All language subtitles for Episodes.S03E07.1080p.AMZN.WEBRip.DD5.1.x264-NTb_track3_[eng]

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish Download
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,125 --> 00:00:13,959 I'M HERE FOR YOU. 2 00:00:13,959 --> 00:00:15,792 WHATEVER YOU NEED. 3 00:00:15,792 --> 00:00:16,917 REALLY? 4 00:00:16,917 --> 00:00:19,250 [ BOTH PANTING ] 5 00:00:19,250 --> 00:00:20,333 YOU SLEPT WITH HIM. 6 00:00:20,333 --> 00:00:21,375 I SWEAR... 7 00:00:21,375 --> 00:00:23,458 THERE WAS NO SLEEPING. 8 00:00:23,458 --> 00:00:26,792 YOU HAD A SCRIPT THAT WAS GOING AROUND BACK THEN. 9 00:00:26,792 --> 00:00:28,792 IT WAS ALL ANYONE TALKED ABOUT. 10 00:00:28,792 --> 00:00:30,041 I'D LOVE TO READ IT AGAIN. 11 00:00:30,041 --> 00:00:32,333 WE'RE NOT LOOKING TO DO ANOTHER SHOW HERE. 12 00:00:32,333 --> 00:00:35,000 DON'T BE MAD AT ME. ALL RIGHT. 13 00:00:35,000 --> 00:00:37,875 I WAS JUST AT A MEETING WITH KIM SALLY OVER AT FOX. 14 00:00:37,875 --> 00:00:39,709 DO YOU MIND IF I SHOW IT TO HER? 15 00:00:39,709 --> 00:00:40,875 YOU KNEW FROM THE BEGINNING 16 00:00:40,875 --> 00:00:42,583 THERE WERE ONLY TWO THINGS I ASKED -- 17 00:00:42,583 --> 00:00:44,834 BE NICE AND DON'T CHEAT. 18 00:00:44,834 --> 00:00:46,583 I WAS NICE. 19 00:00:47,583 --> 00:00:50,333 [ TYPEWRITER CLICKING, BELL CHIMES ] 20 00:00:53,417 --> 00:00:55,333 [ WIND WHISTLING ] 21 00:01:00,917 --> 00:01:03,417 [ MID-TEMPO MUSIC PLAYS ] 22 00:01:28,125 --> 00:01:30,208 [ GUNSHOT ] 23 00:01:48,417 --> 00:01:49,375 MORNING. 24 00:01:49,375 --> 00:01:51,333 HELLO. HEY. 25 00:01:51,333 --> 00:01:53,875 SO, UH, WE WERE THINKING, 26 00:01:53,875 --> 00:01:56,500 IT MIGHT BE NICE BEFORE WE GO BACK TO LONDON, 27 00:01:56,500 --> 00:01:58,250 WHAT DO YOU SAY YOU AND JAMIE COME OVER FOR DINNER? 28 00:01:58,250 --> 00:01:59,208 MAYBE THIS WEEKEND? 29 00:01:59,208 --> 00:02:02,375 UH, ACTUALLY, JAMIE AND I ARE KIND OF DONE. 30 00:02:02,375 --> 00:02:03,625 WHAT? NO. YOU'RE KIDDING. 31 00:02:03,625 --> 00:02:04,750 YEAH. SO... 32 00:02:04,750 --> 00:02:06,166 I CAN'T BELIEVE IT. 33 00:02:06,166 --> 00:02:07,250 WHEN DID THIS HAPPEN? 34 00:02:07,250 --> 00:02:08,792 UH, FEW DAYS AGO. 35 00:02:08,792 --> 00:02:10,750 AND YOU NEVER SAID ANYTHING. 36 00:02:10,750 --> 00:02:12,625 I WISH YOU'D TOLD US WHAT HAPPENED. 37 00:02:12,625 --> 00:02:13,917 IT DOESN'T MATTER. 38 00:02:13,917 --> 00:02:15,583 I DON'T SUPPOSE IT HAD ANYTHING 39 00:02:15,583 --> 00:02:18,291 TO DO WITH YOUR LITTLE THING WITH MORNING'S DAUGHTER. 40 00:02:18,291 --> 00:02:19,667 MIGHT'VE. 41 00:02:19,667 --> 00:02:21,333 OH, MY GOD. 42 00:02:21,333 --> 00:02:24,333 YOU STUPID, STUPID MAN. 43 00:02:25,125 --> 00:02:25,959 STUPID. 44 00:02:25,959 --> 00:02:27,500 YOU CARED SO MUCH ABOUT HER, 45 00:02:27,500 --> 00:02:29,625 AND TO LOSE HER OVER SOMETHING LIKE THIS... 46 00:02:31,709 --> 00:02:34,417 WHAT ARE YOU GONNA DO? 47 00:02:37,250 --> 00:02:38,750 SO THAT'S IT? 48 00:02:38,750 --> 00:02:40,917 THAT'S THE EXTENT OF YOUR EMOTIONAL PAIN? 49 00:02:40,917 --> 00:02:41,834 WHAT DO YOU WANT ME TO SAY? 50 00:02:41,834 --> 00:02:42,792 SOMETHING! 51 00:02:42,792 --> 00:02:44,000 BE A HUMAN BEING! 52 00:02:44,000 --> 00:02:46,417 IS THERE NO GUILT? NO REGRET? 53 00:02:46,417 --> 00:02:48,166 EH. 54 00:02:49,834 --> 00:02:52,417 OH. SO THIS ISN'T OVER. 55 00:02:52,417 --> 00:02:54,041 YOU'RE JUST GONNA LET HER GO? 56 00:02:54,041 --> 00:02:55,291 AS OPPOSED TO? 57 00:02:55,291 --> 00:02:56,291 FIGHT FOR HER! 58 00:02:56,291 --> 00:02:57,750 BEG HER FORGIVENESS! 59 00:02:57,750 --> 00:02:59,333 LOOK AT WHAT YOU'RE LOSING. 60 00:02:59,333 --> 00:03:00,959 SHE WAS THE BEST THING THAT EVER HAPPENED TO YOU. 61 00:03:00,959 --> 00:03:02,458 SHE MADE YOU A BETTER PERSON. 62 00:03:02,458 --> 00:03:03,834 YEAH, OKAY. I'M GETTING BREAKFAST. 63 00:03:03,834 --> 00:03:04,959 CAN WE WALK AND DO THIS? 64 00:03:04,959 --> 00:03:06,291 [ SIGHS ] 65 00:03:08,208 --> 00:03:10,792 WHAT DO YOU WANT FROM ME? 66 00:03:10,792 --> 00:03:11,709 SHIT HAPPENS. 67 00:03:11,709 --> 00:03:13,000 SHIT DIDN'T HAPPEN. 68 00:03:13,000 --> 00:03:14,291 YOU MADE THE SHIT HAPPEN. 69 00:03:14,291 --> 00:03:15,500 WHATEVER. 70 00:03:15,500 --> 00:03:18,166 YOU CHEATED ON HER WITH A 19-YEAR-OLD. 71 00:03:18,166 --> 00:03:20,375 DID YOU SEE THE 19-YEAR-OLD? 72 00:03:20,375 --> 00:03:21,750 HUH? OH, NO. 73 00:03:21,750 --> 00:03:22,959 YOU'RE NOT TAKING ME DOWN WITH YOU. 74 00:03:24,667 --> 00:03:27,125 WELL, I HOPE IT WAS WORTH IT. 75 00:03:27,125 --> 00:03:29,125 YOU THREW AWAY A WONDERFUL RELATIONSHIP 76 00:03:29,125 --> 00:03:30,208 WITH AN EXTRAORDINARY WOMAN. 77 00:03:30,208 --> 00:03:32,208 HEY, SHE WAS SUPPOSED TO BE GONE ALL WEEK. 78 00:03:32,208 --> 00:03:34,333 IT'S NOT MY FAULT SHE CAME BACK EARLY. 79 00:03:34,333 --> 00:03:37,000 MY GOD. YOU SHOULD BE STUDIED BY DOCTORS. 80 00:03:37,000 --> 00:03:38,041 THEN SHE SHOWS UP, 81 00:03:38,041 --> 00:03:40,250 SNIFFING AROUND LIKE SOME DETECTIVE. 82 00:03:40,250 --> 00:03:42,250 YOU HEARTLESS FUCKER. 83 00:03:42,250 --> 00:03:43,667 ARE YOU DEAD INSIDE? 84 00:03:43,667 --> 00:03:45,041 PROBABLY. 85 00:03:45,041 --> 00:03:47,041 YOU THINK THIS IS TURKEY BACON OR REGULAR BACON? 86 00:03:47,041 --> 00:03:48,166 TURKEY. THERE'S THE REGULAR. 87 00:03:48,166 --> 00:03:50,166 OH. YOU'RE A SOCIOPATH. 88 00:03:50,166 --> 00:03:51,875 SO I GUESS DINNER'S OFF. 89 00:03:51,875 --> 00:03:53,667 EVEN IF YOU WERE STARVING. 90 00:03:56,417 --> 00:03:57,333 HEY. 91 00:04:00,417 --> 00:04:02,959 MM-HMM. 92 00:04:02,959 --> 00:04:05,000 MAYBE THE NEXT ONE'S BETTER. 