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When I'm performing
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There's
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There's
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Basically two types
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The show Smallville I think maybe three but
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For conversation
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DayQuil keep it down the two we can we come to a show and the bee show
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Mac Show is
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Where we show up and I bring in a lot of gear and we bringing a lot of production
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All are on lights are on sound guy and all that stuff in the Beast show is more
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Like me just kind of showing up at someone else
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Thing and they've got all the
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The production setup
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Or you
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Most electronic music festivals for everyone would be Abby show
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And that's kind of when you just kind of show up with some minimal amount of stuff now performing live
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During an airshow
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Would be bringing
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Nothing
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That's very small modular a lot of sense mostly mode
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What's the stuff that's like
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Kind of okay to get lost I call it as in so I don't I don't take a lot of my
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Studio stuff so I either hire out a rent
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Just by duplicate
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Things to
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Contour beaters
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That are not replaceable
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I'm in that kind of thing I'm Abby show
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Is a scaled-down version of that where I'm still playing stems of all my stuff I'm just
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Playing the audio stems of them so instead of playing you know like a two-track
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Stereo mix and it name-calling that a song I'm playing like 1/8
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Attend one where I'm using you know a couple of
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Simple midi controllers like the whole setup we would fit in a backpack
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You know when I just checked
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Batshit on the plane and then get to where I got to go
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And
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You know with that then I can you know
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Add some VST effects on to those other stems and then use midi controllers to control brand
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Filtercopy Messer
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I want to be repeat that for like half a second,
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You're innocent more DJing than their butt
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Yeah a little more getting you some flexibility and saying the playlist
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The order is not
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2
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Important
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When it comes to Abby show because you know you just have a
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I was called a Vijay just kind of
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Jamming out
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Playing video clips appropriate to that song and he's doing his own thing and you're doing your own thing you don't really need to send any kind
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Sonic user data back and forth
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Because there's not a whole lot going on because not even your production anyways
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So you just do it
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You make with what
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What was given to you kind of thing
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We do rehearse before a live show but not in the sense that we were Hurst
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Every show
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We rehearse once
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Basically I don't know Warehouse in Pennsylvania
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In a Amish town
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Caldwell
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For approximately
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Two to three weeks
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And what we do is we replicate the state we build the whole
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Stage the whole show might smoke everything all the bells muscle
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What you see
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Up on the thing and we build it in a big
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Amphitheater and that's where we we kind of bring together all the elements we worked on
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Side together
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I am and make them all work with each other we only have a very
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Like small window
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Every time I introduce a new stage or
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I knew major element in the stage or major change
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Strip the whole thing down
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Rebuild it in a warehouse
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Snn rehearse it that way
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In-N-Out
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Same carbon copy
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About with the same equipment gets
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Song
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Directed at every other
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Festival and stuff like that so none of that changes so we don't have to rehearse every show
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But we we definitely do rehearse
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Every Idle race
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Avenues
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On stage at an a show it it's usually about
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324 computer systems
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One being you know kind of the one that
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Produces the audio and incense all the MIDI
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Another one is it is it almost at an exact mirror of that in KC
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The crashes are whatever in
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Oddly enough for my whole career doing it live I have never had a single
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Failure to the point where we had the
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Switch to that clone computer but
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Redundancy is
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Super important for those kind of things so we bring that anyway
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The third computer actually control some custom software that we've written
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That goes out to a giant touch
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That run some software with about that
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Sew-in and it's essentially an elaborate MIDI controller but it's a modular work service that I can
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Glenside
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And see what's playing when's playing how it's playing and in some parameters for it so I can adjust
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Some filter cut-offs be repeats here or you know see which
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Sensor on and all that
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Kind of like Mike
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But my eyes are on all the
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4th computer controls motion control systems and Lighting
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And then we would I would use a front-of-house mixing.
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Actually on stage
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You witches 32-channel
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Front-of-house mixer kind of thing
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And that's what I would use so I would do my own FOH mixing and then send us some doubt put so the
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Actual front of house is only getting a stereo Channel but I'm
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I'm wrangling and managing 32 of them sub mixing them down to
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Sending our front of house
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I was too and then they send that to
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The head audio at that an event
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Bisho similar thing but with like
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4chan
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I like to work with all these systems and
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Try to come up with ways to keep myself
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Falling asleep up there and
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Nn
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Innovating things in a way that you know is like our light guy
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Programming lights with a
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With a
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My grandma's Consul and all that stuff in
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And one day I noticed that the Grandma had a midi input on the back and I said what somebody in Port for on the
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On the desk for me cuz I don't know I mean you I think you can maybe like
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Program like he's with Minnie and I'm like wow that's interesting and I went and read up on that and
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At rehearsals one day took an extra output and went into the back of the of the light.
