All language subtitles for Hustle.S03E06.WEBRip.x264-ION10

- There it is.

90 grand cash.

- Mm, I think cash is so sexy.

Don't you?

- Hope you don't mind if we count it.

- Be my guest, mate.

You know, I think this is
the happiest day of my life.

- Mine, too.

- So, when do I get to
see the little blighter?

- Billy.

- And that's it!

The bales have come off!

The test match is drawn!

England have won the Ashes!

And just listen to that crowd!

- Can't wait to get this baby
back home where she belongs.

How about a drink to celebrate?

- A man after my own heart.

- Carol?

- Mm, oh, yes, please, Graham.

- After she's finished counting.

- I've got half a dozen
private collectors waiting

for this little beauty back home.

Should get top dollar.

- I'm glad I could help.

- It's strange, you know, in the old days

we used to swipe it first,
then try and flog it.

These days everything is to order.

There's a bloke in
Melbourne, read one of those

celebrity at home things
in his wife's magazine,

he's taken a shine to the clock

on Nicole Kidman's mantelpiece.

Got a crew in L.A. right now.

- 90 thousand exactly.

- Great. Get that drink, sweetheart.

- Cheers.

- So have you finished
your business in London?

- Hell, no.

I've got three more orders before...

- What are you doing?

- I'll take that.

- Now, hold on, fella.

- Back up, big boy.

Sit down.

Hands under your jacksie.

- What the hell is going on?

- Change of plan.

I'll take that, too.

Carol, be a good girl.

- What are you doing?

You work for me.

- Think of this as my resignation.

- You can't do this.

- Watch me.

- Do you know who I am?

- Why? You forgotten?

- I'll have you hunted down like a dingo.

- Yeah.

South America is a very big place.

Good luck.

Oh, yeah.

If your lot want this back, mate,

tell 'em to do it on the field.

Like we did.

- That's my money.

- Not anymore it's not.

- I will not...

- You make one more move,
son, and I'll use this.

- Yeah?

Haven't got the balls.

- Anyone else?

No?

Thought not.

Adios, amigos.

John!

We need to get him to a doctor!

- I can't be here.

- What?

- I can't be found in
the middle of a shooting.

- But he's hurt!

- You're not listening to me.

I can't get involved in this.

- It's okay.

- I'll call an ambulance.

- John, look, I'm sorry, mate.

I have to get outta here.

- I'll keep you out of it, just,

just go.

- You're a flaming diamond, mate.

And don't worry about that
little weasel, I'll find him.

Remind me again what I pay you for.

- Ambulance, please.

Eddie's Bar.

Change Alley, EC1.

Hurry, quick, it's an emergency!

- Seriously, though, I
was brilliant, wasn't I?

- You were great, Danny, great.

But all that stuff about winning the Ashes

back on the field?

"Like we did."

That wasn't in the script.
- "Like we did."

- Listen, mate, that's ad-libbing.

That's texture.

- You're lucky he didn't
start singing "Jerusalem."

- How good are we, though, seriously?

I mean, the others are
going to be well chuffed.

- Yes.

- Do you know what bit I liked best?

He even thanked me.

- I'm sorry, Mick.

- What?

- Somebody not pay the TV license?

- Don't worry, let's just find
out what this is about first.

There's nothing wrong with
having a suitcase full of cash.

Is there?

- This yours?

- I don't remember
seeing a search warrant.

- This yours?

- It's mine, they're my poker winnings.

Mickey picked them up for me.

Big game, went on for days.

I can't even remember the players.

- Oh, now, wait a minute.

- Consider yourself nicked.

Preliminary interview with Michael Stone.

Present are Detective Chief
Inspector Matthew York

and Detective Sergeant Deborah Eastman.

11:05 p.m.

Congratulations, Michael.

There was enough cocaine
found in that case

to qualify you as a major distributor.

- We both know it doesn't belong to me.

- It was found in your possession.

Albert Stroller admitted
the case belonged to him.

- Which means he'll get 20 years.

At his age, that will amount to life.

You and the others will
be charged with dealing.

