All language subtitles for The.Audrey.Hepburn.Story.2000.DVDRip.XviD.AC3.CD2-SAPHiRE

Speaking of which, where
is the divine Lord James?

All-England Polo Banquet.
Does that sound right?

Ah, there's the life.

Audrey Hepburn,
screen test, take one.

Could you tell us a little bit
about what it was like after the war?

Well, my mother and I moved
to Amsterdam...

so I could study dance again.

We tried to get
back our lives.

Everybody was so grateful to
the United Nations after the war...

for giving us
food, medicine...

and other things
we hadn't seen for years.

Thank you, Audrey. Now, let's
try a little bit of the scene.

It's most unusual.

I've never been alone with a man
with all my clothes on.

With my clothes off,
it's even more unusual.

I don't seem to mind..

Do you?

An Azusa rose
from a couch of snows...

in the Aquisaronian Mountains.

She's certainly
beautiful, Willie, but--

Wait. The good
part's coming up.

My instructions were
to keep the cameras rolling.

All right. That's it. Cut.

Only the director has the right
to say "cut" and he hasn't.

That was fun.

It's such a wonderful story...

particularly the tantrums
the princess gets to throw.

Riding on a motor scooter, bashing
the man over the head with a guitar...

and feeling so sleepy, you
could just fall on the park bench.

Cut.

I'm sorry.

How did I do?
Was that all right?

Does Greg Peck know she's going
to steal the picture from him?

Not yet.

That is such wonderful news.

Yes.

Thank you so much.

You've got them both--
the play and the movie.

James, what are these
people thinking about?

I haven't done either
of those things.

They're not thinking.

They've fallen for you,
just as I have. We love you.

But why?

It's not something you're doing.
It's something you are.

Tall and skinny, with
a long neck and big feet.

Precisely.

My first trip
to America...

and I'm going to
Hollywood and Broadway.

May I help you?

I hope that I'm in the
right place. I'm supposed--

What's your name, dear?
- Audrey Hepburn.

Oh, good morning, Miss Hepburn,
and welcome to New York.

I'm Joe.

If any of those bums inside give you
a rough time, you just come see me.

Thank you,Joe.

" But, Grandma,
I'm wearing my drawers."

It's not that funny.

No, we're laughing at your
enthusiasm, my dear, I'm afraid.

It's bad form to
start acting on day one.

We're just reading today.

As if we can't imagine
what we're all doing here.

Okay, everybody, break's over.
We'll continue where we left off.

Audrey, you cross up
to your aunt...

and throw yourself
into the chair in despair.

Mr. Rouleau, I keep
forgetting. Which way is up?

Up is up. Upstage.

Where I am, dear.

Up is behind you.
Down is in front.

Left is stage left...

your right
if you are facing up.

To your aunt.

Did I say leap
like a gazelle?

Did I say run?
What did I say?

Cross.

Cross. Like a
despondent schoolgirl.

No. She's not despondent. She's angry.
She doesn't want to be a courtesan.

When you can act,
you can give me direction.

Until that time...

you will do as I say.

I want to go dancing.

Somewhere very glamorous
where we get in for free...

because rich old men
want to dance with us.

Oh, and I want to smoke a cigar.
I've never smoked a cigar.

How can you stay out like this
and have anything left for tomorrow?

I can't bear for there to be
a Fifth Avenue...

that I haven't walked on
every night.

Then, too, if they
end up firing me...

at least I have this
beautiful city to remember.

Good night, Audrey.
- Good night.

Good night.

Look at her. He's
working her too hard.

Anita, it isn't what she does
in the daytime that's the problem.

Okay, everyone. Break's over.

We'll continue where we
left off. Act 2, scene 2.

Places, please.

I'm trying to do what he wants,
but he gets so angry with me.

He says you're
perfectly confident in French.

Yes. If only we could do
the entire play in French...

I'm sure I wouldn't have
any trouble at all.

Miss Hepburn, if you can't do
the role in English...

we'll have to find
someone who can.

It would be better if we work
on voice and diction...

every day after rehearsal.

You look like you're about
to faint all the time.

When was the last time you ate?
- Are you getting enough sleep?

Her picture is in
the papers every day.

