Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:14,300 --> 00:00:17,233
>> HEY, MIKE.
2
00:00:17,233 --> 00:00:18,567
>> HEY, BUDDY. OKAY.
3
00:00:18,567 --> 00:00:19,767
IS THAT BETTER FOR YOU?
4
00:00:19,767 --> 00:00:20,733
>> WHERE ARE WE?
5
00:00:20,733 --> 00:00:22,367
>> WE ARE IN QUEENS IN FRONT OF
6
00:00:22,367 --> 00:00:23,233
MY APARTMENT.
7
00:00:23,233 --> 00:00:24,033
[ CHUCKLES ]
8
00:00:24,033 --> 00:00:25,533
I CAN'T BELIEVE YOU WROTE OUT A
9
00:00:25,533 --> 00:00:26,533
LIST OF QUESTIONS.
10
00:00:26,533 --> 00:00:27,600
>> SCOTT. TAKE TWO.
11
00:00:27,600 --> 00:00:29,233
PLEASE CLAP RIGHT IN FRONT OF
12
00:00:29,233 --> 00:00:29,767
YOUR FACE.
13
00:00:29,767 --> 00:00:30,567
THANK YOU.
14
00:00:30,567 --> 00:00:32,300
>> ARE WE GONNA BE DOING A LOT
15
00:00:32,300 --> 00:00:33,033
OF THIS?
16
00:00:33,033 --> 00:00:34,500
THIS IS THE BEGINNING OF THE
17
00:00:34,500 --> 00:00:36,267
NEXT COUPLE WEEKS OF OUR LIFE.
18
00:00:36,267 --> 00:00:37,667
WE'RE GONNA BE LIKE IN THE
19
00:00:37,667 --> 00:00:38,333
MOVIES.
20
00:00:38,333 --> 00:00:39,167
>> EXACTLY.
21
00:00:39,167 --> 00:00:41,167
>> WELL, YOU'RE THE
22
00:00:41,167 --> 00:00:42,600
DOCUMENTARIAN, AND I KNOW YOU'RE
23
00:00:42,600 --> 00:00:43,700
GONNA DO A GREAT JOB.
24
00:00:43,700 --> 00:00:45,267
>> BETWEEN YOU AND SCOTT, I AM
25
00:00:45,267 --> 00:00:46,633
IN GOOD HANDS IN SOUTH AFRICA.
26
00:00:46,633 --> 00:00:48,067
IT'S WINTER THERE, RIGHT?
27
00:00:48,067 --> 00:00:48,500
>> YEAH.
28
00:00:48,500 --> 00:00:49,433
>> YOU KNOW WHAT?
29
00:00:49,433 --> 00:00:50,800
REWIND THAT WHOLE TAPE AND ASK
30
00:00:50,800 --> 00:00:52,367
ME THAT QUESTION AGAIN 'CAUSE
31
00:00:52,367 --> 00:00:53,700
I'M EXCITED ABOUT THE FUCKING
32
00:00:53,700 --> 00:00:54,300
WINTER.
33
00:00:54,300 --> 00:00:55,800
>> SOUNDS KIND OF SKETCHY, TO BE
34
00:00:55,800 --> 00:00:56,400
HONEST.
35
00:00:56,400 --> 00:00:57,467
>> I DON'T KNOW, MAN.
36
00:00:57,467 --> 00:00:58,700
WE'RE JUST GONNA GO DOWN.
37
00:00:58,700 --> 00:01:00,300
WE'RE GONNA HAVE A GOOD TIME.
38
00:01:00,300 --> 00:01:01,700
YOU KNOW, YOU'RE GONNA DO YOUR
39
00:01:01,700 --> 00:01:03,233
DOCUMENTARY, AND HOPEFULLY WE
40
00:01:03,233 --> 00:01:04,267
GET SOME SHIT DONE.
41
00:01:04,267 --> 00:01:05,367
>> I'M NOT SHOOTING A
42
00:01:05,367 --> 00:01:06,733
DOCUMENTARY ABOUT A GUY THAT
43
00:01:06,733 --> 00:01:07,733
WINS, NECESSARILY.
44
00:01:07,733 --> 00:01:09,333
BUT AT LEAST I'LL COME OUT ON,
45
00:01:09,333 --> 00:01:13,200
YOU KNOW, ON TOP ON SOME LEVEL.
46
00:01:13,200 --> 00:01:14,800
>> HOWEVER THIS PLAYS OUT, I
47
00:01:14,800 --> 00:01:16,700
JUST REALLY DON'T WANT THE SAME
48
00:01:16,700 --> 00:01:18,633
THING TO HAPPEN TO ANYONE ELSE,
49
00:01:18,633 --> 00:01:20,433
AND IT'S UNFORTUNATE THAT IT
50
00:01:20,433 --> 00:01:22,267
DOES, BUT HOPEFULLY THIS WILL
51
00:01:22,267 --> 00:01:23,100
HELP.
52
00:01:30,133 --> 00:01:32,267
>> I MEAN, I KNOW WE'RE HERE TO
53
00:01:32,267 --> 00:01:34,167
TALK ABOUT EVERYTHING THAT
54
00:01:34,167 --> 00:01:36,300
HAPPENED IN SOUTH AFRICA, SO, I
55
00:01:36,300 --> 00:01:38,333
MEAN, IF YOU WANT TO JUST ASK
56
00:01:38,333 --> 00:01:39,567
ME, THEN ASK ME.
57
00:01:39,567 --> 00:01:41,500
IT'S A YEAR, SO I SHOULD BE
58
00:01:41,500 --> 00:01:42,167
GOOD.
59
00:01:42,167 --> 00:01:43,567
I MEAN, I'M A LITTLE
60
00:01:43,567 --> 00:01:45,333
UNCOMFORTABLE RIGHT NOW.
61
00:01:45,333 --> 00:01:48,667
IF WE COULD JUST LIKE...
62
00:01:48,667 --> 00:01:50,267
MAKE IT QUICK AND PAINLESS.
63
00:01:50,267 --> 00:01:51,100
[ CHUCKLES ]
64
00:01:51,100 --> 00:01:52,067
LIKE A BAND-AID.
65
00:01:52,067 --> 00:01:52,733
NO, WHATEVER.
66
00:01:52,733 --> 00:01:54,033
LET'S JUST DO THIS.
67
00:01:54,033 --> 00:01:57,533
LET'S JUST GET THIS DONE.
68
00:02:49,333 --> 00:02:51,200
[ DISTORTED AUDIO ]
69
00:02:51,200 --> 00:02:53,200
>> [ INHALES DEEPLY ]
70
00:02:53,200 --> 00:02:55,000
[ BIRDS CHIRPING ]
71
00:03:00,500 --> 00:03:02,133
MY NAME'S MIKE.
72
00:03:02,133 --> 00:03:03,700
I'M PRETTY MUCH A
73
00:03:03,700 --> 00:03:06,133
BARTENDER/ASPIRING ACTOR.
74
00:03:06,133 --> 00:03:08,733
>> MIKE AND I HAVE BEEN FRIENDS
75
00:03:08,733 --> 00:03:12,267
SINCE BASICALLY LIKE SIXTH
76
00:03:12,267 --> 00:03:13,067
GRADE.
77
00:03:13,067 --> 00:03:15,333
>> NED, SCOTT, AND I, WE GREW
78
00:03:15,333 --> 00:03:17,400
UP, SMALL TOWN OUTSIDE OF
79
00:03:17,400 --> 00:03:20,400
COLUMBUS, OHIO -- SPRINGFIELD.
80
00:03:20,400 --> 00:03:22,233
>> WE GOT TO BE BUDS, YOU KNOW.
81
00:03:22,233 --> 00:03:24,067
AND ALL THROUGH JUNIOR HIGH, YOU
82
00:03:24,067 --> 00:03:25,500
KNOW, WE WOULD DO ALL THIS
83
00:03:25,500 --> 00:03:26,133
STUFF.
84
00:03:26,133 --> 00:03:27,667
WE WOULD GO OUT TO THE DANCES
85
00:03:27,667 --> 00:03:28,433
TOGETHER.
86
00:03:28,433 --> 00:03:30,200
>> AND I ALWAYS THOUGHT VERY,
87
00:03:30,200 --> 00:03:31,367
VERY HIGHLY OF NED.
88
00:03:31,367 --> 00:03:33,167
I THINK THAT, YOU KNOW, THOSE
89
00:03:33,167 --> 00:03:35,067
ARE TWO GUYS THAT LOOKED, TO ME,
90
00:03:35,067 --> 00:03:36,400
THEY BELONGED TOGETHER.
91
00:03:36,400 --> 00:03:38,233
THEY WERE MEANT TO BE FRIENDS.
92
00:03:38,233 --> 00:03:39,600
>> SOMEHOW, SOME WAY, WE ALL
93
00:03:39,600 --> 00:03:41,067
MADE OUR TO NEW YORK CITY.
94
00:03:41,067 --> 00:03:42,533
WE'RE ALL DOING OUR THING HERE,
95
00:03:42,533 --> 00:03:43,233
YOU KNOW.
96
00:03:43,233 --> 00:03:44,667
AND TECHNICALLY, AM I AN ACTOR?
97
00:03:44,667 --> 00:03:46,267
I DON'T -- I DON'T EVEN KNOW.
98
00:03:46,267 --> 00:03:48,067
>> I MET MIKE ABOUT FOUR YEARS
99
00:03:48,067 --> 00:03:49,567
AGO, AND REPRESENTED HIM FOR
100
00:03:49,567 --> 00:03:51,333
ABOUT TWO OF THOSE YEARS RIGHT
101
00:03:51,333 --> 00:03:53,100
AROUND IN THE MIDDLE OF THAT.
102
00:03:53,100 --> 00:03:55,100
WE HAD A PRETTY GOOD RAPPORT.
103
00:03:55,333 --> 00:03:56,667
HE'S VERY CHARISMATIC.
104
00:03:56,667 --> 00:03:58,633
WE WERE ABLE TO GET HIM A LOT OF
105
00:03:58,633 --> 00:03:59,500
AUDITIONS.
106
00:03:59,500 --> 00:04:01,367
CASTING DIRECTORS REALLY LIKED
107
00:04:01,367 --> 00:04:01,767
HIM.
108
00:04:01,767 --> 00:04:03,733
EVENTUALLY, HE BOOKED A NATIONAL
109
00:04:03,733 --> 00:04:05,533
DEODORANT COMMERCIAL -- VERY
110
00:04:05,533 --> 00:04:06,533
LUCRATIVE GIG.
111
00:04:06,533 --> 00:04:08,200
THAT FILMED IN CAPE TOWN,
112
00:04:08,200 --> 00:04:09,167
SOUTH AFRICA.
113
00:04:09,167 --> 00:04:10,733
>> I MET THIS ONE INDIVIDUAL BY
114
00:04:10,733 --> 00:04:12,133
THE NAME OF LEBOGANG.
115
00:04:12,133 --> 00:04:13,667
AND HE SEEMED LIKE A NICE GUY,
116
00:04:13,667 --> 00:04:14,600
A BUSINESSMAN.
117
00:04:14,600 --> 00:04:16,300
HAD THIS SOUTH AFRICAN CHARM.
118
00:04:16,300 --> 00:04:17,800
AT THE TIME, YOU KNOW, I WAS
119
00:04:17,800 --> 00:04:19,267
KIND OF IN A GOOD PLACE
120
00:04:19,267 --> 00:04:20,100
FINANCIALLY.
121
00:04:20,100 --> 00:04:21,633
I JUST BOOKED THAT JOB, AND IT
122
00:04:21,633 --> 00:04:22,433
PAID WELL.
123
00:04:22,433 --> 00:04:24,100
SO, A COUPLE OF WEEKS AFTER I
124
00:04:24,100 --> 00:04:25,500
GOT BACK TO THE STATES, HE
125
00:04:25,500 --> 00:04:26,667
OFFERED ME A BUSINESS
126
00:04:26,667 --> 00:04:27,500
PROPOSITION.
127
00:04:27,733 --> 00:04:29,067
>> LEBOGANG CLAIMED TO HAVE
128
00:04:29,067 --> 00:04:30,267
INHERITED A LARGE SUM OF MONEY
129
00:04:30,267 --> 00:04:32,300
FROM HIS UNCLE AND SAID THAT HE
130
00:04:32,300 --> 00:04:34,133
NEEDED MIKE'S ASSISTANCE IN
131
00:04:34,133 --> 00:04:35,667
REMOVING THAT MONEY FROM
132
00:04:35,667 --> 00:04:37,467
SOUTH AFRICA DUE TO AN OLD
133
00:04:37,467 --> 00:04:39,533
APARTHEID-ERA LAW THAT WAS STILL
134
00:04:39,533 --> 00:04:40,567
ON THE BOOKS.
135
00:04:40,567 --> 00:04:42,500
AND FOR MIKE'S ASSISTANCE, HE
136
00:04:42,500 --> 00:04:44,100
WOULD RECEIVE 10%, OR
137
00:04:44,100 --> 00:04:47,433
APPROXIMATELY $450,000 U.S.
138
00:04:47,433 --> 00:04:48,567
>> SO I, UM...
139
00:04:48,567 --> 00:04:50,600
SO I WENT AHEAD AND INVESTED
140
00:04:50,600 --> 00:04:53,033
SOME MONEY -- THE MAJORITY OF MY
141
00:04:53,033 --> 00:04:53,567
MONEY.
142
00:04:53,567 --> 00:04:55,633
>> IT WAS IN SMALL INCREMENTS AT
143
00:04:55,633 --> 00:04:57,667
FIRST, AND THEN MORE AND MORE AS
144
00:04:57,667 --> 00:04:59,600
LEBOGANG'S SUPPOSED ATTEMPTS
145
00:04:59,600 --> 00:05:00,467
INCREASED.
146
00:05:00,467 --> 00:05:02,500
THE TOTAL WAS ABOUT $10,000 OVER
147
00:05:02,500 --> 00:05:04,167
A PERIOD OF NINE WEEKS.
148
00:05:04,167 --> 00:05:06,233
THEN LEBOGANG SAID THE TRANSFER
149
00:05:06,233 --> 00:05:08,133
HAD BEEN SUCCESSFUL AND SENT
150
00:05:08,133 --> 00:05:10,100
MIKE A LINK TO A BANK WEBSITE
151
00:05:10,100 --> 00:05:11,533
FOR THE SWISS ACCOUNT.
152
00:05:11,533 --> 00:05:13,267
SHORTLY THEREAFTER, MIKE
153
00:05:13,267 --> 00:05:15,233
RECEIVED A CHECK AND DEPOSITED
154
00:05:15,233 --> 00:05:17,067
IT IMMEDIATELY AND STARTED
155
00:05:17,067 --> 00:05:17,700
SPENDING.
156
00:05:17,700 --> 00:05:19,767
AND, OF COURSE, THE WEBSITE WAS
157
00:05:19,767 --> 00:05:21,633
FAKE, ALONG WITH EVERYTHING
158
00:05:21,633 --> 00:05:22,300
ELSE.
159
00:05:22,300 --> 00:05:23,567
>> BY THE TIME THE BANKING
160
00:05:23,567 --> 00:05:25,133
SYSTEM CAUGHT UP WITH IT, THE
161
00:05:25,133 --> 00:05:26,600
DAMAGE HAD ALREADY BEEN DONE AND
162
00:05:26,600 --> 00:05:28,167
MIKE WAS DEEPER THAN HE COULD
163
00:05:28,167 --> 00:05:28,800
HAVE EXPECTED.
164
00:05:28,800 --> 00:05:30,433
>> HE WAS ABOUT $30,000 IN DEBT
165
00:05:30,433 --> 00:05:31,600
AND WIPED OUT.
166
00:05:32,033 --> 00:05:33,700
>> THE 419 SCAM IS ACTUALLY
167
00:05:33,700 --> 00:05:35,667
NAMED FROM THE SECTION OF THE
168
00:05:35,667 --> 00:05:37,800
NIGERIAN PENAL CODE DEALING WITH
169
00:05:37,800 --> 00:05:38,500
FRAUD.
170
00:05:38,500 --> 00:05:39,567
IT'S REALLY A
171
00:05:39,567 --> 00:05:41,433
SOMETHING-FOR-NOTHING DEAL.
172
00:05:41,433 --> 00:05:43,433
BY ASKING FOR SMALL FEES PIECE
173
00:05:43,433 --> 00:05:45,400
BY PIECE, IT DESENSITIZES THE
174
00:05:45,400 --> 00:05:47,467
VICTIM TO WHAT THEY'RE ACTUALLY
175
00:05:47,467 --> 00:05:48,167
DOING.
176
00:05:48,167 --> 00:05:50,167
>> BUT THE WEIRD PART WAS, WAS
177
00:05:50,167 --> 00:05:51,533
THAT I KNEW THE GUY.
178
00:05:51,533 --> 00:05:53,467
>> MIKE'S CASE IS, IN ONE KEY
179
00:05:53,467 --> 00:05:55,167
WAY, ATYPICAL IN THAT HE
180
00:05:55,167 --> 00:05:56,533
ACTUALLY HAD MADE THE
181
00:05:56,533 --> 00:05:58,433
ACQUAINTANCE OF THE SCAMMER.
182
00:05:58,433 --> 00:06:00,400
>> SO IT SEEMED LIKE THE RIGHT
183
00:06:00,400 --> 00:06:04,100
THING TO DO.
184
00:06:04,100 --> 00:06:05,600
AND HE GOT ME.
185
00:06:06,033 --> 00:06:07,467
>> MIKE HAD TO HAVE KNOWN, LIKE
186
00:06:07,467 --> 00:06:08,733
FELT IT, FELT THAT IT WAS
187
00:06:08,733 --> 00:06:10,133
WRONG -- YOU KNOW WHAT I
188
00:06:10,133 --> 00:06:11,400
MEAN? -- LIKE, IN HIS GUT.
189
00:06:11,400 --> 00:06:12,533
YOU KNOW THESE THINGS.
190
00:06:12,533 --> 00:06:13,767
YOUR INTUITION TELLS YOU.
191
00:06:13,767 --> 00:06:16,300
>> HE DOESN'T ALWAYS THINK.
192
00:06:16,300 --> 00:06:17,500
AND HE DIDN'T THINK.
193
00:06:17,500 --> 00:06:19,400
>> HE'S AN ACTOR, AND HE'S GOOD,
194
00:06:19,400 --> 00:06:20,600
AND HE'S DEDICATED.
195
00:06:20,600 --> 00:06:22,400
BUT, YOU KNOW, SOME ACTORS ARE
196
00:06:22,400 --> 00:06:24,200
MORE GROUNDED, AND SOME AREN'T
197
00:06:24,200 --> 00:06:24,733
SO MUCH.
198
00:06:24,733 --> 00:06:27,433
>> BEING ONSTAGE, JUST
199
00:06:27,433 --> 00:06:28,733
EVERYTHING IS GONE EXCEPT FOR
200
00:06:28,733 --> 00:06:30,067
WHAT YOU'RE DOING IN THAT
201
00:06:30,067 --> 00:06:30,467
MOMENT.
202
00:06:30,467 --> 00:06:31,800
JUST TO ESCAPE MY WORLD IS WHAT
203
00:06:31,800 --> 00:06:32,800
I GET EXCITED ABOUT.
204
00:06:32,800 --> 00:06:34,267
SO WHEN I'M NOT ACTING, IT'S
205
00:06:34,267 --> 00:06:35,200
KIND OF DIFFICULT.
206
00:06:35,200 --> 00:06:36,567
>> THERE WAS NO STABILITY, AND I
207
00:06:36,567 --> 00:06:38,033
THINK SOMEONE LIKE MIKE NEEDS
208
00:06:38,033 --> 00:06:39,200
STABILITY.
209
00:06:39,433 --> 00:06:41,133
>> HE HAS A TENDENCY TO LIVE
210
00:06:41,133 --> 00:06:42,767
BEYOND HIS MEANS, AND, YOU KNOW,
211
00:06:42,767 --> 00:06:44,600
PARTY A LITTLE BIT MORE THAN HE
212
00:06:44,600 --> 00:06:45,267
SHOULD.
213
00:06:45,267 --> 00:06:47,033
>> HE'S NOT A VERY RESPONSIBLE
214
00:06:47,033 --> 00:06:48,100
PERSON, YOU KNOW?
215
00:06:48,100 --> 00:06:49,767
>> HE'S NOT INCAPABLE OF CHANGE.
216
00:06:49,767 --> 00:06:51,333
HE SHOULD BE DOING GREAT.
217
00:06:51,333 --> 00:06:52,200
AND HE WILL.
218
00:06:52,200 --> 00:06:53,767
HE JUST NEEDS TO GET OVER THIS
219
00:06:53,767 --> 00:06:54,367
HUMP.
220
00:06:54,367 --> 00:06:56,300
>> FOR THE VICTIMS OF THESE
221
00:06:56,300 --> 00:06:58,400
FRAUDS, IT'S A TERRIBLE SHOCK.
222
00:06:58,400 --> 00:07:00,600
>> WHEN YOU BEFRIEND SOMEONE AND
223
00:07:00,600 --> 00:07:02,767
YOU THINK YOU CAN TRUST THEM AND
224
00:07:02,767 --> 00:07:04,667
THEN THEY STRING YOU ALONG
225
00:07:04,667 --> 00:07:05,400
AND...
226
00:07:05,400 --> 00:07:07,433
>> AND WHEN THEY REALIZE THAT
227
00:07:07,433 --> 00:07:09,167
ALL OF THIS IS FALSE...
228
00:07:09,167 --> 00:07:13,167
>> IT'S A PRETTY AWFUL FEELING.
229
00:07:13,167 --> 00:07:14,733
IT'S NOT EASY TO SWALLOW THAT.
230
00:07:14,733 --> 00:07:16,600
>> SO NOW WE HAVE AN OPPORTUNITY
231
00:07:16,600 --> 00:07:18,400
NOT ONLY TO HELP OUR FRIEND BUT
232
00:07:18,400 --> 00:07:20,067
ALSO MAYBE TO MAKE SOMETHING
233
00:07:20,067 --> 00:07:21,567
THAT WE CAN BE PROUD OF, ALL
234
00:07:21,567 --> 00:07:22,433
THREE OF US.
235
00:07:22,433 --> 00:07:24,233
>> YOU KNOW, RIGHT NOW I'M IN A
236
00:07:24,233 --> 00:07:26,100
PLACE WHERE I'VE GOT ENOUGH
237
00:07:26,100 --> 00:07:28,167
MONEY TO BE ABLE TO DO A LITTLE
238
00:07:28,167 --> 00:07:29,633
SOMETHING TO HELP OUT.
239
00:07:29,633 --> 00:07:33,333
>> SO, MR. NED AND MY FRIEND
240
00:07:33,333 --> 00:07:37,200
SCOTT CAME TO ME AND OFFERED ME
241
00:07:37,200 --> 00:07:40,367
AN OPPORTUNITY TO GO BACK TO
242
00:07:40,367 --> 00:07:42,233
AFRICA AND SEE IF WE COULD FIND
243
00:07:42,233 --> 00:07:43,367
THIS MOTHERFUCKER.
244
00:07:43,367 --> 00:07:44,367
[ LAUGHS ]
245
00:07:46,500 --> 00:07:48,433
>> DOCUMENTARY FILMMAKING AT ITS
246
00:07:48,433 --> 00:07:49,033
BEST.
247
00:07:49,033 --> 00:07:50,767
>> SO, WHAT I WANT TO PRESENT TO
248
00:07:50,767 --> 00:07:51,400
YOU...
249
00:07:51,400 --> 00:07:52,233
>> MM-HMM.
250
00:07:52,233 --> 00:07:53,567
>> THIS IS FOR ME.
251
00:07:53,800 --> 00:07:55,400
AND THESE ARE FOR YOU.
252
00:07:55,400 --> 00:07:56,167
>> OOH.
253
00:07:56,167 --> 00:07:58,133
>> AND I ENCOURAGE YOU TO HELP
254
00:07:58,133 --> 00:08:00,100
ADD TO THE -- ADD TO THE SCENE
255
00:08:00,100 --> 00:08:01,467
BY TAPING -- FILMING WHATEVER
256
00:08:01,467 --> 00:08:02,133
YOU WANT.
257
00:08:02,133 --> 00:08:03,433
>> MINE'S GOT A LOW BATTERY
258
00:08:03,433 --> 00:08:04,100
ALREADY.
259
00:08:04,100 --> 00:08:05,033
ALL RIGHT, YEAH.
260
00:08:05,033 --> 00:08:05,567
>> OH, WOW.
261
00:08:05,567 --> 00:08:06,733
>> BUT YOU CAN'T BE THE
262
00:08:06,733 --> 00:08:07,767
DOCUMENTARIAN, TOO.
263
00:08:07,767 --> 00:08:09,233
>> I'M THE DOCUMENTARIAN.
264
00:08:09,233 --> 00:08:10,600
>> CAMERA ONE AND CAMERA TWO.
265
00:08:10,600 --> 00:08:11,600
THIS IS FANTASTIC.
266
00:08:11,600 --> 00:08:13,467
>> I'VE GOT THE HOTEL BOOKED.
267
00:08:13,467 --> 00:08:15,333
>> WE'RE GONNA GO MEET UP WITH
268
00:08:15,333 --> 00:08:17,067
EZRA, MY BUDDY DOWN THERE.
269
00:08:17,067 --> 00:08:19,567
HE'S GONNA TAKE US AROUND TO
270
00:08:19,567 --> 00:08:21,767
FIND LEBOGANG.
271
00:08:21,767 --> 00:08:23,333
>> HELL OF A DOCUMENTARY, NED.
272
00:08:23,333 --> 00:08:24,567
>> IT'S GONNA GET BETTER.
273
00:08:24,567 --> 00:08:25,567
IT'S GONNA BE GOOD.
274
00:08:25,567 --> 00:08:26,767
>> IT'S GONNA GET BETTER?
275
00:08:26,767 --> 00:08:27,433
>> YEAH.
276
00:08:27,433 --> 00:08:28,767
IT'S GONNA BE LESS RIDICULOUS
277
00:08:28,767 --> 00:08:30,600
BANTER AND MORE DOING STUFF.
278
00:08:31,033 --> 00:08:32,133
>> WELL, AT SOME.
279
00:08:32,133 --> 00:08:33,067
>> [ LAUGHS ]
280
00:08:33,067 --> 00:08:34,667
>> LITTLE MINI CARS, LIKE THE
281
00:08:34,667 --> 00:08:35,633
MATCHBOX CARS.
282
00:08:35,633 --> 00:08:37,300
>> NOT GOOD ENOUGH, SCOTT.
283
00:08:37,300 --> 00:08:38,033
>> LAME.
284
00:08:38,033 --> 00:08:39,433
>> OH, LOOK WHO'S THERE.
285
00:08:39,433 --> 00:08:41,267
>> OH, SHIT. IS THAT MIKE?
286
00:08:41,500 --> 00:08:42,733
THAT LOOKS LIKE AN AWFUL LOT
287
00:08:42,733 --> 00:08:43,667
LIKE FLIRTING TO ME.
288
00:08:43,667 --> 00:08:44,433
>> [ LAUGHS ]
289
00:08:44,433 --> 00:08:45,733
>> NO, IT LOOKS LIKE A SPIRITED
290
00:08:45,733 --> 00:08:46,500
CONVERSATION.
291
00:08:46,500 --> 00:08:47,200
>> QUICKLY.
292
00:08:47,200 --> 00:08:48,533
>> HE'S IN A HURRY.
293
00:08:48,533 --> 00:08:50,167
>> OKAY. DON'T WORRY.
294
00:08:50,167 --> 00:08:51,300
WE'LL CATCH UP.
295
00:08:51,300 --> 00:08:52,067
>> HEY!
296
00:08:52,067 --> 00:08:52,667
>> HEY!
297
00:08:52,667 --> 00:08:53,367
>> OH!
298
00:08:53,367 --> 00:08:54,800
>> HOW ARE YOU DOING?
299
00:08:54,800 --> 00:08:56,433
>> GOOD. HOW ARE YOU?
300
00:08:56,433 --> 00:08:57,533
GUYS, COME IN.
301
00:08:57,533 --> 00:09:00,067
COME IN AND BE FRIENDS WITH US.
302
00:09:00,067 --> 00:09:01,633
>> EMILEA AND I HAVE BEEN
303
00:09:01,633 --> 00:09:03,633
TOGETHER FOR JUST ABOUT A YEAR.
304
00:09:03,633 --> 00:09:05,400
>> I DATED MIKE FOR A BIT.
305
00:09:05,400 --> 00:09:07,400
>> THEN ABOUT A YEAR AND A HALF
306
00:09:07,400 --> 00:09:09,200
AGO, MIKE PRETTY SERIOUSLY
307
00:09:09,200 --> 00:09:11,033
CHEATED ON EMILEA, AND, YOU
308
00:09:11,033 --> 00:09:12,733
KNOW, I WAS THERE FOR BOTH OF
309
00:09:12,733 --> 00:09:13,367
THEM.
310
00:09:13,367 --> 00:09:15,300
THEY'RE BOTH GREAT FRIENDS OF
311
00:09:15,300 --> 00:09:15,733
MINE.
312
00:09:15,733 --> 00:09:17,767
IT WAS A PRETTY BAD SITUATION.
313
00:09:17,767 --> 00:09:20,067
WE SORT OF LOOKED AT EACH OTHER
314
00:09:20,067 --> 00:09:21,733
AND WE SAID, "WHY NOT US?"
315
00:09:21,733 --> 00:09:23,700
WHICH IS PROBLEMATIC IN MANY
316
00:09:23,700 --> 00:09:25,600
WAYS, NOT THE LEAST OF WHICH
317
00:09:25,600 --> 00:09:27,233
BEING OUR BUDDY MIKE.
318
00:09:27,233 --> 00:09:29,233
>> I LOVE CORONAS WITH LEMON.
319
00:09:29,233 --> 00:09:31,367
>> IT WAS WEIRD FOR A WHILE, BUT
320
00:09:31,367 --> 00:09:33,233
MIKE GOT OVER IT.
321
00:09:33,233 --> 00:09:34,500
FOR THE MOST PART.
322
00:09:34,500 --> 00:09:36,067
>> NED, GO AWAY, NED.
323
00:09:36,067 --> 00:09:36,800
>> HI, NED.
324
00:09:36,800 --> 00:09:37,500
>> HI.
325
00:09:37,500 --> 00:09:39,367
>> YOU KNOW HOW MIKE'S BEEN
326
00:09:39,367 --> 00:09:42,067
TALKING ABOUT SOUTH AFRICA?
327
00:09:42,067 --> 00:09:43,100
>> YEAH.
328
00:09:43,100 --> 00:09:48,100
>> SO, WE HAVE DECIDED THAT
329
00:09:48,100 --> 00:09:49,500
WE'RE GONNA GO DOWN THERE.
330
00:09:49,500 --> 00:09:51,300
>> THEY, LIKE, SPRUNG IT ON US.
331
00:09:51,300 --> 00:09:52,667
WHY AM I HEARING THIS FROM
332
00:09:52,667 --> 00:09:53,300
SCOTT?