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And then started feeding notes
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So maybe is coming out of my computer and it's telling the desk to fire these fixtures off or rotate them assert
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Certain way or play this whole sequence
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Stop and I can do that anytime I want during this and I'm like what's brilliant
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Because I like guys
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That traditionally when their programming lights they kind of do it manually
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So you're at the mercy of him you know hitting a button and doing that and he's not always bang on because
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He's not
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Compensate what life is really well-trained he is but
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Typically if he doesn't know that
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Sound only travels at 350 seconds hope your 400 feet away you're almost like you know half a second
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The Beat from when I hear it too by the time it gets to you so
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If you hit the light
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Like you because the
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Front-of-house is 100
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252
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A252 weight
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Everytime you cute even though you're getting it right it's not right because you're not accounting for that
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Time delay
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But I can with midi I can do that I could just shifted over slightly sewing rehearsals we had it all like Ray
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Running a hundred percent being triggered for me and I thought wow that you know that's really interesting let's incorporate that
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System in rotini and Dora shows who were doing that
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And then
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We would find the problems like midi suck
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Cuz it's old nnn were using these midi cables in the data is
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You s*** and then you don't researching that let me into finding that all midi can be traveled over TCP
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VIP over anything that cable which is going to be
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A million times more robust way faster because it's in
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Dustin is going to be safer because of those parody checks on the
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On the other end of the data so you know sending midi over IP and then sending midi over IP wires flea which is a ray
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Really bad idea too fast
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Which we try to only once
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And will never do it again
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Because he attwifi is cool and all that in it and a small control the room but
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Out out in the wild Wi-Fi doesn't do so good but that's how you learn and you know
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The secret to keeping your
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Stage equipment or your ear
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Your booth equipment safe is a
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600-lb Samoan guy named Kimo
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Who don't take no s*** from nobody
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No nothing safe on stage
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In terms of
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Things that could go wrong
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I mean
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Yeah she goes around not saying LED walls fall down all the f****** time and you may or may not
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He killed her or whatever that's
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That's rare
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Just keep in mind when you when you do bring things on tour
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Make sure they're either cheap
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Or robots
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Nothing in between
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Because
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You know it's just going to break she's going to get stolen a roadie is going to be f****** sitting on your mug
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Voyager 1 day
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Organovo
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Some crazy dude waiting in the outrigging for you know your crew to start loading in and he runs up and grabs a mouse
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Outside gets away with it
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Replaceable is key now I'm a PC guy first and foremost I love PCS I love the modularity of them
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Knowing what's going on under the hood all the f****** time I tore
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And I perform life with Mak
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Right because
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If one of these PC shuts the bed we are going to have to go to
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2A probably 20-30 different stores
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It's going to take us about 8
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210 hours to build a whole new
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The Mack
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F****** throw that thing to the curb go to the nearest Apple store by another one bone done
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You no problem solve no exotic Hardware no problem
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All that stuff
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It will go wrong
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You can't foresee like you don't
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Computer crashes can be prevented just
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Keeping a clean
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System in knowing General PC or Mac
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If you if you can have a computer for
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Performance don't put anything
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Anything you don't need
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You know just rip that thing down don't don't install
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Don't use it
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Check your emails in the hotel room and then don't do that have another one
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If you if you can do that
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You know
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If you can't then
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Be very careful
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I do have one very fond memory of playing at musikfest
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Texas
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Once where
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I would
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Play in the end we'd start the set and the way that that show built up
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Cuz we started with some chords
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It's in the way that some chords
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Start sit
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Start cycle.
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Kind of a drone home and then goes up and then and then a a mid-range kind of grinding beat starts.