Every night a new club.
How can she be sleeping?

The publicity is good for the show.
That much I'll give her.

Can you give her
another week, Raymond?

On two conditions.

One: That she gives up
all her amusements...

except this show,
until we open.

And two:

That you continue looking
for someone to replace her...

in case she doesn't.

I'm terribly sorry to
have caused so much trouble...

and I promise that you will not
have to speak to me in this way again.

Hello, darling.

Hello, sweetheart.
- Are they treating you any better?

They're not the
problem,James. It's me.

It can't be you.
You're perfect.

I know it doesn't make
any sense...

but I wish my father
could be here with me.

When you have a show
opening on Broadway...

a father's supposed to be there
to share it with you.

I'm sorry, darling.
I know it hurts you that--

The last time I saw my father was when
he put me on a plane before the war.

Maybe he doesn't think
he should be there.

When I have a child, I'm going
to be there for everything.

Everything.

He probably understands how
much trouble he could cause you.

I'd better get to sleep.

Good night.
- Goodnight, darling.

Whenever you're ready.

I have two new hats and
another pair of high-heeled shoes.

What do you think of me?

Louder.

I have two new hats and
another pair of high-heeled shoes!

No, no. Not every word louder,
as if you're in a playground.

The important
words louder.

The audience doesn't
just listen. They watch you.

It is your face that tells them
which words are important.

Like this.

I have two new hats.

Let your eyes sparkle
on the word "two."

Two hats make
this girl a queen.

And when the audience knows
what "two" mean to Gigi...

they understand who she is.

With two hats...

Gigi can conquer the world.

Oh, and she does.

That's it! That is
exactly the Gigi look!

With that look, you
don't even need two hats.

Now, say the line again.

I have two new hats...

and another pair
of high-heeled shoes.

That's right. Now
the hats are beautiful.

But the shoes
are pure sex.

Well, I'm afraid I don't know
anything about pure sex.

Gigi doesn't either.

But when you...

tell him about the shoes...

you let him know that you're
willing to learn about sex...

if he's interested in teaching.

Which, of course, he is.

But does every line have
a secret meaning like this?

How will I ever get it?

You have good instincts.

You have a real desire
to please the audience...

and just the right degree
of unpredictable.

The audience likes
a dangerous performer...

and your particular kind of danger
is that it seems like...

you might be able to fly.

Maman, I have wonderful news.
Tonton and I are going to be married.

Oh, Maman, please don't cry.
Tonton, can't you do something?

Perhaps she could use a drink.

Andree,
pull yourself together!

Yes, Maman. Would you
like to sing something?

Andree, we're going to be
happy together. Help us celebrate.

Yes. Would you please sing?

Thank you.

Well, see you
at the party.

Raymond would fire her
right away if he could.

Of course, if the reviews
are bad for her, he just might.

Everything will be fine.
- I hope so.

Anita, the verdict's in.

Can I have your
attention, please?

"The delightful
Miss Hepburn...

obviously is not
an experienced actress...

but her quality
is so winning, so true...

that she is the success
of the evening."

"A young actress
of great charm...

who pulls the
whole thing into focus."

"The acting find of the year!"

"Audrey Hepburn
is nearly perfect as Gigi."

They hate the play, and they
love her. Can you believe it?

Smile. That's it.
Big smile now.

Just look at them, darling.

Do you know
what a gift that is...

just to make people
smile like that?

I'm trying to arrange it so I
can be in Rome the whole time...

while you're shooting
Roman Holiday.

Then we can be married
before you start the Gigi tour...

if you do a Gigi tour.

Maybe you'll just want to rest.

I can't marry you,James.

Why don't you just enjoy your opening,
and once everything calms down--

No, I don't want things
to calm down.

I love what's
happened to me...

but I can't have everything.

I was nearly fired from Gigi
for spending too many nights out.

I have to be serious about this.

All I want to do is help.

Wouldn't it help
if I was there all the time?

No.

If you were there,
I'd want to be with you...

to make sure you were
having a good time.

Pretty soon, I wouldn't be
thinking about acting at all.

Then I'd be fired or not
hired again, and I don't want that.

I want to see
how good I can be.

I don't want to be
the cute young girl forever.

