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1
00:00:20,630 --> 00:00:22,100
WHAT’S WITH THIS KID?
2
00:00:22,130 --> 00:00:25,100
IS HE TRYING TO GIVE ME
AN ULCER HERE, OR WHAT?
3
00:00:25,130 --> 00:00:27,460
DO YOU WANT ME
TO PAGE HIM AGAIN?
4
00:00:27,500 --> 00:00:28,700
YOU PAGED HIM
FIVE MINUTES AGO.
5
00:00:28,730 --> 00:00:29,770
SO HE’S AN HOUR LATE.
6
00:00:29,800 --> 00:00:31,200
I DON’T CARE
ABOUT HIM BEING LATE.
7
00:00:31,240 --> 00:00:32,710
I CARE ABOUT HIM NOT CALLING
TO TELL US.
8
00:00:32,740 --> 00:00:34,050
YOU READY?
9
00:00:34,070 --> 00:00:36,870
WE’RE HEADING DOWN
TO THE D. A.’s OFFICE
10
00:00:36,910 --> 00:00:38,540
TO SIGN
A CORROBORATING AFFIDAVIT
11
00:00:38,580 --> 00:00:40,550
FOR A DICKIE‐WAVER
WE COLLARED YESTERDAY.
12
00:00:40,580 --> 00:00:42,240
GUY’S 38 YEARS OLD,
13
00:00:42,280 --> 00:00:44,710
WHIPS IT OUT IN FRONT
OF HIS OLD JUNIOR HIGH SCHOOL.
14
00:00:44,750 --> 00:00:46,980
ONE OF HIS TEACHERS
RECOGNIZES HIM
15
00:00:47,020 --> 00:00:48,480
FROM 25 YEARS AGO.
16
00:00:48,520 --> 00:00:50,750
HA HA.
HOW’S THAT FOR BAD LUCK?
17
00:00:53,590 --> 00:00:55,490
ANYWAYS, UH...
18
00:00:58,430 --> 00:01:00,130
YOU PAGING HIM AGAIN?
19
00:01:00,160 --> 00:01:02,300
I’M CALLING HIS APARTMENT.
20
00:01:03,940 --> 00:01:05,740
DANNY.
HEY, IT’S ANDY SIPOWICZ.
21
00:01:05,770 --> 00:01:07,400
I’M SORRY
TO BOTHER YOU AGAIN,
22
00:01:07,440 --> 00:01:09,270
BUT IF YOU’RE THERE,
YOU MIGHT WANT TO ‐‐
23
00:01:09,310 --> 00:01:10,620
OH, I DON’T KNOW ‐‐
24
00:01:10,640 --> 00:01:12,170
GET YOUR ASS TO WORK
25
00:01:12,210 --> 00:01:14,010
BEFORE THE BOSS
SHOWS UP AT 10:00
26
00:01:14,050 --> 00:01:15,350
AND FINDS YOU A. W. O. L.
27
00:01:15,380 --> 00:01:18,010
[ SIGHS ]
28
00:01:18,050 --> 00:01:19,620
LOOK, JUST, UH,
29
00:01:19,650 --> 00:01:21,420
JUST GIVE ME A CALL
AND I’LL PUT IN A 28
30
00:01:21,450 --> 00:01:24,890
OR I’LL CALL THE SICK DESK,
BUT YOU CAN’T JUST NOT CALL.
31
00:01:28,160 --> 00:01:29,590
ANDY, HE’LL BE IN.
32
00:01:29,630 --> 00:01:31,090
I WOULDN’T WORRY ABOUT IT.
33
00:01:31,130 --> 00:01:32,590
YOU KNOW WHAT?
YOU’RE RIGHT.
34
00:01:32,630 --> 00:01:34,300
I’M NOT GOING
TO WORRY ABOUT IT.
35
00:01:34,330 --> 00:01:36,300
HE CAN EXPLAIN IT
TO THE BOSS, NOT ME.
36
00:01:36,330 --> 00:01:37,500
I’M NOT HIS DAD.
37
00:01:37,540 --> 00:01:39,980
HE PROBABLY JUST
GOT TIED UP SOMEWHERE.
38
00:01:40,000 --> 00:01:42,440
IT’S HIS BUSINESS.
39
00:01:42,470 --> 00:01:45,670
MAYBE YOU SHOULD GO OVER
TO HIS PLACE AND ROUST HIM.
40
00:01:45,710 --> 00:01:47,510
HE DON’T SEEM
TO LISTEN TO ME.
41
00:01:47,550 --> 00:01:48,690
YOU WANT ME TO?
I’LL GO.
42
00:01:48,710 --> 00:01:50,450
I’LL GO.
43
00:01:50,480 --> 00:01:52,480
WANT ME TO COME ALONG?
YOU STAY OUT OF THIS.
44
00:01:53,690 --> 00:01:55,830
WHAT DO YOU WANT ME
TO TELL THE BOSS
45
00:01:55,850 --> 00:01:58,150
IF YOU’RE NOT BACK
IN AN HOUR?
46
00:01:58,190 --> 00:02:00,160
[ Sighs ] ALL RIGHT,
THEN COME ON.
47
00:02:00,190 --> 00:02:01,190
COME WITH ME.
48
00:02:01,230 --> 00:02:03,530
WE’RE WORKING
ON AN OLD CASE.
49
00:02:03,560 --> 00:02:04,560
COME ON.
50
00:02:15,840 --> 00:02:17,710
THIS IS ON THE Q. T.,
WHAT’S GOING ON HERE.
51
00:02:17,740 --> 00:02:19,980
I DON’T WANT IT GETTING OUT
52
00:02:20,010 --> 00:02:22,980
ABOUT HIM GETTING HIS LOAD ON
LAST NIGHT AT SOME STRIP CLUB.
53
00:02:23,010 --> 00:02:24,310
WE’RE CLOSING RANKS HERE.
54
00:02:24,350 --> 00:02:25,680
ANDY, I GOT IT.
55
00:02:25,720 --> 00:02:26,760
GOOD.
56
00:02:29,390 --> 00:02:32,400
DANNY,
GET YOUR ASS UP.
57
00:02:32,420 --> 00:02:33,560
THIS IS RIDICULOUS ‐‐
58
00:02:33,590 --> 00:02:35,260
COMING HERE
TO DRAG HIM INTO WORK
59
00:02:35,290 --> 00:02:37,360
LIKE HE’S ELVIS OR SOMETHING.
60
00:02:37,400 --> 00:02:40,040
DANNY?
61
00:02:40,060 --> 00:02:42,030
IF HE’S SHACKED UP
WITH THAT GIRL,
62
00:02:42,070 --> 00:02:44,380
I’M WALKING AWAY AND YOU
DO THE TALKING ’CAUSE I’LL ‐‐
63
00:02:44,400 --> 00:02:45,700
WHAT GIRL?
64
00:02:45,740 --> 00:02:49,110
THAT’S NOT A DETAIL
YOU NEED TO WORRY ABOUT.
65
00:02:49,140 --> 00:02:52,940
I’M GOING TO GET IRRITATED
HERE IN ABOUT ONE SECOND.
66
00:03:01,750 --> 00:03:03,590
DANNY.
67
00:03:12,960 --> 00:03:14,430
ANDY.
68
00:03:14,470 --> 00:03:15,740
WHAT?
69
00:04:47,360 --> 00:04:49,320
SO WHAT TIME DID YOU
DROP HIM OFF HERE?
70
00:04:49,360 --> 00:04:50,330
2:00 A. M.
71
00:04:50,360 --> 00:04:51,660
WAS THE GIRL HERE?
72
00:04:51,700 --> 00:04:52,670
NO.
73
00:04:52,700 --> 00:04:54,170
DO YOU KNOW
WHO THE GIRL IS?
74
00:04:54,200 --> 00:04:56,530
KRISTEN MOORE. SHE LIVES
IN THE 17th PRECINCT.
75
00:04:56,570 --> 00:04:58,170
SO YOU KNOW HER.
76
00:04:58,200 --> 00:05:00,170
SHE HELPED US WITH A CASE.
WORE A WIRE ‐‐ HOMICIDE SUSPECT.
77
00:05:00,200 --> 00:05:02,840
IS THAT WHEN HER
AND YOUR GUY GOT FRIENDLY?
78
00:05:02,870 --> 00:05:04,340
HOW LONG AGO WAS THIS?
79
00:05:04,380 --> 00:05:05,420
A WEEK.
80
00:05:05,440 --> 00:05:06,880
WHAT ELSE DO YOU KNOW
ABOUT HER?
81
00:05:06,910 --> 00:05:08,340
SHE WORKED AT THIS CLUB ‐‐
TAILFEATHERS.
82
00:05:08,380 --> 00:05:09,340
STRIP CLUB?
83
00:05:09,380 --> 00:05:10,350
YEAH.
84
00:05:10,380 --> 00:05:11,350
SO SHE’S A STRIPPER.
85
00:05:11,380 --> 00:05:12,480
YEAH.
86
00:05:12,520 --> 00:05:13,860
YOUR GUY AND THE STRIPPER
ARGUE A LOT?
87
00:05:13,890 --> 00:05:15,760
HE DIDN’T KILL HER.
88
00:05:15,790 --> 00:05:17,760
ALL DUE RESPECT,
IF YOU TWO CAUGHT THIS
89
00:05:17,790 --> 00:05:19,820
AND ONE OF OUR GUYS
WAS BANGING A STRIPPER
90
00:05:19,860 --> 00:05:21,490
AND SHE ENDED UP DEAD
IN HIS APARTMENT
91
00:05:21,530 --> 00:05:23,230
AND HE’S IN THE WIND ‐‐
I MEAN, COME ON.
92
00:05:23,260 --> 00:05:24,330
HE DIDN’T DO IT.
93
00:05:24,360 --> 00:05:26,490
ALL RIGHT.
ANYONE ELSE JUMP OUT?
94
00:05:26,530 --> 00:05:27,830
JEALOUS EX‐WIVES,
GIRLFRIENDS?
95
00:05:27,870 --> 00:05:29,010
NO.
96
00:05:29,030 --> 00:05:30,170
’CAUSE THIS WASN’T
FORCED ENTRY.
97
00:05:30,200 --> 00:05:31,830
YEAH, WE KIND OF
NOTICED THAT.
98
00:05:31,870 --> 00:05:33,840
WE DON’T KNOW WHO DID THIS,
BUT JUST SO YOU KNOW,
99
00:05:33,870 --> 00:05:35,840
WE’RE GOING TO BE TRYING
TO FIND OUT WHO DID.
100
00:05:35,870 --> 00:05:38,170
WE’LL GIVE YOU A HEADS UP
IF WE FIND ANYTHING.
101
00:05:38,210 --> 00:05:39,680
WE DON’T GOT
A PROBLEM WITH THAT,
102
00:05:39,710 --> 00:05:40,740
BUT IF YOUR PARTNER
CONTACTS YOU ‐‐
103
00:05:40,780 --> 00:05:42,880
WHEN HE CALLS US,
WE’LL CALL YOU.
104
00:05:53,390 --> 00:05:54,520
HAS HE CALLED IN?
105
00:05:54,560 --> 00:05:55,620
NO.
106
00:05:55,660 --> 00:05:57,530
DON’T YOU GUYS
TAKE A RADIO WITH YOU?
107
00:05:57,560 --> 00:05:59,430
HE CHECKED IN YET?
108
00:05:59,460 --> 00:06:01,700
NO, AND I’VE BEEN PAGING HIM
ALL MORNING.
109
00:06:01,730 --> 00:06:04,470
HELLO ‐‐ OVER HERE.
WHY HAVEN’T YOU GUYS CALLED IN?
110
00:06:04,500 --> 00:06:06,370
WE GOT A D. O. A. OVER ON
AVENUE C AND 4th.
111
00:06:06,400 --> 00:06:08,100
WE HAVE TO TALK ‐‐
EVERYBODY.
112
00:06:16,580 --> 00:06:18,710
WHAT’S GOING ON?
113
00:06:18,750 --> 00:06:22,580
DANNY’S, UH...
WE DON’T KNOW WHERE HE IS.
114
00:06:22,620 --> 00:06:24,250
YOU TRY HIS APARTMENT?
115
00:06:24,290 --> 00:06:27,590
WE JUST CAME FROM THERE,
AND THAT DANCER KRISTEN MOORE
116
00:06:27,630 --> 00:06:29,600
WHO WORE A WIRE FOR US ‐‐
117
00:06:29,630 --> 00:06:31,090
SHE’S D. O. A.
118
00:06:31,130 --> 00:06:33,160
AT SORENSON’S APARTMENT.
119
00:06:35,630 --> 00:06:37,300
I’M TELLING YOU RIGHT NOW,
BOSS, HE DIDN’T DO IT.
120
00:06:37,340 --> 00:06:40,410
DID SORENSON HAVE ANY CONTACT
WITH HER AFTER THAT CASE?
121
00:06:40,440 --> 00:06:42,240
YEAH, I GUESS A LITTLE.
122
00:06:42,270 --> 00:06:44,910
I PULLED HIM OUT OF THAT CLUB
LAST NIGHT.
123
00:06:44,940 --> 00:06:46,410
SHE WAS THERE?
HE WAS DRUNK?
124
00:06:46,440 --> 00:06:48,240
YEAH,
BUT HE WOULDN’T DO THIS.
125
00:06:48,280 --> 00:06:50,310
THEN WHERE IS HE?
I DON’T KNOW.
126
00:06:50,350 --> 00:06:52,910
ME AND CONNIE ARE GOING
TO MAKE SOME PHONE CALLS,
127
00:06:52,950 --> 00:06:53,880
LOOK AROUND.
