --> 00:06:52,012 AAH! 12 00:06:53,146 --> 00:06:56,884 DID YOU THINK THAT YOU WERE SUPPOSED TO DIE? 13 00:06:57,518 --> 00:06:59,186 I WAS CONFUSED. 14 00:06:59,219 --> 00:07:00,287 UH... 15 00:07:00,320 --> 00:07:02,723 I WAS UNSURE, AND I MADE A CHOICE. 16 00:07:02,756 --> 00:07:04,224 AAH! 17 00:07:04,257 --> 00:07:05,993 AAH! I'M HIT! 18 00:07:06,026 --> 00:07:08,896 BUT DIDN'T YOU SEE THAT I WAS DYING? 19 00:07:08,929 --> 00:07:10,330 AAH! AAH! 20 00:07:10,363 --> 00:07:11,364 AAH! AAH! 21 00:07:11,398 --> 00:07:14,802 I DID, I DID, BUT... 22 00:07:18,038 --> 00:07:19,507 I DID, BUT-- 23 00:07:19,540 --> 00:07:21,642 BUT WHAT? 24 00:07:22,976 --> 00:07:23,777 ARTHUR... 25 00:07:23,811 --> 00:07:29,282 IT WAS JUST BECAUSE YOUR--THE PAUSE... 26 00:07:29,316 --> 00:07:31,418 WAS JUST SO LONG. 27 00:07:31,451 --> 00:07:33,887 AAH! AAH! 28 00:07:37,157 --> 00:07:38,258 AND GOOD. 29 00:07:38,291 --> 00:07:39,292 AND GOOD. 30 00:07:39,326 --> 00:07:41,562 IT WAS SUCH A GOOD LONG PAUSE 31 00:07:41,595 --> 00:07:43,964 THAT I WAS JUST UNSURE. 32 00:07:43,997 --> 00:07:46,667 I BECAME UNSURE. 33 00:07:47,467 --> 00:07:49,436 WELL, IT FELT GOOD. 34 00:07:49,469 --> 00:07:50,771 OH, NO, IT WAS GOOD. 35 00:07:50,804 --> 00:07:51,371 REALLY? 36 00:07:51,404 --> 00:07:53,006 OH, YOU WERE GOOD. VERY. 37 00:07:53,040 --> 00:07:54,241 WELL, THEN, MAURICE, 38 00:07:54,274 --> 00:07:56,109 I DON'T UNDERSTAND. 39 00:07:56,143 --> 00:07:57,811 WHAT... 40 00:07:57,845 --> 00:08:00,280 I... 41 00:08:00,313 --> 00:08:02,282 BECAUSE IT WAS SO GOOD, 42 00:08:02,315 --> 00:08:05,753 I BECAME UNSURE. 43 00:08:06,620 --> 00:08:10,057 I'M REALLY SO, SO SORRY. 44 00:08:10,090 --> 00:08:11,892 NO, IT'S ALL RIGHT. IT'S ALL RIGHT. 45 00:08:11,925 --> 00:08:13,460 NO. I JUST FEEL TERRIBLE. 46 00:08:13,493 --> 00:08:15,529 IT'S OK. DON'T. IT'S OK. 47 00:08:15,563 --> 00:08:17,430 IT'S OK. 48 00:08:17,464 --> 00:08:19,266 I'M SORRY. I DIDN'T-- 49 00:08:19,299 --> 00:08:21,702 IT'S OK. 50 00:08:26,039 --> 00:08:28,041 IT'S ALL RIGHT. 51 00:08:29,176 --> 00:08:31,178 IT'S OK. 52 00:08:31,211 --> 00:08:35,115 [MUSIC SWELLS] 53 00:08:37,250 --> 00:08:39,519 Maurice: HAPPY. 54 00:08:41,054 --> 00:08:42,990 FRIGHTENED. 55 00:08:44,391 --> 00:08:46,627 ECSTATIC. 56 00:08:49,597 --> 00:08:50,430 GOOD. 57 00:08:50,463 --> 00:08:51,999 SWITCH. 58 00:08:59,106 --> 00:09:01,141 Arthur: FORTUNATE. 59 00:09:03,310 --> 00:09:04,444 NO HANDS. 60 00:09:04,477 --> 00:09:06,346 MAKE IT SIMPLE. KEEP IT CLEAN. 61 00:09:06,379 --> 00:09:08,348 GIVE IT TO ME AGAIN. 62 00:09:08,381 --> 00:09:10,050 FORTUNATE. 63 00:09:10,083 --> 00:09:10,884 HANDS. 64 00:09:10,918 --> 00:09:13,687 NO HANDS. FORTUNATE.OK. 65 00:09:13,721 --> 00:09:16,323 AH, THERE YOU GO. THERE YOU GO. 66 00:09:16,356 --> 00:09:18,325 UH... 67 00:09:18,358 --> 00:09:21,228 DISTURBED. 68 00:09:21,261 --> 00:09:22,963 NOT MENTALLY DISTURBED. 69 00:09:22,996 --> 00:09:24,197 OH. UM... 70 00:09:24,231 --> 00:09:24,798 DISTURBED. 71 00:09:24,832 --> 00:09:25,866 NOT EMOTIONALLY DISTURBED, 72 00:09:25,899 --> 00:09:30,037 BUT SORT OF SPIRITUALLY DISTURBED. 73 00:09:31,271 --> 00:09:33,641 BUT ON A SMALLER LEVEL. 74 00:09:34,441 --> 00:09:35,442 AH, THERE YOU GO, THERE YOU GO. 75 00:09:35,475 --> 00:09:38,646 SUBTLE AS A SPHINX. SWITCH. 76 00:09:42,549 --> 00:09:45,753 EXCITED. 77 00:09:52,559 --> 00:09:55,428 THAT'S IT FOR ME. 78 00:09:55,462 --> 00:09:57,397 WHAT'S THE MATTER? 79 00:09:57,430 --> 00:10:01,134 NO, MAURICE, I... 80 00:10:01,168 --> 00:10:03,203 I CAN'T. 81 00:10:05,572 --> 00:10:10,210 I'M GOING TO DIE IF WE DON'T GET WORK. 82 00:10:12,145 --> 00:10:14,682 I'M SO HUNGRY. 83 00:10:17,384 --> 00:10:19,687 WHAT ARE WE GOING TO DO? 84 00:10:19,720 --> 00:10:23,256 [SIGHS] 85 00:10:23,290 --> 00:10:25,392 I DON'T KNOW. 86 00:10:25,425 --> 00:10:26,660 ARTHUR. 87 00:10:26,694 --> 00:10:29,129 WE MIGHT JUST HAVE TO LOOK FOR OTHER WORK. 88 00:10:29,162 --> 00:10:33,000 WE MIGHT JUST HAVE TO LOOK FOR OTHER JOBS. 89 00:10:33,033 --> 00:10:35,135 OTHER JOBS? 90 00:10:35,936 --> 00:10:37,738 BEGGARS CAN'T BE CHOOSERS, ARTHUR. 91 00:10:37,771 --> 00:10:40,140 ARE YOU CALLING US BEGGARS? 92 00:10:40,173 --> 00:10:44,678 WE WILL BE IF WE DON'T GET JOBS. 93 00:10:44,712 --> 00:10:46,847 BEGGARS. 94 00:10:51,752 --> 00:10:53,620 [BRITISH ACCENT] PLEASE, SIR. 95 00:10:53,653 --> 00:10:56,824 I WANT SOME MORE. 96 00:10:57,524 --> 00:10:58,391 YOU SEE, SIR, 97 00:10:58,425 --> 00:11:01,594 I'VE NOT EATEN FOR 14 DAYS. 98 00:11:01,628 --> 00:11:04,331 SINCE ME MUM DIED OF THE GROUP. 99 00:11:04,364 --> 00:11:05,165 CROUP. 100 00:11:05,198 --> 00:11:06,834 CROUP. OF THE CROUP, SHE DIED. 101 00:11:06,867 --> 00:11:09,502 LEAVING ME AND MY MENTALLY ILL BROTHER 102 00:11:09,536 --> 00:11:11,538 HERE TO FEND FOR OURSELVES. 103 00:11:11,571 --> 00:11:12,572 MURDERED, SHE WAS, 104 00:11:12,605 --> 00:11:13,874 IN HER BED BY ONE OF HER JOHNS. 105 00:11:13,907 --> 00:11:16,676 YOU SEE, SHE SOLD HERSELF TO FEED US. 106 00:11:16,710 --> 00:11:18,478 SHE COMPROMISED HERSELF FOR OUR SAKES, 107 00:11:18,511 --> 00:11:19,546 AND HERE WE ARE, 108 00:11:19,579 --> 00:11:20,981 LEFT ALONE AND HUNGRY AND HOMELESS. 109 00:11:21,014 --> 00:11:23,450 AND MY POOR BROTHER NEEDS A BRAIN OPERATION, 110 00:11:23,483 --> 00:11:25,485 AND MY GLAUCOMA'S GETTING WORSE, 111 00:11:25,518 --> 00:11:28,521 AND, SIR, SIR, SIR? 112 00:11:28,555 --> 00:11:30,958 ARE YOU THERE, SIR? 113 00:11:31,959 --> 00:11:33,260 AAH! 114 00:11:33,293 --> 00:11:34,227 I CAN'T SEE YOU, SIR. 115 00:11:34,261 --> 00:11:36,529 I CAN'T SEE YOU, SIR! 116 00:11:36,563 --> 00:11:38,431 AAH! AAH! 117 00:11:38,465 --> 00:11:40,700 I'M BLIND! 118 00:11:40,734 --> 00:11:42,702 AAH! 119 00:11:42,736 --> 00:11:46,306 [MUSIC SWELLS] 120 00:11:47,808 --> 00:11:49,409 SO, HOW WE DOING? 121 00:11:50,310 --> 00:11:51,311 GREAT. GOOD. 122 00:11:51,344 --> 00:11:53,546 GOOD. NOW, AS YOU KNOW, THIS IS JUST A FORMALITY. 123 00:11:53,580 --> 00:11:54,447 I WANT YOU BOTH IN THE SHOW. 124 00:11:54,481 --> 00:11:57,550 IT'S JUST A MATTER OF WHO PLAYS WHAT PART. 125 00:11:57,584 --> 00:11:58,819 YOU MEAN YOU WANT US IN THE PLAY? 126 00:11:58,852 --> 00:12:00,187 YES, I DO, AND IF I SAY TOO MUCH, 127 00:12:00,220 --> 00:12:03,223 FORGIVE ME, BUT HAVING WRITTEN IT AND LIVED IT FOR 18 YEARS, 128 00:12:03,256 --> 00:12:05,759 AND NOW DIRECTING IT WHILE MY WIFE IS PRODUCING, 129 00:12:05,793 --> 00:12:07,194 I THINK I KNOW IT PRETTY WELL, 130 00:12:07,227 --> 00:12:10,330 BUT THERE'S ALWAYS SOMETHING NEW YOU CAN LEARN, RIGHT? 131 00:12:10,363 --> 00:12:12,565 SO I JUST WANT TO SAY ABOUT THESE CHARACTERS 132 00:12:12,599 --> 00:12:14,167 THAT THEY ONCE LOVED EACH OTHER, 133 00:12:14,201 --> 00:12:17,404 BUT NOW THEY HATE EACH OTHER, BUT UNDERNEATH, LOVE, 134 00:12:17,437 --> 00:12:18,371 BUT ON TOP, HATE. 135 00:12:18,405 --> 00:12:21,274 LOVE, HATE, SO SEE WHAT I'M SAYING HERE? 136 00:12:21,308 --> 00:12:22,109 YEAH, SURE. 137 00:12:22,142 --> 00:12:23,543 LOVE, HATE, LOVE, HATE. 138 00:12:23,576 --> 00:12:25,612 YES, LOVE, HATE, LOVE, HATE. 139 00:12:25,645 --> 00:12:27,547 LOVE, HATE, LOVE, HATE. 140 00:12:27,580 --> 00:12:29,817 LOVE, HATE, LOVE, HATE. 141 00:12:29,850 --> 00:12:31,852 LOVE, HATE, LOVE, HATE. 142 00:12:31,885 --> 00:12:32,953 LOVE, HATE, LOVE, HATE. 143 00:12:32,986 --> 00:12:38,191 LOVE--TH-TH-TH-- WHENEVER YOU'RE READY, GO. 144 00:12:38,225 --> 00:12:40,828 OK. 145 00:12:41,528 --> 00:12:43,630 [GIGGLING] 146 00:12:43,663 --> 00:12:45,098 Both: DO YOU WANT TO BE THE GUY-- 147 00:12:45,132 --> 00:12:46,566 DO YOU WANT TO BE THE GUY WHO DIES FIRST? 148 00:12:46,599 --> 00:12:47,700 IT DOESN'T MATTER TO ME. 149 00:12:47,734 --> 00:12:49,436 WHY DON'T YOU GO? 150 00:12:49,469 --> 00:12:50,403 ARE YOU SURE? YEAH. 151 00:12:50,437 --> 00:12:51,438 EXCUSE ME. 152 00:12:51,471 --> 00:12:54,441 DO YOU HAVE A PREFERENCE WHO DIES FIRST? 153 00:12:54,474 --> 00:12:56,844 COULDN'T CARE LESS. 154 00:12:57,510 --> 00:12:59,079 OK. I DON'T CARE. ACTUALLY, 155 00:12:59,112 --> 00:13:01,581 [WHISPERING] do you mind if I die second? 156 00:13:01,614 --> 00:13:03,216 Because I'm a little not ready. 157 00:13:03,250 --> 00:13:04,551 OK, good, good. 158 00:13:04,584 --> 00:13:07,520 OK. Go ahead. 159 00:13:07,554 --> 00:13:09,222 AHEM. 160 00:13:17,697 --> 00:13:20,567 WHAT A FOOL YOU ARE, ALAN. 161 00:13:20,600 --> 00:13:24,304 NO, LATEUR. YOU ARE A FOOL. 162 00:13:24,337 --> 00:13:25,372 ME? WHAT? HA! 163 00:13:25,405 --> 00:13:29,009 IT IS NOT I WHO IS SOON TO BREATHE HIS FINAL BREATH. 164 00:13:29,042 --> 00:13:33,213 TRUE, BUT I AM NOT AFRAID, LATEUR, 165 00:13:33,246 --> 00:13:36,683 FOR WITH THAT BREATH I WILL INHALE HOPE. 166 00:13:36,716 --> 00:13:38,618 HOPE BECAUSE I KNOW THAT THERE ARE 167 00:13:38,651 --> 00:13:40,487 OTHERS LIKE ME, LATEUR, 168 00:13:40,520 --> 00:13:41,388 WHO WILL SOON COME, 169 00:13:41,421 --> 00:13:45,125 AND FROM WHOM A PURE LIGHT WILL SHINE 170 00:13:45,158 --> 00:13:48,728 AND BLIND THE DEVILS OF THIS WORLD. 171 00:13:48,761 --> 00:13:50,898 AAH! AAH! 172 00:13:52,365 --> 00:13:54,467 AHH. 173 00:13:54,501 --> 00:13:56,203 UHH! 174 00:13:56,236 --> 00:13:58,471 [CHOKING] 175 00:13:58,505 --> 00:14:01,441 OH, FATHER. 176 00:14:07,614 --> 00:14:09,950 UM, NOW SWITCH PARTS. 177 00:14:17,390 --> 00:14:18,291 THAT WAS GOOD. 178 00:14:18,325 --> 00:14:21,394 Arthur: THAT WAS VERY GOOD. 179 00:14:21,428 --> 00:14:24,231 [TELEPHONE RINGS] 180 00:14:25,365 --> 00:14:26,533 YELLO. 181 00:14:26,566 --> 00:14:28,001 OH, HI, HON. 182 00:14:28,035 --> 00:14:29,903 KEEP GOING. IT'S MY WIFE, THE PRODUCER. 183 00:14:29,937 --> 00:14:32,139 HI, HI. WHAT'S UP? 184 00:14:32,172 --> 00:14:34,574 IT'S GOING WELL, IT'S GOING WELL. 185 00:14:34,607 --> 00:14:36,443 WHAT A FOOL YOU ARE, ALAN. 186 00:14:36,476 --> 00:14:41,681 I SAID I WAS SORRY, AND I MEANT IT. 187 00:14:41,714 --> 00:14:43,050 ME? WHAT? HA! 188 00:14:43,083 --> 00:14:47,420 THAT'S WHY I'M NOT GOING TO BEHAVE LIKE THAT ANYMORE. 189 00:14:47,454 --> 00:14:48,888 WHERE ARE YOU? 190 00:14:48,922 --> 00:14:51,691 WHAT ARE YOU DOING WITH HIM? 191 00:14:51,724 --> 00:14:53,060 YOU WHAT? 192 00:14:53,093 --> 00:14:58,031 YOU'RE SAYING TO ME THAT YOU'RE LEAVING ME FOR HIM? 193 00:14:58,065 --> 00:15:00,667 THIS IS WHAT YOU'RE SAYING TO ME? 194 00:15:00,700 --> 00:15:02,902 WELL, YES, NATURALLY I'M SHOCKED. 195 00:15:03,703 --> 00:15:05,372 OF COURSE I'M SHOCKED. 196 00:15:05,405 --> 00:15:08,208 DOES THIS MEAN YOU'RE PULLING YOUR MONEY OUT OF THE SHOW? 197 00:15:08,241 --> 00:15:12,112 NO, NO, I WILL NOT FIND ANYBODY ELSE TO PUT MONEY IN THIS PLAY. 198 00:15:12,145 --> 00:15:14,514 EVERYONE THINKS IT'S A PIECE OF SHIT. 199 00:15:14,547 --> 00:15:16,749 WHERE ARE YOU NOW? 200 00:15:16,783 --> 00:15:17,817 BECAUSE I'M COMING DOWN. 201 00:15:17,850 --> 00:15:20,187 I'M GOING TO BITE OUT BOTH YOUR THROATS. 202 00:15:24,958 --> 00:15:27,527 [MUSIC SWELLS] 203 00:15:31,064 --> 00:15:32,199 Maurice: SO I INSULT HIM? 204 00:15:32,232 --> 00:15:33,633 Arthur: YEAH. TELL HIM YOU THINK 205 00:15:33,666 --> 00:15:34,968 HIS PASTRIES ARE NO GOOD. 206 00:15:35,002 --> 00:15:36,003 OH, GOOD IDEA. 207 00:15:36,036 --> 00:15:37,971 YEAH. SAY THAT THEY'RE STALE, ALL RIGHT? 208 00:15:38,005 --> 00:15:39,306 HEY, BUDDY, YOUR PASTRIES ARE STALE. 209 00:15:39,339 --> 00:15:41,008 RIGHT, BUT DON'T SAY BUDDY. JUST SAY-- 210 00:15:41,041 --> 00:15:43,576 YOUR PASTRIES ARE STALE. 211 00:15:43,610 --> 00:15:45,578 YOUR PASTRIES ARE STALE. 212 00:15:45,612 --> 00:15:47,447 I CAN DO IT. 213 00:15:47,480 --> 00:15:49,282 OK. THEN... 214 00:15:50,950 --> 00:15:51,818 YOU'LL COME TO HIS DEFENSE. 215 00:15:51,851 --> 00:15:54,854 YEAH, RIGHT. I'LL COME TO HIS DEFENSE, 216 00:15:54,887 --> 00:15:56,189 AND THEN... 217 00:15:56,223 --> 00:15:58,858 HE'LL REWARD YOU WITH A CORNUCOPIA OF DELICACIES. 218 00:15:58,891 --> 00:15:59,692 YES, RIGHT. 219 00:15:59,726 --> 00:16:01,528 WHICH YOU WILL THEN SHARE WITH ME. OK. 220 00:16:01,561 --> 00:16:02,629 ALL RIGHT, GOOD. 221 00:16:02,662 --> 00:16:04,464 BUT BE-- YOU KNOW. OK? 222 00:16:04,497 --> 00:16:06,866 SMALL. SMALL. 