93 00:04:06,667 --> 00:04:07,917 [ REMOTE CONTROL CLICKS ] 94 00:04:07,917 --> 00:04:09,834 Man: OKAY. WHENEVER YOU'RE READY. 95 00:04:09,834 --> 00:04:11,542 Rena: I'M RENA KEEVEY 96 00:04:11,542 --> 00:04:14,709 READING FOR THE UNTITLED SHELLY SIEGLER PILOT. 97 00:04:14,709 --> 00:04:16,125 SHE JUST DID THIS PLAY IN NEW YORK. 98 00:04:16,125 --> 00:04:18,083 SHE'S SUPPOSED TO BE BRILLIANT. 99 00:04:18,083 --> 00:04:20,000 OOH. I LIKE THAT. 100 00:04:20,000 --> 00:04:21,166 I'M NOT SPEAKING TO YOU. 101 00:04:21,166 --> 00:04:23,125 REALLY? SOUNDS LIKE YOU ARE. 102 00:04:23,125 --> 00:04:25,041 [ SCOFFS ] WELL, I SHOULDN'T BE. 103 00:04:25,041 --> 00:04:27,583 I SO DIDN'T WANT TO TAKE AARON TO THAT PARTY. 104 00:04:27,583 --> 00:04:29,208 I KNEW IT WAS A BAD IDEA. 105 00:04:29,208 --> 00:04:31,166 WHAT HAPPENED? WHAT HAPPENED? 106 00:04:31,166 --> 00:04:33,500 WE HAD A GREAT TIME, IS WHAT HAPPENED. 107 00:04:33,500 --> 00:04:35,250 ARE HER EARS FUNNY? 108 00:04:35,250 --> 00:04:36,875 ...AMAZING, AND NOW THEY... 109 00:04:36,875 --> 00:04:38,917 ARE THEY? 110 00:04:38,917 --> 00:04:40,542 MAYBE. INTERESTING. 111 00:04:40,542 --> 00:04:42,375 THEY'RE KIND OF LIKE LITTLE BAT EARS. 112 00:04:42,375 --> 00:04:43,917 IS THAT WHAT IT IS? OH, NO. 113 00:04:43,917 --> 00:04:45,375 MM-MMM. 114 00:04:45,375 --> 00:04:47,625 WELL, IF WE GO TO SERIES, 115 00:04:47,625 --> 00:04:49,417 SHE COULD ALWAYS GET THEM CLIPPED OR SOMETHING. 116 00:04:49,417 --> 00:04:50,834 WOULD SHE DO THAT? 117 00:04:50,834 --> 00:04:53,792 FOR A SERIES? [ CHUCKLES ] 118 00:04:53,792 --> 00:04:55,208 THAT'S NOT FOR ME. WHAT? 119 00:04:55,208 --> 00:04:57,750 I DON'T KNOW. IS SHE A SHOW? 120 00:04:57,750 --> 00:04:59,041 MNH-MNH. 121 00:04:59,041 --> 00:05:02,166 SHE DOESN'T FEEL LIKE A SHOW. 122 00:05:02,166 --> 00:05:04,208 SHE FEELS MORE BEST-FRIENDY. 123 00:05:04,208 --> 00:05:05,583 THIS IS FOR THE BEST FRIEND. 124 00:05:05,583 --> 00:05:07,083 OH! 125 00:05:07,083 --> 00:05:08,542 I DO. 126 00:05:08,542 --> 00:05:10,959 IS SHE TOO PRETTY FOR THE BEST FRIEND? 127 00:05:10,959 --> 00:05:13,333 ONLY IF THE LEAD GIRL'S ANOTHER BAT. 128 00:05:13,333 --> 00:05:14,875 [ BOTH CHUCKLE ] 129 00:05:14,875 --> 00:05:17,417 SHE LOOKS LIKE SOMEONE I WENT TO CAMP WITH. 130 00:05:17,417 --> 00:05:19,583 WAS SHE A SHOW? CAN WE GET HER? 131 00:05:19,583 --> 00:05:20,583 [ BOTH CHUCKLE ] 132 00:05:20,583 --> 00:05:21,959 [ SIGHS ] 133 00:05:21,959 --> 00:05:24,083 WHAT AM I GONNA DO? 134 00:05:24,083 --> 00:05:26,917 I'M NOT GETTING THE "BRILLIANT" THING. 135 00:05:26,917 --> 00:05:28,417 SHE'S GOT BIG HANDS. 136 00:05:28,417 --> 00:05:30,583 SHE'S LIKE A LESS FUNNY WHAT'S-HER-NAME. 137 00:05:30,583 --> 00:05:31,875 MM. MM. 138 00:05:31,875 --> 00:05:33,750 SLEEP WITH HIM? 139 00:05:33,750 --> 00:05:35,625 WHAT DO YOU THINK? 140 00:05:35,625 --> 00:05:38,333 MM. HER VOICE ANNOYS ME. 141 00:05:38,333 --> 00:05:40,834 I DON'T KNOW HOW WE'RE GOING TO CAST THIS. 142 00:05:40,834 --> 00:05:42,166 THERE'S NOBODY GOOD LEFT. 143 00:05:42,166 --> 00:05:44,458 IT'S A BAD THING -- BAD THING. 144 00:05:44,458 --> 00:05:46,208 [ REMOTE CONTROL CLICKS, INTERCOM BEEPS ] 145 00:05:46,208 --> 00:05:48,125 WOMAN: Carol? Castor needs to see you. 146 00:05:48,125 --> 00:05:49,625 OKAY. 147 00:05:49,625 --> 00:05:50,625 Right away. 148 00:05:50,625 --> 00:05:52,458 OH. 149 00:05:52,458 --> 00:05:53,458 ALL RIGHT. 150 00:05:53,458 --> 00:05:56,834 KEEP GOING WITHOUT ME. MM-HMM. 151 00:06:02,625 --> 00:06:04,875 I GUESS SOMETHING CAME UP. 152 00:06:04,875 --> 00:06:06,166 MMMM. 153 00:06:06,166 --> 00:06:07,583 [ CHUCKLES ] 154 00:06:07,583 --> 00:06:10,750 [ CELLPHONE RINGS ] 155 00:06:10,750 --> 00:06:12,417 HELLO? 156 00:06:12,417 --> 00:06:13,625 SEAN, HI. 157 00:06:13,625 --> 00:06:15,875 IT'S EILEEN JAFFEE. [ PANTS ] Oh, hello. 158 00:06:15,875 --> 00:06:17,250 YOU SOUND OUT OF BREATH. 159 00:06:17,250 --> 00:06:18,291 I JUST GOT A NEW DESK. 160 00:06:18,291 --> 00:06:20,875 I THINK I'VE GOT IT SET TOO HIGH. 161 00:06:20,875 --> 00:06:22,250 ALL RIGHT. 162 00:06:22,250 --> 00:06:24,208 SO, KIM READ YOUR SCRIPT. 163 00:06:24,208 --> 00:06:26,041 THAT WAS FAST. I know. 164 00:06:26,041 --> 00:06:28,875 AND, OF COURSE, SHE LOVED, LOVED, LOVED IT. 165 00:06:28,875 --> 00:06:30,917 REALLY? Mm-hmm. 166 00:06:30,917 --> 00:06:34,166 SHE SAID SHE LAUGHED HER ASS OFF. 167 00:06:34,166 --> 00:06:35,250 SHE THOUGHT IT WAS FRESH. 168 00:06:35,250 --> 00:06:36,375 SHE THOUGHT IT WAS DIFFERENT. 169 00:06:36,375 --> 00:06:39,792 SHE SAID YOU GUYS BLEW HER SOCKS OFF. 170 00:06:39,792 --> 00:06:40,959 WOW. 171 00:06:40,959 --> 00:06:43,041 WELL, HOPEFULLY SHE HAS SOMEONE TO BLOW THEM BACK ON. 172 00:06:43,041 --> 00:06:45,709 [ LAUGHS ] I have no idea what that means. 173 00:06:45,709 --> 00:06:47,083 ROBBIE! 174 00:06:48,166 --> 00:06:50,000 GLASSES. 175 00:06:50,000 --> 00:06:52,458 ANYWAY, HERE'S WHERE IT GETS A LITTLE TRICKY. 176 00:06:52,458 --> 00:06:53,792 WHAT DO YOU MEAN, "TRICKY"? 177 00:06:53,792 --> 00:06:55,792 [ SIGHS ] SHE WANTS TO MAKE IT. 178 00:06:55,792 --> 00:06:56,667 AH. 179 00:06:56,667 --> 00:06:59,458 I KNOW WE SAID THAT WAS OFF THE TABLE, 180 00:06:59,458 --> 00:07:03,333 BUT SHE SAID IT'S EXACTLY WHAT SHE'S LOOKING FOR, 181 00:07:03,333 --> 00:07:05,291 AND SHE THINKS, WITH THE RIGHT CASTING, 182 00:07:05,291 --> 00:07:07,125 THIS COULD BE A BIG FUCKING HIT. 183 00:07:07,125 --> 00:07:08,875 OH, MY GOD. 184 00:07:08,875 --> 00:07:10,291 EILEEN: And, by the way, did I tell you? 185 00:07:10,291 --> 00:07:12,375 KIM PASSES ON ALMOST EVERYTHING. 