Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,470 --> 00:00:02,670
PREVIOUSLY ON "NYPD BLUE"...
2
00:00:02,700 --> 00:00:05,800
IT’S NOT JUST YOU.
I‐IT’S THE WHOLE SITUATION.
3
00:00:05,840 --> 00:00:06,770
YOU AND GIBSON.
4
00:00:06,800 --> 00:00:09,500
I CAN’T SAY A WORD
TO EITHER ONE OF YOU
5
00:00:09,540 --> 00:00:12,070
WITHOUT IT GETTING BACK
TO THE OTHER.
6
00:00:12,100 --> 00:00:14,740
WE’RE A VERY CLOSE
FAMILY, ANDY.
7
00:00:14,770 --> 00:00:16,570
HE’S LIKE A FATHER TO ME.
8
00:00:16,600 --> 00:00:17,400
YEAH, I KNOW.
9
00:00:17,440 --> 00:00:19,840
SO THAT’S IT THEN?
10
00:00:19,870 --> 00:00:21,500
I’M SORRY.
11
00:00:21,540 --> 00:00:23,370
I KNOW THERE’S
A LOT OF GUYS ON THIS JOB
12
00:00:23,400 --> 00:00:24,700
DON’T LIKE
PARTNERED UP WITH WOMEN.
13
00:00:24,740 --> 00:00:26,840
BUT I WORKED WITH
SOME DYNAMITE BROADS,
14
00:00:26,870 --> 00:00:29,040
SO DON’T THINK TWICE
ABOUT WHERE I’M COMING FROM.
15
00:00:29,070 --> 00:00:30,340
I WON’T EVEN THINK TWICE.
16
00:00:30,370 --> 00:00:32,070
GASSING UP THE CAR.
YOU WHAT?
17
00:00:32,100 --> 00:00:33,670
ALL THOSE ARSON FIRES ‐‐
THE SMELL OF GAS ‐‐
18
00:00:33,700 --> 00:00:35,000
I REALLY DON’T CARE
FOR FILLING UP.
19
00:00:35,040 --> 00:00:36,340
AND SHE DOES?
20
00:00:36,370 --> 00:00:38,200
SHE DIDN’T SEEM UPSET
WHEN I TOLD HER TO DO IT.
21
00:00:38,240 --> 00:00:39,470
HOW ABOUT
TOMORROW MORNING?
22
00:00:39,500 --> 00:00:41,200
I KNOW THIS GREAT
OMELET PLACE IN SOHO.
23
00:00:41,240 --> 00:00:42,540
I HAVE YOGA
TOMORROW MORNING.
24
00:00:42,570 --> 00:00:44,800
A LITTLE SPONTANEITY
EVERY NOW AND THEN
25
00:00:44,840 --> 00:00:45,770
NEVER HURT ANYONE.
26
00:00:45,800 --> 00:00:46,840
BALDWIN, I ‐‐
27
00:00:46,870 --> 00:00:48,070
I‐I’M JUST SAYING.
28
00:00:48,100 --> 00:00:50,400
I GOT PREGNANT
WHEN I WAS 15.
29
00:00:50,440 --> 00:00:53,600
MY FOLKS MADE ME
GIVE HER UP FOR ADOPTION ‐‐
30
00:00:53,640 --> 00:00:54,870
A BABY GIRL.
31
00:00:54,900 --> 00:00:56,940
YOU’RE THINKING
YOU WANT TO REACH OUT.
32
00:00:56,970 --> 00:00:57,970
I REALLY WANT TO SEE HER.
33
00:00:58,000 --> 00:00:59,500
JUST TO SEE
IF SHE’S OKAY.
34
00:00:59,540 --> 00:01:01,300
[ CLEARS THROAT ]
DON’T DO IT.
35
00:01:13,840 --> 00:01:16,600
[ KNOCK ON DOOR ]
36
00:01:16,640 --> 00:01:18,500
JUST A SECOND.
37
00:01:27,700 --> 00:01:29,440
HEY.
38
00:01:29,470 --> 00:01:31,240
HEY.
39
00:01:31,270 --> 00:01:32,300
IS EVERYTHING ALL RIGHT?
40
00:01:32,340 --> 00:01:35,140
YEAH.
CAN I COME IN?
41
00:01:35,170 --> 00:01:36,870
YEAH, YEAH.
42
00:01:36,900 --> 00:01:38,140
SURE.
43
00:01:43,600 --> 00:01:45,600
[ CLEARS THROAT ]
44
00:01:45,640 --> 00:01:48,870
WANT SOME, UH,
SOME TEA OR SOMETHING?
45
00:01:48,900 --> 00:01:50,670
I’M FINE.
46
00:01:52,800 --> 00:01:55,170
DID YOU EVER SEE "GREASE"?
47
00:01:55,200 --> 00:01:57,200
WHAT, THE MOVIE?
48
00:01:57,240 --> 00:01:59,470
YEAH. SOME OF IT.
WAY BACK.
49
00:01:59,500 --> 00:02:02,770
IT’S ALWAYS BEEN A GUILTY
PLEASURE OF MINE, THAT MOVIE.
50
00:02:02,800 --> 00:02:03,870
OKAY.
51
00:02:03,900 --> 00:02:06,700
OLIVIA NEWTON‐JOHN PLAYED
THIS GIRL, SANDY,
52
00:02:06,740 --> 00:02:10,640
AND SHE REALLY LIKED THIS
JOHN TRAVOLTA CHARACTER, DANNY.
53
00:02:10,670 --> 00:02:13,140
AND HE REALLY LIKED HER
A LOT, TOO,
54
00:02:13,170 --> 00:02:16,100
BUT SHE CAME FROM A REALLY
STRICT BACKGROUND,
55
00:02:16,140 --> 00:02:18,240
AND EVERYONE THOUGHT SHE WAS
THIS REAL SQUARE.
56
00:02:18,270 --> 00:02:21,040
BUT IN THE END, SHE SAYS,
HELL WITH IT,
57
00:02:21,070 --> 00:02:22,770
AND SHE LET HER HAIR DOWN.
58
00:02:22,800 --> 00:02:26,070
AND SHE SHOWS UP AT THIS FAIR
IN THESE LEATHER PANTS.
59
00:02:26,100 --> 00:02:28,500
OKAY, NOW,
THAT PART I REMEMBER.
60
00:02:28,540 --> 00:02:31,400
SO AS I WAS WATCHING IT LAST
NIGHT, IT DAWNED ON ME
61
00:02:31,440 --> 00:02:34,000
THAT I’VE BEEN REALLY
WRAPPED UP WITH WORK,
62
00:02:34,040 --> 00:02:35,800
YOU KNOW, TOO MUCH.
63
00:02:35,840 --> 00:02:36,770
AND...
64
00:02:36,800 --> 00:02:40,570
I HAVEN’T LET MY HAIR DOWN
WITH YOU.
65
00:02:43,770 --> 00:02:45,570
AND YOU WERE RIGHT YESTERDAY
66
00:02:45,600 --> 00:02:49,700
WHEN YOU SAID WE COULD USE
A LITTLE SPONTANEITY.
67
00:02:49,740 --> 00:02:52,140
DO YOU WANNA GET SPONTANEOUS
WITH ME, BALDWIN?
68
00:04:16,510 --> 00:04:19,280
GIBSON CALLED.
HE’S GONNA BE A LITTLE LATE.
69
00:04:19,310 --> 00:04:22,050
YOU KNOW WHO I GOT A PAGE FROM
LAST NIGHT?
70
00:04:22,070 --> 00:04:23,500
HIS NIECE, CYNTHIA.
71
00:04:23,540 --> 00:04:24,770
YOU TWO DATED, RIGHT?
72
00:04:24,810 --> 00:04:25,710
WE HAD DINNERS.
73
00:04:25,740 --> 00:04:27,800
HALF THE REASON
IT DIDN’T WORK OUT
74
00:04:27,840 --> 00:04:30,800
WAS GIBSON CONSTANTLY STICKING
HIS NOSE IN MY BUSINESS.
75
00:04:30,840 --> 00:04:34,440
NOW HE’S WORKING IN OUR SQUAD,
AND SHE’S PAGING ME.
76
00:04:34,470 --> 00:04:37,370
SHE CALLED HERE AS WELL.
WHEN?
77
00:04:37,410 --> 00:04:39,310
A HALF‐HOUR AGO,
ASKING IF YOU WERE IN.
78
00:04:39,340 --> 00:04:40,870
SHE DIDN’T WANT TO LEAVE
A MESSAGE,
79
00:04:40,910 --> 00:04:42,310
BUT I RECOGNIZED HER VOICE.
80
00:04:46,010 --> 00:04:47,650
GOOD MORNING, EVERYONE.
81
00:04:47,670 --> 00:04:50,370
DOUGHNUTS. I’LL PUT THEM
IN THE COFFEE ROOM.
82
00:04:50,410 --> 00:04:52,510
WHAT, A DOUGHNUT TRUCK
OVERTURN OUTSIDE?
83
00:04:52,540 --> 00:04:55,540
I BROUGHT THEM FOR THE SQUAD.
WHAT, I GOTTA HAVE A REASON?
84
00:04:55,570 --> 00:04:57,670
TWO YEARS,
YOU’VE NEVER BOUGHT DOUGHNUTS.
85
00:04:57,710 --> 00:04:59,580
THEN DON’T EAT THEM.
86
00:04:59,610 --> 00:05:01,480
WHAT DID YOU GET?
87
00:05:02,710 --> 00:05:04,880
15th SQUAD.
88
00:05:04,910 --> 00:05:06,280
ONE MOMENT, PLEASE.
89
00:05:06,310 --> 00:05:07,710
I THOUGHT YOU SAID
YOU LIKED HER.
90
00:05:07,740 --> 00:05:08,740
I’M NOT SAYING I DIDN’T,
91
00:05:08,770 --> 00:05:11,270
BUT WHAT SHE WAS LOOKING
FOR, I COULDN’T DELIVER.
92
00:05:11,310 --> 00:05:13,810
CHECK YOU OUT,
TALKING LIKE A PLAYER.
93
00:05:13,840 --> 00:05:15,600
WATCH IT.
94
00:05:15,640 --> 00:05:17,200
CYNTHIA? ANDY SIPOWICZ.
95
00:05:17,240 --> 00:05:19,140
HOW’S IT GOING?
96
00:05:19,170 --> 00:05:21,470
I GOT YOUR PAGE.
97
00:05:21,510 --> 00:05:24,150
IS IT ABOUT ANYTHING IN
PARTICULAR, OR JUST CHECKING IN?
98
00:05:24,170 --> 00:05:26,170
YEAH, AS A MATTER OF FACT,
99
00:05:26,210 --> 00:05:29,480
UNCLE EDDIE IS WORKING
IN OUR SQUAD NOW.
100
00:05:29,510 --> 00:05:31,680
UH‐HUH.
101
00:05:31,710 --> 00:05:32,880
YEAH, OKAY.
102
00:05:32,910 --> 00:05:36,380
UH, WHAT TIME DO YOU
TAKE LUNCH?
103
00:05:36,410 --> 00:05:39,410
ALL RIGHT, I’LL CALL.
104
00:05:39,440 --> 00:05:42,040
NO, I WON’T TELL HIM
THAT WE TALKED.
105
00:05:42,070 --> 00:05:43,200
I PROMISE.
106
00:05:43,240 --> 00:05:44,970
MM‐HMM. OKAY.
107
00:05:50,610 --> 00:05:52,050
SHE WANTS TO MEET NOW.
108
00:05:52,070 --> 00:05:53,240
LET A PLAYER PLAY.
109
00:05:53,270 --> 00:05:56,470
I’M NOT GONNA
TELL YOU AGAIN.
110
00:05:56,510 --> 00:05:58,310
WE GOT A BABY TAKEN
OUT OF MATERNITY WARD
111
00:05:58,340 --> 00:06:00,170
AT JEFFERSON HOSPITAL.
112
00:06:00,210 --> 00:06:01,950
DIRECTOR OF SECURITY THERE
IS PAUL COTALDO.
113
00:06:01,970 --> 00:06:03,140
EVERYBODY.
114
00:06:13,370 --> 00:06:15,500
YOU COTALDO?
YEAH.
115
00:06:15,540 --> 00:06:16,840
WHAT’S GOING ON?
116
00:06:16,870 --> 00:06:19,100
PATIENT HERE, DONNA BERRYHILL,
HAD HER BABY TAKEN.
117
00:06:19,140 --> 00:06:20,170
WHEN?
7:15.
118
00:06:20,210 --> 00:06:21,480
TWO HOURS AGO?
119
00:06:21,510 --> 00:06:23,280
I GOT MY OWN SECURITY
FORCE HERE,
120
00:06:23,310 --> 00:06:24,550
AND WE DID OUR BEST
TO HANDLE IT IN‐HOUSE.