I want my life
to mean something...

and I can't do that
and be married too.

I just know I can't.

Please forgive me.

If that's what you decide,
I'll understand, of course.

I didn't know what I
wanted, and now I do.

I have loved you
as much as I can.

But I love this work so much,
and that isn't fair.

Can't you just let me go?

If I have to.

Thank you, darling.

Audrey. Have you ever seen
Capote talk to anyone?

He's always just sitting around
rubbing his face, looking all depressed.

I don't think he
approves of us, George...

but I'm working on it.

Can I ask you a question?
- About what?

About the character
you've written, of course.

She's a call girl.
- I know that.

But she doesn't actually seem
to have sex with all of these men.

So is it only some of them,
or only the ones she wants to marry?

What do you think?

Well, I think she's a lot
like I was in the beginning.

Which was?

Afraid to let somebody know
how little I knew.

Roman Holiday,
scene 52, take 3. Marker.

Cut!

That wasn't so bad, was it?
- Oh, I'm having such a good time.

Really I am.

See, it's easy to look like
you're having fun in the movies.

Just open your eyes
as wide as you can...

stare straight ahead
and hang on for dear life.

I love making movies even more
than I love watching them...

and I love watching them.

And I love seeing it all
through your eyes.

I haven't had so much fun
on a movie in years.

The first night our town
in Holland was liberated...

they set up a big screen in the middle
of the street and showed us a movie.

And do you know
what it was about?

War. And you know what?

We liked it.
We loved it.

The papers said what?

They said you
and Gregory Peck...

were having an affair
during the filming.

But it isn't true.

Can't someone tell them
that it isn't true?

You're going to have to be
very careful now, Audrey.

Don't tell anyone anything you don't
want to read on the front page.

Just keep smiling
until we get to the front.

Miss Hepburn, how does it feel to be
playing the lead in your first movie?

Before I introduce Audrey to you...

I want to introduce
all of you to Audrey.

My dear, these people
standing up front are reporters.

The ones standing at the back
are bankers and lawyers.

And those people over in
the corner kicking themselves...

are the studio executives...

who did not hire you
to a 100-year contract.

Ladies and gentlemen,
Miss Audrey Hepburn.

How's it going, princess?

You have my permission
to withdraw.

Is it true your
next picture is Sabrina?

Yes, it is.

I asked the studio to
buy it for me, and they did.

Isn't that amazing?

But the best part is that I get to fly
to Paris to pick out the clothes.

What do you think of all these girls
cutting their hair to look like you?

Well, I can only hope
that the haircut...

works as well for them
as it has for me.

Miss Hepburn, your parents must be
very proud. Are they here?

My mother is right over there.

Where? Where?

And your father?

Is he proud?

My father is a man that likes
to keep his feelings to himself.

Next question.

Bye-bye.
- Bye.

Audrey, I'd like you to meet
a great friend of mine.

This is Mel Ferrer,
a wonderful actor and director.

Oh, what a pleasure.
- The pleasure is all mine.

You were wonderful in Lili.
I haven't seen the new movies.

Well, you'd better
start watching.

You're going to be
very big in pictures.

That's what I
keep telling her.

Sabrina is perfect for you.
Who's playing the smart brother?

Bogie.

He doesn't really like
beautiful women.

Maybe next time I'll get the chance
to be the lucky leading man.

Well, now I'm
the one dreaming.

Ready, darling?
- Yes.

Good night, gentlemen.

Talk to you soon, Greg?
It really was a pleasure.

Katharine, darling.

I'm sorry to disappoint you,
Monsieur Givenchy.

I'm Audrey Hepburn.

Please forgive me.

They told me Miss Hepburn
the film star was coming to see me.

Whowould have known there were
two such lovely women?

Let's get to work, shall we?

I like the pink.
- It's my favorite as well.

The rest of them don't understand
the pink, but we are right.

It is sublime.

You don't think it will make
my neck look too long?

There is no such thing
as "too long."

Not in legs, not in necks--
- Not in life?

My dear Audrey, I think you are
more beautiful inside than out.

Maybe a very small hat.

Maybe a large hat...

and large sunglasses.

I love it.

But I'll be riding in a convertible.
I can't be holding onto my hat.