333
00:09:53,300 --> 00:09:55,133
I WASN'T SUPER-ENTHUSIASTIC, BUT
334
00:09:55,133 --> 00:09:57,633
THEN I CAME TO TERMS WITH, LIKE,
335
00:09:57,633 --> 00:09:59,600
THE TRIP ITSELF AND, LIKE, WHAT
336
00:09:59,600 --> 00:10:01,467
THIS MEANT TO THEM, YOU KNOW,
337
00:10:01,467 --> 00:10:03,367
AND I THOUGHT IT SEEMED LIKE A
338
00:10:03,367 --> 00:10:04,233
NICE IDEA.
339
00:10:04,233 --> 00:10:05,800
>> WE'RE GONNA GO DOWN, AND
340
00:10:05,800 --> 00:10:09,133
WE'RE GONNA LOOK FOR THIS DUDE.
341
00:10:09,133 --> 00:10:10,800
>> WHY DO YOU THINK IT'S A GOOD
342
00:10:10,800 --> 00:10:13,800
IDEA TO GO INDULGE MIKE LIKE
343
00:10:13,800 --> 00:10:15,167
THIS?
344
00:10:15,167 --> 00:10:17,133
>> I DIDN'T SAY IT WAS A GOOD
345
00:10:17,133 --> 00:10:17,600
IDEA.
346
00:10:17,600 --> 00:10:19,533
>> THE ONLY REASON WHY I WENT
347
00:10:19,533 --> 00:10:21,600
ALONG WITH THIS WHOLE THING WAS
348
00:10:21,600 --> 00:10:23,600
THAT SCOTT WAS LIKE, "THIS IS
349
00:10:23,600 --> 00:10:25,500
GONNA BE A GOOD GUYS' TRIP."
350
00:10:25,500 --> 00:10:27,100
BUT IT JUST SEEMED SO
351
00:10:27,100 --> 00:10:28,633
NOT-THOUGHT-OUT, JUST SO
352
00:10:28,633 --> 00:10:30,300
IMPULSIVE AND RECKLESS.
353
00:10:30,300 --> 00:10:32,400
>> IT'S NOT LIKE WE'RE GOING OUT
354
00:10:32,400 --> 00:10:34,067
ON A WHIM TRYING TO FIND THIS
355
00:10:34,067 --> 00:10:34,400
GUY.
356
00:10:34,400 --> 00:10:36,133
WE ACTUALLY HAVE A COUPLE LEADS.
357
00:10:36,133 --> 00:10:37,667
A FRIEND OF MINE DOWN THERE WHO
358
00:10:37,667 --> 00:10:39,300
SOMEHOW, ROUNDABOUT, THROUGH
359
00:10:39,300 --> 00:10:40,767
FRIENDS OF FRIENDS, KNOWS HIM.
360
00:10:40,767 --> 00:10:42,500
>> WHAT ARE YOU GONNA DO IF YOU
361
00:10:42,500 --> 00:10:43,400
FIND THIS GUY?
362
00:10:43,400 --> 00:10:45,167
>> SCOTT AND I HAVE DEAL THAT IF
363
00:10:45,167 --> 00:10:48,500
WE GO THAT -- IF WE DO FIND THIS
364
00:10:48,500 --> 00:10:50,067
GUY, THAT I REPORT HIM TO THE
365
00:10:50,067 --> 00:10:51,100
PROPER AUTHORITIES.
366
00:10:51,100 --> 00:10:52,400
PROPER CHANNELS -- I DON'T
367
00:10:52,400 --> 00:10:53,700
NECESSARILY WORK THAT WAY.
368
00:10:53,700 --> 00:10:55,367
>> LIKE, HOW DO YOU KNOW YOU'RE
369
00:10:55,367 --> 00:10:56,633
GONNA BE SAFE DOWN THERE?
370
00:10:56,633 --> 00:10:58,167
>> ALL WE'RE DOING IS WE'RE
371
00:10:58,167 --> 00:10:59,667
DOING A LITTLE BIT MORE RESEARCH
372
00:10:59,667 --> 00:11:01,300
THAN THE PEOPLE ARE WILLING TO
373
00:11:01,300 --> 00:11:01,567
DO.
374
00:11:01,567 --> 00:11:03,233
WE'RE JUST GONNA GO DOWN THERE
375
00:11:03,233 --> 00:11:04,633
AND WE'RE GONNA CHECK IT OUT.
376
00:11:04,633 --> 00:11:06,333
AND ALSO, WE'RE GONNA CHILL OUT
377
00:11:06,333 --> 00:11:07,267
IN SOUTH AFRICA.
378
00:11:07,267 --> 00:11:08,267
>> SO PESSIMISTIC.
379
00:11:08,267 --> 00:11:09,633
>> NO, IT'S NOT PESSIMISTIC.
380
00:11:09,633 --> 00:11:11,100
IT'S ABOUT BEING SAFE, AND IT'S
381
00:11:11,100 --> 00:11:12,033
ABOUT LOOKING AHEAD.
382
00:11:12,033 --> 00:11:13,033
YOU KNOW WHAT I MEAN?
383
00:11:13,033 --> 00:11:13,600
LIKE, COME ON.
384
00:11:13,600 --> 00:11:14,767
>> THERE'S NO GUNS INVOLVED.
385
00:11:14,767 --> 00:11:16,200
>> THIS ISN'T "BLOOD DIAMOND,"
386
00:11:16,200 --> 00:11:16,500
OKAY?
387
00:11:16,500 --> 00:11:17,233
[ LAUGHTER ]
388
00:11:17,233 --> 00:11:18,067
>> WAIT A SECOND.
389
00:11:18,067 --> 00:11:19,033
I FEEL FOR YOU, MIKE.
390
00:11:19,033 --> 00:11:20,333
I THINK IT'S AWFUL THAT THIS HAS
391
00:11:20,333 --> 00:11:21,600
HAPPENED TO YOU, THAT THIS GUY
392
00:11:21,600 --> 00:11:23,033
STOLE ALL THIS MONEY FROM YOU.
393
00:11:23,033 --> 00:11:25,233
BUT WHY AREN'T YOU CALLING THE
394
00:11:25,233 --> 00:11:26,200
COPS HERE?
395
00:11:26,200 --> 00:11:28,300
LIKE, YOU KNOW ONE GUY FOR A
396
00:11:28,300 --> 00:11:30,500
WEEK, AND YOU'RE JUST GONNA GO
397
00:11:30,500 --> 00:11:31,733
TO SOUTH AFRICA?
398
00:11:31,733 --> 00:11:32,733
I'M NOT BEING A MOM, BUT...
399
00:11:32,733 --> 00:11:33,633
>> THIS IS NOT "COPS."
400
00:11:33,633 --> 00:11:34,733
>> ...THE THREE OF -- OKAY, I'M
401
00:11:34,733 --> 00:11:35,467
NOT BEING A MOM.
402
00:11:35,467 --> 00:11:36,200
>> I MET THE GUY.
403
00:11:36,200 --> 00:11:37,267
>> DO YOU THINK HE'S GONNA BE
404
00:11:37,267 --> 00:11:37,700
LIKE -- WHAT?
405
00:11:37,700 --> 00:11:38,800
YOU MET THE GUY THAT STOLE THE
406
00:11:38,800 --> 00:11:39,500
MONEY FROM YOU?
407
00:11:39,500 --> 00:11:40,400
>> YEAH, I MET THE GUY.
408
00:11:40,400 --> 00:11:41,567
ACTUALLY, RIGHT NOW I'M NOT
409
00:11:41,567 --> 00:11:43,067
REALLY FEELING THE PESSIMISM, SO
410
00:11:43,067 --> 00:11:44,400
I'M GONNA HAVE TO SPICE IT UP A
411
00:11:44,400 --> 00:11:45,067
LITTLE BIT.
412
00:11:45,067 --> 00:11:45,467
>> WHAT?
413
00:11:45,467 --> 00:11:46,267
>> SPICE IT UP.
414
00:11:46,267 --> 00:11:47,267
>> I'LL BE RIGHT BACK.
415
00:11:47,267 --> 00:11:48,133
SHOTS. EXCUSE ME.
416
00:11:48,133 --> 00:11:48,567
>> SHOTS.
417
00:11:48,567 --> 00:11:50,800
>> I WISH YOU HAD MAYBE INVITED
418
00:11:50,800 --> 00:11:52,767
ME OR SOMETHING, YOU KNOW?
419
00:11:52,767 --> 00:11:54,533
>> IT'S GONNA BE OKAY.
420
00:11:54,533 --> 00:11:55,367
>> NED.
421
00:11:55,367 --> 00:11:56,233
>> WHAT?
422
00:11:56,233 --> 00:11:58,467
>> I WOULD LIKE TO SAY, FOR THE
423
00:11:58,467 --> 00:12:00,733
BOTH OF US, THAT THIS ONE IS NOT
424
00:12:00,733 --> 00:12:02,767
RESPONSIBLE, AND YOU TWO, WHEN
425
00:12:02,767 --> 00:12:04,767
YOU'RE DOWN THERE, YOU NEED TO
426
00:12:04,767 --> 00:12:06,300
KEEP SHIT TOGETHER.
427
00:12:06,300 --> 00:12:07,333
>> OF COURSE.
428
00:12:07,333 --> 00:12:08,633
IT'S A COUPLE DAYS.
429
00:12:08,633 --> 00:12:10,633
>> MY WIFE IS SAYING, "YOU CAN'T
430
00:12:10,633 --> 00:12:11,533
LET HIM GO."
431
00:12:11,533 --> 00:12:13,400
AND I'M SAYING, YOU KNOW, IT'S
432
00:12:13,400 --> 00:12:14,367
HIS OWN LIFE.
433
00:12:14,367 --> 00:12:15,533
HE'S HIS OWN MAN.
434
00:12:15,533 --> 00:12:17,200
I TOLD HIM TO BE CAREFUL.
435
00:12:17,200 --> 00:12:19,067
>> I THINK THAT IT'S GOOD FOR
436
00:12:19,067 --> 00:12:20,767
HIM, MAYBE TO GET SOME SORT OF
437
00:12:20,767 --> 00:12:22,400
VALIDATION OR CLOSURE OR
438
00:12:22,400 --> 00:12:23,400
SOMETHING.
439
00:12:23,633 --> 00:12:25,367
>> AND IF CHASING THIS GUY,
440
00:12:25,367 --> 00:12:28,700
LEBOGANG, IS GONNA DO THAT, THEN
441
00:12:28,700 --> 00:12:30,700
IT'S PART OF THE DEAL.
442
00:12:31,133 --> 00:12:32,267
BUT REGARDLESS, IT SOUNDS
443
00:12:32,267 --> 00:12:33,233
ABSOLUTELY GORGEOUS.
444
00:12:33,233 --> 00:12:34,500
>> IT'S A BEAUTIFUL PLACE, AND
445
00:12:34,500 --> 00:12:36,433
IT'S DECEIVING BECAUSE THERE'S A
446
00:12:36,433 --> 00:12:38,333
LOT OF FUCKED-UP STUFF THAT GOES
447
00:12:38,333 --> 00:12:39,333
ON DOWN THERE.
448
00:12:39,333 --> 00:12:41,233
>> IT'LL BE PRETTY, AND IT'LL BE
449
00:12:41,233 --> 00:12:42,633
INTERESTING, DEFINITELY.
450
00:12:42,633 --> 00:12:44,533
BUT I ALSO THINK THAT THERE'S NO
451
00:12:44,533 --> 00:12:46,333
CHANCE MIKE'S GONNA FIND THIS
452
00:12:46,333 --> 00:12:48,067
GUY AND GET HIS MONEY BACK.
453
00:12:48,067 --> 00:12:49,767
>> SO, I DIDN'T THINK THAT THERE
454
00:12:49,767 --> 00:12:51,700
WAS AN IMMENSE AMOUNT OF DANGER.
455
00:12:51,700 --> 00:12:52,633
>> HEY, BABE.
456
00:12:52,633 --> 00:12:53,700
I MISS YOU, TOO.
457
00:12:53,700 --> 00:12:55,667
WE'RE, UH...
458
00:12:55,667 --> 00:12:58,367
WE'RE ON THE WAY.
459
00:12:58,367 --> 00:12:59,500
YEAH.
460
00:12:59,500 --> 00:13:02,467
NO, NED'S FILMING ME.
461
00:13:02,467 --> 00:13:05,500
ALL RIGHT, I LOVE YOU, TOO.
462
00:13:05,500 --> 00:13:07,367
BYE.
463
00:13:07,367 --> 00:13:09,233
JESUS CHRIST, DUDE.
464
00:13:09,233 --> 00:13:11,733
>> WHAT?
465
00:13:11,733 --> 00:13:12,600
I LOVE YOU.
466
00:13:12,600 --> 00:13:14,333
I'LL TALK TO YOU VERY SOON.
467
00:13:14,333 --> 00:13:16,200
>> GOD ONLY KNOWS WHAT'S GONNA
468
00:13:16,200 --> 00:13:16,700
HAPPEN.
469
00:13:16,700 --> 00:13:18,600
BUT, HEY, MAN, IT'S GONNA BE AN
470
00:13:18,600 --> 00:13:19,433
ADVENTURE.
471
00:13:19,433 --> 00:13:21,400
>> I MEAN, WHAT ELSE IS GOING ON
472
00:13:21,400 --> 00:13:22,433
HERE, YOU KNOW?
473
00:13:22,433 --> 00:13:24,333
WHAT THE FUCK ELSE DO I HAVE TO
474
00:13:24,333 --> 00:13:24,667
DO?
475
00:13:24,667 --> 00:13:26,733
>> FOR MOST PEOPLE, THE FANTASY
476
00:13:26,733 --> 00:13:28,600
OF ACTUALLY GOING TO AFRICA
477
00:13:28,600 --> 00:13:30,267
REMAINS JUST A FANTASY.
478
00:13:30,267 --> 00:13:32,133
IN MIKE'S CASE, HE HAD SOME
479
00:13:32,133 --> 00:13:33,800
FRIENDS WHO HAD SOME MEANS.
480
00:13:33,800 --> 00:13:36,067
THEY HAD SOME CONCERNS FOR HIM.
481
00:13:36,067 --> 00:13:37,700
>> HOW DO YOU LIKE BEING IN
482
00:13:37,700 --> 00:13:38,500
HOLLAND?
483
00:13:38,500 --> 00:13:40,367
>> IT'S AWESOME SO FAR.
484
00:13:40,367 --> 00:13:43,533
>> SO, WE'RE IN AMSTERDAM.
485
00:13:43,533 --> 00:13:45,567
THIS PLACE IS SO DUTCH.
486
00:13:45,567 --> 00:13:48,567
>> THEIR SOLUTION TO HIS
487
00:13:48,567 --> 00:13:52,100
DEPRESSION AND FEELING OF
488
00:13:52,100 --> 00:13:54,100
HELPLESSNESS IN HIS LIFE WAS TO
489
00:13:54,100 --> 00:13:57,100
CREATE THIS TRIP.
490
00:13:57,100 --> 00:13:58,533
>> I'M IN ECONOMY.
491
00:13:58,533 --> 00:14:01,167
>> IN THEIR MINDS, I DON'T THINK
492
00:14:01,167 --> 00:14:03,567
IT WAS INTENDED TO BE A MANHUNT.
493
00:14:03,567 --> 00:14:06,167
THEY HAD THE BEST OF INTENTIONS,
494
00:14:06,167 --> 00:14:08,567
AND, ALL THE SAME, THINGS DID GO
495
00:14:08,567 --> 00:14:11,567
SPECTACULARLY WRONG.
496
00:14:11,567 --> 00:14:13,567
>> WE ARE APPROXIMATELY FIVE
497
00:14:13,567 --> 00:14:15,600
MINUTES INTO OUR FLIGHT, AND
498
00:14:15,600 --> 00:14:17,467
ALREADY WE'VE BEGUN GOING
499
00:14:17,467 --> 00:14:19,167
INSANE.
500
00:14:27,767 --> 00:14:30,467
>> CAPE TOWN.
501
00:14:30,467 --> 00:14:32,633
>> MAYBE I SHOULD HAVE SAID A
502
00:14:32,633 --> 00:14:34,333
LOT MORE.
503
00:14:34,333 --> 00:14:35,667
I DON'T KNOW.
504
00:14:49,100 --> 00:14:51,367
>> YAY.
505
00:15:01,267 --> 00:15:02,567
>> WHAT TOOK YOU SO LONG, MAN?
506
00:15:02,567 --> 00:15:03,467
>> HEY. WHAT'S UP?
507
00:15:03,467 --> 00:15:04,700
>> WE WERE IN ROW LIKE 4,000.
508
00:15:04,700 --> 00:15:05,800
>> LOOKING FOR YOU, MAN.
509
00:15:05,800 --> 00:15:07,100
>> I'M OKAY. I'M OKAY.
510
00:15:07,100 --> 00:15:08,400
>> YOU ALWAYS MANAGE TO POP UP.
511
00:15:08,400 --> 00:15:10,267
>> YES! YES! [ LAUGHS ]
512
00:15:10,267 --> 00:15:11,433
>> [ Laughing ] OH, MY GOD.
513
00:15:11,433 --> 00:15:12,767
>> WHAT'S GOING ON WITH YOU,
514
00:15:12,767 --> 00:15:13,467
BROTHER?
515
00:15:13,467 --> 00:15:14,633
>> AHH, MY MAN.
516
00:15:14,633 --> 00:15:15,633
DUDE, THIS IS EZRA.
517
00:15:15,633 --> 00:15:16,400
>> HEY, MAN.
518
00:15:16,400 --> 00:15:17,267
>> THIS IS EZRA.
519
00:15:17,267 --> 00:15:18,400
>> HOW'S IT GOING, BRO?
520
00:15:18,400 --> 00:15:19,333
NICE TO MEET YOU.
521
00:15:19,333 --> 00:15:20,633
>> EZRA -- HE IS A CHARACTER.
522
00:15:20,633 --> 00:15:21,633
WE JUST HIT IT OFF.
523
00:15:21,633 --> 00:15:23,267
THE GUY KNOWS CAPE TOWN LIKE THE
524
00:15:23,267 --> 00:15:24,167
BACK OF HIS HAND.
525
00:15:24,167 --> 00:15:25,533
HE TALKS TO EVERY LADY HE EVER
526
00:15:25,533 --> 00:15:26,067
SEES.
527
00:15:26,067 --> 00:15:27,400
IT'S THE FUNNIEST THING YOU'LL
528
00:15:27,400 --> 00:15:28,067
EVER SEE.
529
00:15:28,067 --> 00:15:29,400
HE COULD TALK THE PANTS OFF A
530
00:15:29,400 --> 00:15:29,700
NUN.
531
00:15:29,700 --> 00:15:31,300
DEFINITELY HAS A LOT OF LEADS OF
532
00:15:31,300 --> 00:15:32,467
WHERE THIS GUY COULD BE.
533
00:15:32,467 --> 00:15:34,067
THROUGH HIS CONNECTIONS, I THINK
534
00:15:34,067 --> 00:15:35,333
IT SOUNDS PRETTY PROMISING.
535
00:15:35,333 --> 00:15:36,467
>> WELCOME, LADS.
536
00:15:36,467 --> 00:15:37,733
>> ALL RIGHT, BUDDY.
537
00:15:37,733 --> 00:15:38,467
>> YEAH.
538
00:15:38,467 --> 00:15:39,367
IT IS COLD.
539
00:15:39,367 --> 00:15:41,233
>> THIS IS THE FIRST SIGHT YOU
540
00:15:41,233 --> 00:15:42,333
SEE IN CAPE TOWN.
541
00:15:42,333 --> 00:15:43,300
>> HELLO. HI.
542
00:15:43,300 --> 00:15:44,467
>> IT'S BEAUTIFUL.
543
00:15:44,467 --> 00:15:45,667
I LIKE CAPE TOWN.
544
00:15:45,667 --> 00:15:46,467
>> WHOA.
545
00:15:46,467 --> 00:15:47,267
>> NICE.
546
00:15:47,267 --> 00:15:48,800
>> THIS IS MY RIDE, MAN.
547
00:15:48,800 --> 00:15:49,733
>> LOVE IT.
548
00:15:49,733 --> 00:15:51,233
>> THAT'S YOUR CAR?
549
00:15:51,233 --> 00:15:52,067
>> YEAH.
550
00:15:54,567 --> 00:15:57,200
>> WHAT ARE YOU FINGERING THAT
551
00:15:57,200 --> 00:15:58,133
CAR FOR?
552
00:15:58,133 --> 00:16:00,800
>> THAT JUST POPS THE CHERRY.
553
00:16:00,800 --> 00:16:02,133
>> WHAT IS THAT?
554
00:16:02,133 --> 00:16:03,600
>> WHAT THE FUCK, DUDE?
555
00:16:03,600 --> 00:16:04,500
[ LAUGHS ]
556
00:16:04,500 --> 00:16:05,233
>> WOW.
557
00:16:05,233 --> 00:16:07,167
OKAY, SO, WHERE DO WE PUT OUR
558
00:16:07,167 --> 00:16:07,633
BAGS?
559
00:16:07,633 --> 00:16:08,633
>> [ LAUGHS ]
560
00:16:08,633 --> 00:16:10,333
>> THIS GUY, HUH?
561
00:16:10,567 --> 00:16:12,433
>> HE WAS AN EX-CON -- MOSTLY
562
00:16:12,433 --> 00:16:14,267
PETTY CRIMES, NOTHING REALLY
563
00:16:14,267 --> 00:16:15,033
VIOLENT.
564
00:16:15,033 --> 00:16:16,667
HE DID SOME JAIL TIME IN HIS
565
00:16:16,667 --> 00:16:18,633
TEENS FOR SELLING DRUGS BUT WAS
566
00:16:18,633 --> 00:16:20,267
RELEASED EARLY FOR GOOD
567
00:16:20,267 --> 00:16:21,267
BEHAVIOR.
568
00:16:21,500 --> 00:16:23,133
HIS RECORD AFTER THAT WAS PRETTY
569
00:16:23,133 --> 00:16:23,500
CLEAN.
570
00:16:23,500 --> 00:16:24,633
HE WAS KNOWN AROUND THE
571
00:16:24,633 --> 00:16:26,200
NEIGHBORHOOD, CERTAINLY BY THE
572
00:16:26,200 --> 00:16:27,133
CAPE TOWN POLICE.
573
00:16:27,133 --> 00:16:29,333
[ HIP-HOP MUSIC PLAYS ]
574
00:16:29,333 --> 00:16:31,300
>> JUST TO LET THEM KNOW THAT
575
00:16:31,300 --> 00:16:33,367
THE DRIFT KID IS IN TOWN, DUDE.
576
00:16:33,367 --> 00:16:34,367
[ LAUGHTER ]
577
00:16:34,367 --> 00:16:38,367
>> DUDE, I LOVE IT. I LOVE IT.
578
00:16:38,367 --> 00:16:39,533
>> THIS IS GONNA BE OUR...
579
00:16:39,533 --> 00:16:41,067
>> THIS IS WHERE WE'RE STAYING,
580
00:16:41,067 --> 00:16:41,367
GUYS.
581
00:16:41,367 --> 00:16:42,700
>> THIS IS WHERE WE'RE STAYING?
582
00:16:42,700 --> 00:16:43,300
>> WHOA!
583
00:16:43,300 --> 00:16:43,700
>> NICE!
584
00:16:43,700 --> 00:16:44,733
>> YOU'RE KIDDING ME.
585
00:16:44,733 --> 00:16:46,033
>> I'M READY. I'M READY.
586
00:16:46,033 --> 00:16:47,233
JUST OPEN THE FUCKING DOOR.
587
00:16:47,233 --> 00:16:48,033
>> [ LAUGHS ]
588
00:16:48,033 --> 00:16:48,800
>> WELCOME, GUYS.
589
00:16:48,800 --> 00:16:49,633
>> OH, MY GOD.
590
00:16:49,633 --> 00:16:51,233
>> NOTHING BUT THE BEST FOR MY
591
00:16:51,233 --> 00:16:51,533
BOY.
592
00:16:51,533 --> 00:16:52,733
>> I'M FEELING GOOD, MAN.
593
00:16:52,733 --> 00:16:53,333
>> WOW.
594
00:16:53,333 --> 00:16:54,767
>> CAN YOU HEAR THAT SUBWOOFER?
595
00:16:54,767 --> 00:16:57,133
>> [ Laughing ] OH, GOD.
596
00:16:57,133 --> 00:16:58,500
>> FRIDAY NIGHT, GUYS.
597
00:16:58,500 --> 00:17:00,267
IT'S GONNA BE BIG TONIGHT.
598
00:17:00,267 --> 00:17:02,767
ARE WE GONNA, UM...
599
00:17:02,767 --> 00:17:04,267
ENTERTAIN OURSELVES, OR ARE WE
600
00:17:04,267 --> 00:17:05,400
JUST GONNA STAY AT HOME?
601
00:17:05,400 --> 00:17:06,333
>> WE GOT TO CHILL.
602
00:17:06,333 --> 00:17:07,600
>> I DON'T WANT TO GO DOWN TO
603
00:17:07,600 --> 00:17:08,500
THAT, SERIOUSLY.
604
00:17:08,500 --> 00:17:09,600
>> THIS IS LONG STREET.
605
00:17:09,600 --> 00:17:10,367
LOOK AT THIS.
606
00:17:10,367 --> 00:17:11,367
>> DO YOU HEAR THAT?
607
00:17:11,367 --> 00:17:12,667
WE WERE SITTING ON A PLANE FOR
608
00:17:12,667 --> 00:17:13,300
TWO DAYS.
609
00:17:13,300 --> 00:17:14,633
>> EXACTLY, SO I WANT TO GO TO
610
00:17:14,633 --> 00:17:15,167
SLEEP.
611
00:17:15,167 --> 00:17:15,767
>> OKAY, GUYS.
612
00:17:15,767 --> 00:17:17,300
WELL, LOVELY MEETING YOU, MEN.
613
00:17:17,300 --> 00:17:18,067
>> ALL RIGHT.
614
00:17:18,067 --> 00:17:19,433
>> LOVELY MEETING YOU GENTLEMEN.
615
00:17:19,433 --> 00:17:20,300
>> I'LL SEE YOU.
616
00:17:20,300 --> 00:17:21,033
>> [ SIGHS ]
617
00:17:21,033 --> 00:17:21,667
>> DON'T WORRY.
618
00:17:21,667 --> 00:17:22,633
WE'RE GONNA GO OUT.
619
00:17:22,633 --> 00:17:24,033
WE'RE GONNA SEE THIS TOWN.
620
00:17:24,033 --> 00:17:25,400
LET'S CHECK OUT THE REST OF THIS
621
00:17:25,400 --> 00:17:26,100
PLACE, HUH?
622
00:17:26,100 --> 00:17:27,100
>> ALL RIGHT.
623
00:17:27,100 --> 00:17:28,433
>> UH-OH.
624
00:17:28,433 --> 00:17:29,433
HUH.
625
00:17:29,433 --> 00:17:30,467
>> OKAY. UH, SCOTT?
626
00:17:30,467 --> 00:17:32,100
>> THEY TOLD ME THAT THERE WAS
627
00:17:32,100 --> 00:17:32,800
GONNA BE TWINS.
628
00:17:32,800 --> 00:17:33,333
UH...
629
00:17:33,333 --> 00:17:34,067
[ LAUGHS ]
630
00:17:34,067 --> 00:17:35,500
>> YOU GUYS ARE HERE DOING ME A
631
00:17:35,500 --> 00:17:37,033
FAVOR, SO I'LL JUST HIT THE
632
00:17:37,033 --> 00:17:37,400
COUCH.
633
00:17:37,400 --> 00:17:38,333
>> ARE YOU SURE?
634
00:17:38,333 --> 00:17:39,133
>> I'M GOOD.
635
00:17:39,133 --> 00:17:40,600
>> YOU DON'T HAVE -- I MEAN, WE
636
00:17:40,600 --> 00:17:42,133
CAN TAKE TURNS OR SOMETHING.
637
00:17:42,133 --> 00:17:46,133
>> I'M GOOD.
638
00:17:55,400 --> 00:17:59,100
I FUCKED UP.
639
00:17:59,100 --> 00:18:01,067
I MADE SOME POOR DECISIONS IN MY
640
00:18:01,067 --> 00:18:01,433
DAY.
641
00:18:01,433 --> 00:18:04,433
THIS IS A BIG ONE.
642
00:18:18,600 --> 00:18:22,133
[ DIALING, BEEPING ]
643
00:18:22,133 --> 00:18:23,067
>> WHAT'S UP?
644
00:18:23,067 --> 00:18:24,633
>> WHAT'S UP? HOW'S IT GOING?
645
00:18:24,633 --> 00:18:26,533
>> I MEAN, WE'VE WALKED AROUND A
646
00:18:26,533 --> 00:18:27,600
LITTLE BIT -- THE
647
00:18:27,600 --> 00:18:29,500
NEIGHBORHOOD -- TODAY, AND THIS
648
00:18:29,500 --> 00:18:31,800
PLACE -- I MEAN, THIS CITY IS
649
00:18:31,800 --> 00:18:32,667
UNBELIEVABLE.
650
00:18:32,667 --> 00:18:34,467
THIS PLACE IS JUST SO IMPOSSIBLY
651
00:18:34,467 --> 00:18:35,233
BEAUTIFUL.
652
00:18:35,233 --> 00:18:36,700
YOU KNOW, I'M CARRYING AROUND
653
00:18:36,700 --> 00:18:38,433
THIS CAMERA, AND I JUST -- MIKE
654
00:18:38,433 --> 00:18:39,733
AND SCOTT ARE CONSTANTLY
655
00:18:39,733 --> 00:18:41,533
BADGERING ME TO HURRY UP BECAUSE
656
00:18:41,533 --> 00:18:43,100
I STOP AND I'M POINTING THE
657
00:18:43,100 --> 00:18:44,300
CAMERA AT EVERYTHING.
658
00:18:44,300 --> 00:18:44,767
HANG ON.
659
00:18:44,767 --> 00:18:46,400
I'M GONNA DO SOMETHING HERE.
660
00:18:46,400 --> 00:18:47,400
[ MOUSE CLICKS ]
661
00:18:47,400 --> 00:18:49,567
OH, THAT'S WAY BETTER.
662
00:18:49,567 --> 00:18:51,267
I JUST FULL-SCREENED YOU.
663
00:18:51,267 --> 00:18:53,133
>> [ Laughing ] OH, GOD.
664
00:18:53,133 --> 00:18:54,367
[ DRUM BANGING ]
665
00:18:54,367 --> 00:18:56,433
>> GREENMARKET SQUARE IS THIS
666
00:18:56,433 --> 00:18:58,367
BIG KIND OF SQUARE FULL OF
667
00:18:58,367 --> 00:19:00,367
VENDORS AND PEOPLE, AND IT'S
668
00:19:00,367 --> 00:19:02,433
PACKED WITH STALLS AND PEOPLE
669
00:19:02,433 --> 00:19:05,600
SELLING CRAFTS AND CLOTHING AND
670
00:19:05,600 --> 00:19:07,767
JEWELRY.
671
00:19:07,767 --> 00:19:12,467
[ INDISTINCT CONVERSATIONS ]
672
00:19:12,467 --> 00:19:14,067
>> YOU CAN'T FIND STUFF LIKE
673
00:19:14,067 --> 00:19:15,500
THIS ANYWHERE IN SOUTH AFRICA,
674
00:19:15,500 --> 00:19:17,033
ONLY HERE, MAN, ONLY HERE.
675
00:19:17,033 --> 00:19:17,567
>> MY MAN.