121
00:06:24,570 --> 00:06:26,540
THERE’S PEOPLE WALKING IN
AND OUT DOWNSTAIRS,
122
00:06:26,570 --> 00:06:28,140
YOU HAVEN’T CLOSED DOWN
THE EXITS YET?
123
00:06:28,170 --> 00:06:30,140
I GOT MY MEN STATIONED
AT EACH EXIT.
124
00:06:30,170 --> 00:06:31,670
CLOSE THEM DOWN.
NOBODY LEAVES WITHOUT I. D.
125
00:06:31,710 --> 00:06:33,110
AND GET UNIFORM TO SEARCH
THE BUILDING.
126
00:06:33,140 --> 00:06:34,540
WE ALREADY DID
A COMPLETE SEARCH.
127
00:06:34,570 --> 00:06:35,670
WELL, NOW WE ARE, TOO.
128
00:06:35,710 --> 00:06:37,680
WHAT KIND OF SECURITY
DO YOU HAVE UP HERE?
129
00:06:37,710 --> 00:06:40,010
ELECTRONIC TRANSMITTERS ATTACHED
TO THE BABY’S UMBILICAL CORD.
130
00:06:40,040 --> 00:06:42,740
IF THEY’RE REMOVED FROM A ROOM,
AN ALARM GOES OFF,
131
00:06:42,770 --> 00:06:43,900
AND BOTH DOUBLE DOORS LOCK.
132
00:06:43,940 --> 00:06:45,270
AND I GUESS THAT DIDN’T WORK.
133
00:06:45,310 --> 00:06:46,850
I’M TRYING TO FIGURE OUT
WHAT HAPPENED THERE.
134
00:06:46,870 --> 00:06:47,840
YOU HAVE VIDEO?
135
00:06:47,870 --> 00:06:49,370
DOWNSTAIRS IN THE LOBBY.
136
00:06:49,410 --> 00:06:50,780
WHERE’S THE NURSE IN CHARGE
OF THE MISSING BABY?
137
00:06:50,810 --> 00:06:52,210
JULIE CHIN.
138
00:06:52,240 --> 00:06:53,970
SO HOW WE WORKING THIS?
139
00:06:54,010 --> 00:06:56,080
WE’LL BE TAKING OVER.
WE’LL FIND YOU IF WE NEED YOU.
140
00:06:56,110 --> 00:06:58,080
NURSE CHIN?
141
00:06:58,110 --> 00:06:59,080
I DON’T KNOW WHAT HAPPENED.
142
00:06:59,110 --> 00:07:00,110
DID THE ALARM SOUND?
143
00:07:00,140 --> 00:07:01,200
YES, AND THE DOORS LOCKED.
144
00:07:01,240 --> 00:07:02,940
DID YOU SEE ANYTHING?
145
00:07:02,970 --> 00:07:05,170
THEY GO OFF A LOT.
THEY’RE USUALLY FALSE ALARMS.
146
00:07:05,210 --> 00:07:07,250
SO NO ONE LOOKED.
147
00:07:07,270 --> 00:07:10,370
ANDY, THERE’S AN ARSON FIRE
AT A TV REPAIR SHOP
148
00:07:10,410 --> 00:07:11,650
THAT BALDWIN AND I
GOTTA RESPOND TO.
149
00:07:11,670 --> 00:07:13,240
YOU TAKE CARE
OF THE EXITS?
YEAH.
150
00:07:13,270 --> 00:07:15,940
THEN GET E. S. U. TO CHECK ALL
THE GARBAGE CANS AND DUMPSTERS
151
00:07:15,970 --> 00:07:17,170
WITHIN TWO BLOCKS FROM HERE.
152
00:07:18,310 --> 00:07:19,580
MOTHER SHARE A ROOM
WITH ANYBODY?
153
00:07:19,610 --> 00:07:21,780
NO. I DON’T KNOW HOW
THIS COULD HAPPEN.
154
00:07:21,810 --> 00:07:23,380
NO? HOW ABOUT
NO ONE CHECKED
155
00:07:23,410 --> 00:07:24,910
WHEN THE ALARM WENT OFF
FOR STARTERS?
156
00:07:24,940 --> 00:07:28,400
YOU TWO TALK TO THE MOM, I’LL
START HITTING UP THE STAFF.
157
00:07:31,240 --> 00:07:32,940
SORRY I’M LATE, ANDY.
WHAT’S GOING ON?
158
00:07:32,970 --> 00:07:35,440
GIBSON, I DON’T HAVE TIME
TO GO INTO ALL THE DETAILS.
159
00:07:35,470 --> 00:07:39,040
YOU GO HELP WITH THE COPS
AT THE FRONT ENTRANCE
CHECKING I. D. s
160
00:07:41,170 --> 00:07:43,140
MR. AND MRS. BERRYHILL?
161
00:07:43,170 --> 00:07:45,240
I’M DETECTIVE McDOWELL,
THIS IS DETECTIVE CLARK.
162
00:07:45,270 --> 00:07:46,670
DID YOU FIND OUR BABY?
163
00:07:46,710 --> 00:07:48,650
NO, BUT WE’RE DOING
EVERYTHING WE CAN.
164
00:07:48,670 --> 00:07:49,640
PLEASE FIND HER.
165
00:07:49,670 --> 00:07:51,700
WE’RE ABSOLUTELY
GONNA DO OUR BEST.
166
00:07:51,740 --> 00:07:53,500
HOW THE HELL CAN SOMETHING
LIKE THIS HAPPEN?
167
00:07:53,540 --> 00:07:55,240
THEY DON’T HAVE
SECURITY HERE‐‐
WHAT THE HELL?
168
00:07:55,270 --> 00:07:56,540
WHAT HAPPENED THIS MORNING?
169
00:07:56,570 --> 00:07:59,370
SHE FELL ASLEEP,
AND I WENT TO TAKE A SHOWER.
170
00:07:59,410 --> 00:08:01,480
I WAS GONE
FOR MAYBE FIVE MINUTES.
171
00:08:01,510 --> 00:08:02,480
OKAY, WERE YOU HERE?
172
00:08:02,510 --> 00:08:05,310
I WENT TO THE CAFETERIA
TO GET SOMETHING TO EAT.
173
00:08:05,340 --> 00:08:07,670
THE BABY HAD FINALLY
FALLEN ASLEEP,
174
00:08:07,710 --> 00:08:10,150
AND WE THOUGHT WE HAD TIME
TO TAKE CARE OF SOME THINGS.
175
00:08:10,170 --> 00:08:11,740
WHO FOUND HER MISSING?
I DID.
176
00:08:11,770 --> 00:08:14,370
NOTICE ANYONE UNUSUAL
HANGING AROUND YOUR ROOM?
177
00:08:14,410 --> 00:08:16,380
THERE’S SO MANY PEOPLE
WALKING AROUND OUT THERE.
178
00:08:16,410 --> 00:08:17,810
WE’RE GONNA NEED YOU
BACK HOME
179
00:08:17,840 --> 00:08:19,300
SO WE CAN PUT
A TRAP ON YOUR PHONE
180
00:08:19,340 --> 00:08:20,670
IN CASE YOU GET A CALL
FROM THE PEOPLE WHO DID THIS.
181
00:08:20,710 --> 00:08:22,080
YOU MEAN LIKE A KIDNAPPING?
182
00:08:22,110 --> 00:08:23,110
WE DON’T KNOW.
183
00:08:23,140 --> 00:08:25,170
WE AIN’T GOT ANY MONEY.
184
00:08:25,210 --> 00:08:27,310
IS THAT WHAT YOU GUYS ARE
GONNA BE FOCUSING ON?
185
00:08:27,340 --> 00:08:28,500
WE DON’T KNOW WHAT
THE MOTIVE MIGHT’VE BEEN,
186
00:08:28,540 --> 00:08:29,700
SO WE GOTTA COVER
ALL THE BASES.
187
00:08:29,740 --> 00:08:31,840
I’M NOT GONNA LEAVE
WITHOUT MY BABY.
188
00:08:31,870 --> 00:08:33,800
THIS NEEDS TO HAPPEN.
189
00:08:33,840 --> 00:08:35,100
IF YOU FEEL BETTER
STAYING HERE,
190
00:08:35,140 --> 00:08:38,700
I’LL GO BACK HOME
AND DO THIS, OKAY?
191
00:08:38,740 --> 00:08:40,270
OKAY.
192
00:08:40,310 --> 00:08:42,480
CAN YOU GIVE US
A COUPLE MINUTES FIRST?
193
00:08:42,510 --> 00:08:43,710
OF COURSE.
194
00:08:45,540 --> 00:08:46,600
[ SOBBING ]
195
00:08:53,410 --> 00:08:54,450
EXCUSE ME.
196
00:08:56,670 --> 00:08:58,170
HEY.
197
00:08:58,210 --> 00:09:00,010
ARABS.TWO BROTHERS
OWN THE BUSINESS.
198
00:09:00,040 --> 00:09:01,440
BOTH FAMILIES
LIVE ABOVE IT.
199
00:09:01,470 --> 00:09:03,570
TEENAGE DAUGHTER HAD A SHELF
COME DOWN ON HER
200
00:09:03,610 --> 00:09:04,980
WHILE THEY WERE TRYING TO PUT
THE FIRE OUT THEMSELVES.
201
00:09:05,010 --> 00:09:06,550
SHE’S AT JEFFERSON.
202
00:09:06,570 --> 00:09:08,700
CRIME SCENE AND VICE UNITS
ARE ON THEIR WAY.
203
00:09:08,740 --> 00:09:09,940
YOU GOT ANYTHING?
204
00:09:09,970 --> 00:09:11,400
NO, NO ONE’S COME FORWARD.
205
00:09:11,440 --> 00:09:13,640
THE OWNERS ARE GOING ON
ABOUT THIS LOCAL KID
206
00:09:13,670 --> 00:09:16,100
WHO’S BEEN HASSLING THEM‐‐
A CHRIS PADGETT.
207
00:09:16,140 --> 00:09:17,800
IT’S PROBABLY WORTH
CHECKING OUT.
208
00:09:17,840 --> 00:09:19,240
THIS YOUR SECTOR?
YEAH.
209
00:09:19,270 --> 00:09:20,570
JONES: ANYBODY ELSE
JUMP OUT?
210
00:09:20,610 --> 00:09:22,810
NAH, THEY’VE BEEN GETTING
A LOT OF FLAK SINCE THE ATTACKS.
211
00:09:22,840 --> 00:09:25,740
I COULDN’T BEGIN
TO NARROW DOWN WHO
MIGHT’VE DONE THIS.
212
00:09:25,770 --> 00:09:27,700
YEAH. THANKS.
213
00:09:29,270 --> 00:09:31,100
ARE WE SURE
THIS IS ARSON?
214
00:09:31,140 --> 00:09:33,470
YEAH‐‐MOLOTOV COCKTAIL.
215
00:09:33,510 --> 00:09:35,250
SOON AS WE MOP UP,
WE’RE OUT OF HERE.
216
00:09:37,540 --> 00:09:40,640
DETECTIVES JONES AND MEDAVOY.
YOU’RE THE OWNERS?
217
00:09:40,670 --> 00:09:43,600
CHRIS PADGETT‐‐
HE LIVES TWO BLOCKS DOWN.
218
00:09:43,640 --> 00:09:44,940
YOU SAW HIM DO THIS?
219
00:09:44,970 --> 00:09:46,800
NO, BUT HE WAS
ACROSS THE STREET
220
00:09:46,840 --> 00:09:48,300
WHEN THE FIREMEN
WERE PUTTING IT OUT,
221
00:09:48,340 --> 00:09:49,600
CLAPPING HIS HANDS.
222
00:09:49,640 --> 00:09:52,800
HE’S ALWAYS INSULTING US,
WISHING BAD THINGS ON US.
223
00:09:52,840 --> 00:09:54,600
ONE TIME, WE HAD
TO CALL THE POLICE.
224
00:09:54,640 --> 00:09:57,000
CHRIS PADGETT. IF IT’S NOT HIM,
THEN HE’LL KNOW WHO DID THIS.
225
00:09:57,040 --> 00:09:58,500
WE’LL LOOK INTO IT.
WILL YOU REALLY?
226
00:09:58,540 --> 00:10:01,470
YOU’RE JUST SAYING THAT.
[ SPEAKING ARABIC ]
227
00:10:01,510 --> 00:10:04,010
WE’RE GONNA DO OUR BEST
TO FIND OUT WHO DID THIS, SIR.
228
00:10:04,040 --> 00:10:05,000
ANYONE ELSE
YOU HAVE PROBLEMS WITH?
229
00:10:05,040 --> 00:10:06,740
CHRIS PADGETT.
230
00:10:06,770 --> 00:10:10,040
WE GOT HIM. WE’RE ASKING
IS THERE ANYONE ELSE?