Then we will save it
for another film.

Here is your small American
convertible hat.

I think I have to have
a small dog to go with this hat.

We shall make you
the princess of the ball.

It's magnificent.

Oh, dear, look at him.

Don't be afraid of Bogart.
- Not him. The other one.

Holden, yeah. He's the one
to be afraid of, all right.

What's he doing?
- He's coming to open your door.

-I can beat him to it if you want me to.
-No, you stay right where you are.

Good afternoon.

My God, look at you.

Hello there.

Come on. I'll introduce you to the gang.
We're having a little party.

Let's get a drink.
What will it be?

Whiskey.
- Two whiskeys.

They're watching us.

Let them watch.

You've never been kissed?

Not by a married man
in the middle of a party.

Well, then,
let's get out of here.

No. You stay, and I'll leave
while I still can.

So, Audrey, did you make it
all right up the tree?

I did.

When we make the shot tonight,
can you get up there faster?

I can.

Gretchen,
I need to talk to you.

Tell me how the hell I can romance
that ridiculous girl...

when you're watching
from a tree?

I won't look
if you don't want me to.

Aw, stay there. I can't
get you out of my mind, anyway.

Say, what are
you doing tonight?

I'll have to ask Mother.

Ask her if you could
spend the night with me.

Actually, I know the
answer to that, thank you.

How could you
say such a thing?

I'm crazy for you, baby. I'm not
giving up no matter what you say.

Bill, I need you
over here, please.

He's quite handsome...

in an American sort of way.

And I'm falling
in love with him.

I'm trying not to.

He's married.
- I know he's married.

And I know what they say,
that he has a girl in every movie...

but he's not that way with me.

What about your career?

When I'm with him, I don't
even think about my career.

I just feel happy and light.

I want to feel
like this forever.

Isn't this the way
you felt about James?

James was dear and
very good to me, but Bill...

he makes my heart stop.

Okay, five-minute warning,
everyone. Stand by.

Stand by.
Five-minute warning. Thank you.

Okay, everybody,
clear the frame, please.

If I didn't have to finish this movie,
I would drop dead right now.

Well, that isn't necessary.

For as long as I live, I will
never see anyone more beautiful...

than you are at this moment.

I am hopelessly in love
with you, head over heels.

Every clich� in the book.

What do I have to do
to have a chance with you?

Audrey, Bogie, stand by.

How could I kiss Bogie now
after what you've just said?

Bill, I need you out of there.

Ready to roll.
- Getting ready to shoot now.

All right, people. Let's go.
- Everyone in place, please.

All right, quiet down.

Come on, now. Be ready.

Okay, everybody.
Here we go.

Sabrina, scene 44, take 3.

Action.

If David were here,
he'd kiss you right now.

Yes, he would.

It's all in the family.

What's the matter with Bogie?

The most beautiful girl
in the world...

and it looks like he has
to force himself to kiss her.

Cut.

What?
- I love this movie.

I catch myself pretending sometimes
that it's not a movie...

that it's real life.

I've just returned from Paris
with my cute little dog...

my father lives in
the garage over there...

and you, you're
in love with me.

How would you like
the movie to end?

I'd marry you. We'd have a house full
of children, live happily ever after.

It's not that your
brother isn't nice.

I could never love him
the way I love you.

You could marry me
if you wanted to.

Do you think
they'd rewrite the movie?

No. Not in the movie.
In Reno or Las Vegas.

Wherever I get my divorce.

A divorce?

You would get a divorce?

I wasn't kidding, Audrey.

I want you.

I want you to marry me.

I love you, Audrey.

Say that you'll marry me.

Say that I'm not dreaming.
Are you playing with me?

Is that a yes?
- It's a yes.

And a yes and a yes.

It will be so beautiful...

our days and our nights.

Our work and our holidays.
Our friends and our children!

Who needs friends or children?
I don't want to share you with anybody.

You're right about the friends...

but a couple of children
wouldn't be too much.

They're so noisy...

and they're always around
when you don't want them to be.

Think about what our
children would look like.

Me holding a little boy in my arms
that looks just like you.

I can't do it, Audrey.

I can't have any more children.

What do you mean?

I had a vasectomy
a couple of years ago.