- What do you do for a living, Michael?

- Oh, you know, this and that.

- Oh, you must do very well.

Hell of a lifestyle from what I can see.

Expensive clothes.

Penthouse flat.

- Look, can we please
just cut to the chase?

We all know the only way those drugs

could have gotten into that case

is if you put them there.

- They said you were smart.

- So what now?

- I can still put you
and your friends away.

- I could find a brief
to tear you to shreds.

- You've got form.

You live a millionaire's
lifestyle with no visible income,

six kilos of cocaine
found in your apartment

and you're black.

Who are you gonna get? Perry Mason?

- What do you want?

- Adam Rice.

The press like to call him The Ghost.

I call him a thief.

He steals to order.

Amongst other things, he's
credited with the theft

of the 1623 first folio edition
of the works or Shakespeare

from Durham University in 1998

and the theft of Edvard
Munch's painting, "The Scream,"

from a museum in Norway, September 2004.

You're a bright boy, Mickey.

What comes next?

- You'd like me to catch him for you.

- This is blackmail.

- Call it helping the police
with their inquiries, love.

I need a big collar.

This is the biggest.

You deliver Rice, I'll drop
all the charges against you.

- That's big of you.

- Can I just say something?

- What?

- Well, I mean, you
know, now we're all er,

crooks together and all that,

I was just wondering what
happened to the money in the case.

You know, the 90 grand
that you shits nicked

and replaced with cocaine?

- Don't you ever get
me confused, gobshite.

You're the crooks, I'm the police officer.

And the only reason I can bear

to breathe the same air as you now

is that I want Adam Rice behind
bars more than I want you.

Now, is there anything in
there you don't understand?

- No, just about got all that then.

- Good.

You've got an hour to make up your mind.

Time's up.

- You know damn well I
haven't got a choice.

- No, you haven't.

- Well, I can't do very much from in here.

- Which is why I'm letting you go.

These are top security cells,

away from the main custody suites,

and DS Eastman will be
supervising your time with us,

so as far as anyone else is concerned,

you'll still be here.

Look, I've even provided transport.

- Where's Albert?

- Oh er, he'll be staying with us.

- You can't do that.

- Yeah, but he's an old man,

you can't keep him in those cells.

- Don't worry.

I'm moving him to a nice custody suite

where I can keep an eye on him.

That way I can make sure you lot

don't do a disappearing act on me.

Call it insurance.

- That was not part of the deal.

- The deal's whatever I say it is.

- You nasty bastard.

- Just bring me Rice.

Questions?

- Did you have an unhappy childhood?

- Run along.

Shouldn't be too long, granddad,

as long as your friends
do as they're told.

- May I ask you something?

- How did I find you and your playmates?

- That's an obvious question, yes.

- Detective Chief Inspector Mullen.

He resigned two years ago

after your crew made him a laughingstock

by impersonating one of their officers.

- I recall the name.

- Impressive.

- So this is about revenge for Mullen?

- Oh, no, no.

What happened to him is
his old stupid fault.

I want a job done.

You fit the bill.

- Set a thief to catch a thief, huh?

- Precisely.

- Well, if you're smart
enough to know that,

you must be smart enough to know that

Mickey is going to come after you.

- Oh, I am.

That's why I'm not letting you go.

- Ash, what have we got so far?

- Right.

Detective Chief Inspector Matthew York,

the Met's blue-eyed boy.

Started off in the Midlands
and is credited with

the first zero-tolerance policy in the UK.

Moved to the Met two years ago.

This bloke's a one man
crime prevention unit.

The only one who comes
close to his cleanup record

is a DCI Neil Cooper from Middlesex.

Now, from what I can gather,

this Cooper bloke's had a good month,

so York needs a high profile collar

in order to maintain his
status as golden bollocks.

- He framed us for something we didn't do,

so we know he's dishonest.

- Yeah.

And he nicked our money.

- Yeah, well, his philosophy seems to be

to do whatever it takes
to get a conviction.

He concentrates on high profile crime,

that way he gets his face in the paper

when he clears it up.

- Which is why he wants Adam Rice.