223 00:16:06,899 --> 00:16:08,568 YOU, TOO. 224 00:16:15,875 --> 00:16:17,510 GOOD DAY, SIR. 225 00:16:17,544 --> 00:16:19,512 GOOD DAY. 226 00:16:24,084 --> 00:16:25,252 EVERYTHING IS MADE FRESH? 227 00:16:25,285 --> 00:16:27,754 YES, SIR. I MAKE EVERYTHING MYSELF, 228 00:16:27,787 --> 00:16:29,489 FRESH EVERY DAY. 229 00:16:29,522 --> 00:16:30,057 OH, EVERY DAY. 230 00:16:30,090 --> 00:16:31,658 EVERY DAY. GOOD DAY. 231 00:16:31,691 --> 00:16:33,626 GOOD DAY, SIR. 232 00:16:33,660 --> 00:16:34,527 GOOD DAY. 233 00:16:34,561 --> 00:16:35,528 HOW DO YOU DO? 234 00:16:35,562 --> 00:16:37,530 EVERY SINGLE DAY? 235 00:16:37,564 --> 00:16:38,765 EVERY SINGLE DAY. 236 00:16:38,798 --> 00:16:40,467 WELL... 237 00:16:41,168 --> 00:16:43,970 EVEN THESE CREAM PUFFS ARE FRESH? 238 00:16:44,003 --> 00:16:47,107 THEY LOOK STALE TO ME. 239 00:16:47,140 --> 00:16:50,543 Baker: YOU MAY TASTE IF YOU LIKE. 240 00:16:50,577 --> 00:16:52,645 TASTE? 241 00:16:59,086 --> 00:17:01,488 IF I MUST. 242 00:17:11,598 --> 00:17:14,234 AHEM. 243 00:17:18,004 --> 00:17:20,507 I HATE THEM. 244 00:17:21,241 --> 00:17:23,210 OH, I'M SORRY. 245 00:17:23,243 --> 00:17:24,711 TO EACH HIS OWN. 246 00:17:24,744 --> 00:17:26,679 THERE'S ANOTHER BAKERY SHOP DOWN THE BLOCK 247 00:17:26,713 --> 00:17:28,615 WHOSE WARES MIGHT BE MORE TO YOUR LIKING. 248 00:17:28,648 --> 00:17:31,651 THANK YOU FOR COMING IN. MAY I HELP YOU, SIR? 249 00:17:34,354 --> 00:17:36,656 YES. WOULD YOU EXCUSE ME A MOMENT? 250 00:17:36,689 --> 00:17:40,093 I'M SORRY. I COULDN'T HELP BUT OVERHEAR. EXCUSE ME, SIR. 251 00:17:40,127 --> 00:17:41,528 BUT MAY I SAY THAT YOUR RUDENESS 252 00:17:41,561 --> 00:17:44,697 TO THIS HARDWORKING GENTLEMAN IS UNCALLED FOR. 253 00:17:44,731 --> 00:17:45,832 PLEASE, SIR. 254 00:17:45,865 --> 00:17:46,666 I BEG YOUR PARDON. 255 00:17:46,699 --> 00:17:48,268 NO, I BEG YOURS, SIR. I HAPPEN TO KNOW 256 00:17:48,301 --> 00:17:50,637 THAT THIS GENTLEMAN IS ONE OF THE FINEST PASTRY CHEFS 257 00:17:50,670 --> 00:17:52,239 ON THE EASTERN SEABOARD. 258 00:17:52,272 --> 00:17:53,873 - WELL, THANK YOU. - YOU'RE WELCOME. 259 00:17:53,906 --> 00:17:55,775 - DO I KNOW YOU? - OF COURSE YOU DO. WHAT'S YOUR POINT? 260 00:17:55,808 --> 00:17:58,211 MY POINT IS THAT YOU WOULD NOT KNOW A GOOD CREAM PUFF 261 00:17:58,245 --> 00:18:00,947 IF IT JUMPED UP AND LICKED YOU ON THE ASS. 262 00:18:00,980 --> 00:18:03,082 IT'S JUST A DIFFERENCE IN TASTE. 263 00:18:03,116 --> 00:18:05,818 NO. THIS MAN IS CLEARLY AN IMBECILE. 264 00:18:05,852 --> 00:18:07,019 AH, AN INSULT! 265 00:18:07,053 --> 00:18:08,555 I'M INSULTED? YES! 266 00:18:08,588 --> 00:18:09,322 I'M INSULTED! 267 00:18:09,356 --> 00:18:11,924 OH, FINE, WELL, GOOD, GOOD, GOOD! 268 00:18:11,958 --> 00:18:13,426 WELL, I AM! 269 00:18:13,460 --> 00:18:15,094 BUT I'M SURE YOU'RE NOT AS INSULTED AS THIS GENTLEMAN. 270 00:18:15,128 --> 00:18:17,230 - I'M NOT INSULTED. - OH, YES, YOU ARE! 271 00:18:17,264 --> 00:18:18,865 THE MAN WORKS ALL DAY LIKE A MULE 272 00:18:18,898 --> 00:18:19,866 TO SUPPORT HIS MISERABLE FAMILY. 273 00:18:19,899 --> 00:18:22,902 MY FAMILY ISN'T MISERABLE. WE'RE ALL QUITE HAPPY. 274 00:18:22,935 --> 00:18:26,606 NO, YOU'RE NOT! YOU'RE MISERABLE AND PATHETIC. LOOK AT YOU. 275 00:18:26,639 --> 00:18:27,740 Baker: WELL, I... 276 00:18:27,774 --> 00:18:30,343 ALL DAY WORKING LIKE A LACKEY FROM RISE TO SET, 277 00:18:30,377 --> 00:18:32,912 SWEATING IN THE EYE OF PHOEBUS. 278 00:18:32,945 --> 00:18:34,013 I LOVE MY WORK. 279 00:18:34,046 --> 00:18:37,417 NO, YOU DON'T! MY GOD, HOW COULD YOU? 280 00:18:37,450 --> 00:18:39,952 ARE YOU NO, YOU ARE!INSULTING HIM? 281 00:18:39,986 --> 00:18:40,953 THAT'S WHAT I THOUGHT! 282 00:18:40,987 --> 00:18:42,322 OH, HOW IT GRIEVES ME 283 00:18:42,355 --> 00:18:45,425 TO SEE A MAN LIVING THE LIFE OF A DOG. 284 00:18:45,458 --> 00:18:48,995 AND TREATED WORSE THAN A DOG BY A BOURGEOIS PIG! 285 00:18:49,028 --> 00:18:50,363 YOU DON'T EVEN KNOW THIS GENTLEMAN. 286 00:18:50,397 --> 00:18:53,366 OH, I KNOW HIM! I KNEW THEM ALL! 287 00:18:53,400 --> 00:18:57,370 PUPPETEERS. AND YOU, THE POOR SWEATY BLUE-COLLARED BUMPKIN 288 00:18:57,404 --> 00:18:59,672 AT THE END OF THEIR STRINGS. 289 00:18:59,706 --> 00:19:02,175 WHAT A FOOL YOU ARE! 290 00:19:02,209 --> 00:19:03,543 I AM NOT A FOOL! 291 00:19:03,576 --> 00:19:04,311 YES, YOU ARE! 292 00:19:04,344 --> 00:19:05,845 YOU REALLY SHOULDN'T TALK 293 00:19:05,878 --> 00:19:08,047 TO THAT GENTLEMAN THIS WAY. 294 00:19:08,080 --> 00:19:10,250 YOU LIKE THE CREAM PUFFS. 295 00:19:10,283 --> 00:19:13,085 I DON'T LIKE THE CREAM PUFFS. 296 00:19:13,119 --> 00:19:14,187 FUCK THE CREAM PUFFS! 297 00:19:14,221 --> 00:19:16,356 THIS MAN IS A SLAVE AND AN IDIOT! 298 00:19:16,389 --> 00:19:18,425 GET OUT OF HERE! 299 00:19:18,458 --> 00:19:19,125 WHAT? 300 00:19:19,158 --> 00:19:21,861 GET OUT OF MY SHOP! 301 00:19:21,894 --> 00:19:23,129 I'LL HANDLE THIS. 302 00:19:23,162 --> 00:19:25,432 YOU'VE REALLY SAID QUITE ENOUGH. 303 00:19:25,465 --> 00:19:29,536 I THINK WE'VE HEARD QUITE ENOUGH FROM YOU. 304 00:19:29,569 --> 00:19:30,970 BEGONE! 305 00:19:31,003 --> 00:19:32,672 [DOOR SLAMS] 306 00:19:34,106 --> 00:19:35,475 SIR, HOW CAN I REPAY YOU? 307 00:19:35,508 --> 00:19:36,108 PLEASE. 308 00:19:36,142 --> 00:19:37,410 I DID NOTHING. 309 00:19:37,444 --> 00:19:40,913 I INSIST. YOU CAME TO MY AID. 310 00:19:47,053 --> 00:19:48,921 WELL... 311 00:19:49,889 --> 00:19:51,224 PERHAPS A CREAM PUFF. 312 00:19:51,258 --> 00:19:52,825 NO, NO. YOU DON'T LIKE THEM. 313 00:19:52,859 --> 00:19:54,361 WELL... 314 00:19:54,394 --> 00:19:56,463 I HAVE SOMETHING EVEN BETTER. 315 00:19:56,496 --> 00:19:58,498 2 TICKETS TO THE THEATER TONIGHT 316 00:19:58,531 --> 00:20:01,401 TO SEE THE GREAT JEREMY BURTOM AS HAMLET. 317 00:20:01,434 --> 00:20:05,405 PLEASE, TAKE THEM WITH MY GRATITUDE. 318 00:20:06,439 --> 00:20:09,476 Arthur: TICKETS TO SEE JEREMY BURTOM? 319 00:20:09,509 --> 00:20:11,278 - THAT'S WHAT HE GAVE YOU? - Maurice: THAT'S CORRECT. 320 00:20:11,311 --> 00:20:14,514 OUT OF ANYTHING IN THE SHOP, HE GIVES YOU TICKETS TO SEE JEREMY BURTOM? 321 00:20:14,547 --> 00:20:17,049 WHY DIDN'T HE JUST STAB YOU IN THE HEART? 322 00:20:17,083 --> 00:20:17,817 YOU TELL ME, ARTHUR. 323 00:20:17,850 --> 00:20:20,052 OH, GOD. BURTOM IS THE WORST ACTOR 324 00:20:20,086 --> 00:20:21,988 ON THE FACE OF THE EARTH. 325 00:20:22,021 --> 00:20:22,555 YUP. 326 00:20:22,589 --> 00:20:25,124 THAT MAN IS UNWATCHABLE. 327 00:20:25,157 --> 00:20:26,225 YUP. 328 00:20:26,259 --> 00:20:29,128 YOU COULDN'T PAY ME TO GO SEE THAT GUY'S HAMLET. 329 00:20:29,161 --> 00:20:31,964 [MUSIC SWELLS] 330 00:20:36,569 --> 00:20:38,638 I WANTED TO SEE HOW BAD HE REALLY WAS. 331 00:20:38,671 --> 00:20:40,640 I HEAR HE MAKES A REAL FOOL OUT OF HIMSELF. 332 00:20:40,673 --> 00:20:43,743 YOU ALWAYS LEARN FROM OTHER PEOPLE'S MISTAKES. 333 00:20:43,776 --> 00:20:44,311 OH, YES. 334 00:20:44,344 --> 00:20:45,812 RIGHT? PLEASE. 335 00:20:45,845 --> 00:20:48,147 LOOK AT THIS CROWD. 336 00:20:48,180 --> 00:20:49,115 UNBELIEVABLE. 337 00:20:49,148 --> 00:20:50,783 I'LL NEVER UNDERSTAND IT. 338 00:20:50,817 --> 00:20:52,685 IT'S CRIMINAL. 339 00:20:52,719 --> 00:20:53,420 HEY. 340 00:20:53,453 --> 00:20:55,755 MIKE'S IN THIS. 341 00:20:55,788 --> 00:20:56,889 REALLY? 342 00:20:56,923 --> 00:20:58,625 MM-HMM. 343 00:20:59,792 --> 00:21:00,493 OH. 344 00:21:00,527 --> 00:21:02,862 GOOD FOR HIM. GOOD FOR MIKE. 345 00:21:02,895 --> 00:21:04,331 GREAT FOR MIKE. 346 00:21:04,364 --> 00:21:07,233 YEAH. OH, YEAH. 347 00:21:07,266 --> 00:21:10,870 [THEATER MUSIC PLAYS] 348 00:21:24,951 --> 00:21:27,754 [APPLAUSE] 349 00:21:34,894 --> 00:21:37,430 Maurice: SOMEONE'S PUT ON A LITTLE WEIGHT. 350 00:21:37,464 --> 00:21:40,800 Arthur: I HOPE THEY REINFORCED THE STAGE. 351 00:21:40,833 --> 00:21:42,369 MY GOD. 352 00:21:42,402 --> 00:21:44,437 SHH. SHH. 353 00:21:44,471 --> 00:21:46,539 Actor: ...AND MY SON. 354 00:21:46,573 --> 00:21:48,274 GOOD HAMLET, WHY SEEMS IT 355 00:21:48,307 --> 00:21:49,576 SO PARTICULAR WITH THEE? 356 00:21:49,609 --> 00:21:51,444 SEEMS, MADAM? NAY, IT IS. 357 00:21:51,478 --> 00:21:54,046 I KNOW NOT "SEEMS." 358 00:21:54,947 --> 00:21:58,885 'TIS NOT ALONE MY INKY CLOAK, GOOD MOTHER, 359 00:21:58,918 --> 00:22:01,954 NOR THE CUSTOMARY SUITS OF SOLEMN BLACK, 360 00:22:01,988 --> 00:22:06,325 NOR THE DEJECTED 'HAVIOR OF THE VISAGE, 361 00:22:06,359 --> 00:22:07,660 TOGETHER WITH ALL FORMS, 362 00:22:07,694 --> 00:22:11,330 MOODS, SHAPES OF GRIEF, 363 00:22:11,364 --> 00:22:14,000 THAT CAN DENOTE ME TRULY. 364 00:22:14,033 --> 00:22:16,636 THESE INDEED SEEM, 365 00:22:16,669 --> 00:22:19,839 FOR THEY ARE ACTIONS THAT A MAN MIGHT PLAY. 366 00:22:19,872 --> 00:22:22,409 BUT I... 367 00:22:22,442 --> 00:22:24,877 HAVE THAT WITHIN 368 00:22:24,911 --> 00:22:27,847 WHICH PASSETH SHOW. 369 00:22:27,880 --> 00:22:28,748 THESE... 370 00:22:28,781 --> 00:22:34,687 BUT THE TRAPPINGS AND THE SUITS... 371 00:22:35,287 --> 00:22:37,390 OF WOE. 372 00:22:37,424 --> 00:22:39,826 [APPLAUSE] 373 00:22:59,345 --> 00:23:01,914 [BURTOM MUMBLES] 374 00:23:09,722 --> 00:23:14,126 [WHISPERING] Intermission's almost over, sir. 375 00:23:17,497 --> 00:23:19,499 Director: PLACES FOR ACT 2. 376 00:23:19,532 --> 00:23:21,634 PLACES FOR ACT 2. 377 00:23:21,668 --> 00:23:24,170 [SWORDS CLANGING] 378 00:23:30,109 --> 00:23:31,410 OW! 379 00:23:31,444 --> 00:23:32,979 COME FOR THE THIRD, LAERTES. 380 00:23:33,012 --> 00:23:34,113 YOU DO BUT DALLY. 381 00:23:34,146 --> 00:23:34,814 WHO CHOREOGRAPHED THIS? 382 00:23:34,847 --> 00:23:36,949 I DON'T KNOW. IT'S SO SLOPPY. 383 00:23:36,983 --> 00:23:37,517 IT'S A MESS. 384 00:23:37,550 --> 00:23:39,185 CRAZY BOY! 385 00:23:39,218 --> 00:23:42,088 AAH! YOU CRAZY BOY! 386 00:23:42,121 --> 00:23:43,923 AAH! 387 00:23:43,956 --> 00:23:45,091 WHAT WAS THAT PART? 388 00:23:45,124 --> 00:23:47,159 I DON'T KNOW. 389 00:23:50,362 --> 00:23:51,931 COME ON. 390 00:23:58,905 --> 00:23:59,806 AAH! 391 00:23:59,839 --> 00:24:02,775 WHAT THE HELL'S HE DOING? 392 00:24:08,748 --> 00:24:11,918 DRUNKEN SON OF A BITCH. 393 00:24:22,461 --> 00:24:24,831 LADIES AND GENTLEMEN... 394 00:24:26,966 --> 00:24:30,903 IT APPEARS AN ACTOR, HAVING MISSED A PARRY, 395 00:24:30,937 --> 00:24:35,374 UPSET BY HIS MISTAKE, HAS VACATED THE STAGE. 396 00:24:35,407 --> 00:24:39,445 THEREFORE, WITH YOUR KIND PERMISSION, 397 00:24:39,478 --> 00:24:41,413 WE WILL LOWER THE CURTAIN-- 398 00:24:41,447 --> 00:24:42,214 [BELCHES] 399 00:24:42,248 --> 00:24:45,417 AND REGROUP, AS IT WERE... 400 00:24:45,451 --> 00:24:48,220 AND THEN COMPLETE THIS, 401 00:24:48,254 --> 00:24:53,225 THE GREATEST OF ALL OF MR. SHAKESPEARE'S PLAYS. 402 00:24:54,493 --> 00:24:57,096 I THANK YOU. 403 00:25:01,233 --> 00:25:04,671 THE MAN IS VICIOUS. 404 00:25:04,704 --> 00:25:07,439 WEDNESDAY HE STUCK ME... 405 00:25:07,473 --> 00:25:08,975 RIGHT THERE. 406 00:25:09,008 --> 00:25:09,475 WHERE? 407 00:25:09,508 --> 00:25:13,145 RIGHT IN THE RIB. 408 00:25:14,013 --> 00:25:15,414 GERTRUDE. 409 00:25:15,447 --> 00:25:16,716 KILLED HER WITH A GOBLET. 410 00:25:16,749 --> 00:25:18,250 HE'S DONE IT BEFORE? 411 00:25:18,284 --> 00:25:19,586 THAT'S SICK. 412 00:25:19,619 --> 00:25:21,287 THAT'S JUST SICK. 413 00:25:21,320 --> 00:25:23,590 SICK. 414 00:25:23,623 --> 00:25:24,691 YOU LET ME AT HIM. 415 00:25:24,724 --> 00:25:26,859 YOU KNOW WHAT REALLY BURNS ME UP? 416 00:25:26,893 --> 00:25:27,994 WHAT REALLY GETS MY GOAT 417 00:25:28,027 --> 00:25:33,232 IS THAT MIKE HAD SUCH A GREAT DEATH COMING UP, 418 00:25:33,265 --> 00:25:35,501 AND HE WAS CHEATED. 419 00:25:35,534 --> 00:25:37,604 HE WAS CHEATED, RIGHT? 420 00:25:37,637 --> 00:25:38,638 THAT'S THE... 421 00:25:38,671 --> 00:25:40,239 YEAH, BUT, YOU KNOW... 422 00:25:40,272 --> 00:25:41,207 YOU WANT TO KNOW? 423 00:25:41,240 --> 00:25:44,010 YOU WANT TO KNOW WHAT I'D DO IN THAT SITUATION? 424 00:25:44,043 --> 00:25:44,611 WHAT? 425 00:25:44,644 --> 00:25:47,046 I'D STOP-- CENTER STAGE. 426 00:25:48,514 --> 00:25:49,982 I'D TURN. I'D WAIT FOR THE QUIET. 427 00:25:50,016 --> 00:25:53,452 HE'S SAYING WHAT HE WOULD DO IF HE WAS YOU. 428 00:25:53,485 --> 00:25:54,553 TONIGHT. 