676
00:19:17,567 --> 00:19:18,500
>> HELLO, HELLO.
677
00:19:18,500 --> 00:19:20,167
>> HOW ARE YOU THIS AFTERNOON?
678
00:19:20,167 --> 00:19:21,800
>> FOR MY BEAUTIFUL COMPANION,
679
00:19:21,800 --> 00:19:23,500
I'M GETTING HER SOME LOVELY
680
00:19:23,500 --> 00:19:24,300
BRACELETS.
681
00:19:24,300 --> 00:19:26,167
THEY ARE RED TO MATCH THE FIERY
682
00:19:26,167 --> 00:19:27,333
NATURE OF HER SOUL.
683
00:19:27,333 --> 00:19:28,633
>> YOU ARE SUCH A HAM.
684
00:19:28,633 --> 00:19:31,500
>> [ LAUGHS ]
685
00:19:31,500 --> 00:19:33,033
>> BUSINESS?
686
00:19:33,033 --> 00:19:35,367
>> NO. EZRA.
687
00:19:35,367 --> 00:19:37,367
"MZOLI'S! YEAH!"
688
00:19:37,367 --> 00:19:37,767
>> WHAT?
689
00:19:37,767 --> 00:19:38,600
>> I DON'T KNOW.
690
00:19:38,600 --> 00:19:40,033
>> WHAT THE HELL IS MZOLI'S?
691
00:19:40,033 --> 00:19:40,733
>> I HAVE NO IDEA.
692
00:19:40,733 --> 00:19:41,567
>> I DON'T KNOW.
693
00:19:41,567 --> 00:19:42,500
I'M GONNA CALL HIM.
694
00:19:42,500 --> 00:19:45,033
>> CALL HIM BACK.
695
00:19:45,033 --> 00:19:46,133
>> [ CLICKS TONGUE ]
696
00:19:46,133 --> 00:19:47,067
>> THREE TONES.
697
00:19:47,067 --> 00:19:48,267
>> NO, WE JUST GOT IT.
698
00:19:48,267 --> 00:19:49,567
WHAT THE HELL IS MZOLI'S?
699
00:19:49,567 --> 00:19:52,767
IS THAT...
700
00:19:52,767 --> 00:19:53,367
REALLY?
701
00:19:53,367 --> 00:19:54,567
HE SAYS IT'S LIKE THIS CRAZY
702
00:19:54,567 --> 00:19:56,133
BARBECUE THAT EVERYONE GOES TO.
703
00:19:56,133 --> 00:19:57,167
ALL RIGHT, WHAT TIME?
704
00:19:57,167 --> 00:19:58,500
CHANCES ARE IT COULD BE A GOOD
705
00:19:58,500 --> 00:19:59,333
SPOT TO SEARCH.
706
00:19:59,333 --> 00:20:00,533
LIKE, IF EVERYONE FROM THE
707
00:20:00,533 --> 00:20:02,100
TOWNSHIP GOES THERE, WE CAN ASK
708
00:20:02,100 --> 00:20:02,500
AROUND.
709
00:20:02,500 --> 00:20:03,467
>> ALL RIGHT. COOL.
710
00:20:03,467 --> 00:20:08,300
>> YOU KNOW WHAT I MEAN?
711
00:20:10,533 --> 00:20:13,067
>> IN THE EARLY '60s, YOU KNOW,
712
00:20:13,067 --> 00:20:15,300
ONCE APARTHEID BECAME SORT OF
713
00:20:15,300 --> 00:20:17,700
LIKE LEGISLATION, THEY BEGAN THE
714
00:20:17,700 --> 00:20:19,233
FORCED REMOVALS.
715
00:20:19,233 --> 00:20:21,633
THEY MOVED THE BLACK PEOPLE FROM
716
00:20:21,633 --> 00:20:24,033
THE ORIGINAL SETTLEMENTS AND
717
00:20:24,033 --> 00:20:25,300
DISPLACED THEM.
718
00:20:25,300 --> 00:20:26,733
SO THE WHOLE IDEA WAS
719
00:20:26,733 --> 00:20:28,433
DISPLACEMENT TO CREATE
720
00:20:28,433 --> 00:20:29,333
CONFUSION.
721
00:20:29,333 --> 00:20:30,800
>> THAT'S RIDICULOUS.
722
00:20:30,800 --> 00:20:32,700
>> SO, GUYS, CHECK IT OUT.
723
00:20:32,700 --> 00:20:34,300
WELCOME TO GUGULETU.
724
00:20:34,300 --> 00:20:36,333
WHEN YOU ARRIVE IN "GUGS," YOU
725
00:20:36,333 --> 00:20:38,067
ALWAYS ARRIVE IN STYLE.
726
00:20:38,067 --> 00:20:38,733
[ HIP-HOP MUSIC PLAYS ]
727
00:20:38,733 --> 00:20:42,600
THIS IS HOW WE'RE GONNA DO IT.
728
00:20:42,600 --> 00:20:46,600
>> YEAH!
729
00:20:46,600 --> 00:20:51,300
>> YEAH, BOY!
730
00:20:51,300 --> 00:20:52,067
>> COOL.
731
00:20:52,067 --> 00:20:54,067
>> MR. EZRA -- IN THE AFTERNOON,
732
00:20:54,067 --> 00:20:55,767
HE DID TAKE US TO THIS REALLY
733
00:20:55,767 --> 00:20:57,500
COOL PLACE CALLED MZOLI'S.
734
00:20:57,500 --> 00:20:58,500
IT'S A BRAAI.
735
00:20:58,500 --> 00:21:00,433
IT'S LIKE A COMMUNITY BARBECUE
736
00:21:00,433 --> 00:21:02,267
WHERE THEY JUST COOK UP JUST
737
00:21:02,267 --> 00:21:04,233
UNTOLD -- UNTOLD PIGS AND COWS,
738
00:21:04,233 --> 00:21:06,033
AND THINGS WERE SLAUGHTERED
739
00:21:06,033 --> 00:21:10,033
EVERY NIGHT FOR THIS THING.
740
00:21:10,033 --> 00:21:11,367
>> THIS IS INCREDIBLE.
741
00:21:11,367 --> 00:21:13,400
>> AND THE WHOLE PLACE IS JUST A
742
00:21:13,400 --> 00:21:14,267
HUGE SCENE.
743
00:21:14,267 --> 00:21:16,167
AT EVERY TURN, THERE'S SOMEONE
744
00:21:16,167 --> 00:21:17,600
ELSE THAT'S BEAUTIFUL AND
745
00:21:17,600 --> 00:21:19,400
INTERESTING AND COLORFUL AND
746
00:21:19,400 --> 00:21:20,200
WHATEVER.
747
00:21:20,200 --> 00:21:21,600
I MEAN, THIS IS AN INCREDIBLY
748
00:21:21,600 --> 00:21:23,233
BEAUTIFUL COUNTRY, NOT ONLY IN
749
00:21:23,233 --> 00:21:24,633
TERMS OF THE SCENERY BUT JUST
750
00:21:24,633 --> 00:21:26,233
THE PEOPLE ARE -- LIKE, EVERY
751
00:21:26,233 --> 00:21:27,733
FACE IS JUST KIND OF GORGEOUS IN
752
00:21:27,733 --> 00:21:28,333
A WAY.
753
00:21:28,333 --> 00:21:34,033
[ INDISTINCT CONVERSATIONS ]
754
00:21:34,033 --> 00:21:38,367
>> TOO MUCH OF A GOOD THING?
755
00:21:38,367 --> 00:21:40,067
>> THESE ARE THE SONGS OF
756
00:21:40,067 --> 00:21:42,233
CAPE TOWN, MAN.
757
00:21:47,500 --> 00:21:49,200
>> WHOO!
758
00:21:49,200 --> 00:21:54,533
[ INDISTINCT CONVERSATIONS ]
759
00:21:57,700 --> 00:22:00,100
[ INDISTINCT SHOUTING ]
760
00:22:22,567 --> 00:22:24,267
>> HEY, LISTEN.
761
00:22:24,267 --> 00:22:24,633
>> YEAH?
762
00:22:24,633 --> 00:22:25,800
>> I KNOW YOU'RE HERE ALL DAY
763
00:22:25,800 --> 00:22:26,633
DOING YOUR THING.
764
00:22:26,633 --> 00:22:27,700
I GOT A QUESTION FOR YOU.
765
00:22:27,700 --> 00:22:29,400
I'M LOOKING FOR SOMEONE.
766
00:22:29,400 --> 00:22:34,300
THIS GUY NAMED LEBOGANG.
767
00:22:34,300 --> 00:22:36,633
HAVE YOU HEARD OF HIM?
768
00:22:36,633 --> 00:22:37,800
YOU KNOW WHAT HE LOOKS LIKE,
769
00:22:37,800 --> 00:22:41,633
RIGHT?
770
00:22:41,633 --> 00:22:43,633
BUT LISTEN, MAN -- I APPRECIATE
771
00:22:43,633 --> 00:22:45,167
IT.
772
00:22:54,533 --> 00:22:55,700
>> SO, WHAT ARE YOU GIRLS UP TO
773
00:22:55,700 --> 00:22:57,567
LATER?
774
00:22:57,567 --> 00:23:02,067
[ INDISTINCT CONVERSATIONS ]
775
00:23:02,067 --> 00:23:05,400
>> LEBO IS A KEY GUY.
776
00:23:05,400 --> 00:23:06,733
>> FUCK, MAN.
777
00:23:26,067 --> 00:23:27,233
[ HORN HONKS ]
778
00:23:27,233 --> 00:23:29,400
>> OBVIOUSLY, YOU'RE SEARCHING
779
00:23:29,400 --> 00:23:31,467
FOR A NEEDLE IN A HAYSTACK,
780
00:23:31,467 --> 00:23:32,533
AREN'T YOU?
781
00:23:32,533 --> 00:23:34,533
>> THESE GUYS AREN'T IN THE
782
00:23:34,533 --> 00:23:36,700
BUSINESS OF BEING FOUND.
783
00:23:36,700 --> 00:23:42,233
>> DON'T DO ANYTHING DUMB.
784
00:23:42,233 --> 00:23:43,300
>> I WON'T.
785
00:23:43,300 --> 00:23:45,433
I'LL TALK TO YOU SOON, OKAY?
786
00:23:45,433 --> 00:23:47,167
>> OKAY. I LOVE YOU.
787
00:23:47,167 --> 00:23:49,167
>> I LOVE YOU. BYE.
788
00:23:49,167 --> 00:23:50,500
>> BYE.
789
00:23:50,500 --> 00:23:51,667
[ MOUSE CLICKS ]
790
00:23:56,733 --> 00:24:00,600
>> I DON'T KNOW IF THIS IS
791
00:24:00,600 --> 00:24:02,300
SOMETHING THAT CAN BE FIXED --
792
00:24:02,300 --> 00:24:05,133
IF I CAN FIX IT, IF...
793
00:24:16,267 --> 00:24:18,233
>> I FEEL LIKE I'VE HAD A YEAR
794
00:24:18,233 --> 00:24:19,100
LIKE THAT.
795
00:24:19,100 --> 00:24:21,133
THE EVIL STARS ALIGN, AND ALL OF
796
00:24:21,133 --> 00:24:23,133
A SUDDEN, YOUR PERSONAL LIFE IS
797
00:24:23,133 --> 00:24:24,533
IN THE TOILET AND YOUR
798
00:24:24,533 --> 00:24:26,467
PROFESSIONAL LIFE SEEMS TO BE
799
00:24:26,467 --> 00:24:28,467
GOING NOWHERE, AND EVERY SINGLE
800
00:24:28,467 --> 00:24:30,367
THING IS TUMBLING DOWN AROUND
801
00:24:30,367 --> 00:24:32,333
YOU, AND I FEEL LIKE MIKE'S IN
802
00:24:32,333 --> 00:24:34,167
THE MIDDLE OF THAT RIGHT NOW.
803
00:24:34,400 --> 00:24:36,100
BUT WHATEVER HAPPENS, I THINK
804
00:24:36,100 --> 00:24:37,600
THE IMPORTANT PART IS THAT HE
805
00:24:37,600 --> 00:24:39,200
FEEL THAT HE MADE -- HE DID
806
00:24:39,200 --> 00:24:40,333
SOMETHING PROACTIVE.
807
00:24:40,333 --> 00:24:41,733
IF HE CAN FEEL THAT HE'S IN
808
00:24:41,733 --> 00:24:44,433
CONTROL, THEN...
809
00:24:44,433 --> 00:24:46,433
THEN IT'LL HAVE BEEN WORTH IT.
810
00:24:46,433 --> 00:24:48,567
>> I LIKE THAT.
811
00:24:48,567 --> 00:24:50,567
>> SO, YEAH, GENTLEMEN, WE'RE
812
00:24:50,567 --> 00:24:52,500
GOING TO KHAYELITSHA TODAY,
813
00:24:52,500 --> 00:24:54,400
WHICH MEANS "OUR NEW HOME."
814
00:24:54,400 --> 00:24:56,133
SO THERE'S SOME KIND OF
815
00:24:56,133 --> 00:24:58,200
OPTIMISM, YOU KNOW, AND HOPE IN
816
00:24:58,200 --> 00:25:00,233
THAT, RATHER THAN JUST CALL IT
817
00:25:00,233 --> 00:25:02,300
THE PLACE WHERE WE WERE DUMPED,
818
00:25:02,300 --> 00:25:03,133
YOU KNOW.
819
00:25:03,133 --> 00:25:06,133
I MEAN, IT'S NOT FORT GREENE OR
820
00:25:06,133 --> 00:25:07,300
ANYTHING THAT YOU GUYS ARE USED
821
00:25:07,300 --> 00:25:09,633
TO, YOU KNOW.
822
00:25:09,633 --> 00:25:13,800
IT'S A BEAUTIFUL PLACE.
823
00:25:13,800 --> 00:25:16,200
>> SO, WHO ARE WE GONNA GO SEE?
824
00:25:20,733 --> 00:25:22,567
>> WHY DO YOU GUYS WANT TO KNOW
825
00:25:22,567 --> 00:25:23,800
EVERYTHING, MAN, HUH?
826
00:25:23,800 --> 00:25:25,100
WHAT'S THAT ABOUT?
827
00:25:25,100 --> 00:25:26,533
>> WHAT'S WRONG WITH THAT?
828
00:25:26,533 --> 00:25:28,367
>> WHATEVER YOU'RE ASKING, IT'S
829
00:25:28,367 --> 00:25:29,400
GONNA APPEAR, NO?
830
00:25:29,400 --> 00:25:31,233
>> WHAT'S WRONG WITH WANTING TO
831
00:25:31,233 --> 00:25:32,533
KNOW WHERE WE'RE GOING?
832
00:25:32,533 --> 00:25:34,300
>> [ Chuckling ] SOMETIMES...
833
00:25:34,300 --> 00:25:35,333
>> ALL THE TIME.
834
00:25:35,333 --> 00:25:36,567
>> SOMETIMES YOU DON'T HAVE TO
835
00:25:36,567 --> 00:25:37,800
KNOW EXACTLY WHAT YOU'RE GONNA
836
00:25:37,800 --> 00:25:38,367
GO SEE.
837
00:25:38,367 --> 00:25:39,633
>> IF WE'RE GOING TO LOOK FOR A
838
00:25:39,633 --> 00:25:41,033
CRIMINAL, THOUGH, I'D LIKE TO
839
00:25:41,033 --> 00:25:44,033
KNOW WHERE IT IS WE'RE GONNA BE.
840
00:25:58,700 --> 00:26:02,700
>> SO, THIS IS MY GUY MUMI.
841
00:26:02,700 --> 00:26:04,100
[ SPEAKING AFRIKAANS ]
842
00:26:04,100 --> 00:26:05,367
>> TWO DAYS, THREE DAYS.
843
00:26:05,367 --> 00:26:06,500
>> OKAY. OKAY. OKAY.
844
00:26:06,500 --> 00:26:08,267
TWO OR THREE DAYS AGO HE SAID HE
845
00:26:08,267 --> 00:26:09,133
SAW HIM LAST.
846
00:26:09,133 --> 00:26:10,567
>> MUCH APPRECIATED, BROTHER.
847
00:26:10,567 --> 00:26:12,400
MUCH APPRECIATED.
848
00:26:12,633 --> 00:26:14,333
>> TOWNSHIP TOURS I WOULD NOT
849
00:26:14,333 --> 00:26:15,100
RECOMMEND.
850
00:26:15,100 --> 00:26:16,533
A LOT OF PEOPLE THINK IT'S A
851
00:26:16,533 --> 00:26:18,233
GREAT IDEA TO SHOW PEOPLE HOW
852
00:26:18,233 --> 00:26:20,067
POVERTY IS DONE.
853
00:26:20,300 --> 00:26:21,400
YOU DON'T HAVE TO GO INTO A
854
00:26:21,400 --> 00:26:22,333
TOWNSHIP TO SEE THIS.
855
00:26:22,333 --> 00:26:23,400
YOU CAN JUST DRIVE DOWN THE
856
00:26:23,400 --> 00:26:24,300
MOTORWAYS OUTSIDE OF
857
00:26:24,300 --> 00:26:24,800
JOHANNESBURG.
858
00:26:24,800 --> 00:26:26,233
YOU CAN SEE THE TOWNSHIPS THERE.
859
00:26:26,233 --> 00:26:26,700
>> OH, BOY.
860
00:26:26,700 --> 00:26:28,100
>> THIS DEFINITELY SEEMS LIKE A
861
00:26:28,100 --> 00:26:29,300
PLACE WHERE YOU COULD FIND SOME
862
00:26:29,300 --> 00:26:31,633
DUDE.
863
00:26:31,633 --> 00:26:33,433
THERE'S A LOT OF PEOPLE HERE,
864
00:26:33,433 --> 00:26:34,133
THOUGH.
865
00:26:34,133 --> 00:26:36,033
>> THERE'S MUCH NICER THINGS TO
866
00:26:36,033 --> 00:26:37,100
BE ABLE TO SEE.
867
00:26:37,100 --> 00:26:40,100
BUT TO GO AND SEE TOWNSHIPS?
868
00:26:40,100 --> 00:26:40,800
I DON'T KNOW.
869
00:26:40,800 --> 00:26:42,567
>> WE'RE GOING TO AN INTERNET
870
00:26:42,567 --> 00:26:43,133
CAFé.
871
00:26:43,133 --> 00:26:44,767
IT'S ONE OF THE SPOTS MY FRIEND
872
00:26:44,767 --> 00:26:45,533
WORKS AT.
873
00:26:45,533 --> 00:26:47,367
HE SHOULD BE ABLE TO POINT US IN
874
00:26:47,367 --> 00:26:48,567
THE RIGHT DIRECTION.
875
00:26:48,567 --> 00:26:51,100
>> A LOT OF THESE GUYS, UM...
876
00:26:51,100 --> 00:26:52,533
THEY'LL PAY OFF THE OWNER SO
877
00:26:52,533 --> 00:26:54,267
THEY CAN SIT WHEN THE INTERNET
878
00:26:54,267 --> 00:26:55,800
CAFé IS CLOSED, AND THERE'S NO
879
00:26:55,800 --> 00:26:57,400
I.P. ADDRESS THAT'S REALLY
880
00:26:57,400 --> 00:26:59,200
FOUND, SO WHATEVER THEY SEND VIA
881
00:26:59,200 --> 00:27:02,067
E-MAIL OR WHATEVER, UM...
882
00:27:02,067 --> 00:27:03,333
>> HAS NO RETURN ADDRESS.
883
00:27:03,333 --> 00:27:04,800
>> NO RETURN ADDRESS, AND THAT'S
884
00:27:04,800 --> 00:27:06,200
USUALLY HOW THEY DO IT.
885
00:27:06,200 --> 00:27:07,267
THE OWNERS GET PAID.
886
00:27:07,267 --> 00:27:08,133
[ HORN HONKS ]
887
00:27:08,133 --> 00:27:10,800
THEY NEVER TALK ABOUT IT.
888
00:27:10,800 --> 00:27:12,733
LET'S DO THIS, HUH?
889
00:27:12,733 --> 00:27:14,800
[ CHILDREN PLAYING ]
890
00:27:14,800 --> 00:27:16,333
>> ALL RIGHT.
891
00:27:16,333 --> 00:27:23,067
[ CONVERSING IN AFRIKAANS ]
892
00:27:23,067 --> 00:27:23,600
>> OH, SORRY.
893
00:27:23,600 --> 00:27:24,267
>> ENGLISH.
894
00:27:24,267 --> 00:27:25,067
>> SORRY, GUYS.
895
00:27:25,067 --> 00:27:25,733
FORGOT ABOUT THAT.
896
00:27:25,733 --> 00:27:26,767
>> ENGLISH? COOL. COOL.
897
00:27:26,767 --> 00:27:27,400
THANK YOU.
898
00:27:27,400 --> 00:27:28,733
>> NO, I WAS JUST LOOKING FOR
899
00:27:28,733 --> 00:27:29,600
LEBO, BROTHER.
900
00:27:29,600 --> 00:27:30,233
>> LEBO?
901
00:27:30,233 --> 00:27:30,667
>> YEAH.
902
00:27:30,667 --> 00:27:31,600
>> NO, I'M SORRY.
903
00:27:31,600 --> 00:27:32,600
I DON'T KNOW LEBO.
904
00:27:32,600 --> 00:27:33,767
>> HE DOESN'T WORK HERE?
905
00:27:33,767 --> 00:27:35,133
>> HE DOESN'T WORK HERE.
906
00:27:35,133 --> 00:27:36,267
>> NOT LIKE LATE NIGHT?
907
00:27:36,267 --> 00:27:38,433
>> I DON'T KNOW LEBO.
908
00:27:38,433 --> 00:27:39,733
>> EZRA, ISN'T THIS THE -- THIS
909
00:27:39,733 --> 00:27:40,600
WAS THE PLACE --
910
00:27:40,600 --> 00:27:41,500
>> YEAH, I MEAN --
911
00:27:41,500 --> 00:27:42,500
>> HOLD ON A SECOND.
912
00:27:42,500 --> 00:27:43,367
HOLD ON A SECOND.
913
00:27:43,367 --> 00:27:44,633
HEY, DO YOU KNOW A GUY NAMED
914
00:27:44,633 --> 00:27:45,267
LEBOGANG?
915
00:27:45,267 --> 00:27:46,333
>> NO, NO, NO, NO, NO.
916
00:27:46,333 --> 00:27:47,367
>> HOW ARE YOU DOING?
917
00:27:47,367 --> 00:27:48,433
DO YOU KNOW A GUY NAMED
918
00:27:48,433 --> 00:27:49,100
LEBOGANG?
919
00:27:49,100 --> 00:27:49,633
>> LEBO WHO?
920
00:27:49,633 --> 00:27:50,367
>> LEBOGANG.
921
00:27:50,367 --> 00:27:51,600
>> UH, I'M JUST A CUSTOMER.
922
00:27:51,600 --> 00:27:52,600
I CAME IN YESTERDAY.
923
00:27:52,600 --> 00:27:53,200
>> MIKE.
924
00:27:53,200 --> 00:27:53,633
>> YEAH?
925
00:27:53,633 --> 00:27:54,500
>> HOLD ON, MAN.
926
00:27:54,500 --> 00:27:55,767
I MEAN, WE GOT TO RESPECT THE
927
00:27:55,767 --> 00:27:56,433
MAN'S JOB.
928
00:27:56,433 --> 00:27:57,367
>> I KNOW. I KNOW.
929
00:27:57,367 --> 00:27:58,500
>> THANK YOU VERY MUCH.
930
00:27:58,500 --> 00:27:59,533
THERE'S NO LEBO HERE.
931
00:27:59,533 --> 00:28:02,067
[ INDISTINCT CONVERSATION ]
932
00:28:02,067 --> 00:28:03,067
>> EXCUSE ME. HI.
933
00:28:03,067 --> 00:28:04,267
>> I DON'T UNDERSTAND.
934
00:28:04,267 --> 00:28:05,533
>> ALL RIGHT, ALL RIGHT.
935
00:28:05,533 --> 00:28:07,233
>> PLEASE JUST TAKE THE CAMERA
936
00:28:07,233 --> 00:28:07,567
OFF.
937
00:28:07,567 --> 00:28:08,633
>> MIKE, IT'S OKAY.
938
00:28:08,633 --> 00:28:10,300
>> PLEASE GO AWAY. WALK AWAY.
939
00:28:10,300 --> 00:28:11,167
PLEASE. OKAY.
940
00:28:11,167 --> 00:28:13,033
>> THIS IS BULLSHIT.
941
00:28:13,033 --> 00:28:15,367
THAT WAS BULLSHIT.
942
00:28:15,367 --> 00:28:16,367
>> THAT WAS SKETCHY, MAN.
943
00:28:16,367 --> 00:28:17,333
EZRA, I THOUGHT THAT...
944
00:28:17,333 --> 00:28:18,400
>> YEAH, THAT WAS BULLSHIT.
945
00:28:18,400 --> 00:28:19,567
>> ...THAT GUY KNEW SOMETHING.
946
00:28:19,567 --> 00:28:20,500
>> HE KNEW SOMETHING.
947
00:28:20,500 --> 00:28:21,500
>> I DON'T THINK HE KNEW
948
00:28:21,500 --> 00:28:22,067
ANYTHING.
949
00:28:22,067 --> 00:28:23,067
HE'S A FRIEND OF MUMI'S.
950
00:28:23,067 --> 00:28:24,167
>> YEAH, NOW HE'S LAUGHING.
951
00:28:24,167 --> 00:28:25,033
I SAW HIM LAUGHING.
952
00:28:25,033 --> 00:28:25,733
>> I DON'T KNOW, MAN.
953
00:28:25,733 --> 00:28:27,733
THAT WAS WEIRD.
954
00:28:27,733 --> 00:28:30,433
[ INDISTINCT CONVERSATIONS ]
955
00:28:47,167 --> 00:28:49,167
>> OKAY, THANKS, BROTHER.
956
00:28:49,167 --> 00:28:50,067
SHOW ME.
957
00:28:50,067 --> 00:28:51,333
>> MAN, THANKS.
958
00:28:51,333 --> 00:28:55,200
>> THANK YOU, BROTHER.
959
00:28:55,200 --> 00:28:58,167
[ CHILDREN SHOUTING ]
960
00:28:58,167 --> 00:29:00,167
>> [ CHUCKLES ]
961
00:29:15,233 --> 00:29:18,733
>> THIS IS HIS MOM.
962
00:29:28,267 --> 00:29:29,267
>> WHAT'S SHE SAYING?
963
00:29:29,267 --> 00:29:33,300
>> DOES HE LIVE HERE?
964
00:29:36,600 --> 00:29:37,467
>> SO, IS HE HERE?
965
00:29:37,467 --> 00:29:38,567
DOES SHE KNOW WHERE HE IS?
966
00:29:38,567 --> 00:29:39,600
>> SHE DOESN'T KNOW, MAN.
967
00:29:39,600 --> 00:29:41,067
SHE SAID SHE'S REALLY CONCERNED.
968
00:29:41,067 --> 00:29:42,100
SHE'S ACTUALLY ASKING US.
969
00:29:42,100 --> 00:29:43,333
>> YOU HAVE NO IDEA WHERE YOUR
970
00:29:43,333 --> 00:29:43,667
SON IS?
971
00:29:43,667 --> 00:29:45,500
>> [ SPEAKING AFRIKAANS ]
972
00:29:45,733 --> 00:29:47,067
>> DO YOU HAVE ANY IDEA WHAT
973
00:29:47,067 --> 00:29:47,733
YOUR SON DID TO ME?
974
00:29:47,733 --> 00:29:48,800
>> MIKE, SHE DOESN'T KNOW
975
00:29:48,800 --> 00:29:49,633
ANYTHING ABOUT IT.
976
00:29:49,633 --> 00:29:50,767
>> YOU CAN'T SCREAM AT THIS
977
00:29:50,767 --> 00:29:51,267
WOMAN.
978
00:29:51,267 --> 00:29:52,067
>> IT'S HIS MOM.
979
00:29:52,067 --> 00:29:52,733
>> MIKE, CHILL OUT.
980
00:29:52,733 --> 00:29:53,567
>> IT'S BULLSHIT.
981
00:29:53,567 --> 00:29:54,700
>> I'M JUST TRYING TO THINK.
982
00:29:54,700 --> 00:29:55,700
>> WHAT DOES THAT MEAN?
983
00:29:55,700 --> 00:29:57,133
>> IT JUST MEANS THAT SHE HASN'T
984
00:29:57,133 --> 00:29:57,533
SEEN HIM.
985
00:29:57,533 --> 00:29:58,733
>> HE'S BEEN RIPPING PEOPLE OFF
986
00:29:58,733 --> 00:29:59,500
THE WHOLE TIME.
987
00:29:59,500 --> 00:30:00,633
DUDE, THIS IS NOT WORKING.
988
00:30:00,633 --> 00:30:01,667
>> BUT CHECK IT OUT, MAN.
989
00:30:01,667 --> 00:30:03,067
WE CAN'T SCREAM AT OLD LADIES.
990
00:30:03,067 --> 00:30:04,300
>> NO, OF COURSE WE CAN'T SCREAM
991
00:30:04,300 --> 00:30:05,033
AT OLD LADIES.
992
00:30:05,033 --> 00:30:06,200
>> REMEMBER, I SAID THERE'S A
993
00:30:06,200 --> 00:30:06,767
WAY TO DO THIS.
994
00:30:06,767 --> 00:30:08,067
>> BUT, EZRA, WE CAN'T KEEP
995
00:30:08,067 --> 00:30:09,200
WALKING AROUND THIS TOWNSHIP
996
00:30:09,200 --> 00:30:09,633
LIKE THIS.
997
00:30:09,633 --> 00:30:11,033
>> SCOTT, I SAID THERE'S A WAY
998
00:30:11,033 --> 00:30:11,467
TO DO THIS.
999
00:30:11,467 --> 00:30:12,333
>> WHAT'S THE WAY?
1000
00:30:12,333 --> 00:30:13,700
YOU'VE BEEN SAYING ALL DAY...
1001
00:30:13,700 --> 00:30:14,800
THIS IS NOT HAPPENING.
1002
00:30:14,800 --> 00:30:16,100
LET'S GET OUT OF HERE.
1003
00:30:16,100 --> 00:30:17,333
>> YEAH, MAN, THIS IS NOT
1004
00:30:17,333 --> 00:30:17,767
WORKING.
1005
00:30:17,767 --> 00:30:19,167
LISTEN, MAN, WE CAN'T BE
1006
00:30:19,167 --> 00:30:20,500
SCREAMING AT OLD PEOPLE, MAN.
1007
00:30:20,500 --> 00:30:21,600
THAT'S NOT GONNA WORK.
1008
00:30:21,600 --> 00:30:22,800
>> ANY OF YOU GUYS NEED A
1009
00:30:22,800 --> 00:30:24,333
RESTROOM?
1010
00:30:37,200 --> 00:30:38,400
YEAH, LET'S GO THIS WAY.
1011
00:30:38,400 --> 00:30:39,233
>> ALL RIGHT.
1012
00:30:39,233 --> 00:30:40,733
>> WE BASICALLY SPENT THE WHOLE
1013
00:30:40,733 --> 00:30:43,733
DAY, OR A GOOD CHUNK OF IT,
1014
00:30:43,733 --> 00:30:45,400
WANDERING FROM PLACE TO PLACE
1015
00:30:45,400 --> 00:30:47,167
AND PERSON TO PERSON LOOKING FOR
1016
00:30:47,167 --> 00:30:48,000
LEBOGANG.