231
00:10:10,070 --> 00:10:11,600
MY DAUGHTER’S
IN THE HOSPITAL NOW.
232
00:10:11,640 --> 00:10:15,000
LET’S GO CHECK ON HER.
THERE’S NOTHING MORE WE CAN DO.
233
00:10:15,040 --> 00:10:16,570
WE’LL BE
AT JEFFERSON HOSPITAL.
234
00:10:24,110 --> 00:10:26,350
USA! USA!
235
00:10:26,370 --> 00:10:29,340
OH, THIS IS
GONNA SUCK!
236
00:10:33,810 --> 00:10:36,750
I CAN GIVE A MESSAGE‐‐
HOLD ON, HE’S RIGHT HERE.
237
00:10:36,770 --> 00:10:38,670
A COUNSELOR WHO WORKS
AT THE HOSPITAL
238
00:10:38,710 --> 00:10:40,050
CALLED ME FROM HOME.
239
00:10:42,040 --> 00:10:43,440
DETECTIVE CLARK.
240
00:10:43,470 --> 00:10:46,040
NOTHING FROM CRIME SCENE
ON THE PRINTS YET,
241
00:10:46,070 --> 00:10:47,800
AND THAT BLOODHOUND
FROM CANINE UNIT
242
00:10:47,840 --> 00:10:49,000
DIDN’T CATCH A SCENT.
243
00:10:49,040 --> 00:10:50,200
YOU INTERVIEW
ALL THE STAFF?
244
00:10:50,240 --> 00:10:52,500
McDOWELL AND GIBSON
ARE STILL DOING THAT.
245
00:10:52,540 --> 00:10:56,040
WE’VE GOT A LIST OF STAFF
WHO AREN’T SCHEDULED TODAY,
246
00:10:56,070 --> 00:10:58,870
PLUS WOMEN WHO’VE HAD
MISCARRIAGES AND STILLBORNS
IN THE LAST MONTH.
247
00:10:58,910 --> 00:11:01,210
OH, AND A NURSE
GOT A CALL YESTERDAY
248
00:11:01,240 --> 00:11:03,400
ASKING ABOUT
THE WILLIAMS BABY,
249
00:11:03,440 --> 00:11:05,040
BUT NO WILLIAMS
WAS A PATIENT THERE.
250
00:11:05,070 --> 00:11:06,000
YOU TRACE THE CALL?
251
00:11:06,040 --> 00:11:08,770
I PUT A UNIFORM
ON THE MATERNITY SWITCHBOARD
252
00:11:08,810 --> 00:11:10,250
WITH THE CALLER I. D. BOX
253
00:11:10,270 --> 00:11:12,000
IF THEY GET ANY
OTHER CALLS LIKE THAT.
254
00:11:12,040 --> 00:11:13,200
LET’S GO WITH THIS
TO THE LOCAL NEWS,
255
00:11:13,240 --> 00:11:14,540
START GETTING THE WORD OUT,
256
00:11:14,570 --> 00:11:16,000
SEE IF THE PUBLIC
CAN PROVIDE A TIP.
257
00:11:16,040 --> 00:11:18,100
THERE WAS A GRIEF COUNSELOR
WHO MET WITH A WOMAN
THREE DAYS AGO
258
00:11:18,140 --> 00:11:20,540
WHO HAD A STILLBORN.
259
00:11:20,570 --> 00:11:22,870
SHE WAS HYSTERICAL‐‐
SAID SHE’D DO ANYTHING
TO HAVE A BABY.
260
00:11:22,910 --> 00:11:25,280
PROBABLY WORTH LOOKING AT.
SHE LIVES ON THE WEST SIDE.
261
00:11:25,310 --> 00:11:28,580
GET CONNIE TO RESPOND AND KEEP
GIBSON INTERVIEWING STAFF.
262
00:11:30,040 --> 00:11:31,070
SIT DOWN.
263
00:11:35,540 --> 00:11:40,200
MR. PADGETT, GREENWICH TV
GOT TORCHED THIS MORNING.
264
00:11:40,240 --> 00:11:44,440
YEAH, BUMMER, HUH?
265
00:11:44,470 --> 00:11:47,270
LOOKS LIKE YOU HAD A PRETTY
SERIOUS BEEF WITH THE OWNERS.
266
00:11:47,310 --> 00:11:50,410
I’D STOP BY AND GIVE ’EM SOME
ADVICE FROM TIME TO TIME.
267
00:11:50,440 --> 00:11:53,270
WHERE WERE YOU
THIS MORNING AT 8:00?
268
00:11:53,310 --> 00:11:54,850
AT WORK.
WHERE’S WORK?
269
00:11:54,870 --> 00:11:58,870
EDDIE’S BODY AND PAINT.
ASK EDDIE.
270
00:11:58,910 --> 00:12:00,910
ASK HIS WIFE,
SHE KEEPS THE BOOKS.
271
00:12:00,940 --> 00:12:02,140
SO YOU WENT
ACROSS THE STREET
272
00:12:02,170 --> 00:12:04,140
WHEN GREENWICH’S TV
WAS BURNED?
273
00:12:04,170 --> 00:12:06,770
HELL YEAH, I WAS.
ENJOYING THE VIEW.
274
00:12:06,810 --> 00:12:09,650
I HEARD A FIRE TRUCK SO I WENT
TO SEE WHAT THE DEAL WAS.
275
00:12:09,670 --> 00:12:14,070
LISTEN, WE ALL KNOW THESE ARE
ARABS WHO OWN THE PLACE.
276
00:12:14,110 --> 00:12:17,310
SO IF YOU COULDN’T
TAKE IT ANYMORE‐‐
277
00:12:17,340 --> 00:12:19,800
MAYBE YOU LOST SOME PEOPLE
IN THE ATTACKS‐‐
278
00:12:19,840 --> 00:12:22,000
WE CAN UNDERSTAND THAT.
279
00:12:22,040 --> 00:12:24,170
I MEAN, WE’RE AT WAR
WITH THESE PEOPLE.
280
00:12:24,210 --> 00:12:26,450
IF LOOKING AT THESE PEOPLE
EVERY DAY GOT TO YOU‐‐
281
00:12:26,470 --> 00:12:29,170
SEEING HOW GOOD THEY’RE
LIVING IN OUR COUNTRY.
282
00:12:29,210 --> 00:12:31,910
THAT’S UNDERSTANDABLE.
YOU SNAP.
283
00:12:31,940 --> 00:12:33,840
WE GET A LOT
OF CASES LIKE THIS,
284
00:12:33,870 --> 00:12:38,200
AND WE’LL WORK IT OUT
IF YOU KNOW WHAT I MEAN.
285
00:12:38,240 --> 00:12:41,640
BUT OUR JOB IS WE GOTTA
FIND OUT WHO DID IT.
286
00:12:41,670 --> 00:12:45,000
NOW, WE CAN HELP HIM
ONCE WE DO, BUT WE
GOTTA FIND OUT.
287
00:12:45,040 --> 00:12:48,270
THEN FIND OUT.
288
00:12:48,310 --> 00:12:50,050
WRITE DOWN
YOUR WORK INFO,
289
00:12:50,070 --> 00:12:51,340
SO WE CAN VERIFY IT.
290
00:12:54,910 --> 00:12:57,850
IF IT WAS YOU, CHRIS, OR YOU
KNEW AND DIDN’T TELL US,
291
00:12:57,870 --> 00:12:59,200
WE’RE NOT GONNA BE ABLE
TO HELP YOU THEN.
292
00:12:59,240 --> 00:13:01,500
I DON’T KNOW
WHO DID IT.
293
00:13:01,540 --> 00:13:06,970
BUT I DO KNOW‐‐THOSE PEOPLE,
THEY DON’T BELONG HERE ANYMORE.
294
00:13:09,410 --> 00:13:10,350
TAKE OFF.
295
00:13:29,810 --> 00:13:32,810
CAN I GET YOU ANYTHING?
296
00:13:32,840 --> 00:13:36,200
NO, I’M FINE.
THANKS.
297
00:13:36,240 --> 00:13:38,470
WHAT’S THE INVESTIGATION
YOU’RE WORKING ON?
298
00:13:38,510 --> 00:13:41,680
UH, THERE WAS A COMPLAINT
AT JEFFERSON HOSPITAL,
299
00:13:41,710 --> 00:13:43,810
AND WE’RE TALKING TO PEOPLE
WHO STAYED THERE RECENTLY.
300
00:13:43,840 --> 00:13:45,000
OKAY.
301
00:13:45,040 --> 00:13:46,440
YOU WERE DISCHARGED
THREE DAYS AGO?
302
00:13:46,470 --> 00:13:47,540
YES.
303
00:13:47,570 --> 00:13:48,670
WHAT WERE YOU IN FOR?
304
00:13:48,710 --> 00:13:50,750
I WAS IN THE MATERNITY WARD.
305
00:13:50,770 --> 00:13:51,840
HOW IS EVERYTHING?
306
00:13:51,870 --> 00:13:53,640
SHE WAS STILLBORN.
307
00:13:53,670 --> 00:13:54,670
I’M SO SORRY.
308
00:13:54,710 --> 00:13:57,050
WE’VE BEEN TRYING
FOR SO LONG.
309
00:13:57,070 --> 00:13:59,440
$20,000 WE SPENT ON IN VITRO,
310
00:13:59,470 --> 00:14:02,100
AND THEN I GOT PREGNANT
THE OLD‐FASHIONED WAY, BUT...
311
00:14:02,140 --> 00:14:03,700
THAT MUST BE VERY HARD.
312
00:14:03,740 --> 00:14:06,040
DO YOU HAVE ANY CHILDREN?
313
00:14:06,070 --> 00:14:08,000
YES, I HAVE A DAUGHTER.
314
00:14:08,040 --> 00:14:08,970
CHERISH HER.
315
00:14:09,010 --> 00:14:10,510
I DO.
316
00:14:10,540 --> 00:14:13,670
SO, WHAT’S THE COMPLAINT
AGAINST THE HOSPITAL?
317
00:14:13,710 --> 00:14:16,410
THERE WAS A BABY TAKEN FROM
THE MATERNITY WARD THIS MORNING.
318
00:14:16,440 --> 00:14:18,140
OH, MY GOD.
319
00:14:18,170 --> 00:14:19,470
WE’RE LOOKING INTO THAT.
320
00:14:21,510 --> 00:14:24,310
DID YOU COME HERE BECAUSE YOU
THOUGHT I STOLE THE BABY?
321
00:14:24,340 --> 00:14:27,170
WELL, WE’RE ASKING A LOT OF
PEOPLE. THAT’S OUR JOB.
322
00:14:27,210 --> 00:14:31,580
I LOSE MY OWN BABY,
I HAVE TO GO THROUGH THAT,
323
00:14:31,610 --> 00:14:34,710
AND NOW ON TOP OF IT,
I GET ACCUSED OF STEALING ONE?
324
00:14:34,740 --> 00:14:36,240
I DIDN’T ACCUSE YOU.
325
00:14:36,270 --> 00:14:38,670
YOU KNEW MY BABY WAS STILLBORN
WHEN YOU CAME HERE,
326
00:14:38,710 --> 00:14:39,880
DIDN’T YOU?
327
00:14:39,910 --> 00:14:42,150
IF YOURS WAS TAKEN,
WOULDN’T YOU WANT ME OUT THERE,
328
00:14:42,170 --> 00:14:44,400
FOLLOWING EVERY LEAD I COULD
TRYING TO GET HER BACK?
329
00:14:44,440 --> 00:14:48,570
I DIDN’T STEAL A BABY.
AND YOU CAN GO NOW.
330
00:14:48,610 --> 00:14:51,180
I’M SORRY
FOR WHAT YOU’VE BEEN THROUGH.
331
00:15:02,440 --> 00:15:04,370
ARE YOU SURE UNCLE EDDIE
WON’T BE COMING BACK?
332
00:15:04,410 --> 00:15:06,680
YEAH.
HE’S OUT IN THE FIELD.
333
00:15:06,710 --> 00:15:08,050
THANKS FOR TAKING THE TIME.
334
00:15:08,070 --> 00:15:09,200
I DON’T WANNA BE RUDE,
335
00:15:09,240 --> 00:15:11,000
BUT WE JUST GOT
A MAJOR CASE HERE,
336
00:15:11,040 --> 00:15:12,740
AND I GOTTA HEAD OUT
IN FIVE MINUTES.
337
00:15:12,770 --> 00:15:16,400
I KNOW YOU AND EDDIE HAVE HAD
YOUR DIFFERENCES,
338
00:15:16,440 --> 00:15:18,600
BUT YOU ARE FRIENDS, RIGHT?
339
00:15:18,640 --> 00:15:19,940
SURE.
340
00:15:19,970 --> 00:15:23,140
AND HE’D LISTEN TO YOU,
RIGHT?