429 00:25:54,587 --> 00:25:55,588 I KNOW. 430 00:25:55,622 --> 00:25:58,524 WHAT YOU HAVE JUST SEEN, 431 00:25:58,557 --> 00:26:00,559 LADIES AND GENTLEMEN, 432 00:26:00,593 --> 00:26:02,428 IS UNPROFESSIONAL BEHAVIOR 433 00:26:02,461 --> 00:26:04,063 OF AN OVERRATED, 434 00:26:04,096 --> 00:26:05,497 UNDER-TALENTED, 435 00:26:05,531 --> 00:26:07,366 DRUNKEN HACK 436 00:26:07,399 --> 00:26:08,735 NAMED JEREMY BURTOM. 437 00:26:08,768 --> 00:26:11,237 HE HAS BLUSTERED HIS WAY TO SUCCESS 438 00:26:11,270 --> 00:26:15,107 ON THE BACKS OF THE GREAT SUPPORTING PLAYERS 439 00:26:15,141 --> 00:26:16,108 FOR TOO LONG! 440 00:26:16,142 --> 00:26:19,812 AND IT'S TIME FOR US TO MAKE A STAND AND SAY NO! 441 00:26:19,846 --> 00:26:22,615 NO, BURTOM! BEGONE! 442 00:26:22,649 --> 00:26:26,552 IT IS TIME FOR US TO SAY, "NO, BOOZY BOY!" 443 00:26:26,585 --> 00:26:30,522 BYE-BYE, BURTOM BAD BOY! 444 00:26:30,556 --> 00:26:32,258 HAVE-AT-THEE BOY! 445 00:26:32,291 --> 00:26:34,426 BOOZY, BOOZY BOY! 446 00:26:34,460 --> 00:26:35,728 GREASY BOY! 447 00:26:35,762 --> 00:26:37,063 SAGGY, FARTY BOY! 448 00:26:37,096 --> 00:26:41,801 POKE YOU! I POKE YOU! I POKE YOU! 449 00:26:41,834 --> 00:26:44,103 SOMETHING LIKE THAT. 450 00:26:47,439 --> 00:26:48,374 DAAH! 451 00:26:48,407 --> 00:26:50,409 AAH! AAH! 452 00:26:50,442 --> 00:26:53,079 [PEOPLE YELLING] 453 00:26:55,047 --> 00:26:56,749 Burtom: COME ON! COME BACK HERE! 454 00:26:56,783 --> 00:26:59,085 OOH! COME BACK! 455 00:27:00,352 --> 00:27:03,022 COME BACK HERE! OOH! 456 00:27:03,055 --> 00:27:03,690 STOP THEM! 457 00:27:03,723 --> 00:27:04,623 STOP THEM! 458 00:27:04,657 --> 00:27:08,961 THEY'RE TRYING TO KILL A GENIUS! 459 00:27:10,963 --> 00:27:13,666 [DIXIELAND JAZZ PLAYING] 460 00:27:13,700 --> 00:27:16,836 [MAURICE AND ARTHUR YELLING] 461 00:27:17,770 --> 00:27:20,172 Man: THERE THEY GO. 462 00:27:22,208 --> 00:27:24,911 [SIREN] 463 00:27:39,625 --> 00:27:42,194 [SIRENS] 464 00:27:55,674 --> 00:27:56,508 TOO SMALL. WHAT? 465 00:27:56,542 --> 00:27:57,744 TOO SMALL. NO. 466 00:27:57,777 --> 00:27:58,778 NO, NO, NO, DON'T MOVE. 467 00:27:58,811 --> 00:28:00,813 NO, NO. OK, TOO SMALL. 468 00:28:00,847 --> 00:28:03,282 OK, CLAUSTROPHOBIA! 469 00:28:04,483 --> 00:28:05,517 PLEASE. 470 00:28:05,551 --> 00:28:06,518 [MUFFLED SCREECHES] 471 00:28:06,552 --> 00:28:07,353 Officer: OVER THERE? 472 00:28:07,386 --> 00:28:08,554 Officer: I CHECKED OVER THERE ALREADY. 473 00:28:08,587 --> 00:28:09,621 DID YOU CHECK THE OTHER SIDE? 474 00:28:09,655 --> 00:28:11,457 [HYPERVENTILATING] 475 00:28:11,490 --> 00:28:13,025 SHH! 476 00:28:14,994 --> 00:28:16,495 Officer: WHAT'S THAT NOISE? 477 00:28:16,528 --> 00:28:18,530 Officer: YOU HEAR THAT? 478 00:28:18,564 --> 00:28:20,499 I DON'T HEAR NOTHING. 479 00:28:20,532 --> 00:28:22,534 YOU FART? 480 00:28:22,568 --> 00:28:24,904 [WHISPERING] Shh. Please. 481 00:28:25,738 --> 00:28:27,506 Officer: ALL RIGHT, COME ON. 482 00:28:27,539 --> 00:28:29,909 LET'S GO. 483 00:28:34,313 --> 00:28:37,183 [BOTH SNORING] 484 00:28:38,417 --> 00:28:41,053 [SHIP'S HORN BLOWS] 485 00:28:47,459 --> 00:28:48,828 [BOTH SNORE] 486 00:28:48,861 --> 00:28:50,429 [SHIP'S HORN BLOWS] 487 00:28:50,462 --> 00:28:51,998 HEY. 488 00:28:57,603 --> 00:28:58,570 [LABORED BREATHING] 489 00:28:58,604 --> 00:29:00,706 ARTHY. OOH. 490 00:29:00,739 --> 00:29:02,541 OK. COME ON. 491 00:29:02,574 --> 00:29:04,176 GO SLOW. 492 00:29:11,550 --> 00:29:13,786 [SHIP'S HORN BLOWS] 493 00:29:13,820 --> 00:29:17,857 [MUSIC BEGINS] 494 00:29:56,128 --> 00:29:59,999 Maurice: [WHISPERING] What are you doing? 495 00:30:04,036 --> 00:30:05,604 Maurice: OH, GOD. 496 00:30:05,637 --> 00:30:06,772 WE'RE OUTLAWS. 497 00:30:06,805 --> 00:30:08,607 [SHIP'S HORN BLOWS] 498 00:30:08,640 --> 00:30:12,078 [MUSIC PLAYS] 499 00:30:40,106 --> 00:30:41,840 WE'VE GOT TO GET OUT OF HERE. 500 00:30:41,874 --> 00:30:43,375 THE PLACE IS CRAWLING WITH COPS. 501 00:30:43,409 --> 00:30:44,076 I KNOW, I KNOW. 502 00:30:44,110 --> 00:30:46,478 I HAVE AN IDEA. COME ON. 503 00:30:46,512 --> 00:30:48,981 LADIES. 504 00:30:49,015 --> 00:30:50,849 110, OCEANO. 505 00:30:50,883 --> 00:30:54,520 WHY ARE WE STANDING AROUND, PLEASE? 506 00:30:54,553 --> 00:30:56,088 [SNAPS FINGERS] 507 00:30:56,122 --> 00:30:58,657 THESE GO TO STATEROOM 40, 508 00:30:58,690 --> 00:31:00,259 AND THAT GOES TO 15. 509 00:31:00,292 --> 00:31:02,294 THANKS, GIRLS. 510 00:31:03,762 --> 00:31:05,797 SO, LILY, EVERYTHING IS IN ORDER? 511 00:31:05,831 --> 00:31:07,266 YES, MEISTRICH. 512 00:31:07,299 --> 00:31:08,100 GOOD. 513 00:31:08,134 --> 00:31:10,636 YOU ARE SO GOOD AT WHAT YOU DO, LILY. 514 00:31:10,669 --> 00:31:12,504 THANK YOU. 515 00:31:12,538 --> 00:31:13,572 SO GOOD. 516 00:31:13,605 --> 00:31:15,908 THANKS, MEISTRICH. 517 00:31:15,942 --> 00:31:17,776 SO SWEET. 518 00:31:17,809 --> 00:31:19,345 THANKS. 519 00:31:19,378 --> 00:31:20,812 SO... 520 00:31:20,846 --> 00:31:21,981 OH, LILY. 521 00:31:22,014 --> 00:31:22,881 LILY, WHEN I'M WITH YOU, 522 00:31:22,915 --> 00:31:24,850 I FEEL LIKE A YOUNG SCHOOLBOY AGAIN 523 00:31:24,883 --> 00:31:27,019 FULL OF HOPE AND WONDER-- 524 00:31:27,053 --> 00:31:28,720 LIKE A YOUNG BUD IN SPRINGTIME 525 00:31:28,754 --> 00:31:30,156 WAITING TO BLOSSOM. 526 00:31:30,189 --> 00:31:32,691 WELL... YOUR FACE... 527 00:31:32,724 --> 00:31:34,326 YOUR HANDS... 528 00:31:34,360 --> 00:31:37,663 YOUR BEAUTIFUL, SNOW-WHITE HANDS. 529 00:31:41,633 --> 00:31:43,569 * LIL, LIL, LIL 530 00:31:43,602 --> 00:31:45,671 * LILY, LY 531 00:31:45,704 --> 00:31:46,638 * LILY 532 00:31:46,672 --> 00:31:48,540 * LIL, LIL, LIL-- 533 00:31:48,574 --> 00:31:49,108 MARCO. 534 00:31:49,141 --> 00:31:50,876 HI. UM, EXCUSE ME. 535 00:31:50,909 --> 00:31:52,078 HI, MEISTRICH. 536 00:31:52,111 --> 00:31:53,745 COULD I TALK TO YOU FOR A SECOND? 537 00:31:53,779 --> 00:31:54,780 WELL, ACTUALLY, NO. 538 00:31:54,813 --> 00:31:57,516 PLEASE, MEISTRICH. JUST ONE MINUTE. 539 00:31:59,751 --> 00:32:00,919 HI, MARCO. HEY. 540 00:32:00,953 --> 00:32:02,521 HOW ARE YOU? YOU LOOK SO HANDSOME. 541 00:32:02,554 --> 00:32:04,490 THANK YOU. DID YOU GET MY FLOWERS? 542 00:32:04,523 --> 00:32:06,725 YES. I WAS HOPING THEY WERE FROM YOU. 543 00:32:06,758 --> 00:32:08,394 THERE WAS NO CARD. 544 00:32:08,427 --> 00:32:09,695 OH. 545 00:32:17,503 --> 00:32:20,106 NO. I WANTED TO TALK TO YOU IN PERSON, 546 00:32:20,139 --> 00:32:21,940 BECAUSE, LILY... 547 00:32:21,974 --> 00:32:24,710 I JUST WANTED TO TELL YOU THAT... 548 00:32:24,743 --> 00:32:26,412 W-- 549 00:32:32,184 --> 00:32:34,720 [WHISPERING] But I wanted to tell you that... 550 00:32:34,753 --> 00:32:35,654 Man: OHH! AAH! 551 00:32:35,687 --> 00:32:37,356 WHY DON'T YOU WATCH WHAT YOU'RE DOING, HMM? 552 00:32:37,389 --> 00:32:39,291 MAKE A MISTAKE LIKE THAT NEXT TIME, 553 00:32:39,325 --> 00:32:40,159 AND I CHOP OFF YOUR HANDS 554 00:32:40,192 --> 00:32:44,663 AND LET YOU DROWN IN YOUR OWN BLOOD! 555 00:32:45,731 --> 00:32:47,533 ARE YOU TWO FINISHED WITH YOUR LITTLE TETE-A-TETE? 556 00:32:47,566 --> 00:32:49,401 BECAUSE, LILY, I MEAN, THERE IS WORK TO DO. 557 00:32:49,435 --> 00:32:51,303 IF WE DON'T WORK, WE LOSE OUR JOBS, YES? 558 00:32:51,337 --> 00:32:54,006 YES. RIGHT AWAY, MEISTRICH. 559 00:32:54,040 --> 00:32:55,474 GOOD-BYE, MARCO. 560 00:32:55,507 --> 00:32:56,475 OK. 561 00:32:56,508 --> 00:32:57,709 OK. 562 00:32:57,743 --> 00:32:58,710 BYE-BYE. 563 00:32:58,744 --> 00:33:00,479 YES. 564 00:33:03,549 --> 00:33:04,416 LILY, 565 00:33:04,450 --> 00:33:06,285 WILL YOU DANCE WITH ME TONIGHT AT THE BALL? 566 00:33:06,318 --> 00:33:08,020 I HAVE SOMETHING I WANT TO SAY TO YOU. 567 00:33:08,054 --> 00:33:10,622 WELL-- EXCELLENT! 568 00:33:10,656 --> 00:33:11,757 UNTIL TONIGHT? 569 00:33:11,790 --> 00:33:14,726 [MUSIC RESUMES] 570 00:33:24,970 --> 00:33:26,538 [APPLAUSE] 571 00:33:26,572 --> 00:33:27,506 THANK YOU. 572 00:33:27,539 --> 00:33:30,442 THANK YOU, LADIES AND GENTLEMEN. 573 00:33:30,476 --> 00:33:31,810 THANK YOU, THANK YOU, LADIES AND GENTLEMEN. 574 00:33:31,843 --> 00:33:33,379 IT'S BURTOM! IT'S HIM! ARTHY. 575 00:33:33,412 --> 00:33:34,346 I KNOW, I KNOW, I KNOW. 576 00:33:34,380 --> 00:33:35,381 WHAT ARE WE GOING TO DO? 577 00:33:35,414 --> 00:33:37,583 LET'S GET OUT OF HERE. LET'S GET OUT OF HERE QUICK. 578 00:33:37,616 --> 00:33:39,851 Burtom: ...HAVING BEEN ABUSED YESTERNIGHT 579 00:33:39,885 --> 00:33:41,853 BY A BAND OF RUFFIANS, 580 00:33:41,887 --> 00:33:44,156 I THWARTED AN ATTEMPT ON MY LIFE 581 00:33:44,190 --> 00:33:46,692 BY THESE INCOMPETENT SCOFFLAWS 582 00:33:46,725 --> 00:33:48,127 SINGLE-HANDEDLY. 583 00:33:48,160 --> 00:33:49,128 Man: BRAVO. 584 00:33:49,161 --> 00:33:50,596 WONDERFUL. GOOD JOB. 585 00:33:50,629 --> 00:33:52,030 AS FOR MYSELF, 586 00:33:52,064 --> 00:33:53,232 I HOPE THAT... 587 00:33:53,265 --> 00:33:57,336 THE SALT AIR WILL HEAL MY WOUNDS... 588 00:33:57,369 --> 00:34:00,005 AND THE MOTION OF THE COOL GREEN SEA 589 00:34:00,038 --> 00:34:02,508 SOOTHE MY TORTURED SOUL. 590 00:34:02,541 --> 00:34:06,712 THANK YOU AND BON VOYAGE TO US ALL. 591 00:34:06,745 --> 00:34:08,414 Woman: BON VOYAGE. 592 00:34:11,317 --> 00:34:13,152 Woman: MR. SPARKS, 593 00:34:13,185 --> 00:34:14,453 WHAT AN HONOR IT IS TO HAVE YOU HERE. 594 00:34:14,486 --> 00:34:17,156 I'M PANCETTA LEAKY, THE SHIP'S SOCIAL DIRECTOR. 595 00:34:17,189 --> 00:34:18,224 WELCOME ABOARD, MR. SPARKS. 596 00:34:18,257 --> 00:34:19,625 CONGRATULATIONS ON YOUR LAST MATCH. 597 00:34:19,658 --> 00:34:22,928 WELL, THANK YOU VERY MUCH, GOOD FELLA. 598 00:34:22,961 --> 00:34:23,662 OW. 599 00:34:23,695 --> 00:34:25,097 DO YOU FEEL THAT GRIP? 600 00:34:25,131 --> 00:34:26,498 I DO, SIR. I DO. 601 00:34:26,532 --> 00:34:28,667 POWERFUL ENOUGH TO SNAP THE NECK 602 00:34:28,700 --> 00:34:29,435 OF A SMALL BEAST, 603 00:34:29,468 --> 00:34:30,669 AND YET SENSITIVE ENOUGH 604 00:34:30,702 --> 00:34:34,206 TO CARESS THE TENDER THROAT OF A YOUNG CASTRATO-- 605 00:34:34,240 --> 00:34:35,974 COAX A SONG FROM HIM. 606 00:34:36,007 --> 00:34:37,743 GOOD FOR YOU. 607 00:34:37,776 --> 00:34:39,578 THAT IS WHY I WIN. 608 00:34:39,611 --> 00:34:40,879 I'M SURE IT IS, SIR. 609 00:34:40,912 --> 00:34:41,913 ENJOY YOUR VOYAGE. 610 00:34:41,947 --> 00:34:43,915 OH, I WILL. 611 00:34:43,949 --> 00:34:44,950 I WILL. 612 00:34:44,983 --> 00:34:46,485 I'LL HELP YOU WITH YOUR BAGS. 613 00:34:46,518 --> 00:34:48,654 MRS. ESSENDINE, IT'S A PLEASURE TO SEE YOU. 614 00:34:48,687 --> 00:34:50,789 HOW DELIGHTED WE WERE TO SEE YOUR NAME 615 00:34:50,822 --> 00:34:52,458 ON THE PASSENGER LIST, 616 00:34:52,491 --> 00:34:54,360 AND I WAS SORRY TO HEAR ABOUT THE DEATH OF YOUR HUSBAND. 617 00:34:54,393 --> 00:34:56,895 HE WAS THE MOST GENEROUS OF MEN. 618 00:34:56,928 --> 00:34:58,597 THAT HE WAS. 619 00:34:58,630 --> 00:34:59,831 THAT HE WAS. 620 00:34:59,865 --> 00:35:01,567 WAIT. 621 00:35:01,600 --> 00:35:02,368 WAIT. 622 00:35:02,401 --> 00:35:04,836 CAN THIS BE EMILY? 623 00:35:04,870 --> 00:35:06,738 SHE HAS BLOSSOMED SO. 624 00:35:07,873 --> 00:35:10,576 THANK THE GENTLEMAN, EMILY. 625 00:35:11,677 --> 00:35:12,644 THANKS. 626 00:35:12,678 --> 00:35:15,581 [MUSIC RESUMES] 627 00:35:27,926 --> 00:35:30,462 STEWARDS. STEWARDS. 628 00:35:30,496 --> 00:35:34,132 GIVE US A HAND HERE, PLEASE. 629 00:35:34,166 --> 00:35:34,933 [BOTH GASP] 630 00:35:34,966 --> 00:35:37,903 [MUSIC RESUMES] 631 00:35:40,806 --> 00:35:41,973 GENTLEMEN, 632 00:35:42,007 --> 00:35:44,810 IS THERE A PROBLEM? 633 00:35:44,843 --> 00:35:47,746 [MUSIC RESUMES] 634 00:35:52,851 --> 00:35:54,220 [BAG DROPS] 635 00:35:54,253 --> 00:35:55,821 I HAVE IT, ARTHY. I HAVE IT. 636 00:35:55,854 --> 00:35:57,656 OH, OK. THANK YOU. 637 00:35:57,689 --> 00:35:58,890 THANK YOU. 638 00:36:05,931 --> 00:36:07,733 OHH! 639 00:36:07,766 --> 00:36:09,701 AAH! OHH! 640 00:36:09,735 --> 00:36:12,638 [MUSIC RESUMES] 641 00:36:17,843 --> 00:36:19,745 Both: OHH. 642 00:36:19,778 --> 00:36:21,813 OK. 643 00:36:21,847 --> 00:36:22,314 OK. 644 00:36:22,348 --> 00:36:25,584 [MUSIC RESUMES] 645 00:36:25,617 --> 00:36:27,519 EXCUSE ME. 646 00:36:32,190 --> 00:36:32,958 ARE YOU LOST? 647 00:36:32,991 --> 00:36:34,626 YES. NO. 648 00:36:34,660 --> 00:36:37,128 DO YOU WORK ON THIS SHIP? 649 00:36:37,162 --> 00:36:38,497 I'M INNOCENT. 