1017
00:30:56,333 --> 00:30:58,033
WE GOT TO SEE -- WE GOT TO MEET
1018
00:30:58,033 --> 00:30:59,567
A LOT OF PEOPLE AND SEE A GREAT
1019
00:30:59,567 --> 00:31:01,333
DEAL OF A PLACE THAT I THINK NOT
1020
00:31:01,333 --> 00:31:02,700
A LOT OF PEOPLE GET TO SEE.
1021
00:31:02,700 --> 00:31:04,267
>> THEY HAVE THESE TOWNSHIPS
1022
00:31:04,267 --> 00:31:05,500
WHERE PEOPLE DON'T HAVE
1023
00:31:05,500 --> 00:31:06,200
ANYTHING.
1024
00:31:06,200 --> 00:31:08,633
THERE'S STILL THIS HOPE AND THIS
1025
00:31:08,633 --> 00:31:11,100
ENERGY AND THIS VIBRANCE THAT
1026
00:31:11,100 --> 00:31:13,200
JUST RADIATES OUT OF THESE
1027
00:31:13,200 --> 00:31:15,433
PEOPLE, AND IT'S INFECTIOUS.
1028
00:31:15,433 --> 00:31:17,433
IT'S AMAZING.
1029
00:31:17,433 --> 00:31:18,767
>> [ SPEAKS AFRIKAANS ]
1030
00:31:18,767 --> 00:31:20,800
[ LAUGHTER ]
1031
00:31:20,800 --> 00:31:23,167
>> WHEN YOU GO TO A TOWNSHIP,
1032
00:31:23,167 --> 00:31:24,500
THEY SEE YOU AS A RICH WHITE
1033
00:31:24,500 --> 00:31:27,200
PERSON OR A RICH PERSON.
1034
00:31:27,200 --> 00:31:28,567
YOU CAN GO UP TO A GUY AND SAY,
1035
00:31:28,567 --> 00:31:29,767
"CAN I TAKE YOUR PICTURE?"
1036
00:31:29,767 --> 00:31:31,267
AND THE GUY WILL SAY YES, AND
1037
00:31:31,267 --> 00:31:32,667
YOU CAN GO DOWN THE ROAD AND YOU
1038
00:31:32,667 --> 00:31:33,800
START TAKING PICTURES OF
1039
00:31:33,800 --> 00:31:35,400
SOMEBODY ELSE AND YOU DIDN'T ASK
1040
00:31:35,400 --> 00:31:36,800
HIS PERMISSION, AND THAT CAN GET
1041
00:31:36,800 --> 00:31:38,267
OUT OF HAND, AND THERE IS NO
1042
00:31:38,267 --> 00:31:39,233
PROTECTION FOR YOU.
1043
00:31:39,233 --> 00:31:40,533
THE POLICE WON'T BE AROUND TO
1044
00:31:40,533 --> 00:31:41,300
PROTECT YOU.
1045
00:31:41,300 --> 00:31:42,533
>> WHAT'S EZRA DOING OVER THERE?
1046
00:31:42,533 --> 00:31:43,767
HE'S ALWAYS TALKING TO SOMEBODY.
1047
00:31:43,767 --> 00:31:44,533
>> I DON'T KNOW.
1048
00:31:44,533 --> 00:31:45,567
MAYBE THAT GUY WAS KIND OF
1049
00:31:45,567 --> 00:31:48,733
PISSED OFF AT US FOR BEING IN
1050
00:31:48,733 --> 00:31:50,433
HIS NEIGHBORHOOD, WHICH IS
1051
00:31:50,433 --> 00:31:51,267
UNDERSTANDABLE.
1052
00:32:08,367 --> 00:32:09,233
>> THIS GUY?
1053
00:32:09,233 --> 00:32:10,300
>> THAT'S THE GUY.
1054
00:32:10,300 --> 00:32:11,633
THAT'S THE GUY WHO KNOWS.
1055
00:32:11,633 --> 00:32:12,500
>> HEY! HEY!
1056
00:32:12,500 --> 00:32:14,033
>> MIKE!
1057
00:32:14,033 --> 00:32:15,033
YOU ALL RIGHT?
1058
00:32:15,033 --> 00:32:17,667
[ INDISTINCT SHOUTING ]
1059
00:32:22,033 --> 00:32:24,200
WHAT WAS THAT ABOUT?
1060
00:32:24,200 --> 00:32:26,033
>> THAT'S NOT THE WAY.
1061
00:32:26,033 --> 00:32:27,100
>> NO, MAN.
1062
00:32:27,100 --> 00:32:28,433
>> WHAT WAS THAT?
1063
00:32:28,433 --> 00:32:30,600
>> I JUST SAW.
1064
00:32:30,600 --> 00:32:33,467
>> NOBODY SAW HIM.
1065
00:32:33,467 --> 00:32:34,800
>> WHO ARE WE CHASING?
1066
00:32:34,800 --> 00:32:36,167
>> THAT'S THE GUY.
1067
00:32:36,167 --> 00:32:37,733
>> THAT'S THE GUY WHO KNOWS
1068
00:32:37,733 --> 00:32:38,533
LEBOGANG.
1069
00:32:38,533 --> 00:32:40,267
>> THIS IS GETTING INTENSE.
1070
00:32:40,267 --> 00:32:41,400
>> OH, FUCK.
1071
00:32:41,400 --> 00:32:43,567
>> CERTAINLY THE, YOU KNOW,
1072
00:32:43,567 --> 00:32:45,700
NICEST THING TO BE DOING IN
1073
00:32:45,700 --> 00:32:47,167
PEOPLE'S HOMES.
1074
00:32:47,167 --> 00:32:47,767
SORRY.
1075
00:32:47,767 --> 00:32:49,633
>> JESUS CHRIST.
1076
00:32:49,633 --> 00:32:51,433
>> LET'S GET OUT OF HERE.
1077
00:32:51,433 --> 00:32:53,067
>> I DON'T KNOW, MAN.
1078
00:32:53,067 --> 00:32:54,300
I'M NOT STOPPING.
1079
00:32:54,300 --> 00:32:55,500
I'M NOT STOPPING.
1080
00:32:55,500 --> 00:32:57,133
>> WHAT DO YOU THINK?
1081
00:32:57,133 --> 00:32:59,133
>> DUDE, WE'RE NOT GONNA...
1082
00:33:04,800 --> 00:33:06,167
>> HE'S GONE, BRO.
1083
00:33:06,167 --> 00:33:08,033
>> THIS IS NUTS, MAN.
1084
00:33:08,033 --> 00:33:10,800
>> SHIT!
1085
00:33:10,800 --> 00:33:12,300
>> IS THERE A PLACE TO GET,
1086
00:33:12,300 --> 00:33:12,733
LIKE...
1087
00:33:12,733 --> 00:33:13,600
[ HORN HONKS ]
1088
00:33:13,600 --> 00:33:15,100
A PLACE TO GET SOMETHING TO
1089
00:33:15,100 --> 00:33:15,467
DRINK?
1090
00:33:15,467 --> 00:33:17,100
>> SO MANY KIDS ON THE STREETS
1091
00:33:17,100 --> 00:33:17,633
HERE, MAN.
1092
00:33:17,633 --> 00:33:19,233
>> GO FOR SOMETHING COLD RIGHT
1093
00:33:19,233 --> 00:33:19,767
ABOUT NOW.
1094
00:33:19,767 --> 00:33:21,400
>> IT JUST TAKES A LITTLE THING
1095
00:33:21,400 --> 00:33:23,100
TO SPARK VIOLENCE IN TOWNSHIPS.
1096
00:33:23,100 --> 00:33:24,500
IT DOESN'T NECESSARILY HAVE TO
1097
00:33:24,500 --> 00:33:25,433
BE THE TOURISTS.
1098
00:33:25,433 --> 00:33:26,467
IT COULD BE SOMETHING ELSE.
1099
00:33:26,467 --> 00:33:27,467
YOU COULD BE GOING PAST A
1100
00:33:27,467 --> 00:33:29,033
SHABIN, AND LOCAL GUYS ARE
1101
00:33:29,033 --> 00:33:29,567
FIGHTING.
1102
00:33:29,567 --> 00:33:31,333
AND IT SNOWBALLS INTO SOMETHING
1103
00:33:31,333 --> 00:33:33,100
ELSE, AND YOU JUST HAPPEN TO BE
1104
00:33:33,100 --> 00:33:35,100
CAUGHT IN THE MIDDLE.
1105
00:33:35,100 --> 00:33:37,600
AND IT CAN GET VERY VIOLENT.
1106
00:33:37,600 --> 00:33:38,767
>> HOLD UP.
1107
00:33:38,767 --> 00:33:40,767
>> WHAT?
1108
00:33:40,767 --> 00:33:42,633
>> [ SPEAKS AFRIKAANS ]
1109
00:33:42,633 --> 00:33:46,333
>> YEAH, DUDE.
1110
00:33:46,333 --> 00:33:49,200
WHAT'S GOING ON?
1111
00:33:49,200 --> 00:33:50,533
>> [ SPEAKING AFRIKAANS ]
1112
00:33:50,533 --> 00:33:53,500
>> WHAT THE FUCK HAS HE GOT?
1113
00:33:53,500 --> 00:33:56,500
>> DUDE, WHAT IS...
1114
00:33:59,633 --> 00:34:01,033
>> FUCKING GUY.
1115
00:34:01,033 --> 00:34:03,167
>> EZRA, WHAT'S THE DEAL WITH
1116
00:34:03,167 --> 00:34:03,800
THE GUN?
1117
00:34:03,800 --> 00:34:06,133
>> DON'T WORRY ABOUT IT, MAN.
1118
00:34:06,133 --> 00:34:08,267
THAT FUCKING GUY IS PISSING ME
1119
00:34:08,267 --> 00:34:11,433
OFF.
1120
00:34:11,433 --> 00:34:12,400
[ SIGHS ]
1121
00:34:12,400 --> 00:34:14,800
SOMETIMES YOU GOT TO, YOU KNOW,
1122
00:34:14,800 --> 00:34:17,800
HANDLE SOME -- SOME BUSINESS.
1123
00:34:17,800 --> 00:34:19,733
ME AND THAT GUY HAVE BUSINESS TO
1124
00:34:19,733 --> 00:34:21,700
HANDLE, YOU KNOW, AND IT DOESN'T
1125
00:34:21,700 --> 00:34:22,600
CONCERN YOU.
1126
00:34:22,600 --> 00:34:25,133
IT'S BETWEEN ME AND HIM.
1127
00:34:30,133 --> 00:34:31,700
>> DON'T WORRY ABOUT IT.
1128
00:34:31,700 --> 00:34:33,633
>> I'M A LITTLE WORRIED ABOUT
1129
00:34:33,633 --> 00:34:34,200
IT.
1130
00:34:34,200 --> 00:34:36,067
>> IT'S JUST -- I'M SORRY.
1131
00:34:36,067 --> 00:34:38,133
>> SO, YOU GUYS STILL WANT THAT
1132
00:34:38,133 --> 00:34:39,200
BEER OR WHAT?
1133
00:34:39,200 --> 00:34:41,033
>> IT'S A GREAT COUNTRY TO
1134
00:34:41,033 --> 00:34:44,567
VISIT, AND, LIKE I SAID, JUST BE
1135
00:34:44,567 --> 00:34:47,100
CAREFUL.
1136
00:34:47,100 --> 00:34:48,500
>> LOOK, I UNDERSTAND.
1137
00:34:48,500 --> 00:34:50,367
I HAD A GUN ON ME, YOU KNOW.
1138
00:34:50,367 --> 00:34:52,433
THAT'S JUST WHAT I HAVE TO DO IN
1139
00:34:52,433 --> 00:34:53,300
THIS CITY.
1140
00:34:53,300 --> 00:34:55,267
YOU NEED TO BE ABLE TO BE IN A
1141
00:34:55,267 --> 00:34:57,200
POSITION TO PROTECT YOURSELF.
1142
00:34:57,200 --> 00:34:59,067
THAT'S THE ONLY REASON WHY I
1143
00:34:59,067 --> 00:34:59,700
CARRY A GUN.
1144
00:34:59,700 --> 00:35:01,167
24 HOURS IN A DAY, MAN.
1145
00:35:01,167 --> 00:35:02,300
ANYTHING CAN HAPPEN.
1146
00:35:02,300 --> 00:35:03,800
IT'S REALLY NOT THAT SERIOUS.
1147
00:35:03,800 --> 00:35:05,367
>> I JUST THINK WE NEED TO
1148
00:35:05,367 --> 00:35:07,167
RECONSIDER WHAT WE'RE DOING HERE
1149
00:35:07,167 --> 00:35:08,033
A LITTLE BIT.
1150
00:35:08,033 --> 00:35:09,567
THIS WAS WAY MORE INTENSE THAN
1151
00:35:09,567 --> 00:35:11,300
WHAT WE PLANNED ON, AND I THINK
1152
00:35:11,300 --> 00:35:12,767
WE NEED TO TAKE A STEP BACK.
1153
00:35:12,767 --> 00:35:13,433
>> OKAY.
1154
00:35:13,433 --> 00:35:15,067
SO, WE'RE ALREADY DRINKING A
1155
00:35:15,067 --> 00:35:15,433
BEER.
1156
00:35:15,433 --> 00:35:16,767
THAT'S NOT A BAD START.
1157
00:35:24,300 --> 00:35:25,500
>> MIKE NEEDS TO CHILL OUT.
1158
00:35:25,500 --> 00:35:26,600
>> IT FEELS LIKE WE ARE
1159
00:35:26,600 --> 00:35:28,133
DEFINITELY GOING ABOUT THIS THE
1160
00:35:28,133 --> 00:35:28,600
WRONG WAY.
1161
00:35:28,600 --> 00:35:30,067
NOBODY REALLY DID HAVE A CLUE
1162
00:35:30,067 --> 00:35:31,300
WHERE THIS GUY WAS, AND IT'S
1163
00:35:31,300 --> 00:35:32,600
LIKE, WHAT IS THE RIGHT WAY TO
1164
00:35:32,600 --> 00:35:34,133
FIND A GUY LIKE THIS?
1165
00:35:39,767 --> 00:35:42,467
>> HERE YOU GO.
1166
00:35:42,467 --> 00:35:43,367
IF I GET, UH...
1167
00:35:43,367 --> 00:35:44,667
IF I GET FOUR HOPS, WE'RE
1168
00:35:44,667 --> 00:35:46,300
FINDING THIS MOTHERFUCKER, ALL
1169
00:35:46,300 --> 00:35:46,700
RIGHT?
1170
00:35:46,700 --> 00:35:48,533
>> ALL RIGHT.
1171
00:35:52,300 --> 00:35:55,633
>> ONE. ONE HOP.
1172
00:35:55,633 --> 00:35:57,100
>> EZRA IS LIKE ONE OF THOSE
1173
00:35:57,100 --> 00:35:58,533
GUYS YOU'RE NEVER QUITE SURE IF
1174
00:35:58,533 --> 00:36:01,533
HE'S LIKE -- IF HE'S A...
1175
00:36:01,533 --> 00:36:02,700
YOU'RE NEVER QUITE SURE WHAT'S
1176
00:36:02,700 --> 00:36:03,400
IN IT FOR HIM.
1177
00:36:03,400 --> 00:36:04,600
I'M NOT QUITE SURE WHAT'S IN IT
1178
00:36:04,600 --> 00:36:06,167
FOR HIM AT THIS POINT.
1179
00:36:14,100 --> 00:36:15,200
I KEEP WAITING FOR THE OTHER
1180
00:36:15,200 --> 00:36:15,667
SHOE TO DROP.
1181
00:36:15,667 --> 00:36:16,567
YOU KNOW WHAT I MEAN?
1182
00:36:16,567 --> 00:36:17,667
LIKE, HE'S GONNA, LIKE, TURN
1183
00:36:17,667 --> 00:36:18,733
AROUND AND -- I DON'T KNOW.
1184
00:36:18,733 --> 00:36:20,133
IT COULD BE LIKE TURN AROUND AND
1185
00:36:20,133 --> 00:36:21,100
ASK US FOR A DONATION OR
1186
00:36:21,100 --> 00:36:25,267
SOMETHING.
1187
00:36:25,267 --> 00:36:27,767
>> WE BETTER GET GOING, MAN.
1188
00:36:27,767 --> 00:36:29,133
>> ALL RIGHT.
1189
00:36:36,367 --> 00:36:38,500
NOTICE HOW I JULIENNE THE
1190
00:36:38,500 --> 00:36:40,667
MUSHROOMS.
1191
00:36:40,667 --> 00:36:43,367
WHAT'S THE MATTER?
1192
00:36:43,367 --> 00:36:45,567
WHAT?
1193
00:36:45,567 --> 00:36:47,100
[ THUD ]
1194
00:36:47,100 --> 00:36:50,267
>> FUCKING KIDDING ME!
1195
00:36:50,267 --> 00:36:53,133
>> MIKE?
1196
00:36:53,133 --> 00:36:59,300
>> THAT DID NOT SOUND GOOD.
1197
00:36:59,300 --> 00:37:01,467
>> WHAT'S UP?
1198
00:37:01,467 --> 00:37:02,633
>> LOOK, CAN YOU TURN THE
1199
00:37:02,633 --> 00:37:06,333
FUCKING CAMERA OFF, PLEASE?
1200
00:37:06,333 --> 00:37:07,200
>> I'M SORRY.
1201
00:37:07,200 --> 00:37:08,567
I WAS, YOU KNOW, WONDERING
1202
00:37:08,567 --> 00:37:09,333
WHAT'S UP.
1203
00:37:09,333 --> 00:37:10,800
>> YOU REALLY WANT TO FUCKING
1204
00:37:10,800 --> 00:37:12,333
KNOW ON YOUR DOCUMENTARY?
1205
00:37:12,333 --> 00:37:14,067
YOU WANT TO KNOW WHAT HAPPENED?
1206
00:37:14,067 --> 00:37:15,467
MY AGENCY DROPPED ME, OKAY?
1207
00:37:15,467 --> 00:37:17,167
TURN THE FUCKING CAMERA OFF.
1208
00:37:17,167 --> 00:37:20,467
>> WAIT. ALL RIGHT, DUDE.
1209
00:37:20,467 --> 00:37:24,167
[ DOOR SLAMS ]
1210
00:37:24,167 --> 00:37:27,533
>> [ SIGHS ]
1211
00:37:31,167 --> 00:37:35,033
>> DUDE, TURN THE CAMERA OFF.
1212
00:37:35,033 --> 00:37:39,200
[ INDISTINCT CONVERSATION ]
1213
00:37:39,200 --> 00:37:40,633
>> WELL, I DON'T KNOW.
1214
00:37:40,633 --> 00:37:42,600
TODAY WE WERE WANDERING AROUND
1215
00:37:42,600 --> 00:37:43,467
WITH EZRA.
1216
00:37:43,467 --> 00:37:45,467
I TOLD YOU ABOUT HIM -- MIKE'S
1217
00:37:45,467 --> 00:37:46,200
FRIEND.
1218
00:37:46,200 --> 00:37:46,800
>> YEAH.
1219
00:37:46,800 --> 00:37:48,533
>> WE WERE GOING TO THESE
1220
00:37:48,533 --> 00:37:50,500
TOWNSHIPS, AND WE WERE, LIKE,
1221
00:37:50,500 --> 00:37:52,467
RUNNING THROUGH ALLEYWAYS, AND
1222
00:37:52,467 --> 00:37:54,433
MIKE WAS SCREAMING AT THIS OLD
1223
00:37:54,433 --> 00:37:55,100
LADY.
1224
00:37:55,100 --> 00:37:58,267
I MEAN, HE'S LIKE SO...
1225
00:37:58,267 --> 00:37:59,600
HE'S SO INTENSE.
1226
00:38:03,233 --> 00:38:05,133
YEAH, BUT, SO...
1227
00:38:09,767 --> 00:38:11,633
NO, I DON'T KNOW WHAT WE'RE
1228
00:38:11,633 --> 00:38:16,633
DOING.
1229
00:38:16,633 --> 00:38:18,300
TOTALLY.
1230
00:38:25,200 --> 00:38:27,533
I WISH YOU WERE HERE.
1231
00:38:27,533 --> 00:38:29,067
I GOT TO BRING YOU BACK HERE
1232
00:38:29,067 --> 00:38:34,567
SOMETIME.
1233
00:38:34,567 --> 00:38:37,567
YOU THERE?
1234
00:38:37,567 --> 00:38:40,100
CAN'T SEE YOU.
1235
00:38:40,100 --> 00:38:42,100
EM?
1236
00:38:42,100 --> 00:38:46,067
FUCK.
1237
00:38:46,067 --> 00:38:49,767
SERIOUSLY, DUDE?
1238
00:38:49,767 --> 00:38:52,600
>> [ SNIFFLES ] I'M SORRY.
1239
00:38:56,667 --> 00:38:58,667
[ Voice breaking ] I DIDN'T
1240
00:38:58,667 --> 00:39:01,200
THINK IT WAS GONNA BE THIS BAD.
1241
00:39:15,433 --> 00:39:17,433
>> YOU WANT TO DO THE HONORS?
1242
00:39:17,433 --> 00:39:19,267
>> SURE.
1243
00:39:34,367 --> 00:39:36,233
>> ALL RIGHT, ALL RIGHT, ALL
1244
00:39:36,233 --> 00:39:38,400
RIGHT, ALL RIGHT, ALL RIGHT.
1245
00:39:38,400 --> 00:39:43,733
>> DAY 4.
1246
00:39:43,733 --> 00:39:45,167
I JUST GOT TO TAKE THIS.
1247
00:39:45,167 --> 00:39:46,300
I'LL BE RIGHT THERE.
1248
00:39:46,300 --> 00:39:47,567
YEAH. HOLD ON ONE SECOND.
1249
00:39:47,567 --> 00:39:49,267
>> YOU EXCITED TO GO TO PRISON?
1250
00:39:49,267 --> 00:39:51,267
>> YES.
1251
00:39:51,267 --> 00:39:52,633
>> NO. NEXT WEEK.
1252
00:39:52,633 --> 00:39:54,167
YEAH. NEXT WEEK.
1253
00:39:54,167 --> 00:39:54,800
I KNOW.
1254
00:39:54,800 --> 00:39:57,400
NO, I LEFT EVERYTHING WITH JOHN.
1255
00:39:57,400 --> 00:39:59,400
OKAY. OKAY. BYE.
1256
00:40:19,133 --> 00:40:21,300
>> THIS PRISON WAS BUILT IN
1257
00:40:21,300 --> 00:40:23,167
1963.
1258
00:40:23,167 --> 00:40:25,333
AND I'M ALSO GOING TO TAKE YOU
1259
00:40:25,333 --> 00:40:27,500
TO THE CELLS WHERE, OF COURSE,
1260
00:40:27,500 --> 00:40:30,200
NELSON MANDELA AND THE OTHER
1261
00:40:30,200 --> 00:40:35,367
POLITICAL LEADERS WERE KEPT.
1262
00:40:35,367 --> 00:40:36,700
>> MANDELA'S CELL IS THE ONE
1263
00:40:36,700 --> 00:40:38,700
WITH THE WINDOW OPEN.
1264
00:40:38,700 --> 00:40:41,167
>> WE ARE TRYING TO GET CONTROL
1265
00:40:41,167 --> 00:40:43,400
OF CYBERCRIME IN SOUTH AFRICA.
1266
00:40:43,400 --> 00:40:45,700
PEOPLE HAVE TO BE REALLY CAREFUL
1267
00:40:45,700 --> 00:40:48,233
ON WHO THEY TRUST WHEN THEY COME
1268
00:40:48,233 --> 00:40:50,167
TO A THIRD-WORLD COUNTRY.
1269
00:40:50,167 --> 00:40:52,300
THERE IS A LOT OF POVERTY IN
1270
00:40:52,300 --> 00:40:54,267
THESE PARTS OF THE WORLD.
1271
00:40:54,267 --> 00:40:56,467
AND YOU WILL BE SUCKED INTO IT
1272
00:40:56,467 --> 00:40:59,333
VERY, VERY EASILY, SO JUST HEED
1273
00:40:59,333 --> 00:41:00,500
THE WARNINGS.
1274
00:41:10,500 --> 00:41:12,500
>> [ SPEAKING AFRIKAANS ]
1275
00:41:12,500 --> 00:41:14,433
IS HOLLY AROUND OR MILO, JUST
1276
00:41:14,433 --> 00:41:16,100
SOMEBODY THAT I CAN...?
1277
00:41:16,100 --> 00:41:18,100
NAH, SO I'LL JUST WAIT FOR THE
1278
00:41:18,100 --> 00:41:18,567
TEXT.
1279
00:41:18,567 --> 00:41:19,667
EXCELLENT, MAN.
1280
00:41:19,667 --> 00:41:21,333
YOU KNOW WHO'S TALKING?
1281
00:41:21,333 --> 00:41:23,100
YEAH, BROTHER. WHAT'S UP?
1282
00:41:23,100 --> 00:41:24,033
OH, MY GOD.
1283
00:41:24,033 --> 00:41:25,600
>> SO, WHAT ARE WE DOING?
1284
00:41:25,600 --> 00:41:27,633
>> HE'S LAYING SOME GROUNDWORK,
1285
00:41:27,633 --> 00:41:28,433
I GUESS.
1286
00:41:28,433 --> 00:41:30,033
LET HIM DO HIS THING.
1287
00:41:30,033 --> 00:41:32,033
YOU KNOW, ANYTHING SOUNDS SCARY
1288
00:41:32,033 --> 00:41:33,367
TO YOU GUYS.
1289
00:41:33,367 --> 00:41:34,700
>> I WOULD THINK YOU WOULD BE
1290
00:41:34,700 --> 00:41:35,667
WARY, TOO, BUT...
1291
00:41:35,667 --> 00:41:37,233
>> I THINK YOU'RE JUST WARY IN
1292
00:41:37,233 --> 00:41:38,033
GENERAL, MAN.
1293
00:41:38,033 --> 00:41:38,667
>> [ LAUGHS ]
1294
00:41:38,667 --> 00:41:40,233
OH, THANK YOU. THANK YOU, SIR.
1295
00:41:40,233 --> 00:41:41,633
>> BROTHER, PART OF THE REASON
1296
00:41:41,633 --> 00:41:43,167
THAT WE'RE HERE IS MY BROTHER
1297
00:41:43,167 --> 00:41:44,567
GOT RIPPED OFF THE LAST TIME HE
1298
00:41:44,567 --> 00:41:46,233
WAS IN SOUTH AFRICA, SO IF I'M A
1299
00:41:46,233 --> 00:41:47,367
LITTLE WARY, I'M SORRY.
1300
00:41:47,367 --> 00:41:48,800
YOU KNOW, YOU KEEP MAKING THESE
1301
00:41:48,800 --> 00:41:50,367
COMMENTS LIKE I'M ALL UPTIGHT.
1302
00:41:50,367 --> 00:41:51,733
BUT THE REASON I'M UPTIGHT IS
1303
00:41:51,733 --> 00:41:53,167
BECAUSE OF WHY WE'RE HERE.
1304
00:41:53,167 --> 00:41:57,033
IT HAS NOTHING TO DO WITH YOU.
1305
00:41:57,033 --> 00:41:58,333
>> LET'S JUST GO THIS WAY.
1306
00:41:58,333 --> 00:41:59,167
>> OVER HERE?
1307
00:41:59,167 --> 00:41:59,600
>> YEAH.
1308
00:41:59,600 --> 00:42:00,500
JUST FOLLOW ME.
1309
00:42:00,500 --> 00:42:01,600
>> WHAT'S OVER HERE?
1310
00:42:01,600 --> 00:42:03,233
>> THERE'S ONE OTHER GUY WE GOT
1311
00:42:03,233 --> 00:42:04,500
TO JUST CHECK REAL QUICK.
1312
00:42:04,500 --> 00:42:07,500
I JUST REMEMBERED.
1313
00:42:07,500 --> 00:42:11,067
>> SO, THIS IS WHERE YOUR FRIEND
1314
00:42:11,067 --> 00:42:13,233
LIVES?
1315
00:42:13,233 --> 00:42:14,367
IT DOESN'T LOOK LIKE ANYBODY
1316
00:42:14,367 --> 00:42:15,033
LIVES HERE.
1317
00:42:15,033 --> 00:42:16,100
>> HIS PHONE'S ON VOICE.
1318
00:42:16,100 --> 00:42:17,233
>> ARE YOU SURE YOU GOT THE
1319
00:42:17,233 --> 00:42:17,733
RIGHT HOUSE?
1320
00:42:17,733 --> 00:42:19,033
>> I'M JUST GONNA CHECK...
1321
00:42:19,033 --> 00:42:19,567
>> WHAT?
1322
00:42:19,567 --> 00:42:21,133
>> SEEMS LIKE IT'S A...
1323
00:42:21,133 --> 00:42:21,733
>> YO, EZ?
1324
00:42:21,733 --> 00:42:23,067
>> ...CRAZY PLACE.
1325
00:42:23,067 --> 00:42:24,800
>> JUST HOLD ON ONE SECOND, MAN.
1326
00:42:24,800 --> 00:42:26,500
>> WHERE'S HE GOING?
1327
00:42:26,500 --> 00:42:27,467
>> WHERE IS HE?
1328
00:42:27,467 --> 00:42:29,100
NO, I DON'T SEE HIM ANYMORE.
1329
00:42:29,100 --> 00:42:30,733
>> YOU KEEP SAYING THAT IT'S ALL
1330
00:42:30,733 --> 00:42:32,067
COOL, IT'S ALL FINE.
1331
00:42:32,067 --> 00:42:32,600
I MEAN...
1332
00:42:32,600 --> 00:42:34,400
>> LOOK, HE'S DOING THIS TO HELP
1333
00:42:34,400 --> 00:42:35,100
US, MAN.
1334
00:42:35,100 --> 00:42:36,700
HE'S OUR TICKET TO WHERE WE NEED
1335
00:42:36,700 --> 00:42:37,333
TO BE.
1336
00:42:37,333 --> 00:42:37,733
>> MIKE.
1337
00:42:37,733 --> 00:42:39,200
I MEAN, I KNOW THAT YOU LIKE
1338
00:42:39,200 --> 00:42:39,633
THIS GUY.
1339
00:42:39,633 --> 00:42:41,133
I KNOW THAT HE'S YOUR FRIEND.
1340
00:42:41,133 --> 00:42:42,367
BUT IF HE KNEW WHERE THE GUY
1341
00:42:42,367 --> 00:42:43,633
WAS, WE WOULD HAVE FOUND HIM
1342
00:42:43,633 --> 00:42:44,233
ALREADY.
1343
00:42:44,233 --> 00:42:45,600
>> THIS ISN'T WHERE WE GREW UP.
1344
00:42:45,600 --> 00:42:47,100
THIS IS CLEARLY THE OTHER SIDE
1345
00:42:47,100 --> 00:42:48,233
OF THE WORLD, ALL RIGHT?
1346
00:42:48,233 --> 00:42:49,500
>> WHY ARE YOU DEFENDING HIM
1347
00:42:49,500 --> 00:42:50,100
OVER ME?