128
00:07:01,960 --> 00:07:03,930
SO WE DON’T KNOW
WHERE HE IS?
129
00:07:03,960 --> 00:07:06,130
I WASN’T LYING TO THE BOSS.
WE DON’T KNOW.
130
00:07:06,160 --> 00:07:07,130
OKAY.
131
00:07:07,170 --> 00:07:08,470
ANYTHING YOU NEED,
ALL RIGHT?
132
00:07:08,500 --> 00:07:09,770
WE’LL CALL IF WE DO.
133
00:07:09,800 --> 00:07:12,470
I’LL GET HIS PHONE RECORD,
134
00:07:12,500 --> 00:07:15,440
SEE IF THERE’S ANY ACTIVITY
ON HIS CREDIT CARDS.
135
00:07:15,470 --> 00:07:16,940
CALL DIANE.
136
00:07:16,980 --> 00:07:18,480
SEE IF SHE’S
HEARD FROM HIM.
137
00:07:18,510 --> 00:07:19,780
OKAY.
138
00:07:19,810 --> 00:07:21,480
DON’T TELL HER
ABOUT THE OTHER PART,
139
00:07:21,510 --> 00:07:23,480
JUST...IF SHE’S HEARD.
140
00:07:23,510 --> 00:07:24,810
WHAT’S GOING ON?
141
00:07:27,920 --> 00:07:29,890
THERE WAS A PROBLEM
AT DANNY’S APARTMENT.
142
00:07:29,920 --> 00:07:31,850
UH, A GIRL GOT MURDERED.
143
00:07:31,890 --> 00:07:33,150
OH, MY GOD.
144
00:07:33,190 --> 00:07:35,290
AND THAT AIN’T
FOR THE WATER COOLER, JOHN.
145
00:07:35,330 --> 00:07:36,740
NO, OF COURSE NOT.
146
00:07:50,210 --> 00:07:53,680
D.O.A. IS A CYRUS MORRISON ‐‐
LIVES HERE.
147
00:07:53,710 --> 00:07:56,340
GOT SHOT A COUPLE TIMES
IN THE BACK
148
00:07:56,380 --> 00:07:58,350
AS HE WAS RUNNING
THROUGH THE REAR.
149
00:08:01,720 --> 00:08:05,020
OH, HERE WE GO.
150
00:08:05,060 --> 00:08:08,030
IT LOOKS LIKE ONE IN THE HEAD,
CLOSE RANGE,
151
00:08:08,060 --> 00:08:09,590
WHILE HE WAS ON THE GROUND.
152
00:08:09,630 --> 00:08:10,830
YOU HEARD ABOUT THIS GUY?
153
00:08:10,860 --> 00:08:12,190
NO. YOU?
154
00:08:12,230 --> 00:08:14,900
YEAH. HE WAS A NEIGHBORHOOD
WITCH DOCTOR‐TYPE GUY ‐‐
155
00:08:14,930 --> 00:08:17,170
READS YOUR FORTUNE,
REMOVES EVIL SPIRITS.
156
00:08:17,200 --> 00:08:18,730
I GOT A CALL HERE ONE TIME
157
00:08:18,770 --> 00:08:20,540
’CAUSE SOME OLD LADY
GAVE HIM 100 BUCKS
158
00:08:20,570 --> 00:08:22,200
TO COMMUNICATE
WITH HER DEAD CAT
159
00:08:22,240 --> 00:08:24,170
AND WANTED HER MONEY BACK
’CAUSE I GUESS ‐‐
160
00:08:24,210 --> 00:08:27,180
WHAT ELSE YOU GOT?
161
00:08:27,210 --> 00:08:29,710
ANOTHER BLACK MAN
WAS HERE WHEN IT HAPPENED.
162
00:08:29,750 --> 00:08:31,950
SHOT IN THE SIDE OF THE HEAD.
HE’S AT BELLEVUE.
163
00:08:31,980 --> 00:08:33,450
HE GOING TO PULL THROUGH?
164
00:08:33,480 --> 00:08:35,280
LOOKS LIKE IT.
165
00:08:35,320 --> 00:08:37,450
HE GIVE YOU ANYTHING
BEFORE E. M. S. CARTED HIM OUT?
166
00:08:37,490 --> 00:08:38,850
NO.
HE WAS ALREADY GONE.
167
00:08:38,890 --> 00:08:40,890
SO WHO CALLED IT IN?
168
00:08:40,930 --> 00:08:43,640
NEIGHBOR HEARD SHOTS,
CALLED 911. SHE’S NEXT DOOR.
169
00:08:43,660 --> 00:08:45,090
WHAT’S WITH THE CAPE?
170
00:08:45,130 --> 00:08:47,960
HE WAS GETTING HIS HAIR CUT
BY THE GUY AT BELLEVUE.
171
00:08:48,000 --> 00:08:49,530
WE GOT THIS NOW.
THANKS.
172
00:08:49,570 --> 00:08:51,530
CATCH YOU GUYS ON A BAD DAY?
173
00:08:51,570 --> 00:08:52,700
YEAH, YOU DID,
174
00:08:52,740 --> 00:08:54,580
AND HOW ABOUT
YOU DON’T MAKE IT WORSE
175
00:08:54,610 --> 00:08:55,710
BY BREAKING OUR BALLS?
176
00:08:55,740 --> 00:08:57,410
EXCUSE ME.
177
00:09:00,410 --> 00:09:03,410
[ Sighs ] QUICK CANVAS,
AND THEN OVER TO BELLEVUE?
178
00:09:03,450 --> 00:09:05,390
YEAH.
179
00:09:05,420 --> 00:09:08,230
I AM TOTALLY OPERATING
UNDER THE STANDPOINT
180
00:09:08,250 --> 00:09:12,090
THAT DANNY HAD NOTHING TO DO
WITH THAT GIRL GETTING DEAD.
181
00:09:12,120 --> 00:09:13,920
YEAH, ME, TOO.
AND YOU KNOW WHAT?
182
00:09:13,960 --> 00:09:16,090
LET’S JUST NOT
TALK ABOUT IT ANYMORE
183
00:09:16,130 --> 00:09:17,740
UNTIL WE FIND OUT
WHAT’S GOING ON.
184
00:09:17,760 --> 00:09:18,830
AMEN.
185
00:09:30,640 --> 00:09:33,840
WELL,
THANKS FOR TELLING ME NOW.
186
00:09:33,880 --> 00:09:35,440
MY GUY’S IN THE WIND.
187
00:09:35,480 --> 00:09:37,280
YEAH? YOU TOO!
188
00:09:37,320 --> 00:09:38,690
WHO WAS THAT?
189
00:09:38,720 --> 00:09:41,460
O.C.C.B. THE FEDS HAD
THAT STRIP CLUB UP FOR MONTHS.
190
00:09:41,490 --> 00:09:43,600
YEAH, WE HEARD
THEY’RE MOBBED UP.
191
00:09:43,620 --> 00:09:46,020
WELL, I DIDN’T KNOW TILL NOW
THAT THE FEDS WERE INVOLVED.
192
00:09:46,060 --> 00:09:48,770
YESTERDAY, DANNY CAME TO ME
HOW THE OWNERS APPROACHED HIM
193
00:09:48,790 --> 00:09:50,460
ABOUT RUNNING ONE
OF THE EMPLOYEES THROUGH B.C.I.
194
00:09:50,490 --> 00:09:51,590
YOU LET HIM DO IT?
195
00:09:51,630 --> 00:09:53,760
WE WANTED TO SEE
HOW CLOSE HE COULD GET.
196
00:09:53,800 --> 00:09:55,300
YOU PUT HIM UNDERCOVER?
197
00:09:55,330 --> 00:09:57,930
HE CAME TO ME REQUESTING IT,
AND IT GOT SIGNED OFF ON.
198
00:09:57,970 --> 00:10:00,040
AND YOU’RE NOT TELLING ME
UNTIL NOW?
199
00:10:00,070 --> 00:10:01,940
YEAH, BECAUSE THAT’S HOW
UNDERCOVER WORKS.
200
00:10:01,970 --> 00:10:04,810
EVERYBODY’S INFORMED
ON A NEED‐TO‐KNOW BASIS.
201
00:10:04,840 --> 00:10:06,810
THIS KID HAS BEEN
ON THE EDGE AS IT IS,
202
00:10:06,850 --> 00:10:08,820
HE’S GOT A HARD‐ON
FOR THIS STRIPPER,
203
00:10:08,850 --> 00:10:10,820
AND YOU SIGN OFF ON HIM
GOING IN UNDERCOVER.
204
00:10:10,850 --> 00:10:13,110
THAT’S REALLY SHARP WORK THERE,
LIEUTENANT.
205
00:10:13,150 --> 00:10:14,350
HE APPROACHED ME.
206
00:10:14,390 --> 00:10:15,830
I DIDN’T KNOW HE HAD
A RELATIONSHIP GOING
207
00:10:15,850 --> 00:10:17,990
WITH A STRIPPER
OR I WOULDN’T HAVE DONE IT.
208
00:10:18,020 --> 00:10:19,890
YOU COULD’VE FOUND OUT IF YOU
PULLED ME ASIDE YESTERDAY.
209
00:10:19,920 --> 00:10:21,720
THIS KRISTEN HELPED PUT AWAY
ONE OF THEIR BOUNCERS.
210
00:10:21,760 --> 00:10:22,990
THIS MIGHT’VE BEEN A PAYBACK.
211
00:10:23,030 --> 00:10:24,640
ON DANNY, TOO.
212
00:10:24,660 --> 00:10:27,360
THAT’S WHAT I CALLED O. C. C. B.
ABOUT, AND THEY DON’T KNOW.
213
00:10:27,400 --> 00:10:29,130
WHO KNOWS
WHERE THIS KID IS NOW?
214
00:10:29,170 --> 00:10:31,210
YOU SHOULD HAVE BROUGHT ME
INTO THE LOOP!
215
00:10:31,240 --> 00:10:33,480
YEAH, I HEARD.
216
00:10:33,500 --> 00:10:36,140
MY GUESS IS I’LL BE GETTING
A PHONE CALL FROM SOME FED
217
00:10:36,170 --> 00:10:38,640
ORDERING ME TO STAY AWAY
FROM THAT CLUB.
218
00:10:38,680 --> 00:10:41,720
IF YOU WANT TO GO DOWN THERE
AND ASK QUESTIONS, DO IT QUICK.
219
00:10:58,960 --> 00:11:00,600
HEY!
HOW’D IT GO LAST NIGHT?
220
00:11:00,630 --> 00:11:02,100
YOU GET DANNY HOME?
221
00:11:02,130 --> 00:11:04,100
I WANT TO TALK TO YOU.
222
00:11:04,140 --> 00:11:05,110
EVERYBODY OUT.
223
00:11:05,140 --> 00:11:06,610
WHAT DO YOU WANT US TO DO, BOSS?
224
00:11:06,640 --> 00:11:08,000
GET OUT OF HERE ‐‐ NOW.
225
00:11:08,040 --> 00:11:09,240
LET’S GO.
226
00:11:09,270 --> 00:11:10,340
MOVE YOUR ASS.
227
00:11:10,370 --> 00:11:11,510
GEE!
228
00:11:11,540 --> 00:11:13,910
WHAT’S THE PROBLEM?
229
00:11:13,950 --> 00:11:15,620
I CAN’T FIND DANNY.
230
00:11:15,650 --> 00:11:17,420
YOU TOOK HIM OUT OF HERE.
THAT’S THE LAST I SAW HIM.
231
00:11:17,450 --> 00:11:18,880
WHAT HAVE YOU HEARD?
232
00:11:18,920 --> 00:11:19,890
NOTHING.
233
00:11:19,920 --> 00:11:21,550
I BARELY KNOW THE GUY.
234
00:11:21,590 --> 00:11:22,890
I DON’T KNOW NOTHING.
235
00:11:22,920 --> 00:11:24,190
I THINK YOU DO KNOW, JOEY.
236
00:11:24,220 --> 00:11:25,520
WELL, I DON’T.
237
00:11:25,560 --> 00:11:26,930
TRY THAT GIRL KRISTEN
HE’S BEEN PORKING.
238
00:11:26,960 --> 00:11:28,890
MAYBE SHE KNOWS SOMETHING.
SHE’S GONE, TOO.
239
00:11:28,930 --> 00:11:31,370
MAYBE THEY JOINED THE CIRCUS.
I DON’T KNOW.
240
00:11:31,400 --> 00:11:33,240
WHO REALLY RUNS THIS PLACE HERE,
JOEY, HUH?
241
00:11:33,260 --> 00:11:34,900
I KNOW YOU’RE FRONTING
FOR SOMEBODY.
242
00:11:34,930 --> 00:11:36,700
NOT ME, GUY.
I STAY OUT OF THAT.
243
00:11:36,740 --> 00:11:39,140
THAT’S A WRONG‐WAY STREET.
244
00:11:43,110 --> 00:11:46,620
DO I KNOW GUYS?
YEAH.
245
00:11:46,650 --> 00:11:48,120
DO THEY HANG OUT HERE?
YEAH!
246
00:11:48,150 --> 00:11:49,890
BUT NO WAY I’M IN
ANYBODY’S POCKET.
247
00:11:49,910 --> 00:11:53,110
YOU’RE LYING, JOEY.
I KNOW YOU’RE HOOKED UP.
248
00:11:53,150 --> 00:11:54,620
AND IF YOU’RE LYING ABOUT THAT,
249
00:11:54,650 --> 00:11:57,720
WHAT’S TO SAY YOU’RE NOT LYING
ABOUT EVERYTHING?