341
00:15:23,170 --> 00:15:25,670
AS A FRIEND?
AS A FELLOW COP?
342
00:15:25,710 --> 00:15:26,850
WHAT DO YOU NEED ME TO KNOW?
343
00:15:26,870 --> 00:15:29,240
WE WANT HIM HOME.
344
00:15:29,270 --> 00:15:31,440
HIS WIFE CAROL AND HIS SONS
WANT HIM HOME.
345
00:15:31,470 --> 00:15:32,870
WHY?
346
00:15:32,910 --> 00:15:37,550
BECAUSE HE INSISTS ON WORKING
WHEN HE SHOULD BE HOME.
347
00:15:37,570 --> 00:15:39,440
CYNTHIA, WHAT’S GOING ON
WITH EDDIE?
348
00:15:39,470 --> 00:15:44,540
HE WAS DIAGNOSED WITH
COLON CANCER THREE WEEKS AGO.
349
00:15:44,570 --> 00:15:48,300
AND DR. BROUCHARD TOLD HIM TO
STOP WORK AND START TREATMENT.
350
00:15:48,340 --> 00:15:49,900
SO, EDDIE CAN BEAT THIS?
351
00:15:49,940 --> 00:15:52,970
MAYBE.
BUT ONLY IF HE STARTS NOW.
352
00:15:53,010 --> 00:15:54,780
[ SIGHS ]
353
00:15:54,810 --> 00:15:56,850
EITHER HE’S STICKING HIS HEAD
IN THE SAND,
354
00:15:56,870 --> 00:15:58,400
OR HE WANTS TO KEEP BUSY.
355
00:15:58,440 --> 00:15:59,700
HE WON’T LISTEN TO ANYBODY,
356
00:15:59,740 --> 00:16:01,770
AND HE DOESN’T WANT
ANYONE TO KNOW.
357
00:16:01,810 --> 00:16:06,680
WILL YOU TALK TO HIM WITHOUT
LETTING HIM KNOW I TOLD YOU?
358
00:16:06,710 --> 00:16:08,250
PLEASE?
359
00:16:08,270 --> 00:16:12,070
LOOK, UH...
I GOTTA GO.
360
00:16:12,110 --> 00:16:13,950
I’M WAY BEHIND HERE.
361
00:16:13,970 --> 00:16:14,900
I’M SORRY I ‐‐
362
00:16:14,940 --> 00:16:16,270
N‐N‐NO.
363
00:16:16,310 --> 00:16:18,980
I’LL TAKE CARE OF THIS,
BUT I ‐‐ I GOTTA GO NOW.
364
00:16:19,010 --> 00:16:20,610
OKAY.
365
00:16:29,740 --> 00:16:31,000
YEAH.
366
00:16:31,040 --> 00:16:32,340
OKAY, THANKS.
367
00:16:32,370 --> 00:16:34,270
COP ON THE SWITCHBOARD
368
00:16:34,310 --> 00:16:36,380
GOT ANOTHER CALL
ABOUT THE WILLIAMS BABY.
369
00:16:36,410 --> 00:16:38,350
YEAH, IT CAME FROM
A TONYA DUNBAR.
370
00:16:38,370 --> 00:16:40,870
SHE CALLED FROM HER WORK ‐‐
A STATIONERY STORE ON 18th.
371
00:16:40,910 --> 00:16:43,110
YOU TAKE CARE OF THIS,
I’LL HANDLE THE NEWS CONFERENCE.
372
00:16:43,140 --> 00:16:44,340
YOU DONE WITH YOUR INTERVIEWS?
373
00:16:44,370 --> 00:16:45,970
I’M DONE WITH MY LIST.
374
00:16:46,010 --> 00:16:48,350
THERE’S A COUPLE GALS IN
JANITORIAL I DIDN’T GET ‐‐
375
00:16:48,370 --> 00:16:50,570
FINISH YOUR INTERVIEWS.
376
00:16:50,610 --> 00:16:53,150
I CAN GET A SECTOR CAR
TO PICK THIS TONYA UP.
377
00:16:53,170 --> 00:16:54,840
YEAH. GOOD.
378
00:16:54,870 --> 00:16:55,900
NO BABY YET?
379
00:16:55,940 --> 00:16:57,800
NO.
380
00:16:57,840 --> 00:16:59,070
HEY.
381
00:16:59,110 --> 00:17:00,610
WHO’S THIS?
382
00:17:00,640 --> 00:17:01,970
THAT’S THE FAMILY
WHOSE CASE WE’RE WORKING.
383
00:17:02,010 --> 00:17:03,510
YOU PAT THEM DOWN
FOR BOX CUTTERS?
384
00:17:03,540 --> 00:17:04,870
COME ON.
385
00:17:04,910 --> 00:17:07,450
YOU FIGURE THEY’D GIVE THEM
THEIR OWN HOSPITAL.
386
00:17:07,470 --> 00:17:09,200
AND WHAT, THEIR OWN DRINKING
FOUNTAINS, TOO?
387
00:17:13,040 --> 00:17:16,500
ALL RIGHT,
I WITHDRAW THE COMMENT.
388
00:17:16,540 --> 00:17:18,970
IS IT ME, OR DID IT JUST GET
A LITTLE HOT IN HERE?
389
00:17:19,010 --> 00:17:20,950
YOUR INTERVIEWS.
I GOT IT.
390
00:17:20,970 --> 00:17:22,500
COME ON.
391
00:17:29,770 --> 00:17:31,040
YOU’RE THE DETECTIVES
INVESTIGATING THE FIRE?
392
00:17:31,070 --> 00:17:32,970
DETECTIVE JONES AND MEDAVOY.
393
00:17:33,010 --> 00:17:36,010
I’M SOLOMON.
YOU SPOKE TO MY DAD AND UNCLE
EARLIER.
394
00:17:36,040 --> 00:17:37,400
WERE YOU UPSTAIRS
WHEN THE FIRE HIT?
395
00:17:37,440 --> 00:17:39,800
I GO TO ST. JOHN’S.
I CAME AS SOON AS I HEARD.
396
00:17:39,840 --> 00:17:41,000
WAS IT YOUR SISTER
GOT HURT?
397
00:17:41,040 --> 00:17:42,100
MY COUSIN.
398
00:17:42,140 --> 00:17:43,770
HOW’S SHE DOING?
399
00:17:43,810 --> 00:17:45,050
SHE’LL BE ALL RIGHT.
400
00:17:45,070 --> 00:17:46,240
GLAD TO HEAR THAT.
401
00:17:46,270 --> 00:17:48,140
DID YOU FIND CHRIS PADGETT?
402
00:17:48,170 --> 00:17:50,500
HE DOESN’T LOOK GOOD FOR IT.
403
00:17:50,540 --> 00:17:52,370
HE’S BEEN GIVING MY FAMILY
PROBLEMS.
404
00:17:52,410 --> 00:17:54,010
HE WAS AT WORK.
WE VERIFIED THAT.
405
00:17:54,040 --> 00:17:55,100
OKAY.
406
00:17:55,140 --> 00:17:56,270
WHAT WE’D LIKE TO GET IS
407
00:17:56,310 --> 00:17:58,650
ANYBODY ELSE YOUR FAMILY
HAD PROBLEMS WITH.
408
00:17:58,670 --> 00:18:00,000
PADGETT DID THIS!
409
00:18:00,040 --> 00:18:01,900
SIR, WE LOOKED INTO IT.
DID YOU?
410
00:18:01,940 --> 00:18:03,640
YES. WE DID.
411
00:18:03,670 --> 00:18:06,200
YOU’RE NOT TRYING TO FIND
WHO DID THIS.
412
00:18:06,240 --> 00:18:08,370
THEY DON’T CARE
BECAUSE OF SEPTEMBER 11th!
413
00:18:08,410 --> 00:18:10,850
HEY! WE LOST A LOT OF PEOPLE
THAT DAY.
414
00:18:10,870 --> 00:18:13,240
AND THE FIREMEN WHO PUT
YOUR FIRE OUT THIS MORNING?
415
00:18:13,270 --> 00:18:15,240
THEY LOST EVEN MORE!
416
00:18:15,270 --> 00:18:17,370
SO, YOU DO
BLAME THAT ON US?!
417
00:18:17,410 --> 00:18:20,680
I’M TELLING YOU ‐‐ IN SPITE OF
THAT, WE’RE DOING OUR JOB!
418
00:18:20,710 --> 00:18:21,710
HEY, COME ON.
419
00:18:21,740 --> 00:18:23,300
I DON’T LIKE HIM ACCUSING US
OF DIFFERENT!
420
00:18:26,170 --> 00:18:28,540
IF YOU CAN GET A LIST
FROM YOUR DAD AND UNCLE ‐‐
421
00:18:28,570 --> 00:18:29,700
OTHER GUYS THEY MAYBE HAD
PROBLEMS WITH ‐‐
422
00:18:29,740 --> 00:18:31,000
THAT’D BE A BIG HELP.
423
00:18:31,040 --> 00:18:33,340
THAT’S WHAT I’LL DO.
THANKS.
424
00:18:34,640 --> 00:18:35,700
COME ON.
425
00:18:35,740 --> 00:18:36,970
YEAH, YEAH, YEAH.
426
00:18:45,540 --> 00:18:46,870
MAY I HELP YOU?
427
00:18:46,910 --> 00:18:50,650
YEAH. THERE WAS A FIRE OVER AT
GREENWICH TV THIS MORNING?
428
00:18:50,670 --> 00:18:51,800
YEAH.
429
00:18:51,840 --> 00:18:54,300
YOU HAVE ANY INFORMATION
ON THAT?
430
00:18:54,340 --> 00:18:56,470
YEAH, BUT I WANNA BE SURE
THIS GETS TO PEOPLE
431
00:18:56,510 --> 00:18:58,250
WHO CAN DO SOMETHING ABOUT IT.
432
00:18:58,270 --> 00:19:00,500
DETECTIVE MEDAVOY,
JONES.
433
00:19:00,540 --> 00:19:01,840
YOU ARE?
434
00:19:01,870 --> 00:19:04,140
JANE DOE.
WHERE ARE WE DOING THIS?
435
00:19:12,210 --> 00:19:14,110
I’M DOING
THE RIGHT THING HERE.
436
00:19:14,140 --> 00:19:16,570
WHATEVER WE TALK ABOUT
STAYS IN THE ROOM.
437
00:19:16,610 --> 00:19:18,880
THAT’S ABSOLUTELY
A REQUIREMENT.
438
00:19:18,910 --> 00:19:21,210
ALL RIGHT, SO WHAT’S
ON YOUR MIND?
439
00:19:21,240 --> 00:19:25,500
THE AL BURMIS ‐‐ THEY’RE
THE OWNERS OF GREENWICH TV.
440
00:19:25,540 --> 00:19:27,770
THEY’VE BEEN IN THIS
NEIGHBORHOOD FOR 10 YEARS.
441
00:19:27,810 --> 00:19:28,980
THEY’RE NICE PEOPLE.
442
00:19:29,010 --> 00:19:30,750
WHAT HAPPENED TO THEM
WAS WRONG.
443
00:19:30,770 --> 00:19:32,070
NO DOUBT ABOUT IT.
444
00:19:32,110 --> 00:19:34,450
AND THE GUY WHO DID IT,
HE’S AN ASSHOLE ‐‐
445
00:19:34,470 --> 00:19:37,300
AN ASSHOLE ALWAYS LOOKING FOR
AN EXCUSE TO BE AN ASSHOLE.
446
00:19:37,340 --> 00:19:38,470
WHAT’S HIS NAME?
447
00:19:38,510 --> 00:19:41,050
REMEMBER, NOW ‐‐
I LIVE IN THAT NEIGHBORHOOD.
448
00:19:41,070 --> 00:19:43,640
THIS CONVERSATION’S
CONFIDENTIAL.
449
00:19:43,670 --> 00:19:45,500
YOU HAVE OUR WORD.
450
00:19:45,540 --> 00:19:46,740
MIKE BIGELOW.
451
00:19:46,770 --> 00:19:50,970
1453 8th STREET,
3rd FLOOR ‐‐ IN THE BACK.
452
00:19:51,010 --> 00:19:52,080
HOW DO YOU KNOW HE DID IT?
453
00:19:52,110 --> 00:19:53,510
WE SHARE A WALL.
454
00:19:53,540 --> 00:19:56,300
MY BEDROOM WINDOW IS
RIGHT NEXT TO HIS. I HEARD HIM.
455
00:19:56,340 --> 00:19:59,540
HE WAS BRAGGING ABOUT IT ON THE
PHONE TO ONE OF HIS BUDDIES.
456
00:19:59,570 --> 00:20:02,300
DID HE MENTION A NAME,
WHO HE WAS TALKING TO?
NO.
457
00:20:02,340 --> 00:20:05,270
DID HE MENTION IF HE DID THIS
WITH ANYBODY?