1348
00:42:50,100 --> 00:42:51,167
I DON'T GET YOU, MAN.
1349
00:42:51,167 --> 00:42:52,500
I DON'T UNDERSTAND WHAT'S GOING
1350
00:42:52,500 --> 00:42:52,767
ON.
1351
00:42:52,767 --> 00:42:54,233
I DON'T EVEN KNOW WHAT'S GOING
1352
00:42:54,233 --> 00:42:55,367
THROUGH YOUR HEAD ANYMORE.
1353
00:42:55,367 --> 00:42:56,633
>> LOOK, I MEAN, AT THE END OF
1354
00:42:56,633 --> 00:42:58,167
THE DAY, WE'RE HERE TO HELP YOU.
1355
00:42:58,167 --> 00:42:59,433
EZRA'S YOUR FRIEND, BUT, LIKE,
1356
00:42:59,433 --> 00:43:03,133
HOW MUCH CAN HE REALLY HELP?
1357
00:43:03,133 --> 00:43:03,633
SO...
1358
00:43:03,633 --> 00:43:06,033
>> I MEAN, IN ALL FAIRNESS, IF
1359
00:43:06,033 --> 00:43:08,267
WE CAME DOWN HERE ON OUR OWN --
1360
00:43:08,267 --> 00:43:09,633
ON OUR OWN WHIM, THEN IT WOULD
1361
00:43:09,633 --> 00:43:10,700
HAVE JUST BEEN FUCKED.
1362
00:43:10,700 --> 00:43:11,800
WE WOULD HAVE NOTHING.
1363
00:43:11,800 --> 00:43:13,233
>> SO FAR, WE HAVEN'T DONE
1364
00:43:13,233 --> 00:43:13,700
ANYTHING.
1365
00:43:13,700 --> 00:43:15,300
HE SEEMS LIKE A REALLY NICE GUY,
1366
00:43:15,300 --> 00:43:16,133
BUT THERE'S --
1367
00:43:16,133 --> 00:43:17,400
>> HE'S NOT A BAD GUY, MAN.
1368
00:43:17,400 --> 00:43:18,767
>> THERE'S JUST SOMETHING ABOUT
1369
00:43:18,767 --> 00:43:19,267
HIM.
1370
00:43:19,267 --> 00:43:20,633
I DON'T KNOW WHAT IT IS, DUDE.
1371
00:43:20,633 --> 00:43:22,233
>> SO, MAYBE WE CAN JUST HOP IN
1372
00:43:22,233 --> 00:43:23,300
A TAXI AND GO TO THESE
1373
00:43:23,300 --> 00:43:23,800
TOWNSHIPS.
1374
00:43:23,800 --> 00:43:25,267
IS THAT WHAT YOU'RE SAYING?
1375
00:43:25,267 --> 00:43:26,567
>> I'M SAYING WHY ARE WE EVEN
1376
00:43:26,567 --> 00:43:27,733
GOING TO THESE TOWNSHIPS?
1377
00:43:27,733 --> 00:43:29,300
>> BECAUSE WE'RE TRYING TO FIND
1378
00:43:29,300 --> 00:43:29,667
A GUY.
1379
00:43:29,667 --> 00:43:31,233
>> WHERE DID YOU MEET HIM, MIKE?
1380
00:43:31,233 --> 00:43:32,533
WHERE DID YOU MEET THIS GUY?
1381
00:43:32,533 --> 00:43:34,033
>> I MET HIM IN AN OKAY AREA.
1382
00:43:34,033 --> 00:43:35,133
>> YOU MET HIM AT THIS
1383
00:43:35,133 --> 00:43:36,100
CAFé CAPRICE PLACE.
1384
00:43:36,100 --> 00:43:37,167
WE DROVE PAST IT TODAY.
1385
00:43:37,167 --> 00:43:38,200
THAT DID NOT LOOK LIKE A
1386
00:43:38,200 --> 00:43:38,767
TOWNSHIP TO ME.
1387
00:43:38,767 --> 00:43:40,233
>> SO IF HE'S A FUCKING SCAMMER
1388
00:43:40,233 --> 00:43:41,400
AND HE WANTS TO TAKE PEOPLE'S
1389
00:43:41,400 --> 00:43:42,667
MONEY, YOU THINK HE'S GONNA TAKE
1390
00:43:42,667 --> 00:43:44,067
IT FROM SOMEONE IN A TOWNSHIP?
1391
00:43:44,067 --> 00:43:45,033
WHAT ARE YOU, STUPID?
1392
00:43:45,033 --> 00:43:46,267
>> ALL I'M SAYING IS WE NEED TO
1393
00:43:46,267 --> 00:43:48,133
TAKE A STEP BACK.
1394
00:43:48,133 --> 00:43:48,667
>> HEY.
1395
00:43:48,667 --> 00:43:50,600
>> I NEED 100 RAND REAL QUICK.
1396
00:43:50,600 --> 00:43:51,400
>> WHAT?
1397
00:43:51,400 --> 00:43:53,300
>> JUST GIVE ME 100 RAND REAL
1398
00:43:53,300 --> 00:43:54,200
QUICK, MAN.
1399
00:43:54,200 --> 00:43:56,033
>> WHAT DO YOU NEED IT FOR?
1400
00:43:56,033 --> 00:43:57,533
>> UM, I JUST GOT TO GET
1401
00:43:57,533 --> 00:43:59,267
SOMETHING REALLY QUICKLY.
1402
00:43:59,267 --> 00:44:00,500
>> I GOT IT, MIKE.
1403
00:44:00,500 --> 00:44:01,700
>> APPRECIATE IT.
1404
00:44:01,700 --> 00:44:04,067
I'LL COME BACK. JUST ONE SECOND.
1405
00:44:04,067 --> 00:44:05,567
>> THAT WAS WEIRD.
1406
00:44:05,567 --> 00:44:09,433
>> YEAH.
1407
00:44:09,433 --> 00:44:10,767
[ ENGINE REVVING ]
1408
00:44:18,333 --> 00:44:20,333
>> WELL, YOU GUYS SURE LOOK NICE
1409
00:44:20,333 --> 00:44:21,200
ON-CAMERA.
1410
00:44:21,200 --> 00:44:22,267
>> [ CHUCKLES ]
1411
00:44:22,267 --> 00:44:23,800
>> GO FUCK YOURSELF, NED.
1412
00:44:23,800 --> 00:44:26,800
>> [ CHUCKLES ]
1413
00:44:26,800 --> 00:44:29,333
>> SO, CHECK IT OUT.
1414
00:44:29,333 --> 00:44:30,533
[ BOTTLES CLINKING ]
1415
00:44:30,533 --> 00:44:32,367
THOUGHT WE MIGHT NEED SOME LOCAL
1416
00:44:32,367 --> 00:44:33,267
REFRESHMENTS.
1417
00:44:33,267 --> 00:44:34,700
SO, THIS IS WHAT WE CALL A
1418
00:44:34,700 --> 00:44:35,367
STONEY.
1419
00:44:35,367 --> 00:44:36,533
IT'S A GINGER BEER.
1420
00:44:36,533 --> 00:44:37,733
SCHWEPPES GRANADILLA.
1421
00:44:37,733 --> 00:44:39,033
CLASSIC COCA-COLA.
1422
00:44:39,033 --> 00:44:40,167
>> OH, IT'S FANTA.
1423
00:44:40,167 --> 00:44:41,100
>> YEAH. YEAH.
1424
00:44:41,100 --> 00:44:42,533
BUT THIS IS LIKE A SPECIAL
1425
00:44:42,533 --> 00:44:43,733
SOUTH AFRICAN FLAVOR.
1426
00:44:43,733 --> 00:44:44,467
>> OKAY.
1427
00:44:44,467 --> 00:44:45,167
>> OKAY?
1428
00:44:45,167 --> 00:44:47,033
SO WE'LL TRY ALL THESE, AND THEN
1429
00:44:47,033 --> 00:44:47,667
I'VE GOT...
1430
00:44:47,667 --> 00:44:48,567
>> [ LAUGHS ]
1431
00:44:48,567 --> 00:44:50,267
>> I'VE GOT LIKE A -- HERE'S
1432
00:44:50,267 --> 00:44:51,333
YOUR CHANGE, SIR.
1433
00:44:51,333 --> 00:44:52,700
>> OH, HEY, THANKS, MAN.
1434
00:44:52,700 --> 00:44:54,233
>> THANK YOU.
1435
00:44:54,233 --> 00:44:55,367
IT'S GOOD SHIT.
1436
00:44:55,367 --> 00:44:56,433
>> [ COUGHS ]
1437
00:44:56,433 --> 00:44:57,400
UGH. IT'S...
1438
00:44:57,400 --> 00:44:58,333
[ LAUGHS ]
1439
00:44:58,333 --> 00:44:59,600
IT'S REALLY SWEET.
1440
00:44:59,600 --> 00:45:00,500
[ COUGHS ]
1441
00:45:00,500 --> 00:45:02,567
>> IT'S A NICE SHOT, THOUGH, OF
1442
00:45:02,567 --> 00:45:03,267
SUGAR.
1443
00:45:03,267 --> 00:45:04,267
[ LAUGHTER ]
1444
00:45:04,267 --> 00:45:06,367
AND WE NEED SUGAR IN OUR LIVES,
1445
00:45:06,367 --> 00:45:07,767
DON'T WE?
1446
00:45:07,767 --> 00:45:09,300
YOU KNOW WHAT, GUYS?
1447
00:45:09,300 --> 00:45:11,067
HOW ABOUT A LITTLE BIT OF
1448
00:45:11,067 --> 00:45:12,033
INSPIRATION?
1449
00:45:12,033 --> 00:45:13,800
WE'RE GONNA TAKE A NICE LITTLE
1450
00:45:13,800 --> 00:45:15,800
TRIP TO SIGNAL HILL.
1451
00:45:15,800 --> 00:45:20,667
ONE WAY OR ANOTHER.
1452
00:45:20,667 --> 00:45:22,267
>> IS THAT A MOSQUE?
1453
00:45:22,267 --> 00:45:23,033
>> YEP.
1454
00:45:23,033 --> 00:45:24,500
>> WHAT ARE YOU, EZRA?
1455
00:45:24,500 --> 00:45:26,200
DO YOU GO TO A MOSQUE?
1456
00:45:26,200 --> 00:45:29,067
>> SOMETIMES I GO TO A MOSQUE.
1457
00:45:29,067 --> 00:45:30,567
EVERYONE I KNOW BELIEVES IN
1458
00:45:30,567 --> 00:45:34,467
SOMETHING.
1459
00:45:34,467 --> 00:45:37,133
>> AND WHAT DO YOU BELIEVE IN?
1460
00:45:37,133 --> 00:45:39,400
>> YOU KNOW, I BELIEVE THAT
1461
00:45:39,400 --> 00:45:42,167
WE'RE NOT PERFECT, AND WE -- YOU
1462
00:45:42,167 --> 00:45:44,600
KNOW, MOST OF US TRY TO DO OUR
1463
00:45:44,600 --> 00:45:45,400
BEST.
1464
00:45:45,400 --> 00:45:48,167
BUT SOMETIMES, YOU KNOW, WE FIND
1465
00:45:48,167 --> 00:45:50,500
OURSELVES IN SITUATIONS.
1466
00:45:50,500 --> 00:45:52,500
YOU KNOW, YOU SEE IN SOME OF THE
1467
00:45:52,500 --> 00:45:54,300
PLACES I'VE SHOWN YOU GUYS.
1468
00:45:54,300 --> 00:45:56,033
SURVIVAL ISN'T EASY, MAN.
1469
00:45:56,033 --> 00:45:58,033
YOU KNOW, JUST IMAGINE HAVING NO
1470
00:45:58,033 --> 00:45:59,500
FAMILY, YOU KNOW?
1471
00:45:59,500 --> 00:46:00,433
>> YEAH.
1472
00:46:00,433 --> 00:46:03,100
>> NO ONE OUT THERE TO GIVE YOU
1473
00:46:03,100 --> 00:46:05,233
A HAND, YOU KNOW, OR, YOU
1474
00:46:05,233 --> 00:46:08,167
KNOW, SPEAK A POSITIVE WORD.
1475
00:46:08,167 --> 00:46:11,367
ALL YOU HAVE IS, "HEY, I HAVE TO
1476
00:46:11,367 --> 00:46:12,567
SURVIVE."
1477
00:46:12,567 --> 00:46:14,200
[ INDISTINCT CONVERSATIONS ]
1478
00:46:14,200 --> 00:46:15,633
>> SAW SOME GOOD STUFF TODAY.
1479
00:46:15,633 --> 00:46:16,767
>> YEAH, IT WAS COOL.
1480
00:46:16,767 --> 00:46:18,533
IT WAS VERY NICE, BUT STANDING
1481
00:46:18,533 --> 00:46:20,333
IN FUCKING LINES, I MEAN, THAT'S
1482
00:46:20,333 --> 00:46:21,433
NOT LETTING LOOSE.
1483
00:46:21,433 --> 00:46:23,033
THAT'S FULFILLING A CERTAIN
1484
00:46:23,033 --> 00:46:24,533
AMOUNT OF PICTURE QUOTAS THAT,
1485
00:46:24,533 --> 00:46:26,033
YOU KNOW, YOUR RESPECTIVE
1486
00:46:26,033 --> 00:46:27,467
GIRLFRIENDS NEED, YOU KNOW.
1487
00:46:27,467 --> 00:46:29,167
LIKE, LET'S JUST FUCKING RELAX
1488
00:46:29,167 --> 00:46:29,667
AS BUDS.
1489
00:46:29,667 --> 00:46:31,233
>> WHAT DO YOU WANT TO DO?
1490
00:46:31,233 --> 00:46:32,200
>> I DON'T KNOW.
1491
00:46:32,200 --> 00:46:33,100
LET'S GO OUT.
1492
00:46:33,100 --> 00:46:34,267
LET'S SEE -- LET'S...
1493
00:46:34,267 --> 00:46:35,600
>> ALL RIGHT, WHERE DO YOU WANT
1494
00:46:35,600 --> 00:46:37,133
TO GO, THAT PLACE YOU GUYS WERE
1495
00:46:37,133 --> 00:46:37,733
TALKING ABOUT?
1496
00:46:37,733 --> 00:46:39,067
>> THAT PLACE IS CLOSED.
1497
00:46:39,067 --> 00:46:40,367
I MEAN, THAT'S WHERE I FUCKING
1498
00:46:40,367 --> 00:46:41,567
MET THE GUY, SO WHY NOT GO
1499
00:46:41,567 --> 00:46:42,100
THERE?
1500
00:46:42,100 --> 00:46:43,600
WE CAN HAVE A COUPLE DRINKS AND
1501
00:46:43,600 --> 00:46:45,133
JUST KIND OF, YOU KNOW, LET
1502
00:46:45,133 --> 00:46:46,500
LOOSE FOR A LITTLE BIT, YOU
1503
00:46:46,500 --> 00:46:47,067
KNOW?
1504
00:46:47,067 --> 00:46:48,100
>> THAT WOULD WORK.
1505
00:46:48,100 --> 00:46:48,800
THEN LET'S GO.
1506
00:46:48,800 --> 00:46:49,600
>> EZRA, YO.
1507
00:46:49,600 --> 00:46:51,267
WHAT DO YOU SAY ABOUT GOING TO
1508
00:46:51,267 --> 00:46:52,300
CAPRICE TONIGHT?
1509
00:46:52,300 --> 00:46:54,100
>> LOOK, TRUST IS A BIG THING
1510
00:46:54,100 --> 00:46:54,800
FOR ME, MAN.
1511
00:46:54,800 --> 00:46:56,533
IF YOU DON'T TRUST THAT, YOU
1512
00:46:56,533 --> 00:46:58,433
KNOW, I'M WORKING SOMETHING OUT,
1513
00:46:58,433 --> 00:47:00,133
THIS IS GONNA BE A DIFFICULT
1514
00:47:00,133 --> 00:47:00,667
PROCESS.
1515
00:47:00,667 --> 00:47:02,100
YOU KNOW WHAT I MEAN?
1516
00:47:02,100 --> 00:47:03,733
I MEAN, ALL YOU HAVE RIGHT NOW
1517
00:47:03,733 --> 00:47:04,367
IS ME.
1518
00:47:04,367 --> 00:47:06,233
>> IT'S NOT THAT WE DON'T TRUST
1519
00:47:06,233 --> 00:47:06,533
YOU.
1520
00:47:06,533 --> 00:47:08,300
SOMETIMES WE FEEL LIKE YOU'RE
1521
00:47:08,300 --> 00:47:09,767
NOT TELLING US EVERYTHING.
1522
00:47:09,767 --> 00:47:10,800
>> COME ON, MAN.
1523
00:47:10,800 --> 00:47:12,200
I'M TELLING YOU GUYS
1524
00:47:12,200 --> 00:47:13,633
EVERYTHING -- EVERYTHING.
1525
00:47:13,633 --> 00:47:15,367
>> ALL RIGHT, NO, IT'S COOL.
1526
00:47:15,367 --> 00:47:16,167
IT'S COOL.
1527
00:47:16,167 --> 00:47:17,367
>> SO, ANYWAY, LOOK.
1528
00:47:17,367 --> 00:47:19,200
LET'S GO TO THIS CAPRICE PLACE,
1529
00:47:19,200 --> 00:47:20,700
AND LET'S BE DONE WITH THIS
1530
00:47:20,700 --> 00:47:22,067
NO-TRUST SHIT, MAN.
1531
00:47:22,067 --> 00:47:26,067
>> NO, HEY. LET'S...
1532
00:47:26,067 --> 00:47:27,067
LET'S GO. LET'S GO.
1533
00:47:27,067 --> 00:47:29,567
>> ALL RIGHT.
1534
00:47:29,567 --> 00:47:30,500
>> YOU GUYS COMING?
1535
00:47:30,500 --> 00:47:31,500
>> YEAH, WE'RE COMING.
1536
00:47:31,500 --> 00:47:33,200
WE'RE COMING RIGHT NOW.
1537
00:47:49,267 --> 00:47:50,333
>> IT'S GETTING CLOSE NOW,
1538
00:47:50,333 --> 00:47:50,667
RIGHT?
1539
00:47:50,667 --> 00:47:51,700
>> YEAH, WE'RE GOING DOWN
1540
00:47:51,700 --> 00:47:52,700
HERE -- CAPRICE.
1541
00:47:52,700 --> 00:47:53,767
>> OH, IS THAT IT?
1542
00:47:53,767 --> 00:47:55,433
>> NOW, HOPEFULLY YOU'LL MEET
1543
00:47:55,433 --> 00:47:57,133
SOMETHING THAT'LL HELP LOOSEN
1544
00:47:57,133 --> 00:47:58,633
YOU UP, SCOTTY.
1545
00:47:58,633 --> 00:47:59,467
>> I AM LOOSE.
1546
00:47:59,467 --> 00:48:01,100
I DON'T SEE WHAT YOU KEEP SAYING
1547
00:48:01,100 --> 00:48:02,267
I'M SO NOT LOOSE ABOUT.
1548
00:48:02,267 --> 00:48:03,067
>> [ GRUNTS ]
1549
00:48:03,067 --> 00:48:03,700
>> HEY, SCOTT.
1550
00:48:03,700 --> 00:48:05,167
>> I'M READY TO PARTY.
1551
00:48:05,167 --> 00:48:06,133
>> SOME TUNES.
1552
00:48:06,133 --> 00:48:07,633
CAN WE LOOSEN UP A LITTLE BIT?
1553
00:48:07,633 --> 00:48:09,333
[ INDISTINCT CONVERSATIONS ]
1554
00:48:09,333 --> 00:48:12,333
[ UP-TEMPO MUSIC PLAYING ]
1555
00:48:12,333 --> 00:48:14,267
>> CAN I GET A, UH, JACK AND
1556
00:48:14,267 --> 00:48:14,700
COKE?
1557
00:48:14,700 --> 00:48:15,600
>> SINGLE?
1558
00:48:15,600 --> 00:48:16,267
>> SINGLE.
1559
00:48:16,267 --> 00:48:17,267
WHAT DO YOU GUYS WANT?
1560
00:48:17,267 --> 00:48:19,133
>> GREY GOOSE ON THE ROCKS.
1561
00:48:19,133 --> 00:48:19,633
>> WHAT?
1562
00:48:19,633 --> 00:48:20,600
>> WE'RE OUT OF BOURBON.
1563
00:48:20,600 --> 00:48:21,300
>> NO BOURBONS?
1564
00:48:21,300 --> 00:48:22,233
>> YOU GOT NO BOURBONS?
1565
00:48:22,233 --> 00:48:22,700
>> [ SCOFFS ]
1566
00:48:22,700 --> 00:48:23,767
>> I'LL GET US SCOTCH ON THE
1567
00:48:23,767 --> 00:48:24,267
ROCKS.
1568
00:48:24,267 --> 00:48:25,100
>> NICE.
1569
00:48:29,067 --> 00:48:31,367
>> WHAT?
1570
00:48:31,367 --> 00:48:32,500
>> MAYBE THIS GUY KNOWS WHERE
1571
00:48:32,500 --> 00:48:33,167
LEBOGANG IS.
1572
00:48:33,167 --> 00:48:34,267
>> THINK WE SHOULD ASK ONE OF
1573
00:48:34,267 --> 00:48:34,567
THE...
1574
00:48:34,567 --> 00:48:35,767
>> WHAT'S UP? HOW ARE YOU DOING?
1575
00:48:35,767 --> 00:48:36,767
>> HEY, LISTEN, I HAVE A
1576
00:48:36,767 --> 00:48:38,033
QUESTION FOR YOU.
1577
00:48:38,033 --> 00:48:39,533
UM, I'M LOOKING FOR THIS GUY,
1578
00:48:39,533 --> 00:48:40,433
OKAY, NAMED LEBOGANG.
1579
00:48:40,433 --> 00:48:41,300
>> OH, COOL, BUT I --
1580
00:48:41,300 --> 00:48:42,400
>> DO YOU KNOW -- I THINK HE
1581
00:48:42,400 --> 00:48:43,300
HANGS OUT A FEW TIMES.
1582
00:48:43,300 --> 00:48:44,100
>> HE COMES HERE.
1583
00:48:44,100 --> 00:48:44,767
HE COMES HERE, BUT --
1584
00:48:44,767 --> 00:48:46,100
>> YOU KNOW ANYTHING ABOUT HIM
1585
00:48:46,100 --> 00:48:46,433
OR...
1586
00:48:46,433 --> 00:48:48,133
>> OH, NO, NOT REALLY.
1587
00:48:48,367 --> 00:48:49,033
SORRY, MAN.
1588
00:48:49,033 --> 00:48:50,200
WHY ARE YOU LOOKING FOR HIM?
1589
00:48:50,200 --> 00:48:51,033
>> NO, IT'S OKAY.
1590
00:48:51,033 --> 00:48:52,233
IT'S JUST PERSONAL STUFF, YOU
1591
00:48:52,233 --> 00:48:53,467
KNOW, BUT, UH, I DON'T WANT TO
1592
00:48:53,467 --> 00:48:54,633
GET INTO IT, BUT -- YOU KNOW
1593
00:48:54,633 --> 00:48:55,333
WHAT I MEAN?
1594
00:48:55,333 --> 00:48:57,233
BUT, UH, FUCK!
1595
00:48:57,233 --> 00:48:58,567
UM...
1596
00:48:58,567 --> 00:49:00,100
I'M FUCKING SICK OF THIS, MAN.
1597
00:49:00,100 --> 00:49:01,067
IT'S BEEN ALL DAY.
1598
00:49:01,067 --> 00:49:01,700
YOU KNOW WHAT?
1599
00:49:01,700 --> 00:49:03,133
LISTEN, I'M PARTYING, OKAY?
1600
00:49:03,133 --> 00:49:03,567
>> OKAY.
1601
00:49:03,567 --> 00:49:05,300
>> I'M FUCKING -- UM, YES.
1602
00:49:05,300 --> 00:49:06,600
OKAY, THREE V-- THREE
1603
00:49:06,600 --> 00:49:08,533
VODKA REBELS, DOUBLES, AND A --
1604
00:49:08,533 --> 00:49:09,767
AND A TEQUILA NEAT.
1605
00:49:09,767 --> 00:49:10,600
>> GOT IT.
1606
00:49:10,600 --> 00:49:11,667
>> YOU'RE THE MAN.
1607
00:49:11,667 --> 00:49:13,200
[ UP-TEMPO MUSIC PLAYING ]
1608
00:49:13,200 --> 00:49:14,200
>> CHEERS.
1609
00:49:14,200 --> 00:49:16,200
[ GLASSES CLINK ]
1610
00:49:16,200 --> 00:49:16,767
>> [ SIGHS ]
1611
00:49:16,767 --> 00:49:18,133
>> I'M GONNA FILL MYSELF.
1612
00:49:18,133 --> 00:49:19,200
WATCH THIS. [ LAUGHS ]
1613
00:49:19,200 --> 00:49:20,267
>> THIS IS FOR KENTRIDGE,
1614
00:49:20,267 --> 00:49:20,800
MOTHERFUCKER.
1615
00:49:20,800 --> 00:49:21,500
[ LAUGHTER ]
1616
00:49:21,500 --> 00:49:22,067
>> YEAH.
1617
00:49:22,067 --> 00:49:23,733
>> All: 2, 1...
1618
00:49:23,733 --> 00:49:26,733
>> OH! WHOA, WHOA, WHOA!
1619
00:49:26,733 --> 00:49:27,433
31!
1620
00:49:27,433 --> 00:49:28,700
[ LAUGHTER ]
1621
00:49:28,700 --> 00:49:31,067
>> OHH!
1622
00:49:31,067 --> 00:49:32,067
>> [ SIGHS ]
1623
00:49:32,067 --> 00:49:34,567
[ UP-TEMPO MUSIC PLAYING ]
1624
00:49:34,567 --> 00:49:37,600
>> OH, SCOTT'S ON VACATION!
1625
00:49:37,600 --> 00:49:40,367
>> 'TWAS DURING THE EVENING OF
1626
00:49:40,367 --> 00:49:42,433
GOOD -- WHERE ARE WE?!
1627
00:49:42,433 --> 00:49:45,133
>> I HAVE NO [LAUGHS] IDEA.
1628
00:49:45,133 --> 00:49:45,767
[ LAUGHS ]
1629
00:50:00,133 --> 00:50:06,800
>> * IN THE DISTANCE
1630
00:50:06,800 --> 00:50:13,667
* ASHES
1631
00:50:13,667 --> 00:50:17,567
* AND STILL BREATHING
1632
00:50:17,567 --> 00:50:20,567
* STILL BREATHING
1633
00:50:20,567 --> 00:50:27,733
* WHEN YOU CALLED FOR ME
1634
00:50:27,733 --> 00:50:30,100
[ INDISTINCT SHOUTING ]
1635
00:50:37,133 --> 00:50:39,133
>> [ CHUCKLES ] SORRY, DUDE.
1636
00:50:39,133 --> 00:50:40,800
>> IT'S OVER, NED.
1637
00:50:40,800 --> 00:50:43,167
I'M KIND OF MAD THAT...
1638
00:50:43,167 --> 00:50:45,500
AGAIN, WE WON'T FIND THIS GUY,
1639
00:50:45,500 --> 00:50:46,233
YOU KNOW?
1640
00:50:46,233 --> 00:50:47,033
AND, UH...
1641
00:50:47,033 --> 00:50:48,567
>> DUDE, WHAT -- WHAT IS THAT?
1642
00:50:48,567 --> 00:50:50,400
>> IT'S A TOKEN OF SOUTH AFRICAN
1643
00:50:50,400 --> 00:50:51,300
APPRECIATION.
1644
00:50:51,300 --> 00:50:52,200
>> NO, DUDE!
1645
00:50:52,200 --> 00:50:53,300
I'M FILMING THIS.
1646
00:50:53,300 --> 00:50:54,700
YOU SEE WHAT I'M FILMING.
1647
00:50:54,700 --> 00:50:56,300
>> I DON'T CARE ANYMORE.
1648
00:50:56,300 --> 00:50:58,067
I DON'T CARE ANYMORE, SO I'M
1649
00:50:58,067 --> 00:51:00,067
THINKING THAT I'M -- I'M OVER
1650
00:51:00,067 --> 00:51:00,800
IT, OKAY?
1651
00:51:00,800 --> 00:51:01,800
BECAUSE...
1652
00:51:01,800 --> 00:51:03,100
>> [ SIGHS ]
1653
00:51:03,100 --> 00:51:04,267
>> [ SNIFFS ]
1654
00:51:04,267 --> 00:51:06,767
'CAUSE, LIKE, IT'S BEEN FOUR
1655
00:51:06,767 --> 00:51:08,633
DAYS NOW.
1656
00:51:08,633 --> 00:51:09,800
OKAY?
1657
00:51:09,800 --> 00:51:11,333
AND I'M JUST GONNA DO A LITTLE
1658
00:51:11,333 --> 00:51:14,333
BUMP BECAUSE...
1659
00:51:14,333 --> 00:51:15,533
I'VE -- WE'VE JUST BEEN RUNNING
1660
00:51:15,533 --> 00:51:16,633
IN CIRCLES, AND I DON'T KNOW
1661
00:51:16,633 --> 00:51:17,433
WHAT ELSE TO DO.
1662
00:51:17,433 --> 00:51:18,533
>> I MEAN, IT'S NOT LIKE IT'S
1663
00:51:18,533 --> 00:51:19,700
THE EASIEST THING IN THE WORLD
1664
00:51:19,700 --> 00:51:20,800
TO FIND SOMEBODY WHO DOESN'T
1665
00:51:20,800 --> 00:51:21,767
WANT TO BE FOUND, OKAY?
1666
00:51:21,767 --> 00:51:22,267
SO --
1667
00:51:22,267 --> 00:51:22,667
>> I KNOW!
1668
00:51:22,667 --> 00:51:23,667
NED, I KNOW.
1669
00:51:23,667 --> 00:51:24,667
I'M JUST GONNA...
1670
00:51:24,667 --> 00:51:28,200
>> OKAY. OH, JESUS CHRIST.
1671
00:51:28,200 --> 00:51:29,067
AND IT'S GONE.
1672
00:51:29,067 --> 00:51:29,700
THAT'S GREAT.
1673
00:51:29,700 --> 00:51:31,200
THAT'S FUCKING GREAT, DUDE.
1674
00:51:31,200 --> 00:51:33,067
>> AND IT'S GONE BECAUSE...
1675
00:51:33,067 --> 00:51:33,567
[ SIGHS ]
1676
00:51:33,567 --> 00:51:35,367
NED, FUCK THE MONEY, MAN, BUT
1677
00:51:35,367 --> 00:51:35,733
I --
1678
00:51:35,733 --> 00:51:36,400
>> NO.
1679
00:51:36,400 --> 00:51:38,367
>> I DON'T KNOW HOW MUCH FUCKING
1680
00:51:38,367 --> 00:51:39,733
LONGER I CAN DO THIS, NED, OKAY?
1681
00:51:39,733 --> 00:51:41,200
>> WELL, THIS ISN'T HELPING,
1682
00:51:41,200 --> 00:51:41,500
DUDE.
1683
00:51:41,500 --> 00:51:42,367
>> OH, IT'S NOT?
1684
00:51:42,367 --> 00:51:43,433
BECAUSE I THINK IT IS.