250
00:11:57,760 --> 00:11:59,430
HEY, OKAY.
251
00:11:59,460 --> 00:12:02,100
I KNOW WHAT’S IT LIKE NOT TO GET
THE ANSWER YOU’RE HOPING FOR.
252
00:12:02,130 --> 00:12:03,100
YOU DO, HUH?
253
00:12:03,130 --> 00:12:04,800
IT’S AS FRUSTRATING AS HELL,
254
00:12:04,830 --> 00:12:06,600
ESPECIALLY WHEN
A FRIEND’S INVOLVED,
255
00:12:06,630 --> 00:12:08,100
BUT I DON’T KNOW WHERE HE IS.
256
00:12:08,130 --> 00:12:09,930
I LIKE DANNY.
IF I KNEW, I’D TELL YA.
257
00:12:09,970 --> 00:12:11,730
YOU KNOW WHAT, JOEY?
258
00:12:11,770 --> 00:12:12,900
I BELIEVE YOU.
259
00:12:12,940 --> 00:12:14,250
THANK YOU. OKAY.
260
00:12:14,270 --> 00:12:16,910
THEN CAN WE JUST
BRING IT DOWN A NOTCH?
261
00:12:16,940 --> 00:12:18,910
JUST CHILL OUT.
HOW ABOUT A DRINK ON ME, OKAY?
262
00:12:18,940 --> 00:12:21,140
NOW YOU’RE GOING TO TELL ME
WHO YOU ANSWER TO.
263
00:12:21,180 --> 00:12:22,640
WHO PULLS THE STRINGS
IN THIS JOINT?
264
00:12:22,680 --> 00:12:24,950
NOBODY! OKAY?
THIS PLACE IS CLEAN.
265
00:12:24,980 --> 00:12:28,180
OW! WHAT ARE YOU DOING?
WHAT DO YOU WANT FROM ME?
266
00:12:28,220 --> 00:12:29,950
I TOLD YOU EVERYTHING ‐‐
AAH!
267
00:12:35,630 --> 00:12:37,440
AAH!
I DON’T KNOW NAMES!
268
00:12:37,460 --> 00:12:39,800
I PAY PROTECTION
TO SOME GUY I DON’T KNOW!
269
00:12:44,670 --> 00:12:47,140
[ Gasping ] YOU KNOW WHAT
HAPPENS IF I GIVE THIS GUY UP?
270
00:12:47,170 --> 00:12:50,140
YOU NEED TO WORRY
ABOUT ME RIGHT NOW.
271
00:12:57,680 --> 00:12:58,880
PAUL!
272
00:12:58,920 --> 00:12:59,890
PAUL WHO?
273
00:12:59,920 --> 00:13:01,550
PAUL CATAPANO.
274
00:13:01,590 --> 00:13:03,330
PAUL CATAPANO!
275
00:13:08,560 --> 00:13:11,860
[ GASPING AND COUGHING ]
276
00:13:29,180 --> 00:13:30,250
CRAIG MILLER?
277
00:13:30,280 --> 00:13:31,980
I’M DETECTIVE MEDAVOY.
THIS IS DETECTIVE JONES.
278
00:13:32,020 --> 00:13:34,160
THAT ASSHOLE
BLEW MY EAR OFF, MAN!
279
00:13:34,190 --> 00:13:35,330
MY EAR!
280
00:13:35,350 --> 00:13:37,020
DOCTORS SAY THEY’RE GOING
TO HAVE TO USE
281
00:13:37,060 --> 00:13:39,600
PART OF MY THIGH
TO TRY AND REPLACE IT.
282
00:13:39,620 --> 00:13:41,860
WELL, YOU STILL HAVE
THE OTHER ONE.
283
00:13:41,890 --> 00:13:42,990
IS CYRUS DEAD?
284
00:13:43,030 --> 00:13:44,340
YEAH.
285
00:13:44,360 --> 00:13:45,990
THAT’S MESSED UP, MAN.
286
00:13:46,030 --> 00:13:48,530
WHAT HAPPENED THIS MORNING?
287
00:13:48,570 --> 00:13:51,180
I’M GIVING CYRUS A HAIRCUT,
AND SOMEONE KNOCKS.
288
00:13:51,200 --> 00:13:53,670
I GO CHECK IT OUT
AND I TELL CYRUS IT’S DAMON.
289
00:13:53,710 --> 00:13:55,950
DO YOU KNOW DAMON?
290
00:13:55,970 --> 00:13:57,670
I NEVER SEEN HIM BEFORE.
AND THEN CYRUS SAYS,
291
00:13:57,710 --> 00:14:00,540
"WELL, DOES HE LOOK UPSET
OR DOES HE SEEM OKAY?"
292
00:14:00,580 --> 00:14:02,340
I SAYS HE LOOKS ALL RIGHT
BECAUSE HE DID.
293
00:14:02,380 --> 00:14:03,880
SO CYRUS SAYS
TO LET HIM IN.
294
00:14:03,920 --> 00:14:05,360
HE START SHOOTING RIGHT AWAY?
295
00:14:05,380 --> 00:14:06,850
NO. CYRUS WAS TALKING DAMON UP
296
00:14:06,890 --> 00:14:09,030
ABOUT HOW DAMON WAS
ONE OF THE BEST HELPERS
297
00:14:09,050 --> 00:14:11,850
HE EVER HAD,
AND THEN OUT OF NOWHERE
298
00:14:11,890 --> 00:14:13,350
I HEAR THIS EXPLOSION,
299
00:14:13,390 --> 00:14:14,860
AND I HIT THE FLOOR.
300
00:14:14,890 --> 00:14:18,630
BACKGROUND, I COULD HEAR
CYRUS SCREAMING, MORE GUNSHOTS.
301
00:14:18,660 --> 00:14:20,430
THAT’S ALL I CAN REMEMBER
302
00:14:20,460 --> 00:14:22,800
TILL I WOKE UP
IN THE AMBULANCE.
303
00:14:22,830 --> 00:14:24,570
ALL RIGHT, SO DAMON
WAS CYRUS’ OLD HELPER
304
00:14:24,600 --> 00:14:26,270
AND YOU WERE HIS NEW ONE.
I DO STUFF FOR CYRUS.
305
00:14:26,300 --> 00:14:30,140
BUT IT SOUNDED LIKE DAMON
DID A LOT MORE FOR A LOT LONGER.
306
00:14:30,170 --> 00:14:32,610
WHAT DO YOU DO FOR CYRUS
AND HOW LONG YOU BEEN DOING IT?
307
00:14:32,640 --> 00:14:34,580
ODD JOBS ‐‐ CARRYING GROCERIES,
RUNNING ERRANDS,
308
00:14:34,610 --> 00:14:35,710
THAT KIND OF THING.
309
00:14:35,750 --> 00:14:37,320
BEEN DOING IT
FOR A COUPLE MONTHS.
310
00:14:37,350 --> 00:14:38,580
YOU GUYS LOVERS?
311
00:14:38,620 --> 00:14:41,590
WHAT? HEY, SCREW YOU, MAN!
I DON’T GOTTA TAKE THAT!
312
00:14:41,620 --> 00:14:44,050
HEY, WE DON’T KNOW YOU, CRAIG.
WE’RE HEARING WHAT WE’RE HEARING
313
00:14:44,090 --> 00:14:45,220
AND WE GOTTA ASK
THE QUESTIONS.
314
00:14:45,260 --> 00:14:46,460
NO, WE WEREN’T.
315
00:14:46,490 --> 00:14:48,560
LOOK, MAYBE CYRUS LIKES GUYS,
316
00:14:48,590 --> 00:14:49,760
BUT I DON’T.
317
00:14:49,790 --> 00:14:51,660
AND DON’T BRING THAT
TO ME AGAIN.
318
00:14:51,700 --> 00:14:53,000
AND THIS WASN’T
ONE OF YOUR ENEMIES
319
00:14:53,030 --> 00:14:54,000
COME GUNNING FOR YOU
320
00:14:54,030 --> 00:14:55,330
AND YOUR OLD MAN
GOT IN THE WAY?
321
00:14:55,370 --> 00:14:57,910
NO, OR I’D BE DEAD AND CYRUS
WOULD HAVE HIS EAR BLOWN OFF.
322
00:14:57,940 --> 00:14:58,910
DON’T YOU THINK?
323
00:14:58,940 --> 00:15:00,450
MAN, YOU GUYS ARE WACK.
324
00:15:00,470 --> 00:15:01,600
YOU KNOW WHAT?
325
00:15:01,640 --> 00:15:03,400
I’M TIRED
OF THESE DUMB‐ASS QUESTIONS.
326
00:15:03,440 --> 00:15:05,840
COULD YOU PICK DAMON OUT
OF A GROUP OF PHOTOS?
327
00:15:05,880 --> 00:15:07,690
YEAH.
328
00:15:07,710 --> 00:15:09,140
WE’LL BE BACK.
329
00:15:09,180 --> 00:15:11,650
OKAY. AND WHEN YOU DO
COME BACK,
330
00:15:11,680 --> 00:15:13,410
WHY DON’T YOU SHOW ME
A LITTLE MORE RESPECT?
331
00:15:13,450 --> 00:15:15,080
WHAT?
332
00:15:15,120 --> 00:15:17,290
COME ON.
333
00:15:36,910 --> 00:15:39,210
NOTHING FROM
DETECTIVE SORENSON.
334
00:15:39,240 --> 00:15:41,210
BUT YOUR FRIEND FAXED OVER
DANNY’S PHONE RECORDS
335
00:15:41,250 --> 00:15:43,020
FROM THE LAST TWO WEEKS.
336
00:15:43,050 --> 00:15:44,390
HE RAN THIS.
337
00:15:44,420 --> 00:15:46,290
ONE CALL IN TO HIM
FROM TAILFEATHERS
338
00:15:46,320 --> 00:15:48,130
AT 3:00 A.M.
KRISTEN?
339
00:15:48,150 --> 00:15:49,180
WHO KNOWS?
340
00:15:49,220 --> 00:15:51,120
ONE CALL OUT AT 2:30
TO KAREN REDDING
341
00:15:51,160 --> 00:15:52,700
IN STATEN ISLAND.
WHO’S THAT?
342
00:15:52,720 --> 00:15:53,960
I DON’T KNOW.
343
00:15:53,990 --> 00:15:55,960
I THINK THAT MAY BE
DETECTIVE SORENSON’S AUNT.
344
00:15:55,990 --> 00:15:57,860
I OVERHEARD HIM ONCE
ON THE PHONE.
345
00:15:57,900 --> 00:15:59,300
THAT’S WHO RAISED HIM,
346
00:15:59,330 --> 00:16:01,460
AND I DON’T EVEN
KNOW HER NAME.
347
00:16:01,500 --> 00:16:03,970
UH, ANY HITS
OFF DANNY’S CREDIT CARD?
348
00:16:04,000 --> 00:16:06,940
NOT YET.
LET’S GO.
349
00:16:10,410 --> 00:16:12,370
THANKS.
350
00:16:12,410 --> 00:16:14,040
HOPE YOU GOT WHAT YOU NEEDED
FROM THAT CLUB,
351
00:16:14,080 --> 00:16:15,310
’CAUSE THE FEDS SHUT US DOWN.
352
00:16:15,350 --> 00:16:17,490
THE OWNERS REPORT
TO A PAUL CATAPANO.
353
00:16:17,520 --> 00:16:19,990
WE’RE GOING TO LOOK
INTO HIS PLACES
354
00:16:20,020 --> 00:16:21,980
AND HAVE A CONVERSATION.
WHO’S THIS?
355
00:16:22,020 --> 00:16:24,090
I DON’T KNOW,
BUT IT AIN’T GOOD.
356
00:16:24,120 --> 00:16:26,720
SPECIAL AGENT BOYD.
WE SPOKE ON THE PHONE.
357
00:16:26,760 --> 00:16:28,160
WE SURE DID.
358
00:16:28,190 --> 00:16:29,690
I THOUGHT I MADE IT CLEAR
359
00:16:29,730 --> 00:16:31,530
NONE OF YOUR PEOPLE WERE
TO APPROACH TAILFEATHERS.
360
00:16:31,560 --> 00:16:33,190
MY DETECTIVES HAD ALREADY
LEFT WHEN WE SPOKE.
361
00:16:33,230 --> 00:16:34,200
HEY, WE GOT A MAN MISSING.
362
00:16:34,230 --> 00:16:35,830
YEAH, AND WE GOT ONE
MISSING, TOO.
363
00:16:35,870 --> 00:16:37,280
ONE OF OUR AGENTS,
PETE McNEIL,
364
00:16:37,300 --> 00:16:38,870
WAS INSIDE THAT BAR
FOR SIX MONTHS.
365
00:16:38,900 --> 00:16:40,000
DETECTIVE SORENSON,
366
00:16:40,040 --> 00:16:41,770
AS A FAVOR TO THE OWNER,
APPARENTLY,
367
00:16:41,810 --> 00:16:44,080
RAN PETE THROUGH B.C.I.
NOW WE CAN’T FIND HIM.
368
00:16:44,110 --> 00:16:46,440
I CLEARED THAT MOVE YESTERDAY
WITH MY BOSSES,
369
00:16:46,480 --> 00:16:48,590
AND SORENSON REPORTED
BACK TO THE OWNERS
370
00:16:48,610 --> 00:16:50,180
THAT YOUR GUY WAS ON THE LEVEL.
371
00:16:50,210 --> 00:16:51,450
WE’RE NOT BLAMING
YOU GUYS.