458
00:20:05,310 --> 00:20:06,850
I TOLD YOU ALL I HEARD.
459
00:20:06,870 --> 00:20:08,800
WE APPRECIATE
YOU COMING IN.
460
00:20:08,840 --> 00:20:10,170
I WAS NEVER HERE.
461
00:20:13,310 --> 00:20:15,910
TONYA,
THANKS FOR COMING IN.
462
00:20:15,940 --> 00:20:17,740
AM I IN TROUBLE HERE?
463
00:20:17,770 --> 00:20:21,370
NOT AT ALL. WE’RE SORRY
IF IT CAME ACROSS LIKE THAT.
464
00:20:21,410 --> 00:20:24,080
TWO COPS COME
AND PULL ME OFF OF MY JOB?
465
00:20:24,110 --> 00:20:25,750
IT DIDN’T LOOK LIKE
I WON THE LOTTO.
466
00:20:25,770 --> 00:20:28,540
YOU CALLED JEFFERSON HOSPITAL
ABOUT THE WILLIAMS BABY?
467
00:20:28,570 --> 00:20:29,700
YEAH?
468
00:20:29,740 --> 00:20:31,770
WHICH WILLIAMS
WERE YOU CALLING ABOUT?
469
00:20:31,810 --> 00:20:32,780
NICOLE.
470
00:20:32,810 --> 00:20:33,980
WHY WERE YOU CALLING?
471
00:20:34,010 --> 00:20:36,480
SHE SAID SHE WAS
HAVING HER BABY THERE.
472
00:20:36,510 --> 00:20:38,850
BUT MAYBE I GOT
THE WRONG HOSPITAL.
473
00:20:38,870 --> 00:20:40,370
SHE’S A FRIEND OF YOURS?
474
00:20:40,410 --> 00:20:42,050
YEAH.
475
00:20:42,070 --> 00:20:43,970
KINDA, SORTA?
476
00:20:44,010 --> 00:20:46,150
WELL, WE WAS TIGHT IN
HIGH SCHOOL,
477
00:20:46,170 --> 00:20:48,440
BUT SHE WENT THROUGH
SOME HARD TIMES.
478
00:20:48,470 --> 00:20:50,040
LIKE?
479
00:20:50,070 --> 00:20:52,500
WHY AM I HERE?
480
00:20:52,540 --> 00:20:54,200
WE GOT A CALL
FROM THE HOSPITAL.
481
00:20:54,240 --> 00:20:56,700
THEY NEED TO FOLLOW UP WITH
NICOLE ABOUT SOMETHING,
482
00:20:56,740 --> 00:20:59,100
BUT THE NUMBER AND THE ADDRESS
THEY GOT IS WRONG.
483
00:20:59,140 --> 00:21:01,600
SHE SKIPPED OUT ON A BILL,
RIGHT?
484
00:21:01,640 --> 00:21:03,000
THAT GIRL.
485
00:21:03,040 --> 00:21:06,370
IF YOU COULD WRITE DOWN WHATEVER
ADDRESS AND NUMBERS YOU HAVE.
486
00:21:06,410 --> 00:21:08,010
DO I HAVE TO GET
IN THE MIDDLE OF THIS?
487
00:21:08,040 --> 00:21:09,770
WE NEED TO FIND HER.
488
00:21:09,810 --> 00:21:14,250
[ SIGHS ]
489
00:21:14,270 --> 00:21:15,870
WHEN DID YOU SEE NICOLE LAST?
490
00:21:15,910 --> 00:21:18,050
TWO WEEKS AGO
AT A BABY SHOWER.
491
00:21:18,070 --> 00:21:20,240
AND I HADN’T SEEN HER FOR,
LIKE...
492
00:21:20,270 --> 00:21:22,470
A YEAR BEFORE THAT.
493
00:21:22,510 --> 00:21:23,510
SHE HAVE OTHER KIDS?
494
00:21:23,540 --> 00:21:25,840
NO. THAT’S WHY
WE WERE ALL SO EXCITED ‐‐
495
00:21:25,870 --> 00:21:28,940
BECAUSE NICOLE ALWAYS THOUGHT
SHE COULDN’T HAVE A BABY.
496
00:21:28,970 --> 00:21:32,070
I REALLY HOPED BEING A MAMA WAS
GONNA STRAIGHTEN HER OUT.
497
00:21:32,110 --> 00:21:33,810
WRONG.
498
00:21:33,840 --> 00:21:36,040
SHE WAS SHOWING?
NOT REALLY.
499
00:21:36,070 --> 00:21:38,500
BUT SHE IS KIND OF BIG‐BONED,
I GUESS.
500
00:21:38,540 --> 00:21:40,240
IS HER BABY OKAY?
501
00:21:40,270 --> 00:21:42,470
WELL, WE DON’T KNOW DETAILS.
WE JUST GOTTA FIND HER.
502
00:21:42,510 --> 00:21:45,380
TELL HER TONYA SAID
TO GET HER ACT TOGETHER.
503
00:21:45,410 --> 00:21:47,780
IF SHE DON’T,
SHE’S GONNA LOSE HER CHILD.
504
00:21:47,810 --> 00:21:49,450
WE’LL PASS IT ALONG.
505
00:22:07,810 --> 00:22:09,580
Woman: RANDY?
506
00:22:09,610 --> 00:22:11,710
BABY, IS THAT YOU?
507
00:22:14,140 --> 00:22:15,570
WHO’S THAT?
508
00:22:15,610 --> 00:22:16,780
UH, NICOLE?
509
00:22:16,810 --> 00:22:18,080
YEAH?
510
00:22:18,110 --> 00:22:19,550
I‐I WORK WITH TONYA.
511
00:22:19,570 --> 00:22:22,340
SHE WANTED ME TO COME BY
AND CHECK ON YOU.
512
00:22:22,370 --> 00:22:24,270
UH, TELL HER I’M FINE.
513
00:22:24,310 --> 00:22:27,480
I GOT A GIFT BASKET
SHE WANTED ME TO DROP OFF.
514
00:22:27,510 --> 00:22:29,010
GIFT BASKET?
515
00:22:29,040 --> 00:22:30,740
WHO ARE YOU?
516
00:22:30,770 --> 00:22:32,100
POLICE. WHO’S RANDY?
517
00:22:32,140 --> 00:22:33,300
I DON’T KNOW.
518
00:22:33,340 --> 00:22:35,000
YOU CALLED OUT "RANDY."
519
00:22:35,040 --> 00:22:37,840
I ORDERED SOME FOOD.
FROM WHERE?
520
00:22:37,870 --> 00:22:39,640
WHY ARE YOU
IN MY APARTMENT?
521
00:22:39,670 --> 00:22:40,870
WHERE’S YOUR BABY?
522
00:22:40,910 --> 00:22:42,150
I DON’T HAVE A BABY.
523
00:22:42,170 --> 00:22:43,500
WHAT’S WITH THE CRIB?
524
00:22:43,540 --> 00:22:45,870
UM, I’M GONNA HAVE ONE
ONE DAY.
525
00:22:45,910 --> 00:22:48,610
WHERE’S THE BABY YOU STOLE
FROM THE HOSPITAL TODAY?
526
00:22:48,640 --> 00:22:51,300
WHERE’S THE BABY,
NICOLE?!
527
00:22:52,840 --> 00:22:55,470
NICOLE. NICOLE.
528
00:22:55,510 --> 00:22:59,050
IF WE GET THE BABY BACK,
A LOT OF THIS CAN GO AWAY.
529
00:22:59,070 --> 00:23:01,100
I DON’T KNOW
WHAT YOU’RE TALKING ABOUT.
530
00:23:01,140 --> 00:23:02,840
DO YOU WANT
TO GET LOCKED UP?!
531
00:23:02,870 --> 00:23:04,100
TELL US WHERE THE BABY IS!
532
00:23:04,140 --> 00:23:05,670
[ Crying ]
SHE WOULDN’T STOP SCREAMING.
533
00:23:05,710 --> 00:23:07,010
WHERE IS SHE?
534
00:23:07,040 --> 00:23:10,140
I COULDN’T STOP HER
FROM SCREAMING.
535
00:23:10,170 --> 00:23:11,800
WHERE IS SHE?
536
00:23:11,840 --> 00:23:13,200
I’M TRYING TO THINK.
537
00:23:13,240 --> 00:23:15,540
HOW LONG AGO WAS THIS?
A COUPLE OF HOURS.
538
00:23:15,570 --> 00:23:16,770
IS SHE ALIVE?
539
00:23:16,810 --> 00:23:17,980
I DON’T KNOW.
540
00:23:18,010 --> 00:23:20,210
WHERE DID YOU HAVE HER
LAST?
541
00:23:20,240 --> 00:23:24,040
I‐I‐I WAS WALKING AND SHE WAS
SCREAMING AND I GOT SCARED.
542
00:23:24,070 --> 00:23:26,140
I‐I WENT INTO A BUILDING
SO I COULD CALM DOWN.
543
00:23:26,170 --> 00:23:27,940
DID YOU GO IN THERE
TO GET HIGH?
544
00:23:27,970 --> 00:23:30,370
YOU LEFT HER
IN A SHOOTING GALLERY?
545
00:23:30,410 --> 00:23:32,050
CAN YOU SHOW US?
I HOPE SO.
546
00:23:32,070 --> 00:23:34,040
GOOD, COME ON.
547
00:23:38,010 --> 00:23:39,950
THE FATHER
OF THIS MISSING BABY ‐‐
548
00:23:39,970 --> 00:23:41,440
HIS NAME IS RANDY.
549
00:23:59,070 --> 00:24:02,070
Sipowicz: WATCH YOUR FEET.
THERE’S NEEDLES...
550
00:24:02,110 --> 00:24:04,810
AND RATS.
551
00:24:04,840 --> 00:24:06,470
McDowell: WHERE, NICOLE?
552
00:24:06,510 --> 00:24:09,450
Nicole: UH, IT’S AROUND HERE.
I’M PRETTY SURE.
553
00:24:17,040 --> 00:24:18,400
[ BABY CRYING ]
554
00:24:18,440 --> 00:24:19,570
SLOW UP.
555
00:24:37,940 --> 00:24:39,800
HOW’S THE BABY?
556
00:24:39,840 --> 00:24:41,440
SHE LOOKS OKAY.
557
00:24:43,640 --> 00:24:46,570
GO DOWN TO THE CORNER MARKET
AND GET SOME DIAPERS
558
00:24:46,610 --> 00:24:48,110
AND BABY FORMULA.
559
00:24:48,140 --> 00:24:49,500
WE’LL MEET YOU OUT FRONT.
560
00:24:52,940 --> 00:24:55,440
SHH. SHH, SHH.
IT’S OKAY.
561
00:25:07,040 --> 00:25:08,800
I GUESS YOU KNOW
WHY YOU’RE HERE.
562
00:25:08,840 --> 00:25:10,100
NO, I DON’T.
563
00:25:10,140 --> 00:25:13,000
WHERE WERE YOU
THIS MORNING?
564
00:25:13,040 --> 00:25:14,570
JERSEY CITY.
565
00:25:14,610 --> 00:25:17,410
CRASHED
AT MY BUDDY JASON’S.
566
00:25:17,440 --> 00:25:19,540
WE KNOW YOU TORCHED GREENWICH TV
THIS MORNING.
567
00:25:19,570 --> 00:25:21,370
I DIDN’T DO NOTHING
OF THE SORT.
568
00:25:21,410 --> 00:25:23,550
SO THE THREE WITNESSES
WHO SAW YOU DO IT,
569
00:25:23,570 --> 00:25:25,870
THEY HAD
A SIMULTANEOUS HALLUCINATION?
570
00:25:25,910 --> 00:25:27,810
MUST BE.
571
00:25:27,840 --> 00:25:29,340
[ SIGHS ]
572
00:25:29,370 --> 00:25:34,440
LET ME GIVE YOU A BRIEF
THUMBNAIL ON THE LEGAL SYSTEM.
573
00:25:34,470 --> 00:25:37,470
THREE LEGIT, INDEPENDENT
WITNESSES WITH THE SAME STORY
574
00:25:37,510 --> 00:25:39,480
BEATS ONE GUY
SAYING HE DIDN’T DO IT.
575
00:25:39,510 --> 00:25:42,410
YOU WANT TO TAKE MY WORD,
OR FIND OUT THE HARD WAY?
576
00:25:42,440 --> 00:25:43,670
I AIN’T SAYIN’ NOTHING.
577
00:25:46,670 --> 00:25:48,040
WHAT HAPPENED?
578
00:25:48,070 --> 00:25:50,000
AND THIS STAYS IN THE ROOM.
579
00:25:50,040 --> 00:25:52,400
WE CAN UNDERSTAND
WHERE THAT CAME FROM ‐‐
580
00:25:52,440 --> 00:25:55,570
A BUNCH OF CAMEL JOCKEYS
GETTING A LITTLE PAYBACK.