1685
00:51:43,433 --> 00:51:44,300
>> NO, IT'S NOT.
1686
00:51:44,300 --> 00:51:45,667
I'M REALLY GLAD THIS CAMERA'S ON
1687
00:51:45,667 --> 00:51:46,367
RIGHT NOW.
1688
00:51:46,367 --> 00:51:47,433
>> YEAH, I'M GLAD, TOO.
1689
00:51:47,433 --> 00:51:48,700
>> ALL RIGHT, YOU KNOW WHAT,
1690
00:51:48,700 --> 00:51:49,200
DUDE?
1691
00:51:49,200 --> 00:51:49,800
SO, HAVE FUN.
1692
00:51:49,800 --> 00:51:50,333
>> GO.
1693
00:51:50,333 --> 00:51:51,667
>> ASSHOLE.
1694
00:51:51,667 --> 00:51:52,800
DUDE, CAN WE GO OUTSIDE FOR A
1695
00:51:52,800 --> 00:51:53,367
SECOND?
1696
00:51:53,367 --> 00:51:54,533
>> WHAT ARE YOU TALKING ABOUT?
1697
00:51:54,533 --> 00:51:55,567
>> HE'S DOING COKE, DUDE!
1698
00:51:55,567 --> 00:51:56,433
I WALKED IN ON HIM.
1699
00:51:56,433 --> 00:51:57,200
HE WAS, LIKE --
1700
00:51:57,200 --> 00:51:58,267
>> HOW THE HELL DID HE GET
1701
00:51:58,267 --> 00:51:58,567
COKE?!
1702
00:51:58,567 --> 00:51:59,667
I MEAN, WE'VE BEEN HERE FOR,
1703
00:51:59,667 --> 00:52:00,600
LIKE, WHAT, FOUR DAYS?
1704
00:52:00,600 --> 00:52:01,400
>> I DON'T KNOW!
1705
00:52:01,400 --> 00:52:03,267
I DON'T KNOW.
1706
00:52:03,267 --> 00:52:04,600
>> DUDE.
1707
00:52:04,600 --> 00:52:05,467
STOP IT, STOP IT.
1708
00:52:05,467 --> 00:52:06,233
STOP ROLLING.
1709
00:52:06,233 --> 00:52:07,233
STOP FUCKING ROLLING.
1710
00:52:07,233 --> 00:52:11,733
>> ALL R--
1711
00:52:11,733 --> 00:52:14,600
>> [ SNIFFS ]
1712
00:52:14,600 --> 00:52:16,300
>> SO, LISTEN, MAN.
1713
00:52:16,300 --> 00:52:17,767
>> HEY. COME ON.
1714
00:52:17,767 --> 00:52:18,767
>> UM...
1715
00:52:18,767 --> 00:52:19,733
>> HEY.
1716
00:52:19,733 --> 00:52:20,767
>> REALLY?
1717
00:52:20,767 --> 00:52:23,067
>> IT'S SCOTTY POMPOUS AND
1718
00:52:23,067 --> 00:52:24,033
NED-FLIX.
1719
00:52:24,033 --> 00:52:24,533
[ LAUGHTER ]
1720
00:52:24,533 --> 00:52:25,533
>> W-WHAT'S GOING ON, MAN?
1721
00:52:25,533 --> 00:52:26,533
>> DUDE, DUDE, IS THIS...
1722
00:52:26,533 --> 00:52:27,400
>> WHAT'S UP, BOYS?
1723
00:52:27,400 --> 00:52:28,400
>> THIS IS MORE OF THIS?
1724
00:52:28,400 --> 00:52:29,567
WAIT, HOW MUCH OF THIS HAVE YOU
1725
00:52:29,567 --> 00:52:30,100
GOT?
1726
00:52:30,100 --> 00:52:31,267
>> I HAVEN'T -- I HAVEN'T PAID
1727
00:52:31,267 --> 00:52:31,800
FOR ANY OF THIS.
1728
00:52:31,800 --> 00:52:32,633
>> DID YOU BRING IT?
1729
00:52:32,633 --> 00:52:33,633
DID YOU BRING IT WITH YOU?
1730
00:52:33,633 --> 00:52:34,500
WHERE DID YOU GET IT?
1731
00:52:34,500 --> 00:52:35,533
>> YOU KNOW WHAT THIS SOUNDS
1732
00:52:35,533 --> 00:52:36,067
LIKE?
1733
00:52:36,067 --> 00:52:37,067
IT SOUNDS LIKE AN INQUISITION.
1734
00:52:37,067 --> 00:52:37,667
GOOD LUCK, MAN.
1735
00:52:37,667 --> 00:52:39,167
>> UH, I THINK WE NEED TO HAVE A
1736
00:52:39,167 --> 00:52:40,500
LITTLE CONVERSATION ABOUT WHAT'S
1737
00:52:40,500 --> 00:52:41,100
GOING ON.
1738
00:52:41,100 --> 00:52:42,233
>> OH, WOW, A CONVERSATION.
1739
00:52:42,233 --> 00:52:43,533
>> YEAH, ACTUALLY, WE DO NEED TO
1740
00:52:43,533 --> 00:52:44,500
HAVE A CONVERSATION.
1741
00:52:44,500 --> 00:52:45,533
>> YOU NEED BEERS, MAN.
1742
00:52:45,533 --> 00:52:46,733
>> NO, WE DON'T NEED A BEER,
1743
00:52:46,733 --> 00:52:47,233
OKAY?
1744
00:52:47,233 --> 00:52:47,633
JUST...
1745
00:52:47,633 --> 00:52:49,167
>> LOOK, MIKE, WE -- WE NEED TO
1746
00:52:49,167 --> 00:52:49,667
TALK, MAN.
1747
00:52:49,667 --> 00:52:50,767
WHAT THE FUCK HAPPENED?
1748
00:52:50,767 --> 00:52:52,300
YOU DITCH US TO COME BACK HERE
1749
00:52:52,300 --> 00:52:53,467
AND BLOW LINES WITH EZRA.
1750
00:52:53,467 --> 00:52:54,067
>> DUDE.
1751
00:52:54,067 --> 00:52:54,500
>> DUDE.
1752
00:52:54,500 --> 00:52:55,567
>> WHY? WHY ARE YOU --
1753
00:52:55,567 --> 00:52:56,500
>> HEY. [ CLICKS ]
1754
00:52:56,500 --> 00:52:57,267
>> HUSH!
1755
00:52:57,267 --> 00:52:59,367
>> I'M SORRY, BUT I THINK YOU --
1756
00:52:59,367 --> 00:53:00,500
>> YOU'RE NOT FUCKING FOCUSING.
1757
00:53:00,500 --> 00:53:01,667
>> I THINK MAYBE YOU SHOULD, YOU
1758
00:53:01,667 --> 00:53:02,433
KNOW, JUST...
1759
00:53:02,433 --> 00:53:03,533
>> GUYS, YOU KNOW WHAT?
1760
00:53:03,533 --> 00:53:05,033
LIKE, YOU GUYS ACTUALLY SOUND
1761
00:53:05,033 --> 00:53:05,633
LIKE HIS MOM.
1762
00:53:05,633 --> 00:53:06,467
>> [ CHUCKLES ]
1763
00:53:06,467 --> 00:53:07,633
>> I MEAN, WHAT THE FUCK?
1764
00:53:07,633 --> 00:53:08,667
>> YOU NEED TO LEAVE.
1765
00:53:08,667 --> 00:53:10,033
>> OH, COME ON, MAN!
1766
00:53:10,033 --> 00:53:10,433
SCOTT!
1767
00:53:10,433 --> 00:53:11,433
>> I'M GLAD YOU...
1768
00:53:11,433 --> 00:53:13,100
>> IT'S EZRA, THE DRUNK KID!
1769
00:53:13,100 --> 00:53:14,600
WHY ARE YOU DOING THIS, MAN?
1770
00:53:14,600 --> 00:53:15,267
WOW!
1771
00:53:15,267 --> 00:53:16,467
>> EZ, I'M S--
1772
00:53:16,467 --> 00:53:18,300
>> YOU KNOW WHAT, MAN?
1773
00:53:18,300 --> 00:53:20,300
YOU'RE REALLY FUCKING NICE.
1774
00:53:20,300 --> 00:53:21,033
>> NICE, MAN.
1775
00:53:21,033 --> 00:53:21,367
>> EZ?
1776
00:53:21,367 --> 00:53:22,333
YO, I'LL MEET YOU --
1777
00:53:22,333 --> 00:53:23,267
>> YO, LISTEN, MAN.
1778
00:53:23,267 --> 00:53:24,167
>> I'LL MEET YOU --
1779
00:53:24,167 --> 00:53:24,767
>> WAIT FOR US.
1780
00:53:24,767 --> 00:53:26,167
>> I'LL MEET YOU DOWNSTAIRS.
1781
00:53:26,167 --> 00:53:26,567
>> MIKE.
1782
00:53:26,567 --> 00:53:27,367
[ DOOR CLOSES ]
1783
00:53:27,367 --> 00:53:27,733
LISTEN.
1784
00:53:27,733 --> 00:53:28,567
>> MIKE, LISTEN.
1785
00:53:28,567 --> 00:53:29,567
>> HE'S FUCKING FUNNY.
1786
00:53:29,567 --> 00:53:30,567
WHAT'S UP? [ SNIFFS ]
1787
00:53:30,567 --> 00:53:31,567
>> LISTEN.
1788
00:53:31,567 --> 00:53:32,767
WHAT HAPPENED?
1789
00:53:32,767 --> 00:53:33,433
>> UH...
1790
00:53:33,433 --> 00:53:35,033
>> I SEE YOU DOING A LINE OF
1791
00:53:35,033 --> 00:53:36,567
COKE, AND I DON'T KNOW WHERE YOU
1792
00:53:36,567 --> 00:53:38,033
HAVE -- WHERE YOU GET IT.
1793
00:53:38,033 --> 00:53:39,167
>> THAT I CAN EXPLAIN, BUT ONLY
1794
00:53:39,167 --> 00:53:40,267
IF YOU TURN THE CAMERA OFF.
1795
00:53:40,267 --> 00:53:41,333
>> NO, I'M NOT GONNA TURN THE
1796
00:53:41,333 --> 00:53:41,767
CAMERA OFF.
1797
00:53:41,767 --> 00:53:42,800
>> OKAY. DON'T TURN IT OFF.
1798
00:53:42,800 --> 00:53:44,133
>> WE DON'T NEED A DOCUMENTARY
1799
00:53:44,133 --> 00:53:44,533
RIGHT NOW.
1800
00:53:44,533 --> 00:53:45,100
>> WE DO.
1801
00:53:45,100 --> 00:53:46,233
>> NO, 'CAUSE WHEN HE'S -- WHEN
1802
00:53:46,233 --> 00:53:47,133
HE'S SOBER TOMORROW...
1803
00:53:47,133 --> 00:53:48,100
>> HE'S A DOCUMENTARIAN.
1804
00:53:48,100 --> 00:53:49,167
>> ...I WANT HIM TO SEE THIS
1805
00:53:49,167 --> 00:53:49,533
FOOTAGE.
1806
00:53:49,533 --> 00:53:50,500
I WANT TO SHOW IT TO HIM.
1807
00:53:50,500 --> 00:53:51,600
HE KNOWS EXACTLY HOW HE LOOKS
1808
00:53:51,600 --> 00:53:52,200
RIGHT NOW.
1809
00:53:52,200 --> 00:53:53,067
>> HE IS A FILMMAKER.
1810
00:53:53,067 --> 00:53:54,100
>> BECAUSE HE LOOKS LIKE A
1811
00:53:54,100 --> 00:53:55,200
COKEHEAD RIGHT NOW, AND I JUST
1812
00:53:55,200 --> 00:53:55,800
DON'T UNDERSTAND.
1813
00:53:55,800 --> 00:53:57,167
I DON'T UNDERSTAND WHY YOU'RE --
1814
00:53:57,167 --> 00:53:58,200
>> WHAT'S GOING ON, MIKE?
1815
00:53:58,200 --> 00:53:59,200
WHY ARE YOU DOING THIS?
1816
00:53:59,200 --> 00:54:00,167
>> I -- I'LL TELL HIM.
1817
00:54:00,167 --> 00:54:01,133
I'LL PUT IT ON-CAMERA.
1818
00:54:01,133 --> 00:54:02,233
>> PLEASE PUT IT ON-CAMERA.
1819
00:54:02,233 --> 00:54:03,267
TELL US WHAT'S GOING ON.
1820
00:54:03,267 --> 00:54:04,300
>> I'LL PUT IT ON-CAMERA.
1821
00:54:04,300 --> 00:54:05,433
WHAT I'M TRYING TO EXPLAIN IS
1822
00:54:05,433 --> 00:54:06,067
THAT, UM...
1823
00:54:06,067 --> 00:54:06,733
>> PLEASE EXPLAIN.
1824
00:54:06,733 --> 00:54:08,267
>> ...WHAT HAPPENED EARLIER WAS
1825
00:54:08,267 --> 00:54:12,433
THAT WE SAW OUR FRIEND SCOTT...
1826
00:54:12,433 --> 00:54:14,600
UM, PRETTY MUCH CHEATING ON THE
1827
00:54:14,600 --> 00:54:15,200
LOVED ONE.
1828
00:54:15,200 --> 00:54:15,533
>> OKAY.
1829
00:54:15,533 --> 00:54:16,100
>> AND...
1830
00:54:16,100 --> 00:54:17,233
>> THAT'S -- THAT'S NOT -- YOU
1831
00:54:17,233 --> 00:54:18,333
KNOW THAT'S NOT WHAT WAS GOING
1832
00:54:18,333 --> 00:54:18,733
ON, RIGHT?
1833
00:54:18,733 --> 00:54:19,533
>> NO, NO, NO, NO.
1834
00:54:19,533 --> 00:54:20,367
>> I GET IT, MAN.
1835
00:54:20,367 --> 00:54:21,433
I UNDERSTAND WHAT'S GOING ON.
1836
00:54:21,433 --> 00:54:22,200
>> WE DO GET IT.
1837
00:54:22,200 --> 00:54:23,667
>> OUR FRIEND OVER HERE CAN'T
1838
00:54:23,667 --> 00:54:25,100
HANDLE HIS OWN REALITY.
1839
00:54:25,100 --> 00:54:26,500
YOU HAVE TO THROW EVERYTHING
1840
00:54:26,500 --> 00:54:27,700
ELSE ON SOMEBODY ELSE.
1841
00:54:27,700 --> 00:54:29,333
NOTHING'S YOUR FAULT, IS IT?
1842
00:54:29,333 --> 00:54:30,633
IT'S MY FAULT BECAUSE I'M
1843
00:54:30,633 --> 00:54:32,133
DANCING WITH SOME GIRLS.
1844
00:54:32,133 --> 00:54:33,433
I'M THE ONE WHO'S BLOWING
1845
00:54:33,433 --> 00:54:34,333
EVERYTHING UP.
1846
00:54:34,333 --> 00:54:35,533
I'M THE ASSHOLE.
1847
00:54:35,533 --> 00:54:37,600
NO, MIKE, ACTUALLY, YOU'RE THE
1848
00:54:37,600 --> 00:54:38,467
ASSHOLE RIGHT NOW.
1849
00:54:38,467 --> 00:54:39,567
YOU LEFT US ALONE IN THIS
1850
00:54:39,567 --> 00:54:40,333
FUCKING BAR...
1851
00:54:40,333 --> 00:54:41,567
>> WHAT, ARE YOU A 4-YEAR-OLD?
1852
00:54:41,567 --> 00:54:42,700
>> ...TO COME BACK AND BLOW
1853
00:54:42,700 --> 00:54:44,200
LINES WITH SOME DUDE WHO'S GOT A
1854
00:54:44,200 --> 00:54:45,433
FUCKING GUN IN HIS CAR, WHO WE
1855
00:54:45,433 --> 00:54:46,467
DON'T KNOW FOR NOTHING.
1856
00:54:46,467 --> 00:54:47,633
>> YOU CAN'T HANDLE YOURSELF.
1857
00:54:47,633 --> 00:54:49,033
YOU HAVE A BLAZER ON, AND YOU
1858
00:54:49,033 --> 00:54:50,033
CAN'T HANDLE YOURSELF.
1859
00:54:50,033 --> 00:54:50,567
THAT'S FUNNY.
1860
00:54:50,567 --> 00:54:51,767
>> YOU'RE ALWAYS FUCKING LIKE
1861
00:54:51,767 --> 00:54:52,300
THIS.
1862
00:54:52,300 --> 00:54:52,800
>> WHAT?
1863
00:54:52,800 --> 00:54:53,667
>> IT'S ALL ABOUT YOU.
1864
00:54:53,667 --> 00:54:55,033
IT'S ALL ABOUT HOW GREAT YOU
1865
00:54:55,033 --> 00:54:56,200
ARE, HOW EVERYTHING'S GOING
1866
00:54:56,200 --> 00:54:56,767
RIGHT FOR YOU.
1867
00:54:56,767 --> 00:54:58,233
YOU DON'T GIVE A SHIT ABOUT US,
1868
00:54:58,233 --> 00:54:58,767
YOUR FRIENDS.
1869
00:54:58,767 --> 00:55:00,167
WE BROUGHT YOU DOWN HERE, MAN,
1870
00:55:00,167 --> 00:55:01,400
TO HELP YOU, AND INSTEAD, YOU
1871
00:55:01,400 --> 00:55:02,600
THROW IT IN OUR FUCKING FACE!
1872
00:55:02,600 --> 00:55:03,800
>> THE PATRONIZING CONTINUES.
1873
00:55:03,800 --> 00:55:05,167
YOU HAVE THIS ON -- YOU HAVE
1874
00:55:05,167 --> 00:55:05,733
THIS ON-CAMERA.
1875
00:55:05,733 --> 00:55:07,067
>> IF YOU DIDN'T ACT LIKE A
1876
00:55:07,067 --> 00:55:08,300
CHILD, MIKE, MAYBE WE WOULDN'T
1877
00:55:08,300 --> 00:55:09,267
HAVE TO PATRONIZE YOU.
1878
00:55:09,267 --> 00:55:10,567
>> WE'RE NOT TRYING TO PATRONIZE
1879
00:55:10,567 --> 00:55:11,133
ANYBODY.
1880
00:55:11,133 --> 00:55:12,400
WE'RE JUST TRYING TO TALK TO YOU
1881
00:55:12,400 --> 00:55:13,667
LIKE -- WE'RE TRYING TO TALK TO
1882
00:55:13,667 --> 00:55:15,033
YOU LIKE AN ADULT AND, LIKE,
1883
00:55:15,033 --> 00:55:16,033
L-LIKE, YOUR FRIENDS.
1884
00:55:16,033 --> 00:55:16,433
>> OKAY.
1885
00:55:16,433 --> 00:55:17,500
>> AND IT'S -- IT'S --
1886
00:55:17,500 --> 00:55:18,767
>> WHICH APPARENTLY WE'RE NOT
1887
00:55:18,767 --> 00:55:20,267
BECAUSE YOU DON'T REALLY GIVE A
1888
00:55:20,267 --> 00:55:21,067
SHIT ABOUT US.
1889
00:55:21,067 --> 00:55:22,300
>> I DON'T. YOU'RE RIGHT.
1890
00:55:22,300 --> 00:55:23,167
>> IT'S CLEAR.
1891
00:55:23,167 --> 00:55:25,500
>> I DON'T 'CAUSE -- 'CAUSE, UM,
1892
00:55:25,500 --> 00:55:28,167
SCOTTY OVER HERE GETS A COUPLE
1893
00:55:28,167 --> 00:55:30,433
BUCKS AND SPENDS ALL OF HIS
1894
00:55:30,433 --> 00:55:31,700
MONEY ON TRYING TO BRING ME BACK
1895
00:55:31,700 --> 00:55:33,033
FROM THE DEAD LIKE A CHARITY
1896
00:55:33,033 --> 00:55:34,233
CASE WHEN YOU SHOULD STICK TO
1897
00:55:34,233 --> 00:55:35,367
SOFTWARE BECAUSE THAT'S WHAT
1898
00:55:35,367 --> 00:55:36,133
YOU'RE GOOD AT.
1899
00:55:36,133 --> 00:55:36,533
>> RIGHT.
1900
00:55:36,533 --> 00:55:37,233
>> 'CAUSE --
1901
00:55:37,233 --> 00:55:38,500
>> SO I SHOULD APOLOGIZE FOR THE
1902
00:55:38,500 --> 00:55:39,733
FACT THAT I'M TRYING TO HELP MY
1903
00:55:39,733 --> 00:55:40,267
FRIEND.
1904
00:55:40,267 --> 00:55:41,433
NO, YOU JUST CAN'T HANDLE THE
1905
00:55:41,433 --> 00:55:42,600
FACT THAT I'VE GOT A LITTLE
1906
00:55:42,600 --> 00:55:43,167
SUCCESS.
1907
00:55:43,167 --> 00:55:44,367
YOU CAN'T HANDLE THE FACT THAT
1908
00:55:44,367 --> 00:55:45,467
I'M TRYING TO PULL YOU OUT
1909
00:55:45,467 --> 00:55:46,667
BECAUSE RIGHT NOW, ALL YOU ARE
1910
00:55:46,667 --> 00:55:48,067
IS A FUCKING UNEMPLOYED ACTOR.
1911
00:55:48,067 --> 00:55:49,400
>> YES, OH!
1912
00:55:49,400 --> 00:55:50,500
NOW WE'RE GETTING SOMEWHERE!
1913
00:55:50,500 --> 00:55:51,333
HOLD ON, HOLD ON.
1914
00:55:51,333 --> 00:55:52,467
>> YOU USED TO BE SOMEBODY WE
1915
00:55:52,467 --> 00:55:53,133
CARED ABOUT.
1916
00:55:53,133 --> 00:55:54,033
>> WE GOT SOMEWHERE.
1917
00:55:54,033 --> 00:55:54,633
HE BROUGHT IT UP.
1918
00:55:54,633 --> 00:55:55,800
>> YOU USED TO BE SOMEBODY WHO
1919
00:55:55,800 --> 00:55:56,533
DID SOMETHING.
1920
00:55:56,533 --> 00:55:58,233
>> THE BUZZ WORD IS ON.
1921
00:55:58,233 --> 00:55:59,100
I GET IT.
1922
00:55:59,100 --> 00:56:00,733
NO, NO, WE -- NO, TURN THE
1923
00:56:00,733 --> 00:56:03,267
CAMERA TO HIM SO WE CAN FILM HOW
1924
00:56:03,267 --> 00:56:04,600
SUCCESS TREATS ONE OF YOUR BEST
1925
00:56:04,600 --> 00:56:05,667
FRIENDS, 'CAUSE NOW WHEN I'M
1926
00:56:05,667 --> 00:56:06,800
DOWN IN THE DUMPS, HE LIKES TO
1927
00:56:06,800 --> 00:56:08,100
TAKE A POOP ON ME, AND THAT --
1928
00:56:08,100 --> 00:56:09,233
>> BEEN TRYING TO FUCKING HELP
1929
00:56:09,233 --> 00:56:10,067
YOU FOR A YEAR NOW!
1930
00:56:10,067 --> 00:56:11,200
>> CAN WE JUST CALM DOWN PLEASE
1931
00:56:11,200 --> 00:56:11,667
FOR A SECOND?
1932
00:56:11,667 --> 00:56:12,767
>> I'M BEEN TRYING TO HELP YOU
1933
00:56:12,767 --> 00:56:13,533
WITH EVERYTHING!
1934
00:56:13,533 --> 00:56:14,467
>> I HAD TWO FUCKING --
1935
00:56:14,467 --> 00:56:15,567
>> WHAT THE FUCK IS GOING ON?
1936
00:56:15,567 --> 00:56:17,533
>> TWO UNSUCCESSFUL DAYS TRYING
1937
00:56:17,533 --> 00:56:19,500
TO FIND THIS FUCK WHO RUINED MY
1938
00:56:19,500 --> 00:56:20,567
LIFE, AND WHAT HAPPENED?
1939
00:56:20,567 --> 00:56:21,700
I GO OUT, AND I HAVE A GOOD
1940
00:56:21,700 --> 00:56:22,200
TIME.
1941
00:56:22,200 --> 00:56:23,467
>> MAYBE WE JUST NEED TO CALM
1942
00:56:23,467 --> 00:56:24,433
DOWN A LITTLE, RIGHT?
1943
00:56:24,433 --> 00:56:25,600
>> NED, LET THIS PLEASE TAKE
1944
00:56:25,600 --> 00:56:26,133
PLACE.
1945
00:56:26,133 --> 00:56:27,367
>> HE'S DOWN IN THE DUMPS, AND
1946
00:56:27,367 --> 00:56:28,567
HE THINKS EVERYONE'S AGAINST
1947
00:56:28,567 --> 00:56:29,033
HIM.
1948
00:56:29,033 --> 00:56:29,633
YOU GOT NO PLAN.
1949
00:56:29,633 --> 00:56:30,633
YOU GOT NO DIRECTION.
1950
00:56:30,633 --> 00:56:31,333
>> ONE TIME.
1951
00:56:31,333 --> 00:56:32,600
>> IT'S JUST ABOUT -- LISTEN TO
1952
00:56:32,600 --> 00:56:33,767
WHO YOU'RE TALKING TO, OKAY?
1953
00:56:33,767 --> 00:56:34,433
ALL RIGHT?
1954
00:56:34,433 --> 00:56:35,267
>> I'M SICK OF --
1955
00:56:35,267 --> 00:56:36,033
>> THIS IS ME.
1956
00:56:36,033 --> 00:56:36,400
>> NED.
1957
00:56:36,400 --> 00:56:37,533
>> THIS IS ME, AND THIS IS
1958
00:56:37,533 --> 00:56:38,033
SCOTT.
1959
00:56:38,033 --> 00:56:38,733
>> FUCKING CAMERA.
1960
00:56:38,733 --> 00:56:40,233
GET THE FUCKING CAMERA OUT OF MY
1961
00:56:40,233 --> 00:56:40,600
FACE!
1962
00:56:40,600 --> 00:56:42,333
SINCE FUCKING THE DAY I MET YOU,
1963
00:56:42,333 --> 00:56:44,033
THE DAY I MET YOU, YOU'VE NEVER
1964
00:56:44,033 --> 00:56:45,567
RELAXED ONE FUCKING TIME!
1965
00:56:45,567 --> 00:56:46,533
>> LIKE YOU?
1966
00:56:46,533 --> 00:56:48,567
>> PERHAPS -- PERHAPS JUST ONCE
1967
00:56:48,567 --> 00:56:50,233
MAYBE -- MAYBE PERHAPS JUST ONCE
1968
00:56:50,233 --> 00:56:51,667
THAT EMILEA WOULD FUCK YOU LIKE
1969
00:56:51,667 --> 00:56:53,133
SHE USED TO FUCK ME -- JUST
1970
00:56:53,133 --> 00:56:53,500
ONCE.
1971
00:56:53,500 --> 00:56:55,167
>> THINK EMILEA LIKES FUCKING ME
1972
00:56:55,167 --> 00:56:56,467
JUST FINE BECAUSE EMILEA IS
1973
00:56:56,467 --> 00:56:58,133
GONNA BE WITH ME FOR THE REST OF
1974
00:56:58,133 --> 00:56:58,600
MY LIFE.
1975
00:56:58,600 --> 00:57:00,233
SHE'S GONNA BE MY FUCKING WIFE,
1976
00:57:00,233 --> 00:57:04,600
ASSHOLE, SO DEAL WITH THAT!
1977
00:57:04,600 --> 00:57:05,600
>> ALL RIGHT.
1978
00:57:05,600 --> 00:57:09,600
>> [ COUGHS ]
1979
00:57:09,600 --> 00:57:11,133
>> MIKE!
1980
00:57:11,133 --> 00:57:17,300
M-- HEY!
1981
00:57:17,300 --> 00:57:18,033
[ SIGHS ]
1982
00:57:18,033 --> 00:57:19,567
DUDE, TURN THAT FUCKING CAMERA
1983
00:57:19,567 --> 00:57:23,433
OFF.
1984
00:57:23,433 --> 00:57:24,600
NED, TURN THE CAMERA OFF!
1985
00:57:24,600 --> 00:57:26,133
>> I'M TURNING IT OFF.
1986
00:57:33,700 --> 00:57:35,233
>> IT'S NOT EXACTLY CLEAR WHAT
1987
00:57:35,233 --> 00:57:36,267
HAPPENED AFTER THAT.
1988
00:57:36,267 --> 00:57:37,633
ACCORDING TO NED, EZRA CALLED
1989
00:57:37,633 --> 00:57:39,233
THE NEXT MORNING TO SAY THAT HE
1990
00:57:39,233 --> 00:57:40,633
HAD HEARD FROM THE OWNER OF THE
1991
00:57:40,633 --> 00:57:42,333
INTERNET CAFé, WHO, FOR SOME
1992
00:57:42,333 --> 00:57:44,100
REASON, DECIDED TO GIVE THEM
1993
00:57:44,100 --> 00:57:45,733
INFORMATION ABOUT A VERY LIKELY
1994
00:57:45,733 --> 00:57:47,600
LOCATION FOR LEBOGANG -- A HOUSE
1995
00:57:47,600 --> 00:57:48,800
HE'D BEEN RENTING IN
1996
00:57:48,800 --> 00:57:50,333
KHAYELITSHA.
1997
00:57:50,333 --> 00:57:52,167
SO THE GUYS DECIDED TO GIVE IT
1998
00:57:52,167 --> 00:57:53,800
ONE MORE SHOT, AND IF IT DIDN'T
1999
00:57:53,800 --> 00:57:55,667
WORK OUT THIS TIME, THEY'D CALL
2000
00:57:55,667 --> 00:57:59,200
IT A DAY.
2001
00:58:06,267 --> 00:58:08,267
>> [ COUGHS, SNIFFS ]
2002
00:58:29,500 --> 00:58:32,033
[ SNIFFS ]
2003
00:58:37,200 --> 00:58:38,800
>> WHY DO I THINK IT'S A GOOD
2004
00:58:38,800 --> 00:58:39,433
IDEA?
2005
00:58:39,433 --> 00:58:40,600
I...
2006
00:58:40,600 --> 00:58:42,233
I MEAN, YOU KNOW MIKE.
2007
00:58:42,233 --> 00:58:44,100
HE'S A -- HE'S A GREAT GUY.
2008
00:58:44,100 --> 00:58:46,033
HE'S JUST IN A BAD WAY RIGHT
2009
00:58:46,033 --> 00:58:46,433
NOW.
2010
00:58:46,433 --> 00:58:48,767
HE DOESN'T ALWAYS PLAN THINGS
2011
00:58:48,767 --> 00:58:50,767
OUT.
2012
00:58:50,767 --> 00:58:53,067
NOW, I DON'T REALLY EXPECT US
2013
00:58:53,067 --> 00:58:55,133
TO, YOU KNOW, TRACK DOWN THIS
2014
00:58:55,133 --> 00:58:57,233
PERSON, BRING HIM TO JUSTICE,
2015
00:58:57,233 --> 00:58:59,333
AND GET THE MONEY BACK AND ALL
2016
00:58:59,333 --> 00:59:01,667
OF THIS, BUT I'M EXCITED ABOUT
2017
00:59:01,667 --> 00:59:03,200
TAKING THIS TRIP.