372
00:16:51,480 --> 00:16:53,010
WASN’T YOU
THAT DROPPED THE BALL.
373
00:16:53,050 --> 00:16:54,350
BUT YOU STAY AWAY
FROM THAT CLUB
374
00:16:54,390 --> 00:16:55,690
TILL WE FIND OUT
WHAT’S GOING ON.
375
00:16:55,720 --> 00:16:58,250
WE ALREADY GOT A PRETTY
GOOD IDEA WHAT’S GOING ON.
376
00:16:58,290 --> 00:17:01,090
ONE OF THE OWNERS, JOEY SHULMAN,
GAVE US HIS CONTACT ‐‐
377
00:17:01,130 --> 00:17:02,230
A PAUL CATAPANO.
378
00:17:02,260 --> 00:17:03,860
HE’S HOOKED UP
WITH THE GAMBINOS.
379
00:17:03,900 --> 00:17:05,040
LET’S BRING HIM IN,
380
00:17:05,060 --> 00:17:06,360
SEE WHAT HE KNOWS
ABOUT DANNY AND PETE.
381
00:17:06,400 --> 00:17:08,110
YOU CAN BE IN ON THE INTERVIEW
IF YOU WANT.
382
00:17:08,130 --> 00:17:10,270
YOU DON’T GO NEAR
PAUL CATAPANO
383
00:17:10,300 --> 00:17:13,070
OR JOEY SHULMAN
OR ANY OF THEIR ASSOCIATES.
384
00:17:13,100 --> 00:17:15,600
NOBODY, NOT UNTIL WE GET
OUR INDICTMENTS.
385
00:17:15,640 --> 00:17:17,040
WHEN IS THIS
GOING TO HAPPEN?
386
00:17:17,080 --> 00:17:18,950
WE GOT WITNESSES
GOING BEFORE A GRAND JURY
387
00:17:18,980 --> 00:17:20,890
NEXT COUPLE DAYS.
COUPLE OF DAYS?
388
00:17:20,910 --> 00:17:23,240
LOOK, WE GOT TWO GUYS
MIGHT BE IN A BIND HERE,
389
00:17:23,280 --> 00:17:25,280
SO HOW ABOUT REWORKING
THE TO‐DO LIST?
390
00:17:25,320 --> 00:17:27,060
BELIEVE ME, I’D LIKE
NOTHING BETTER
391
00:17:27,090 --> 00:17:28,760
THAN TO HAUL CATAPANO IN
RIGHT NOW
392
00:17:28,790 --> 00:17:31,160
AND PUT THE SCREWS TO HIM,
BUT ORDERS ARE IN NO WAY
393
00:17:31,190 --> 00:17:34,120
IS ANYBODY TO COMPROMISE
THE INTEGRITY OF THE OPERATION.
394
00:17:34,160 --> 00:17:35,560
WE GOT TWO COPS MISSING
395
00:17:35,590 --> 00:17:37,630
AND HIS BOSSES
ARE PLAYING SCRABBLE.
396
00:17:37,660 --> 00:17:39,430
IS THAT IT?
397
00:17:39,460 --> 00:17:41,960
YEAH. I GET
ANY INFORMATION ON SORENSON,
398
00:17:42,000 --> 00:17:43,230
I’LL BE IN CONTACT.
399
00:17:43,270 --> 00:17:44,680
YEAH, WHENEVER YOU GET TO IT.
400
00:17:49,510 --> 00:17:52,050
ALL RIGHT, NOW HERE’S
WHAT WE CAN DO.
401
00:17:55,450 --> 00:17:58,260
I DON’T KNOW
WHAT WE CAN DO.
402
00:17:58,280 --> 00:18:01,580
LOOK, DANNY PUT A CALL IN
TO HIS AUNT TWO NIGHTS AGO.
403
00:18:01,620 --> 00:18:03,080
THAT’S WHO RAISED HIM.
404
00:18:03,120 --> 00:18:04,590
BUT FROM WHAT I CAN GATHER,
405
00:18:04,620 --> 00:18:06,120
THEY HADN’T TALKED FOR A WHILE.
406
00:18:06,160 --> 00:18:08,600
WE’LL HEAD OVER THERE AND SEE
IF SHE CAN GIVE US ANYTHING.
407
00:18:08,630 --> 00:18:10,100
WHERE IS SHE?
STATEN ISLAND.
408
00:18:10,130 --> 00:18:12,290
IT’S EITHER THAT OR HEAD
BACK DOWN TO TAILFEATHERS,
409
00:18:12,330 --> 00:18:14,500
’CAUSE I AM NOT GOING
TO SIT AROUND HERE DOING NOTHING
410
00:18:14,530 --> 00:18:15,600
WHILE DANNY’S...
411
00:18:15,630 --> 00:18:18,470
HIT IT
AND KEEP IN CONTACT.
412
00:18:25,140 --> 00:18:26,840
ANYTHING?
NO.
413
00:18:28,480 --> 00:18:30,450
WHAT DO YOU GOT
ON YOUR CASE?
414
00:18:30,480 --> 00:18:32,650
GOT A SECOND VICTIM
AT BELLEVUE, CRAIG MILLER,
415
00:18:32,680 --> 00:18:34,980
TELLS US HE OPENED THE DOOR
FOR A GUY NAMED DAMON.
416
00:18:35,020 --> 00:18:35,980
DAMON’S THE SHOOTER.
417
00:18:36,020 --> 00:18:37,950
DAMON GOT A LAST NAME?
MILLER.
418
00:18:37,990 --> 00:18:41,320
SAME LAST NAME
AS THE VICTIM?
419
00:18:41,360 --> 00:18:42,720
NO. WHAT’D I SAY?
420
00:18:42,760 --> 00:18:43,960
YOU SAID MILLER.
421
00:18:44,000 --> 00:18:46,170
NO, NO, IT’S HARVEY.
DAMON HARVEY.
422
00:18:46,200 --> 00:18:48,070
GOT IT FROM
THE D. O. A.’s PHONE BOOK.
423
00:18:48,100 --> 00:18:50,470
YEAH, DAMON HAD A COUPLE
OF POSSESSION COLLARS,
424
00:18:50,500 --> 00:18:52,470
AND WE RAN A PHOTO ARRAY
FOR CRAIG AT BELLEVUE
425
00:18:52,500 --> 00:18:54,470
AND HE PICKED HIM OUT
RIGHT AWAY.
426
00:18:54,510 --> 00:18:56,350
WE JUST PUT DAMON
IN THE POKEY.
427
00:18:56,370 --> 00:18:58,470
NEIGHBORS SAID THAT DAMON
WORKED FOR CYRUS
428
00:18:58,510 --> 00:19:00,640
FOR A YEAR OR SO,
LIVING THERE ON AND OFF.
429
00:19:00,680 --> 00:19:02,580
LOVE TRIANGLE?
SOMETHING WAS GOING ON.
430
00:19:02,610 --> 00:19:04,150
ALL RIGHT, LET ME KNOW.
431
00:19:04,180 --> 00:19:06,480
ANYTHING WE CAN BE DOING
FOR DANNY?
432
00:19:06,520 --> 00:19:09,330
WHAT I NEED FOR YOU GUYS TO DO
IS RUN THIS CASE
433
00:19:09,350 --> 00:19:12,190
SO I KNOW AT LEAST ONE THING’S
GOING RIGHT TODAY. OKAY?
434
00:19:12,220 --> 00:19:14,790
GOT IT.
435
00:19:18,730 --> 00:19:21,260
GET ME THE PHONE NUMBERS
FOR EVERY MORGUE
436
00:19:21,300 --> 00:19:22,700
IN THE TRI‐STATE AREA.
437
00:19:48,630 --> 00:19:51,040
I’D JUST LIKE TO KNOW
WHAT I’VE BEEN HANDCUFFED
438
00:19:51,060 --> 00:19:52,530
AND DRAGGED
OUT OF MY APARTMENT
439
00:19:52,560 --> 00:19:53,530
AND PUSHED AROUND FOR.
440
00:19:53,570 --> 00:19:54,740
NOTHING COMES TO MIND, HUH?
441
00:19:54,770 --> 00:19:56,740
NO.
HOW YOU KNOW CYRUS?
442
00:19:56,770 --> 00:19:58,700
CYRUS MORRISON?
443
00:19:58,740 --> 00:20:02,410
NO, CYRUS SCHWARTZ.
YEAH, CYRUS MORRISON.
444
00:20:02,440 --> 00:20:04,740
I WORKED FOR HIM
FOR A WHILE.
445
00:20:04,780 --> 00:20:05,920
DOING WHAT?
446
00:20:05,940 --> 00:20:07,040
ASSISTANT WORK.
447
00:20:07,080 --> 00:20:08,280
WHAT’S THAT MEAN?
448
00:20:08,310 --> 00:20:10,280
I ASSISTED, HELPED OUT.
449
00:20:10,310 --> 00:20:12,710
DID YOU LIVE
AT HIS APARTMENT?
450
00:20:12,750 --> 00:20:13,980
BRIEFLY.
451
00:20:14,020 --> 00:20:15,280
WHY’D YOU STOP
WORKING FOR HIM?
452
00:20:15,320 --> 00:20:17,050
IT WAS TIME TO MOVE ON.
453
00:20:17,090 --> 00:20:18,550
WHAT, YOU’D GET THE LOAD
FOR HIM,
454
00:20:18,590 --> 00:20:20,790
SO HE GOT A NEW HOUSEBOY?
IS THAT WHAT WENT WRONG?
455
00:20:20,830 --> 00:20:23,070
NO, IT WAS MUTUAL DECISION
FOR ME TO LEAVE.
456
00:20:23,090 --> 00:20:24,890
IT’S FUNNY HOW YOU’RE NOT
THE LEAST BIT CURIOUS
457
00:20:24,930 --> 00:20:27,300
WHY WE’RE ASKING ALL THESE
QUESTIONS ABOUT CYRUS.
458
00:20:27,330 --> 00:20:29,830
WELL, MAYBE I HAVEN’T ASKED,
BUT I’VE BEEN WONDERING.
459
00:20:29,870 --> 00:20:30,830
MM‐HMM.
460
00:20:30,870 --> 00:20:32,630
DID SOMETHING HAPPEN
TO HIM?
461
00:20:32,670 --> 00:20:35,070
YEAH, YOU BLEW A HOLE
IN HIS HEAD.
462
00:20:35,110 --> 00:20:36,820
WHAT? NO.
463
00:20:36,840 --> 00:20:38,970
THE GUY CUTTING CYRUS’ HAIR ‐‐
464
00:20:39,010 --> 00:20:40,910
THE GUY YOU SHOT IN THE BACK
OF THE HEAD AND LEFT FOR DEAD ‐‐
465
00:20:40,950 --> 00:20:43,860
A LITTLE UPDATE FOR YOU, DAMON.
HE LIVED.
466
00:20:43,880 --> 00:20:46,480
AND WE GOT OTHER WITNESSES
PUT YOU IN AND OUT
467
00:20:46,520 --> 00:20:48,330
OF THAT APARTMENT THIS MORNING
AT THE TIME OF THE SHOOTING.
468
00:20:48,350 --> 00:20:50,590
I WAS NOWHERE NEAR CYRUS’
APARTMENT THIS MORNING.
469
00:20:50,620 --> 00:20:51,920
WHERE WERE YOU?
470
00:20:51,960 --> 00:20:54,000
I WOKE UP AND DID
MY EXERCISES.
471
00:20:54,030 --> 00:20:55,700
THEN I WENT NEXT DOOR
TO MY CHURCH
472
00:20:55,730 --> 00:20:56,700
AND HAD BREAKFAST.
473
00:20:56,730 --> 00:20:58,260
YOU WERE AT CHURCH?
474
00:20:58,300 --> 00:21:00,870
I WAS AT BREAKFAST
AT THE CHURCH.
475
00:21:00,900 --> 00:21:02,760
DEACON MILES AND HIS WIFE
476
00:21:02,800 --> 00:21:05,100
HAVE A PANCAKE BREAKFAST
THERE EVERY MORNING.
477
00:21:05,140 --> 00:21:06,780
ASK THEM,
AND THEY’LL TELL YOU.
478
00:21:06,810 --> 00:21:08,780
WHAT TIME YOU GET THERE?
479
00:21:08,810 --> 00:21:10,120
8:00.
480
00:21:10,140 --> 00:21:13,710
NOW, DAMON, THIS MIGHT BE
A LOT TO ASK FOR A HOUSEBOY,
481
00:21:13,750 --> 00:21:17,020
BUT FOR ONCE IN YOUR LIFE,
STAND UP AND BE A MAN.
482
00:21:17,050 --> 00:21:18,850
NOW, WE GOT YOU LOCKED IN
ON THIS CRIME.
483
00:21:18,880 --> 00:21:20,980
SAYING YOU DIDN’T DO IT IS
GOING TO ADD ON YEARS OF PRISON.
484
00:21:21,020 --> 00:21:23,690
I WOKE UP AND WENT
TO THE PANCAKE BREAKFAST.
485
00:21:23,720 --> 00:21:25,320
DEACON MILES
AND HIS WIFE ‐‐
486
00:21:28,030 --> 00:21:29,200
MOVE IT!
487
00:21:49,210 --> 00:21:51,710
HAS SOMETHING HAPPENED
TO DANNY?
488
00:21:51,750 --> 00:21:54,250
NO. IT’S JUST NOT LIKE DANNY
TO MISS WORK
489
00:21:54,290 --> 00:21:55,330
WITHOUT CALLING IN.