- Do we know who this Rice bloke is?

- Well, everyone knows The Ghost.

- Well, I don't.

- He's an artist.

- Yeah, he's been number one on their

burglary most wanted list
for the past six years.

- Right.

So how the bleeding hell are
we supposed to catch him, then?

- We're screwed.

- No, no, I am not leaving Albert in jail.

Ash, can you track down Rice?

- Yeah, I can try.

- Then do it.

- Call me back, yeah?

- A few years ago the police
set up a honey trap for Rice.

- Nev? Ash Morgan.

- And they made sure she
was a beautiful officer.

- Yeah, I'm looking for someone.

- Someone to get right under his skin.

- His name's Adam Rice.

- So, he slept with her.
- That's right.

- Told her all about his next job,

which was to steal the ruby
slippers from "The Wizard of Oz"

and he let them stake out that target

while he hit somewhere else.

- Yeah, no, I tried Peter.

He didn't even know he was in town.

- Sounds like quite a charmer.

- Yeah, so I've heard.

- So are we really gonna
deliver him to the police?

- If it means we can get Albert out, yes.

- Yeah, well, put the word about, yeah?

See ya.

- Can't believe the Old
Bill nicked our money.

So now we're broke and screwed.

- Hello?

Hold on.

Heads up.

I found him.

Orange juice, please.

- You lost him?

- Look, I swear, Mick, he just
disappeared into thin air.

- Yeah, well, he's a ghost, isn't he?

- Did he see you?

- I don't think so.

Look, if you ask me,
he's the kind of bloke

who's used to being followed

and he pulls the odd stroke just in case.

- Okay.

Okay, we'll try again tomorrow.

Take Stacie with you.

- We're up.

- Police Anti-Terrorist Unit.

We need your car.
- What?

- Out of the car, please, sir.

Thank you.

Wait here. Thank you.

- Hey, that's my car!

You can't just...

- Thank you, sir.

You may have helped to
avert a national crisis.

- I just don't believe you.

- We'll make sure you're recommended

for a Citizen's Service Award, sir.

Thank you.

- Okay let's make contact with Rice.

- How?

- Well, me and Stacie discovered

he's got an interesting hobby.

- Which is?

- No.

All right?

No.

No way.

Before you all come up
with a plan, okay, no.

I know you think this is
the funny bit where you,

you know, you get a little scam together,

dress me up as an astronaut,
frogman, Joe 90, whatever,

okay, but I draw the line
at getting off a plane

before it's landed.

- Danny, don't tell me
you're frightened of heights.

- No problems with
heights, love, all right?

Love heights.

Me and heights, beautiful
thing, all right?

There's no way I'm jumping off a plane

while it's still in the air

with a giant hankie strapped to me back.

- Not even for Albert?

- No, no, no, no, no.

When you land you need to bend
your knees, Danny, all right?

And if you're coming in
fast, you bend and you roll.

- So, Ash, are we ready?

- Whoa!

Whoa, whoa.

All we've done is jump off a box twice.

- Would you like to do it again?

- You said I'd have proper training.

- Danny, how hard can it be?

You jump and then you land.

We've covered it.

- Well, what if the, you know,
parachute thing don't open?

- Well, then you pull your reserve.

- But what if the reserve don't open?

- All right, okay, look,

if the reserve doesn't open,

there's a standard procedure, all right?

- Tell me that.

- All right.

Now, you grab the knees of your jumpsuit

and you lean forward.

Go on.

- Like that?

- Yeah.

Further.

That's it.

Good, yeah.

Stick between your legs.

- And you kiss your arse goodbye.

- Thanks for the support.

'Morning.

- All right?

- Weather's holding up.

- Yeah.

You jumping at 2:30?

- Yeah.

- So are we.

Michael Stone.

- Danny Blue.

- Adam Rice.

So how many jumps have you done?

- A few.

- What about you, Danny?

- Oh, God!

- He's quite new.

Ready?

Danny?

- You go, I'll catch you up.

- Danny!

- Yeah?

- Okay!

The last one to the bar buys the drinks.