2018
00:59:03,200 --> 00:59:04,700
UM...
2019
00:59:04,700 --> 00:59:06,400
YOU KNOW, I'VE KNOWN HIM
2020
00:59:06,400 --> 00:59:08,367
FOREVER, AND I CAN HELP HIM OUT
2021
00:59:08,367 --> 00:59:09,233
RIGHT NOW.
2022
00:59:09,233 --> 00:59:10,167
HE'S MY BOY.
2023
00:59:10,167 --> 00:59:12,000
I MEAN, YOU KNOW, I LOVE HIM.
2024
00:59:17,033 --> 00:59:20,033
>> MIKE.
2025
00:59:24,200 --> 00:59:26,067
LISTEN, MAN, I'M SORRY ABOUT
2026
00:59:26,067 --> 00:59:26,800
LAST NIGHT.
2027
00:59:26,800 --> 00:59:31,167
I'M SORRY I...
2028
00:59:31,167 --> 00:59:32,500
I SHOULD HAVE TOLD YOU ABOUT
2029
00:59:32,500 --> 00:59:34,500
EMILEA A LOT EARLIER.
2030
00:59:37,033 --> 00:59:39,333
I DIDN'T MEAN TO THROW IT AT YOU
2031
00:59:39,333 --> 00:59:40,267
LIKE THAT.
2032
00:59:40,267 --> 00:59:41,600
I...
2033
00:59:41,600 --> 00:59:45,133
JUST KIND OF PISSED ME OFF.
2034
00:59:45,133 --> 00:59:46,500
I GUESS THIS WHOLE THING HAS
2035
00:59:46,500 --> 00:59:51,200
BEEN KIND OF FRUSTRATING AND...
2036
00:59:51,200 --> 00:59:53,067
I'M SORRY.
2037
00:59:53,067 --> 00:59:54,400
I KNOW YOU CARE A LOT ABOUT HER,
2038
00:59:54,400 --> 00:59:57,567
AND...
2039
00:59:57,567 --> 01:00:01,100
I KNOW IT'S NOT EASY...
2040
01:00:01,100 --> 01:00:05,433
TO HEAR SOMETHING LIKE THAT.
2041
01:00:05,433 --> 01:00:06,600
I JUST WANT YOU TO KNOW YOU'RE
2042
01:00:06,600 --> 01:00:12,133
STILL MY BROTHER, MAN.
2043
01:00:12,133 --> 01:00:14,633
YEAH.
2044
01:00:31,033 --> 01:00:33,200
>> [ SNIFFLES ]
2045
01:00:33,200 --> 01:00:36,533
HEY, LISTEN, UM...
2046
01:00:36,533 --> 01:00:39,533
EZRA, MAN, I, UM...
2047
01:00:39,533 --> 01:00:41,067
I FORGOT MY WALLET BACK AT THE
2048
01:00:41,067 --> 01:00:42,400
FLAT, AND, UH, I MIGHT NEED IT
2049
01:00:42,400 --> 01:00:43,167
TODAY, SO...
2050
01:00:43,167 --> 01:00:44,500
>> WHAT ARE YOU TALKING ABOUT?
2051
01:00:44,500 --> 01:00:45,800
>> WE COULD JUST SPIN AROUND.
2052
01:00:45,800 --> 01:00:46,333
UH...
2053
01:00:46,333 --> 01:00:47,667
>> WHAT ARE YOU TALKING ABOUT?
2054
01:00:47,667 --> 01:00:48,733
>> FORGOT YOUR WALLET?
2055
01:00:48,733 --> 01:00:51,100
>> YEAH, IT'S...
2056
01:00:51,100 --> 01:00:52,300
WE COULD JUST, LIKE, TURN AROUND
2057
01:00:52,300 --> 01:00:53,033
HERE SOMEWHERE.
2058
01:00:53,033 --> 01:00:54,267
>> NO, DUDE, I MEAN, DON'T WORRY
2059
01:00:54,267 --> 01:00:54,633
ABOUT IT.
2060
01:00:54,633 --> 01:00:55,367
I'VE GOT MONEY.
2061
01:00:55,367 --> 01:00:56,300
I'LL TAKE CARE OF YOU.
2062
01:00:56,300 --> 01:00:57,367
>> YEAH, YEAH, YOU'RE GOOD.
2063
01:00:57,367 --> 01:00:58,033
YOU'RE GOOD.
2064
01:00:58,033 --> 01:00:59,033
>> I GOT YOU, MIKE -- NO
2065
01:00:59,033 --> 01:00:59,367
PROBLEM.
2066
01:00:59,367 --> 01:01:00,533
>> YEAH, BUT I DON'T KNOW WHAT
2067
01:01:00,533 --> 01:01:01,667
WE'RE DOING LATER ON FOR LUNCH
2068
01:01:01,667 --> 01:01:02,633
AND STUFF, SO I JUST --
2069
01:01:02,633 --> 01:01:03,733
>> MAN, DON'T WORRY ABOUT IT,
2070
01:01:03,733 --> 01:01:04,267
MAN.
2071
01:01:04,267 --> 01:01:05,133
>> WHATEVER.
2072
01:01:05,133 --> 01:01:06,300
>> DON'T WORRY ABOUT IT, MAN.
2073
01:01:06,300 --> 01:01:09,167
COME ON.
2074
01:01:15,633 --> 01:01:18,633
>> THIS IS THE HOUSE, YEAH.
2075
01:01:26,433 --> 01:01:28,600
[ BIRDS CHIRPING ]
2076
01:01:35,500 --> 01:01:37,667
[ CAR DOOR CLOSES ]
2077
01:01:51,367 --> 01:01:52,467
[ INDISTINCT SHOUTING ]
2078
01:01:52,467 --> 01:01:53,667
>> WHOA, WHOA, WHOA, WHOA!
2079
01:01:53,667 --> 01:01:54,333
>> JESUS!
2080
01:01:54,333 --> 01:01:55,167
WHAT THE FUCK?!
2081
01:01:55,167 --> 01:01:56,267
[ INDISTINCT SHOUTING ]
2082
01:01:56,267 --> 01:01:56,767
WHOA, WHOA!
2083
01:01:56,767 --> 01:01:58,033
EZRA, WHAT THE FUCK?!
2084
01:01:58,033 --> 01:01:58,533
WHAT THE --
2085
01:01:58,533 --> 01:02:00,533
>> TURN THAT --
2086
01:02:00,533 --> 01:02:02,533
>> I FIRST HEARD THAT -- THAT
2087
01:02:02,533 --> 01:02:04,533
THERE WAS A PROBLEM, UH...
2088
01:02:04,533 --> 01:02:06,167
FROM HIS GIRLFRIEND.
2089
01:02:06,167 --> 01:02:08,333
T-THAT'S THE DAY THAT MY -- MY
2090
01:02:08,333 --> 01:02:10,367
LIFE HAS NEVER -- HAS YET TO
2091
01:02:10,367 --> 01:02:11,367
RECOVER FROM.
2092
01:02:11,367 --> 01:02:13,233
>> I GOT AN E-MAIL FROM SCOTT'S
2093
01:02:13,233 --> 01:02:14,567
E-MAIL ADDRESS.
2094
01:02:14,567 --> 01:02:16,433
UH...
2095
01:02:16,433 --> 01:02:18,767
AND IT HAD A VIDEO WITH IT.
2096
01:02:18,767 --> 01:02:20,667
I HATE THAT I THOUGHT THIS.
2097
01:02:20,667 --> 01:02:23,033
BUT AT FIRST, I THOUGHT IT WAS A
2098
01:02:23,033 --> 01:02:23,500
JOKE.
2099
01:02:23,500 --> 01:02:25,600
I THOUGHT SCOTT WAS JUST BEING
2100
01:02:25,600 --> 01:02:26,567
FUNNY OR...
2101
01:02:26,567 --> 01:02:28,567
>> EMILEA CALLED ME.
2102
01:02:28,567 --> 01:02:30,100
AND SHE WAS LIKE, "I NEED YOU TO
2103
01:02:30,100 --> 01:02:31,433
COME INTO MY OFFICE."
2104
01:02:31,433 --> 01:02:32,767
I WENT OVER.
2105
01:02:32,767 --> 01:02:36,300
SHE STARTED SHOWING ME IN HER
2106
01:02:36,300 --> 01:02:40,300
OFFICE THIS TAPE.
2107
01:02:40,300 --> 01:02:45,300
[ CONVERSING IN AFRIKAANS ]
2108
01:02:45,300 --> 01:02:47,200
>> THE VIDEO SHOWED THE THREE
2109
01:02:47,200 --> 01:02:49,133
VICTIMS BOUND AND GAGGED AND A
2110
01:02:49,133 --> 01:02:50,800
MAN, BARUTI, SPEAKING TO THE
2111
01:02:50,800 --> 01:02:51,533
CAMERA.
2112
01:02:51,533 --> 01:02:53,467
HE DEMANDED $2 MILLION FOR THE
2113
01:02:53,467 --> 01:02:55,333
SAFE RELEASE OF HIS VICTIMS,
2114
01:02:55,333 --> 01:02:57,333
WHICH IS PRETTY HIGH, ESPECIALLY
2115
01:02:57,333 --> 01:02:59,333
FOR NONOFFICIAL PERSONNEL.
2116
01:02:59,333 --> 01:03:00,500
>> THREE DAYS.
2117
01:03:00,500 --> 01:03:02,500
[ INDISTINCT SHOUTING ]
2118
01:03:10,233 --> 01:03:12,400
THREE DAYS!
2119
01:03:12,400 --> 01:03:15,733
>> [ MUFFLED SCREAMING ]
2120
01:03:15,733 --> 01:03:17,333
>> THERE WAS NEVER MUCH CHANCE
2121
01:03:17,333 --> 01:03:18,700
OF HIM RECEIVING THAT KIND OF
2122
01:03:18,700 --> 01:03:19,300
MONEY.
2123
01:03:19,300 --> 01:03:20,700
>> AND I ASKED HER IF IT WAS
2124
01:03:20,700 --> 01:03:22,400
REAL, AND SHE SAID SHE THOUGHT
2125
01:03:22,400 --> 01:03:24,100
IT WAS AND THAT SHE'D ALREADY
2126
01:03:24,100 --> 01:03:25,767
CONTACTED THE POLICE.
2127
01:03:25,767 --> 01:03:28,300
>> AFTER THAT, IT WAS LIKE A
2128
01:03:28,300 --> 01:03:30,133
WHIRLWIND INVESTIGATION OF
2129
01:03:30,133 --> 01:03:32,033
QUESTIONS, AND, LIKE, I FELT
2130
01:03:32,033 --> 01:03:33,700
LIKE I WAS JUST...
2131
01:03:33,700 --> 01:03:35,167
NONSTOP QUESTION, QUESTION,
2132
01:03:35,167 --> 01:03:36,167
QUESTION, QUESTION.
2133
01:03:36,167 --> 01:03:37,467
>> WHEN WE HAD TALKED TO YOU
2134
01:03:37,467 --> 01:03:38,767
LAST, WHAT YOU WERE DOING IN
2135
01:03:38,767 --> 01:03:40,267
SOUTH AFRICA, WHERE YOU WERE
2136
01:03:40,267 --> 01:03:42,067
STAYING, WHO YOU KNEW THERE, IF
2137
01:03:42,067 --> 01:03:43,667
YOU WERE HAVING A GOOD TIME, IF
2138
01:03:43,667 --> 01:03:45,133
WE WERE HAVING, LIKE,
2139
01:03:45,133 --> 01:03:46,767
RELATIONSHIP TROUBLES, WHICH I
2140
01:03:46,767 --> 01:03:47,700
THOUGHT WAS WEIRD.
2141
01:03:47,700 --> 01:03:49,167
BUT SHE DIDN'T HAVE A LOT OF
2142
01:03:49,167 --> 01:03:50,133
INFORMATION FOR US.
2143
01:03:50,133 --> 01:03:51,367
>> WELL, IN A SITUATION LIKE
2144
01:03:51,367 --> 01:03:52,500
THAT, THE INDIVIDUALS THAT
2145
01:03:52,500 --> 01:03:53,800
YOU'RE DEALING WITH ARE ALWAYS
2146
01:03:53,800 --> 01:03:54,667
ON EDGE.
2147
01:03:54,667 --> 01:03:56,600
UH, THEY WANT INFORMATION
2148
01:03:56,600 --> 01:03:58,233
YESTERDAY, AND THERE WASN'T
2149
01:03:58,233 --> 01:03:59,700
REALLY A LOT OF MOVEMENT, SO
2150
01:03:59,700 --> 01:04:01,367
THERE WASN'T REALLY A LOT TO
2151
01:04:01,367 --> 01:04:02,367
SHARE WITH THEM.
2152
01:04:02,367 --> 01:04:04,167
>> SO, IT WAS LIKE ALL DAY, YOU
2153
01:04:04,167 --> 01:04:05,267
WERE SITTING THERE, LIKE,
2154
01:04:05,267 --> 01:04:06,467
CHECKING YOUR PHONE, CHECKING
2155
01:04:06,467 --> 01:04:07,600
YOUR E-MAIL, CHECKING YOUR
2156
01:04:07,600 --> 01:04:08,767
PHONE, CHECKING YOUR E-MAIL,
2157
01:04:08,767 --> 01:04:09,367
WAITING.
2158
01:04:09,367 --> 01:04:10,700
>> I WAS ASSURED THAT EVERYTHING
2159
01:04:10,700 --> 01:04:12,133
WAS BEING HANDLED, SO WE WERE
2160
01:04:12,133 --> 01:04:14,467
SITTING IN LIMBO, WAITING.
2161
01:04:14,467 --> 01:04:15,567
>> JUST REALLY SCARY.
2162
01:04:15,567 --> 01:04:17,200
>> BARUTI WAS FAIRLY WELL-KNOWN
2163
01:04:17,200 --> 01:04:18,067
IN KHAYELITSHA.
2164
01:04:18,067 --> 01:04:19,433
HE HAD A SUBSTANTIAL CRIMINAL
2165
01:04:19,433 --> 01:04:21,433
RECORD -- ROBBERY, ASSAULT,
2166
01:04:21,433 --> 01:04:22,433
INTIMIDATION.
2167
01:04:22,433 --> 01:04:23,467
HE WAS A THUG.
2168
01:04:23,467 --> 01:04:25,167
EZRA MAY HAVE MET HIM AT
2169
01:04:25,167 --> 01:04:26,333
POLLSMOOR PRISON.
2170
01:04:26,333 --> 01:04:28,667
THEIR TIME THERE OVERLAPPED.
2171
01:04:28,667 --> 01:04:31,233
SIA WAS A YOUNG GUY, 19, FROM
2172
01:04:31,233 --> 01:04:31,733
DURBAN.
2173
01:04:31,733 --> 01:04:33,633
EVERYBODY CALLED HIM "BABYFACE."
2174
01:04:33,633 --> 01:04:35,333
HE HAD BEEN BUSTED ONCE ON A
2175
01:04:35,333 --> 01:04:37,067
MINOR POSSESSION CHARGE, AND
2176
01:04:37,067 --> 01:04:38,533
HE'D LEFT HIS FAMILY A YEAR
2177
01:04:38,533 --> 01:04:39,233
BEFORE.
2178
01:04:39,233 --> 01:04:41,100
>> YOU GET TO WONDER, HOW DOES A
2179
01:04:41,100 --> 01:04:42,733
YOUNG GUY LIKE THIS END UP WITH
2180
01:04:42,733 --> 01:04:44,600
THESE HARDENED CRIMINALS?
2181
01:04:44,600 --> 01:04:46,767
AFTER VIEWING THE VIDEO THAT --
2182
01:04:46,767 --> 01:04:49,300
OF THE FIRST PART OF THE CRIME,
2183
01:04:49,300 --> 01:04:51,467
HE WAS LIKE A KID WITH A NEW
2184
01:04:51,467 --> 01:04:53,133
TOY, PLAYING AROUND.
2185
01:04:53,133 --> 01:04:55,367
>> WHAT ARE YOU LOOKING AT, HUH?
2186
01:04:55,367 --> 01:04:56,700
WHAT ARE YOU ALL LOOKING AT?
2187
01:04:56,700 --> 01:04:57,533
[ SCOFFS ]
2188
01:04:57,533 --> 01:04:59,400
YOU'RE JUST A BUNCH OF FUCKING
2189
01:04:59,400 --> 01:05:00,400
ASSHOLES, MAN.
2190
01:05:00,400 --> 01:05:02,567
YOU NEED PEOPLE LIKE ME.
2191
01:05:02,567 --> 01:05:05,267
THERE IS A BAD GUY.
2192
01:05:05,267 --> 01:05:07,267
SO?
2193
01:05:07,267 --> 01:05:09,800
WHAT DOES THAT MAKE YOU?
2194
01:05:09,800 --> 01:05:11,167
GOOD?
2195
01:05:11,167 --> 01:05:13,333
I ALWAYS TELL THE TRUTH, EVEN
2196
01:05:13,333 --> 01:05:16,467
WHEN I'M LYING.
2197
01:05:16,467 --> 01:05:22,467
[ DOOR OPENS ]
2198
01:05:22,467 --> 01:05:26,167
[ DOOR CREAKING ]
2199
01:05:26,167 --> 01:05:27,333
>> KNOWING THAT YOU'RE SOMEWHERE
2200
01:05:27,333 --> 01:05:28,367
WHERE YOU CAN'T HELP SOMEONE
2201
01:05:28,367 --> 01:05:30,233
THAT YOU LOVE, KNOWING THAT
2202
01:05:30,233 --> 01:05:32,400
SOMEONE'S GONNA GET HURT AND
2203
01:05:32,400 --> 01:05:35,100
BEING HURT AND NOT...
2204
01:05:35,100 --> 01:05:37,100
YOU JUST CAN'T HELP THEM.
2205
01:05:37,100 --> 01:05:39,767
[ CRYING ]
2206
01:05:39,767 --> 01:05:42,300
>> [ GRUNTS ]
2207
01:05:42,300 --> 01:05:44,633
>> YOU FEEL SUPER HELPLESS.
2208
01:05:44,633 --> 01:05:47,000
>> [ MUFFLED SHOUTING ]
2209
01:06:04,533 --> 01:06:06,167
>> OBVIOUSLY, YOU CAN'T DO MUCH
2210
01:06:06,167 --> 01:06:07,600
IN A TOWNSHIP WITHOUT HAVING IT
2211
01:06:07,600 --> 01:06:09,167
GET AROUND, AND PEOPLE STARTED
2212
01:06:09,167 --> 01:06:10,400
TO TALK ABOUT THIS THING.
2213
01:06:10,400 --> 01:06:12,567
AND THE SOUTH AFRICAN POLICE...
2214
01:06:12,567 --> 01:06:14,267
THEY KNOW HOW TO LISTEN.
2215
01:06:29,500 --> 01:06:30,667
THEY STARTED ASKING AROUND THE
2216
01:06:30,667 --> 01:06:32,567
TOWNSHIPS.
2217
01:07:03,267 --> 01:07:05,167
>> HE DIDN'T STRIKE ME AS A REAL
2218
01:07:05,167 --> 01:07:06,767
VIOLENT PERSON TOWARDS PEOPLE,
2219
01:07:06,767 --> 01:07:08,600
MAYBE A HARDENED CRIMINAL IN A
2220
01:07:08,600 --> 01:07:10,400
DIFFERENT WAY OF BREAKING INTO
2221
01:07:10,400 --> 01:07:12,167
HOUSES AND STEALING PEOPLE'S
2222
01:07:12,167 --> 01:07:13,500
MONEY AND THAT SORT OF STUFF.
2223
01:07:13,500 --> 01:07:15,667
BUT WITHOUT BLINDFOLDS, I THINK
2224
01:07:15,667 --> 01:07:17,467
THAT ESCALATED TO A DIFFERENT
2225
01:07:17,467 --> 01:07:19,267
SCALE OF HIS CRIMINAL CAREER.
2226
01:07:19,267 --> 01:07:21,100
YOU HAVE TO WONDER ABOUT THAT.
2227
01:07:35,300 --> 01:07:36,567
>> MAYBE THEY HAD THIS BOND OF A
2228
01:07:36,567 --> 01:07:38,067
QUICK CRIME TO GET AWAY WITH IT,
2229
01:07:38,067 --> 01:07:39,167
BUT OF COURSE IT ESCALATED
2230
01:07:39,167 --> 01:07:40,367
COMPLETELY OUT OF THEIR HANDS.
2231
01:07:40,367 --> 01:07:41,600
>> IT WAS HARD TO KNOW WHAT TO
2232
01:07:41,600 --> 01:07:42,533
DO DURING THAT WEEK.
2233
01:07:42,533 --> 01:07:44,400
I WANTED TO GO OVER.
2234
01:07:44,400 --> 01:07:46,200
I WAS ADVISED NOT TO GO OVER,
2235
01:07:46,200 --> 01:07:47,700
THAT THAT WOULDN'T HELP THE
2236
01:07:47,700 --> 01:07:48,500
SITUATION.
2237
01:07:48,500 --> 01:07:50,667
>> I THOUGHT THAT...MAYBE ME AND
2238
01:07:50,667 --> 01:07:53,400
CARA COULD COME UP WITH MONEY.
2239
01:07:53,400 --> 01:07:54,733
>> WELL, THE FIRST THING I
2240
01:07:54,733 --> 01:07:56,400
ADVISED THEM TO DO WAS NOT TO
2241
01:07:56,400 --> 01:07:57,400
SEND ANY MONEY.
2242
01:07:57,400 --> 01:07:59,100
THIS IS ACTUALLY THE POLICY OF
2243
01:07:59,100 --> 01:08:00,267
THE STATE DEPARTMENT.
2244
01:08:00,267 --> 01:08:02,133
WE DO NOT NEGOTIATE WITH
2245
01:08:02,133 --> 01:08:04,100
CRIMINALS OR TERRORISTS.
2246
01:08:04,100 --> 01:08:06,100
SO THAT WAS THE FIRST THING.
2247
01:08:06,100 --> 01:08:09,100
>> SHE DID ENCOURAGE EMILEA TO
2248
01:08:09,100 --> 01:08:10,767
TRY TO E-MAIL THEM, TO TALK TO
2249
01:08:10,767 --> 01:08:12,633
THEM TO TRY TO, LIKE, GET MORE
2250
01:08:12,633 --> 01:08:13,400
DETAILS.
2251
01:08:13,400 --> 01:08:15,200
>> AND I E-MAILED THEM, AND I
2252
01:08:15,200 --> 01:08:16,200
E-MAILED THEM.
2253
01:08:16,200 --> 01:08:17,800
>> BUT THEY NEVER RESPONDED.
2254
01:08:17,800 --> 01:08:20,167
>> THERE WAS NOTHING.
2255
01:08:20,167 --> 01:08:22,033
>> WHAT DO YOU WANT?
2256
01:08:22,033 --> 01:08:23,367
EZRA.
2257
01:08:23,367 --> 01:08:25,233
HEY, EZRA.
2258
01:08:25,233 --> 01:08:27,567
WHERE'S MIKE?
2259
01:08:27,567 --> 01:08:29,467
>> HEY, STOP ASKING ABOUT MIKE.
2260
01:08:29,467 --> 01:08:31,300
OTHERWISE, YOU'RE GONNA END UP
2261
01:08:31,300 --> 01:08:32,100
WHERE HE IS.
2262
01:08:32,100 --> 01:08:33,567
HERE'S SOMETHING TO KEEP YOUR
2263
01:08:33,567 --> 01:08:34,733
ENERGY UP.
2264
01:08:34,733 --> 01:08:36,100
>> EZRA, PLEASE LET US OUT OF
2265
01:08:36,100 --> 01:08:36,467
HERE.
2266
01:08:36,467 --> 01:08:38,067
WHY ARE YOU DOING THIS, DUDE?
2267
01:08:38,067 --> 01:08:39,400
COME ON. PLEASE LET US OUT.
2268
01:08:39,400 --> 01:08:41,100
WE'LL GET YOU WHATEVER YOU NEED,
2269
01:08:41,100 --> 01:08:41,433
MAN.
2270
01:08:41,433 --> 01:08:44,567
PLEASE.
2271
01:08:44,567 --> 01:08:46,733
EZRA, PLEASE.
2272
01:08:46,733 --> 01:08:49,100
EZRA.
2273
01:08:49,100 --> 01:08:51,433
EZRA!
2274
01:08:56,167 --> 01:08:58,333
FUCK YOU.
2275
01:09:01,667 --> 01:09:03,433
>> WHAT SEEMS TO HAVE HAPPENED
2276
01:09:03,433 --> 01:09:05,167
IS THAT AFTER THE MONEY FAILED
2277
01:09:05,167 --> 01:09:06,733
TO ARRIVE, BARUTI ATTEMPTED TO
2278
01:09:06,733 --> 01:09:08,700
MAKE A SECOND VIDEO IN WHICH HE
2279
01:09:08,700 --> 01:09:10,700
WAS TRYING TO RAISE THE STAKES.
2280
01:09:10,700 --> 01:09:13,267
>> [ SHOUTING IN AFRIKAANS ]
2281
01:09:13,500 --> 01:09:17,200
>> [ BREATHING HEAVILY ]
2282
01:09:17,200 --> 01:09:18,200
>> [ WHIMPERS ]
2283
01:09:18,200 --> 01:09:21,367
>> HOWEVER, HIS METHODS WENT FAR
2284
01:09:21,367 --> 01:09:22,800
BEYOND ANYTHING THE OTHERS WERE
2285
01:09:22,800 --> 01:09:24,133
PREPARED TO DEAL WITH.
2286
01:09:24,133 --> 01:09:25,433
>> [ SHOUTING IN AFRIKAANS ]
2287
01:09:25,433 --> 01:09:26,533
I'M GONNA CHOP YOU UP!
2288
01:09:26,533 --> 01:09:28,067
>> AND THAT'S WHEN THE WHOLE
2289
01:09:28,067 --> 01:09:29,233
THING FELL APART.
2290
01:09:29,233 --> 01:09:31,400
>> [ SPEAKING AFRIKAANS ]
2291
01:09:36,267 --> 01:09:38,267
>> [ MUFFLED SCREAMING ]
2292
01:09:43,267 --> 01:09:45,267
>> [ COUGHING ]
2293
01:10:01,200 --> 01:10:03,700
>> SO, YOU SEE?
2294
01:10:03,700 --> 01:10:05,233
THIS IS WHAT HAPPENS WHEN YOU
2295
01:10:05,233 --> 01:10:07,100
FUCK AROUND WITH ME.
2296
01:10:07,100 --> 01:10:09,400
SO, YOU BRING THAT MONEY, RIGHT?
2297
01:10:09,400 --> 01:10:13,400
[ SPEAKING AFRIKAANS ]
2298
01:10:13,400 --> 01:10:16,400
>> [ GASPS ]
2299
01:10:16,400 --> 01:10:17,667
>> LISTEN, LISTEN, LISTEN TO ME!
2300
01:10:17,667 --> 01:10:18,700
>> [ BREATHING HEAVILY ]
2301
01:10:18,700 --> 01:10:19,600
>> SO, TELL YOUR
2302
01:10:19,600 --> 01:10:20,500
MOTHERFUCKERS...
2303
01:10:20,500 --> 01:10:21,467
>> PLEASE, PLEASE.
2304
01:10:21,467 --> 01:10:22,767
>> ...BRING MY FUCKING MONEY.
2305
01:10:22,767 --> 01:10:24,167
>> PLEASE JUST LET US GO,
2306
01:10:24,167 --> 01:10:24,567
PLEASE.
2307
01:10:24,567 --> 01:10:26,733
>> TELL THEM RIGHT NOW!
2308
01:10:26,733 --> 01:10:30,600
>> UH...EMILEA...
2309
01:10:30,600 --> 01:10:31,467
GO TO MY DRAWER.
2310
01:10:31,467 --> 01:10:32,433
GO TO MY DRAWER --
2311
01:10:32,433 --> 01:10:33,233
PATRICK WALSH.
2312
01:10:33,233 --> 01:10:34,367
THERE'S A PHONE NUMBER.
2313
01:10:34,367 --> 01:10:35,600
HE'S GOT A SCHWAB ACCOUNT.
2314
01:10:35,600 --> 01:10:39,133
JUST PLEASE.
2315
01:10:39,133 --> 01:10:40,300
>> TELL THEM.
2316
01:10:40,300 --> 01:10:41,633
>> I LOVE YOU.
2317
01:10:42,067 --> 01:10:43,067
[ CRYING ]
2318
01:10:43,067 --> 01:10:45,067
>> DID YOU HEAR THAT?
2319
01:10:45,067 --> 01:10:46,733
>> LET ME GO.
2320
01:10:46,733 --> 01:10:48,167
YOU GOT TO HELP HIM.
2321
01:10:48,167 --> 01:10:49,300
PLEASE LET US GO.
2322
01:10:49,300 --> 01:10:50,267
HE'S BLEEDING.
2323
01:10:50,267 --> 01:10:52,600
HE'S BLEEDING.
2324
01:10:52,600 --> 01:10:54,067
YOU GOT TO HELP HIM!
2325
01:10:54,067 --> 01:10:55,100
HE'S GONNA DIE!
2326
01:10:55,100 --> 01:10:56,100
PLEASE!
2327
01:10:56,100 --> 01:10:58,600
COME ON!
2328
01:10:58,600 --> 01:10:59,767
COME!
2329
01:10:59,767 --> 01:11:03,633
HELP!
2330
01:11:03,633 --> 01:11:05,500
HELP!
2331
01:11:05,500 --> 01:11:06,367
HELP!
2332
01:11:06,367 --> 01:11:09,533
[ INDISTINCT SHOUTING ]
2333
01:11:17,667 --> 01:11:22,200
>> I'M SO SORRY.
2334
01:11:22,200 --> 01:11:23,700
>> YOU DID THIS?!
2335
01:11:23,700 --> 01:11:25,167
YOU DID THIS?!
2336
01:11:25,167 --> 01:11:26,133
>> I'M --
2337
01:11:26,133 --> 01:11:28,300
>> SON OF A BITCH!
2338
01:11:28,300 --> 01:11:30,167
WHAT THE FUCK ARE YOU TALKING --
2339
01:11:30,167 --> 01:11:32,300
GODDAMN IT, MIKE!
2340
01:11:32,300 --> 01:11:34,800
[ SCREAMING ]
2341
01:11:34,800 --> 01:11:35,800
>> SCOTT!
2342
01:11:35,800 --> 01:11:38,800
[ INDISTINCT SHOUTING ]
2343
01:11:38,800 --> 01:11:41,667
[ SCREAMS ]
2344
01:11:41,667 --> 01:11:44,200
[ MUFFLED SCREAMING ]
2345
01:11:44,200 --> 01:11:45,367
NED, GO!
2346
01:11:45,367 --> 01:11:47,533
[ INDISTINCT SHOUTING ]
2347
01:11:52,800 --> 01:11:55,333
PUT IT DOWN!
2348
01:11:55,333 --> 01:11:58,700
PUT THE FUCKING GUN DOWN!