186 00:07:12,375 --> 00:07:15,959 WELL, OBVIOUSLY, IT'S INCREDIBLY FLATTERING, 187 00:07:15,959 --> 00:07:18,333 AND IF IT WERE JUST ME, I'D DO IT IN A HEARTBEAT. Well... 188 00:07:18,333 --> 00:07:20,208 MAYBE WE CAN GET BEV ON BOARD. 189 00:07:20,208 --> 00:07:21,166 [ SIGHS ] 190 00:07:21,166 --> 00:07:22,667 I'D SAY IT'S UNLIKELY. 191 00:07:22,667 --> 00:07:24,542 NEVER HURTS TO ASK. 192 00:07:24,542 --> 00:07:27,583 THAT'S NOT ALWAYS TRUE, BUT I'LL TALK TO HER TONIGHT. 193 00:07:27,583 --> 00:07:29,625 THE SOONER, THE BETTER. No, I know. 194 00:07:29,625 --> 00:07:31,875 BUT I THINK IF I BROACH IT IN THE MIDDLE OF A HELLISH "PUCKS" DAY, 195 00:07:31,875 --> 00:07:33,709 SHE'S LESS LIKELY TO RE-ENLIST. 196 00:07:33,709 --> 00:07:36,458 GOD. THEY'RE STILL MAKING YOU SHOOT THOSE? 197 00:07:36,458 --> 00:07:38,333 IS NO ONE LOOKING OUT FOR YOU GUYS? 198 00:07:38,333 --> 00:07:40,083 WHO'S REPRESENTING YOU HERE? 199 00:07:40,083 --> 00:07:43,166 UH, NO ONE. WE'VE JUST STILL GOT OUR AGENT FROM THE U.K. -- 200 00:07:43,166 --> 00:07:44,375 STANLEY RICHARDSON. 201 00:07:44,375 --> 00:07:47,208 Oh. I know Stanley, from my London days. 202 00:07:47,208 --> 00:07:50,375 HOW OLD MUST HE BE BY NOW? 203 00:07:50,375 --> 00:07:51,625 NO ONE KNOWS. 204 00:07:51,625 --> 00:07:54,333 EVERYONE ELSE HIS AGE IS DEAD. 205 00:07:54,333 --> 00:07:58,166 I REMEMBER. HE MAKES THE BEST CHRISTMAS COOKIES. 206 00:07:58,166 --> 00:07:59,917 OH, ABSOLUTELY. HE'S FAMOUS FOR THEM. 207 00:07:59,917 --> 00:08:01,375 [ CHUCKLES ] WELL, I DON'T KNOW 208 00:08:01,375 --> 00:08:03,417 IF THAT'S WHAT I'D WANT MY AGENT TO BE FAMOUS FOR, 209 00:08:03,417 --> 00:08:05,417 BUT THEY ARE DELICIOUS. 210 00:08:05,417 --> 00:08:07,709 [ TYPEWRITER CLICKING, BELL CHIMES ] 211 00:08:07,709 --> 00:08:12,417 I'M TELLING YOU, IT IS THE HOTTEST SEX I HAVE EVER HAD. 212 00:08:12,417 --> 00:08:14,583 SO IT'S GONNA BE ONE OF THOSE WALKS. 213 00:08:14,583 --> 00:08:16,166 WE'LL BE IN THE OFFICE, AND ALL OF A SUDDEN, 214 00:08:16,166 --> 00:08:19,208 HE JUST, LIKE, WANTS ME AND TAKES ME... 215 00:08:19,208 --> 00:08:20,583 RIGHT THERE! 216 00:08:20,583 --> 00:08:23,583 IT'S LIKE NOTHING I'VE EVER -- 217 00:08:23,583 --> 00:08:25,500 WELL, DIDN'T YOU AND MERC SOMETIMES, 218 00:08:25,500 --> 00:08:26,875 YOU KNOW, IN THE OFFICE? 219 00:08:26,875 --> 00:08:28,250 UH, YEAH. 220 00:08:28,250 --> 00:08:29,959 BUT IT'S TOTALLY DIFFERENT. 221 00:08:29,959 --> 00:08:32,834 THIS IS LIKE "FIFTY SHADES OF GREY" HOT. 222 00:08:32,834 --> 00:08:34,625 THAT WAS JUST... 223 00:08:34,625 --> 00:08:35,959 FIFTY SHADES OF GRAY. 224 00:08:35,959 --> 00:08:38,041 EW! 225 00:08:38,041 --> 00:08:39,125 GET THIS -- 226 00:08:39,125 --> 00:08:43,000 WHEN WE'RE DOING IT, HE WON'T LET ME LOOK AT HIM. 227 00:08:43,000 --> 00:08:45,000 [ LAUGHS ] 228 00:08:45,000 --> 00:08:46,625 YOU'RE NOT ALLOWED TO LOOK AT HIM? 229 00:08:46,625 --> 00:08:47,709 NOPE. 230 00:08:47,709 --> 00:08:51,291 OF COURSE, I DO, BUT ONLY WHEN HE'S NOT LOOKING. 231 00:08:51,291 --> 00:08:52,959 AND YOU LIKE THAT? 232 00:08:52,959 --> 00:08:55,625 WELL, HE LIKES IT, SO... 233 00:08:55,625 --> 00:08:57,333 I WANT TO MAKE HIM HAPPY. 234 00:08:57,333 --> 00:08:59,500 AND DO YOU GET TO TELL HIM WHAT MAKES YOU HAPPY? 235 00:08:59,500 --> 00:09:01,000 OH, HE DOESN'T LIKE IT WHEN I TALK. 236 00:09:01,000 --> 00:09:02,542 EVER? DURING. 237 00:09:02,542 --> 00:09:03,709 THAT'S NICE. 238 00:09:03,709 --> 00:09:05,166 IN FACT... YES? 239 00:09:05,166 --> 00:09:08,792 ...SOMETIMES HE PUTS HIS HAND OVER MY MOUTH. 240 00:09:08,792 --> 00:09:10,667 OH, MY GOD. CAN YOU BREATHE? 241 00:09:10,667 --> 00:09:13,667 [ Laughing ] YEAH. THROUGH MY NOSE. 242 00:09:13,667 --> 00:09:17,333 AND SOMETIMES HE OPENS HIS FINGERS A LITTLE BIT, 243 00:09:17,333 --> 00:09:20,333 OR I PRY THEM APART. 244 00:09:20,333 --> 00:09:21,875 MM! 245 00:09:21,875 --> 00:09:24,500 FUN. 246 00:09:24,500 --> 00:09:26,500 YOU EVER HEARD OF ANYTHING LIKE THAT? 247 00:09:26,500 --> 00:09:28,917 NOT SINCE PATTY HEARST WAS KIDNAPPED. 248 00:09:28,917 --> 00:09:30,250 [ BOTH LAUGH ] 249 00:09:30,250 --> 00:09:33,792 YOU THINK IT'S WEIRD? [ SIGHS ] 250 00:09:33,792 --> 00:09:37,625 FAR BE IT FOR ME TO JUDGE WHAT ANYONE DOES IN THE BEDROOM 251 00:09:37,625 --> 00:09:39,458 OR OVER A DESK. 252 00:09:39,458 --> 00:09:40,750 BUT YOU THINK IT'S FUCKED UP? 253 00:09:40,750 --> 00:09:42,333 LITTLE BIT. YEAH. 254 00:09:42,333 --> 00:09:45,583 BUT...IF YOU'RE OKAY WITH IT, 255 00:09:45,583 --> 00:09:47,208 AND YOU'RE HAVING FUN THE REST OF THE TIME... 256 00:09:47,208 --> 00:09:48,834 WHAT DO YOU MEAN? 257 00:09:48,834 --> 00:09:50,709 THOSE ARE THE TIMES. 258 00:09:50,709 --> 00:09:52,583 I MEAN, LIKE... 259 00:09:52,583 --> 00:09:54,041 WHEN YOU GO OUT TO DINNER. 260 00:09:56,375 --> 00:09:57,542 YOU DON'T GO OUT TO DINNER? 261 00:09:57,542 --> 00:10:00,041 WELL, NOT YET. 262 00:10:00,041 --> 00:10:02,041 ANYTHING? 263 00:10:02,041 --> 00:10:05,041 MOVIES? 264 00:10:05,041 --> 00:10:06,500 HANGING OUT AT HIS HOUSE? 265 00:10:06,500 --> 00:10:09,125 OH, I HAVEN'T BEEN TO HIS HOUSE YET. 266 00:10:09,125 --> 00:10:11,834 WE ONLY HAVE SEX IN THE OFFICE. 267 00:10:11,834 --> 00:10:13,542 WE'RE TAKING IT SLOW. 268 00:10:26,417 --> 00:10:28,333 WHAT ARE YOU MAKING? 269 00:10:28,333 --> 00:10:30,625 OH. IT STARTED OUT AS CHICKEN STIR-FRY. 270 00:10:30,625 --> 00:10:32,250 IT MAY HAVE GOT AWAY FROM ME. [ GASPS ] 271 00:10:32,250 --> 00:10:34,250 ARE THOSE RAISINS? 