- Okay, I tell you what, I resign!

I don't want to be a grifter anymore!

I want to be a postman!

- Okay!

- Think about Albert!

- I hate you!

- I hate you, too!

Come on!

Okay, ready?

- No!

- One!
- Mickey, let's not do it!

- Two!

- Mickey, no, I don't want to!

- Three!

- Mickey!

Shit!

Mickey!

Oh, shit!

- How was it?

- Oh, awesome!

- Where's Danny?

- Hello?

Ah!

Hello?

Hey, hiya.

Thought I'd er,

go back up, you know, have another go.

- Wasn't exactly
a soft landing, was it?

- It's the wind, really,
took me off course.

It's not funny, lads, all right?

I could have been
seriously maimed out there.

- Yeah, maybe next time.

- There won't
be a flaming next time.

- So, what do you guys do?

- We're con men.

- Con men?

- And you are a thief.

Look, it's okay.

It's okay, we know who
you are and what you do

and we're fans.

Really.

- Well, that answers a question.

- Oh?

- I don't believe in chance meetings.

- I have a proposition for you.

Would you like to hear it?

- I'm intrigued enough
to still be sitting here.

- Whatever it is you're planning to steal,

you will sell once.

Whereas we would copy it
and sell it five times.

- Go on.

- I already have a team in place.

It could save you lot of running around.

- Oh, I rarely run.

- But you do need a team.

- Perhaps, but...

I usually do the finding,
not the other way around.

- The team that I have stole
the Star of Africa diamond.

We had five buyers,

made enough copies to deliver to all five

and then put the original back in place.

- Michael Stone.

Bloody hell, you're Mickey Bricks.

I thought you was undercover police.

I'm honored.

- Probably heard of me, too.

Danny Blue.

- Sorry, mate.

Your bellman used to
be Three Socks Morgan.

- He still is.

So, what do you think?

- Like I said, I usually find my own team.

So thanks, but no thanks.

It was a pleasure to meet you.

- So...

What's plan B?

- We do not have a plan B.

- Thought you always had a plan B.

- Yes, well, I don't,

not now, Danny.

- How are they treating you, Albie?

- Mr. York seems to be
enjoying my discomfort.

- Little shit.

You know we're doing everything we can

to get you out of here.

- Michael will think of something.

Are things not going too well, my dear?

- It's impossible.

- Trust Michael.

I do.

- I just hate you being here.

Is there anything you need?

- Yes, there is.

- So Stone's made contact with Rice.

What will he do next?

- Well, he'll deliver him.

What else can he do?

- Well, if you read his file,

he tends to do things you don't expect.

- Look, I've got the drug
charges and I've got the old man.

He's screwed and he knows it.

- He must be furious.

- He is.

And when this is done,
he'll come after me.

- Why do you think that?

- He does not
normally take this long.

- Yeah, well, Mickey
hates being told what to do,

doesn't he?

It clouds his judgment.

- That's just it.

I mean, who are we going for, then?

This Rice bloke or the copper?

- Both.

- If it's not claimed in 28 days,

you can come back and get it.

Eric, can you take this to the storeroom?

- So we'll know every word

that Stone and his gang are saying.

- I've got them like rats in a trap.

If they break wind, I'll know about it.

- Oh, you're so clever.

- Am I?

- Look, this is stupid.

Let's go and talk to Rice again.

- Mickey played his best card, we lost.

How's Albert?

- Well, he's putting on a brave face.

But I know him.

He's hating it.

- I still say we go
and talk to Rice again.

- I thought I made it clear
I like to do the finding.

- How the bleeding hell
did you get in here?

- Misspent youth.

Sorry I was so short at
the flying club, but,

well, I had to make sure you
were who you said you were.

- You've been checking us out?

- Of course.

I'm very careful.

That's how I stay out of prison.

- Well, you've already met Danny

and this Stacie Monroe.

- Charmed.

- And this is Ash Morgan.

- Very great pleasure to meet you.

- Yeah.

Likewise.

- So, what are we gonna steal?

- Hans Christian Andersen
was at Copenhagen University

in the late 1820s.