490
00:21:55,350 --> 00:21:56,820
WE’RE SURE HE’S FINE.
491
00:21:56,860 --> 00:21:59,260
THERE’S SOME PERSONAL STUFF
HE WAS WORKING OUT.
492
00:21:59,290 --> 00:22:00,560
LIKE WHAT?
493
00:22:00,590 --> 00:22:01,820
RELATIONSHIP STUFF,
494
00:22:01,860 --> 00:22:04,390
BUT WE SAW THAT
HE CALLED YOU LAST NIGHT,
495
00:22:04,430 --> 00:22:07,000
AND WE WERE JUST WONDERING
IF HE GAVE YOU ANY INDICATION
496
00:22:07,030 --> 00:22:10,170
AS TO WHAT WAS ON HIS MIND,
PLANS HE MAY HAVE HAD.
497
00:22:10,200 --> 00:22:11,930
WELL, I WAS SURPRISED
THAT HE CALLED
498
00:22:11,970 --> 00:22:14,200
’CAUSE I HAVEN’T HEARD
FROM HIM IN A LONG TIME.
499
00:22:14,240 --> 00:22:16,540
I WOULD CALL HIM, AND THEN
HE WOULDN’T CALL BACK.
500
00:22:16,580 --> 00:22:18,850
WHAT WAS THE OTHER NIGHT’S
CONVERSATION ABOUT?
501
00:22:18,880 --> 00:22:21,190
HE WANTED
HIS MOTHER’S PHONE NUMBER
502
00:22:21,210 --> 00:22:22,510
BACK THERE IN NORWAY.
503
00:22:22,550 --> 00:22:23,760
UH, I DON’T KNOW
504
00:22:23,780 --> 00:22:25,550
IF HE TOLD YOU
ABOUT ALL THAT.
505
00:22:25,580 --> 00:22:27,050
YOU RAISED HIM.
506
00:22:27,090 --> 00:22:29,560
HE HADN’T SEEN HIS MOM
SINCE HE WAS A KID.
507
00:22:29,590 --> 00:22:31,020
RIGHT.
508
00:22:31,060 --> 00:22:32,530
THEY HADN’T TALKED, EITHER ‐‐
DANNY AND HIS MOM?
509
00:22:32,560 --> 00:22:34,700
NO. MY SISTER ANNA
THOUGHT IT WAS BEST
510
00:22:34,730 --> 00:22:36,230
THAT THERE BE NO CONTACT.
511
00:22:36,260 --> 00:22:38,360
SHE THOUGHT IT WOULD BE
TOO HARD
512
00:22:38,400 --> 00:22:39,870
ON DANNY AND HIS SISTERS,
513
00:22:39,900 --> 00:22:42,130
AND THE STORY SHE MADE ME
GIVE THEM
514
00:22:42,170 --> 00:22:43,710
WAS THAT SHE’D PASSED AWAY.
515
00:22:43,740 --> 00:22:48,210
IT SOUNDS SO RIDICULOUS NOW.
IT SOUNDS SO TERRIBLE.
516
00:22:48,240 --> 00:22:50,610
AND WHEN DANNY FOUND OUT
THAT IT WASN’T TRUE,
517
00:22:50,640 --> 00:22:52,970
THEN HE BLAMED ME,
AND THAT WAS WHAT CAUSED
518
00:22:53,010 --> 00:22:54,540
THE BIG RIFT BETWEEN US,
519
00:22:54,580 --> 00:22:57,210
AND THAT WAS WHY
HE STOPPED TALKING TO ME.
520
00:22:57,250 --> 00:22:59,880
DON’T ASK ME TO EXPLAIN
HOW A MOTHER
521
00:22:59,920 --> 00:23:01,750
COULD LET HER CHILDREN GO,
BUT SHE DID.
522
00:23:01,790 --> 00:23:02,960
I’M SURE SHE REGRETTED IT.
523
00:23:02,990 --> 00:23:06,330
OH, YES, SHE DID,
BUT IT WAS A LITTLE LATE.
524
00:23:06,360 --> 00:23:08,470
ANNA CAME TO NEW YORK
THREE MONTHS AGO
525
00:23:08,490 --> 00:23:09,730
TO TRY TO MAKE AMENDS,
526
00:23:09,760 --> 00:23:11,590
TO GIVE HER VERSION OF IT,
527
00:23:11,630 --> 00:23:13,600
AND DANNY’S SISTERS
BEGGED HIM
528
00:23:13,630 --> 00:23:16,600
TO GO OVER AND SEE HER
WITH THEM, BUT HE WOULDN’T.
529
00:23:16,640 --> 00:23:17,840
SO THE OTHER NIGHT,
530
00:23:17,870 --> 00:23:19,940
DID HE SOUND LIKE HE WAS
READY TO TALK TO HER?
531
00:23:19,970 --> 00:23:21,740
HE ASKED FOR HER NUMBER.
532
00:23:21,770 --> 00:23:24,240
I FIGURED HE WAS CALLING ME
AT 2:00 A. M.
533
00:23:24,280 --> 00:23:26,920
BECAUSE OF THE TIME DIFFERENCE
OVER THERE.
534
00:23:26,950 --> 00:23:29,590
HE SEEMED ALL RIGHT
OTHER THAN THAT?
535
00:23:29,610 --> 00:23:31,950
AT THE END
OF OUR CONVERSATION,
536
00:23:31,980 --> 00:23:34,080
HE TOLD ME
THAT HE LOVED ME
537
00:23:34,120 --> 00:23:35,750
AND THAT HE WAS SORRY,
538
00:23:35,790 --> 00:23:38,030
AND I TOLD HIM
THE SAME THING.
539
00:23:38,060 --> 00:23:41,030
THAT’S THE FIRST TIME
HE EVER TOLD ME THAT ‐‐
540
00:23:41,060 --> 00:23:42,590
THAT HE LOVED ME.
541
00:23:42,630 --> 00:23:44,600
[ TEAKETTLE WHISTLING ]
542
00:23:44,630 --> 00:23:46,030
OH, EXCUSE ME.
543
00:23:51,670 --> 00:23:55,040
DID YOU KNOW ABOUT
HIS MOM COMING OUT HERE?
544
00:23:55,070 --> 00:23:56,870
NO. THREE MONTHS AGO ‐‐
545
00:23:56,910 --> 00:24:00,340
THAT’S WHEN HE WAS DOING
EVERYTHING HE COULD
546
00:24:00,380 --> 00:24:01,980
TO HOLD ON TO DIANE.
547
00:24:02,010 --> 00:24:03,480
AH, THIS POOR KID.
548
00:24:22,000 --> 00:24:23,630
EXCUSE ME.
MAY I HELP YOU?
549
00:24:23,670 --> 00:24:24,800
BOOKER MILES?
550
00:24:24,840 --> 00:24:26,650
YES.
DETECTIVE JONES
AND MEDAVOY.
551
00:24:26,670 --> 00:24:28,170
IS THERE A PROBLEM?
552
00:24:28,210 --> 00:24:29,480
UH, DO YOU HAVE
553
00:24:29,510 --> 00:24:32,420
A PANCAKE BREAKFAST HERE
EACH MORNING?
554
00:24:32,440 --> 00:24:34,740
YES. SOMEBODY WANT
THEIR $3 BACK?
555
00:24:34,780 --> 00:24:36,140
UH, NO, SIR.
556
00:24:36,180 --> 00:24:37,980
YOU KNOW A DAMON HARVEY?
557
00:24:38,020 --> 00:24:40,090
SURE, I KNOW DAMON.
HE LIVES TWO BUILDINGS DOWN.
558
00:24:40,120 --> 00:24:41,720
WHEN WAS THE LAST TIME
YOU SAW HIM?
559
00:24:41,750 --> 00:24:43,180
THIS MORNING
AT BREAKFAST.
560
00:24:43,220 --> 00:24:44,750
YOU SURE
IT WAS THIS MORNING?
561
00:24:44,790 --> 00:24:46,020
I’M SURE.
562
00:24:46,060 --> 00:24:48,330
WHAT TIME DID YOU SEE HIM?
563
00:24:48,360 --> 00:24:52,330
WELL, I OPENED UP.
I COLLECTED THE DONATIONS.
564
00:24:52,360 --> 00:24:54,200
UM, HE WASN’T THERE.
565
00:24:54,230 --> 00:24:55,760
MY WIFE TOOK OVER
AT THE DOOR,
566
00:24:55,800 --> 00:24:58,230
SO I GUESS IT WAS WHEN I WAS
HELPING SERVE BREAKFAST.
567
00:24:58,270 --> 00:25:00,000
DID SOMETHING HAPPEN
TO DAMON?
568
00:25:00,040 --> 00:25:02,340
WHAT TIME WAS THAT
THAT YOU SAW HIM?
569
00:25:02,370 --> 00:25:05,770
8:30, BUT HE MIGHT
HAVE BEEN HERE EARLIER.
570
00:25:05,810 --> 00:25:08,440
WHY DON’T YOU TELL ME
WHAT’S GOING ON WITH DAMON?
571
00:25:08,480 --> 00:25:10,450
UH, THERE’S
A POLICE INVESTIGATION.
572
00:25:10,480 --> 00:25:12,610
INVOLVING DAMON?
ARE YOU SURE?
573
00:25:12,650 --> 00:25:14,180
YEAH, WE’RE SURE.
574
00:25:14,220 --> 00:25:16,520
LOOK, THANKS FOR YOUR TIME.
THAT’S ALL WE NEED.
575
00:25:16,560 --> 00:25:18,400
DO YOU HAVE A CARD?
576
00:25:21,160 --> 00:25:23,690
’CAUSE DAMON ‐‐
I KNOW DAMON.
577
00:25:23,730 --> 00:25:25,190
DAMON’S A FINE YOUNG MAN.
578
00:25:25,230 --> 00:25:26,630
GREAT.
579
00:25:26,670 --> 00:25:28,210
HE’S VOLUNTEERED FOR NUMEROUS
ACTIVITIES AND EVENTS
580
00:25:28,230 --> 00:25:30,200
THAT WE’VE ORGANIZED
THROUGH THE CHURCH.
581
00:25:30,230 --> 00:25:32,970
YEAH, WELL, YOU KNOW,
I DON’T KNOW WHAT TO TELL YOU.
582
00:25:36,170 --> 00:25:37,370
HEY, IT’S A MAN
OF THE CLOTH.
583
00:25:37,410 --> 00:25:38,540
YOU MIGHT WANT TO,
YOU KNOW ‐‐
584
00:25:38,580 --> 00:25:40,520
I DON’T HAVE THE TIME
RIGHT NOW.
585
00:25:54,290 --> 00:25:57,460
STILL NOTHING.
586
00:25:57,500 --> 00:26:00,740
WHAT WAS THAT CALL IN
TO THE AUNT ALL ABOUT?
587
00:26:00,770 --> 00:26:01,810
FAMILY STUFF.
588
00:26:01,830 --> 00:26:02,900
IS THAT ALL I GET?
589
00:26:02,930 --> 00:26:04,070
THAT’S ALL THERE IS.
590
00:26:04,100 --> 00:26:05,500
HE WAS FACING UP
TO SOME ISSUES
591
00:26:05,540 --> 00:26:06,910
THAT WERE OVERDUE,
592
00:26:06,940 --> 00:26:09,810
BUT AT LEAST THAT SHOWS
THAT MAYBE HIM BEING GONE
593
00:26:09,840 --> 00:26:11,070
ISN’T RELATED TO...
594
00:26:11,110 --> 00:26:12,610
[ TELEPHONE RINGS ]
595
00:26:12,640 --> 00:26:14,180
I DON’T KNOW.
596
00:26:14,210 --> 00:26:16,180
15th SQUAD.
597
00:26:16,210 --> 00:26:17,750
NOTHING.
WE DIDN’T GET NOTHING.
598
00:26:17,780 --> 00:26:19,450
IT’S FOR YOU.
599
00:26:19,480 --> 00:26:20,750
SIPOWICZ.
600
00:26:20,790 --> 00:26:23,130
UH, YEAH.
601
00:26:23,150 --> 00:26:24,790
WHEN?
602
00:26:24,820 --> 00:26:26,620
WHAT’S THE CROSS STREET?
603
00:26:26,660 --> 00:26:29,630
GOT IT.
CREDIT CARD HIT.
604
00:26:29,660 --> 00:26:31,590
DANNY JUST CHECKED
INTO A MOTEL IN JERSEY CITY.
605
00:26:31,630 --> 00:26:32,860
LET’S GO.
606
00:26:32,900 --> 00:26:34,940
HEY, YOU NEED US?
607
00:26:34,970 --> 00:26:37,280
WE GOT IT.
608
00:26:37,300 --> 00:26:39,370
WELL, THAT’S GOOD.
THAT’S GOOD.
609
00:26:39,400 --> 00:26:41,600
WHAT’S GOING ON
WITH YOUR CASE?
610
00:26:41,640 --> 00:26:43,940
A 911 CALL CAME IN
AT 7:55 A. M.
611
00:26:43,980 --> 00:26:46,180
A NEIGHBOR CALLED IT IN,
SAID SHE PLACED IT
612
00:26:46,210 --> 00:26:48,110
LIKE 10 SECONDS
AFTER SHE HEARD THE SHOTS.
613
00:26:48,150 --> 00:26:51,020
THE EARLIEST DAMON COULD GET
BACK TO THE CHURCH BREAKFAST
614
00:26:51,050 --> 00:26:52,650
WITH NORMAL TRAFFIC
IS 8:15.
615
00:26:52,680 --> 00:26:53,950
WE TALKED TO THE DEACON.