272 00:10:34,250 --> 00:10:35,959 I'M TRYING TO USE UP EVERYTHING IN THE CUPBOARD 273 00:10:35,959 --> 00:10:37,041 BEFORE WE GO HOME. 274 00:10:37,041 --> 00:10:38,583 AH. 275 00:10:38,583 --> 00:10:40,125 THAT'S POTENTIALLY TERRIFYING. 276 00:10:40,125 --> 00:10:41,458 [ CHUCKLES ] 277 00:10:41,458 --> 00:10:42,917 OH. YOU KNOW WHO CALLED? 278 00:10:42,917 --> 00:10:44,583 EILEEN JAFFEE. 279 00:10:44,583 --> 00:10:46,250 WHO'S EILEEN JAFFEE? 280 00:10:46,250 --> 00:10:47,917 THAT AGENT WE MET AT THE RESTAURANT. 281 00:10:47,917 --> 00:10:49,125 OH. RIGHT. 282 00:10:49,125 --> 00:10:50,458 WHAT'D SHE WANT? 283 00:10:50,458 --> 00:10:52,667 SHE LOVED THE SCRIPT WE SENT HER. 284 00:10:52,667 --> 00:10:54,208 AWW. THAT'S NICE. 285 00:10:54,208 --> 00:10:55,250 TASTE. 286 00:10:58,166 --> 00:10:59,500 WHAT'S SWEET? 287 00:10:59,500 --> 00:11:01,625 AMARETTO BISCUITS. WE HAD A FEW LEFT. 288 00:11:01,625 --> 00:11:04,417 RIGHT. YOU KNOW, NOT EVERYTHING HAS TO BE AN INGREDIENT. 289 00:11:04,417 --> 00:11:05,333 [ CHUCKLES ] 290 00:11:06,792 --> 00:11:08,291 UH, ANYWAY... 291 00:11:08,291 --> 00:11:10,041 EILEEN LOVED THE SCRIPT SO MUCH... 292 00:11:12,083 --> 00:11:13,291 MM? 293 00:11:13,291 --> 00:11:16,041 ...SHE SENT IT TO A FRIEND OF HERS 294 00:11:16,041 --> 00:11:17,875 WHO'S A BIG DEAL AT FOX 295 00:11:17,875 --> 00:11:21,375 WHO APPARENTLY ALSO LOVED, LOVED, LOVED IT. 296 00:11:21,375 --> 00:11:23,917 HUH. THREE "LOVES." 297 00:11:23,917 --> 00:11:26,625 THAT'S ALMOST TOO MANY. MM. HM. 298 00:11:26,625 --> 00:11:29,583 ACCORDING TO EILEEN, THIS WOMAN, KIM SOMETHING, 299 00:11:29,583 --> 00:11:31,083 WAS SO KNOCKED OUT... 300 00:11:31,083 --> 00:11:32,208 OH, DEAR GOD. 301 00:11:32,208 --> 00:11:33,458 ...SHE WANTS TO MAKE IT. 302 00:11:36,542 --> 00:11:38,500 [ BREATHES DEEPLY ] 303 00:11:38,500 --> 00:11:40,291 THOUGHT WE SHOULD AT LEAST DISCUSS IT. 304 00:11:40,291 --> 00:11:42,125 RIGHT. [ CHUCKLES ] 305 00:11:42,125 --> 00:11:46,083 WELL, MY SIDE OF THE CONVERSATION WILL BE BRIEF. 306 00:11:46,083 --> 00:11:47,542 YOU'RE THINKING NO. 307 00:11:47,542 --> 00:11:48,959 [ CHUCKLES ] I'M THINKING NO. 308 00:11:48,959 --> 00:11:51,208 I'M PRAYING NO. I'M BEGGING NO. 309 00:11:51,208 --> 00:11:53,667 WHICH IS WHAT I FIGURED YOU'D SAY. 310 00:11:53,667 --> 00:11:55,834 LOOK, I GET IT. 311 00:11:55,834 --> 00:11:56,959 IT'S FLATTERING. 312 00:11:56,959 --> 00:12:00,375 OH, BUT THESE FUCKERS ARE ALWAYS FLATTERING. 313 00:12:00,375 --> 00:12:02,291 THEY'RE PROFESSIONALLY FLATTERING. 314 00:12:02,291 --> 00:12:03,333 HEH, RIGHT. 315 00:12:03,333 --> 00:12:04,291 DARLING, PLEASE. 316 00:12:04,291 --> 00:12:05,834 LET'S STICK TO THE PLAN. 317 00:12:05,834 --> 00:12:07,375 IT'S A GOOD PLAN. 318 00:12:07,375 --> 00:12:08,458 WE'RE GONE IN TWO WEEKS. 319 00:12:08,458 --> 00:12:10,333 WE'RE SO CLOSE. 320 00:12:10,333 --> 00:12:12,834 WE'RE THE VON TRAPPS ESCAPING OVER THE ALPS. 321 00:12:12,834 --> 00:12:14,041 WE CAN MAKE IT. 322 00:12:14,041 --> 00:12:16,542 MARIA, PLEASE, LET'S NOT GO BACK 323 00:12:16,542 --> 00:12:18,875 AND GIVE THE NAZIS ONE MORE SONG. 324 00:12:18,875 --> 00:12:20,083 [ CHUCKLES ] 325 00:12:27,792 --> 00:12:30,709 DID I SEE JAMIE'S CAR IN FRONT OF THE STAGE THIS MORNING? YEAH. WHY? 326 00:12:30,709 --> 00:12:33,542 SO, DOES THIS MEAN YOU TWO ARE? 327 00:12:33,542 --> 00:12:34,750 OH, NO, NO, NO. 328 00:12:34,750 --> 00:12:36,834 SHE LEFT SOME OF HER CRAP AT MY HOUSE, 329 00:12:36,834 --> 00:12:39,542 SO MY ASSISTANT WAS GIVING IT BACK TO HER DRIVER. 330 00:12:39,542 --> 00:12:41,792 AH. YOUR ASSISTANT AND HER DRIVER. 331 00:12:41,792 --> 00:12:44,041 SOUNDS LIKE QUITE THE EMOTIONAL GOODBYE. 332 00:12:44,041 --> 00:12:46,583 UH, HEY, DON'T YOU START GIVING ME SHIT, TOO. 333 00:12:46,583 --> 00:12:50,542 I'M SORRY, BUT I'M KIND OF WITH BEV ON THIS ONE. 334 00:12:50,542 --> 00:12:52,875 WE WORKED SO BLOODY HARD TO SAVE OUR RELATIONSHIP. 335 00:12:52,875 --> 00:12:56,208 AND YOU -- YOU JUST THROW IT AWAY LIKE... 336 00:12:56,208 --> 00:12:57,667 TISSUES. 337 00:12:57,667 --> 00:12:59,291 FUCK YOU. 338 00:12:59,291 --> 00:13:00,250 TISSUES. 339 00:13:00,250 --> 00:13:02,125 I'VE WORKED HARD ON RELATIONSHIPS. 340 00:13:02,125 --> 00:13:03,375 [ SCOFFS ] RIGHT. 341 00:13:03,375 --> 00:13:04,667 [ SCOFFS ] I HAVE. REALLY? 342 00:13:04,667 --> 00:13:07,208 YOU THINK ME AND DIANE DIDN'T TRY? 343 00:13:07,208 --> 00:13:08,417 WE DID EVERYTHING WE COULD. 344 00:13:08,417 --> 00:13:09,458 WE WENT TO COUNSELING. 345 00:13:09,458 --> 00:13:10,500 WE HAD A THREESOME. 346 00:13:10,500 --> 00:13:12,083 A THREESOME? 347 00:13:12,083 --> 00:13:14,500 THAT'S YOUR IDEA OF "WORKING HARD"? 348 00:13:14,500 --> 00:13:16,458 IT IS IF YOU'RE DOING IT RIGHT. HUH? 349 00:13:18,333 --> 00:13:20,792 AW, COME ON. 350 00:13:20,792 --> 00:13:22,458 ALL RIGHT. YOU WANT TO KNOW THE TRUTH? 351 00:13:22,458 --> 00:13:24,500 HUH? 352 00:13:24,500 --> 00:13:27,000 IT WAS A FUCKING DISASTER. 353 00:13:27,000 --> 00:13:27,917 AW. 354 00:13:27,917 --> 00:13:30,125 YOUR THREESOME WAS A DISASTER? 355 00:13:30,125 --> 00:13:30,917 IT WAS. 356 00:13:31,834 --> 00:13:34,917 LOOK, THE WHOLE THING WAS DIANE'S IDEA. 357 00:13:34,917 --> 00:13:36,709 WE WERE ALREADY IN THE SHITTER, 358 00:13:36,709 --> 00:13:38,875 AND SHE THOUGHT BRINGING IN ANOTHER GIRL MIGHT HELP. 359 00:13:38,875 --> 00:13:40,750 AND, OF COURSE, YOU DIDN'T SAY NO. [ CHUCKLES ] 360 00:13:40,750 --> 00:13:43,750 ANYWAY, DIANE GETS THIS FRIEND OF HERS, 361 00:13:43,750 --> 00:13:45,542 SOME GIRL FROM HER YOGA CLASS. 