He shared a room with a
man called Peter Van Hugh.

Some say it was Van Hugh

who later encouraged Andersen to write.

They stayed friends his whole life.

- Oh, I used to love them stories.

- Andersen had just finished working

on a new book of stories
a week before he died.

He told his publishers about it,

but the manuscript was never found.

For a hundred years,

the publishing world thought it was lost.

- But you found it?

- It transpires that Van
Hugh wasn't the good friend

he professed to be.

- What, he nicked it off Hans Christian?

- Precisely.

The manuscript's been
tracked down to Van Hugh's

great grandson, an eccentric
who lived in Windfield Hall

just outside Isleworth.

He died last week with no heirs

and the contents of his estate
are to be auctioned off.

- Well, it must be worth millions.

- I have a client
that doesn't want to risk

being outbid at the auction.

- So he's hired you to steal it for him?

- Yeah.

The auction house is clearing the estate

the day after tomorrow,

so we need to steal it tomorrow night.

- How much security?

- Lots.

That's why I'm looking for help.

And as much as I respect
your reputation, Mickey,

it was Mr. Morgan who was the real draw.

- He thinks you're the nuts, Ash.

- So what do you think?

- Ah, I'm going to raise you 10.

- You're bluffing.

I'll call you.

Pair of tens.

- Aha.

Well...

You're right, I was bluffing.

You know it's very cramped in here, Eric.

Isn't there someplace else we could play?

- This is the estate.

A thousand acres with borderland

surrounded by a 14 foot electrical fence.

It's only accessible by one security gate.

- One way in, one way out.

- Exactly.

The main computer at
the front security gate

controls the separate alarm systems

to each one of the three
wings of the house.

- Well, by hacking into
the computer system,

I should be able to get
the security passwords

to deactivate the alarms.

Then I can disable them in turn

while you go through the building.

- You can do that?

- Yeah, if I can get
through the main gate.

- Stacie, can you distract the guard?

- I'm sure I can think of something.

- Okay, where will this
manuscript actually be?

- The manuscript's in the
third wing of the house,

in a glass display case.

The old boy was so terrified
someone was going to

steal his heirloom, he
installed a mechanism

where three levers have to
be turned simultaneously.

That way no one can take it on their own.

- Okay, then Danny
and I will come with you.

- Also, the perimeter
fence is electrified.

- Well, hang on, hang on.

So we can knock this fence out, can we?

- Yeah, but only once
we're inside the house.

The switch is under the
basement in the second wing.

- So how do you three get in?

- That's all under control.

- Okay.

So, er, are we done?

- Uh, yeah.

Yeah, I think so, yeah.

- Then let's meet up
tomorrow 4:30 at Eddie's Bar.

- You seem to have it all worked out.

- Yeah, great.

- I'll see you tomorrow, then.

- Yeah, be a pleasure.

- See you.

- Much better in here, eh?

Away from prying eyes.

- I couldn't agree more.

- I call.

- Aha.

Three fours.

- Full house.

- That's three in a row now.

- They say the devil loves his own.

- Aye.

How about a tea break?

- Yeah.

Go on.

But no fixing the deck
while me back's turned.

- Ah!

I wouldn't dream of it.

- I don't like this any more than you do.

But the only way to save
Albert is to make sure

that Adam Rice is caught
in that house red-handed.

York will not settle for anything else.

- And to do that we need
to go in there with him.

- Yeah, well, it's a shame.

He's a nice bloke, isn't he?

- Yes, yes, I know, but
there's no other way.

- Never.

Never thought I'd end up a grass.

- Okay, Danny, do you have an alternative?

- There isn't one.

- Look, let's just get this done.

I'll meet with York and tell him we're on.

- Brought you a cup of tea, Albert.

- Thank you, thank you.

- You feeling all right?

You haven't eaten again.

- Er, no, I just don't
seem to have any appetite.

- Oh, you're all right for
cards tonight, aren't you?

- Oh, of course, of course.

- Albert?

Jesus.

- Everything seems fine.

Perhaps the lack of fresh air

made you feel a little light headed.