616
00:26:53,990 --> 00:26:55,790
FIRST TIME HE SAW DAMON
WAS 8:30.
617
00:26:55,820 --> 00:26:56,990
WHAT’S THIS?
618
00:26:57,020 --> 00:26:58,990
WE WENT BACK
TO THE CRIME SCENE.
619
00:26:59,020 --> 00:27:01,960
STASHED IN A BOX IN THE CLOSET
WAS A STACK OF PORN,
620
00:27:01,990 --> 00:27:05,360
INCLUDING SOME PHOTOS OF DAMON
AND THE D.O.A...FROLICKING.
621
00:27:07,000 --> 00:27:10,030
GET WITH
THE D. A.’s OFFICE.
622
00:27:11,370 --> 00:27:12,830
MAY I HELP YOU?
623
00:27:12,870 --> 00:27:15,570
UH, DETECTIVE JONES,
PLEASE.
624
00:27:16,710 --> 00:27:18,240
YEAH. RIGHT HERE.
625
00:27:18,280 --> 00:27:20,090
I’M FRANCINE MILES.
626
00:27:20,110 --> 00:27:21,140
THE DEACON’S WIFE.
627
00:27:21,180 --> 00:27:22,410
THAT’S RIGHT. YOU ARE?
628
00:27:22,450 --> 00:27:23,660
DETECTIVE GREG MEDAVOY.
629
00:27:23,680 --> 00:27:24,650
AND YOU?
630
00:27:24,680 --> 00:27:26,050
LIEUTENANT RODRIGUEZ.
631
00:27:26,080 --> 00:27:29,020
I UNDERSTAND YOU HAVE
DAMON HARVEY IN CUSTODY.
632
00:27:29,050 --> 00:27:30,720
THAT’S RIGHT.
633
00:27:30,760 --> 00:27:32,830
MY HUSBAND SAID SOMETHING
ABOUT NOT SEEING DAMON
634
00:27:32,860 --> 00:27:34,430
AT OUR PANCAKE BREAKFAST
UNTIL 8:30?
635
00:27:34,460 --> 00:27:36,020
THAT’S WHAT HE TOLD US.
636
00:27:36,060 --> 00:27:38,330
WELL, I WAS AT THE DOOR
AS WELL,
637
00:27:38,360 --> 00:27:40,000
AND I SAW DAMON AT 8:00.
638
00:27:40,030 --> 00:27:42,530
THAT’S NOT ACTUALLY POSSIBLE,
MA’AM.
639
00:27:42,570 --> 00:27:43,910
I’M TELLING YOU,
640
00:27:43,940 --> 00:27:47,510
DAMON WAS AT THE FRONT DOOR
OF THE CHURCH AT 8:00 A. M.
641
00:27:47,540 --> 00:27:49,870
DAMON IS
A MODEL YOUNG MAN.
642
00:27:49,910 --> 00:27:51,540
THERE’S NO WAY HE’D BE
INVOLVED IN A CRIME.
643
00:27:51,580 --> 00:27:54,090
THIS ISN’T ABOUT WHAT YOU WANT
TO BELIEVE ABOUT DAMON.
644
00:27:54,110 --> 00:27:56,410
DAMON WAS THERE
AT 8:00 A. M.
645
00:27:56,450 --> 00:27:57,760
Greg: ON THE DOT?
646
00:27:57,780 --> 00:27:58,910
THAT’S RIGHT.
647
00:27:58,950 --> 00:28:00,450
LISTEN, IF THIS HAS
ANYTHING TO DO
648
00:28:00,480 --> 00:28:02,350
WITH ME BEING SHORT
WITH YOUR HUSBAND EARLIER,
649
00:28:02,390 --> 00:28:03,460
THEN, HEY, I APOLOGIZE.
650
00:28:03,490 --> 00:28:04,960
I DON’T KNOW ANYTHING
ABOUT THAT.
651
00:28:04,990 --> 00:28:06,690
DAMON’S BEING CHARGED
WITH MURDER.
652
00:28:06,730 --> 00:28:07,900
MURDER?
653
00:28:07,930 --> 00:28:09,870
YEAH, AND HE’S BEING
CHARGED WITH IT
654
00:28:09,890 --> 00:28:11,590
BECAUSE DAMON’S THE GUY
WHO DID IT.
655
00:28:11,630 --> 00:28:12,960
NOW, YOU REALLY NEED
TO THINK ABOUT
656
00:28:13,000 --> 00:28:14,440
WHEN YOU SAW HIM.
657
00:28:14,470 --> 00:28:18,940
I SAW DAMON AT 8:00 A. M.,
AND I WANT TO TALK TO HIM.
658
00:28:18,970 --> 00:28:20,200
IT’S GOING TO BE
A LITTLE WHILE
659
00:28:20,240 --> 00:28:22,200
BEFORE YOU CAN SEE HIM,
MA’AM.
660
00:28:22,240 --> 00:28:24,110
I WANT TO SEE DAMON NOW
IN PRIVATE,
661
00:28:24,140 --> 00:28:26,710
OR I START MAKING
PHONE CALLS.
662
00:28:26,750 --> 00:28:28,550
YOU CAN HAVE
FIVE MINUTES,
663
00:28:28,580 --> 00:28:30,550
BUT WE’RE IN THE ROOM.
664
00:28:30,580 --> 00:28:32,310
FINE.
665
00:28:55,040 --> 00:28:56,300
RIGHT HERE.
666
00:28:58,040 --> 00:29:00,340
DANNY!
667
00:29:00,380 --> 00:29:01,840
DANNY, OPEN UP!
668
00:29:01,880 --> 00:29:03,080
SURE THIS IS THE ROOM?
669
00:29:03,110 --> 00:29:04,250
THAT’S WHAT IT SAYS.
670
00:29:04,280 --> 00:29:05,780
HOW LONG AGO
HE CHECK IN?
671
00:29:05,820 --> 00:29:07,530
I DON’T KNOW.
I WAS AT LUNCH.
672
00:29:07,550 --> 00:29:10,350
DANNY! OPEN THIS THING UP.
673
00:29:12,560 --> 00:29:13,700
CHAIN’S UP.
674
00:29:16,190 --> 00:29:17,330
Woman: AAH!
675
00:29:17,360 --> 00:29:18,590
DON’T SHOOT! DON’T SHOOT!
676
00:29:18,630 --> 00:29:20,530
WHO THE HELL
ARE YOU TWO?
677
00:29:20,570 --> 00:29:22,440
JAVIER DELGADO, SIR.
678
00:29:22,470 --> 00:29:23,680
OH, MY GOD.
679
00:29:23,700 --> 00:29:25,270
HOW’D YOU GET
THE CREDIT CARD YOU USED
680
00:29:25,300 --> 00:29:28,000
TO GET THIS ROOM, HUH?
AND DON’T YOU LIE TO ME.
681
00:29:28,040 --> 00:29:29,500
Woman: OH, MY GOD.
SIT DOWN.
682
00:29:29,540 --> 00:29:31,010
FOUND IT, SIR,
LAST NIGHT AT MY JOB
683
00:29:31,040 --> 00:29:32,540
WHERE’S YOUR JOB?
684
00:29:32,580 --> 00:29:34,720
I’M A BUSBOY
AT TAILFEATHERS STRIP CLUB.
685
00:29:34,750 --> 00:29:36,790
I WAS JUST SWEEPING AROUND,
AND I FOUND IT.
686
00:29:36,820 --> 00:29:39,630
ALL RIGHT, GET DRESSED.
YOU’RE GOING FOR A RIDE,
687
00:29:39,650 --> 00:29:41,450
AND YOU, HONEY, GET BACK
TO...WHATEVER.
688
00:29:41,490 --> 00:29:43,730
AT LEAST WE DIDN’T FIND HIM
SWINGING FROM THE SHOWER ROD.
689
00:29:43,760 --> 00:29:44,930
YEAH.
HURRY UP!
690
00:30:03,010 --> 00:30:05,320
THE SHOOTING VICTIM
AT BELLEVUE
691
00:30:05,340 --> 00:30:07,240
PICKED OUR SUSPECT
OUT OF A PHOTO ARRAY,
692
00:30:07,280 --> 00:30:09,310
THEN OUT OF A LINEUP
WE DID AT THE HOSPITAL.
693
00:30:09,350 --> 00:30:11,320
NEIGHBORS CONFIRMED
HE USED TO LIVE THERE,
694
00:30:11,350 --> 00:30:12,350
WORKED FOR THE D. O. A.
695
00:30:12,380 --> 00:30:14,250
THAT IS, YOU CAN TELL
BY THE PHOTOS
696
00:30:14,290 --> 00:30:16,230
THEY HAD A...RELATIONSHIP.
697
00:30:16,250 --> 00:30:19,860
BUT THE DEACON’S WIFE
SAID SHE SAW HIM AT 8:00,
698
00:30:19,890 --> 00:30:21,320
WHICH NEGATES THE TIMELINE.
699
00:30:21,360 --> 00:30:22,920
SHOOTING VICTIM
AT BELLEVUE
700
00:30:22,960 --> 00:30:24,560
PICKED HIM
OUT OF A LINEUP.
701
00:30:24,600 --> 00:30:27,370
I HEARD YOU, BUT YOU PUT
A DEACON’S WIFE ON THE STAND
702
00:30:27,400 --> 00:30:28,660
SAYING SHE SAW HIM,
703
00:30:28,700 --> 00:30:30,670
EVERYBODY’S PUNCHING OUT EARLY
THAT DAY.
704
00:30:30,700 --> 00:30:32,730
SO YOU’RE NOT
GOING TO WRITE THIS UP?
705
00:30:32,770 --> 00:30:34,200
NOT WITH WHAT YOU’VE GOT.
706
00:30:34,240 --> 00:30:35,900
WE’LL NEED MORE TO OVERCOME
707
00:30:35,940 --> 00:30:37,670
THAT ALIBI’S WITNESS’
CREDIBILITY.
708
00:30:37,710 --> 00:30:39,440
THAT’S A REAL GUTSY
ATTITUDE THERE.
709
00:30:39,480 --> 00:30:41,250
HEY, I’M DONE AT 5:00.
710
00:30:41,280 --> 00:30:42,740
YOU WANT TO RUN IT
711
00:30:42,780 --> 00:30:46,180
BY THE RIDING D.A.
AFTER I LEAVE, GO AHEAD,
712
00:30:46,220 --> 00:30:48,130
BUT THEY’LL SEE MY NOTES
713
00:30:48,150 --> 00:30:50,290
AND YOU’LL GET
THE SAME ANSWER.
714
00:30:50,320 --> 00:30:53,420
ALL RIGHT, GET A STATEMENT
FROM THE DEACON’S WIFE
715
00:30:53,460 --> 00:30:54,770
AND KICK DAMON
WHILE WE REGROUP.
716
00:30:54,790 --> 00:30:56,520
LET US GO AT HIM AGAIN
FIRST.
717
00:30:56,560 --> 00:30:58,690
THE DEACON’S WIFE’S
IN THE COFFEE ROOM
718
00:30:58,730 --> 00:30:59,730
ABOUT READY TO FLIP OUT.
719
00:30:59,760 --> 00:31:01,060
WE’LL MAKE IT QUICK.
720
00:31:03,500 --> 00:31:05,900
SORRY.
721
00:31:05,940 --> 00:31:08,780
HEY, YOU GOT TO COVER
YOUR ASS LIKE EVERYBODY ELSE.
722
00:31:16,510 --> 00:31:18,280
AREN’T I SUPPOSED
TO BE OUT OF HERE BY NOW?
723
00:31:18,320 --> 00:31:20,390
I THINK I AM.
724
00:31:20,420 --> 00:31:21,820
SOMETHING CAME UP.
725
00:31:21,850 --> 00:31:24,950
DOES MRS. MILES KNOW
YOU’RE TALKING TO ME?
726
00:31:24,990 --> 00:31:26,220
SHE SURE DOES.
727
00:31:26,260 --> 00:31:28,070
I DON’T THINK SO.
I THINK YOU’RE LYING.
728
00:31:28,090 --> 00:31:30,630
WE DIDN’T KNOW YOU AND CYRUS
WERE THIS CLOSE.
729
00:31:30,660 --> 00:31:32,390
WHERE’D YOU FIND THOSE?
730
00:31:32,430 --> 00:31:33,900
LOOK, I DON’T WANT HER
TO SEE THOSE.
731
00:31:33,930 --> 00:31:35,300
THOSE ARE PRIVATE
AND PERSONAL.
732
00:31:35,330 --> 00:31:36,730
YOU SHOW THOSE
TO FRANCINE,
733
00:31:36,770 --> 00:31:38,470
AND I WILL SUE YOU.
734
00:31:38,500 --> 00:31:40,500
SHE’S ALREADY SEEN THEM.
735
00:31:40,540 --> 00:31:41,600
WHEN?
736
00:31:41,640 --> 00:31:43,140
RIGHT BEFORE
WE CAME IN HERE.
737
00:31:43,170 --> 00:31:44,470
AND WHAT’D SHE SAY?
738
00:31:44,510 --> 00:31:45,640
WHAT DO YOU THINK
SHE SAID?
739
00:31:45,680 --> 00:31:47,520
I WANT TO SEE HER.
I WANT TO EXPLAIN.
740
00:31:47,550 --> 00:31:48,520
SHE’S GONE.
741
00:31:48,550 --> 00:31:49,920
THAT’S NOT TRUE.
742
00:31:49,950 --> 00:31:52,250
AFTER SEEING THESE PHOTOS,
YOU THINK SHE’D STICK AROUND?