581
00:25:55,610 --> 00:25:58,180
THERE ARE WORSE THINGS THAT
HAVE HAPPENED IN THIS CITY.
582
00:25:58,210 --> 00:26:00,950
YEAH. LIKE 6,000 PEOPLE
GETTING CRUSHED TO DEATH.
583
00:26:00,970 --> 00:26:02,540
RIGHT.
JEEZ.
584
00:26:02,570 --> 00:26:04,570
SO, WE’RE GONNA GIVE YOU
A LITTLE TIP.
585
00:26:04,610 --> 00:26:07,050
WHAT YOU WANT TO GET
DOWN ON THE RECORD
586
00:26:07,070 --> 00:26:10,640
IS THAT YOU DIDN’T KNOW THESE
WERE ARABS WHO OWNED THE STORE.
587
00:26:10,670 --> 00:26:12,200
THAT WASN’T
WHAT IT WAS ABOUT.
588
00:26:12,240 --> 00:26:14,940
SOMETHING HAPPENED, UM...
589
00:26:14,970 --> 00:26:16,770
A GIRL BROKE UP WITH YOU.
590
00:26:16,810 --> 00:26:19,850
AND YOU WENT LOOKING OUT TO
DESTROY SOMETHING ‐‐ RANDOMLY.
591
00:26:19,870 --> 00:26:22,640
’CAUSE IF YOU SAY
YOU KNEW THEY WERE ARABS,
592
00:26:22,670 --> 00:26:23,800
THAT’S A HATE CRIME.
593
00:26:23,840 --> 00:26:26,440
AND THAT AIN’T GOOD.
594
00:26:26,470 --> 00:26:30,870
NOW, THERE ARE A LOT OF YEARS
OF YOUR LIFE AT STAKE.
595
00:26:30,910 --> 00:26:32,980
SO LET’S WORK
ON YOUR STATEMENT
596
00:26:33,010 --> 00:26:34,950
RIGHT NOW IN THIS ROOM,
JUST US.
597
00:26:34,970 --> 00:26:36,440
LISTEN TO HIM, MIKE.
598
00:26:36,470 --> 00:26:37,870
NO ONE DIED.
599
00:26:37,910 --> 00:26:40,280
IT’S JUST MERCHANDISE
THEIR INSURANCE WILL REPLACE.
600
00:26:40,310 --> 00:26:42,750
WE’RE DOING ALL WE CAN
TO HELP YOU.
601
00:26:42,770 --> 00:26:44,800
SO, UH...
602
00:26:44,840 --> 00:26:47,970
IF SOMEONE WAS OUT
AND THEY DID THIS RANDOMLY,
603
00:26:48,010 --> 00:26:49,410
THAT’S WHAT?
604
00:26:49,440 --> 00:26:53,000
HALF‐ASSED
CRIMINAL MISCHIEF.
605
00:26:53,040 --> 00:26:54,640
AND MAYBE
RECKLESS ENDANGERMENT.
606
00:26:54,670 --> 00:26:56,500
THAT’S A FINE
AND SOME PROBATION..
607
00:26:56,540 --> 00:26:59,470
BUT IT AIN’T A HATE CRIME,
THAT’S FOR DAMN SURE.
608
00:26:59,510 --> 00:27:02,210
WE NEED AN ANSWER,
OR WE GOT TO GO THE HARD WAY.
609
00:27:02,240 --> 00:27:06,500
OKAY, YEAH. YEAH, RIGHT.
610
00:27:06,540 --> 00:27:08,600
UH, WRITE IT DOWN.
611
00:27:08,640 --> 00:27:11,200
HERE.
612
00:27:11,240 --> 00:27:15,770
[ CLEARS THROAT ]
613
00:27:15,810 --> 00:27:16,750
SO, UH...
614
00:27:16,770 --> 00:27:20,370
I WAS PISSED ’CAUSE, UH,
THIS GIRL I LIKED,
615
00:27:20,410 --> 00:27:23,510
SHE, UH, SHE BLEW ME OFF
IN A BAR.
616
00:27:23,540 --> 00:27:24,970
PERFECT.
617
00:27:25,010 --> 00:27:28,510
I APPRECIATE THIS.
618
00:27:28,540 --> 00:27:30,500
NO PROBLEM.
619
00:27:33,410 --> 00:27:34,610
SIT DOWN.
620
00:27:38,040 --> 00:27:40,240
ALL RIGHT...
621
00:27:40,270 --> 00:27:42,400
WHAT HAPPENED, NICOLE?
622
00:27:42,440 --> 00:27:46,000
AND DON’T SCREW AROUND WITH US.
WE’RE PAST ALL THAT.
623
00:27:46,040 --> 00:27:47,670
I WANTED A BABY.
624
00:27:47,710 --> 00:27:50,310
I’VE WANTED ONE
FOR A LONG TIME.
625
00:27:50,340 --> 00:27:53,400
AND I LET THAT NEED BUILD UP
IN MY MIND.
626
00:27:53,440 --> 00:27:57,170
AND IT LED ME TO DO SOMETHING
THAT I KNOW NOW IS WRONG,
627
00:27:57,210 --> 00:27:58,810
AND I’M SORRY.
628
00:27:58,840 --> 00:28:01,340
WHY THIS BABY?
NO REASON.
629
00:28:01,370 --> 00:28:03,670
YOU JUST WENT TO SEE
WHICH YOU COULD PLUCK?
630
00:28:03,710 --> 00:28:07,310
I’VE BEEN ON ANTIDEPRESSANTS,
AND THEY’VE AFFECTED ME WRONG.
631
00:28:07,340 --> 00:28:09,940
I THINK THAT THEY SCREWED UP
MY BRAIN
632
00:28:09,970 --> 00:28:13,140
EVEN MORE,
AND TODAY I JUST SNAPPED.
633
00:28:13,170 --> 00:28:15,540
YOU HAD A BABY SHOWER
TWO WEEKS AGO.
634
00:28:15,570 --> 00:28:18,100
YOU SET UP A CRIB
IN YOUR APARTMENT.
635
00:28:18,140 --> 00:28:20,440
WHAT ARE YOU TRYING
TO SELL US?
636
00:28:20,470 --> 00:28:23,000
THAT YOUR BRAIN’S BEEN SNAPPING
EVERY DAY THE LAST MONTH?
637
00:28:23,040 --> 00:28:24,600
[ SIGHS ]
638
00:28:24,640 --> 00:28:27,100
RANDY BERRYHILL.
639
00:28:27,140 --> 00:28:29,770
HE’S SAYING
IT WAS YOUR IDEA.
640
00:28:29,810 --> 00:28:31,810
WHERE’S THAT COMING FROM?
641
00:28:31,840 --> 00:28:36,970
UH...RANDY MAYBE.
642
00:28:37,010 --> 00:28:40,210
HE WOULDN’T SAY THAT.
643
00:28:40,240 --> 00:28:44,000
DO YOU KNOW HOW MANY FELONIES
YOU’VE COMMITTED?
644
00:28:44,040 --> 00:28:47,140
I MADE A MISTAKE,
AND I’M SORRY.
645
00:28:47,170 --> 00:28:50,100
AND THE BABY’S OKAY, RIGHT?
646
00:28:50,140 --> 00:28:52,300
WHO DO YOU
HAVE TO RELY ON?
647
00:28:52,340 --> 00:28:55,600
WHO DETERMINES HOW YOU’RE GONNA
GET THROUGH EACH DAY?
648
00:28:55,640 --> 00:28:56,640
ME.
649
00:28:56,670 --> 00:28:57,670
EXACTLY.
650
00:28:57,710 --> 00:28:59,110
THESE ARE YOUR OPTIONS,
651
00:28:59,140 --> 00:29:01,440
AND YOU GOT TO DECIDE
WHAT’S BEST FOR YOU.
652
00:29:01,470 --> 00:29:04,300
BE HONEST,
TELL US WHAT HAPPENED,
653
00:29:04,340 --> 00:29:06,370
AND WE’LL GET YOU
SOME HELP,
654
00:29:06,410 --> 00:29:08,180
WORK TO GET YOU
LESS JAIL TIME,
655
00:29:08,210 --> 00:29:10,310
TELL THE DA’s OFFICE
THAT WE BELIEVE YOU ‐‐
656
00:29:10,340 --> 00:29:12,440
"A PRESCRIPTION DRUGS
GONE HAYWIRE" SCENARIO.
657
00:29:12,470 --> 00:29:15,100
OR YOU PLAY THE MARTYR ROUTINE
WITH RANDY,
658
00:29:15,140 --> 00:29:17,300
IN WHICH CASE,
WE GO WITH HIS VERSION,
659
00:29:17,340 --> 00:29:21,040
AND YOU DO HARD TIME
AND LOTS OF IT.
660
00:29:21,070 --> 00:29:22,770
YOU’RE ON YOUR OWN
RIGHT NOW.
661
00:29:22,810 --> 00:29:24,950
DO WHAT’S BEST FOR YOU.
662
00:29:24,970 --> 00:29:30,170
RANDY AND DONNA
HAVE FIVE KIDS.
663
00:29:30,210 --> 00:29:32,650
RANDY DIDN’T WANT
ANOTHER ONE,
664
00:29:32,670 --> 00:29:36,200
AND DONNA REFUSED TO HAVE
AN ABORTION.
665
00:29:36,240 --> 00:29:39,700
AND I TOLD RANDY
THAT I’D TAKE THE BABY.
666
00:29:39,740 --> 00:29:43,400
I’D ‐‐ I’D BE ITS MOTHER,
AND I’D LOVE IT.
667
00:29:43,440 --> 00:29:46,240
AND SO HE PUT THE PLAN
TOGETHER.
668
00:29:46,270 --> 00:29:48,140
WHO KNEW THE HOSPITAL
LAYOUT?
669
00:29:48,170 --> 00:29:51,300
RANDY.
THEY’VE HAD FIVE KIDS THERE.
670
00:29:51,340 --> 00:29:53,400
YOU TAKING THE KID
OFF HIS HANDS ‐‐
671
00:29:53,440 --> 00:29:55,440
THAT’S WHAT’S IN IT
FOR HIM?
672
00:29:55,470 --> 00:29:57,870
PLUS, RANDY WAS GOING TO SUE
THE HOSPITAL.
673
00:29:57,910 --> 00:30:00,110
RANDY’S WIFE IN ON THIS?
NO.
674
00:30:00,140 --> 00:30:02,600
HOW LONG RANDY KEPT YOU
ON THE SIDE?
675
00:30:02,640 --> 00:30:04,140
TWO YEARS.
676
00:30:04,170 --> 00:30:08,400
WE LOVE EACH OTHER,
AND WHEN THE TIME WAS RIGHT,
677
00:30:08,440 --> 00:30:11,200
HE WAS GONNA LEAVE DONNA
AND START A FAMILY WITH ME.
678
00:30:11,240 --> 00:30:14,440
TAKING THIS BABY, THAT WAS WHAT?
A DOWN PAYMENT?
679
00:30:14,470 --> 00:30:16,370
IT JUST WOULDN’T
STOP SCREAMING.
680
00:30:16,410 --> 00:30:18,450
AND I HAD ONE
OF MY PANIC ATTACKS,
681
00:30:18,470 --> 00:30:21,700
AND I HADN’T USED
FOR TWO MONTHS, BUT...
682
00:30:21,740 --> 00:30:23,400
[ SIGHS ]
683
00:30:23,440 --> 00:30:26,440
I DO REALLY FEEL
THAT I NEED HELP,
684
00:30:26,470 --> 00:30:30,000
AND I’M NOT JUST SAYING THAT
AS AN EXCUSE.
685
00:30:30,040 --> 00:30:32,340
WE’LL SEE ABOUT
GETTING YOU SOME.
686
00:30:48,640 --> 00:30:50,000
THANKS.
687
00:30:50,040 --> 00:30:52,370
SO, WHERE AM I AT?
688
00:30:52,410 --> 00:30:53,880
[ SIGHS ]
689
00:30:53,910 --> 00:30:57,210
MIKE, YOU DIDN’T TELL US
YOU HAD RUN‐INS WITH THE OWNERS.
690
00:30:57,240 --> 00:30:58,740
WHAT DO YOU MEAN RUN‐INS?
691
00:30:58,770 --> 00:31:02,040
YOU HAD VERBAL CONFRONTATIONS
WITHIN THE PAST MONTHS.
692
00:31:02,070 --> 00:31:04,640
WE RAN YOUR NAME AND PHOTO
PAST THE OWNERS,
693
00:31:04,670 --> 00:31:05,770
AND THEY CONFIRMED IT.
694
00:31:05,810 --> 00:31:07,610
WHAT?!
695
00:31:07,640 --> 00:31:09,800
I ASKED HOW THE FLIGHT‐TRAINING
COURSES WERE GOING.