Not eating wouldn't have helped.

- I'm sure that's all it was.

- Hey, your mate's here.

A top bloke, him.

Even pays for his drinks.

- Thought you'd changed your mind.

- I thought about it.

- First night nerves, eh?

- Something like that.

- We ready?

- We're ready.

- Then let's go and steal a manuscript.

- I should have guessed!

- Relax, Danny.

We're going in low to get accuracy.

- Well, why don't we land the
plane and be really accurate?

- I think they might notice.

- But it's dark out there.

I won't be able to see where I'm going!

- Well, you said you closed
your eyes last time anyway.

- You'll hit the spot, don't worry.

Let's go.

Stay close.

- Okay!

Come on!

- Mickey!
- Come on!

- Mickey, I can't do this!

Mickey, seriously!

- You'll be all right!

- Seriously, no, Mickey!

- Where's Danny?

He jumped before me.

- Ooh!

Get off me!

- Oh, shit.

- Oh, sorry.

Mick, I had me eyes shut.

- Hello?

Hello?

Hello?

Oh, thank God, erm,

can you help me?

My car's broken down.

It just sort of jerked to a halt and died

and I'm all on my own, it's all dark and...

- Do you want me to phone someone?

- Oh, no, no, no, no.

Erm, would you just have
a look at it for me?

I'm sure it's something really simple.

I'd be ever so grateful.

- Just a sec.

- Thank you.

- I think it's broken.

- I'm sorry, mate.

I just didn't see ya.

- Yeah, that's what happens
when you close your eyes.

- You shouldn't have pushed
me out of the bleeding plane,

then, should ya?

- Ash and Stacie will be
at the gatehouse by now.

- We have to go.

You're gonna have to help me.

- Okay.

Wait, wait!

Down!

Okay.

Okay, come on.

Come on.

- Guys.

- I can't believe I never
realized the engine was in here.

- Yeah.

- Really sorry,
mate, I just didn't,

you know, see you.

- Yeah, baby.

Mick, Wing One's down. You ready?

- We're just making our way
to the back entrance now.

We'll let you know when we're in.

- That door just opened by itself.

- Come on.

- It just...

- Shh!

This way.

- Bit creepy in here, innit?

Watch it.

- Will you come on?

- Why are you standing over here?

- That bottle of brandy
you keep in your desk...

- Who told you that?

- Oh so it's not true?

- Well.

Just to keep out the cold, you know.

- Of course.

Nothing like a shot of brandy in your tea.

Just to keep out the cold.

- I'll be five minutes.

No peeking.

- Wing Two, Wing Two.

Where's Wing Two?

- Warning.

System rearms in 30 seconds.

- Oh, shit.

Mick, there's a fail-safe.

- 20 seconds.

- Yeah, you've got 20
seconds to get to Wing Two.

- Ash, Adam is injured.

We're gonna need some help.

You're gonna have to stall it.

- I'll try cutting
the wire in the control box.

- Danny!

- 10 seconds.

Nine, eight, seven, six...
- Yes, yes, yes.

- Five, four...

Three, two.

Alarms deactivated.

- All clear.

The system's disabled.

- Ash, you're a genius.

- I really don't
see what's wrong, love.

- You all right?

- Not so good.

- Come on.

One, two, three.

- You'll be all right, son.

- Okay, here we go.

- Right, we sit
tight and wait for Stone's call.

Then we'll catch 'em all red-handed.

- This'll
put you right back on top.

- We need to
deactivate the electric fence.

- Okay.

Okay, wait here, wait here.

Danny.

Danny, down there is the basement.

You'll find the fusebox
for the main fence.

Drop the switch, we'll meet
you in the display room.

- What about him?

- We'll manage. Go!

- Why have I got to go downstairs?

Don't go down in the cellar!

Ah.

Please be this one.

Hope that worked.

Mickey?

- Okay, that's it.

That's it.

That's it, this way.

- You out of Wing Two yet?

- No, not yet, almost.

- Shh, shh, shh.

Can you hear something?

- Quick, over here.