Can't you do something?

No, it's irreversible.

What?

What?

Talk to me.
- I had better go home.

You're not going anywhere.

I need to.

We can still have children...

just not my children.

My children would probably
be drunks, anyway.

I have to go before I say something
that I will probably be sorry for.

"Sorry for"? Say it.
Whatever it is, we'll work it out.

It wouldn't be a real
marriage without children.

I want to be a mother.

You can't walk away from me
because of something like this.

I'm in love with you.

I got you off that shelf
you've been sitting on.

Don't use this children thing
as an excuse to get back there!

Look at me!

I have to go.

Audrey, no.

Audrey!

It's very hard,
telling someone good-bye...

even when you know
you're doing the right thing.

If I didn't have children...

I wouldn't know I was alive.

I didn't particularly
want children till I had you.

You've given me the
greatest joy I've ever known.

You are the love of my life,
and I want that for you.

I want you to
have a child.

I know.

You have no idea
how you'll get through this.

But in the morning, you'll see.

You will.

Now, why don't you
go to bed. Try to rest.

I'll bring you some tea.

Thank you.

Bonjour, mademoiselle.

I think just the
sight of you will do.

As a matter of fact,
I'm feeling better already.

Mel Ferrer.
- I know who you are.

Please, come in.

Your French is beautiful.
- Ah, yeah.

My mother thought
it was important...

and I'm beginning
to think she was right.

Forgive me just showing up
at your door like this.

I tried to convince the studio
to throw another party...

so I could meet you again,
but that seemed a little extreme...

so I brought you a play.

A play.

It's a wonderful play.
You should do another play.

Keep the Hollywood girls
on their toes.

Congratulations on
Sabrina, by the way.

Everyone who's seen it
says you're the best thing in it.

Thank you.

Well, I'll make us some tea...

and then you must tell me
everything that you've done...

since I saw you last.

It's Cuban and Chinese.

Growing up in New york,
I think I ate it every day.

Of course, now that I'm
an adult, every other day.

The wine is wonderful.

I suppose I should get going.
- No.

Do you have to?

Yes, I do.

I want to give you time
to read that play...

so you can phone me in the morning
and tell me what you think.

Is it a romantic play?

It's about a water sprite...

that falls in love
with a human man.

Please stay.

Sounds like such
a wonderful story.

All right, if you insist.

We'll read it
through once...

see what you think, and
then if you like it, we can...

do it on Broadway
with Alfred Lunt directing?

Alfred Lunt.
What a wonderful idea.

It's more than an idea.

He'll do it, if you will.
I have that in writing.

It's by Giraudoux.

"And in the end,
I shall do it, but first...

first we shall wait
a long time.

An hour.

Then, in years to come, we shall
have this hour always to remember.

The hour before
you kissed me."

It's wonderful.
- You're wonderful.

God. It's like
it was written for you.

I'll take care
of everything.

I'll fight all your battles,
I'll slay all your dragons...

and all you have to do is be
your own lovely self on stage.

Say you'll do it.

I'll do it.

Thank you.

All right, ladies
and gentlemen, please.

Let's work on
this armor business.

Alfred, I'm thinking...

I could release the armor
when she comes to embrace me.

No, the play says
that the armor falls off...

immediately after
she says the line.

What is the line?
- Right, but hear me out.

I think it would be much funnier
if she said the line...

from where she
was standing--

Say the line.

I have a way
of removing armor.

Came around behind me...

and mysteriously
the armor...

falls off.

I don't think we can
rewrite the play, Mel.

Let's try to get it
to work as written.

My name is Ondine.

The King of the Sea said ifl
ever kissed you, I would be lost.

Are you thinking of it?

Very much.

Well, there's no harm
in thinking.

It's going very well tonight.

I can't watch.

I could never watch the opening
of any of my plays.

Mr. Lunt,
Audrey looks exhausted.

How long do you think
the play will run?

I think the critics
will determine that.

I'm afraid Mel will try to
keep her in it until she drops dead.

Yes, well,
putting up with Mel...

is the price you have to pay
for having Audrey.

Bravo! Bravo!

They love it.

They love her!

Well done, Alfred.
Got a real hit on your hands.

I love you too.