2349
01:11:58,700 --> 01:12:00,567
[ GUNSHOT ]
2350
01:12:00,567 --> 01:12:02,433
[ SHOUTING CONTINUES ]
2351
01:12:02,433 --> 01:12:04,600
[ GUNSHOT ]
2352
01:12:04,600 --> 01:12:07,600
>> [ BREATHING HEAVILY ]
2353
01:12:07,600 --> 01:12:09,433
[ BIRDS CHIRPING ]
2354
01:12:18,533 --> 01:12:20,700
[ GRUNTS ]
2355
01:12:20,700 --> 01:12:23,233
[ BREATHING HEAVILY ]
2356
01:12:33,400 --> 01:12:37,600
[ GRUNTING ]
2357
01:12:37,600 --> 01:12:39,600
[ BREATHING HEAVILY ]
2358
01:12:49,333 --> 01:12:51,033
[ COUGHING ]
2359
01:13:04,333 --> 01:13:05,333
STOP!
2360
01:13:05,333 --> 01:13:06,667
[ BREATHING HEAVILY ]
2361
01:13:06,667 --> 01:13:09,200
STOP!
2362
01:13:09,200 --> 01:13:10,700
[ GROANS ] STOP!
2363
01:13:10,700 --> 01:13:11,500
>> HEY!
2364
01:13:11,500 --> 01:13:13,300
>> [ BREATHING HEAVILY ]
2365
01:13:13,300 --> 01:13:15,467
P-PLEASE!
2366
01:13:15,467 --> 01:13:16,800
OHH!
2367
01:13:16,800 --> 01:13:18,700
PLEASE!
2368
01:13:18,700 --> 01:13:20,700
[ GROANS ]
2369
01:13:20,700 --> 01:13:22,033
>> JESUS, WHAT HAPPENED TO YOUR
2370
01:13:22,033 --> 01:13:22,667
FUCKING HAND, DUDE?
2371
01:13:22,667 --> 01:13:23,767
>> PLEASE CAN YOU TAKE ME TO A
2372
01:13:23,767 --> 01:13:24,533
HOSPITAL, PLEASE?
2373
01:13:24,533 --> 01:13:26,233
[ CAR DOOR CLOSES ]
2374
01:13:26,233 --> 01:13:26,600
OHH!
2375
01:13:26,600 --> 01:13:28,533
>> JESUS, WHAT HAPPENED TO YOU?!
2376
01:13:28,533 --> 01:13:29,433
LOOK AT YOU.
2377
01:13:29,433 --> 01:13:31,100
>> WE LEARNED THAT NED HAD
2378
01:13:31,100 --> 01:13:32,700
ESCAPED, AND THE BODIES OF SCOTT
2379
01:13:32,700 --> 01:13:34,333
AND BARUTI WERE FOUND IN THE
2380
01:13:34,333 --> 01:13:36,067
SECOND LOCATION THEY HAD MOVED
2381
01:13:36,067 --> 01:13:36,367
TO.
2382
01:13:36,367 --> 01:13:38,133
SCOTT HAD SUFFERED SEVERE TRAUMA
2383
01:13:38,133 --> 01:13:39,733
TO HIS HEAD, AND BY THE TIME THE
2384
01:13:39,733 --> 01:13:41,533
AUTHORITIES GOT THERE, THERE WAS
2385
01:13:41,533 --> 01:13:43,067
NOTHING THEY COULD DO.
2386
01:13:43,067 --> 01:13:45,067
I HAD TO CONVEY THAT INFORMATION
2387
01:13:45,067 --> 01:13:47,567
TO CARA AND EMILEA...WHICH WAS
2388
01:13:47,567 --> 01:13:50,100
A VERY DIFFICULT THING TO DO.
2389
01:13:50,100 --> 01:13:52,433
>> SO, UM, THEY CALL EMILEA IN,
2390
01:13:52,433 --> 01:13:54,300
YOU KNOW, AND [SIGHS] SHE WAS IN
2391
01:13:54,300 --> 01:13:56,200
THERE FOR A LITTLE WHILE WHILE I
2392
01:13:56,200 --> 01:13:57,767
STAYED IN THE LOBBY, MAYBE 10
2393
01:13:57,767 --> 01:13:58,500
MINUTES.
2394
01:13:58,500 --> 01:14:00,667
THEY LET HER OUT.
2395
01:14:00,667 --> 01:14:03,533
AND SHE HAD A LOOK [SIGHS]
2396
01:14:03,533 --> 01:14:06,233
OBVIOUSLY, I WAS PANICKED, AND I
2397
01:14:06,233 --> 01:14:07,567
ASKED THEM, "WHAT'S GOING ON?
2398
01:14:07,567 --> 01:14:09,100
UH, WHY IS EMILEA CRYING?
2399
01:14:09,100 --> 01:14:10,167
WHAT'S HAPPENING?"
2400
01:14:10,167 --> 01:14:11,667
AND THEY BASICALLY SAID, "IT'S
2401
01:14:11,667 --> 01:14:12,267
OKAY.
2402
01:14:12,267 --> 01:14:13,367
EVERYTHING IS OKAY.
2403
01:14:13,367 --> 01:14:15,033
WE FOUND NED, AND HE'S FINE."
2404
01:14:15,033 --> 01:14:17,367
>> AND, UM...
2405
01:14:17,367 --> 01:14:21,033
AND SCOTT WAS NOT ALIVE.
2406
01:14:21,033 --> 01:14:24,033
AND MIKE JUST WASN'T THERE.
2407
01:14:24,033 --> 01:14:27,033
>> WHEN THAT...
2408
01:14:27,033 --> 01:14:29,200
PHONE CALL CAME THAT S-SAID THAT
2409
01:14:29,200 --> 01:14:31,533
HE HAD BEEN...
2410
01:14:31,533 --> 01:14:34,067
UM, FOUND AND THEN THAT HE
2411
01:14:34,067 --> 01:14:36,400
DIDN'T MAKE IT...
2412
01:14:36,400 --> 01:14:38,067
THIS IS -- IT'S JUST WHAT PEOPLE
2413
01:14:38,067 --> 01:14:38,367
SAY.
2414
01:14:38,367 --> 01:14:39,300
IT'S A NIGHTMARE.
2415
01:14:39,300 --> 01:14:40,600
IT'S LIKE YOU'RE IN A DREAM.
2416
01:14:40,600 --> 01:14:42,100
AND I THINK FOR DAYS I WOULD
2417
01:14:42,100 --> 01:14:45,100
WAKE UP THINKING I WAS, UM...
2418
01:14:45,100 --> 01:14:46,400
DREAMING THIS WHOLE THING.
2419
01:14:46,400 --> 01:14:47,567
>> AND I ARRIVED AT THE
2420
01:14:47,567 --> 01:14:49,433
HOSPITAL, AND NED WAS THERE, HIS
2421
01:14:49,433 --> 01:14:52,300
HAND IN THE BANDAGE AND REALLY
2422
01:14:52,300 --> 01:14:53,700
SHAKEN UP BECAUSE, UH, NOT
2423
01:14:53,700 --> 01:14:55,200
KNOWING WHAT -- WHAT HAS
2424
01:14:55,200 --> 01:14:57,633
HAPPENED TO HIS FRIEND SCOTT AND
2425
01:14:57,633 --> 01:14:58,367
MIKE.
2426
01:14:58,367 --> 01:15:00,533
>> I, UH, SPOKE WITH HIM
2427
01:15:00,533 --> 01:15:04,667
ABOUT...
2428
01:15:04,667 --> 01:15:06,533
WHAT IT WAS LIKE TO BE IN THAT
2429
01:15:06,533 --> 01:15:08,333
ROOM BECAUSE I WANTED TO KNOW
2430
01:15:08,333 --> 01:15:10,500
WHAT MY SON WENT THROUGH.
2431
01:15:10,500 --> 01:15:11,500
[ SNIFFLES ]
2432
01:15:11,500 --> 01:15:14,667
SO I FEEL FOR HIM -- NED.
2433
01:15:14,667 --> 01:15:17,200
>> NED CAME HOME, UH, MAYBE FOUR
2434
01:15:17,200 --> 01:15:19,733
DAYS LATER.
2435
01:15:19,733 --> 01:15:22,100
SCOTT CAME HOME AFTER.
2436
01:15:22,100 --> 01:15:23,600
JESUS.
2437
01:15:23,600 --> 01:15:26,300
IT'S WEIRD.
2438
01:15:26,533 --> 01:15:30,067
"WHEN DID THE GUYS COME HOME?"
2439
01:15:30,067 --> 01:15:32,400
THAT'S WEIRD.
2440
01:15:32,400 --> 01:15:34,267
ISN'T IT?
2441
01:15:34,267 --> 01:15:35,667
I MEAN, DID SCOTT COME HOME?
2442
01:15:35,667 --> 01:15:36,767
IS THAT FAIR TO SAY?
2443
01:15:36,767 --> 01:15:38,467
HE NEVER CAME HOME.
2444
01:15:50,100 --> 01:15:52,100
>> HEY, GUYS.
2445
01:15:52,100 --> 01:15:53,467
[ INDISTINCT CONVERSATION ]
2446
01:15:53,467 --> 01:15:54,767
[ INDISTINCT ANNOUNCING ]
2447
01:15:54,767 --> 01:15:57,133
>> GOAL! TWO GOALS!
2448
01:15:57,133 --> 01:15:58,133
>> GOALS -- TWO GOALS.
2449
01:15:58,133 --> 01:15:58,633
>> GOAL!
2450
01:15:58,633 --> 01:15:59,567
>> [ LAUGHS ]
2451
01:15:59,567 --> 01:16:00,267
>> GOAL!
2452
01:16:00,267 --> 01:16:00,767
>> GOAL!
2453
01:16:00,767 --> 01:16:04,467
[ CONVERSING IN AFRIKAANS ]
2454
01:16:04,467 --> 01:16:06,200
>> JUST SPEAK TO THE CAMERA.
2455
01:16:06,200 --> 01:16:07,667
>> ACCORDING TO ONE OF THE
2456
01:16:07,667 --> 01:16:09,467
KIDNAPPERS, BABYFACE, WHO WAS
2457
01:16:09,467 --> 01:16:11,300
LATER ARRESTED IN KHAYELITSHA,
2458
01:16:11,300 --> 01:16:13,200
THIS WAS SUPPOSED TO BE A SIMPLE
2459
01:16:13,200 --> 01:16:15,133
PLAN -- KIDNAP THE GUYS, GET THE
2460
01:16:15,133 --> 01:16:15,633
RANSOM.
2461
01:16:15,633 --> 01:16:17,467
MIKE WOULD PLAY THE VICTIM THE
2462
01:16:17,467 --> 01:16:19,233
ENTIRE TIME, AND NO ONE WOULD
2463
01:16:19,233 --> 01:16:20,033
GET HURT.
2464
01:16:20,033 --> 01:16:21,700
EVERYONE WOULD GET PAID WHO WAS
2465
01:16:21,700 --> 01:16:23,533
SUPPOSED TO GET PAID, AND THEN
2466
01:16:23,533 --> 01:16:25,067
SCOTT WOULD NEVER KNOW.
2467
01:16:25,067 --> 01:16:27,367
AND THEY'D JUST GO HOME.
2468
01:16:27,367 --> 01:16:29,533
OF COURSE...
2469
01:16:29,533 --> 01:16:30,767
IT DIDN'T HAPPEN THAT WAY.
2470
01:16:30,767 --> 01:16:32,300
>> ...HAVE TO DO THAT FOR THE
2471
01:16:32,300 --> 01:16:32,700
RANSOM.
2472
01:16:32,700 --> 01:16:34,300
>> HE FUCKING HIT ME HARD, MAN.
2473
01:16:34,300 --> 01:16:35,400
THAT WASN'T SUPPOSED --
2474
01:16:35,400 --> 01:16:36,100
[ GRUNTS ]
2475
01:16:36,100 --> 01:16:37,467
>> I MEAN, WHAT DID YOU EXPECT,
2476
01:16:37,467 --> 01:16:37,767
BRO?
2477
01:16:37,767 --> 01:16:39,233
>> THIS GUY'S FUCKING CRAZY,
2478
01:16:39,233 --> 01:16:39,567
MAN!
2479
01:16:39,567 --> 01:16:41,067
>> MY IMPRESSION OF EZRA FROM
2480
01:16:41,067 --> 01:16:42,400
READING THE CASE FILE IS THAT,
2481
01:16:42,400 --> 01:16:45,300
HERE'S THIS VERY CHARISMATIC,
2482
01:16:45,300 --> 01:16:47,800
CHARMING FRIEND OF MIKE'S,
2483
01:16:47,800 --> 01:16:50,500
SOMEONE THAT MIKE PROBABLY
2484
01:16:50,500 --> 01:16:52,667
LOOKED UP TO AND TRUSTED.
2485
01:16:53,100 --> 01:16:55,167
I HAVE NO DOUBT THEY REALLY DID
2486
01:16:55,167 --> 01:16:57,133
HAVE A GENUINE FRIENDSHIP, SO
2487
01:16:57,133 --> 01:16:59,200
WHEN EZRA MAKES THE SUGGESTION,
2488
01:16:59,200 --> 01:17:01,267
I HAVE NO DOUBT THAT HE FELT HE
2489
01:17:01,267 --> 01:17:02,767
WAS MAKING A GENUINE OFFER TO
2490
01:17:02,767 --> 01:17:04,567
HELP A FRIEND, BUT I DO BELIEVE
2491
01:17:04,567 --> 01:17:05,800
THAT HE ALSO SENSED AN
2492
01:17:05,800 --> 01:17:07,533
OPPORTUNITY FOR HIMSELF AND WAS
2493
01:17:07,533 --> 01:17:09,200
GONNA JUMP ON THAT, AS WELL.
2494
01:17:09,200 --> 01:17:11,033
IS THE -- THE SOLUTION THAT EZRA
2495
01:17:11,033 --> 01:17:12,500
PROPOSED SOMETHING THAT MIKE,
2496
01:17:12,500 --> 01:17:14,167
UH, WOULD HAVE GONE FOR HAD HE
2497
01:17:14,167 --> 01:17:15,633
BEEN IN HIS OWN CIRCUMSTANCES
2498
01:17:15,633 --> 01:17:17,200
AND IN A DIFFERENT STATE OF
2499
01:17:17,200 --> 01:17:17,567
MIND?
2500
01:17:17,567 --> 01:17:19,333
ABSOLUTELY NOT, BUT AT THE TIME,
2501
01:17:19,333 --> 01:17:21,100
IT SOUNDED LIKE THE EXACT RIGHT
2502
01:17:21,100 --> 01:17:22,600
DECISION TO MAKE, EVEN THOUGH IT
2503
01:17:22,633 --> 01:17:24,033
WAS THE WORST POSSIBLE.
2504
01:17:24,033 --> 01:17:25,433
>> DON'T WORRY ABOUT BARUTI,
2505
01:17:25,433 --> 01:17:26,267
MAN.
2506
01:17:26,500 --> 01:17:27,533
I CAN HANDLE HIM.
2507
01:17:27,533 --> 01:17:28,467
JUST CALM DOWN.
2508
01:17:28,467 --> 01:17:30,100
IT'S GONNA BE ANOTHER DAY OR
2509
01:17:30,100 --> 01:17:31,333
TWO, HOPEFULLY, MAX.
2510
01:17:31,333 --> 01:17:33,133
>> OH, NO, IT'S BEEN TOO LONG
2511
01:17:33,133 --> 01:17:33,667
ALREADY.
2512
01:17:33,667 --> 01:17:35,600
>> FROM WHAT WE CAN GATHER,
2513
01:17:35,600 --> 01:17:37,567
BARUTI WAS PROBABLY FAR MORE
2514
01:17:37,567 --> 01:17:38,800
UNSTABLE THAN EZRA REALIZED.
2515
01:17:38,800 --> 01:17:40,100
>> I DON'T WANT ANYTHING
2516
01:17:40,100 --> 01:17:41,367
HAPPENING TO THOSE GUYS, MAN.
2517
01:17:41,367 --> 01:17:42,533
THIS DUDE'S FUCKING CRAZY!
2518
01:17:42,533 --> 01:17:44,033
>> DON'T WORRY ABOUT HIM, MAN.
2519
01:17:44,033 --> 01:17:45,333
I TOLD YOU, I CAN TAKE CARE OF
2520
01:17:45,333 --> 01:17:45,600
HIM.
2521
01:17:45,600 --> 01:17:46,533
BUT I'M SERIOUS --
2522
01:17:46,533 --> 01:17:47,600
>> YOU KEEP -- YOU KEEP
2523
01:17:47,600 --> 01:17:49,133
CONSOLING ME, AND IT'S NOT DOING
2524
01:17:49,133 --> 01:17:50,200
ANYTHING, AND I HAVEN'T
2525
01:17:50,200 --> 01:17:51,400
FUCKING -- UH, YOU KNOW HOW
2526
01:17:51,400 --> 01:17:52,600
FUCKING DEEP I AM IN THIS?!
2527
01:17:52,600 --> 01:17:54,333
>> THIS GUY HASN'T BEEN FOUND.
2528
01:17:54,333 --> 01:17:56,167
I MEAN, SOMETHING HAS TO BE DONE
2529
01:17:56,167 --> 01:17:56,733
WITH THAT.
2530
01:17:56,733 --> 01:17:58,500
>> WE ARE LOOKING FOR THEM, AND
2531
01:17:58,500 --> 01:18:00,100
MY COLLEAGUES IN PRETORIA,
2532
01:18:00,100 --> 01:18:01,733
JOHANNESBURG, AND DURBAN HAVE
2533
01:18:01,733 --> 01:18:03,567
GOT THE INFORMATION ABOUT THIS
2534
01:18:03,567 --> 01:18:04,633
PARTICULAR CASE.
2535
01:18:04,633 --> 01:18:06,467
WE HAVE NO WORD ABOUT -- ABOUT
2536
01:18:06,467 --> 01:18:08,467
THEIR WHEREABOUTS, AND LIKE I
2537
01:18:08,467 --> 01:18:10,300
SAID EARLIER, THAT OUR BORDERS
2538
01:18:10,300 --> 01:18:11,067
ARE OPEN.
2539
01:18:11,067 --> 01:18:12,600
THEY COULD BE ANY -- IN ANY
2540
01:18:12,600 --> 01:18:15,133
WHICH COUNTRY AT THE MOMENT.
2541
01:18:15,133 --> 01:18:16,300
>> NO ONE WILL HEAR FROM HIM
2542
01:18:16,300 --> 01:18:17,467
AGAIN.
2543
01:18:17,700 --> 01:18:21,533
[ BEEP ]
2544
01:18:27,100 --> 01:18:28,767
>> SO, I HAVE NO IDEA WHERE I AM
2545
01:18:28,767 --> 01:18:29,767
RIGHT NOW.
2546
01:18:29,767 --> 01:18:32,267
AND THIS IS THE FIRST...
2547
01:18:32,267 --> 01:18:34,600
OPPORTUNITY I'VE GOTTEN...
2548
01:18:34,600 --> 01:18:37,133
TO BE BY MYSELF.
2549
01:18:37,133 --> 01:18:38,467
I FUCKED UP.
2550
01:18:38,467 --> 01:18:40,367
>> THERE IS NO EXCUSE.
2551
01:18:40,367 --> 01:18:43,067
THERE IS NO REASON MY SON SHOULD
2552
01:18:43,067 --> 01:18:44,733
BE DEAD, EXCEPT MIKE.
2553
01:18:44,733 --> 01:18:46,533
EVEN IF HE MADE IT DRUNK, HIGH,
2554
01:18:46,533 --> 01:18:48,200
WHATEVER, FUCKED-UP, WHEN HE
2555
01:18:48,200 --> 01:18:49,567
WOKE UP THE NEXT DAY AFTER
2556
01:18:49,567 --> 01:18:51,400
MAKING SUCH A RIDICULOUS CHOICE,
2557
01:18:51,400 --> 01:18:52,633
WHY DIDN'T HE CHANGE HIS MIND?
2558
01:18:52,633 --> 01:18:53,733
BECAUSE IT WASN'T IN HIM TO
2559
01:18:53,733 --> 01:18:54,567
CHANGE HIS MIND.
2560
01:18:54,567 --> 01:18:55,767
>> I TRIED TO TURN AROUND WHEN
2561
01:18:55,767 --> 01:18:56,800
WE ENTERED KHAYELITSHA!
2562
01:18:56,800 --> 01:18:58,267
>> I'M TELLING YOU, IT'S ANOTHER
2563
01:18:58,267 --> 01:18:58,733
DAY OR TWO.
2564
01:18:58,733 --> 01:18:59,600
>> CAN YOU JUST --
2565
01:18:59,600 --> 01:19:00,600
>> CALM THE FUCK DOWN!
2566
01:19:00,600 --> 01:19:01,333
>> OKAY, OKAY.
2567
01:19:01,333 --> 01:19:02,600
CAN YOU PLEASE JUST GO CHECK ON
2568
01:19:02,600 --> 01:19:03,200
THE BOYS?
2569
01:19:03,200 --> 01:19:04,533
>> I'LL CHECK ON THEM.
2570
01:19:04,533 --> 01:19:06,067
>> I HAVE NO IDEA WHAT'S GOING
2571
01:19:06,067 --> 01:19:07,400
ON WITH THE BOYS.
2572
01:19:07,400 --> 01:19:10,400
I TALKED TO EZRA, AND HE SAID...
2573
01:19:10,400 --> 01:19:11,400
THAT THEY WERE FINE.
2574
01:19:11,400 --> 01:19:13,233
HE ASSURED ME.
2575
01:19:13,233 --> 01:19:15,233
I DON'T KNOW IF THIS IS...
2576
01:19:15,233 --> 01:19:17,033
SOMETHING THAT COULD BE FIXED.
2577
01:19:17,033 --> 01:19:18,633
I JUST HOPE NOTHING HAPPENS TO
2578
01:19:18,633 --> 01:19:21,633
THOSE GUYS.
2579
01:19:21,633 --> 01:19:23,267
>> HOW COULD HE DO THAT?
2580
01:19:23,267 --> 01:19:25,100
>> I REALLY THINK THAT HE WAS
2581
01:19:25,100 --> 01:19:26,433
SORRY.
2582
01:19:26,433 --> 01:19:28,433
BUT WHAT A FUCKING COWARD.
2583
01:19:31,067 --> 01:19:34,733
>> EMILEA...
2584
01:19:34,733 --> 01:19:36,600
AND CARA, I APOLOGIZE FOR
2585
01:19:36,600 --> 01:19:38,467
PUTTING YOU THROUGH THIS.
2586
01:19:38,467 --> 01:19:39,667
[ SNIFFLES ]
2587
01:19:39,667 --> 01:19:40,667
[ SIGHS ]
2588
01:19:40,667 --> 01:19:42,367
>> I DON'T CARE.
2589
01:19:42,367 --> 01:19:43,700
HE CAN BE SORRY ALL HE WANTS,
2590
01:19:43,700 --> 01:19:46,400
BUT I WON'T WATCH IT.
2591
01:19:46,400 --> 01:19:49,267
AND IF HE EVER SEES THIS, I HOPE
2592
01:19:49,267 --> 01:19:51,633
HE KNOWS THAT I WILL NEVER,
2593
01:19:51,633 --> 01:19:53,500
NEVER FORGIVE HIM.
2594
01:19:53,500 --> 01:19:55,467
>> HIS FRIENDS TOOK HIM THERE TO
2595
01:19:55,467 --> 01:19:58,633
HELP HIM RECOVER HIS LIFE
2596
01:19:58,633 --> 01:20:00,333
BECAUSE OF THINGS HE HAD DONE.
2597
01:20:00,333 --> 01:20:02,133
THAT'S HOW MUCH THEY CARED ABOUT
2598
01:20:02,133 --> 01:20:02,467
HIM.
2599
01:20:02,467 --> 01:20:04,100
>> I DON'T HOPE HE'S, LIKE,
2600
01:20:04,100 --> 01:20:04,467
DEAD.
2601
01:20:04,467 --> 01:20:06,133
I HOPE HE'S FINE, BUT I NEVER
2602
01:20:06,133 --> 01:20:07,633
EVER, EVER, EVER, EVER WANT TO
2603
01:20:07,633 --> 01:20:09,800
SEE HIM.
2604
01:20:09,800 --> 01:20:11,667
>> [ SNIFFLES ]
2605
01:20:11,667 --> 01:20:13,333
I'M SORRY THAT THIS HAPPENED TO
2606
01:20:13,333 --> 01:20:14,700
YOU, AND I'M SORRY THAT THIS
2607
01:20:14,700 --> 01:20:16,233
HAPPENED TO SCOTT.
2608
01:20:16,233 --> 01:20:17,267
[ SNIFFLES ]
2609
01:20:17,267 --> 01:20:19,400
BUT IF MIKE EVER COMES BACK, I
2610
01:20:19,400 --> 01:20:22,267
SWEAR TO GOD, I WILL HURT HIM.
2611
01:20:22,267 --> 01:20:23,033
[ SNIFFLES ]
2612
01:20:23,033 --> 01:20:24,433
>> I DON'T KNOW IF ANYONE'S EVEN
2613
01:20:24,433 --> 01:20:26,300
GONNA SEE THIS.
2614
01:20:26,300 --> 01:20:28,800
[ SNIFFLES ] BUT I'M SORRY.
2615
01:20:28,800 --> 01:20:32,000
>> [ CRYING ]
2616
01:20:33,300 --> 01:20:34,800
I THINK I DO WANT TO STOP.
2617
01:20:34,800 --> 01:20:37,533
[ CRYING ]
2618
01:20:41,700 --> 01:20:44,100
[ INDISTINCT CONVERSATIONS ]
2619
01:20:44,100 --> 01:20:44,700
[ GLASS CLINKING ]
2620
01:20:44,700 --> 01:20:45,667
>> HE'S BEING RIDICULOUS.
2621
01:20:45,667 --> 01:20:46,800
>> I JUST WANT TO SAY THANK YOU
2622
01:20:46,800 --> 01:20:48,800
TO NED AND SCOTT FOR BRINGING ME
2623
01:20:48,800 --> 01:20:50,667
ALONG ON THIS JOURNEY TO KIND
2624
01:20:50,667 --> 01:20:52,633
OF, UM, YOU KNOW, I GUESS
2625
01:20:52,633 --> 01:20:54,800
TAKE -- TRY TO TAKE BACK WHAT
2626
01:20:54,800 --> 01:20:56,333
WAS...TAKEN FROM ME.
2627
01:20:56,333 --> 01:20:58,400
I'M REALLY GLAD TO HAVE FRIENDS
2628
01:20:58,400 --> 01:21:00,100
AROUND ME TO, YOU KNOW, HELP ME
2629
01:21:00,100 --> 01:21:01,400
ENDURE WHATEVER I'VE GONE
2630
01:21:01,400 --> 01:21:02,067
THROUGH.
2631
01:21:02,067 --> 01:21:03,367
SO I APPRECIATE IT, AND...
2632
01:21:03,367 --> 01:21:04,267
>> HEAR, HEAR.
2633
01:21:04,267 --> 01:21:05,233
>> CIN CIN, SIR.
2634
01:21:05,233 --> 01:21:06,433
>> CIN CIN, TOGA, TOGA.
2635
01:21:06,433 --> 01:21:07,267
>> CHEERS.
2636
01:21:12,533 --> 01:21:14,400
>> IS THIS HELPING?
2637
01:21:14,400 --> 01:21:17,733
DOES THIS -- IS THIS GONNA HELP?
2638
01:21:17,733 --> 01:21:19,067
UNTIL YOU EXPERIENCE SOMETHING
2639
01:21:19,067 --> 01:21:20,233
LIKE THIS, YOU DON'T KNOW WHAT
2640
01:21:20,233 --> 01:21:23,400
IT MEANS TO FEEL REALLY, REALLY
2641
01:21:23,400 --> 01:21:24,567
ALONE.
2642
01:21:26,633 --> 01:21:27,333
>> YEAH.
2643
01:21:27,333 --> 01:21:29,200
>> I DON'T KNOW IF MY WIFE AND I
2644
01:21:29,200 --> 01:21:30,767
ARE GONNA BE ALL RIGHT OR NOT.
2645
01:21:30,767 --> 01:21:32,267
YOU'RE SUPPOSED TO HAVE
2646
01:21:32,267 --> 01:21:32,767
CHILDREN.
2647
01:21:32,767 --> 01:21:34,433
THEY'RE SUPPOSED TO BURY YOU.
2648
01:21:34,433 --> 01:21:36,167
>> DO YOU STILL SPEAK TO EMILEA?
2649
01:21:36,167 --> 01:21:37,667
DO YOU THINK SHE WANTS TO TALK
2650
01:21:37,667 --> 01:21:38,267
TO US?
2651
01:21:38,267 --> 01:21:40,267
SHE HAD TO SEE HER, LIKE,
2652
01:21:40,267 --> 01:21:44,133
EX-LOVER FALL APART AND TAKE HER
2653
01:21:44,133 --> 01:21:45,300
LOVE WITH HIM.
2654
01:21:45,300 --> 01:21:47,800
I MEAN, YOU CAME HOME TO ME.
2655
01:21:47,800 --> 01:21:49,433
>> WE DID TALK ABOUT HAVING
2656
01:21:49,433 --> 01:21:49,800
KIDS.
2657
01:21:49,800 --> 01:21:52,167
SCOTT WOULD HAVE BEEN A...
2658
01:21:52,167 --> 01:21:53,167
GREAT DAD.
2659
01:21:53,167 --> 01:21:55,267
>> YEAH, SCOTT'S OUR -- OUR
2660
01:21:55,267 --> 01:21:57,133
ONLY, UH, CHILD, YEAH.
2661
01:21:57,133 --> 01:21:59,133
IT WAS ALL ABOUT THE JOY OF
2662
01:21:59,133 --> 01:22:01,433
BEING YOUNG AND NOT HAVING --
2663
01:22:01,433 --> 01:22:03,433
AND KNOWING THAT YOU'RE, UH,
2664
01:22:03,433 --> 01:22:07,167
SAFE AND THAT YOU HAVE PARENTS
2665
01:22:07,167 --> 01:22:08,333
AND...
2666
01:22:08,333 --> 01:22:11,200
[ SNIFFLES ]
2667
01:22:11,200 --> 01:22:12,200
...FRIENDS.
2668
01:22:12,200 --> 01:22:14,700
[ SNIFFLING ]
2669
01:22:14,700 --> 01:22:16,233
SORRY.
2670
01:22:16,233 --> 01:22:18,033
THAT'S A MEMORY I -- YOU KNOW,
2671
01:22:18,033 --> 01:22:20,033
I'LL ALWAYS HAVE, THANK GOD.
2672
01:22:20,033 --> 01:22:21,533
THE MEMORIES AREN'T DEAD.
2673
01:22:21,533 --> 01:22:25,067
>> I WANT NED TO FIGURE THIS
2674
01:22:25,067 --> 01:22:28,567
OUT, TO COME TO TERMS WITH IT,
2675
01:22:28,567 --> 01:22:30,267
AND TO LEAVE IT BEHIND SO WE CAN
2676
01:22:30,267 --> 01:22:33,433
GET BACK TO BEING IN...
2677
01:22:33,433 --> 01:22:34,767
THE RELATIONSHIP WE WERE MEANT
2678
01:22:34,767 --> 01:22:36,300
TO HAVE.
2679
01:22:36,300 --> 01:22:38,467
I REALLY MISS YOU.
2680
01:22:38,467 --> 01:22:40,467
BABE, THAT'S ALL.
2681
01:23:02,700 --> 01:23:05,533
[ BIRDS CHIRPING ]
156326
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