743
00:31:52,280 --> 00:31:54,420
WHY’D SHE LEAVE?
HOW’D YOU EXPECT HER
TO REACT?
744
00:31:54,450 --> 00:31:56,350
I HAVE TO TALK TO HER.
745
00:31:56,390 --> 00:31:59,200
HOW LONG
YOU BEEN BANGING HER?
746
00:31:59,220 --> 00:32:00,520
DON’T CALL IT THAT!
747
00:32:00,560 --> 00:32:02,290
IF YOU LOVE HER,
THEN TELL US WHAT HAPPENED.
748
00:32:02,330 --> 00:32:03,600
STOP LYING,
OR IT ALL GETS OUT
749
00:32:03,630 --> 00:32:04,930
AND EVERYBODY’S LIFE
IS RUINED.
750
00:32:04,960 --> 00:32:06,600
IT’S ALREADY RUINED!
751
00:32:06,630 --> 00:32:08,500
SHE TRIED TO COME THROUGH
FOR YOU BY BACKING YOUR STORY,
752
00:32:08,530 --> 00:32:10,200
AND IN DOING SO,
SHE’S IN A LOT OF TROUBLE
753
00:32:10,230 --> 00:32:11,930
UNLESS YOU PROTECT HER
RIGHT NOW.
754
00:32:11,970 --> 00:32:14,100
HOW MANY PEOPLE ARE YOU
GOING TO HURT, DAMON ‐‐
755
00:32:14,140 --> 00:32:16,170
PEOPLE WHO TRIED
TO HELP YOU,
756
00:32:16,210 --> 00:32:19,350
LIKE MRS. MILES,
LIKE CYRUS?
757
00:32:19,380 --> 00:32:21,450
HE NEVER TRIED
TO HELP ME.
758
00:32:21,480 --> 00:32:22,940
HE USED ME.
759
00:32:22,980 --> 00:32:24,450
HE SAID HE’D SHOW
THOSE PHOTOS
760
00:32:24,480 --> 00:32:27,020
TO THE DEACON
AND MRS. MILES
761
00:32:27,050 --> 00:32:28,320
IF I DIDN’T...
762
00:32:28,350 --> 00:32:31,120
DIDN’T DO MORE THINGS
WITH HIM.
763
00:32:31,160 --> 00:32:33,030
AND THAT’S WHY
YOU KILLED HIM?
764
00:32:33,060 --> 00:32:34,400
I WARNED HIM.
765
00:32:34,430 --> 00:32:36,300
HE DIDN’T BELIEVE ME.
766
00:32:36,330 --> 00:32:38,200
AND YOU KILLED HIM.
767
00:32:38,230 --> 00:32:40,330
I STOOD UP FOR MYSELF!
768
00:32:43,270 --> 00:32:45,340
PLEASE LET ME
TALK TO HER.
769
00:33:10,060 --> 00:33:12,160
LOOKS LIKE A MOB HIT.
770
00:33:12,200 --> 00:33:13,670
THE GUY HAS A LOFT
ACROSS THE STREET,
771
00:33:13,700 --> 00:33:15,200
HEARD A SHOT,
BUT DIDN’T SEE A THING
772
00:33:15,230 --> 00:33:17,000
BY THE TIME
HE GOT TO THE WINDOW.
773
00:33:17,040 --> 00:33:19,680
TYPICAL FED. THIS GUY’S
NOT SAYING A THING.
774
00:33:19,700 --> 00:33:20,840
ALL RIGHT, THANKS.
775
00:33:20,870 --> 00:33:21,870
WHAT’S GOING ON?
776
00:33:21,910 --> 00:33:23,210
Boyd: THAT’S PETE McNEIL.
777
00:33:23,240 --> 00:33:24,340
YOUR AGENT?
778
00:33:24,380 --> 00:33:25,450
YEAH, OUR AGENT.
779
00:33:25,480 --> 00:33:26,690
OH, GOD.
780
00:33:26,710 --> 00:33:28,340
HEARD ANYTHING
FROM SORENSON?
781
00:33:28,380 --> 00:33:30,410
NO, WE’RE STILL LOOKING.
782
00:33:30,450 --> 00:33:32,250
SO, UH, WHAT DO YOU GOT
ON THIS?
783
00:33:32,280 --> 00:33:34,850
HE MUST HAVE KNOWN THE GUY.
HE WAS SHOT ONCE IN THE HEAD
784
00:33:34,890 --> 00:33:37,400
FROM THE PASSENGER’S SIDE,
AND WE GOT WHAT WE THINK
785
00:33:37,420 --> 00:33:38,850
IS CONFIRMATION OF THIS HIT
FROM A PHONE TAP.
786
00:33:38,890 --> 00:33:41,590
BUT OF COURSE WE STILL
CAN’T DO NOTHING PRODUCTIVE,
787
00:33:41,630 --> 00:33:42,730
LIKE BRING IN CATAPANO
788
00:33:42,760 --> 00:33:44,530
AND SEE WHAT HE KNOWS
ABOUT DANNY
789
00:33:44,560 --> 00:33:46,430
UNTIL YOUR BOSSES GET
THEIR DAMN INDICTMENTS, RIGHT?
790
00:33:46,460 --> 00:33:47,960
BETWEEN LISTENING DEVICES
AND PHONE TAPS
791
00:33:48,000 --> 00:33:49,870
WE GOT 65 WIRES UP,
792
00:33:49,900 --> 00:33:51,630
AND THERE’S NO MENTION MADE
OF A HIT ON SORENSON.
793
00:33:51,670 --> 00:33:54,070
JUST A COUPLE CONVERSATIONS
ABOUT HOW HE MIGHT BE RECEPTIVE.
794
00:33:54,110 --> 00:33:55,910
YEAH, THAT’S WHAT
HE WAS PUTTING OUT THERE
795
00:33:55,940 --> 00:33:58,270
’CAUSE HE WAS DOING UNDERCOVER
WORK LIKE WE SAID EARLIER.
796
00:33:58,310 --> 00:34:00,110
ONE OF THE STRIPPERS
WHO WORKED AT THE CLUB
797
00:34:00,140 --> 00:34:01,210
TURNED UP D.O.A.
IN SORENSON’S APARTMENT.
798
00:34:01,250 --> 00:34:02,650
YEAH, WE KNOW.
799
00:34:02,680 --> 00:34:04,810
WELL, IT BRINGS UP A SCENARIO.
ANY CHANCE YOU FEEL SORENSON
800
00:34:04,850 --> 00:34:06,050
MAY HAVE BEEN WORKING
BOTH SIDES
801
00:34:06,080 --> 00:34:07,380
AND HE FELL IN
WITH CATAPANO?
802
00:34:07,420 --> 00:34:10,420
NO.
’CAUSE THIS IS LOOKING
A LITTLE STRANGE.
803
00:34:10,450 --> 00:34:13,050
IF YOU’RE THINKING ABOUT ASKING
THAT QUESTION AGAIN, DON’T.
804
00:34:13,090 --> 00:34:15,490
I’LL LET THE BOSS KNOW
WHAT’S GOING ON.
805
00:34:22,200 --> 00:34:23,900
YOU GUYS WERE FRIENDS?
806
00:34:23,940 --> 00:34:27,950
YEAH. THIS ONE HURTS.
807
00:34:43,660 --> 00:34:45,130
NOTHING
FROM DETECTIVE SORENSON,
808
00:34:45,160 --> 00:34:46,700
BUT THEY GOT
A FINGERPRINT HIT
809
00:34:46,730 --> 00:34:48,300
FROM HIS APARTMENT.
810
00:34:51,300 --> 00:34:53,940
WHAT’S WITH
THIS FINGERPRINT?
811
00:34:53,970 --> 00:34:56,170
UH, NAME ROB LACORY
RING A BELL?
812
00:34:56,200 --> 00:34:57,370
NO.
813
00:34:57,400 --> 00:35:00,140
THOSE DETECTIVES
FROM THE 94 CALLED CRIME SCENE,
814
00:35:00,170 --> 00:35:03,440
LIFTED A PRINT OFF THE COUNTER
IN DANNY’S KITCHEN.
815
00:35:03,470 --> 00:35:06,940
LATENT JUST GOT A HIT ON IT.
CAME BACK TO A ROB LACORY.
816
00:35:06,980 --> 00:35:08,280
THEY WANT TO KNOW IF HE HAD
LEGITIMATE ACCESS.
817
00:35:08,310 --> 00:35:10,110
NEVER HEARD OF HIM.
818
00:35:10,150 --> 00:35:11,780
YOU GOT A RECORD, OR ARE WE
GOING THROUGH THE DMV?
819
00:35:11,820 --> 00:35:13,490
HE GOT POPPED
FOR AGGRAVATED HARASSMENT
820
00:35:13,520 --> 00:35:14,560
A COUPLE OF YEARS BACK.
821
00:35:14,590 --> 00:35:15,560
DO WE HAVE HIS PHOTO?
822
00:35:15,590 --> 00:35:16,800
I’M PULLING IT UP.
823
00:35:16,820 --> 00:35:18,490
HOW LONG’S THAT
GOING TO TAKE?
824
00:35:18,520 --> 00:35:20,290
RIGHT HERE.
825
00:35:20,320 --> 00:35:22,120
WAIT. THAT’S THE GUY.
THAT’S THE GUY.
826
00:35:22,160 --> 00:35:23,120
FROM WHERE?
827
00:35:23,160 --> 00:35:24,290
LAST NIGHT HIM AND DANNY
GOT INTO A FIGHT
828
00:35:24,330 --> 00:35:25,860
AT TAILFEATHERS
OVER THIS D. O. A. STRIPPER.
829
00:35:25,900 --> 00:35:28,370
I SENT HIM ON HIS WAY.
WHAT’S HIS ADDRESS?
830
00:35:28,400 --> 00:35:29,630
OKAY.
831
00:35:29,670 --> 00:35:31,630
DON’T TELL THOSE DETECTIVES
AT 94.
832
00:35:31,670 --> 00:35:34,000
I DIDN’T GET AHOLD OF YOU YET.
833
00:35:39,610 --> 00:35:41,640
HOW’D IT GO?
834
00:35:41,680 --> 00:35:43,210
IT WENT.
835
00:35:45,020 --> 00:35:47,330
WHAT’S GOING ON?
836
00:35:47,350 --> 00:35:50,020
MRS. MILES, I’M GOING TO
DO YOU A BIG FAVOR RIGHT NOW
837
00:35:50,050 --> 00:35:53,190
BY GIVING YOU A CHANCE
TO WALK OUT OF THE STATION HOUSE
838
00:35:53,220 --> 00:35:55,190
OF YOUR OWN FREE WILL.
839
00:35:55,230 --> 00:35:57,070
OKAY, THAT’S IT.
THAT IS IT.
840
00:35:57,100 --> 00:35:59,070
I’M LEAVING WITH DAMON
RIGHT NOW.
841
00:35:59,100 --> 00:36:02,070
I’LL BRING THE D. A. IN HERE
AND GET YOUR SWORN STATEMENT
842
00:36:02,100 --> 00:36:03,400
AND THEN ARREST YOU
843
00:36:03,430 --> 00:36:05,070
FOR OBSTRUCTING A POLICE
INVESTIGATION AND PERJURY.
844
00:36:05,100 --> 00:36:08,670
YOU NEED TO CHANGE YOUR TONE
WITH ME IMMEDIATELY,
845
00:36:08,710 --> 00:36:10,350
AND I WANT DAMON
BROUGHT OUT NOW.
846
00:36:10,370 --> 00:36:11,840
THE ONLY REASON
I’M DOING THIS
847
00:36:11,880 --> 00:36:13,180
IS BECAUSE I’M SURE
848
00:36:13,210 --> 00:36:15,080
YOU DIDN’T HATCH THIS ALIBI
WITH DAMON BEFOREHAND,
849
00:36:15,110 --> 00:36:16,880
AND I KNOW YOU HAVE
FEELINGS FOR HIM,
850
00:36:16,920 --> 00:36:18,860
AND HE HAS FEELINGS
FOR YOU,
851
00:36:18,880 --> 00:36:20,920
BASED ON WHAT
HE JUST TOLD US.
852
00:36:20,950 --> 00:36:23,420
WHAT DID DAMON SAY?
853
00:36:23,450 --> 00:36:25,420
THINGS YOU’RE PROBABLY
NOT IN A BIG HURRY
854
00:36:25,460 --> 00:36:27,970
TO HAVE YOUR HUSBAND
AND PARISHIONERS
855
00:36:27,990 --> 00:36:29,690
FIND OUT ABOUT.
856
00:36:29,730 --> 00:36:33,230
DON’T RUIN YOUR NAME.
DON’T RUIN YOUR LIFE.
857
00:36:34,670 --> 00:36:36,270
DAMON EXAGGERATES,
858
00:36:36,300 --> 00:36:40,040
BUT I STILL DON’T BELIEVE
HE DID THIS CRIME,
859
00:36:40,070 --> 00:36:43,870
AND I THOUGHT I SAW HIM
AT 8:00 THIS MORNING.
860
00:36:43,910 --> 00:36:46,410
YOU DIDN’T.
861
00:36:46,440 --> 00:36:48,480
GO HOME.
862
00:37:16,170 --> 00:37:17,810
[ KNOCKS ON DOOR ]
863
00:37:17,840 --> 00:37:19,140
Man: YEAH?
864
00:37:19,180 --> 00:37:22,820
[ Bimbo voice ] HI.
UM, DID YOU CALL MY SERVICE?
865
00:37:22,850 --> 00:37:24,160
WHAT?