650 00:36:38,530 --> 00:36:42,768 I'M NOT A THESPIAN THUG. I'M A GOOD MAN. 651 00:36:42,801 --> 00:36:43,635 CAN YOU HELP US? 652 00:36:43,669 --> 00:36:47,273 PLEASE, MA'AM? THE SHIP'S ABOUT TO LEAVE. 653 00:36:47,306 --> 00:36:49,741 Man on P.A.: ALL ASHORE THAT ARE GOING ASHORE! 654 00:36:49,775 --> 00:36:52,511 ALL ASHORE THAT ARE GOING ASHORE! 655 00:36:52,544 --> 00:36:55,481 THERE IS DESPERATION IN THESE LITTLE FOOTSTEPS. 656 00:36:55,514 --> 00:36:57,182 NOW, LILY, YOUR CHEEKS ARE FLUSHED. 657 00:36:57,215 --> 00:36:58,350 YOUR BREASTS HEAVE. 658 00:36:58,384 --> 00:36:59,985 MAY I ASK WHERE IS THE FIRE? 659 00:37:00,018 --> 00:37:01,320 NO, THERE'S NO FIRE, MEISTRICH. 660 00:37:01,353 --> 00:37:02,854 A PASSENGER NEEDS HELP. 661 00:37:02,888 --> 00:37:04,022 OH? 662 00:37:04,055 --> 00:37:05,524 [SHIP'S HORN BLOWS] 663 00:37:05,557 --> 00:37:07,826 2 MINUTES TO DEPARTURE? 664 00:37:08,527 --> 00:37:10,496 I DON'T RECALL HIRING YOU TWO. 665 00:37:10,529 --> 00:37:12,698 I DIDN'T, EITHER, BUT, YOU KNOW-- 666 00:37:12,731 --> 00:37:13,399 STEWARDS! 667 00:37:13,432 --> 00:37:14,933 IT APPEARS MY STEAMER IS STUCK. 668 00:37:14,966 --> 00:37:16,535 I REQUIRE SOME ASSISTANCE. 669 00:37:16,568 --> 00:37:17,869 UNLESS, OF COURSE, YOU'RE ALL TOO BUSY, 670 00:37:17,903 --> 00:37:21,172 LIKE EVERY OTHER BLOODY STEWARD ON THIS BLOODY SHIP! 671 00:37:21,206 --> 00:37:23,709 ABSOLUTELY, SIR. 672 00:37:24,743 --> 00:37:25,311 MOVE! 673 00:37:25,344 --> 00:37:27,979 [CLAPS HANDS] 674 00:37:45,497 --> 00:37:47,766 VERY GOOD, VERY GOOD. WAIT A MINUTE, WAIT A MINUTE. 675 00:37:47,799 --> 00:37:48,534 HANG ON. 676 00:37:48,567 --> 00:37:49,635 THERE YOU GO. THANK YOU VERY MUCH. 677 00:37:49,668 --> 00:37:53,339 NOW, HAVEN'T I SEEN YOU TWO BOYS BEFORE? 678 00:37:53,372 --> 00:37:54,239 ARE YOU SURE? 679 00:37:54,272 --> 00:37:55,106 WEREN'T YOU EMPLOYED ONCE 680 00:37:55,140 --> 00:37:58,109 ON THE S.S. NORMANDY? 681 00:37:58,143 --> 00:38:00,346 [SHIP'S HORN BLOWS] 682 00:38:00,379 --> 00:38:01,780 OOH! OOH! 683 00:38:01,813 --> 00:38:02,814 IT'S YOU! 684 00:38:02,848 --> 00:38:04,182 IT'S YOU! 685 00:38:04,215 --> 00:38:05,083 HALT! 686 00:38:05,116 --> 00:38:07,252 [ALL YELLING] 687 00:38:07,285 --> 00:38:10,055 [DIXIELAND JAZZ PLAYS] 688 00:38:18,964 --> 00:38:20,899 PSST! PSST! 689 00:38:25,103 --> 00:38:26,004 OK, WHO ARE YOU? 690 00:38:26,037 --> 00:38:27,839 WE'RE ACTORS. ACTORS? 691 00:38:27,873 --> 00:38:28,607 JUST ACTORS. 692 00:38:28,640 --> 00:38:30,542 WOULD I HAVE SEEN YOU IN ANYTHING? 693 00:38:30,576 --> 00:38:32,043 IT'S POSSIBLE.MAYBE. 694 00:38:32,077 --> 00:38:33,111 MOVIE ACTORS? 695 00:38:33,144 --> 00:38:35,381 Both: NO, NOT YET. 696 00:38:35,414 --> 00:38:37,282 JAY? PUT IT IN 13. 697 00:38:37,315 --> 00:38:38,850 OK. 698 00:38:42,220 --> 00:38:43,455 WE'RE OF THE THEATER. 699 00:38:43,489 --> 00:38:45,223 WE'RE SEEKING NEW REPRESENTATION. 700 00:38:45,256 --> 00:38:46,358 OK. 701 00:38:46,392 --> 00:38:47,325 WHY ARE YOU STOWAWAYS? 702 00:38:47,359 --> 00:38:48,326 WE'RE NOT. 703 00:38:48,360 --> 00:38:49,595 WE HID IN A CRATE LAST NIGHT. 704 00:38:49,628 --> 00:38:50,629 ESCAPING FROM THE POLICE. 705 00:38:50,662 --> 00:38:52,564 FOR SOMETHING THAT WE DID TO THAT MAN BACK THERE 706 00:38:52,598 --> 00:38:53,799 THAT WAS AN ACCIDENT. 707 00:38:53,832 --> 00:38:54,966 HE'S FAMOUS. 708 00:38:55,000 --> 00:38:56,134 HE'S A HACK! 709 00:38:56,167 --> 00:38:57,035 HE'S OVERRATED. 710 00:38:57,068 --> 00:38:58,336 OH, YOU'RE THE ONES HE WAS TALKING ABOUT! 711 00:38:58,370 --> 00:38:59,471 Both: BUT WE'RE INNOCENT. 712 00:38:59,505 --> 00:39:01,239 I SWEAR WE DIDN'T DO ANYTHING. 713 00:39:01,272 --> 00:39:03,108 WE COULDN'T HURT A FLY. 714 00:39:03,141 --> 00:39:04,175 WE NEVER MEANT IT. 715 00:39:04,209 --> 00:39:05,010 HE'S A BIG BABY. 716 00:39:05,043 --> 00:39:06,044 WE WERE AT A BAR. 717 00:39:06,077 --> 00:39:07,479 WE DRANK TOO MUCH-- 718 00:39:07,513 --> 00:39:08,747 ADMITTEDLY SO. ADMITTEDLY SO. 719 00:39:08,780 --> 00:39:11,450 BUT I JUST WAS EXPRESSING AN OPINION-- 720 00:39:11,483 --> 00:39:12,451 IT'S A FREE COUNTRY-- 721 00:39:12,484 --> 00:39:14,185 AND HE ATTACKED US PHYSICALLY. 722 00:39:14,219 --> 00:39:15,020 THE MAN IS AN ANIMAL. 723 00:39:15,053 --> 00:39:15,987 HE ATTACKED US. 724 00:39:16,021 --> 00:39:18,624 PLEASE, YOU HAVE TO HELP US GET OFF THIS BOAT. 725 00:39:18,657 --> 00:39:20,792 WE'LL DO ANYTHING FOR YOU. PLEASE? 726 00:39:20,826 --> 00:39:24,129 WILL YOU PLEASE TAKE US HOME? 727 00:39:24,162 --> 00:39:25,363 OK. 728 00:39:25,397 --> 00:39:26,865 I BELIEVE YOU. 729 00:39:26,898 --> 00:39:27,866 [SIGHS] 730 00:39:27,899 --> 00:39:28,667 THANK YOU. 731 00:39:28,700 --> 00:39:31,036 WHAT ARE YOUR NAMES? MY NAME'S LILY. 732 00:39:31,069 --> 00:39:34,906 ALL... 733 00:39:34,940 --> 00:39:35,974 ABOARD! 734 00:39:36,007 --> 00:39:38,309 [SHIP'S HORN BLOWS] 735 00:39:38,343 --> 00:39:41,112 [MUSIC RESUMES] 736 00:39:49,555 --> 00:39:51,457 PARIS? YES. 737 00:39:51,490 --> 00:39:53,759 THAT'S THE FIRST STOP? 738 00:39:54,793 --> 00:39:55,694 PARIS! 739 00:39:55,727 --> 00:39:57,295 [ROMANTIC FRENCH MUSIC PLAYS] 740 00:39:57,328 --> 00:39:59,364 THE SMOKY CAFéS, 741 00:39:59,397 --> 00:40:00,666 THE SEINE AT DAWN, 742 00:40:00,699 --> 00:40:02,333 THE CLATTER OF THE HORSES' HOOVES 743 00:40:02,367 --> 00:40:03,869 ON THE COBBLESTONE, 744 00:40:03,902 --> 00:40:07,238 THE LITTLE éCOLE WHERE I STUDIED SO HARD, 745 00:40:07,272 --> 00:40:09,307 THE MUSK OF PEOPLE, 746 00:40:09,340 --> 00:40:11,677 LE CRI DE LA RéVOLUTION. 747 00:40:11,710 --> 00:40:13,479 YOU KNOW PARIS QUITE WELL. 748 00:40:13,512 --> 00:40:14,913 HE'S NEVER BEEN THERE. 749 00:40:14,946 --> 00:40:16,482 NOT PHYSICALLY. 750 00:40:16,515 --> 00:40:19,618 SOMEONE'S COMING. IN HERE. 751 00:40:23,321 --> 00:40:24,456 [WHISPERING] Too small. 752 00:40:24,490 --> 00:40:27,058 Too small, too small. 753 00:40:27,092 --> 00:40:27,959 We gotta go. 754 00:40:27,993 --> 00:40:28,694 Shh. 755 00:40:28,727 --> 00:40:29,661 No, no. You can't leave. 756 00:40:29,695 --> 00:40:31,396 He's slightly claustrophobic. 757 00:40:31,429 --> 00:40:33,098 It's OK, it's OK. 758 00:40:33,131 --> 00:40:34,900 Shh, shh. 759 00:40:34,933 --> 00:40:37,969 Burtom: THESE MEN ARE VICIOUS INEXORABLE DOGS. 760 00:40:38,003 --> 00:40:39,170 THEY MUST BE FOUND. 761 00:40:39,204 --> 00:40:42,107 WHAT DO YOU PROPOSE WE DO ABOUT IT, CAPTAIN? 762 00:40:42,140 --> 00:40:43,041 ABOUT WHAT? 763 00:40:43,074 --> 00:40:44,576 THE STOWAWAYS. 764 00:40:44,610 --> 00:40:46,011 - STOWAWAYS? WHERE? - OH, GOOD GOD. 765 00:40:46,044 --> 00:40:48,013 THE 2 ACTORS, SIR. WE MUST FIND THEM. 766 00:40:48,046 --> 00:40:51,517 YES, YES, MARCO, MARCO, GO FIND THEM. 767 00:40:51,550 --> 00:40:52,551 SI, CAPITAINE. 768 00:40:52,584 --> 00:40:54,152 APPREHEND THEM. IMPRISON THEM. 769 00:40:54,185 --> 00:40:54,753 TORTURE THEM. 770 00:40:54,786 --> 00:40:56,354 EVERYTHING. ON YOUR WAY. 771 00:40:56,387 --> 00:40:58,857 I WANT THEM DEAD OR ALIVE. GO. 772 00:40:58,890 --> 00:40:59,491 BUT-- 773 00:40:59,525 --> 00:41:00,258 BUT WHAT? 774 00:41:00,291 --> 00:41:01,359 I COULD NEVER KILL ANYONE. 775 00:41:01,392 --> 00:41:02,861 WELL, YOU'LL HAVE TO FUCKING LEARN. 776 00:41:02,894 --> 00:41:04,663 IT'S REALLY NOT THAT HARD. 777 00:41:04,696 --> 00:41:07,666 [DIXIELAND JAZZ RESUMES] 778 00:41:28,520 --> 00:41:30,021 MARCO. 779 00:41:30,055 --> 00:41:31,222 [GUNSHOT] 780 00:41:31,256 --> 00:41:32,524 OHH, OHH, AAH! 781 00:41:32,558 --> 00:41:33,491 I'M SORRY. 782 00:41:33,525 --> 00:41:34,760 WHAT ARE YOU DOING WITH THIS GUN? 783 00:41:34,793 --> 00:41:37,529 I'M SORRY. I HAVE TO FIND THE STOWAWAYS. 784 00:41:37,563 --> 00:41:39,497 DEAD OR ALIVE. 785 00:41:39,531 --> 00:41:40,365 WHAT? 786 00:41:40,398 --> 00:41:42,634 YEAH. THEY WANT THEM REALLY DEAD. 787 00:41:42,668 --> 00:41:44,703 MARCO, DON'T HURT THE STOWAWAYS. 788 00:41:44,736 --> 00:41:48,974 I DON'T WANT TO. I MEAN, I COULDN'T. 789 00:41:49,007 --> 00:41:50,275 I KNOW. 790 00:41:50,308 --> 00:41:52,644 YOU COULD NEVER. 791 00:41:52,678 --> 00:41:55,681 [ROMANTIC MUSIC PLAYS] 792 00:41:55,714 --> 00:41:59,450 LILY, I WANTED TO SAY BEFORE, 793 00:41:59,484 --> 00:42:01,052 I MEAN, EARLIER, 794 00:42:01,086 --> 00:42:05,523 THAT I LIKE YOU. 795 00:42:05,557 --> 00:42:08,894 I--MY... 796 00:42:08,927 --> 00:42:10,295 YOU... 797 00:42:10,328 --> 00:42:11,797 MARCO, STOP. 798 00:42:11,830 --> 00:42:13,198 I'M SORRY. IT'S OK. 799 00:42:13,231 --> 00:42:14,499 THE STOWAWAYS ARE-- 800 00:42:14,532 --> 00:42:15,466 Burtom: STILL MISSING. 801 00:42:15,500 --> 00:42:18,236 COME WITH ME, INSPECTOR. NOT A MOMENT TO LOSE. 802 00:42:23,474 --> 00:42:24,375 [RECORD NEEDLE SCRATCHES] 803 00:42:24,409 --> 00:42:27,646 ONE OF MY MEN TRIED TO SOIL YOUR REPUTATION. 804 00:42:27,679 --> 00:42:28,747 I HAVE CORRECTED HIM. 805 00:42:28,780 --> 00:42:30,281 BUT MAY I ASK WHERE YOU HAVE BEEN? 806 00:42:30,315 --> 00:42:33,785 LOOKING FOR THE STOWAWAYS LIKE YOU, AND I'M EXHAUSTED. 807 00:42:33,819 --> 00:42:37,522 I WILL CRUSH THEM FOR CAUSING YOU PAIN. 808 00:42:37,555 --> 00:42:38,489 OH. 809 00:42:38,523 --> 00:42:44,362 THE DANGER OF THE CHASE HAS MADE YOU PERSPIRE. 810 00:42:44,395 --> 00:42:48,934 IT HAS MADE ME ALSO... 811 00:42:49,601 --> 00:42:52,303 MOIST. 812 00:42:54,139 --> 00:42:55,707 LILY. NOT NOW. 813 00:42:55,741 --> 00:42:58,009 MEISTRICH, THERE'S STILL SO MUCH TO DO. 814 00:42:58,043 --> 00:43:02,247 YOU ARE SO RIGHT, DILIGENT LILLY. 815 00:43:02,280 --> 00:43:03,181 FORGIVE ME. 816 00:43:03,214 --> 00:43:04,182 [CLICKS HEELS] 817 00:43:04,215 --> 00:43:05,784 UNTIL TONIGHT. 818 00:43:05,817 --> 00:43:10,455 SHOOT. ARTHUR, WE'VE GOT TO FIND A BIGGER ROOM. 819 00:43:10,488 --> 00:43:11,322 OK. 820 00:43:11,356 --> 00:43:13,925 OH, I'M SORRY. EXCUSE ME. 821 00:43:15,526 --> 00:43:17,195 [SOBBING] 822 00:43:17,829 --> 00:43:20,932 [SAD MUSIC PLAYS] 823 00:43:23,434 --> 00:43:25,136 [SOBBING] 824 00:43:29,407 --> 00:43:30,942 OHH. 825 00:43:44,790 --> 00:43:48,760 OH, GOD. OH, GOD. 826 00:43:48,794 --> 00:43:52,964 [SOBBING LOUDLY] 827 00:43:54,432 --> 00:43:55,701 OHH! 828 00:43:55,734 --> 00:43:58,837 [SPEAKING NATIVE LANGUAGE] 829 00:44:40,645 --> 00:44:43,915 OHH. 830 00:45:20,585 --> 00:45:21,152 IN HERE. 831 00:45:21,186 --> 00:45:22,821 AH, GENTLEMEN, GENTLEMEN, 832 00:45:22,854 --> 00:45:25,556 COME IN, COME IN. DON'T BE SHY. 833 00:45:25,590 --> 00:45:27,625 DON'T BE SHY. 834 00:45:27,658 --> 00:45:30,829 WE ARE ALL MEN, ARE WE NOT? 835 00:45:30,862 --> 00:45:32,230 MEN, MEN, MEN. 836 00:45:32,263 --> 00:45:35,934 WHERE ARE YOUR STRAPPING COLLEAGUES WITH MY BAGS? 837 00:45:35,967 --> 00:45:40,939 NO TROUBLE. GIVES US MORE TIME TO GET ACQUAINTED. 838 00:45:41,907 --> 00:45:43,674 THE MALE FIGURE, GENTLEMEN. 839 00:45:43,708 --> 00:45:45,911 SOMETHING TO BE VERY, VERY PROUD OF. 840 00:45:45,944 --> 00:45:48,746 IT IS BEAUTIFUL, AND IT IS POWERFUL. 841 00:45:48,780 --> 00:45:50,681 SHOULD BE OFTEN EXHIBITED 842 00:45:50,715 --> 00:45:54,352 AND ALWAYS, ALWAYS CELEBRATED. 843 00:45:54,385 --> 00:45:54,953 MMM. 844 00:45:54,986 --> 00:45:57,923 WHY, IN ANCIENT GREECE-- 845 00:45:57,956 --> 00:46:00,525 ARE EITHER OF YOU GREEK? 846 00:46:00,558 --> 00:46:01,326 NO. 847 00:46:01,359 --> 00:46:03,895 WELL, YES. ACTUALLY I'M HALF GREEK. 848 00:46:03,929 --> 00:46:06,697 TOP HALF OR BOTTOM HALF? 849 00:46:06,731 --> 00:46:08,566 [LAUGHING] 850 00:46:08,599 --> 00:46:10,301 [BOTH LAUGH ALONG] 851 00:46:10,335 --> 00:46:14,105 I JEST, I JIBE. 852 00:46:14,906 --> 00:46:18,209 PERHAPS WE SHOULD WRESTLE SOMETIME. 853 00:46:18,910 --> 00:46:20,711 DO YOU LIKE THE TAUT ROUNDNESS 854 00:46:20,745 --> 00:46:25,316 THAT EXERCISE BRINGS TO THE BUTTOCKS? 855 00:46:25,350 --> 00:46:26,317 Maurice: YEAH. 856 00:46:26,351 --> 00:46:28,686 DO YOU ENJOY THE WARMTH OF THE MEDITERRANEAN SUN 857 00:46:28,719 --> 00:46:31,990 ON THAT SELFSAME PLACE? 