362 00:13:45,542 --> 00:13:46,667 AND SHE'S TOTALLY UP FOR IT. 363 00:13:46,667 --> 00:13:47,917 SO SHE COMES OVER. 364 00:13:47,917 --> 00:13:50,834 WE HAVE SOME WINE, AND WE ALL GET INTO BED. 365 00:13:50,834 --> 00:13:53,041 AND THE DISASTROUS PART IS? 366 00:13:53,041 --> 00:13:55,875 TURNS OUT I WAS INTO THE FRIEND WAY MORE THAN DIANE. 367 00:13:55,875 --> 00:13:57,542 I MEAN, DIANE'S AWESOME, 368 00:13:57,542 --> 00:14:00,291 BUT SHE'S THE MOTHER OF MY CHILDREN, SO... 369 00:14:00,291 --> 00:14:03,375 SO MORE DIFFICULT TO OBJECTIFY? 370 00:14:03,375 --> 00:14:05,542 NO, NO, NO. 371 00:14:05,542 --> 00:14:07,917 LOOSER PUSSY. WHAT? 372 00:14:07,917 --> 00:14:10,291 YOU KNOW, YOU PUSH TWO KIDS OUT OF THERE. IT'S... 373 00:14:10,291 --> 00:14:11,625 MM. 374 00:14:11,625 --> 00:14:13,375 BUT THIS OTHER GIRL WAS... 375 00:14:13,375 --> 00:14:14,875 [ SQUEAKING ] 376 00:14:14,875 --> 00:14:15,875 [ CELLPHONE RINGS ] [ SIGHS ] 377 00:14:17,417 --> 00:14:18,583 HELLO? 378 00:14:18,583 --> 00:14:20,041 HI, HONEY. IT'S EILEEN. 379 00:14:20,041 --> 00:14:22,125 DID YOU HAVE A CHANCE TO TALK WITH BEV? 380 00:14:22,125 --> 00:14:24,125 OHH. Y-YES. YES, I DID. 381 00:14:24,125 --> 00:14:25,792 SO? 382 00:14:25,792 --> 00:14:27,375 SO PRETTY MUCH AS WE EXPECTED. 383 00:14:27,375 --> 00:14:28,792 SHE SAID NO? 384 00:14:28,792 --> 00:14:29,834 SHE SAID NO. 385 00:14:29,834 --> 00:14:32,083 DON'T SUPPOSE THERE'S ANY WIGGLE ROOM? 386 00:14:32,083 --> 00:14:34,583 UH, NO. WE ARE SNUG. 387 00:14:34,583 --> 00:14:37,375 [ SIGHS ] WELL, WE TRIED. 388 00:14:37,375 --> 00:14:38,166 THAT WE DID. 389 00:14:38,166 --> 00:14:39,417 OH! 390 00:14:39,417 --> 00:14:41,709 MEANWHILE, GUESS WHO I JUST TALKED TO. 391 00:14:41,709 --> 00:14:44,000 STANLEY RICHARDSON. 392 00:14:44,000 --> 00:14:45,083 REALLY? 393 00:14:45,083 --> 00:14:46,834 I had to call him about another piece of business, 394 00:14:46,834 --> 00:14:48,333 BUT WE WERE TALKING ABOUT YOU GUYS 395 00:14:48,333 --> 00:14:52,041 AND HOW EXCITED FOX IS ABOUT YOUR SCRIPT. 396 00:14:52,041 --> 00:14:53,417 WHICH CAN'T HAPPEN. 397 00:14:53,417 --> 00:14:54,625 Which can't happen. 398 00:14:54,625 --> 00:14:57,458 BUT IF SOMETHING DID HAPPEN, 399 00:14:57,458 --> 00:15:00,834 STANLEY SAID HE'D BE FINE WITH US WORKING TOGETHER ON IT. 400 00:15:00,834 --> 00:15:02,625 HOW ARE YOU WITH THAT? 401 00:15:02,625 --> 00:15:05,000 BUT NOTHING'S GONNA HAPPEN. 402 00:15:05,000 --> 00:15:05,959 EXACTLY. 403 00:15:05,959 --> 00:15:08,458 WELL, IF YOU WANT HALF OF NOTHING, 404 00:15:08,458 --> 00:15:09,542 I'M SURE IT'S ALL RIGHT. 405 00:15:09,542 --> 00:15:11,458 [ LAUGHS ] GREAT! 406 00:15:11,458 --> 00:15:14,291 WELL, I'LL CALL KIM AND GIVE HER THE BAD NEWS. 407 00:15:14,291 --> 00:15:15,792 [ SIGHS ] DO YOU BELIEVE THIS? 408 00:15:15,792 --> 00:15:18,250 I'VE GOT THE ONLY CLIENTS WHO DON'T WANT A SHOW PICKED UP! 409 00:15:18,250 --> 00:15:19,166 AAH! 410 00:15:19,166 --> 00:15:20,542 OH. SORRY ABOUT THAT. 411 00:15:20,542 --> 00:15:22,667 Oh, please. Don't give it another thought. 412 00:15:22,667 --> 00:15:24,041 HAVE A GOOD ONE, SWEETIE. 413 00:15:24,041 --> 00:15:25,125 BYE-BYE. 414 00:15:26,709 --> 00:15:29,583 ROBBIE, CAN I HAVE MY COCONUT WATER NOW, 415 00:15:29,583 --> 00:15:31,792 OR SHOULD I JUST GO FUCK MYSELF?! 416 00:15:31,792 --> 00:15:34,375 [ BOTH PANTING ] 417 00:15:47,250 --> 00:15:49,041 UM...OKAY. 418 00:15:59,000 --> 00:16:00,208 [ PANTING ] 419 00:16:00,208 --> 00:16:01,417 WOW! 420 00:16:01,417 --> 00:16:03,542 THAT WAS SO... 421 00:16:03,542 --> 00:16:04,667 IS IT OKAY TO TALK NOW? 422 00:16:04,667 --> 00:16:06,583 YEAH, YEAH. 423 00:16:06,583 --> 00:16:09,417 OH, GOOD. [ CHUCKLES ] 424 00:16:09,417 --> 00:16:11,625 THAT WAS GREAT. 425 00:16:11,625 --> 00:16:13,250 HAVE YOU SEEN MY PHONE? 426 00:16:13,250 --> 00:16:16,041 WHAT? 427 00:16:16,041 --> 00:16:17,417 OH. 428 00:16:17,417 --> 00:16:18,625 OH, THERE IT IS. 429 00:16:22,583 --> 00:16:23,875 UH... 430 00:16:23,875 --> 00:16:25,458 HOO! [ CHUCKLES ] 431 00:16:28,500 --> 00:16:29,583 SO, UH... 432 00:16:31,583 --> 00:16:34,166 ...YOU WANT TO DO SOMETHING? 433 00:16:34,166 --> 00:16:35,917 WHAT DO YOU MEAN? 434 00:16:35,917 --> 00:16:40,917 YOU KNOW, LIKE, MAYBE GO OUT FOR DINNER OR... 435 00:16:40,917 --> 00:16:43,667 NO. OH. OKAY. 436 00:16:43,667 --> 00:16:46,458 MAYBE ANOTHER NIGHT. [ CHUCKLES ] 437 00:16:46,458 --> 00:16:48,500 ANYTHING ELSE YOU WANT TO DO? 438 00:16:50,375 --> 00:16:52,291 WANT TO GET MY CAR WASHED. 439 00:16:52,291 --> 00:16:54,291 OH. 440 00:16:54,291 --> 00:16:55,750 GREAT. 441 00:16:55,750 --> 00:16:57,083 GREAT. 442 00:16:57,083 --> 00:16:58,458 GOOD IDEA 443 00:17:02,458 --> 00:17:04,458 WHO WANTS A CORN DOG? 444 00:17:04,458 --> 00:17:05,417 NAH. 445 00:17:05,417 --> 00:17:06,625 THAT'S OKAY. 446 00:17:06,625 --> 00:17:07,625 LET ME REPHRASE THAT. 447 00:17:07,625 --> 00:17:10,333 I WANT A CORN DOG. 448 00:17:10,333 --> 00:17:12,166 DADDY? YEAH? 449 00:17:12,166 --> 00:17:14,375 THERE'S THAT LADY WHO MOMMY HATES. 450 00:17:14,375 --> 00:17:16,041 WELL, THAT COULD BE A LOT OF PEOPLE. 451 00:17:18,083 --> 00:17:19,750 OH, JESUS. 452 00:17:19,750 --> 00:17:22,792 UH, OKAY. YOU KNOW WHAT? 453 00:17:22,792 --> 00:17:26,583 WHY DON'T YOU GUYS GO PLAY ON THE MASSAGE CHAIR AT BROOKSTONE, 454 00:17:26,583 --> 00:17:28,166 AND I'LL MEET YOU THERE IN A LITTLE WHILE, OKAY? 455 00:17:28,166 --> 00:17:29,166 OKAY! HURRY. 