866
00:37:24,180 --> 00:37:26,150
UH, SOMEBODY CALLED
MY SERVICE.
867
00:37:26,180 --> 00:37:29,050
UH, SWEET DREAMS? NO?
868
00:37:32,120 --> 00:37:33,420
WHAT APARTMENT
ARE YOU LOOKING FOR?
869
00:37:33,460 --> 00:37:34,830
I DON’T KNOW.
I WAS JUST ‐‐
870
00:37:34,860 --> 00:37:36,460
REMEMBER ME, ASSHOLE,
FROM LAST NIGHT?
871
00:37:36,490 --> 00:37:38,430
HEY, WHAT THE HELL?!
GET OUT OF MY APARTMENT!
872
00:37:38,460 --> 00:37:39,600
I’M A DETECTIVE.
873
00:37:39,630 --> 00:37:40,960
THAT GUY YOU WERE
FIGHTING WITH ‐‐
874
00:37:41,000 --> 00:37:42,760
DANNY SORENSON ‐‐
HE’S MY PARTNER!
YEAH, SO?
875
00:37:42,800 --> 00:37:44,430
YOU WERE AT HIS APARTMENT
LAST NIGHT.
876
00:37:44,470 --> 00:37:45,830
NO, I WASN’T.
WE GOT YOUR FINGERPRINT
THERE.
877
00:37:45,870 --> 00:37:47,300
YOU BETTER TELL US
WHERE HE IS.
878
00:37:47,340 --> 00:37:50,340
I DON’T KNOW WHAT
YOU’RE TALKING ABOUT.
879
00:37:50,370 --> 00:37:51,470
UHH! HEY!
880
00:37:51,510 --> 00:37:53,140
WHAT THE HELL ARE YOU
DOING?
881
00:37:53,180 --> 00:37:54,690
WHERE IS HE?
WHAT THE HELL
IS HE DOING?
882
00:37:54,710 --> 00:37:56,140
WHERE IS HE?!
883
00:37:56,180 --> 00:37:57,480
I DON’T KNOW!
884
00:37:57,520 --> 00:37:59,290
DID YOU FOLLOW US
LAST NIGHT?
NO!
885
00:37:59,320 --> 00:38:00,990
WHAT ABOUT THAT GIRL
YOU WERE HASSLING
886
00:38:01,020 --> 00:38:04,290
AT THE BAR ‐‐ THAT DANCER,
THAT STRIPPER GIRL KRISTEN?
887
00:38:04,320 --> 00:38:06,290
DID YOU FOLLOW HER?
888
00:38:06,320 --> 00:38:08,020
NO! WE TALKED!
889
00:38:08,060 --> 00:38:09,460
DID YOU FOLLOW KRISTEN
TO AN APARTMENT?
890
00:38:09,490 --> 00:38:10,990
NO!
HIS PARTNER’S
MISSING, ROB.
891
00:38:11,030 --> 00:38:12,960
YOU’D BETTER TELL US
WHAT HAPPENED LAST NIGHT,
892
00:38:13,000 --> 00:38:14,070
OR THEY’LL FIND YOUR BODY
893
00:38:14,100 --> 00:38:15,660
WRAPPED UP IN A CARPET
SOMEWHERE.
894
00:38:15,700 --> 00:38:17,300
DID YOU FOLLOW HER
TO AN APARTMENT?
895
00:38:17,340 --> 00:38:19,380
YES!
THAT WAS
DANNY’S APARTMENT.
896
00:38:19,400 --> 00:38:21,300
I DIDN’T KNOW.
WHERE WAS DANNY?
897
00:38:21,340 --> 00:38:23,200
HE WASN’T THERE!
898
00:38:23,240 --> 00:38:24,370
WELL, KRISTEN WAS.
899
00:38:24,410 --> 00:38:26,510
YEAH, WE TALKED,
AND THEN I LEFT.
900
00:38:26,550 --> 00:38:28,020
[ CHOKING ]
901
00:38:28,050 --> 00:38:29,250
YOU KILLED THAT GIRL, ROB,
902
00:38:29,280 --> 00:38:31,210
AND YOU BETTER TELL US
HOW IT WENT WRONG,
903
00:38:31,250 --> 00:38:32,550
OR WE’LL COME UP
WITH OUR OWN VERSION,
904
00:38:32,580 --> 00:38:34,550
AND IT’LL INCLUDE
LITTLE TERMS LIKE "PREMEDITATED"
905
00:38:34,590 --> 00:38:36,660
AND "UNDER COVER
OF DARKNESS."
906
00:38:36,690 --> 00:38:38,490
I JUST WANTED
TO TALK TO HER, YOU KNOW?
907
00:38:38,520 --> 00:38:39,690
$1,200 IN TIPS
908
00:38:39,720 --> 00:38:41,490
I SPENT ON HER
IN THE LAST COUPLE OF WEEKS.
909
00:38:41,530 --> 00:38:43,500
I DESERVED THAT MUCH,
AND I TURNED MY BACK ON HER
910
00:38:43,530 --> 00:38:45,240
JUST FOR A SECOND,
911
00:38:45,260 --> 00:38:47,230
AND THEN SHE CAME AT ME
WITH A KNIFE,
912
00:38:47,270 --> 00:38:49,070
AND WE STRUGGLED,
AND THEN I ‐‐
913
00:38:49,100 --> 00:38:51,000
I HAD TO STAB HER
TO SAVE MY OWN LIFE.
914
00:38:51,040 --> 00:38:52,440
[ GASPING ]
915
00:38:52,470 --> 00:38:54,000
DANNY WASN’T THERE?
916
00:38:54,040 --> 00:38:55,000
NO.
917
00:38:55,040 --> 00:38:56,770
YOU NEVER SAW HIM?
NO.
918
00:38:56,810 --> 00:39:00,580
BEFORE WE LEAVE,
YOU’RE WRITING IT DOWN.
919
00:39:00,610 --> 00:39:03,040
WRITE!
920
00:39:21,770 --> 00:39:23,610
NOTHING.
921
00:39:24,940 --> 00:39:26,410
I NEED A BIG FAVOR,
JOHN.
922
00:39:26,440 --> 00:39:28,110
WHATEVER YOU NEED,
DETECTIVE.
923
00:39:28,140 --> 00:39:29,970
CAN YOU PICK UP THEO
FROM HIS BABYSITTER
924
00:39:30,010 --> 00:39:31,270
AND GET HIM HOME?
925
00:39:31,310 --> 00:39:32,310
OF COURSE.
926
00:39:32,340 --> 00:39:33,810
I MIGHT BE LATE.
927
00:39:33,850 --> 00:39:35,290
TAKE YOUR TIME.
928
00:39:37,980 --> 00:39:41,480
THAT LACORY FESSED UP
TO KRISTEN’S HOMICIDE.
929
00:39:41,520 --> 00:39:44,220
YEAH, WELL,
WHERE WAS DANNY?
930
00:39:44,260 --> 00:39:46,630
LACORY TOLD US
SOME PILE OF CRAP STORY,
931
00:39:46,660 --> 00:39:48,560
BUT, UH,
DANNY WASN’T THERE.
932
00:39:48,590 --> 00:39:50,230
YOU COORDINATE WITH THE 94?
933
00:39:50,260 --> 00:39:51,960
YEAH. YEAH, THEY’RE
COMING TO GET HIM.
934
00:39:52,000 --> 00:39:53,140
FEDS SAY THEY THOUGHT
THEY HAD NOTHING
935
00:39:53,160 --> 00:39:54,400
ON THE HOMICIDE
ON THEIR AGENT.
936
00:39:54,430 --> 00:39:56,800
MAYBE WE SHOULD ASK DIANE
IF SHE’S HEARD FROM DANNY.
937
00:39:56,840 --> 00:40:00,110
WE DID. SHE HASN’T.
NEITHER HAVE DANNY’S SISTERS.
938
00:40:00,140 --> 00:40:02,340
PLUS, WE CHECKED
WITH CUSTOMS AND IMMIGRATION,
939
00:40:02,370 --> 00:40:04,840
AND HE HASN’T LEFT
THE COUNTRY.
940
00:40:04,880 --> 00:40:08,690
WELL, SO NOW WHAT? WE FILE
A MISSING PERSONS REPORT?
941
00:40:08,710 --> 00:40:11,610
YEAH, AND PUT AN ALARM OUT
ON HIS CAR.
942
00:40:11,650 --> 00:40:15,620
I’LL TAKE CARE OF ALL THAT,
NOTIFY THE CHIEF OF DETECTIVES.
943
00:40:15,650 --> 00:40:18,620
ALL RIGHT, TOMORROW WE PICK UP
AND KEEP GOING.
944
00:40:18,660 --> 00:40:21,200
WE WON’T STOP LOOKING,
AND WE HOPE FOR THE BEST,
945
00:40:21,230 --> 00:40:23,640
BUT WE GOT TO KEEP GOING.
946
00:40:58,860 --> 00:40:59,900
LAST NIGHT,
947
00:40:59,930 --> 00:41:01,700
WHEN I BROUGHT HIM
TO HIS APARTMENT,
948
00:41:01,730 --> 00:41:04,630
THAT WAS THE FIRST TIME
I EVER STEPPED FOOT IN THERE.
949
00:41:04,670 --> 00:41:07,800
TWO YEARS I’M HIS PARTNER,
I NEVER CAME BY,
950
00:41:07,840 --> 00:41:10,340
NEVER WATCHED A BALL GAME
WITH HIM.
951
00:41:10,370 --> 00:41:11,970
I DON’T EVEN KNOW HIM.
952
00:41:12,010 --> 00:41:14,810
YOU KNOW THAT HE DIDN’T
KILL THAT GIRL.
953
00:41:14,850 --> 00:41:17,560
BUT I NEVER KNEW HIM,
NOT LIKE A PARTNER SHOULD.
954
00:41:17,580 --> 00:41:20,250
I WAS ALWAYS KEEPING HIM
IN LINE, LECTURING HIM,
955
00:41:20,280 --> 00:41:22,850
BUT I SHOULD HAVE
REACHED OUT LIKE A FRIEND.
956
00:41:22,890 --> 00:41:24,830
MAYBE HE DIDN’T WANT
TO LET YOU IN.
957
00:41:24,860 --> 00:41:27,000
MAYBE HE DIDN’T WANT
TO LET ANYONE IN.
958
00:41:27,030 --> 00:41:29,230
YEAH, BUT AFTER BOBBY,
I THINK IT WAS MORE
959
00:41:29,260 --> 00:41:30,890
THAT I DIDN’T WANT
TO GET CLOSE
960
00:41:30,930 --> 00:41:32,160
TO ANOTHER PARTNER.
961
00:41:32,200 --> 00:41:34,270
I DIDN’T WANT TO GO THROUGH
THAT AGAIN,
962
00:41:34,300 --> 00:41:36,730
AND THAT PROBABLY WASN’T
THE BEST THING TO DO,
963
00:41:36,770 --> 00:41:38,730
BECAUSE ‐‐ BECAUSE
LOOK AT THIS.
964
00:41:38,770 --> 00:41:40,400
I DON’T KNOW THIS KID.
965
00:41:40,440 --> 00:41:42,670
I DON’T KNOW THE PEOPLE
IN HIS LIFE,
966
00:41:42,710 --> 00:41:45,680
AND I GOT NO IDEA
WHERE IN THE HELL
967
00:41:45,710 --> 00:41:48,040
TO LOOK FOR HIM
RIGHT NOW.
968
00:41:57,720 --> 00:41:59,190
[ CARTOON PLAYING ON TV ]
969
00:41:59,220 --> 00:42:00,720
[ KEY TURNING IN LOCK ]
970
00:42:00,760 --> 00:42:01,920
DADDY!
971
00:42:01,960 --> 00:42:03,260
HEY, KIDDO.
972
00:42:03,290 --> 00:42:07,030
I GOT MY READING DONE
BEFORE WE WATCHED TV.
973
00:42:07,070 --> 00:42:08,610
YEAH? GOOD JOB.
974
00:42:08,630 --> 00:42:11,800
HE WOULDN’T GO TO BED
UNTIL YOU GOT HOME.
975
00:42:11,840 --> 00:42:14,250
THAT’S OKAY.
THANKS, JOHN.
976
00:42:14,270 --> 00:42:15,440
MY PLEASURE.
977
00:42:15,470 --> 00:42:16,940
BYE, THEO.
978
00:42:16,980 --> 00:42:18,420
BYE, JOHN.
979
00:42:23,580 --> 00:42:25,910
YOU ALL RIGHT?
980
00:42:25,950 --> 00:42:27,720
I’M OKAY.
981
00:42:27,750 --> 00:42:28,880
YOU?
982
00:42:28,920 --> 00:42:30,490
ME, TOO.
983
00:42:30,520 --> 00:42:31,890
HANG IN THERE.
984
00:42:31,920 --> 00:42:33,020
GOOD NIGHT.
985
00:42:37,200 --> 00:42:39,240
I’M GLAD YOU’RE HOME,
DADDY.
986
00:42:39,260 --> 00:42:41,230
ME, TOO.
987
00:42:41,270 --> 00:42:43,010
WATCH TV WITH ME.
988
00:42:43,030 --> 00:42:44,300
OKAY.
989
00:42:55,950 --> 00:42:59,420
WHAT’S WRONG, DADDY?
990
00:42:59,450 --> 00:43:01,220
NOTHING.
991
00:43:07,830 --> 00:43:09,800
I LOVE YOU, DADDY.
992
00:43:12,500 --> 00:43:14,470
I LOVE YOU, TOO.
71313
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