696
00:31:09,840 --> 00:31:12,100
MAYBE I TOLD THEM TO GO BACK
697
00:31:12,140 --> 00:31:14,040
TO WHEREVER THE HELL
THEY CAME FROM.
698
00:31:14,070 --> 00:31:17,040
THEY WEREN’T CONFRONTATIONS.
YOU WANT TO SEE CONFRONTATION?!
699
00:31:17,070 --> 00:31:18,570
THE PROBLEM IS, MIKE,
700
00:31:18,610 --> 00:31:20,650
IT ESTABLISHES YOU HAD
A PREEXISTING BEEF
701
00:31:20,670 --> 00:31:21,700
WITH THESE PEOPLE.
702
00:31:21,740 --> 00:31:24,870
SO YOU SAYING IT WAS RANDOM,
THAT DOESN’T JIVE.
703
00:31:24,910 --> 00:31:27,250
WE TRIED TO HELP YOU OUT
EARLIER,
704
00:31:27,270 --> 00:31:30,000
BUT NOW WE GOT TO GO
WITH THE TRUTH.
705
00:31:30,040 --> 00:31:32,000
YOU KNEW
WHAT YOU WERE DOING
706
00:31:32,040 --> 00:31:33,800
AND WHO YOU WERE
DOING IT TO
707
00:31:33,840 --> 00:31:35,840
WHEN YOU STARTED
THAT FIRE.
708
00:31:35,870 --> 00:31:38,770
DID I GET SCREWED HERE?
DID YOU GUYS SCREW ME?
709
00:31:38,810 --> 00:31:41,110
WE DIDN’T KNOW THE OWNERS
WOULD I. D. YOU.
710
00:31:41,140 --> 00:31:42,600
YOU DIDN’T ASK!
711
00:31:42,640 --> 00:31:44,270
WELL, HERE WE ARE, MIKE.
712
00:31:44,310 --> 00:31:46,680
WE GOT TO AMEND
YOUR STATEMENT.
713
00:31:46,710 --> 00:31:49,680
YOU SCREWED ME.
714
00:31:49,710 --> 00:31:52,810
DID WE PUT THE MOLOTOV COCKTAIL
IN YOUR HAND?
715
00:31:52,840 --> 00:31:55,100
DID WE LIGHT IT?
716
00:31:55,140 --> 00:31:57,800
YOU GOT A MAJOR FLAW,
MIKE.
717
00:31:57,840 --> 00:32:00,000
YOU BLAME PEOPLE FOR THINGS
THEY DIDN’T DO.
718
00:32:00,040 --> 00:32:01,870
THAT’S WHAT GOT YOU
INTO THIS.
719
00:32:01,910 --> 00:32:03,710
YOU SCREWED YOU.
720
00:32:15,940 --> 00:32:17,740
THERE THEY ARE.
721
00:32:17,770 --> 00:32:19,840
YOU’VE MET DETECTIVE CLARK.
THIS IS DETECTIVE SIPOWICZ.
722
00:32:19,870 --> 00:32:21,440
THEY HELPED, TOO.
723
00:32:21,470 --> 00:32:24,470
I CANNOT THANK YOU ENOUGH
FOR BRINGING HER BACK TO ME.
724
00:32:24,510 --> 00:32:26,880
YOU FOUND HER
IN AN ABANDONED BUILDING, HUH?
725
00:32:26,910 --> 00:32:29,280
I DON’T WANT TO HEAR
ANYMORE.
726
00:32:29,310 --> 00:32:32,410
GUESS WHAT THEY’RE GONNA
NAME HER ‐‐ CONNIE.
727
00:32:32,440 --> 00:32:35,070
I’M STILL TRYING TO TALK THEM
OUT OF IT.
728
00:32:35,110 --> 00:32:37,350
I ALWAYS TELL PEOPLE
THE REAL HEROES
729
00:32:37,370 --> 00:32:40,070
ARE THE COPS
AND THE FIREMEN.
730
00:32:40,110 --> 00:32:42,950
YOU GUYS ARE HEROES
IN MY EYES.
731
00:32:42,970 --> 00:32:45,070
GLAD WE COULD HELP.
732
00:32:47,240 --> 00:32:50,300
CAN I GET A PICTURE
OF ALL OF YOU TOGETHER?
733
00:32:50,340 --> 00:32:52,840
I WANT TO REMEMBER THIS MOMENT
FOREVER.
734
00:32:52,870 --> 00:32:54,570
WE GOT TO TALK TO YOU
FIRST.
735
00:32:57,110 --> 00:32:58,580
ABOUT WHAT?
736
00:33:00,440 --> 00:33:02,070
REAL QUICK.
737
00:33:11,270 --> 00:33:14,870
SO, WHAT’S GOING ON?
738
00:33:14,910 --> 00:33:17,350
NICOLE GAVE YOU UP.
NICOLE WHO?
739
00:33:17,370 --> 00:33:19,200
I OUGHT TO SMACK YOU
IN YOUR FACE.
740
00:33:19,240 --> 00:33:21,300
NICOLE, YOUR GIRLFRIEND.
741
00:33:21,340 --> 00:33:25,170
WAS SHE BEHIND THIS?
DID SHE STEAL MY BABY?
742
00:33:25,210 --> 00:33:27,650
FIVE KIDS.
DIDN’T WANT HALF A DOZEN.
743
00:33:27,670 --> 00:33:29,340
SUE THE HOSPITAL.
744
00:33:29,370 --> 00:33:31,600
I SAID THAT AS A JOKE,
745
00:33:31,640 --> 00:33:35,770
YOU KNOW, LIKE YOU SAY TO
SOMEONE YOU WANT TO KILL THEM.
746
00:33:35,810 --> 00:33:37,210
THOSE WERE EXAGGERATIONS.
747
00:33:37,240 --> 00:33:39,440
NO WAY DID I THINK
SHE’D TAKE ME SERIOUS.
748
00:33:39,470 --> 00:33:42,200
WE’LL GIVE YOU 30 SECONDS
TO SAY GOOD‐BYE TO YOUR WIFE.
749
00:33:42,240 --> 00:33:43,300
YOU DON’T DO ME ANY FAVORS,
HUH?
750
00:33:43,340 --> 00:33:44,970
ALL RIGHT, TURN AROUND.
751
00:33:45,010 --> 00:33:49,650
HEY, DO YOU WANT TO HUMILIATE
YOUR WIFE MORE THAN YOU HAVE,
752
00:33:49,670 --> 00:33:53,070
’CAUSE I’LL DRAG YOU OUT OF HERE
BY YOUR HAIR. TURN AROUND.
753
00:33:53,110 --> 00:33:55,080
WHY DON’T YOU KISS MY ASS?!
754
00:34:01,170 --> 00:34:02,470
I GOT HIM.
755
00:34:06,110 --> 00:34:08,050
I GUESS
YOU GOTTA TELL HER.
756
00:34:22,400 --> 00:34:25,500
THE VICTIMS HAD I. D.’d HIM AS
A GUY THEY HAD PROBLEMS WITH.
757
00:34:25,530 --> 00:34:27,030
WE LET HIM SAY
IT WAS RANDOM,
758
00:34:27,060 --> 00:34:29,430
THAT IT WASN’T ABOUT THEM
BEING ARABS.
759
00:34:29,460 --> 00:34:30,990
THAT’S
THE FIRST STATEMENT.
760
00:34:31,030 --> 00:34:33,530
WE WENT BACK AND USED THE I.D.
AGAINST HIM.
761
00:34:33,560 --> 00:34:35,260
THAT’S
THE AMENDED STATEMENT.
762
00:34:35,300 --> 00:34:36,700
LOOKS GOOD.
763
00:34:36,730 --> 00:34:38,760
OCCUPIED DWELLING ‐‐
THAT’S ARSON ONE, RIGHT?
764
00:34:38,800 --> 00:34:40,670
BY MEANS
OF INCENDIARY DEVICE.
765
00:34:40,700 --> 00:34:42,170
MINIMUM, 15 TO LIFE.
766
00:34:42,200 --> 00:34:44,940
DO YOU WANT TO GO
FOR THE HATE CRIME?
767
00:34:44,960 --> 00:34:46,630
THAT’S WHAT IT WAS.
768
00:34:46,660 --> 00:34:48,790
THAT’LL PUSH THE MINIMUM
TO 25.
769
00:34:48,830 --> 00:34:50,130
WHICH HE’LL DO.
770
00:34:50,160 --> 00:34:51,260
EVERY DAY OF IT.
771
00:34:51,300 --> 00:34:52,370
ALL RIGHT.
772
00:34:55,000 --> 00:34:57,740
I’M GONNA NEED YOU LATER.
773
00:34:57,760 --> 00:34:59,290
I’LL BE THERE.
774
00:35:06,560 --> 00:35:09,330
WELL, WELL, WELL.
775
00:35:11,360 --> 00:35:13,190
HEY, HOW’S IT GOING?
776
00:35:13,230 --> 00:35:14,630
HEY.
777
00:35:14,660 --> 00:35:17,490
WE GOT MIKE BIGELOW IN CUSTODY,
AND HE’S MADE A STATEMENT.
778
00:35:17,530 --> 00:35:20,330
THANK YOU FOR YOUR HELP.
THIS WILL BE A BIG RELIEF.
779
00:35:20,360 --> 00:35:24,330
WE’RE JUST AS HAPPY AS
YOU ARE TO CATCH THIS FOOL.
780
00:35:24,360 --> 00:35:25,930
UM...
781
00:35:25,960 --> 00:35:29,230
I APOLOGIZE FOR WHAT MY UNCLE
SAID AT THE HOSPITAL.
782
00:35:29,260 --> 00:35:31,690
IT WAS WRONG FOR HIM
TO ACCUSE YOU OF NOT CARING.
783
00:35:31,730 --> 00:35:33,760
THAT’S NOT
HOW HE REALLY FEELS,
784
00:35:33,800 --> 00:35:35,870
BECAUSE ALL OF US
APPRECIATE
785
00:35:35,900 --> 00:35:39,040
WHAT THIS DEPARTMENT WENT
THROUGH ‐‐ IS GOING THROUGH.
786
00:35:39,060 --> 00:35:41,890
WELL, SOME THINGS CAME
OUT OF MY MOUTH
787
00:35:41,930 --> 00:35:45,030
THAT I’M NOT HAPPY ABOUT
EITHER.
788
00:35:46,330 --> 00:35:50,160
WE’LL COME GET STATEMENTS
FROM YOUR FAMILY TOMORROW.
789
00:35:50,200 --> 00:35:51,740
IN THE MEANTIME,
IF YOU HAVE ANY QUESTIONS,
790
00:35:51,760 --> 00:35:53,390
JUST CALL.
791
00:35:53,430 --> 00:35:55,490
WHAT CAN WE DO?
792
00:35:55,530 --> 00:35:58,560
’CAUSE MY FAMILY’S LIVED HERE
FOR 30 YEARS.
793
00:35:58,600 --> 00:36:00,670
I WAS BORN HERE.
794
00:36:00,700 --> 00:36:02,540
WE’RE AMERICANS.
795
00:36:02,560 --> 00:36:06,430
THERE WERE TIMES IN THIS COUNTRY
IT WASN’T A BIG PLUS
796
00:36:06,460 --> 00:36:10,160
TO BE JAPANESE...OR GERMAN.
797
00:36:10,200 --> 00:36:11,440
OR BLACK.
798
00:36:11,460 --> 00:36:14,730
IT’LL PASS.
799
00:36:14,760 --> 00:36:18,660
HANG IN THERE.
800
00:36:21,930 --> 00:36:25,690
ON THAT NOTE,
GOOD NIGHT.
801
00:36:37,030 --> 00:36:38,460
HOW’S GIBSON DOING?
802
00:36:38,500 --> 00:36:41,070
IS HE BRINGING ANYTHING
TO THE TABLE?
803
00:36:43,430 --> 00:36:45,330
UH ‐‐
804
00:36:53,930 --> 00:36:55,330
THE DAD WAS IN ON IT,
HUH?
805
00:36:55,360 --> 00:36:56,730
YEAH.
806
00:36:56,760 --> 00:36:58,830
I GOT A BAD HIT OFF HIM
FROM THE GET‐GO.
807
00:36:58,860 --> 00:37:00,730
YOU SHOULD HAVE BEEN THERE
808
00:37:00,760 --> 00:37:03,560
WHEN CONNIE
BROUGHT THE BABY BACK,
809
00:37:03,600 --> 00:37:04,870
PUT HER IN HER MA’S ARMS.
810
00:37:04,900 --> 00:37:09,600
NOT A DRY EYE IN THE ROOM.
811
00:37:09,630 --> 00:37:11,230
WHAT?
812
00:37:11,260 --> 00:37:14,790
I’M JUST STILL TRYING TO FIGURE
OUT WHY YOU LEFT NIGHT WATCH.