456 00:17:29,166 --> 00:17:32,542 I'LL RACE YOU. 457 00:17:34,333 --> 00:17:36,625 SERIOUSLY? 458 00:17:36,625 --> 00:17:38,333 OH, MY GOD! HI! 459 00:17:38,333 --> 00:17:39,375 WHAT ARE YOU DOING? 460 00:17:39,375 --> 00:17:41,291 I'M HERE WITH MY KIDS. 461 00:17:41,291 --> 00:17:42,834 IF DIANE FINDS OUT YOU'RE STILL DOING THIS, 462 00:17:42,834 --> 00:17:44,291 I AM TOTALLY FUCKED! 463 00:17:44,291 --> 00:17:46,000 I'M NOT! I SWEAR. RIGHT. 464 00:17:46,000 --> 00:17:47,500 YOU'RE TELLING ME THIS IS A COINCIDENCE? 465 00:17:47,500 --> 00:17:49,333 YEAH. I GUESS SOMETIMES THEY REALLY HAPPEN. 466 00:17:49,333 --> 00:17:50,875 COME ON. I'M NOT STUPID. 467 00:17:50,875 --> 00:17:52,208 WE'VE BEEN HERE TOO MANY TIMES. 468 00:17:52,208 --> 00:17:53,667 I WASN'T, REALLY. 469 00:17:53,667 --> 00:17:54,750 Joe: LABES! 470 00:17:54,750 --> 00:17:56,458 HEY. HEY. 471 00:17:56,458 --> 00:17:57,291 HI. 472 00:17:57,291 --> 00:17:58,750 SORRY. 473 00:17:59,500 --> 00:18:01,166 I HAD TO PARK ON THE STREET. 474 00:18:01,166 --> 00:18:02,917 CAN YOU BELIEVE THESE FUCKERS ARE CHARGING TO PARK HERE NOW? 475 00:18:02,917 --> 00:18:04,333 IT'S OKAY. I JUST GOT HERE, TOO. 476 00:18:04,333 --> 00:18:05,500 HEY. OH. 477 00:18:05,500 --> 00:18:07,208 JOE, THIS IS MATT. MATT, JOE. 478 00:18:07,208 --> 00:18:09,542 YOU'RE...WOW. 479 00:18:09,542 --> 00:18:11,792 OH. HEY. 480 00:18:11,792 --> 00:18:12,875 HOW DO YOU GUYS... 481 00:18:12,875 --> 00:18:15,792 UH, SO, BACK WHEN I WAS SUPPOSED TO DIE, 482 00:18:15,792 --> 00:18:18,500 MATT WAS MY MAKE-A-WISH WISH. 483 00:18:18,500 --> 00:18:19,959 NO SHIT. YEAH. 484 00:18:19,959 --> 00:18:22,041 AND WE'VE STAYED FRIENDS EVER SINCE. 485 00:18:22,041 --> 00:18:24,625 YEAH. THAT'S, UH... 486 00:18:24,625 --> 00:18:25,959 YEAH. 487 00:18:25,959 --> 00:18:27,041 VERY COOL. 488 00:18:27,041 --> 00:18:28,041 I LOVE YOUR SHOW. 489 00:18:28,041 --> 00:18:29,208 SERIOUSLY? 490 00:18:29,208 --> 00:18:30,208 "PUCKS"? 491 00:18:30,208 --> 00:18:31,458 WHAT'S "PUCKS"? 492 00:18:31,458 --> 00:18:32,750 RIGHT. UH... 493 00:18:32,750 --> 00:18:34,000 THANK YOU. 494 00:18:34,000 --> 00:18:35,625 SO, YOU GUYS... 495 00:18:35,625 --> 00:18:36,792 YOU'RE LIKE... 496 00:18:36,792 --> 00:18:38,750 YEAH. WE ARE LIKE. 497 00:18:38,750 --> 00:18:41,291 SO, WHEN DID -- 498 00:18:41,291 --> 00:18:42,542 HOW DID YOU... 499 00:18:42,542 --> 00:18:44,291 REMEMBER THE LAST TIME THAT I SAW YOU? 500 00:18:44,291 --> 00:18:45,875 UH...YEAH. 501 00:18:45,875 --> 00:18:48,750 SO, THE NEXT DAY, I'M, LIKE, IN STARBUCKS. 502 00:18:48,750 --> 00:18:50,208 AND YOU KNOW HOW THEY CALL YOUR NAME? 503 00:18:50,208 --> 00:18:51,792 WELL, THIS GUY LAUGHS... 504 00:18:51,792 --> 00:18:53,208 LIKE IT'S FUNNY. 505 00:18:53,208 --> 00:18:54,959 COME ON! "LABIA"? 506 00:18:54,959 --> 00:18:56,709 I THOUGHT YOU WERE JUST FUCKING WITH THEM. 507 00:18:56,709 --> 00:18:57,750 YEAH. SO I'M LIKE, "LOOK, 508 00:18:57,750 --> 00:18:59,750 SORRY IF IT'S NOT AS INTERESTING AS 'JOE.'" 509 00:18:59,750 --> 00:19:00,542 IT WAS ON MY CUP. 510 00:19:00,542 --> 00:19:01,792 SURE. 511 00:19:01,792 --> 00:19:03,709 SO, ANYWAY, WE GOT TO TALKING, AND THEN -- 512 00:19:03,709 --> 00:19:06,750 I DON'T KNOW -- WE GOT TO DOING OTHER STUFF. 513 00:19:06,750 --> 00:19:08,417 AND WE'RE STILL DOING IT. 514 00:19:08,417 --> 00:19:09,875 [ BOTH LAUGH ] 515 00:19:09,875 --> 00:19:11,792 SO, HOW ARE YOU? ARE YOU WELL? 516 00:19:11,792 --> 00:19:13,750 YEAH. I'M WELL. 517 00:19:13,750 --> 00:19:14,917 ARE YOU...WELL? 518 00:19:14,917 --> 00:19:17,083 YEAH. I AM. I'M GOOD. 519 00:19:17,083 --> 00:19:18,583 IT'S HEALTHY. 520 00:19:18,583 --> 00:19:19,709 OH. 521 00:19:19,709 --> 00:19:21,125 WE'RE "HEALTHY"? 522 00:19:21,125 --> 00:19:22,709 YEAH. WE'RE VERY HEALTHY. 523 00:19:22,709 --> 00:19:24,542 OKAY. MM. 524 00:19:24,542 --> 00:19:26,333 IT'S BETTER WHEN YOU SAY IT LIKE THAT. 525 00:19:26,333 --> 00:19:29,125 WELL, ANYWAY, WE'RE GONNA GO GET TATTOOS, SO... 526 00:19:29,959 --> 00:19:31,125 IT WAS NICE MEETING YOU. YEAH. 527 00:19:31,125 --> 00:19:32,125 TAKE CARE. 528 00:19:32,125 --> 00:19:33,125 YEAH. 529 00:19:33,125 --> 00:19:35,291 UH...SEE YOU AROUND. 530 00:19:35,291 --> 00:19:36,959 OR NOT. 531 00:19:49,750 --> 00:19:51,792 THE KIDS. I -- 532 00:19:53,208 --> 00:19:56,125 SO, I SPOKE TO KIM ABOUT THE SCRIPT. 533 00:19:56,125 --> 00:19:57,959 OF COURSE, SHE'S HEARTBROKEN. 534 00:19:57,959 --> 00:19:59,041 BUT SHE'S A BIG GIRL. 535 00:19:59,041 --> 00:19:59,959 She gets it. 536 00:19:59,959 --> 00:20:01,917 WELL, THANK HER AGAIN FOR US. 537 00:20:01,917 --> 00:20:03,625 If you want, you can thank her yourself. 538 00:20:03,625 --> 00:20:06,125 SHE'D LOVE TO TAKE YOU GUYS TO LUNCH 539 00:20:06,125 --> 00:20:07,458 BEFORE YOU FLY HOME. 540 00:20:07,458 --> 00:20:09,208 REALLY? She just wants to meet you 541 00:20:09,208 --> 00:20:12,000 and tell you what a huge fan she is. 542 00:20:12,000 --> 00:20:13,667 UH... 543 00:20:13,667 --> 00:20:15,667 LET ME TALK TO BEV AND SEE IF SHE'S UP FOR IT. 544 00:20:15,667 --> 00:20:17,417 NO PRESSURE. LET ME KNOW. 545 00:20:18,000 --> 00:20:19,333 SEE IF SHE'S UP FOR WHAT? 546 00:20:19,333 --> 00:20:21,792 THAT WOMAN FROM FOX WANTS TO TAKE US TO LUNCH. 547 00:20:21,792 --> 00:20:22,917 DIDN'T -- BUP-BUP-BUP! 548 00:20:22,917 --> 00:20:24,959 SHE TOTALLY GETS THAT SHE CAN'T HAVE OUR SCRIPT. 549 00:20:24,959 --> 00:20:27,333 THEN WHY -- SHE JUST WANTS TO TELL US WHAT A BIG FAN SHE IS. 550 00:20:27,333 --> 00:20:28,291 WHICH WE ALREADY KNOW. 551 00:20:28,291 --> 00:20:30,166 THANK YOU, WOMAN FROM FOX. 552 00:20:30,166 --> 00:20:31,667 MIGHT BE NICE. 553 00:20:31,667 --> 00:20:33,083 FREE LUNCH. 