858 00:46:35,526 --> 00:46:37,662 I ONCE WRESTLED A MAN 859 00:46:37,695 --> 00:46:39,130 ON THE STEPS OF THE ACROPOLIS 860 00:46:39,164 --> 00:46:41,732 WHEN THE SUN WAS AT ITS HEIGHT, 861 00:46:41,766 --> 00:46:44,635 WEARING ONLY WHAT GOD SENT ME 862 00:46:44,669 --> 00:46:47,038 INTO THE WORLD WITH. 863 00:46:47,072 --> 00:46:50,008 CAN YOU PICTURE THAT? 864 00:46:58,283 --> 00:46:59,750 THAT'S WHERE WE'LL WRESTLE, 865 00:46:59,784 --> 00:47:02,253 MY SEMI-GRECIAN LAD. 866 00:47:02,287 --> 00:47:06,457 THAT'S WHERE I'LL MAKE A MAN OF YOU. 867 00:47:07,825 --> 00:47:10,295 OK, WELL, UM... 868 00:47:10,328 --> 00:47:13,764 IT'S BEEN A REAL PLEASURE MEETING YOU. 869 00:47:13,798 --> 00:47:15,100 WE DO HAVE TO GO NOW. 870 00:47:15,133 --> 00:47:19,570 WE HAVE A LOT TO DO ON THE SHIP... 871 00:47:19,604 --> 00:47:21,839 AS STEWARDS ON THE SHIP, 872 00:47:21,873 --> 00:47:25,776 AND, UM, THANK YOU VERY MUCH. 873 00:47:25,810 --> 00:47:28,713 UM, GOOD LUCK. 874 00:47:28,746 --> 00:47:32,350 SEE YOU AROUND THE SHIP, LADS. 875 00:47:32,383 --> 00:47:34,452 OH, MY GOD. 876 00:47:34,485 --> 00:47:37,355 [MUSIC RESUMES] 877 00:47:41,426 --> 00:47:42,693 BON VOYAGE. 878 00:47:42,727 --> 00:47:44,462 BON VOYAGE. 879 00:47:53,905 --> 00:47:55,506 Happy: WHAT DO YOU WANT? 880 00:47:55,540 --> 00:47:57,108 OH, SORRY. 881 00:48:41,719 --> 00:48:44,155 [KNOCK ON DOOR] 882 00:48:45,090 --> 00:48:47,492 [KNOCK KNOCK KNOCK] 883 00:48:47,525 --> 00:48:48,626 WHAT? 884 00:48:48,659 --> 00:48:49,427 MR. FRANKS. 885 00:48:49,460 --> 00:48:51,929 MR. FRANKS, SORRY I GOTTA RUSH YOU. 886 00:48:51,963 --> 00:48:53,598 WE NEED YOU FOR REHEARSAL. 887 00:48:53,631 --> 00:48:54,732 I GOT YOUR BAG. 888 00:48:54,765 --> 00:48:57,168 HEY, WAIT, WAIT! 889 00:48:57,202 --> 00:48:58,970 HEY, HEY, HEY, WAIT! 890 00:48:59,004 --> 00:49:01,506 THIS ONE'S OPEN. COME ON, QUICK. 891 00:49:01,539 --> 00:49:03,208 COME ON. 892 00:49:06,711 --> 00:49:09,414 [SIGHS] 893 00:49:15,753 --> 00:49:17,155 [TOILET FLUSHES] 894 00:49:17,188 --> 00:49:21,759 OH, GOOD. YOU ARE HERE TO FIX THE GRAMOPHONE. 895 00:49:21,792 --> 00:49:24,395 I DON'T KNOW WHAT I WAS GOING TO BE DOING IF YOU DID NOT COME BY. 896 00:49:24,429 --> 00:49:27,265 I AM NOT IN THE HABIT OF FIXING THINGS. 897 00:49:27,298 --> 00:49:29,134 I WAS LISTENING TO THE MUSIC, 898 00:49:29,167 --> 00:49:31,769 AND THEN THERE WAS NO MORE FUNCTIONING. 899 00:49:31,802 --> 00:49:32,503 ONLY SILENCE. 900 00:49:32,537 --> 00:49:33,538 AND WHEN SHE WAS SINGING NO MORE, 901 00:49:33,571 --> 00:49:36,241 I GOT SO EXCITED, I TRIED TO PULL IT, 902 00:49:36,274 --> 00:49:38,609 BUT I SCRATCHED IT, AND I HURT IT. 903 00:49:38,643 --> 00:49:40,745 YOU DID HURT IT. 904 00:49:40,778 --> 00:49:41,846 Sheik: YES. 905 00:49:41,879 --> 00:49:43,681 YOU SHOULDN'T PULL IT. 906 00:49:43,714 --> 00:49:44,615 NO, I KNOW. 907 00:49:44,649 --> 00:49:46,451 I AM NOW REALIZING THIS. 908 00:49:46,484 --> 00:49:49,154 GOOD. WE WILL FIX YOUR GRAMOPHONE, 909 00:49:49,187 --> 00:49:53,658 BUT WE HAVE TO GO AND GET THE TOOLS. 910 00:49:53,691 --> 00:49:55,593 AH. 911 00:49:55,626 --> 00:49:56,794 PASS. 912 00:49:56,827 --> 00:49:58,529 PASS. 913 00:49:58,563 --> 00:50:00,365 THANK YOU. 914 00:50:02,800 --> 00:50:04,669 [GASPS] 915 00:50:04,702 --> 00:50:05,936 IT'S A NEW MODEL. 916 00:50:05,970 --> 00:50:08,606 WE DON'T NEED TOOLS. 917 00:50:10,841 --> 00:50:11,976 HMM. HMM. 918 00:50:12,009 --> 00:50:14,679 Arthur: THERE IT IS. YOU SEE IT? 919 00:50:14,712 --> 00:50:15,213 Maurice: IT'S BAD. 920 00:50:15,246 --> 00:50:16,314 IT'S VERY PULLED. 921 00:50:16,347 --> 00:50:18,149 WE MAY HAVE TO BE HERE FOR A WHILE. 922 00:50:18,183 --> 00:50:19,517 I KNOW YOU DON'T KNOW HOW THESE THINGS WORK, 923 00:50:19,550 --> 00:50:22,053 BUT THEY REALLY SHOULDN'T BE PULLED LIKE THAT. 924 00:50:22,087 --> 00:50:23,221 NO, THEY SHOULDN'T. 925 00:50:23,254 --> 00:50:26,791 EXCUSE ME. EXCUSE ME. 926 00:50:26,824 --> 00:50:29,660 MAYBE... 927 00:50:29,694 --> 00:50:31,296 [CLAP] 928 00:50:40,571 --> 00:50:41,172 OOH! 929 00:50:41,206 --> 00:50:43,641 [RECORD PLAYS] 930 00:50:55,453 --> 00:50:59,557 Woman: * PARLEZ-MOI D'AMOUR 931 00:50:59,590 --> 00:51:05,396 * REDITES-MOI DES CHOSES TENDRES * 932 00:51:05,430 --> 00:51:08,833 WHAT IS IT WITH THIS SHIP? 933 00:51:08,866 --> 00:51:10,801 I DON'T KNOW. 934 00:51:10,835 --> 00:51:12,770 OH, MY GOD. 935 00:51:12,803 --> 00:51:14,405 SIT TIGHT, SIT TIGHT. 936 00:51:14,439 --> 00:51:16,207 WHAT THE HELL IS HE DOING? 937 00:51:16,241 --> 00:51:17,808 I DON'T KNOW. DOESN'T MATTER. 938 00:51:17,842 --> 00:51:22,780 OH, MY GOD, MAURICE, WE HAVE GOT TO GET OUT OF HERE. 939 00:51:22,813 --> 00:51:26,817 JESUS. LOOK AT HIM. 940 00:51:29,787 --> 00:51:31,656 HE'S COMING OVER. 941 00:51:31,689 --> 00:51:33,424 TAKE IT EASY. 942 00:51:33,458 --> 00:51:34,692 * JE VEUX ENCORE 943 00:51:34,725 --> 00:51:38,563 * ECOUTER CES MOTS QUE J'ADORE * 944 00:51:38,596 --> 00:51:40,798 * VOTRE VOIX EST SI CARESSANTE * 945 00:51:40,831 --> 00:51:44,502 * QUE LES MURMURES FREMISSANTS * 946 00:51:44,535 --> 00:51:48,573 * ME BERCENT DE SA BELLE HISTOIRE * 947 00:51:48,606 --> 00:51:53,378 * ET MALGRE MOI JE VEUX Y CROIRE * 948 00:51:53,411 --> 00:51:57,748 * PARLEZ-MOI D'AMOUR 949 00:51:57,782 --> 00:52:04,955 * REDITEZ-MOI DES CHOSES TENDRES * 950 00:52:04,989 --> 00:52:07,725 * VOTRE BEAU DISCOURS 951 00:52:07,758 --> 00:52:14,031 * MON COEUR N'EST PAS LAS DE L'ENTENDRE * 952 00:52:14,064 --> 00:52:17,502 * POURVU QUE TOUJOURS 953 00:52:17,535 --> 00:52:23,040 * VOUS REPETIEZ CES MOTS SUPREMES * 954 00:52:23,073 --> 00:52:27,845 * JE VOUS AIME 955 00:52:27,878 --> 00:52:28,879 * IL EST SI DOUX 956 00:52:28,913 --> 00:52:30,748 * MON CHER TRESOR D'ETRE UN PEU FOU * 957 00:52:30,781 --> 00:52:32,717 * LA VIE EST PARFOIS TROP AMERE * 958 00:52:32,750 --> 00:52:35,553 * SI L'ON NE CROIT PAS AUX CHIMERES * 959 00:52:35,586 --> 00:52:39,524 * LE CHAGRIN EST VITE AGUERI 960 00:52:39,557 --> 00:52:42,493 * IL FAUT CONSOLER... 961 00:52:42,527 --> 00:52:46,764 * DU COEUR ON GUERIT LA BLESSURE * 962 00:52:46,797 --> 00:52:52,136 * PAR UN SERMEN QUI LE RASSURE * 963 00:52:52,169 --> 00:52:54,539 SINCE MY HUSBAND'S DEMISE, 964 00:52:54,572 --> 00:52:57,107 MY DAUGHTER IS OBSESSED WITH PAIN, 965 00:52:57,141 --> 00:52:58,276 LOSS, AND DEATH. 966 00:52:58,309 --> 00:53:00,945 SHE FINDS THEM ROMANTIC. 967 00:53:00,978 --> 00:53:03,113 WE DON'T FIND DEATH. 968 00:53:03,147 --> 00:53:05,550 IT FINDS US. 969 00:53:05,583 --> 00:53:06,651 IT'S GONNA FIND YOU IN A MINUTE. 970 00:53:06,684 --> 00:53:10,455 EASY, EASY, MY DEAR, WITH THAT VALISE. 971 00:53:10,488 --> 00:53:12,857 IT'S HAND-STITCHED LEATHER. 972 00:53:12,890 --> 00:53:13,691 FLORENTINE. 973 00:53:13,724 --> 00:53:17,828 IT BEARS THE TATTERS OF A TUSCAN TRYST. 974 00:53:17,862 --> 00:53:18,996 ANOTHER CARCASS. 975 00:53:19,029 --> 00:53:21,266 CAN IT, EM. 976 00:53:21,299 --> 00:53:22,166 WILL THAT BE ALL? 977 00:53:22,199 --> 00:53:24,335 YES. THANK YOU, MY DEAR. 978 00:53:24,369 --> 00:53:27,071 I'D TIP YOU, BUT I'M CLOTHING RICH 979 00:53:27,104 --> 00:53:29,340 AND CASH POOR AT THE MOMENT. 980 00:53:29,374 --> 00:53:32,677 SEE ME AT THE END OF THE VOYAGE. 981 00:53:32,710 --> 00:53:36,714 [SIGHS] 982 00:53:36,747 --> 00:53:37,815 EMILY. 983 00:53:37,848 --> 00:53:41,452 THOUGH THIS IS, PERHAPS, OUR LAST VOYAGE OF THIS KIND, 984 00:53:41,486 --> 00:53:45,490 GIVEN THE TREMENDOUS BLOW TO OUR FINANCES. 985 00:53:45,523 --> 00:53:48,459 YOU MEAN BECAUSE DADDY-- 986 00:53:48,493 --> 00:53:52,497 DON'T YOU DARE TO MENTION HIM! 987 00:53:52,530 --> 00:53:55,466 THAT PHILANTHROPIC COCKSUCKER LEFT ALL THE MONEY TO THE POOR 988 00:53:55,500 --> 00:53:57,702 AND NOT A DIRTY DIME TO ME. 989 00:53:57,735 --> 00:54:01,906 OH, MARY, MOTHER OF GOD, WHAT HAVE I EVER DONE TO YOU? 990 00:54:01,939 --> 00:54:08,346 LIFE WITHOUT MONEY IS NO GODDAMN LIFE AT ALL! 991 00:54:08,379 --> 00:54:11,782 YOU KNOW THAT! 992 00:54:23,060 --> 00:54:24,662 AS I WAS SAYING, 993 00:54:24,695 --> 00:54:27,064 THIS UNFORTUNATE TURN OF EVENTS NOT WITHSTANDING, 994 00:54:27,097 --> 00:54:32,269 I WANT OUR TRIP TO THE CONTINENT TO BE A HAPPY AND HOPEFUL ONE, 995 00:54:32,303 --> 00:54:35,573 SO PUT A SMILE ON THAT LOVELY FACE, 996 00:54:35,606 --> 00:54:38,809 AND LET'S PRAY THAT THIS SHIP IS OVERFLOWING 997 00:54:38,843 --> 00:54:41,846 WITH MEN OF MEANS. 998 00:54:41,879 --> 00:54:45,816 [CHANTING] 999 00:54:51,389 --> 00:54:53,724 GOD ALMIGHTY, IT'S THEM! 1000 00:54:53,758 --> 00:54:56,927 IT'S YOU! GET THEM, GET THEM! 1001 00:54:56,961 --> 00:54:58,563 FASTER! 1002 00:54:58,596 --> 00:55:02,032 STOP, PLEASE, PLEASE! 1003 00:55:13,243 --> 00:55:14,379 [SIGHS] 1004 00:55:16,013 --> 00:55:18,383 [PANTING] 1005 00:55:28,393 --> 00:55:31,028 [DOOR UNLOCKING] 1006 00:55:41,205 --> 00:55:43,874 [DOOR UNLOCKING] 1007 00:55:43,908 --> 00:55:45,676 OHH! 1008 00:56:03,594 --> 00:56:04,529 [RUNNING FOOTSTEPS] 1009 00:56:04,562 --> 00:56:07,532 Marco: I DON'T KNOW WHERE THEY WENT. 1010 00:56:07,565 --> 00:56:10,968 Burtom: FIND THOSE BASTARDS. FIND THEM. 1011 00:56:39,664 --> 00:56:40,998 OHH. 1012 00:56:53,377 --> 00:56:54,579 [RADIO STATIC] 1013 00:56:54,612 --> 00:56:57,548 [FRENCH ACCENT] YES, THIS IS MONSIEUR LAGASSE 1014 00:56:57,582 --> 00:56:59,650 IN STATEROOM 10. 1015 00:56:59,684 --> 00:57:03,387 I WOULD LIKE 2 COGNAC. 1016 00:57:03,420 --> 00:57:05,823 S'IL VOUS PLAIT. 1017 00:57:05,856 --> 00:57:08,025 MERCI. 1018 00:57:08,626 --> 00:57:11,028 [KNOCK ON DOOR] 1019 00:57:16,133 --> 00:57:17,902 WHO IS IT? 1020 00:57:17,935 --> 00:57:20,037 C'EST MOI. 1021 00:57:22,507 --> 00:57:24,008 I WASN'T FOLLOWED. 1022 00:57:24,041 --> 00:57:25,976 [AMERICAN ACCENT] NO PROBLEM WITH THE PASSPORT? 1023 00:57:26,010 --> 00:57:26,811 NO PROBLEM AT ALL. 1024 00:57:26,844 --> 00:57:28,546 ACES. SO HOW'S THE FRENCH THING GOING? 1025 00:57:28,579 --> 00:57:30,715 THE ACCENT? 1026 00:57:30,748 --> 00:57:31,949 [FRENCH ACCENT] SUPERB. 1027 00:57:31,982 --> 00:57:32,783 WHAT? 1028 00:57:32,817 --> 00:57:34,184 [AMERICAN ACCENT] SUPERB. 1029 00:57:34,218 --> 00:57:35,452 OH. 1030 00:57:35,486 --> 00:57:37,287 SO WE'RE ALL SET, JOHNNY? 1031 00:57:37,321 --> 00:57:38,255 EASY AS PIE. 1032 00:57:38,288 --> 00:57:39,824 YOU MAKE MRS. ESSENDINE FALL IN LOVE WITH YOU? 1033 00:57:39,857 --> 00:57:41,659 ESSENDINE'S A GOOSE READY FOR COOKING. 1034 00:57:41,692 --> 00:57:42,860 GONNA MAKE HER WANT TO MARRY YOU 1035 00:57:42,893 --> 00:57:45,195 AND PUT HER DOUGH IN BOTH YOUR NAMES? 1036 00:57:45,229 --> 00:57:46,196 PIECE OF CAKE. 1037 00:57:46,230 --> 00:57:47,898 THIS LIGHTER DOESN'T WORK. 1038 00:57:47,932 --> 00:57:50,067 CHEAP BOAT. 1039 00:57:53,137 --> 00:57:54,605 AND YOU'LL KNOCK HER OFF, 1040 00:57:54,639 --> 00:57:56,306 AND ALL THAT DOUGH WILL BE OURS? 1041 00:57:56,340 --> 00:57:57,708 CANDY FROM A BABY, BABE. 1042 00:57:57,742 --> 00:57:58,709 OH, JOHNNY, JOHNNY. 1043 00:57:58,743 --> 00:57:59,877 YOU DO THE SAME WITH THE SHEIK, MAXINE. 1044 00:57:59,910 --> 00:58:01,612 I'LL WRECK THAT SHEIK IN 2 SHAKES. 1045 00:58:01,646 --> 00:58:02,747 THEN YOU'LL SLAY HIM. 1046 00:58:02,780 --> 00:58:03,848 IN MORE WAYS THAN ONE. 1047 00:58:03,881 --> 00:58:04,815 THAT'S MY SWEET COOKIE. 1048 00:58:04,849 --> 00:58:07,417 WHAT ARE WE GONNA DO WITH ALL THAT CASH? 1049 00:58:07,451 --> 00:58:08,586 WHAT DO YOU THINK, BABE? 1050 00:58:08,619 --> 00:58:09,687 TAKE IT ON THE LAM 1051 00:58:09,720 --> 00:58:11,689 AND SCRAM TO SOME FAR-OFF LAND 1052 00:58:11,722 --> 00:58:13,691 AND LEAD A LIFE OF BLISS, JOHNNY? 1053 00:58:13,724 --> 00:58:15,626 REGULAR BOWL OF CHERRIES, BABE. 1054 00:58:15,660 --> 00:58:16,994 YOU LOVE ME, JOHNNY? 1055 00:58:17,027 --> 00:58:17,595 WHAT? 1056 00:58:17,628 --> 00:58:19,396 YOU LOVE ME, JOHNNY? 1057 00:58:19,429 --> 00:58:20,631 LIKE A BEE LOVES HONEY. 1058 00:58:20,665 --> 00:58:23,033 I'M SO HUNGRY, JOHNNY. 1059 00:58:23,067 --> 00:58:24,134 ME, TOO. 1060 00:58:25,069 --> 00:58:27,872 JOHNNY, GOBBLE ME UP. 1061 00:58:28,873 --> 00:58:32,276 OH, JOHNNY. MMM, JOHNNY. 1062 00:59:16,053 --> 00:59:18,288 AHH... 1063 00:59:23,994 --> 00:59:26,831 HA HA HA! 1064 01:00:50,480 --> 01:00:51,281 HA HA HA! 1065 01:00:51,315 --> 01:00:54,084 Johnny: TOUCH ME! TOUCH ME! TOUCH ME! 1066 01:00:54,118 --> 01:00:55,152 [MAXINE MOANING] 1067 01:00:55,185 --> 01:00:58,355 REGINA! REGINA! REGINA! REGINA! 