I'm sorry I fell asleep
so fast last night.

I wanted to thank you for making
this experience perfect for me.

I got another bouquet
for you, Miss Hepburn...

and this telegram just arrived.

Thanks, Frankie.

You're gonna need a special room just
to keep all these flowers, Miss Hepburn.

Smells great, though.

Better make that
two rooms, Frankie.

Miss Hepburn has just been
nominated for an Oscar.

An Oscar!

And the nominations
for Best Actress...

in a feature
motion picture are:

Audrey Hepburn
for Roman Holiday.

She looks tired.

I know.
- Leslie Caron for Lili.

I'd take her away for a rest...

but the press is accusing me
of being a Svengali...

controlling her every move.

So now they have the idea
that she is very weak.

Deborah Kerr for
From Here To Eternity.

It would be easier to take her away
if you'd let me marry her.

You don't need my consent
to marry her.

Have you asked her?

Ava Gardner for Mogambo.

I'm going to.

Tonight, at the party.

She wants children, you know.

Are you prepared
to have more children?

As many as she wants.

And Maggie McNamara
for The Moon Is Blue.

Here we go.

And the winner is...

Audrey Hepburn
for Roman Holiday!

I'd Iike to thank my mother...

who taught me
to stand up straight...

sit erect, use discipline
with wine and sweets...

and only smoke
six cigarettes a day.

I hope the two of you
will be very happy.

I promise you, Ella...

I will take care of her
for the rest of her life.

Those reporters have followed us
all the way from the chapel.

I'm sorry, darling.
I don't know how they found us.

Don't they understand that
this is a very private day?

Let me do the talking.

Miss Hepburn!

Yes, we were married
this morning in Burgenstock.

We intend to make our
home here in Switzerland.

It was just a private ceremony
for family and friends.

Thank you so much
for your best wishes.

Now, please, the roads
are narrow. Drive carefully.

That's all, gentlemen.

I love it here so much.

Another week, and I'll turn
into a country housewife.

The most radiant
country housewife in history.

Why don't we both stop doing movies
for a while and just enjoy each other?

Are you kidding?
Nothing would make me happier.

But your fans would kill me if I
kept you all to myself. You know that.

I want to have a baby.

I want to see what our babies
look like. I want to hold them.

Right away?
- Right away.

All right. I guess I'll have
to tell Fred Astaire no.

Fred Astaire?

It's called Funny Face.

Shooting all over Paris,
even inside the Louvre.

Oh, but I haven't danced
in such a long time.

I know.

Still, it would be wonderful
to film in Paris.

Do you think I could do it?
- I know you could.

Well, then tell them
I would be honored to do it.

Unless I get pregnant, and
then some other lucky actress...

will get to dance
with Fred Astaire.

What are those?

The contracts for the other two films
you've been thinking about.

Nun's Story and
Love In The Afternoon.

Well, I have to do
Love In The Afternoon.

I promised Mr.
Cooper I would.

Sweetheart, I think
you can call him Gary.

And I want to do The
Nun's Story to be in Africa...

when you're scouting
locations for your movie.

I don't think that's
the only reason to do it.

Well, no, of course not.

I want to do a
serious role. I'm ready.

Of course you are.

But how can I get pregnant
if I'm working all the time?

Let's just assume
from here on in...

that any time you're
shooting a film, I'm there.

That is, you know,
unless you say no.

Why would I do that?

The only man that I want
to say yes to is you.

The Nun's Story, scene
42-apple, take 5. Marker.

Audrey, I have
a lovely surprise for you.

Audrey Hepburn,
meet Marie Louise Habets...

the former Sister Luc.

How do you do? It's such
an honor to finally meet you.

Miss Hepburn,
I share the honor.

I am very nervous
about playing you.

I hope that I will be able to help
people understand you and your work.

Thank you very much.

I was just on my way
to the clinic--

the real one.

Would you like
to walk over with me?

Go ahead. We won't
be ready here for an hour.

I'd love to.
Please, lead the way.

How many children
are treated here?

Very few, actually, compared to
the thousands who need help.

There are whole continents
of sick children.

Their parents are no better off,
struggling to care for them.

Yet, not enough people
seem to notice.