- Oh!

- Danny, will you stop sneaking about?

- I'm a burglar, ain't I?

I'm supposed to be sneaking about.

- The display room is over there.

- Come on.

- Oh, come on, shall
we give it a little go?

I could turn it over for you.

- I can't see the point,
I haven't done anything.

- Oh, come on.

- No, I'm supposed to be on duty.

There's a local garage
a couple of miles away.

I'll give them a call.

- Oh, no, wait.

Erm, I've got something
I want to give you.

- What?

- Trev, can you go
and check the main fuse panel

in the basement?

It looks like the fence is down.

- On my way.

- Mick, you've got to move on this one.

They discovered the fence is down.

- Okay, we're outside the room now.

- All right?

- Got it, yeah.

- We're inside.

- Where's the levers?

- It's the gargoyles.

We grab one each, then
we turn to the right.

- Let's do it.

Ready?

Okay.

On three.

One!

Two!

Three!

- Wow!

God, Hans Christian!

- Good.

Let's go.

- York.

It's done.

- Keep him there.

Yeah, well, that's your problem, not mine.

Just do it.

I'm on my way.

All right, call the calvary.

It should take them three minutes.

Just enough time for them to see me

dragging Rice out single-handed.

- This is Detective Sergeant Eastman.

I want backup, please, to
Windfield Hall as quick as you...

That was quick.

- Police!

- Well, if it isn't DCI
Cooper, the nearly man.

What are you doing here?

- We had a tip off.

So whatever's going on,
this is a Middlesex collar.

- Oh, no.

No, I've been running a covert operation,

which makes it my collar.

Police! Open up!

Gentlemen, meet...

The Ghost.

- This had better be good.

- I know who did this.

I can take you to them.

- Who?

- Don't seem
to be anyone here, sir.

- Sir?

We ran a check on the
names Mr. York gave us.

They're showing as being in custody.

- Yeah, well, it would show that,

but they're not really
because I let them go.

It's complicated.

- Are they in custody or not?

- Not.

But this isn't possible.

- Have any of these
people left the station?

- 'Course not, how could they?

- You have to listen to me.

They did the robbery.

- Well, that's hardly
likely, is it, Mr. York?

- All right, look,

I told you this was an
undercover operation.

I was using them to help catch The Ghost.

- Ghost?

- Adam Rice!

I offered them a deal
on the drugs charges.

- What drugs charges?

- This was the case found
in their possession.

I think you'll find it
corroborates my story.

- Sherbet.

- Vanilla sherbet, I think you'll find.

I'm a confectionary salesman.

- He's lying.

Well, don't you see?

This was cocaine.

He's conning us.

Don't you see?

That's what he does.

Him and The Ghost.

- Maybe it's time you took a holiday.

Release them.

- No.

No, wait!

It's not sherbet, it's cocaine, I...

I've got a press conference.

- You know what?

I think I'll take it.

Tell them about the Internal
Affairs investigation

I'm about to start.

- You did this.

Aye, it was you.

- I think I mentioned earlier,

I am not a thief.

- I had you bang to rights.

How did you do it?

- You're a bright boy, Matty.

Work it out.

- Is there anything you need?

- Yes, there is.

- How much sherbet would you like?

- Six kilos, please.

- What?

- If it's not claimed in 28 days,

you can come back and get it.

Eric, can you take this...

- So we'll know every word

that Stone and his gang are saying.

- I've got them like rats in a trap.

If they break wind, I'll know about it.

- Oh, you're so clever.

- Look, this is stupid.

Let's go and talk to Rice again.

- Mickey played his best card.

We lost.

How's Albert?

- Well, he's putting on a brave face.

But I know him.

He's hating it.

- I still say we
go and talk to Rice again.

Never thought I'd end up a grass.

- Okay, Danny, do you have an alternative?

- There isn't one.

- Let's get this done.

I'll meet with York and tell him we're on.

- You know, it's very
cramped in here, Eric.

Isn't there someplace else we could play?

Nothing like a shot of brandy in your tea.

Just to keep out the cold.

- I'll be five minutes.