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The predict this matter
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And so as
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Soon as you know everyone's ready for that drop
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Anime super the bass note headphones
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System's down
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And I was like oh okay
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Well that's alright
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Because that's not my f******
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I know exactly what happened we overloaded the amps or something like that so
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I casually play that one off and on like
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Alright
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So I'll just
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Sit here and
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You not freak out
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And wait for
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Some okay dude your thing is go
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Alright I got it back
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Okay that's good
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Find you know what
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I'll just roll it back if you
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A minute and then we'll try this again
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So did it again
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Up up up up up
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Big Crescendo and
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Are hitmen
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Hickman
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Soon as the transit cakes
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Power down again
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Almost like oh my God anyway and what I think they're now I'm getting a little fresh
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It happened
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GHIN
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Third time
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And this time I might
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I I don't know what the problem
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Because it's not my
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I'm looking at my system my systems on everything's running nominally
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But what I did notice
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Is the playback back head
263
00:12:38,527 --> 00:12:39,039
Stopped
264
00:12:39,807 --> 00:12:41,343
It's like somebody
265
00:12:41,599 --> 00:12:42,111
Stopped
266
00:12:42,879 --> 00:12:46,463
Right as soon as that beat hit but only when that beat hit in the house
267
00:12:46,719 --> 00:12:47,999
What a f****** mystery
268
00:12:48,511 --> 00:12:51,583
So I'm thinking okay you know what I'm going to go under the preferences
269
00:12:51,839 --> 00:12:54,143
As in you know disable the keyboard
270
00:12:54,655 --> 00:12:55,167
For a second
271
00:12:55,935 --> 00:12:57,215
And what I found out
272
00:12:57,727 --> 00:13:03,871
Is to get into the preferences you have to hit like, piso Ergo I need to find my keyboard which I usually kind of taco
273
00:13:04,127 --> 00:13:07,967
Wait because you do not want to accidentally touch a button on that f****** keyboard
274
00:13:08,735 --> 00:13:09,247
Shift
275
00:13:09,759 --> 00:13:11,295
The whole set of had a few bars
276
00:13:11,551 --> 00:13:13,343
Stop that are plays it from somewhere else or not
277
00:13:13,855 --> 00:13:15,391
So I kind of talk that s*** out of the way
278
00:13:15,903 --> 00:13:16,415
Well
279
00:13:17,439 --> 00:13:19,743
What had happened was an audiotech who used to work
280
00:13:21,535 --> 00:13:22,815
Had wrapped my
281
00:13:23,071 --> 00:13:25,119
Keyboard up around a post
282
00:13:25,631 --> 00:13:26,911
That helped my monitor
283
00:13:27,167 --> 00:13:29,471
And then lean the keyboard up
284
00:13:29,727 --> 00:13:30,239
Against that
285
00:13:30,495 --> 00:13:31,007
Switch
286
00:13:31,263 --> 00:13:35,871
Kind of look like a good idea at the time but what he didn't know is that when the face was hitting
287
00:13:36,127 --> 00:13:37,407
Sage was shaking
288
00:13:38,175 --> 00:13:42,015
Cuz that's what f****** kicks drums do at f****** yo 60,000 and
289
00:13:42,271 --> 00:13:43,039
And f******
290
00:13:43,295 --> 00:13:44,575
Spacebar
291
00:13:44,831 --> 00:13:46,367
With hitting the post
292
00:13:46,623 --> 00:13:48,415
So it was just stopping the set
293
00:13:49,183 --> 00:13:50,463
Call motherfuker
294
00:13:51,231 --> 00:13:51,999
You know it just
295
00:13:52,255 --> 00:13:54,815
S*** like that's going to happen in India
296
00:13:55,327 --> 00:13:58,655
The thing to take away maybe out of this little anecdote here is that
297
00:13:59,167 --> 00:14:01,727
When that kind of s*** happens Do Not freak out
298
00:14:02,239 --> 00:14:05,567
That there's nothing more f****** embarrassing
299
00:14:07,103 --> 00:14:09,151
When I'm watching a DJ
300
00:14:10,175 --> 00:14:11,711
Play a CD in the CD starts
301
00:14:11,967 --> 00:14:12,479
Skip
302
00:14:13,247 --> 00:14:19,135
I'm not really so old the CD skip I'm just more Curious and and and
303
00:14:19,647 --> 00:14:22,975
I'm learning I'm what that DJ is going to do like how's it going to react
304
00:14:23,231 --> 00:14:26,559
The nfu you if one is so inclined you can YouTube a few
305
00:14:26,815 --> 00:14:27,327
Good
306
00:14:27,839 --> 00:14:29,375
DJ fails if you will
307
00:14:29,631 --> 00:14:30,911
An end in some people
308
00:14:31,167 --> 00:14:31,935
Blow their s***
309
00:14:32,703 --> 00:14:33,471
Play Clayton
310
00:14:33,983 --> 00:14:37,311
Like these they have to blame something like don't blame anything
311
00:14:37,567 --> 00:14:38,335
Shift going to happen
312
00:14:38,591 --> 00:14:40,895
And then just play it off Pico and do you think
313
00:14:41,151 --> 00:14:47,295
People patient the way now I'm in midair might not understand right then and there but because that s***'s going to be YouTube
314
00:14:47,551 --> 00:14:52,159
Tube and recorded from every f****** Angela you better make sure you're just like
23159
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