I honestly didn't know
how desperate the situation was.

It's so unfair that the children
have to start their lives like this.

Do you plan to have
any children of your own?

We want them very much,
but so far, no luck.

I think the children
will come when it's time.

Rest is all that you need.

I have another film to do
after this in Mexico.

Maybe then I'll
take some time off.

I see that you have
a very full life.

Throughout so
much of my life...

people have come along to take care
of me as if I were a little girl.

But you seem so comfortable
with yourself...

and so comforting to others.

Maybe I'm finally learning
how to look after myself.

But the children...

the ones who live here.

They're the ones
who really need the help.

Hello.

I missed you. Zinnemann.

I'm so happy
you came to see me.

Look at you. I hear
the rushes look terrific.

I feel so peaceful here.

Sister Luc tells me you're
wonderful with the children.

I never wonder
what I'm doing here.

I'm sure it must make the world
of movies seem less important.

Yes.

Sometimes I feel like I'm
nothing more than a show horse...

all tricked out in fancy ribbons,
being led around a ring.

Audrey, the audience
doesn't feel that way.

They think you're up there
just to make them happy...

and the miracle is,
you actually do.

Sweetheart, you've given
a whole generation of girls...

a sense that something else
was possible in life.

Thin girls.

Maybe you don't know
what a difference you've made.

But no, no, it's
not just "thin girls."

It's all of them--

young women who want more...

who want to be able
to speak their minds...

who've always known there was
something they were supposed to do.

They all look up to you.

You took what you had,
and look what you made of it.

And that...

that is your real gift.

I have missed you so much.

Nobody talks to me
the way you do.

As we reported earlier, Audrey Hepburn,
beloved star of stage and film...

was thrown by a horse today
while shooting a John Huston film...

in Durango, Mexico.

Miss Hepburn is reported in
critical but stable condition...

with neck and back injuries, and will be
flown home for treatment later today.

Sources close to Miss Hepburn report
that she 's several months pregnant...

with her first child.

Audrey Hepburn 's husband,
actor and director Mel Ferrer...

flew to Mexico to
accompany her back for treatment.

The doctor says the baby
is in no danger.

The heartbeat is normal,
movement is normal.

Now all we have to do
is convince Audrey to relax.

Oh, darling!

I've been so worried!

I'm so glad you're here.

Where else would I be
when you need me?

Sweetheart, you shouldn't
be doing this now.

Let's send the mail home
so you can get rest.

Yes. You should be
taking it easy now.

When do I ever get to
lie around and read my mail?

I'm going to answer
every piece.

Besides, Caroline's doing
most of the work.

What?

What is it?

It's from my father.

"I fear that you haven't...

received my other letters...

because you've
never answered.

Still, I don't know what to do
except continue to write them."

What other letters?

Mother?

Did Father send me
other letters?

Yes.

You kept his letters from me?

You kept his letters from me.

I didn't want
him to hurt you.

How could he hurt me?
- He's hurt everyone he ever knew.

Why would he try to get
in touch with me only to hurt me?

You're just jealous.

I'm not jealous.
I was trying to protect you.

You had no right to do this.

Don't get in touch with him.
- Don't tell me what to do.

He hasn't given up his
politics. He never will.

He's an old man now, Mother.
What could he do?

He could hurt your career.
- You're wrong.

He could blame you for
the fact that he left us.

He could twist it all up and make it
all your fault. You don't understand.

What's the matter, darling?

I don't know.

I don't know.

The baby. No, please,
don't let it be the baby.

I'll get a doctor.

Doctor!

Mother?

Nurse? Is somebody there?

Doctor! Can someone help us, please?
- Mother!

Doctor!

Hello, Father.

Well, you best come in.

I wanted to say thank you...

for writing to me.

I only wish I had
received your letters.

Your mother never-- She
didn't want me to talk to you.

I don't have any sugar.

I don't take sugar.

Thank you.

Well--
- I'm so happy to see you.

I'm not proud
of what I did, Audrey.

Leaving you, I mean.
- I don't hold it against you.

I've just missed you so much.

You couldn't have missed me
that much. You hardly knew me.

Well, you didn't know me
very well either.

Didn't you miss me?

Your husband told me
you lost the baby.