1068 01:00:58,388 --> 01:01:00,457 MAXINE! MAXINE! OH! OH! 1069 01:01:00,490 --> 01:01:01,992 BLOW! BLOW! BLOW! 1070 01:01:02,026 --> 01:01:03,293 MAXINE! MAXINE! OH! OH! 1071 01:01:03,327 --> 01:01:04,962 BLOW! BLOW! OH! OH! 1072 01:01:04,995 --> 01:01:06,363 BLOW! BLOW! WHOA! 1073 01:01:06,396 --> 01:01:08,665 BLOW! PLEASE BLOW! OH, GOD! 1074 01:01:08,699 --> 01:01:11,702 [HORN BLOWS] 1075 01:01:11,736 --> 01:01:13,771 OH, GET ON WITH IT! 1076 01:01:13,804 --> 01:01:15,472 JUST A TOUCH... 1077 01:01:15,505 --> 01:01:18,375 OW! GOD, YOU OX! 1078 01:01:18,408 --> 01:01:19,109 BE CAREFUL! 1079 01:01:19,143 --> 01:01:20,845 ANYTHING HAPPENS TO THIS PROFILE, 1080 01:01:20,878 --> 01:01:22,747 IT'S THE DEATH OF MY FILM CAREER! 1081 01:01:22,780 --> 01:01:24,081 YOU DON'T HAVE A FILM CAREER. 1082 01:01:24,114 --> 01:01:28,018 I'M TOO FUCKING GOOD TO HAVE A FILM CAREER! 1083 01:01:28,652 --> 01:01:29,486 THOSE UPSTARTS... 1084 01:01:29,519 --> 01:01:32,122 WHO THE HELL DO THEY THINK THEY ARE, HMM? 1085 01:01:32,156 --> 01:01:35,259 TREATING ME LIKE THIS, AN ACTOR OF MY CALIBER?! 1086 01:01:35,292 --> 01:01:40,230 OW! GO ON, LEAVE IT, YOU FUCKING USELESS BASTARD! 1087 01:01:40,264 --> 01:01:41,999 HAVE THEY FOUND THOSE 2 BOYS YET? 1088 01:01:42,032 --> 01:01:46,636 NO. I'LL GO DO IT-- OH, GOD! JESUS! JESUS! 1089 01:01:46,670 --> 01:01:47,337 THE PAIN! 1090 01:01:47,371 --> 01:01:48,839 WELL, GET ME TO THE INFIRMARY! 1091 01:01:48,873 --> 01:01:50,174 SIR, I THINK YOU'RE FINE. 1092 01:01:50,207 --> 01:01:52,309 OH, FUCK YOU. I'M NOT FINE, MY LAD. 1093 01:01:52,342 --> 01:01:56,881 I'M NOT FINE. JUST LOOK INTO MY--OW, GOD! OW! 1094 01:01:56,914 --> 01:01:59,784 HELP ME! HELP ME! YOU'VE BLINDED ME! 1095 01:01:59,817 --> 01:02:01,218 OHH! UNH! 1096 01:02:01,251 --> 01:02:04,321 [MUSIC RESUMES] 1097 01:02:16,566 --> 01:02:17,534 MAURICE, LISTEN! 1098 01:02:17,567 --> 01:02:18,869 NO--NO-- NO--NO-- 1099 01:02:18,903 --> 01:02:20,204 WHAT? WHAT? SHH! SHH! 1100 01:02:20,237 --> 01:02:22,272 THERE'S A FRENCH COUPLE. THEY'RE NOT REALLY FRENCH. 1101 01:02:22,306 --> 01:02:25,175 THEY'RE DOWN THERE. THEY'RE REALLY FROM NEW YORK. 1102 01:02:25,209 --> 01:02:28,578 THEY'RE GONNA KILL A SHEIK AND A RICH LADY. 1103 01:02:28,612 --> 01:02:29,213 YOU'RE KIDDING. 1104 01:02:29,246 --> 01:02:30,147 NO. WE GOTTA DO SOMETHING. 1105 01:02:30,180 --> 01:02:31,748 LISTEN TO ME. THE FIRST MATE? 1106 01:02:31,782 --> 01:02:32,649 YEAH? 1107 01:02:32,682 --> 01:02:33,951 HE'S FROM ANOTHER COUNTRY. 1108 01:02:33,984 --> 01:02:36,353 HE'S GOING TO BLOW UP THE SHIP. 1109 01:02:36,386 --> 01:02:38,088 WHAT? 1110 01:02:42,059 --> 01:02:44,428 WHEN ARE THE BOMBS SET TO GO OFF? 1111 01:02:44,461 --> 01:02:45,095 MIDNIGHT. 1112 01:02:45,129 --> 01:02:47,297 OH, MY GOD, WE'RE GONNA DIE! 1113 01:02:47,331 --> 01:02:47,798 SHH! 1114 01:02:47,832 --> 01:02:49,599 I DON'T WANT TO DIE! 1115 01:02:49,633 --> 01:02:53,303 LISTEN, YOUR DREAM HAS COME TRUE. 1116 01:02:53,337 --> 01:02:56,606 YOU'LL HAVE YOUR GREAT TRAGIC DEATH. 1117 01:02:56,640 --> 01:02:59,109 I DON'T WANT A REAL ONE! 1118 01:02:59,143 --> 01:03:01,478 SHH! SOMEBODY'S COMING! 1119 01:03:01,511 --> 01:03:04,548 [WHIMPERING] NO, NO, NO, NO. 1120 01:03:04,581 --> 01:03:06,150 OH. HERE WE GO. 1121 01:03:06,183 --> 01:03:10,855 PUT THIS ON. PUT THESE ON. 1122 01:03:13,190 --> 01:03:14,691 I WANT TO SEE THE DOCTOR. 1123 01:03:14,724 --> 01:03:17,527 SIR, IF I MAY SAY SO-- 1124 01:03:21,866 --> 01:03:23,400 DOCTORS... 1125 01:03:24,969 --> 01:03:29,439 I BEG YOU...HEAL ME. 1126 01:03:30,807 --> 01:03:33,377 I'M IN YOUR HANDS. 1127 01:03:33,410 --> 01:03:36,546 [DRAMATIC MUSIC SWELLS] 1128 01:03:36,580 --> 01:03:39,816 [DIXIELAND JAZZ PLAYS] 1129 01:03:41,185 --> 01:03:42,486 HELP! 1130 01:03:42,519 --> 01:03:44,421 HEEELLLP! 1131 01:03:45,289 --> 01:03:47,224 OH, MY GOD! THE STOWAWAYS! 1132 01:03:47,257 --> 01:03:48,959 PLEASE DON'T TRY ANYTHING. 1133 01:03:48,993 --> 01:03:50,827 I DON'T WANT TO HURT YOU. 1134 01:03:50,861 --> 01:03:53,964 I COULD, AND MAY BE SUPPOSED TO, 1135 01:03:53,998 --> 01:03:55,933 BUT I NEVER REALLY COULD, 1136 01:03:55,966 --> 01:03:57,902 SO JUST BE EASY WITH EACH OTHER. 1137 01:03:57,935 --> 01:03:59,336 DON'T WORRY ABOUT US. 1138 01:03:59,369 --> 01:04:00,971 NO, PLEASE! OK! 1139 01:04:01,005 --> 01:04:03,673 I JUST--I HATE THESE THINGS. 1140 01:04:03,707 --> 01:04:05,609 [GUNSHOT] AAH! 1141 01:04:17,154 --> 01:04:19,289 ARTHY? 1142 01:04:23,260 --> 01:04:24,929 ARTHUR. 1143 01:04:36,974 --> 01:04:39,609 OH, MY GOD. 1144 01:04:53,090 --> 01:04:55,659 OH! [SOBBING] 1145 01:04:57,561 --> 01:04:58,528 MAURICE? 1146 01:04:58,562 --> 01:05:00,330 WHAT? 1147 01:05:01,665 --> 01:05:03,267 JESUS! 1148 01:05:03,300 --> 01:05:04,534 HELP ME UP. 1149 01:05:04,568 --> 01:05:07,404 JEE-- 1150 01:05:07,437 --> 01:05:08,005 OH! 1151 01:05:08,038 --> 01:05:12,009 IT'S ALL RIGHT. IT'S OK. 1152 01:05:12,042 --> 01:05:14,411 HOW? WHA-- 1153 01:05:16,446 --> 01:05:19,849 JEEZ, ARTHUR, I REALLY-- I REALLY THOUGHT THAT-- 1154 01:05:19,883 --> 01:05:21,051 DID YOU? YES, I DID. 1155 01:05:21,085 --> 01:05:22,953 IT WORKED? I THINK SO. 1156 01:05:22,987 --> 01:05:25,622 GOOD. HA HA! OK, MAURICE, LISTEN. 1157 01:05:25,655 --> 01:05:27,624 WE GOTTA SAVE THE SHIP. 1158 01:05:27,657 --> 01:05:28,692 OK. 1159 01:05:28,725 --> 01:05:29,659 MAURICE? 1160 01:05:29,693 --> 01:05:31,861 YES, ARTHY? 1161 01:05:31,895 --> 01:05:32,829 WE MUST BE BRAVE. 1162 01:05:32,862 --> 01:05:34,398 I KNOW. 1163 01:05:34,431 --> 01:05:38,702 WE RISK IMPRISONMENT AND EVEN DEATH. 1164 01:05:38,735 --> 01:05:40,537 DEATH? 1165 01:05:40,570 --> 01:05:41,771 YES. 1166 01:05:41,805 --> 01:05:43,040 ARTHUR? 1167 01:05:43,073 --> 01:05:45,009 YES, MAURICE? 1168 01:05:45,042 --> 01:05:48,412 THE TIME HAS COME TO ACT. 1169 01:05:49,213 --> 01:05:52,449 [ORCHESTRA PLAYING UPBEAT TUNE] 1170 01:07:24,474 --> 01:07:26,776 [APPLAUSE] 1171 01:07:26,810 --> 01:07:27,444 I NEED MY BAG! 1172 01:07:27,477 --> 01:07:29,179 WOULD YOU STOP WITH THE BAG? 1173 01:07:29,213 --> 01:07:31,548 I NEED MY BAG! MISS LEAKY! 1174 01:07:31,581 --> 01:07:34,218 AND NOW, LADIES AND GENTLEMEN, 1175 01:07:34,251 --> 01:07:37,754 THE DULCET TONES OF MR. HAPPY FRANKS. 1176 01:07:44,861 --> 01:07:47,531 [SIGHS] 1177 01:07:57,341 --> 01:08:00,210 SHALL WE START THE FIRST NUMBER? 1178 01:08:00,244 --> 01:08:04,481 YEAH. THE NEARNESS OF YOU. 1179 01:08:04,514 --> 01:08:08,118 ISN'T THAT A LITTLE... 1180 01:08:08,152 --> 01:08:09,719 WHAT? 1181 01:08:09,753 --> 01:08:11,020 SLOW? 1182 01:08:11,054 --> 01:08:13,056 DO YOU KNOW IT? SURE. 1183 01:08:13,089 --> 01:08:16,526 THEN PLAY IT. OK. 1184 01:08:29,038 --> 01:08:33,477 * IT'S NOT THE PALE MOON 1185 01:08:33,510 --> 01:08:37,247 * THAT EXCITES ME 1186 01:08:37,281 --> 01:08:40,250 * THAT THRILLS 1187 01:08:40,284 --> 01:08:45,189 * AND DELIGHTS ME 1188 01:08:45,222 --> 01:08:48,492 * OH, NO 1189 01:08:50,059 --> 01:08:53,163 * IT'S JUST THE NEARNESS 1190 01:08:53,197 --> 01:08:56,500 * OF YOU 1191 01:08:58,902 --> 01:09:05,309 * WHEN YOU'RE IN MY ARMS 1192 01:09:05,342 --> 01:09:10,247 * AND I FEEL YOU SO CLOSE 1193 01:09:10,280 --> 01:09:13,483 * TO-- [SOBBING] 1194 01:09:15,419 --> 01:09:23,293 * ALL MY WILDEST DREAMS 1195 01:09:23,327 --> 01:09:26,596 * COME TRUE-- 1196 01:09:31,201 --> 01:09:35,138 * I NEED NO SOFT LIGHTS 1197 01:09:35,171 --> 01:09:39,243 * TO ENCHANT ME 1198 01:09:39,276 --> 01:09:41,245 * IF YOU'LL 1199 01:09:41,278 --> 01:09:45,282 * ONLY GRANT ME-- 1200 01:09:47,016 --> 01:09:49,519 * THE-- 1201 01:09:57,294 --> 01:09:59,796 [SOBBING] 1202 01:10:10,374 --> 01:10:12,542 THANK YOU, THANK YOU, MR. FRANKS. 1203 01:10:12,576 --> 01:10:15,245 HOW ABOUT A WARM HAND FOR MR. FRANKS? 1204 01:10:15,279 --> 01:10:16,946 [SOBS] 1205 01:10:21,385 --> 01:10:23,687 PLAY SOMETHING UPBEAT. 1206 01:10:27,891 --> 01:10:29,726 [SNIFFLES] 1207 01:10:31,995 --> 01:10:34,331 UH, TRIPLE BOURBON, PLEASE. 1208 01:10:40,304 --> 01:10:42,706 I'M SORRY. 1209 01:10:45,208 --> 01:10:47,711 THANK YOU. 1210 01:11:03,092 --> 01:11:05,161 [SPITS] 1211 01:11:05,194 --> 01:11:06,963 OHH. 1212 01:11:06,996 --> 01:11:09,333 I KNOW YOUR PAIN. 1213 01:11:09,366 --> 01:11:12,502 YOU SEEM SO SAD, CAPTAIN. 1214 01:11:12,536 --> 01:11:15,339 I'M ALWAYS A LITTLE SAD. 1215 01:11:15,372 --> 01:11:16,306 BUT WHY? 1216 01:11:16,340 --> 01:11:21,044 YOU'RE THE CAPTAIN OF A BIG BEAUTIFUL SHIP. 1217 01:11:21,077 --> 01:11:24,781 YOU SEE... 1218 01:11:24,814 --> 01:11:26,550 ON EVERY VOYAGE... 1219 01:11:26,583 --> 01:11:30,354 ALL MY LIFE I LOOK FOR A WOMAN I LOVED. 1220 01:11:30,387 --> 01:11:32,589 SO LONG AGO. 1221 01:11:32,622 --> 01:11:37,293 ALMOND EYES AND THE MOUTH OF A CHERUB. 1222 01:11:37,327 --> 01:11:38,261 HMM. 1223 01:11:38,294 --> 01:11:41,365 OH, WHO'S THAT? 1224 01:11:42,265 --> 01:11:43,333 HE'S TURNING AROUND. 1225 01:11:43,367 --> 01:11:49,272 GOOD CHRIST, HE'S ANCIENT! 1226 01:11:49,305 --> 01:11:51,174 BUT LOOK AT THOSE RINGS. 1227 01:11:51,207 --> 01:11:54,644 OBVIOUSLY HE'S LOADED. 1228 01:11:56,112 --> 01:11:57,914 OH, GOD. RIGID. 1229 01:11:57,947 --> 01:12:02,419 PROBABLY DROP DEAD BEFORE HE GETS HERE. 1230 01:12:11,260 --> 01:12:13,663 WAITER. 1231 01:12:18,735 --> 01:12:19,469 EVENING. 1232 01:12:19,503 --> 01:12:21,104 [BRITISH ACCENT] GOOD EVENING. 1233 01:12:21,137 --> 01:12:22,772 MARTINI, PLEASE. 1234 01:12:22,806 --> 01:12:24,574 RIGHT AWAY, SIR. 1235 01:12:24,608 --> 01:12:28,144 OH, NO, NOT IN THAT GLASS. 1236 01:12:28,177 --> 01:12:29,312 THAT GLASS. 1237 01:12:29,345 --> 01:12:31,280 THAT IS FOR DISPLAY, SIR. 1238 01:12:31,314 --> 01:12:32,416 IT'LL DO JUST FINE. 1239 01:12:32,449 --> 01:12:34,183 SHOULD I HAVE AN ACCENT, TOO? 1240 01:12:34,217 --> 01:12:35,184 WHAT? 1241 01:12:35,218 --> 01:12:36,252 SHOULD I HAVE AN ACCENT, TOO? 1242 01:12:36,285 --> 01:12:37,887 I DON'T KNOW. 1243 01:12:37,921 --> 01:12:39,489 WHAT KIND OF AN ACCENT WOULD IT BE? 1244 01:12:39,523 --> 01:12:41,425 I DON'T KNOW. THAT'S UP TO YOU. 1245 01:12:41,458 --> 01:12:42,559 HOW ABOUT INDIAN? 1246 01:12:42,592 --> 01:12:44,628 I'VE ALWAYS WANTED TO DO AN INDIAN. 1247 01:12:44,661 --> 01:12:48,197 YEAH, BUT YOU DON'T REALLY LOOK INDIAN. 1248 01:12:48,231 --> 01:12:49,232 THAT'S TRUE. 1249 01:12:49,265 --> 01:12:50,033 AHEM. 1250 01:12:50,066 --> 01:12:52,802 OH! THERE WE ARE. THANK YOU SO MUCH. 1251 01:12:52,836 --> 01:12:56,706 VERY GOOD, MAN. VERY KIND. THANK YOU. 1252 01:13:19,663 --> 01:13:22,165 ULP. THERE THEY ARE. 1253 01:13:22,198 --> 01:13:24,934 PARDON. 1254 01:13:24,968 --> 01:13:28,137 OH, MY. 1255 01:13:28,171 --> 01:13:30,674 ALLOW ME TO INTRODUCE MYSELF. 1256 01:13:30,707 --> 01:13:34,343 I AM JEAN LAGASSE, ENTREPRENEUR AND POET. 1257 01:13:34,377 --> 01:13:37,313 OH, CHARMANT. 1258 01:13:37,346 --> 01:13:39,282 Maxine: I WOULD LIKE A... 1259 01:13:39,315 --> 01:13:43,119 GRASSHOPPER, S'IL VOUS PLAIT? 1260 01:13:43,152 --> 01:13:46,523 FORGIVE ME. I DO NOT SPEAK VERY WELL ENGLISH. 1261 01:13:46,556 --> 01:13:48,257 I AM A FRENCH WOMAN 1262 01:13:48,291 --> 01:13:51,461 TRAVELING ALONE AND UNACCOMPANIED. 1263 01:13:51,495 --> 01:13:53,429 ALONE. 1264 01:13:54,297 --> 01:13:56,566 WE GOTTA DO SOMETHING. 1265 01:13:56,600 --> 01:13:58,468 WE GOTTA FIND THE BOMBER. 1266 01:13:58,502 --> 01:13:59,368 MM-HMM. 1267 01:13:59,402 --> 01:14:01,471 FIRST, LOOK FOR LIL. 1268 01:14:01,505 --> 01:14:03,507 GOTCHA. 1269 01:14:12,181 --> 01:14:16,219 DO YOU KNOW THE GENTLEMAN WHO STOLE YOUR WIFE? 1270 01:14:16,252 --> 01:14:18,387 [SIGHS] 1271 01:14:18,421 --> 01:14:21,090 [MUTTERS] 1272 01:14:22,058 --> 01:14:22,892 EXCUSE ME? 1273 01:14:22,926 --> 01:14:24,894 HE WAS MY AGENT. 1274 01:14:24,928 --> 01:14:26,295 SOME AGENT. 1275 01:14:26,329 --> 01:14:28,364 HE WAS A GREAT AGENT. 1276 01:14:28,397 --> 01:14:29,699 I LOVED HIM LIKE A BROTHER. 1277 01:14:29,733 --> 01:14:32,536 I LOVED MY WIFE LIKE A MOTHER AND A HOOKER, 1278 01:14:32,569 --> 01:14:34,303 AND LOOK WHERE IT'S GOT ME! 1279 01:14:34,337 --> 01:14:37,340 LOOK! ALONE. AFRAID. 1280 01:14:37,373 --> 01:14:38,775 AND I JUST WANT TO DIE! 1281 01:14:38,808 --> 01:14:42,278 DON'T GIVE UP, HAP. YOU DON'T WANT TO DIE. 1282 01:14:42,311 --> 01:14:44,848 [TICKING] 1283 01:14:49,452 --> 01:14:51,420 SORRY I'M LATE. 1284 01:14:51,454 --> 01:14:53,156 FOR WHAT? 1285 01:14:53,189 --> 01:14:55,559 [TICKING] 1286 01:14:59,896 --> 01:15:02,632 MAY I GET YOU SOME CHAMPAGNE? 