554 00:20:33,083 --> 00:20:35,333 DARLING, I'D HAPPILY PAY FOR HER COBB SALAD 555 00:20:35,333 --> 00:20:37,083 IF I DIDN'T HAVE TO BE THERE WHEN SHE EATS IT. 556 00:20:37,083 --> 00:20:38,709 SO THAT'S A NO, THEN? 557 00:20:38,709 --> 00:20:41,917 IT'S A NO, WITH BLUE CHEESE ON THE SIDE. 558 00:20:41,917 --> 00:20:45,000 [ TYPEWRITER CLICKING ] 559 00:20:47,125 --> 00:20:49,834 SO, YOU'RE DOWN TO, WHAT -- 560 00:20:49,834 --> 00:20:51,667 TWICE A WEEK WITH THE SERITAXYL? 561 00:20:51,667 --> 00:20:53,375 RIGHT. 562 00:20:53,375 --> 00:20:57,166 STILL EXPERIENCING ANY UNWANTED, UH... 563 00:20:57,166 --> 00:20:59,208 ERECTILE INCIDENTS? 564 00:20:59,208 --> 00:21:00,834 SOME. NOT AS MANY. 565 00:21:00,834 --> 00:21:02,458 GOOD. IN THAT CASE, 566 00:21:02,458 --> 00:21:05,041 WE CAN PROBABLY STOP WITH THE SERITAXYL ENTIRELY 567 00:21:05,041 --> 00:21:06,792 AND START INCREASING THE LIMATRAN. 568 00:21:06,792 --> 00:21:09,208 THAT ONE DOESN'T MAKE YOU HORNY, DOES IT? 569 00:21:09,208 --> 00:21:11,208 NO. IN FACT, QUITE THE OPPOSITE. 570 00:21:11,208 --> 00:21:13,792 SOMETIMES THERE'S ACTUALLY A LESSENING OF SEXUAL INTEREST. 571 00:21:13,792 --> 00:21:14,834 OH. GOOD. 572 00:21:14,834 --> 00:21:18,542 FROM YOUR LIPS TO MY DICK. 573 00:21:24,417 --> 00:21:27,291 ISN'T THIS WHAT YOU WANTED -- FOR HER TO GET OVER YOU? 574 00:21:27,291 --> 00:21:28,709 YEAH. SURE. 575 00:21:28,709 --> 00:21:31,458 BUT BEING DUMPED BY YOUR STALKER? 576 00:21:31,458 --> 00:21:33,792 COME ON, NOW. 577 00:21:33,792 --> 00:21:34,750 YOU HAD A GOOD RUN. 578 00:21:34,750 --> 00:21:36,291 I GUESS. 579 00:21:36,291 --> 00:21:39,750 IT'S JUST WEIRD KNOWING I'LL PROBABLY NEVER HAVE ANOTHER ONE. 580 00:21:39,750 --> 00:21:41,750 YOU DON'T KNOW THAT. 581 00:21:41,750 --> 00:21:43,500 NAH. THAT WAS IT. 582 00:21:43,500 --> 00:21:46,750 YOU THINK HARRISON FORD'S STILL GETTING STALKERS? 583 00:21:46,750 --> 00:21:48,166 OR WARREN BEATTY? 584 00:21:48,166 --> 00:21:50,208 THERE'S A WINDOW. 585 00:21:50,208 --> 00:21:53,667 WE LEAD VERY DIFFERENT LIVES. 586 00:21:56,083 --> 00:22:00,834 YOU KNOW, I'VE HAD OTHER STALKERS, BUT... 587 00:22:00,834 --> 00:22:02,625 NOTHING LIKE THIS. 588 00:22:02,625 --> 00:22:05,250 THIS WAS 15 YEARS. 589 00:22:05,250 --> 00:22:07,250 I MET HER WHEN SHE WAS A KID. 590 00:22:07,250 --> 00:22:09,917 THEY GROW UP SO FAST. 591 00:22:09,917 --> 00:22:11,667 NO, SERIOUSLY. 592 00:22:11,667 --> 00:22:16,083 IT'S PROBABLY THE LONGEST RELATIONSHIP OF MY LIFE. 593 00:22:16,083 --> 00:22:18,417 THAT'S NOT DISTURBING AT ALL. 594 00:22:18,417 --> 00:22:20,667 ALL THOSE YEARS I PUT UP WITH HER SHIT... 595 00:22:20,667 --> 00:22:22,417 NOW SHE DECIDES IT'S OVER? 596 00:22:22,417 --> 00:22:23,917 OH, COME ON. IT'S FOR THE BEST. 597 00:22:23,917 --> 00:22:26,208 YOU KNOW IT IS. YEAH, YEAH. 598 00:22:26,208 --> 00:22:29,875 BUT SHE'S SEEMED SO...OVER ME. 599 00:22:29,875 --> 00:22:31,875 YOU KNOW? 600 00:22:31,875 --> 00:22:33,875 LIKE I WAS JUST SOME...PERSON. 601 00:22:35,834 --> 00:22:39,458 I USED TO LOOK INTO HER EYES AND SEE THE CRAZY. 602 00:22:39,458 --> 00:22:41,667 TODAY... 603 00:22:41,667 --> 00:22:44,125 NOTHING. 604 00:22:44,125 --> 00:22:45,375 IT WAS LIKE... 605 00:22:47,291 --> 00:22:49,458 LIKE THE LIGHT WENT OUT. 606 00:22:51,709 --> 00:22:54,291 [ TYPEWRITER CLICKING ] 607 00:22:56,667 --> 00:22:59,917 NOW HE DOESN'T EVEN WANT TO HAVE SEX WITH ME. 608 00:22:59,917 --> 00:23:01,500 NEVER? NOPE. 609 00:23:03,125 --> 00:23:04,875 HE WON'T LET ME TOUCH HIM. 610 00:23:04,875 --> 00:23:05,959 [ EXHALES DEEPLY ] 611 00:23:05,959 --> 00:23:06,959 HE'S DISTANT. 612 00:23:06,959 --> 00:23:08,291 HE'S MOODY. 613 00:23:08,291 --> 00:23:10,041 ALTHOUGH FROM THE SOUNDS OF IT, 614 00:23:10,041 --> 00:23:12,750 HE WAS ALWAYS DISTANT AND MOODY. 615 00:23:12,750 --> 00:23:15,583 THE ONLY DIFFERENCE IS, NOW HE'S NOT FUCKING YOU OVER A DESK. 616 00:23:15,583 --> 00:23:17,083 I KNOW. 617 00:23:17,083 --> 00:23:18,667 [ SCOFFS ] [ SIGHS ] 618 00:23:18,667 --> 00:23:20,834 WHAT DID I DO? 619 00:23:20,834 --> 00:23:22,875 MAYBE I PUSHED TOO HARD. 620 00:23:22,875 --> 00:23:24,917 DID I PUSH TOO HARD? 621 00:23:24,917 --> 00:23:27,625 ALL I DID WAS ASK HIM IF HE WANTED TO HAVE DINNER. 622 00:23:27,625 --> 00:23:29,875 OH, YOU DEMANDING BITCH. 623 00:23:29,875 --> 00:23:32,333 WELL, THEN WHY? 624 00:23:32,333 --> 00:23:33,709 DOES IT MATTER? 625 00:23:33,709 --> 00:23:35,792 JUST BE THANKFUL THAT IT'S OVER. 626 00:23:35,792 --> 00:23:38,125 [ GASPS ] YOU REALLY THINK IT'S OVER? 627 00:23:38,125 --> 00:23:40,166 I HOPE SO. 628 00:23:40,166 --> 00:23:41,917 FROM EVERYTHING YOU SAID, 629 00:23:41,917 --> 00:23:44,125 HE'S EMOTIONALLY DETACHED... 630 00:23:44,125 --> 00:23:46,208 POSSIBLY A MISOGYNIST. 631 00:23:46,208 --> 00:23:48,375 HE WOULDN'T LET YOU LOOK AT HIM 632 00:23:48,375 --> 00:23:50,709 OR TALK TO HIM WHEN YOU'RE HAVING SEX. 633 00:23:50,709 --> 00:23:53,542 LISTEN, YOU CAN FIND NEGATIVE THINGS 634 00:23:53,542 --> 00:23:55,458 TO SAY ABOUT ANYBODY. 635 00:23:55,458 --> 00:23:58,917 HE COVERED YOUR MOUTH WITH HIS HAND. 636 00:23:58,917 --> 00:24:00,834 NOT ALWAYS! 637 00:24:00,834 --> 00:24:02,208 [ SCOFFS ] 638 00:24:02,208 --> 00:24:04,208 FINE! 639 00:24:04,208 --> 00:24:06,333 OH, GOD. 640 00:24:06,333 --> 00:24:09,041 WHY DOES THIS KEEP HAPPENING TO ME? 641 00:24:09,041 --> 00:24:12,583 AM I EVER GONNA BE HAPPY? 642 00:24:12,583 --> 00:24:13,917 YES. 643 00:24:13,917 --> 00:24:14,750 REALLY? 