I did. Yes.

I told him you shouldn't
have ridden that horse.

The script required it.

Arabians don't like women.
They only trust men.

Your fancy cowboys
should have known that.

You never should have ridden it.
- I'm all right now.

The doctor says that
we can have another baby.

If there's something
that you need to be doing...

go ahead.

I'm fine just
sitting here.

All right, then.

Come on, boy.

Come on.

What's his name?

Otto.

I have a dog.

They say the intelligence level of dogs
is that of a two-year-old child.

I think they know
much more than that.

They certainly know
how to get your attention.

Cats too.

I had a cat in London...

when I was first
trying to work there.

I called him Tomorrow.

And whenever I had a day
full of humiliating rejections...

I would pick up that cat
and I would say...

" Everything is going
to be all right, Tomorrow."

Thank you for seeing me.

You're my daughter.

Would you please come
and visit us in Switzerland?

You can bring Otto if you like.
I could send you a ticket.

No, no.
It's too far for me now.

I best just stay here.

I don't like to leave the place
with nobody to watch it.

Well, then I'll just have to
come back and visit you.

You don't have to do that.

But I want to.

I'm not cut out
to be a father, Audrey.

I wasn't then,
and I'm not now.

Why don't you
want to see me?

The whole world
loves you, Audrey.

You don't need me.

Good-bye, Father.

Good-bye, Audrey.

I'm sorry I thought
such terrible things--

that I said
such terrible things.

I'm sorry he hurt you.

I should have listened to you.
- It's all right.

Perhaps I was wrong
to try to protect you from him.

I just thought
if I could see him--

What happened to him?

I don't know.

It's as if he stepped onto a
moving sidewalk and it took him away.

I'm going to keep trying
to have a baby.

Good. I'm glad.

I think Mel wants me
to wait a little while.

The studio wants me
to do another movie right away.

What are you going to do?

I'm going to have a baby.

Name this child.

Sean.

Sean, I baptize thee
in the name of the Father...

and of the Son...

and of the Holy Ghost.

Amen.

Amen.

My child.

I just got off the phone
with the studio.

We need to give them an answer
about Breakfast at Tiffany's.

Call them back
and say no, of course.

I can't play a call girl.

You know, she
isn't really a call girl.

We never actually see her
calling on anyone.

Oh, all right, then.

She's a kookwho carries
messages for a mob boss...

while still trying
to find a rich boyfriend.

It's not me.

I gotta tell you,
I like the story.

Here's what I think.

It's about a beautiful young woman
who's having a wonderful time...

but still feels
a little lost.

You know? She doesn't
really know where she belongs.

Where does she belong?

Oh, with the struggling artist
that loves her, of course.

You really do like it?

I just think Holly's different
than any character you've ever played.

It's a complex script,
but it's still very emotional.

You wanted your next picture
to be a bit more modern.

I don't want to leave you
and the baby.

Sweetheart, if that's all it is,
Sean would love to go.

He told me this morning.
He said, " Dad...

Switzerland's nice, but I'd
really like to see New York."

Hang on.
Be right back.

Here you are.
One nameless cat.

Hello, cat.

Listen, Audrey...

apparently we only have
enough rain for one take.

Can you do it?
- Is he threatening me?

I read the script, but I don't get why
she puts the cat out of the taxi.

Holly Golightly puts the cat out
because Holly is the cat.

That's right.

She doesn't have a real name.
Neither does the cat.

She feels homeless
and unloved and unlovable...

just like the cat.

So, when she goes back
to find the cat, it means--

Excuse me. Audrey? The taxi's ready.
- Right.

Can we stand by
with the rain, please?

Stand by for the rain!

So, when she goes back
to find the cat...

it means that she's finally
accepted herself--

that she can love herself
even though she's a scrawny...

soaking wet no-name cat.

It's not a bad thing to be.

Okay, cue the rain.

Cue the rain, please!

Roll camera!

Mark it!
- Scene 1 88, shot 1, take 1, marker.

And action!

Cat!

Cat!

Cat!

Where is he?
- I don't know.

Cat?

Cat!

Oh, cat.

It's nice.

And cut it!

That's a cut!

Thank you, everybody!
That's a wrap!

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