1287 01:15:02,666 --> 01:15:03,633 OH, TOO KIND. 1288 01:15:03,667 --> 01:15:07,236 GARçON, CHAMPAGNE. 1289 01:15:07,871 --> 01:15:11,274 * PARLEZ-MOI 1290 01:15:11,307 --> 01:15:13,342 * D'AMOUR 1291 01:15:13,376 --> 01:15:14,811 * REDITEZ-MOI 1292 01:15:14,844 --> 01:15:21,417 * DES CHOSES TENDRES * 1293 01:15:21,450 --> 01:15:27,891 * VOTRE BEAU DISCOURS * 1294 01:15:27,924 --> 01:15:34,263 * LA LA LA LA LA LA LA * 1295 01:15:37,333 --> 01:15:38,301 [TING] 1296 01:15:38,334 --> 01:15:40,403 ALBERT... 1297 01:15:40,436 --> 01:15:43,072 DO YOU HEAR A TICKING? 1298 01:15:44,107 --> 01:15:45,274 NO. 1299 01:15:45,942 --> 01:15:49,245 TICK-TICK-TICK, LIKE THAT? 1300 01:15:49,278 --> 01:15:52,148 NO. 1301 01:15:56,319 --> 01:16:00,356 HEY, HEY, THE ACTOR! 1302 01:16:00,389 --> 01:16:01,190 BOY, YOU LOOK SO BAD. 1303 01:16:01,224 --> 01:16:03,827 I FOUND THEM! THEY TRIED TO MURDER ME! 1304 01:16:03,860 --> 01:16:04,861 WHO? THE STOWAWAYS! 1305 01:16:04,894 --> 01:16:06,195 STOWAWAYS? WHERE? 1306 01:16:06,229 --> 01:16:07,563 OH, GOD! 1307 01:16:07,597 --> 01:16:10,366 GENTLEMEN, YOU MUST HELP! 1308 01:16:10,399 --> 01:16:11,701 I'VE FOUND THEM! 1309 01:16:11,735 --> 01:16:13,102 THE STOWAWAYS? YES-- 1310 01:16:13,136 --> 01:16:15,872 I TOLD THE CAPTAIN, BUT HE DOESN'T SEEM TO UNDERSTAND! 1311 01:16:15,905 --> 01:16:18,842 YOU MUST DO SOMETHING. THE DETECTIVE, HE'S MISSING. 1312 01:16:18,875 --> 01:16:21,077 HAVEN'T SEEN HIM FOR HOURS. 1313 01:16:21,110 --> 01:16:22,045 PITY. 1314 01:16:22,078 --> 01:16:24,113 MEISTRICH, TELL THE CREW TO STEP UP THE SEARCH. 1315 01:16:24,147 --> 01:16:25,581 I WILL. 1316 01:16:25,615 --> 01:16:26,515 THANK YOU. 1317 01:16:26,549 --> 01:16:27,583 CALM YOURSELF. 1318 01:16:27,617 --> 01:16:28,584 THANK YOU. 1319 01:16:28,618 --> 01:16:30,319 NOT AT ALL. 1320 01:16:33,857 --> 01:16:36,292 DO YOU HEAR-- NO. 1321 01:16:37,460 --> 01:16:38,194 GOD, WHERE IS SHE? 1322 01:16:38,227 --> 01:16:39,996 I DON'T KNOW, ARTHY. I DON'T KNOW. 1323 01:16:40,029 --> 01:16:44,333 GOD, MAURICE. WE'RE GONNA DIE. 1324 01:16:52,441 --> 01:16:54,277 HEY, THERE SHE IS! LILY! 1325 01:16:54,310 --> 01:16:55,912 LILY! COME ON! 1326 01:16:55,945 --> 01:16:57,346 MAY I HAVE THIS DANCE, PLEASE? 1327 01:16:57,380 --> 01:17:01,350 I'LL HAVE HER BACK IN A JIFFY. 1328 01:17:03,386 --> 01:17:05,989 [TICKING] 1329 01:17:06,022 --> 01:17:07,156 THE STOWAWAYS HAVE BEEN SPOTTED. 1330 01:17:07,190 --> 01:17:09,058 THEY HAVE? WHERE? ARE THEY HERE? 1331 01:17:09,092 --> 01:17:11,560 NO. THEY ARE STILL BEING SOUGHT OUT. 1332 01:17:11,594 --> 01:17:12,361 DID MARCO FIND THEM? 1333 01:17:12,395 --> 01:17:16,299 NEIN. HE SEEMS TO HAVE DISAPPEARED. 1334 01:17:16,332 --> 01:17:18,467 WHAT? 1335 01:17:18,501 --> 01:17:21,437 MAY I HAVE THIS HONOR? 1336 01:17:21,470 --> 01:17:23,406 EXCELLENT! 1337 01:17:34,650 --> 01:17:35,819 THAT MOUTH... 1338 01:17:35,852 --> 01:17:38,154 THE MOUTH OF A CHERUB. 1339 01:17:38,187 --> 01:17:40,556 COULD IT BE? 1340 01:17:40,589 --> 01:17:43,359 IS IT SHE? 1341 01:17:43,392 --> 01:17:47,330 AMORE MIO... 1342 01:17:47,363 --> 01:17:49,733 MY LOVE! 1343 01:17:50,333 --> 01:17:52,335 [GASPS] 1344 01:17:52,368 --> 01:17:53,770 ARE YOU YOU? 1345 01:17:53,803 --> 01:17:55,471 NO, I'M NOT ME. 1346 01:17:55,504 --> 01:17:58,641 YES, YOU ARE. 1347 01:17:58,674 --> 01:17:59,408 NOT ANYMORE. 1348 01:17:59,442 --> 01:18:02,478 SINCE THEN I HAVE LONGED FOR YOU. 1349 01:18:02,511 --> 01:18:03,747 AND I FOR YOU. 1350 01:18:03,780 --> 01:18:04,613 AMORE. 1351 01:18:04,647 --> 01:18:06,449 AMORE. NO. 1352 01:18:06,482 --> 01:18:08,384 SI. SI. 1353 01:18:08,417 --> 01:18:11,755 * WHEN YOU'RE DANCING AND YOU'RE DANGEROUSLY NEAR ME * 1354 01:18:11,788 --> 01:18:13,656 * I GET IDEAS 1355 01:18:13,689 --> 01:18:15,124 * I GET IDEAS 1356 01:18:15,158 --> 01:18:19,162 * I WANT TO HOLD YOU SO MUCH CLOSER THAN I DARE TO * 1357 01:18:19,195 --> 01:18:22,431 * I WANT TO SCOLD YOU 'CAUSE I CARE MORE THAN I CARE TO * 1358 01:18:22,465 --> 01:18:26,402 * AND WHEN YOU TOUCH ME AND THERE'S FIRE IN EVERY FINGER * 1359 01:18:26,435 --> 01:18:27,937 * I GET IDEAS 1360 01:18:27,971 --> 01:18:29,873 * I GET IDEAS 1361 01:18:29,906 --> 01:18:31,707 * AND AFTER WE HAVE KISSED GOOD NIGHT * 1362 01:18:31,741 --> 01:18:33,676 * AND STILL YOU LINGER 1363 01:18:33,709 --> 01:18:37,546 * I KIND OF THINK YOU GET IDEAS, TOO * 1364 01:18:37,580 --> 01:18:39,315 * YOUR EYES ARE ALWAYS SAYING * 1365 01:18:39,348 --> 01:18:41,250 * THE THINGS YOU'RE NEVER SAYING * 1366 01:18:41,284 --> 01:18:42,886 * I ONLY HOPE THEY'RE SAYING * 1367 01:18:42,919 --> 01:18:44,888 * THAT YOU COULD LOVE ME, TOO * 1368 01:18:44,921 --> 01:18:46,655 * FOR THAT'S THE WHOLE IDEA * 1369 01:18:46,689 --> 01:18:47,590 * IT'S TRUE 1370 01:18:47,623 --> 01:18:48,424 * LOVELY IDEA 1371 01:18:48,457 --> 01:18:53,096 * THAT I'VE FALLEN IN LOVE WITH YOU * 1372 01:18:54,030 --> 01:18:56,632 SHALL I COME TO YOUR STATEROOM AT MIDNIGHT? 1373 01:18:56,665 --> 01:18:58,835 OH, YES. YES. 1374 01:18:58,868 --> 01:19:00,870 YES, AGAIN. 1375 01:19:00,904 --> 01:19:03,472 [WHISPERING] Hey. 1376 01:19:03,506 --> 01:19:06,109 He wants to kill you. 1377 01:19:06,742 --> 01:19:09,745 He's trying to kill you! 1378 01:19:09,779 --> 01:19:13,216 [KICKS] OH, SHIT! 1379 01:19:16,853 --> 01:19:19,722 PLEASE EXCUSE ME. 1380 01:19:19,755 --> 01:19:23,092 WHAT A GROTESQUE WOMAN. 1381 01:19:24,427 --> 01:19:26,830 [TICKING] 1382 01:19:28,097 --> 01:19:30,066 * YOUR EYES ARE ALWAYS SAYING * 1383 01:19:30,099 --> 01:19:32,068 * THE THINGS YOU'RE NEVER SAYING * 1384 01:19:32,101 --> 01:19:33,402 * I ONLY HOPE THEY'RE SAYING * 1385 01:19:33,436 --> 01:19:35,304 * THAT YOU COULD LOVE ME, TOO * 1386 01:19:35,338 --> 01:19:37,740 * THAT'S THE WHOLE IDEA * 1387 01:19:37,773 --> 01:19:38,707 * IT'S TRUE 1388 01:19:38,741 --> 01:19:39,575 * LOVELY IDEA 1389 01:19:39,608 --> 01:19:44,380 * THAT I'VE FALLEN IN LOVE WITH YOU * 1390 01:19:46,049 --> 01:19:47,083 OH! 1391 01:19:47,116 --> 01:19:49,618 [WHISPERING] Lily! Lily! Psst! Psst! 1392 01:19:49,652 --> 01:19:52,455 Lily! Lily! Psst! 1393 01:19:52,488 --> 01:19:55,258 Lily! It's me! 1394 01:19:56,192 --> 01:20:00,396 Arthur! It's me! Arthur! Lily! 1395 01:20:03,666 --> 01:20:05,168 OOH! OW! OW! 1396 01:20:05,201 --> 01:20:06,836 WHY DON'T YOU LOOK WHERE YOU'RE GOING? 1397 01:20:06,870 --> 01:20:08,838 TERRIBLY SORRY. PLEASE FORGIVE ME. 1398 01:20:08,872 --> 01:20:09,939 YOU'RE BRITISH! 1399 01:20:09,973 --> 01:20:11,507 THANK GOD FOR THAT, OLD BOY! 1400 01:20:11,540 --> 01:20:16,379 I'VE BEEN DROWNING IN THIS SEA OF AMERICANS. 1401 01:20:16,412 --> 01:20:17,213 OH, SURE. 1402 01:20:17,246 --> 01:20:19,382 THEY'RE ALL COLONIALS, YOU KNOW. 1403 01:20:19,415 --> 01:20:20,816 EVERY MAN JACK OF THEM. 1404 01:20:20,850 --> 01:20:22,818 NOW I'VE FOUND YOU-- YEAH? 1405 01:20:22,852 --> 01:20:23,719 LET'S GO HAVE A DRINK. 1406 01:20:23,752 --> 01:20:24,954 NO, I'M FINE. 1407 01:20:24,988 --> 01:20:26,555 I'M NOT A DRINKER. I'M A TEETOTALER. 1408 01:20:26,589 --> 01:20:29,292 OH! WHAT THE-- 1409 01:20:29,325 --> 01:20:34,330 WAS THAT YOUR BEST SHOT, SAVAGE GYPSY LOVER? 1410 01:20:38,734 --> 01:20:39,936 COME TO MY STATEROOM. 1411 01:20:39,969 --> 01:20:41,070 NON, NON. 1412 01:20:41,104 --> 01:20:42,805 I WILL GIVE YOU THINGS. 1413 01:20:42,838 --> 01:20:44,673 I WILL TAKE THEM, 1414 01:20:44,707 --> 01:20:48,444 BUT TONIGHT AT MIDNIGHT. 1415 01:21:01,257 --> 01:21:04,293 IN MY COUNTRY, THEY KILL THE INSANE. 1416 01:21:04,327 --> 01:21:06,429 WHERE EXACTLY IN ENGLAND ARE YOU FROM? 1417 01:21:06,462 --> 01:21:07,496 UP NORTH. WHERE? 1418 01:21:07,530 --> 01:21:09,899 CHESTER-NEAR-CHICHESTER- ON-MANCHESTER. 1419 01:21:09,933 --> 01:21:10,934 NEVER HEARD OF IT. 1420 01:21:10,967 --> 01:21:11,600 QUITE SMALL. 1421 01:21:11,634 --> 01:21:13,236 KEEP YOUR EYES OPEN, OLD BOY. 1422 01:21:13,269 --> 01:21:15,004 THEY COULD BE ANYWHERE. 1423 01:21:15,038 --> 01:21:17,740 HERE WE ARE. BOTTOMS UP. 1424 01:21:17,773 --> 01:21:20,643 OH, THANK YOU VERY MUCH. 1425 01:21:20,676 --> 01:21:21,477 CHEERS. CHEERS. 1426 01:21:21,510 --> 01:21:24,513 DON'T GIVE UP, HAP. DON'T WANT TO DIE. 1427 01:21:24,547 --> 01:21:26,882 DON'T BE AFRAID OF LOVE. 1428 01:21:26,916 --> 01:21:28,317 DON'T KID A KIDDER, KID! 1429 01:21:28,351 --> 01:21:31,587 PEOPLE ARE AFRAID OF POVERTY, OF WAR, 1430 01:21:31,620 --> 01:21:33,322 OF PESTILENCE, OF NOT KNOWING 1431 01:21:33,356 --> 01:21:36,792 WHO THEY ARE OR WHAT THEY WANT, OF DOGS! 1432 01:21:36,825 --> 01:21:41,397 AND I SAY DON'T--DON'T FEAR THESE THINGS! 1433 01:21:41,430 --> 01:21:43,166 THEY'RE NOT REAL! 1434 01:21:43,199 --> 01:21:44,300 YOU WANT SOMETHING TO FEAR? 1435 01:21:44,333 --> 01:21:46,435 DO YOU KNOW WHAT TO FEAR? 1436 01:21:46,469 --> 01:21:49,072 LOVE. FEAR LOVE. 1437 01:21:49,105 --> 01:21:51,307 LOVE IS REAL, AND IT IS TERRIFYING. 1438 01:21:51,340 --> 01:21:53,242 IF YOU'RE GONNA BE AFRAID, 1439 01:21:53,276 --> 01:21:55,311 BE AFRAID WHEN SOMEONE SAYS... 1440 01:21:55,344 --> 01:21:56,612 I LOVE YOU. 1441 01:21:56,645 --> 01:21:58,314 JE T'AIME. 1442 01:21:58,347 --> 01:21:59,548 TE AMO. 1443 01:21:59,582 --> 01:22:02,485 ICH LEIBE SIE. 1444 01:22:02,518 --> 01:22:04,253 I-- 1445 01:22:06,655 --> 01:22:07,690 I LOVE YOU! 1446 01:22:07,723 --> 01:22:09,025 I LOVE-- 1447 01:22:09,058 --> 01:22:11,927 OH! HA! I THINK-- 1448 01:22:14,697 --> 01:22:16,432 IT'S YOU. 1449 01:22:16,465 --> 01:22:17,566 NO! 1450 01:22:17,600 --> 01:22:20,503 IMPOSTOR. 1451 01:22:20,536 --> 01:22:21,971 IMPOSTOR! 1452 01:22:22,005 --> 01:22:23,739 IMPOSTOR! 1453 01:22:23,772 --> 01:22:25,574 IMPOSTOR! 1454 01:22:25,608 --> 01:22:27,843 IMPOSTOR! 1455 01:22:27,876 --> 01:22:29,878 IMPOSTOR! 1456 01:22:29,912 --> 01:22:32,948 IMPOSTOR! 1457 01:22:32,982 --> 01:22:34,317 UNH! 1458 01:22:34,350 --> 01:22:35,484 IMPOSTOR! 1459 01:22:35,518 --> 01:22:36,419 ARTHY! 1460 01:22:36,452 --> 01:22:39,688 Burtom: STOP THEM! STOP THEM! 1461 01:22:39,722 --> 01:22:42,291 IMPOSTOR! 1462 01:22:42,325 --> 01:22:45,028 I THINK I HAVE BEEN FOUND OUT. 1463 01:22:45,761 --> 01:22:47,163 OUR PLAN MUST BE CARRIED OUT NOW. 1464 01:22:47,196 --> 01:22:51,234 I WILL SEIZE THE QUEEN AND ESCAPE WITH HER IMMEDIATELY, 1465 01:22:51,267 --> 01:22:53,202 THEN DETONATE THE BOMBS MYSELF. 1466 01:22:53,236 --> 01:22:54,937 MEET ME IN ONE HOUR AT THE APPOINTED PLACE. 1467 01:22:54,970 --> 01:22:57,573 THIS IS VOLTRI, OVER AND OUT. 1468 01:23:08,884 --> 01:23:10,519 WE'VE BEEN FOUND OUT, JOHNNY. 1469 01:23:10,553 --> 01:23:11,687 WHAT ARE WE GONNA DO? 1470 01:23:11,720 --> 01:23:13,422 AND DON'T TELL ME WE'RE GONNA JUMP SHIP... 1471 01:23:13,456 --> 01:23:16,359 SHUT UP! 'CAUSE I CAN'T SWIM! 1472 01:23:16,392 --> 01:23:18,361 COME ON. 1473 01:23:19,895 --> 01:23:21,697 IT WAS HIM! I KNEW IT! 1474 01:23:21,730 --> 01:23:25,201 THE STOWAWAY IS AN IMPOSTOR! THE STOWAWAY IS AN IMPOSTOR! 1475 01:23:25,234 --> 01:23:28,704 COME ON. LET'S GO AND GET THOSE BASTARDS! 1476 01:23:33,676 --> 01:23:36,579 WE HAVEN'T BEEN FOUND OUT. THEY'RE THE IMPOSTORS. 1477 01:23:36,612 --> 01:23:38,747 OUR COVER AIN'T BEEN BLOWN. IT'S BUSINESS AS USUAL. 1478 01:23:38,781 --> 01:23:41,417 DID YOU TELL THE SHEIK TO MEET YOU IN HIS ROOM? 1479 01:23:41,450 --> 01:23:42,185 I DID, JOHNNY. 1480 01:23:42,218 --> 01:23:43,386 I'M MEETING THE OLD BROAD IN HERS. 1481 01:23:43,419 --> 01:23:45,921 GO SEEK THE SHEIK. I'LL CATCH UP WITH YOU LATER. 1482 01:23:45,954 --> 01:23:47,623 HEY. 1483 01:23:47,656 --> 01:23:49,358 YOU KNOCK HIM DEAD, KID. 1484 01:23:49,392 --> 01:23:52,561 YOU BET I WILL, JOHNNY. JOHNNY? YOU'RE A GENIUS. 1485 01:23:52,595 --> 01:23:54,997 DON'T FLATTER ME, BABE. I DON'T KNOW WHAT TO DO WITH IT. 1486 01:23:55,030 --> 01:23:56,632 I'M SORRY, JOHNNY. 1487 01:23:56,665 --> 01:23:59,468 [DIXIELAND JAZZ PLAYS] 1488 01:24:01,570 --> 01:24:02,238 STOP! 1489 01:24:02,271 --> 01:24:04,440 [MUSIC STOPS, KETTLE DRUMROLL] 1490 01:24:04,473 --> 01:24:06,975 I'M A MAN! 1491 01:24:07,009 --> 01:24:08,244 AND SO AM I! 1492 01:24:08,277 --> 01:24:09,812 [DIXIELAND JAZZ RESUMES] 1493 01:24:09,845 --> 01:24:11,780 OH, MY GOD! 1494 01:24:16,752 --> 01:24:18,554 HEY! 1495 01:24:18,587 --> 01:24:20,789 Arthur: MAURICE! 