644 00:24:14,750 --> 00:24:16,917 I DON'T KNOW. 645 00:24:16,917 --> 00:24:18,875 [ SIGHS ] 646 00:24:18,875 --> 00:24:20,000 I... 647 00:24:22,208 --> 00:24:25,000 I ALWAYS JUST ASSUMED THAT, ONE DAY, 648 00:24:25,000 --> 00:24:28,875 I'D END UP WITH SOME GREAT GUY 649 00:24:28,875 --> 00:24:32,083 WHO'S NOT MARRIED AND NOT FUCKED UP. 650 00:24:32,083 --> 00:24:34,000 BUT WHAT IF THIS IS IT? 651 00:24:34,000 --> 00:24:38,083 WHAT IF THIS ISN'T THE SHIT I HAVE TO GO THROUGH 652 00:24:38,083 --> 00:24:39,583 TO GET TO THE GOOD PART? 653 00:24:39,583 --> 00:24:44,166 WHAT IF THIS IS THE GOOD PART? 654 00:24:44,166 --> 00:24:46,583 [ SIGHS ] 655 00:24:46,583 --> 00:24:48,166 WHAT'S THE MATTER? 656 00:24:48,166 --> 00:24:51,083 I'M SORRY, I'M SORRY. 657 00:24:51,083 --> 00:24:53,417 OH, I'M SURE IT'S JUST THIS, BUT... 658 00:24:55,458 --> 00:24:58,667 [Voice breaking] ...YOU'RE MAKING ME VERY SAD. 659 00:24:58,667 --> 00:25:00,709 [ SOBS ] 660 00:25:00,709 --> 00:25:02,208 OH, MY GOD. 661 00:25:02,208 --> 00:25:06,792 MY LIFE IS MAKING YOU CRY? 662 00:25:06,792 --> 00:25:08,959 [ Crying ] OH, MY GOD! 663 00:25:08,959 --> 00:25:10,250 OH, NO, NO. 664 00:25:10,250 --> 00:25:12,083 NO, DON'T YOU START! 665 00:25:12,083 --> 00:25:13,792 I'M SORRY! 666 00:25:13,792 --> 00:25:15,458 NO. 667 00:25:15,458 --> 00:25:17,834 [ CRYING ] NO, I'M SORRY! 668 00:25:17,834 --> 00:25:22,375 NO! I'M SORRY! 669 00:25:22,375 --> 00:25:25,208 [ BOTH SOBBING ] 670 00:25:31,625 --> 00:25:33,500 IS -- IS THERE ANY MORE 671 00:25:33,500 --> 00:25:36,291 OF THAT CHICKEN-RAISIN-COOKIE SHIT? 672 00:25:36,291 --> 00:25:38,792 OH, THERE'S TONS. 673 00:25:41,291 --> 00:25:42,959 OH. 674 00:25:44,583 --> 00:25:46,542 [ TYPEWRITER CLICKING ] 675 00:25:49,417 --> 00:25:52,000 I'M AFRAID IT'S A NO ON LUNCH. 676 00:25:52,000 --> 00:25:53,500 AW. REALLY? 677 00:25:53,500 --> 00:25:55,625 BEV JUST ISN'T UP FOR IT. 678 00:25:55,625 --> 00:25:57,750 WE'VE GOT A LOT TO DO. 679 00:25:57,750 --> 00:25:59,166 STARTING TO PACK AND WHATNOT. 680 00:25:59,166 --> 00:26:00,375 GOTCHA. 681 00:26:00,375 --> 00:26:02,250 WELL, THAT'S FINE. 682 00:26:02,250 --> 00:26:04,291 UNLESS YOU WANT TO DO IT WITHOUT HER. 683 00:26:04,291 --> 00:26:05,750 OH. 684 00:26:05,750 --> 00:26:06,667 UM... 685 00:26:08,083 --> 00:26:10,125 I DON'T THINK SO. 686 00:26:10,125 --> 00:26:11,667 IT FEELS A LITTLE WEIRD. 687 00:26:11,667 --> 00:26:15,667 SWEETIE, IT'S A SANDWICH, NOT A BLOW JOB. 688 00:26:15,667 --> 00:26:17,625 ALTHOUGH SHE REALLY WANTS THAT SCRIPT. 689 00:26:17,625 --> 00:26:19,083 RIGHT. [ CHUCKLES ] 690 00:26:19,083 --> 00:26:20,291 And you'll love Kim. 691 00:26:20,291 --> 00:26:23,208 SHE USED TO RUN COMEDY CENTRAL, SO YOU KNOW SHE'S FUNNY. 692 00:26:23,208 --> 00:26:24,333 UH-HUH. 693 00:26:24,333 --> 00:26:25,875 Look, it's your call. 694 00:26:25,875 --> 00:26:27,375 JUST THINK ABOUT IT. 695 00:26:34,041 --> 00:26:38,041 OH, THERE SHE IS! 696 00:26:38,041 --> 00:26:40,375 HI, SWEETIE! 697 00:26:40,375 --> 00:26:41,375 HELLO. 698 00:26:41,375 --> 00:26:43,333 MWAH! MWAH! 699 00:26:43,333 --> 00:26:47,667 KIM SALLY, AS PROMISED, THIS IS SEAN LINCOLN. 700 00:26:47,667 --> 00:26:50,333 HELLO. OH. PLEASE. 701 00:26:50,333 --> 00:26:52,041 ACTUALLY, DO IT AGAIN. NO, NO. 702 00:26:52,041 --> 00:26:54,125 OKAY, ALL RIGHT. LET'S TAKE A SEAT. 703 00:26:54,125 --> 00:26:56,750 OH, I'M SO SORRY WE'RE THIS LATE. 704 00:26:56,750 --> 00:27:00,583 THERE WAS CRAZY TRAFFIC, AS PER USUAL IN THIS TOWN. 705 00:27:00,583 --> 00:27:02,125 [ TYPEWRITER CLICKING ] REALLY, THAT'S I GUESS MY PROGRAM 706 00:27:02,125 --> 00:27:04,959 TO BE AS LATE AS WE WERE. 707 00:27:04,959 --> 00:27:06,041 [ BREATHES DEEPLY ] 708 00:27:06,041 --> 00:27:07,709 LET'S RUN IT AGAIN, OKAY? MM-HMM. 709 00:27:07,709 --> 00:27:09,417 I GO TO KICK YOU IN THE HEAD. YEAH. 710 00:27:09,417 --> 00:27:11,083 YOU DUCK UNDER MY LEG... RIGHT. 711 00:27:11,083 --> 00:27:12,458 ...GRAB THE LEG... YEAH. 712 00:27:12,458 --> 00:27:13,542 ...THEN KICK MY OTHER LEG OUT FROM UNDER ME. 713 00:27:13,542 --> 00:27:15,583 OKAY. GOT IT. LET'S DO IT. 714 00:27:15,583 --> 00:27:16,583 YOU DON'T NEED TO MARK IT AGAIN? 715 00:27:16,583 --> 00:27:17,625 NO, NO, NO. I'M GOOD. LET'S GO. 716 00:27:17,625 --> 00:27:18,667 OKAY. ON 3. 717 00:27:18,667 --> 00:27:20,083 1...2... 718 00:27:20,083 --> 00:27:21,542 WAIT. IS IT ON 3 -- 719 00:27:21,542 --> 00:27:22,917 [ THUD ] 720 00:27:24,166 --> 00:27:26,166 YOU'RE SHITTING ME. 721 00:27:26,166 --> 00:27:27,709 YOU'RE SURE? 722 00:27:27,709 --> 00:27:30,458 THIS IS AWESOME! 723 00:27:30,458 --> 00:27:33,125 WELL, LET ME KNOW. GOOD NEWS? 724 00:27:33,125 --> 00:27:36,625 YOU KNOW THAT GUY WHO GOT MY PART IN THE NBC PILOT? 725 00:27:36,625 --> 00:27:39,041 AH. ANTHONY PAWNER SMITH. 726 00:27:39,041 --> 00:27:40,875 JUST HAD A KICKBOXING ACCIDENT. 727 00:27:40,875 --> 00:27:43,041 [ Singsongy voice ] PARALYZED! 728 00:27:43,041 --> 00:27:43,917 OH, MY GOD. 729 00:27:43,917 --> 00:27:45,083 [ Normal voice ] TEMPORARILY, 730 00:27:45,083 --> 00:27:47,166 BUT LONG ENOUGH THAT HE CAN'T DO THE PILOT. 731 00:27:49,959 --> 00:27:53,875 THE MAN IS PARALYZED. 732 00:27:53,875 --> 00:27:56,125 TEMPORARILY! 733 00:27:56,125 --> 00:27:58,250 JESUS! 734 00:27:58,250 --> 00:28:00,667 BE HAPPY FOR ME FOR ONCE! 735 00:28:00,667 --> 00:28:02,542 [ SCOFFS ] 736 00:28:02,542 --> 00:28:04,208 WE ARE BACK, BABY! 737 00:28:06,458 --> 00:28:08,166 [ TYPEWRITER CLICKING ] 48172

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.