813
00:37:14,830 --> 00:37:16,160
TRYING TO BEEF UP
MY PENSION.
814
00:37:16,200 --> 00:37:18,740
YOU GOT PLENTY OF MONEY COMING
WITH 28 YEARS.
815
00:37:18,760 --> 00:37:20,260
MAYBE I MIGHT WANT MORE.
816
00:37:20,300 --> 00:37:23,440
WHY PUT UP WITH THE HEADACHES
IF YOU DON’T HAVE TO?
817
00:37:23,460 --> 00:37:24,830
THERE’S NO HEADACHES.
818
00:37:24,860 --> 00:37:27,690
I STILL GOT A LOT TO OFFER
DESPITE WHAT YOU THINK.
819
00:37:27,730 --> 00:37:29,890
YOU SURE ABOUT THAT?
820
00:37:29,930 --> 00:37:32,790
I MEAN, YOU COME IN LATE.
YOU SEEM A HALF STEP BACK.
821
00:37:32,830 --> 00:37:35,290
YOUR HEART DON’T SEEM IN IT.
822
00:37:35,330 --> 00:37:37,330
I KNOW YOU WELL ENOUGH,
823
00:37:37,360 --> 00:37:39,760
AND SOMETHING’S UP.
824
00:37:39,800 --> 00:37:42,100
WHAT’S GOING ON, EDDIE?
825
00:37:45,130 --> 00:37:48,060
YOU GOT A PROBLEM WITH ME
WORKING HERE, ANDY?
826
00:37:48,100 --> 00:37:50,570
YOU TRYING
TO GET ME 86’d?
NO.
827
00:37:50,600 --> 00:37:51,970
ALL RIGHT, THEN.
828
00:37:52,000 --> 00:37:55,040
LET ME DO MY JOB,
AND I’LL LET YOU DO YOURS.
829
00:38:01,160 --> 00:38:04,030
[ SIGHS ]
830
00:38:06,800 --> 00:38:09,100
I HAVEN’T BEEN WORKING
WITH HIM,
831
00:38:09,130 --> 00:38:12,230
SO HE HASN’T HAD A CHANCE
TO ANNOY ME MUCH YET.
832
00:38:12,260 --> 00:38:15,960
SAME WITH ME, BUT I CAN SEE HOW
HE’S BRINGING CONNIE DOWN.
833
00:38:16,000 --> 00:38:19,340
I’M NOT SAYING HE ISN’T
A DECENT ENOUGH GUY.
834
00:38:19,360 --> 00:38:20,890
GREG.
835
00:38:20,930 --> 00:38:23,990
THE THING YOU GOT
TO UNDERSTAND ABOUT EDDIE
836
00:38:24,030 --> 00:38:26,060
IS HE’S BEEN ON NIGHT WATCH
SO LONG
837
00:38:26,100 --> 00:38:28,300
HIS DETECTIVE MUSCLES
ARE ATROPHIED.
838
00:38:28,330 --> 00:38:29,690
HE’S USED TO ‐‐
839
00:38:29,730 --> 00:38:32,460
YOU WANT HIM IN OR OUT,
GREG?
840
00:38:32,500 --> 00:38:34,100
IT’S NOT WORKING.
841
00:38:34,130 --> 00:38:35,260
YOU CAN TELL.
842
00:38:35,300 --> 00:38:37,770
ANDY, I’M GONNA CALL
THE BOROUGH COMMANDER
843
00:38:37,800 --> 00:38:40,600
AND ASK TO HAVE GIBSON
TRANSFERRED BACK TO NIGHT WATCH.
844
00:38:40,630 --> 00:38:41,890
I’LL PARTNER UP WITH HIM.
845
00:38:41,930 --> 00:38:43,690
YOU DON’T HAVE TO DO THAT.
846
00:38:43,730 --> 00:38:45,190
I KNOW HOW TO HANDLE HIM.
847
00:38:45,230 --> 00:38:48,160
YOU DON’T THINK
HIS BEING HERE’S DISRUPTIVE?
848
00:38:48,200 --> 00:38:50,640
YEAH, WELL,
I GOT MY DAYS, TOO.
849
00:38:50,660 --> 00:38:52,890
YOU CAN PARTNER CONNIE
AND JUNIOR FOR NOW.
850
00:38:52,930 --> 00:38:55,060
IF YOU CAN CARRY HIM,
THAT’S FINE.
851
00:38:55,100 --> 00:38:58,200
BUT IF HE STARTS TO BRING YOUR
WORK DOWN, I’M BOUNCING HIM.
852
00:39:01,130 --> 00:39:04,430
THIS AIN’T GOT NOTHING TO DO
WITH ME AND YOU.
853
00:39:04,460 --> 00:39:06,130
DON’T WORRY.
I GOT IT.
854
00:39:06,160 --> 00:39:07,290
I, UH ‐‐
855
00:39:07,330 --> 00:39:10,660
I’M SORRY IF IT LOOKS LIKE
I PUSHED HIM OFF ON YOU.
856
00:39:10,700 --> 00:39:11,770
YOU DIDN’T.
857
00:39:11,800 --> 00:39:12,970
GOOD NIGHT.
858
00:39:13,000 --> 00:39:13,840
GOOD NIGHT.
GOOD NIGHT.
859
00:39:13,860 --> 00:39:16,330
LOOK,
I KNOW TODAY YOU DEALT
860
00:39:16,360 --> 00:39:18,790
WITH A LOT
OF MOTHER‐DAUGHTER STUFF.
861
00:39:18,830 --> 00:39:20,190
I’M FINE.
862
00:39:20,230 --> 00:39:22,930
I’M JUST MAKING SURE
YOU’RE NOT THINKING MORE
863
00:39:22,960 --> 00:39:24,660
ABOUT REACHING OUT TO HER,
864
00:39:24,700 --> 00:39:26,470
WHICH IS NOT A GOOD IDEA.
865
00:39:26,500 --> 00:39:29,600
YEAH, I KNOW.
866
00:39:29,630 --> 00:39:32,960
IF YOU WANT, COME OVER FOR
DINNER TONIGHT WITH ME AND THEO.
867
00:39:33,000 --> 00:39:34,600
ORDER A PIZZA OR SOMETHING.
868
00:39:34,630 --> 00:39:38,330
THANKS, BUT ACTUALLY,
I‐I GOT A DATE.
869
00:39:38,360 --> 00:39:41,290
IS THIS SOMETHING NEW?
870
00:39:41,330 --> 00:39:43,660
YEAH. A FRIEND SET ME UP.
871
00:39:43,700 --> 00:39:45,400
BUT THANKS FOR THE OFFER.
872
00:39:45,430 --> 00:39:46,560
SURE.
873
00:39:46,600 --> 00:39:48,070
GOOD NIGHT, ANDY.
874
00:39:48,100 --> 00:39:49,070
YEAH.
875
00:39:52,830 --> 00:39:55,260
GOOD NIGHT.
876
00:39:55,300 --> 00:39:57,170
YOU AND ME
GOT SOMETHING TO WORK OUT?
877
00:39:57,200 --> 00:39:59,140
’CAUSE I DON’T WANT THIS
CARRYING OVER.
878
00:39:59,160 --> 00:40:00,830
IT WON’T.
879
00:40:00,860 --> 00:40:02,930
WE’RE COOL.
880
00:40:10,760 --> 00:40:13,060
YOU KNOW ANYBODY
WHO CONVERTED?
881
00:40:13,100 --> 00:40:14,070
TO ISLAM?
882
00:40:14,100 --> 00:40:15,270
YEAH.
883
00:40:15,300 --> 00:40:17,100
MY COUSIN IN HOUSTON.
884
00:40:17,130 --> 00:40:20,360
HE CATCH ANY HEAT SINCE
THIS WHOLE THING WENT DOWN?
885
00:40:20,400 --> 00:40:23,700
NOT OFF HIS APPEARANCE.
HE LOOKS LIKE SUGAR RAY LEONARD.
886
00:40:23,730 --> 00:40:26,130
BUT HIS MOSQUE
GOT VANDALIZED ‐‐
887
00:40:26,160 --> 00:40:29,190
SOME GRAFFITI,
A ROCK THROUGH A WINDOW.
888
00:40:29,230 --> 00:40:32,230
NOTHING LIKE WHAT HAPPENED
TO THOSE PEOPLE TODAY, THOUGH.
889
00:40:32,260 --> 00:40:35,160
ANDY MADE A COMMENT,
AND I JUMPED DOWN HIS THROAT.
890
00:40:35,200 --> 00:40:38,540
I CAN’T SAY I DIDN’T HAVE
THE SAME THOUGHTS
891
00:40:38,560 --> 00:40:40,290
GOING THROUGH MY HEAD.
892
00:40:40,330 --> 00:40:43,960
HELL, I PLAYED LIKE I WAS
A RACIST TO GET THE GUY,
893
00:40:44,000 --> 00:40:46,940
BUT IT’S NOT LIKE I HAD
TO SEARCH FOR THE WORDS.
894
00:40:46,960 --> 00:40:49,290
YOU’RE NOT RACIST.
895
00:40:52,430 --> 00:40:54,190
YOU’RE HUMAN.
896
00:40:54,230 --> 00:40:56,590
AND THERE’S WHAT GOES
THROUGH YOUR HEAD
897
00:40:56,630 --> 00:40:58,330
AND WHAT SHOWS
IN YOUR ACTIONS.
898
00:40:58,360 --> 00:41:02,330
THAT’S THE DIFFERENCE.
THAT’S WHAT MATTERS.
899
00:41:02,360 --> 00:41:04,290
YEAH, WELL...
900
00:41:04,330 --> 00:41:06,990
I DON’T LIKE IT GOING
THROUGH MY HEAD, PERIOD.
901
00:41:07,030 --> 00:41:10,460
IT SURE AS HELL WASN’T THERE
BEFORE SEPTEMBER 11th.
902
00:41:10,500 --> 00:41:14,570
WHEN THE ATTACKS HAPPENED
903
00:41:14,600 --> 00:41:18,540
AND WE WERE ALL REELING
904
00:41:18,560 --> 00:41:21,390
AND YOU WERE WORKING
18‐HOUR DAYS,
905
00:41:21,430 --> 00:41:23,230
I LOOK BACK ON THAT,
906
00:41:23,260 --> 00:41:28,060
AND I WISH WE COULD HAVE BEEN
THERE MORE FOR EACH OTHER.
907
00:41:28,100 --> 00:41:31,640
WELL, WE’RE HERE NOW,
RIGHT?
908
00:41:31,660 --> 00:41:33,290
DEFINITELY.
909
00:41:46,800 --> 00:41:49,970
HE THINKS HE’S SO COOL
’CAUSE THESE ROCK STARS STOP BY
910
00:41:50,000 --> 00:41:51,900
AND CALL HIM
BY HIS FIRST NAME.
911
00:41:51,930 --> 00:41:53,860
THAT’S NOT TRUE.
YES, IT IS.
912
00:41:53,900 --> 00:41:56,800
THEN ALL THE HIP‐HOP GUYS
COME BY. HE GETS ALL DOWN.
913
00:41:56,830 --> 00:41:58,790
HE GIVES THEM
A LITTLE ONE‐ARM HUG
914
00:41:58,830 --> 00:42:00,260
WITH HIS FIST IN THE BACK
915
00:42:00,300 --> 00:42:02,540
LIKE HE’S BORN QUEENS
OR SOMETHING.
916
00:42:02,560 --> 00:42:04,160
HE’S LAME.
917
00:42:04,200 --> 00:42:05,700
HE’S HOT.
918
00:42:05,730 --> 00:42:08,260
WHAT ABOUT
ALL THE OTHER VJ’s?
919
00:42:08,300 --> 00:42:10,100
WHAT ARE THEY DOING NOW?
920
00:42:10,130 --> 00:42:13,760
IN A COUPLE YEARS
HE’LL BE DOING INFOMERCIALS
921
00:42:13,800 --> 00:42:16,700
ON CHANNEL 5,000
AT 2:00 IN THE MORNING
922
00:42:16,730 --> 00:42:18,930
FOR "HITS FROM THE ’90s."
923
00:42:18,960 --> 00:42:22,730
YOU’RE JUST SAYING THAT BECAUSE
HE LOOKS LIKE PAT VAUGHN.
924
00:42:22,760 --> 00:42:25,390
I DUMPED PAT VAUGHN.
WHY WOULD I CARE?
925
00:42:25,430 --> 00:42:26,890
YEAH, WHATEVER.
926
00:42:26,930 --> 00:42:28,790
SEE YOU, JENNIFER.
927
00:42:32,930 --> 00:42:35,060
AND I DON’T CARE ABOUT
WHAT PAT’S BEEN SAYING.
928
00:42:35,100 --> 00:42:38,070
OKAY.
67318
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.