1496 01:24:22,458 --> 01:24:23,859 HI, LIL. 1497 01:24:23,892 --> 01:24:24,493 ARTHY? YEAH? 1498 01:24:24,527 --> 01:24:26,129 CAN I BE THE MAN NEXT TIME? 1499 01:24:26,162 --> 01:24:26,929 SURE. OK. 1500 01:24:26,962 --> 01:24:28,431 FELLAS, WE GOTTA FIND THE FIRST MATE. 1501 01:24:28,464 --> 01:24:31,800 COME ON! STEP ON IT, FELLAS! 1502 01:24:35,171 --> 01:24:36,105 SHH! SHH! 1503 01:24:36,139 --> 01:24:37,140 [MUSIC STOPS] 1504 01:24:37,173 --> 01:24:38,073 [SOBBING] 1505 01:24:38,107 --> 01:24:39,642 MARCO! 1506 01:24:39,675 --> 01:24:41,977 OH, LILY! OH, LILY! 1507 01:24:42,010 --> 01:24:44,247 I HAVE DONE SOMETHING AWFUL! 1508 01:24:44,280 --> 01:24:46,615 MARCO, THESE ARE THE STOWAWAYS. 1509 01:24:46,649 --> 01:24:49,352 IT'S NICE TO MEET YOU. 1510 01:24:49,385 --> 01:24:50,886 IT'S NICE TO MEET YOU. 1511 01:24:50,919 --> 01:24:53,055 OH! MADONNA! 1512 01:24:53,088 --> 01:24:54,157 NO! IT'S OK! 1513 01:24:54,190 --> 01:24:57,293 NO, IT'S OK! MARCO, THESE 2 ARE ACTORS. 1514 01:24:57,326 --> 01:25:00,263 THEY ARE PRETENDING TO BE THE STOWAWAYS? 1515 01:25:00,296 --> 01:25:02,198 NO, THEY ARE THE STOWAWAYS, BUT THEY'RE ACTORS. 1516 01:25:02,231 --> 01:25:06,034 SO I DIDN'T-- YOU DIDN'T DIE? 1517 01:25:06,068 --> 01:25:08,036 NO. NO. 1518 01:25:08,070 --> 01:25:09,772 I JUST PRETENDED. 1519 01:25:09,805 --> 01:25:11,907 VERY GOOD. 1520 01:25:11,940 --> 01:25:13,809 REALLY? 1521 01:25:13,842 --> 01:25:17,913 YEAH--WHA-- I BELIEVED YOU! 1522 01:25:17,946 --> 01:25:19,215 THANKS. 1523 01:25:19,248 --> 01:25:21,850 AND YOU'RE AN ACTOR, TOO? 1524 01:25:23,319 --> 01:25:25,788 YEAH. YES, I'M-- I AM ALSO AN ACTOR. 1525 01:25:25,821 --> 01:25:29,057 WELL, WOULD I HAVE SEEN YOU IN ANYTHING? 1526 01:25:29,091 --> 01:25:30,993 IT'S A POSSIBILITY. 1527 01:25:31,026 --> 01:25:33,229 I MEAN, IT'S--IT'S-- 1528 01:25:33,262 --> 01:25:35,231 DO YOU THINK YOU HAVE? 1529 01:25:35,264 --> 01:25:37,233 IT'S--IT'S HARD. 1530 01:25:37,266 --> 01:25:39,368 IT'S BEEN A-- TOUGH STRETCH. 1531 01:25:39,402 --> 01:25:42,371 IT'S BEEN A LITTLE SLOW. IT'S BEEN--YEAH. 1532 01:25:42,405 --> 01:25:44,973 BUT YOU KNOW-- IT'S NOT-- 1533 01:25:45,007 --> 01:25:46,509 THE DECK IS KIND OF STACKED AGAINST-- 1534 01:25:46,542 --> 01:25:49,111 IT'S A HARD-- HARD BUSINESS. 1535 01:25:49,144 --> 01:25:51,013 IT'S--IT'S A TOUGH BUSINESS. 1536 01:25:51,046 --> 01:25:52,615 WHAT CAN YOU DO? THERE'S NOTHING-- 1537 01:25:52,648 --> 01:25:55,318 WE'RE ON A TICKIN' SHIP, AND SHE BLOWS AT MIDNIGHT. 1538 01:25:55,351 --> 01:25:56,185 WE'VE GOTTA GO. 1539 01:25:56,219 --> 01:25:57,220 OH, MY GOD! WHY? 1540 01:25:57,253 --> 01:26:01,957 THE FIRST MATE HAS PLANTED BOMBS ALL OVER THE SHIP. 1541 01:26:01,990 --> 01:26:04,827 HE'S A GARDENER? 1542 01:26:04,860 --> 01:26:05,494 WHAT? 1543 01:26:05,528 --> 01:26:08,130 HOW MANY BULBS DID HE PLANT? 1544 01:26:08,163 --> 01:26:10,999 NO, NOT BULBS. BOMBS! 1545 01:26:11,033 --> 01:26:12,000 OH, BOMBS! 1546 01:26:12,034 --> 01:26:13,001 WE GOTTA GO! 1547 01:26:13,035 --> 01:26:13,669 WE GOTTA GO! 1548 01:26:13,702 --> 01:26:16,239 I GOT A PLAN! I GOT A PLAN! 1549 01:26:17,706 --> 01:26:19,208 WAIT! WHAT? 1550 01:26:19,242 --> 01:26:20,843 LILY... 1551 01:26:20,876 --> 01:26:22,711 WILL YOU MARRY ME? 1552 01:26:22,745 --> 01:26:27,316 OH, YES, MARCO. I WILL MARRY YOU. 1553 01:26:27,350 --> 01:26:30,253 [ROMANTIC MUSIC SWELLS] 1554 01:26:48,904 --> 01:26:50,138 [RECORD NEEDLE SCRATCHES] 1555 01:26:50,172 --> 01:26:51,340 WELL, WELL, WELL. 1556 01:26:51,374 --> 01:26:53,776 SO, NOW I SEE THE REAL YOU, LILY. 1557 01:26:53,809 --> 01:26:56,745 NOT ONLY ARE YOU A TWO-TIMING HARLOT, 1558 01:26:56,779 --> 01:26:59,114 BUT YOU ARE A COMMON CRIMINAL AS WELL. 1559 01:26:59,147 --> 01:27:00,416 I'M AFRAID SO, MEISTRICH. 1560 01:27:00,449 --> 01:27:03,085 I GUESS YOU'RE NOT GONNA LOVE ME ANYMORE. 1561 01:27:03,118 --> 01:27:04,920 NO. I LOVE YOU MORE. 1562 01:27:04,953 --> 01:27:09,825 YOU ARE A WILD BEAST, AND I MUST TAME YOU. 1563 01:27:15,998 --> 01:27:18,066 RROWR! 1564 01:27:18,100 --> 01:27:20,569 ANNGH. 1565 01:27:22,638 --> 01:27:23,506 LET'S GO! 1566 01:27:23,539 --> 01:27:26,309 [DIXIELAND JAZZ RESUMES] 1567 01:27:28,076 --> 01:27:30,713 Emily: HAPPY! 1568 01:27:31,914 --> 01:27:33,849 HAPPY! 1569 01:27:35,217 --> 01:27:38,587 OH, HAPPY! HAPPY! 1570 01:27:38,621 --> 01:27:42,291 PLEASE, HAPPY! I PROMISE NOT TO LOVE YOU TOO HARD! 1571 01:27:42,325 --> 01:27:44,827 [TAPPING] HAPPY! 1572 01:27:44,860 --> 01:27:46,762 HAPPY! 1573 01:27:46,795 --> 01:27:48,196 HAPPY! 1574 01:27:48,230 --> 01:27:49,164 HAPPY! 1575 01:27:49,197 --> 01:27:51,199 I COULD LOVE YOU, EMILY... 1576 01:27:51,233 --> 01:27:52,935 BUT I CAN'T. 1577 01:27:52,968 --> 01:27:55,304 PLEASE! 1578 01:27:55,338 --> 01:27:56,839 SO LONG, KID. 1579 01:27:56,872 --> 01:27:58,140 HAPPY! 1580 01:27:58,173 --> 01:27:59,842 OHH! 1581 01:27:59,875 --> 01:28:02,277 HAPPY! 1582 01:28:02,311 --> 01:28:03,746 HAPPY! 1583 01:28:03,779 --> 01:28:07,316 HAPPY! PLEASE! 1584 01:28:07,350 --> 01:28:09,184 HAPPY! 1585 01:28:09,217 --> 01:28:12,120 PLEASE! HAPPY! 1586 01:28:12,154 --> 01:28:14,357 OH! HAPPY! 1587 01:28:15,891 --> 01:28:20,195 MADAME ESSENDINE, JE SUIS ARRIVé. 1588 01:28:20,228 --> 01:28:22,398 NOT YET. MY DAUGHTER. 1589 01:28:22,431 --> 01:28:25,868 [TANGO MUSIC PLAYS] 1590 01:28:25,901 --> 01:28:27,069 HA HA! 1591 01:28:27,102 --> 01:28:30,773 LEAVE NO STONE UNTURNED AND A WORM WILL BE FOUND! 1592 01:28:30,806 --> 01:28:33,709 COME, MY QUEEN, YOUR PEOPLE AWAIT YOU. 1593 01:28:33,742 --> 01:28:39,982 ALLOW ME TO ESCORT YOU TO YOUR DEATH. 1594 01:28:40,015 --> 01:28:41,950 HA HA HA HA! 1595 01:28:41,984 --> 01:28:42,885 NO! 1596 01:28:42,918 --> 01:28:45,320 WHERE ARE YOU, AMORE MIO? WHERE ARE YOU? 1597 01:28:45,354 --> 01:28:48,290 OH, THAT MOUTH! MY WHOLE LIFE! 1598 01:28:48,323 --> 01:28:49,057 HEY! 1599 01:28:49,091 --> 01:28:50,292 OH! 1600 01:28:50,325 --> 01:28:51,326 HEY! 1601 01:28:51,360 --> 01:28:52,395 OH! 1602 01:28:52,428 --> 01:28:54,229 BANDIT! OHH! 1603 01:28:54,262 --> 01:28:56,098 BANDIT! 1604 01:28:56,131 --> 01:28:57,833 WOO-HOO. 1605 01:28:57,866 --> 01:29:00,369 YOUR HIGHNESS... 1606 01:29:00,403 --> 01:29:03,105 IT IS ME. 1607 01:29:03,138 --> 01:29:05,908 HELLO? 1608 01:29:05,941 --> 01:29:08,010 YOUR HIGHNESS? 1609 01:29:08,043 --> 01:29:10,946 WOO-HOO. 1610 01:29:10,979 --> 01:29:11,980 PSST! 1611 01:29:13,248 --> 01:29:16,051 YOUR HIGHNESS, WAIT FOR ME. 1612 01:29:26,729 --> 01:29:29,432 Johnny: MON AMOUR. 1613 01:29:35,237 --> 01:29:37,305 MON AMOUR? 1614 01:29:37,339 --> 01:29:39,975 AH, MON AMOUR. 1615 01:29:41,410 --> 01:29:44,713 Maxine: YOUR HIGHNESS? 1616 01:30:03,732 --> 01:30:05,300 HELLO? 1617 01:30:05,333 --> 01:30:07,470 MON AMOUR. 1618 01:30:11,206 --> 01:30:14,877 [EVIL LAUGHTER] 1619 01:30:15,544 --> 01:30:16,612 Queen: OH! 1620 01:30:16,645 --> 01:30:20,015 [MUTTERING IN NATIVE LANGUAGE] 1621 01:30:22,350 --> 01:30:24,419 OH! 1622 01:30:25,588 --> 01:30:28,657 [SHOUTING IN NATIVE LANGUAGE] 1623 01:30:29,558 --> 01:30:31,326 GIVE ME BACK MY LOVE! 1624 01:30:31,359 --> 01:30:35,764 MY LOVE! [YELLING IN ITALIAN] 1625 01:30:38,767 --> 01:30:39,968 HAPPY! 1626 01:30:40,002 --> 01:30:41,970 NO! I'M NOT HAPPY! 1627 01:30:42,004 --> 01:30:44,339 I'M MISERABLE, AND I WANT TO DIE! 1628 01:30:44,372 --> 01:30:45,774 YOU MUST GO ON! 1629 01:30:45,808 --> 01:30:48,477 I CAN'T GO ON. THE SHOW IS OVER FOR THIS FELLA. 1630 01:30:48,511 --> 01:30:51,346 BUT I LOVE YOU, HAP! CAN'T YOU LOVE ME? 1631 01:30:51,379 --> 01:30:53,415 I'D BE AFRAID TO TRY, EMILY. 1632 01:30:53,448 --> 01:30:56,485 YOU CAN DO IT, HAP. 1633 01:30:56,519 --> 01:30:58,654 SORRY, KID... 1634 01:30:58,687 --> 01:31:01,289 BUT I GOTTA GO. 1635 01:31:01,323 --> 01:31:04,192 NO! [THUD] 1636 01:31:06,995 --> 01:31:09,798 [MOTOR WHIRRING] 1637 01:31:11,600 --> 01:31:15,070 [DRAMATIC MUSIC PLAYS] 1638 01:31:53,241 --> 01:31:54,176 Burtom: WHAT'S GOING ON HERE? 1639 01:31:54,209 --> 01:31:55,177 I CAN EXPLAIN. 1640 01:31:55,210 --> 01:31:58,446 Marco: OH, NO! THE FIRST MATE, HE'S GOTTEN AWAY! 1641 01:31:58,480 --> 01:31:59,948 HA HA HA HA! 1642 01:31:59,982 --> 01:32:02,350 HE'S GOT THE DETONATOR! HE'S GONNA BLOW UP THE SHIP! 1643 01:32:02,384 --> 01:32:03,586 SHE'S RIGHT! 1644 01:32:03,619 --> 01:32:05,420 [GASP] [GASP][GASP] 1645 01:32:05,453 --> 01:32:09,057 I HOLD YOUR ENDS IN MY HANDS. 1646 01:32:09,091 --> 01:32:14,362 FOR IN MY HANDS I HOLD...DEATH! 1647 01:32:14,396 --> 01:32:15,998 THE DEATH OF ALL OF YOU 1648 01:32:16,031 --> 01:32:20,035 AND YOUR CONFUSED BOURGEOIS LIVES! 1649 01:32:20,068 --> 01:32:24,206 WITH YOUR DEATHS, WE WILL TELL THE WORLD 1650 01:32:24,239 --> 01:32:26,108 WHO WE ARE 1651 01:32:26,141 --> 01:32:28,510 AND WHAT WE FIGHT FOR! 1652 01:32:28,543 --> 01:32:31,013 WE FIGHT TO CREATE A WORLD 1653 01:32:31,046 --> 01:32:34,416 WHERE THERE WILL BE NO PRETENSE! 1654 01:32:34,449 --> 01:32:36,051 EACH THING WILL BE WHAT IT IS, 1655 01:32:36,084 --> 01:32:38,787 EACH MAN AND WOMAN WILL KNOW WHO THEY ARE, 1656 01:32:38,821 --> 01:32:40,555 AND ALL WILL BE EQUAL. 1657 01:32:40,589 --> 01:32:47,395 ALL MASKS WILL BE REMOVED, AND WE WILL ALL HAVE A SINGLE FACE! 1658 01:32:47,429 --> 01:32:49,665 ONE SINGLE FACE! 1659 01:32:49,698 --> 01:32:53,135 ONE SINGLE FACE! 1660 01:32:53,168 --> 01:32:56,338 ONE SINGLE FACE! 1661 01:32:56,371 --> 01:32:59,341 ONE SINGLE FACE! 1662 01:32:59,374 --> 01:33:02,277 ONE SINGLE FACE! 1663 01:33:02,310 --> 01:33:05,547 ONE SINGLE FACE! 1664 01:33:05,580 --> 01:33:07,950 [GASP] [GASP][GASP] 1665 01:33:22,430 --> 01:33:24,299 [EXPLOSION] 1666 01:33:25,333 --> 01:33:27,302 [FIREWORKS] 1667 01:33:40,082 --> 01:33:44,386 * PARLEZ-MOI D'AMOUR 1668 01:33:44,419 --> 01:33:50,025 * REDITES-MOI DES CHOSES TENDRES * 1669 01:33:50,058 --> 01:33:53,896 * VOTRE BEAU DISCOURS 1670 01:33:53,929 --> 01:33:59,034 * MON COEUR N'EST PAS LAS DE L'ENTENDRE * 1671 01:33:59,067 --> 01:34:03,038 * POURVU QUE TOUJOURS 1672 01:34:03,071 --> 01:34:07,743 * VOUS REPETIEZ CES MOTS SUPREMES * 1673 01:34:07,776 --> 01:34:11,079 * JE VOUS AIME 1674 01:34:11,113 --> 01:34:13,081 * VOUS SAVEZ BIEN 1675 01:34:13,115 --> 01:34:15,350 * QUE TANT DE FOIS JE NE CROIS RIEN * 1676 01:34:15,383 --> 01:34:17,319 * MAIS CEPENDANT JE VEUX ENCORE * 1677 01:34:17,352 --> 01:34:19,955 * ECOUTER CES MOTS QUE J'ADORE * 1678 01:34:19,988 --> 01:34:22,357 * VOTRE VOIX EST SI CARESSANTE * 1679 01:34:22,390 --> 01:34:25,060 * QUE LES MURMURES FREMISSANTS * 1680 01:34:25,093 --> 01:34:29,297 * ME BERCENT DE SA BELLE HISTOIRE * 1681 01:34:29,331 --> 01:34:33,702 * ET MALGRE MOI JE VEUX Y CROIRE * 1682 01:34:33,736 --> 01:34:37,139 * PARLEZ-MOI D'AMOUR 1683 01:34:37,172 --> 01:34:42,711 * REDITEZ-MOI DES CHOSES TENDRES * 1684 01:34:42,745 --> 01:34:46,148 * VOTRE BEAU DISCOURS 1685 01:34:46,181 --> 01:34:51,619 * MON COEUR N'EST PAS LAS DE L'ENTENDRE * 1686 01:34:51,653 --> 01:34:55,390 * POURVU QUE TOUJOURS 1687 01:34:55,423 --> 01:35:00,395 * VOUS REPETIEZ CES MOTS SUPREMES * 1688 01:35:00,428 --> 01:35:09,304 * JE VOUS AIME 1689 01:35:10,572 --> 01:35:14,176 [DANCE ORCHESTRA PLAYS] 1690 01:35:16,344 --> 01:35:19,281 FELLAS, I JUST HAVE TO ASK YOU A QUESTION. 1691 01:35:19,314 --> 01:35:21,049 AND YOU'VE PROBABLY THOUGHT OF THIS, 1692 01:35:21,083 --> 01:35:23,151 BUT WHEN THE BAKER GAVE YOU THE TICKETS, 1693 01:35:23,185 --> 01:35:25,153 WHY DIDN'T YOU JUST SELL THEM IF YOU NEEDED THE CASH? 1694 01:35:25,187 --> 01:35:27,055 I BET THEY WERE WORTH A LOT OF MONEY. 1695 01:35:40,668 --> 01:35:42,871 WELL, I'M GLAD YOU DIDN'T, 1696 01:35:42,905 --> 01:35:45,307 OR WE WOULD HAVE NEVER MET. 1697 01:35:45,340 --> 01:35:46,708 THANKS, LIL. 1698 01:35:46,741 --> 01:35:48,510 THANKS, LIL. 1699 01:35:53,415 --> 01:35:54,549 WOULD YOU LIKE TO DANCE? 1700 01:35:54,582 --> 01:35:56,151 YES. YES? 1701 01:35:56,184 --> 01:35:58,253 EXCUSE US. 1702 01:36:04,592 --> 01:36:07,229 AH, LOVE. 1703 01:36:07,262 --> 01:36:10,498 YES, YES, YES. 1704 01:36:19,507 --> 01:36:21,476 AHH. 1705 01:36:24,346 --> 01:36:25,881 TO LIFE. 1706 01:36:25,914 --> 01:36:29,117 AND ITS MANY DEATHS. 100762