No peeking.

Here we are.

- Ah, good!

Right on time.

- To keep out the cold.

- Right.

- Trev, can you go
and check the main fuse panel

in the basement?

Looks like the fence is down.

- On my way.

- Mick, you've got to move on this one.

They discovered the fence is down.

You'll have to find another way out.

- Oh...

Oh!

Oh!

- Ah!

- You ready?

- We're ready.

- Then let's go and steal a manuscript.

- Uh, before we do this there's um,

there's something you should know.

- What?

- We've all been working for

Detective Chief Inspector Matthew York.

- You want me to do what?

- You're lucky someone handed it in.

It's brilliant, that, mate.

My little girl's gonna be made up.

- You know what?

I think he's ever so handsome.

- Give us a break.

I mean, if you like that, you know,

obvious square jaw, six pack rubbish.

- Well, now you come to mention it.

- Yeah, well, I reckon he's, you know.

Bit gay.

Seriously.

I mean, you don't get skin like that

without using moisturizer.

Dead giveaway.

- Really?

- Yeah.

Blokes know these things.

We've got like a sixth sense on it.

Isn't that right, Eddie?

- Yeah, definitely.

- You know, if I didn't
know you better, Danny,

I'd say you were jealous.

- Me?

Jealous?

- So how's your ankle?

- Hairline fracture, it'll mend.

- I'm sorry you got
dragged into all of this.

- Oh, it was fun.

We should do it again.

- Oh, no.

No, no, no, I think
we'll stick to grifting.

- Well, if you change your mind.

- What time is your buyer due?

- Any minute.

- Well, I have to say, that
was quite a ride, wasn't it?

So, Albert, erm, where's the cocaine?

- Oh, I flushed it down the toilet.

- So what happened to the 90 grand we got

for the old Ashes thing?

- Well, the police have still got that.

- No, they don't.

Tada!

- Do you know, I haven't
got the faintest idea

what's going on here, but it's great.

- Well, I wonder what
kind of day Mr. York had.

- I love you.

- Well, your buyer's late.

- Yeah, well, I need a leak.

So keep him warm for me if he
comes in before I get back.

- What's he look like?

- I haven't met him yet.

He said he'd wear a flower
in his buttonhole, though.

- Nice kid.

Nice kid, he is definitely, yeah.

You know, I think I might
take up that skydiving lark.

I reckon I'm a bit of a natural.

- Yeah, right.

- You know, I'm very touched
that Danny would risk his life

to get me out of prison.

- Yeah, no, fair play for you, Danny.

It must have taken a lot of bollocks.

- Hey, guys, you know,

we're a team, ain't we?

Never leave a man down in the field.

One of us is in danger, there comes a time

in a guy's life, you gotta
step up to the plate.

You've gotta say yeah, I'll be counted.

- Very articulate, Danny.

- Thank you.

Thank you.

I mean, that's why people like York,

they underestimate us, you see?

They don't understand how smart we are.

- He should learn to
expect the unexpected.

- 'Cause we are brilliant, ain't we?

I mean, we're brilliant.

Anything you throw at
us, we can handle it.

- Oh, dear, Danny's going into one again.

- Yeah, well, it was
only a matter of time.

- That's what it's about, innit?

Thinking on your feet,
dealing with any situation,

knowing that whatever happens, eh, kids,

we always come out on top.

- Mm.

- Yes.

- Guys, guys.

♪ A little less conversation
a little more action please ♪

♪ All this aggravation
ain't satisfactioning me ♪

♪ A little more bite a little less bark ♪

♪ A little less fight
and a little more spark ♪

♪ Close your mouth and
open up your heart ♪

♪ And baby satisfy me ♪

♪ Satisfy me baby ♪

♪ Baby close your eyes
and listen to the music ♪

♪ Dig to the summer breeze ♪

♪ It's a groovy night and I
can show you how to use it ♪

♪ Come along with me and
put your mind at ease ♪

♪ A little less conversation
a little more action ♪

♪ All this aggravation
ain't satisfactioning me ♪

♪ A little more bite a little less bark ♪