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When I'm creating things I usually just start with the
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The basic routenote
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Structure of it whether it's like just
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Straight up octaves of the bass
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Playing
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A series of notes that result
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And then and then I'll go back
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And then layer it until the point where it's like
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How much do you want to wear it do you want it to be some big Lush piece of berry
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Very harmonious
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Kind of coral
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Kind of sound which
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I like
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So I tend to lean towards that a lot or
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Don't want to take that whole big Corral that I've done
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And then
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Split it up into just I want a grinding bass doing that and then this
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Mid part of the of the chorus
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And invite course I don't mean affect courses in Multan
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To the voices all playing different Harmony
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Things like a Gregorian
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Church choir would be as I want okay
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You guys do this with this instrument and then you guys do this with this instrument or make the decisions they look just do it all at once
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Call use with the semen
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Kind of thing
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It's all like
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Style options
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Dress up Barbie you got the
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Cool outfit
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Just got a mix-and-match it or
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Her just give her a pair of shorts and sent her on her Merry way to the mall man
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The bass note is is your
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For me it's the lowest note in the in the chord structure right
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It's this row
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Bottom now
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If that's that's your key or and now what do you want to follow that same flat no pattern in this case I do
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Did but
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If you want to
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You know break it up and then repeat some notes and all that
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That stuff honestly that's how I do bass it's it's it's the lowest common denominator root
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For the rest of everything else
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You can always experiment with going up a v or 1/7
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So let's actually try that
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So let's let's let's shut our progenitor off
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Cuz sometimes it works sometimes it doesn't
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It doesn't work
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Sometimes about
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But I mean you don't know if you don't try
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Right then that's kind of
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Michael take on it
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That's basically your base frequency where you're probably going to use another synth
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To do that,
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Anything in which case I tuned my kick drum to that route
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Node and
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Some of these other
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Weird
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Synchronize
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And that's all the same core just being played in a different order
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That the one thing you kind of do have to
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Be considerate of his your drums
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Because those are two
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Conflicting frequencies they're in the same Realm
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Especially your Kick Drum suit your Kick Drum in Your Bass note
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Are going to have some kind of phase conflict
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Somewhere in there so
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Two ways around it are
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You know spacing your basenotes out in such a way that you're not really going to have a kick and a bass note at the sea
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Same time but if you absolutely must
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You know make sure you're ducking the bass just
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Sunopta
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To avoid
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The colliding frequencies that
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That do phase cancellation
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And stuff like that but that's like
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Book
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Could be written on how to avoid you know like phase cannons
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So that those I know
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Or my
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Chords
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Fallout 4 the whole thing base included and all that
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So if I wanted a lead out of that
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I mean I could arbitrarily go in I I just know this by you no experience and practice
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CNN
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Take
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Maybe some of these mid notes and then
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Or actually you know what
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There
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So I'm going to guess
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That that shape is going to make a decent lead so I'm going to copy that
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Duplicate
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This channel
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Clip there
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Who's going to be the same sin
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Outside
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There
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So there I have some kind of
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Great
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That's the same my ref
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Happy birthday
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Almost
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Wow
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Okay so now I would I could take a
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Appreciation to land
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Arpeggiator Sr like
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The time it doesn't ever every Apple have one
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What this is going to do is it's basically going to go through all the notes
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So both of those two cords
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And then I'll just doing as a stepping through the notes
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In-wall in in
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Way it's going up
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So it's going to go down whatever the f***
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Really it's up
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Nnn the rate of appreciation is going to be your time
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The duration of the note or you can go
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Steps
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And it's always fun to just try and go up at 7th every time her or sorry
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I want one step and then instead of going a notch
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Octave up I'm going to go
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1/7
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Aura V
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7th or 5th arcane
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An hour straight octave would just be
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And then a fifth wheel might not work in this case
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Now there's some things good about that something's bad about that
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Because it went up at 7th and then in this is where I would do this kind of
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Facts
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This is a decision arpeggiator as well
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This plug-in we developed
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So this is an arpeggiator to but
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This arpeggiator works in a cycle where I can pick
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You know which note I wanted to play
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So I know that it's just going to play that one Note 1
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Kind of thing
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Explain that one no
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So I know that I'll let's say
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Play every third note I want to go up a 7 so
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Hiragana
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Pads
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And I'll go
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That's a salmon
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I know it's wrong but that's okay
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So what all end up doing is just recording
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No data so you can see the new update of being fed in here my big
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Also wrong also wrong
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I got to get enough
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So now once I shut that input off than I have
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My track back
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It's not I don't even need narp
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PGA Tour now because
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Printed the
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No data there so
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Those are the actual notes being played
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Now I can go ahead
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S*** like that but then it's all about your pattern really just having
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Don't play out like that isn't very interest
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The second demonstration generate a lead out of that Melody just kind of by going
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In here and then you know either picking the top line or
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You know some of the middle guys are
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Whatever I
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Until I find some
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The works
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And
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You know if if I were a keyboardist or pianist I would be saving a whole lot of time by you
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Just being able to play it in or
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Whatever in
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Sometimes I'll try
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Try that and sometimes it works sometimes it doesn't but I just find myself more
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As a non-musician you know I find myself getting it done Easier by
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Taking pieces of the
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The whole bag
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Like Coral
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Cordova
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Thing that I do in the
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Just boring
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Pieces out of that
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Putting it into different process
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Whether it's arpeggiator
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Other sins are just leaving I'm a straight note
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Sending using
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Plugins
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To handle that
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Usually how you do
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David doing
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A leader an extra layer
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Some
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Funniest fight
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Melody
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And this is like a really good example of a Melody that you just
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Here
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Anywhere
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And I like that
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Does he like what the
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I don't know what I'm going to call it
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The working title is
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She can see all my court structure here but it's all broken up and split on between
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Instruments
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But it was all derived from single
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Chords sing with that leaves
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And you can tell actually all these Cliffs are called F chord
200
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Because I literally copied the exact same cord across the chart and then switched it up with different
201
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Notes in different instruments
202
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And then I had two very ate it and then very hateful
203
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Lead but I of course had to go in manually and change a few notes but
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So this is kind of a chorus
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Tears of change
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Random
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Harp sample that I
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I found on the internet
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That I am
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Dtoon tablet
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Maki
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And it's like part of the bells and whistles
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Process but
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Again miss this lead and in this base
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And this synth
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We're all derived from a series of cords so
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If I were to go into
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Descendants and then
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See the middle for that
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It's all been broken up and
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I can guarantee you and I I think in this case
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Fold the note so only display the keys that are showing
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And if I win
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Back
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And
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Basically
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Sustain all the notes in this chord
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I could tell you that
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You know this was the cord I work with someone
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And then it went
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No te here
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I mean that's it's all just arrived from sustained chord
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Which is on
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F****** music is
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Girl chord structure
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But you know Arrangement certain pattern
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And then I took
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The base of that
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Denoting
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Play it in through this and added some
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Monkey faces to do I guess
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That's not even a real base
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Sounds like a bass
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So I mean that's
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Kind of how I derive melodic structure out of
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Out-of-court
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